#and in ways that are profoundly different from my first year

[luneartt]

the whole "geese mating for life" thing is funny to me (not funny, deeply tragic, but you get it) because yes, we know that this is false and suzanne collins decided to put it anyway. which is a VERY good parallel to the way we tend to hierarchize relationships and think that there is only one love for life. it's not true, we are capable of loving in equal amounts and in different ways (even in romantic relationships) several people. but this idea of a hierarchy of relationships is so intrinsic in our heads that we tend to think it's true, even if it's not (just like geese mating for life). and this is a broken man, who was ripped away from the first girl he loved before he could even experience all that love with her and never really began to heal (probably not until the end of mockinjay). it's OBVIOUS - and consistent - that he thinks this way.

and by the way, giving my contributions to the discussion as a hayffie shipper for years now, because i can't help it: even before sotr, the love that haymitch felt for lenore dove, along with the social complexity and political debates that can be raised by a relationship between haymitch and effie, is precisely what adds layers and development capacity and attracts me to them. so no, nothing about my ship was destroyed by this book and yes, i'm quite the opposite of frustrated by his love for lenore. both of my two favorite characters (individually) and their relationship (as coworkers, friends or, non-canonically, lovers) were profoundly deepened by it.

[wilwheaton]

I know it’s been a bit since you were in school, but as someone who is about to go to university, do you have any tips?

It is such a huge privilege when someone your age asks an Old like me for advice. When I was young, I thought dudes in their 50s were lame and had nothing to offer. Now that I'm one of those dudes, I understand what a gift it is when you ask me to share my experience. I hope this helps you a little bit.

Make time to meet your professors during their office hours.

You don't have to go have a deep conversation, just introduce yourself, tell them which class you are in, and thank them for their time.

You're doing this because there will be a time in your future when you need an extra day for something, or a little extra help or attention, or something like that. When you go to talk to your professor about that, it won't be the first time you've met them, and that will make a difference.

That's on an academic level. On a personal level, you're going to spend a LOT of the next few years figuring out who you are, what your values are, and how you want to live your life. Most of us try to be someone profoundly different from who we are, in our first year or two, because we're on our own and trying out what it feels like to be an adult. The thing I want you to just remember while you do that is: you know who your are in your heart, and if you try to not be that person, you will draw people to you who don't like *you* as much as they like who you are pretending to be.

It's a long way of saying "be true to yourself. Know what your values are and live them consistently, so you find other people who share them."

Finally, the advice I give everyone who asks me questions like yours:

Choose to be kind.

Choose to be honest.

Choose to be honorable.

Choose to do your best and understand that your best will vary from day to day. Don't judge yourself when your best on Monday is not the same as it was last Thursday. Just do your best, consistently.

You're at the beginning of a really great time in your life. I hope you get everything you want out of it, enjoy learning, and make life long friends.

[togglesbloggle]

For the Reverse Unpopular Opinion meme, Lamarckism!

(This is an excellent ask.)

Lamarck got done a bit dirty by the textbooks, as one so often is. He's billed as the guy who articulated an evolutionary theory of inherited characteristics, inevitably set up as an opponent made of straw for Darwin to knock down. The example I recall my own teachers using in grade school was the idea that a giraffe would strain to reach the highest branches of a tree, and as a result, its offspring would be born with slightly longer necks. Ha-ha-ha, isn't-that-silly, isn't natural selection so much more sensible?

But the thing is, this wasn't his idea, not even close. People have been running with ideas like that since antiquity at least. What Lamarck did was to systematize that claim, in the context of a wider and much more interesting theory.

Lamarck was born in to an era where natural philosophy was slowly giving way to Baconian science in the modern sense- that strange, eighteenth century, the one caught in an uneasy tension between Newton the alchemist and Darwin the naturalist. This is the century of Ben Franklin and his key and his kite, and the awed discovery that this "electricity" business was somehow involved in living organisms- the discovery that paved the way for Shelley's Frankenstein. This was the era when alchemy was fighting its last desperate battles with chemistry, when the division between 'organic' and 'inorganic' chemistry was fundamental- the first synthesis of organic molecules in the laboratory wouldn't occur until 1828, the year before Lamarck's death. We do not have atoms, not yet. Mendel and genetics are still more than a century away; we won't even have cells for another half-century or more.

