#and a parallel track:

[asmodeusamaryllis]

Love trio real! It ALL mutual feelings confirmed

[thelesbianluthor]

I know some people think that Emily's desire to play another character instead of Fig was the reason why she was so all over the place and lost, especially in the first half of JY.

But I honestly feel like her arc was actually incredibly needed and necessary to close her character evolution in a satisfying way. (While still leaving open doors for possible future plots with the Dawn and Sandra Lynn stuff)

Fig has been struggling to find herself since the first moment. She has had to come to terms with being a completely different race than what she thought before and deal with all the consequences of that. She had to grow out of the toxic habits that were born out of her deeply rooted insecurities that finding out about her identity and lineage caused. She had to learn to be kinder to herself. I love sophomore year, it's my favorite season for so many reasons, but I feel like Fig's arc in JY was actually her best one.

Fig being so lonely at the start of the show and her innate devotion made her becoming so focused on holding others' needs over her own an inevitability. She was always aimlessly moving through life, so talented and gifted in many ways but with no real purpose outside of being the protector.

The way JY explored her struggles with introspection and her need to devote herself to others to such an extent that she ignored a curse on herself for far too long was beautiful.

Finding Ankarna, becoming a paladin of dawn and justice and coming to a point where she could let herself choose what felt right instead of what her friends needed was incredible to watch.

I feel like Junior Year gets a lot of criticism because the overall vibe from the IH was lighter and they were having a lot of fun throughout, but the story of the season was actually beautiful to me and the overall character work was so interesting.

[skymantle]

what does it all mean.

[ivan-fyodorovich-k]

@oracleoutlook the thought process went something like this:

hmm another Catholic complaining about individualism > I sure see a lot of Catholics rail against individualism as though it is a self-evident evil > I suppose I usually see it attached to sexual ethics > I suppose the deeper principle is that individualism’s evil lies in its allowance for the individual to decide what is good and evil > and I suppose that this runs against the Church’s claim to being the final arbiter of that question > I guess following that logic Catholics must see in individualism the root of the fall not only of Adam and Eve given the logic of the temptation of Eve but even the Angels > the desire to discern good and evil being seen in essence as the desire to usurp the throne of God > whose authority they see as unambiguously embodied by the earthly Church > so I suppose it makes sense for them to see it as an existential threat > it must go back at least to the Reformation if not before

Catholics when someone suggests people are "individuals"

[uraniumbones]

For those of you keeping up with the book of Bill and it's accompanying website and the bill cypher backstory. THE PARALLELS GOT ME FUCKED UP.

Spoilers incoming.

people love to talk about the dynamic between Stanford and Bill. Sure, interesting. But you know what people aren't talking about? Stanley and Bill. Specifically referencing the website (thisisnotawebsotedotcom.com)

If you input Stanley a bunch it will eventually open a new document instead of eBay pages. The page mocks Stanley and reveals his secrets or whatever. One of the clickable options on this page is "HOW HE BEAT ME". Each time you click into this is an increasingly deranged meltdown about how it shouldn't have been possible. Calling him a "cheap trick loving, past-denying overgrown child protected from failure only by a force field of denial and shamelessness" among other things. And when further pressed accuses you of acting like "those PREACHY INFANTILIZING AUTOMOTONS AT THE THERAPRISM who are SO OBSESSED with getting me to TALK about my "FEELINGS"." After that he spirals further eventually talking about "how much pain I'm in" and only in code admitting "I can still see through the eyes of everyone I've ever..." presumably killed.

If you don't know shit about Euclydia read the wiki page on it, it's not long. tldr Euclydia is bills home dimension, which he destroyed and killed every single inhabitant of in blood and fire. He did so (accidentally?) in an attempt to show them the third dimension which (because of a genetic mutation) only he had the ability to see (with his eye). Please also note when Stanford asks about his home dimension Bill says it was"destroyed by a monster".

In the website's many documents it repeatedly makes reference to Bill's parents and how much they loved him, his home, his childhood (he wore velcro sneakers it's actually incredibly cute), the ways in which he was different and not easily accepted.

Now knowing all these things. A pattern may emerge to you. Are you seeing it? Are you seeing the patterns yet?

Obviously Bill hates Stanley because he's stupid and still he somehow beat Bill. That's annoying, maddening even. But I believe it goes beyond that. He hates him all the more passionately because Stanley reminds him of himself. The poem at the end of the Stanley password on the website summarizes it best "always dragged his family down / One mistake, disowned, denied, / only thing to do was hide." Destruction of his own family, running and hiding from his own mistakes. "Reinvent, retry, reload" trying again in a new life. "When your actions make it worse, / When they see you as a curse," Making things worse where you have tried to make them better. "Give the wheel one last spin, / Take your chips and go all in" this is what weirdmagedon was for both of them. and this is where their lives differ "And lucky stan- the rolls on black, / he got his life and family back. / His big break it finally came, / Redemption from a life of shame." AND THERE IT IS. Stanley got his family back. Bill didn't. (Which is what it seems he was attempting). Stanley got his redemption. Bill didn't.