Lamarck stepped in to that strange moment. I don't think he was a bold revolutionary, really, or had much interest in being one. He was profoundly interested in the structure and relationships between species, and when we're not using him as a punching bag in grade schools, some people manage to remember that he was a banging good taxonomist, and made real progress in the classification of invertebrates. He started life believing in the total immutability of species, but later was convinced that evolution really was occurring- not because somebody taught him in the classroom, or because it was the accepted wisdom of the time, but through deep, continued exposure to nature itself. He was convinced by the evidence of his senses.

(Mostly snails.)

His problem was complexity. When he'd been working as a botanist, he had this neat little idea to order organisms by complexity, starting with the grubbiest, saddest little seaweed or fern, up through lovely flowering plants. This was not an evolutionary theory, just an organizing structure; essentially, just a sort of museum display. But when he was asked to do the same thing with invertebrates, he realized rather quickly that this task had problems. A linear sorting from simple to complex seemed embarrassingly artificial, because it elided too many different kinds of complexity, and ignored obvious similarities and shared characteristics.

When he went back to the drawing board, he found better organizing schema; you'd recognize them today. There were hierarchies, nested identities. Simple forms with only basic, shared anatomical patterns, each functioning as a sort of superset implying more complex groups within it, defined additively by the addition of new organs or structures in the body. He'd made a taxonomic tree.

Even more shockingly, he realized something deep and true in what he was looking at: this wasn't just an abstract mapping of invertebrates to a conceptual diagram of their structures. This was a map in time. Complexities in invertebrates- in all organisms!- must have been accumulating in simpler forms, such that the most complicated organisms were also the youngest.

This is the essential revolution of Lamarckian evolution, not the inherited characteristics thing. His theory, in its full accounting, is actually quite elaborate. Summarized slightly less badly than it is in your grade school classroom (though still pretty badly, I'm by no means an expert on this stuff), it looks something like this:

As we all know, animals and plants are sometimes generated ex nihilo in different places, like maggots spontaneously appearing in middens. However, the spontaneous generation of life is much weaker than we have supposed; it can only result in the most basic, simple organisms (e.g. polyps). All the dizzying complexity we see in the world around us must have happened iteratively, in a sequence over time that operated on inheritance between one organism and its descendants.

As we all know, living things are dynamic in relation to inorganic matter, and this vital power includes an occasional tendency to gain in complexity. However, this tendency is not a spiritual or supernatural effect; it's a function of natural, material processes working over time. Probably this has something to do with fluids such as 'heat' and 'electricity' which are known to concentrate in living tissues. When features appear spontaneously in an organism, that should be understood as an intrinsic propensity of the organism itself, rather than being caused by the environment or by a divine entity. There is a specific, definite, and historically contingent pattern in which new features can appear in existing organisms.

As we all know, using different tissue groups more causes them to be expressed more in your descendants, and disuse weakens them in the same way. However, this is not a major feature in the development of new organic complexity, since it could only move 'laterally' on the complexity ladder and will never create new organs or tissue groups. At most, you might see lineages move from ape-like to human-like or vice versa, or between different types of birds or something; it's an adaptive tendency that helps organisms thrive in different environments. In species will less sophisticated neural systems, this will be even less flexible, because they can't supplement it with willpower the way that complex vertebrates can.

Lamarck isn't messing around here; this is a real, genuinely interesting model of the world. And what I think I'm prepared to argue here is that Lamarck's biggest errors aren't his. He has his own blind spots and mistakes, certainly. The focus on complexity is... fraught, at a minimum. But again and again, what really bites him in the ass is just his failure to break with his inherited assumptions enough. The parts of this that are actually Lamarckian, that is, are the ideas of Lamarck, are very clearly groping towards a recognizable kind of proto-evolutionary theory.

What makes Lamarck a punching bag in grade-school classes today is the same thing that made it interesting; it's that it was the best and most scientific explanation of biological complexity available at the time. It was the theory to beat, the one that had edged out all the other competitors and emerged as the most useful framework of the era. And precisely none of that complexity makes it in to our textbooks; they use "Lamarckianism" to refer to arguments made by freaking Aristotle, and which Lamarck himself accepted but de-emphasized as subordinate processes. What's even worse, Darwin didn't reject this mechanism either. Darwin was totally on board with the idea as a possible adaptive tendency; he just didn't particularly need it for his theory.

Lamarck had nothing. Not genetics, not chromosomes, not cells, not atomic theory. Geology was a hot new thing! Heat was a liquid! What Lamarck had was snails. And on the basis of snails, Lamarck deduced a profound theory of complexity emerging over time, of the biosphere as a(n al)chemical process rather than a divine pageant, of gradual adaptation punctuated by rapid innovation. That's incredible.

There's a lot of falsehood in the Lamarckian theory of evolution, and it never managed to entirely throw off the sloppy magical thinking of what came before. But his achievement was to approach biology and taxonomy with a profound scientific curiosity, and to improve and clarify our thinking about those subjects so dramatically that a theory of biology could finally, triumphantly, be proven wrong. Lamarck is falsifiable. That is a victory of the highest order.

[artofmaquenda]

After a long time, I finally picked up my brush again, using my menstrual blood as my medium. This time, something feels profoundly different. For years, my blood carried pain, brain fog, and symptoms I thought were simply a part of who I am—my normal. It wasn’t until I started taking thyroid medication that I realized how much I had been silently suffering. My blood has slowly changed. It’s clearer now, free from the mucus that used to be so familiar.

Painting with my blood in the past was a way to sit with my pain, to face it. I’d wake up early, unable to sleep from the discomfort, and let the art flow through me as a form of release. What would come out of me was raw, painful, but healing in its own way. Today, this piece feels like a reflection of that transformation—of where I was and where I am now. There’s a clarity to it that mirrors what’s happening inside of me, a shift in how I relate to my own body and the cycles it endures.

For the first time in a long time, my creation isn’t just about enduring the pain, but about embracing the change, recognizing that this journey is ongoing and ever-evolving.

[scientia-rex]

I feel like disappointment in Biden is baffling to me because he was always a disappointment. He was the asshole who got to ride to power on the coattails of a better man. He told bizarre and repeated lies (despite getting caught at it and his team telling him not to) about having a Welsh coal miner dad when he did not and he stole that story from actual Welsh people. I read a profile of him years back that pointed this out and told the story of the time he straight up ignored good advice from an expert not to plant a certain kind of tree too close together and flew a bunch of them out to plant, at night because he was just too fucking excited about it, and they all died. He’s not a smart man! He’s charismatic ish and lacks principles and as far as I can tell doesn’t really care about abortion rights or a lot of things we’d consider pretty critical to preserving freedom. I sincerely thought he couldn’t become President because there were so many obviously better candidates in the pool. I underestimated the sexism and antisemitism in American politics, and when he became the candidate in 2020 I gritted my teeth and voted for him because the alternative was a man who is not only an idiot but also profoundly dangerous. Trump is not ha-ha crazy, he’s Mussolini crazy. He is not dangerous because he’s stupid, although that doesn’t help; he’s dangerous because he does not care about anyone except himself under any circumstances and if that means he lets the far right push us straight into forced birth for white women and sterilization for women of color he’s going to do that. If that means conversion therapy for queers and death penalty for homosexual acts he’s going to do that. He has literally no limits. If he gets back into power, a whole lot of people are going to die, again. It’s not a hypothetical because it happened the first time and he’s only going to get worse.

I am not, never have been, and never will be a fan of Biden. To pretend that he and Trump are in any way equivalent is wrong at best and another goddamn Russian psy-op at worst. To pretend that a third party candidacy is viable in the US is to completely ignore every election of your lifetime and your parents’ lifetimes, and to further ignore the lesson of Ross Perot.