Stanley was a lonely kid fuck up just like Bill was. And he absolutely hates Stanley's guts for it because he hates his own guts for it. And all this time they're the same, just trying to fix those mistakes, to have their family back again, to be loved again. They both have this facade of untouchable aloof levity, the same insults Bill hurls at Stanley may as well be hurled at himself. "Protected from his failure only by a force field of denial and shamelessness"? "Cheap trick loving, past denying overgrown child"? You can see Bill goes from being outraged and insulting Stanley, to denying a deeper meaning to those feelings (and calling you a therapist), to talking about how much pain he is in (seemingly over all the people he killed in Euclydia), all without any specific prompting. Just pushing. Bill is the one that connected those things. Bill hates Stanley (at least partially) as an act of self hatred. Because he has made the same mistakes and can never forgive himself for them. AND (at least partially) because Stanley is not only just like him, but now just like him if he had succeeded. Stanley got his "Redemption from a life of shame". and in so doing actively prevented Bills.

Now do you see what I'm saying about THE PARALLELS?!

[rriverrunning]

obsessed w the way sansa and arya's storylines contrast in acok. sansa is trapped in the red keep, constantly watched and surveilled by guards every hour of the day, and it drives her crazy; simultaneously, arya is alone, unsupervised, uncared for by anyone who could meaningfully help her, and forced to fend for herself. while sansa is suffocated by a lack of freedom, arya suffers from an excess of it. they're two trains going in opposite directions on parallel tracks.

[newvision]

Charlotte Perkins Gilman, the Yellow Wallpaper // skeleton pleading (c. 1600s) // Bob Dylan, Idiot Wind on Blood On The Tracks (1975)

[yourgoldennotebook]

taylor swift + madness

blank space mv (1989, 2014) / the last great american dynasty (folklore, 2020) / mad woman (folklore, 2020) / champagne problems (evermore, 2020) / still from the eras tour (champagne problems) / hits different (midnights, 2022) / "in summation" - a poem by taylor swift / fortnight (the tortured poets department, 2024) / fortnight mv (the tortured poets department, 2024) / the tortured poets department (the tortured poets department, 2024) / down bad (the tortured poets department, 2024) / florida!!! (the tortured poets department, 2024) / guilty as sin? (the tortured poets department, 2024) / who’s afraid of little old me? (the tortured poets department, 2024)

[budd-ie]

“Mu Qing is too logical for his own good” is such a real problem that he deals with and as tragic as it makes his life I also think it’s really funny when someone is accusing him of something and instead of telling them to shut up or leave him alone the first thing he does is pull out the 95 fucking theses detailing every single thing wrong with their argument WITH historical evidence and additional considerations from scholarly psychology articles, MLA format works cited and completely annotated. It could use an editor and some bias correction, but he actually makes a pretty good point. anyways tgcf ace attorney au when

[youruinedmylifebynotbeingreal]

1x06 // 7x02

[basalting]

shares part of my angsty fic with no context

Bruce didn't give a speech at his parents funeral. Alfred had offered it to him, crouched at the threshold of his parents wardrobe, peering through the trousers and dresses and long coats Bruce had hidden himself in.

In those days Bruce often hid in his parents wardrobe. He'd been a people-shy child, had often spent dinners and events hidden in his mothers skirts or clutching his fathers pant leg. Martha used to gently tug his hair, tell him to 'go say hello bumblebee' and always welcomed him back to the shelter of her skirts with a laugh and a cloud of rich perfume. Thomas used to haul him up by his jacket, tuck him under his arm like a football and gently squish him until Bruce was laughing too hard to be shy.

Years later Bruce will remember the texture of his fathers favourite dress pants clenched under his hands better than the sound of his fathers voice.

So Bruce hides in the wardrobe, pretending that it's just another boring dinner and he's safe in the shadow between his parents.

[bromcommie]

ok but we. we should’ve gotten thunderbolts bucky after the winter soldier movie.

like. the whole extremely done but grimly efficient + borderline-vengeful brutal thing? the in-between getting adjusted look? shouldn’t have come AFTER they gave him (admittedly very shoddy) closure and more importantly soft lil shirts and smiles and role as big softie weirdo uncle in his fucking adopted family in Louisiana

[tombstoneswerewaiting]

PETE WENTZ SAID NEVER GIVE UP WITHOUT A FIGHT.

[right-there-ride-on]

I hate being obsessed with diejoni because it’s like the ultimate what-if of a relationship. what even happened here. ten bazillion hints of something we never got to see. why is johnny apparently the only person diego trusts or is even unprofessional with. why can johnny read him like an open book. yeah johnny treats him like a cheating ex don’t question it. for some reason diego is kind of obsessed with him. they know exactly what the other is going to do all the time in any circumstance despite allegedly not spending all that much time with each other. it’s natural okay! it’s like all the puzzle pieces are there but there’s never actual closure. unless there is. but not with each other. i feel insane

[xxmikeymurderxx]

Frerard is just Mclennon for the emo bitches (it’s me I’m emo bitches)

[comehomeetomyheart]

yearning (taylor's version)