You cannot save Palestinians by not voting for Biden in November; the best you can do is chip away at his margin, and the worst you can do is see Trump elected so he can decide to do the worst possible thing in ever circumstance. Biden has Palestinian blood on his hands and watching this when we could have had Bernie or Elizabeth Warren instead is maddening. (I would have preferred Hillary to Trump, but I don’t think she’d be any different than Biden here. They’re both old-school politicians.)

I hate everything about this, and I hate that saying “maybe don’t put the man who literally said he would kill his political enemies in power” is seen as supporting genocide. It’s acknowledging reality. Joe Biden as a person can eat rocks for all I care. I was kind of hoping he’d die sooner in his term so we’d have time to get used to and then vote for President Harris. (Remember when the line was “she’s a cop, don’t vote for her”? Funny how there’s always a reason not to vote for a woman or a person of color or someone you just “don’t like” and can’t put a finger on why except she “seems angry.” Oh does she. How would she not? When Michelle fucking Obama, the picture of grace , STILL got called angry for having the nerve to be a Black woman with an opinion? When Hillary Clinton lost to a man with no political experience to her decades and who openly discussed sexually assaulting women? Would you have voted for President Harris? Or would you let Trump win again because you don’t LIKE her personally and she’s made decisions and statements you disagree with?)

Biden has both less power than his critics give him credit for and more power than his fans give him credit for. He needs to do more to pressure Israel and although it’s a delicate diplomatic situation I’d rather see us fuck up our diplomatic relationship with Israel than watch more Palestinians get murdered for things like “wanting to eat” and “existing.” The line has been crossed, and he doesn’t see it. Because he wasn’t the best person for the job. Because they didn’t get elected, because of sexism/antisemitism/racism. Hell, I have no idea what bootlicker Pete Buttegieg would have done here, but I’d have given him a try. But no. We got Biden and we’re stuck with this reality where you can be as leftist as you want and still have to look at the situation and decide whether you’re comfortable contributing to a Trump victory through inaction. I want socialism—I want every single person on Earth to have clean drinking water, enough safe food, shelter, medical care, and education—and I’m going to vote for Biden, pissy as it makes me, because the only actual alternative is so, so much worse, for me personally as both a woman and a queer, and for everyone in America and the rest of the world who Trump would find reasons to hurt. What do you think the man who openly and repeatedly praises dictators is going to do when those dictators massacre their own people? Yes, we need to care about this genocide now. We also need to care about all of the other people who are at real risk, both at home and abroad. Would a Trump government agree to fund military intervention in Haiti without insisting on it being a colonial exercise in power? Would a Trump government roll back the restrictions on discriminating against transgender patients in healthcare? How would Trump respond if Orban started dragging people into the streets and shooting them en masse? How would Trump respond if China finally went for it and invaded Taiwan? There are more lives at stake here than mine or yours or even those of the Palestinians, who have deserved better for literally decades and are being mass killed in ways that should result in immediate sanctions, a war crimes trial, and the execution of Netanyahu.

The world deserves better from you than complicity in a Trump victory.

[rivereverie]

Astarion and Vanity

Spoilers for all of Astarion’s story through all acts of BG3. As always, this is just my interpretation and thoughts on the character from what I know, so feel free to disagree.

I feel that Astarion’s expression of vanity is a part of him that gets misread a lot. It’s something that is pointed to as one of his negative traits as though this vanity of his is sincere. Personally, I think his outward obsession with his own looks and charm is anything but shallow, and is yet another example of how his life experience and trauma has shaped him. 

Beauty is in the eye of the beholder (ha), and for the sake of this mild analysis, I’m going to be defining beauty as conventional physical attractiveness. The main point is that Astarion in-game is treated as being very attractive, so that’s how I will treat him in this conversation. Beauty can be a form of power; one Astarion was very clearly blessed with. While all the main companions in the game are designed to be rather attractive, for Astarion, this goes beyond simply wanting to appeal to the player and is not incidental. In my opinion, Astarion’s looks are crucial to his character. 

To briefly summarize what we all know about Astarion, he was thoroughly and systematically stripped of his autonomy and identity by Cazador. He was forced to adopt an incredibly narrow worldview of essentially: power = freedom = safety (simplified, of course). Throughout the game, he makes choices that slowly shape and are shaped by the man he’s becoming. By the end of the spawn route, he’s still only just beginning to really discover himself. This all is crucial to the heart of his character and influences all his actions. 

Given his hollow sense of identity, Astarion clings to certain traits which he parades around, making sure everyone knows these things about him. The most prominent of those traits being hedonism, sadism, selfishness, and vanity. In this post, I’m going to be focusing on the last item, though I do have a post on learned cruelty that delves into the trait of sadism in the context of his identity. The pattern here is that these traits are masks that serve to make him feel in-control of both himself and those around him. 

While Astarion may seem terribly vain, his appearance to others is actually a very deep-seated, sensitive issue that genuinely affects him. The infamous mirror scene may come across to some as him being shallow, at first, but really he’s right in what he said; his reflection is just one more thing that was taken from him, and it’s completely fair that he is angry and grieves. But this is also significant to him beyond the fact of its injustice, or the symbolism of reflection as identity. Let’s dive a little into his psyche, and guess at how he sees himself and the world: He’s spent the past 200 years being valued exclusively for his ability to bring back prey for Cazador and perform sexually. This equates to his charm and his body. After two centuries of being degraded and stripped of everything, and only ever getting any kind of positive reinforcement, praise, or acknowledgement for your looks and seductiveness, of course he’d begin unconsciously tying his sense of self-worth to his appearance. By Cazador, he was turned into a tool and a toy. By his targets, he was objectified. Dehumanized from both sides in different ways, and again, only valued for his body and whatever sweet words he could spin. This leaves him with his self-worth very profoundly tied to his appearance to others, as I said.

I imagine he had two main types of targets when under Cazador’s thrall: starry-eyed, naive folks who were swept off their feet, and more predatory characters who took advantage of an easy offer. The former were probably the only source of genuine positive attention he ever got for those 200 years, even if it was shallow. Since he cannot find self-affirmation by looking into a mirror, he finds new mirrors in the eyes of those who look upon him. His beauty is reflected in their hunger, their lust, their admiration, their bashfulness, their envy. Is it any wonder that now he flaunts himself, always making comments about how good he looks? If he doesn’t get an affirmative response, then at least it's his way of reassuring himself. Telling himself that he’s still valuable in the only way he knows how to assess his value. “I don’t need a reflection to know this looks fabulous”, he tells himself. This is why he makes so many seemingly vain comments. Why he’s so concerned with being done-up and looking good. Why he has spent so much time mending his clothes so he looks every bit the part of the dashing elven rogue. 

Speaking of his clothes, this is another way he’s clinging to his autonomy and identity even through all his years of torment. His clothes were probably one of the only things he was ever allowed to have. When you have so little, of course you’ll care for it, hence why the flavor text  for both his shirt and armor mention how his clothes are worn, but have been repaired many times by a careful hand. During those years under Cazador, it probably brought him a small sense of control to be able to mend and embroider his own clothes; the only things which he felt belonged to him, more so than his own body. Something familiar that gave him a sense of security and self. (This is why I adore the idea of him becoming a tailor after the story, because it's giving him a healthy outlet of personal expression and creating something that's entirely his own. Hobbies can be crucial to cultivating one's identity and self-esteem, and we all want that for him). Not to mention that Cazador probably would not have taken kindly to his spawn not looking their best, and that's probably a "rule" Astarion carried with him even into freedom.

I think the mirror scene is a lot more than him just seeking validation and showing us a glimpse into this part of his mind, though. It’s also about him genuinely trying to evaluate how the player character sees him, and shows how he’s trying to figure out his new identity in freedom, but that’s its own discussion for another time. I just think that it’s unfair for people to call him vain or shallow for caring about his reflection and appearance so much, when that’s all he was ever taught to value in himself.

 The only other significant way we see Astarion valuing himself is through his skills as a rogue, with his constant cocky comments about how easy it is for him. While this too is a form of external validation born of valuing himself for what he can do rather than what he is, it’s still a positive thing for him. The game doesn’t really address all this, but in my mind, him getting to make use of his skills and be valued as a part of a group that needs him is probably really good for his self-esteem at this point in his life. 

All of this to say, I don’t think it’s fair to cast judgement on him for being “vain”, given everything we know about him. There is a big difference between him and someone who genuinely sees the world through a shallow and judgmental lens. For him, his mask of vanity is a symptom of his pain and twisted worldview rather than something rotten born of privilege and a superiority complex. His self-aggrandizement is a necessary part of the narrative he’s building for himself: the vampire spawn who would ascend. Again, desperate to convince himself and those around him that he both wants and deserves this, even as his crooked worldview is being chipped away by genuine kindness and connection. This understanding of his mind shows why it’s so important to him that we see and love him for who he actually is, not just his charm and beauty. His heart is beautiful in an entirely different way that outshines his physical features, even if he himself doesn't see it. The hope is that, with his friends and perhaps partner at his side, he’ll learn to value himself for his own heart and soul; for the person he’s becoming as he gathers up the pieces of his identity. To see the light he holds within him that endured those centuries of darkness. Until the mirrors stop mattering.

[comicaurora]

hi red!! i'm doing an analysis of sun wukong's (and journey to the west in general's) impact on modern culture for my world mythology final, and for some reason i'm having a hard time finding sources. is there anything you can recommend?

The fact that Journey to the West has contributed an enormous number of tropes to modern media is very clear when the media in question is examined, but I don't know of a specific secondary source that's already done that analysis for you. However, this IS a very good excuse for you to plow through a metric buttload of shonen manga, since the lineage is basically Sun Wukong -> Son Goku -> like a solid third of all shonen action heroes written in the last forty years.

Dragon Ball kicks things off:

Started in 1984 and almost unquestionably the most influential manga ever made. Its first arc features the weird super-strong monkey-kid Son Goku - which is just the japanese pronunciation of the characters of Sun Wukong's name - meeting up with a wacky crew of thinly-veiled expys of the Journey to the West crew, with teen inventor Bulma filling the role of Tripitaka, Oolong the pig-man filling Zhu Bajie's role and Yamcha the desert-based bandit as Sha Wujing.

Hijinks ensue, and while the story drifts pretty far from Journey to the West's original plot, it actually stays pretty solidly referential in weirdly unexpected ways. Several the villains of the week are JttW references, and even the later appearance of three more Saiyans lines up with the surprise reveal of three more Wukong-like mystical apes in the original story.

The connection between Dragon Ball and JttW is very unsubtle and a frequent reference in the chapter covers and supplemental art.

Not every subsequent JttW reference is the result of Dragon Ball popularizing it or anything, since it was already enormously popular, but I think it's pretty hard to extricate Dragon Ball's influence on anime and manga from the original influence of Journey to the West itself.

One way that a distinction can be drawn is in the differences in characterization between Goku and Sun Wukong himself. A lot of the next generation of shonen protagonists were kind of Goku-alikes - pure-hearted dumbasses who only care for the three Fs: Food, Fighting and Friendship.

But the original characterization of Sun Wukong is not really all that similar. He's a trickster, sure, but he's far from a young, friendship-motivated goober. He's profoundly intelligent, pretty much the most well-educated entity on the planet, and routinely brings up that he's centuries older than most of his peers. The Goku-alikes from the later decades of shonen anime are tellingly far-removed from that original characterization. So you get characters based on Goku's cheerful idiocy, but it's just a small subset of the broader influence of Journey to the West on the space of literature.

In general, Journey to the West frequently shows up in very small, bite-sized tropes in other stories. It's less "this is wholly based on Journey to the West" and more "oh, I know where they maybe got this idea/aesthetic/power/weapon/villain of the week from." There are way too many to list, but some of the ones that tend to jump out at me are-

Sneaky characters with monkey motifs:

Tricksy, highly mobile characters who fight with a staff:

Characters afflicted with a magical restraint artifact that allows a much weaker character to stop them from misbehaving:

Specific esoteric weapons, eg. magical fans, rakes, gourds, namedropping The Sword of Seven Stars, etc.

Villains with prominent ox or pig design motifs:

Characters whose primary combat strat is just making Shitloads Of Disposable Copies Of Themselves:

Honestly it just keeps going like this. It's kinda everywhere. Finding the JttW in things is my favorite conspiracy theory rabbit hole because it's 100% harmless and more often than not completely correct.

[loverangels]

somethin' stupid

pairings: laurie laurence x fem!reader

synopsis: you had watched the boy you loved run after another girl your whole life, yet when he falls back to you as his second option you have to make a heartbreaking decision.

a/n: literally all angst 😭, use of (name), mention of drinking

𐙚˙⋆.˚ ᡣ𐭩

Through foggy windows and layers of love, you had watched Laurie Laurence devote his adoration to jo march. Despite being there as a friend to step back on, despite the comforting moments where you were a shoulder to cry on, and despite the fact that you were utterly and profoundly in love with the boy, it didn't seem to change anything.

Moments were hard, watching Laurie and your best friend Jo during the times where the three of you hung out, watching Jo being her carefree self not needing to try to get Laurie's attention, the alternative to you, whilst Laurie chased her around and danced with his feelings around her.

And then there was you.

Jo had confided to you of her fears of the laurence boys feelings, and Laurie confided to you his feelings for Jo.

'i just don't know what to do!' Jo exclaimed 'i love Laurie I do but...not the way he loves me. My love is as strong, it just comes from a different place'

'i love her and I think...I think if I showed her how much I love her she'll tell me loves me just as much' Laurie sighed leaning his head on your shoulder. 'shes the only one for me'

and you? well you were just there.

a witness to the horrible testimony despite your shattered heart.

𐙚˙⋆.˚ ᡣ𐭩

You knew what had taken place the moment you had watched Laurie out of your window, almost somberly walk back, home his head hung down, hands stuffed in his pockets and tears stained down his cheeks.

You knew Jo had refused him.

You should have felt a relief, the cold rush over your body as though you had just taken a refreshing gulp of air.

You felt almost cleansed and you were ashamed of yourself for that.

𐙚˙⋆.˚ ᡣ𐭩

Four years.

You had never thought how lonely you would be, every night it seemed as though you cursed yourself for ever wishing such a horrible thing upon Laurie because now...now it had been four years since you had seen him.

Your mother had passed away not too long after Laurie had left for Europe.

Not only were you dealing with the grief for the boy who you loved, but also for the turning point of losing a mother.

With the some of the last money you had, you arranged a nice small ceremony for her, inviting the marchs' and Laurie.

However it seemed as though Laurie hadn't cared enough to arrive back.

The marchs' gave their condolences comforting you, yet it seemed as though the one person who you needed the most didn't need you.

At the end of the first year you decided to go abroad. To Italy. You packed all the last possesions you owned and rented your small home out to a family whilst you were abroad.

Landing in Italy you had opened a tailor shop selling plain dresses and mending old belongings. As you made a name for yourself and gathered more money you had made a wider range of clothing and now luxurious elegant gowns.

So that's what you did.

Rich women with rich needs would come to you to stitch together a gown of their dreams, and you would make quite a good living out of it.

𐙚˙⋆.˚ ᡣ𐭩

It had been years and you were thriving, you had a fiancé who had quite some money and was a thoughtful man, you yourself had made yourself a name and money and you had some friends.

And now you were here dragged by Amy to some sort of party in paris.

How you ended up there was beyond you.

The room was buzzing with excited chatter and flirty glances, the floor lit with somber lighting, shirts loosened and curls detangled.

Engaging happily with Amy about Aaron, your fiancé, a glass in your hand as you swirled the remains of your drink.

"...and we're to get married in summer," you continue, your voice carrying a practiced cheerfulness. "Aaron and I were debating on May, but having it in the summer seemed perfect—" You pause mid-sentence, noticing Amy's gaze shift behind you. Her eyes widen, darting nervously between you and whatever—or whoever—she sees.

Your heart begins to race, dread and curiosity mingling as you slowly turn to follow her line of sight. And there he is. Laurie. Theodore Laurence, strewn across a couch in the midst of a lively crowd, his drunken smile and magnetic presence exactly as you remember—and yet entirely unfamiliar. For a moment, the world tilts, the din of laughter and clinking glasses fading into silence. It’s been four years. Four years since you last saw him, four years since you tucked your feelings for him into the quiet corner of your heart, convinced he’d never look at you the way you wished he would.

And yet, here he is, thrown casually on the arm of a velvet couch, a charming grin aimed at the young women beside him.

Your chest tightens as the sight of him threatens to undo you. He looks so at ease, so... content. You force yourself to breathe, but the air feels heavy, laden with emotions you thought you'd buried long ago. Your fingers tighten around the stem of your glass as he glances up—and for the briefest moment, your eyes meet.

Air caught in your throat as you swallow the lump weighing down on your heart, as you tear your eyes away, whipping back around to Amy almost at a loss for breath.

Shaken you excuse yourself from Amy and her pitiful eyes when she gives your hand a squeeze, as you walk past and outside onto the porch, letting your eyes close as the cool breeze softens your muscles.

After a few minutes of regulating your breathing, you turned around, your fingers brushing the ornate railing of the Parisian railing of the poarch. as you hear the soft click of the door opening behind you. The distant hum of party chatter and laughter carried on the breeze, but it was his voice, low and familiar, that pierced through it all.

'(name)'

Your breath caught, and for a moment, you froze. You hadn’t heard him say your name in years, not like this—gentle, hesitant, almost uncertain. It sounded older, heavier somehow, as if he bore the weight of those four years just as you did.

You turn slowly, the soft glow of the garden lamps casting faint shadows across his face. He was still Laurie—blacken hair and sharp-featured—but his boyishness had given way to something sharper, something a little more tired. He stepped towards you, and you instinctively took a step back, gripping the railing tighter.

"You followed me out here?" Your voice cold, more so than you intended, but the storm of emotions building in your chest left little room for restraint.

He stopped short, a flicker of something unreadable passing across his face. "I had to."

"Had to?" you echoed, a bitter laugh escaping your lips. "That’s funny, because you didn’t have to—" you bit the words off, closing her eyes briefly, as if reining in your anger. When you opened them again, your gaze was sharp and unyielding. "You didn’t have to come to my mother’s funeral. Or write. Or even—" you shook your head, your voice cracking slightly. "You didn’t have to do anything, did you, Laurie?"

He flinched, and for the first time, you saw the guilt etched into his features. "I—"

"Where were you?" The question came out like a whisper, but it hit him like a blow. "Where were you when I needed you most?"

Laurie looked down at his hands, as if searching for an answer there, before finally meeting your gaze. "I was a coward," he admitted, his voice barely audible. "When Jo said no, I ran. I didn’t know how to stay. Not with you, not with anyone. I thought—" He took a shaky breath. "I thought I was doing you a favor by staying away."

"A favor?" You repeat, incredulous. "You thought abandoning me—when I lost the only family I had left—was a favor?"

"I didn’t know what to say!" he burst out, his voice rising. "I didn’t know how to look you in the eye and face what I’d done. And I ruined it. I ruined everything."

"You didn’t ruin it," you said finally, your voice trembling. "You just… left. And you broke me, Laurie. You broke me."

The silence that followed was thick and heavy, broken only by the faint strains of music drifting out from the party inside. He looked at you, his eyes glassy with unshed tears. "I’m sorry," he said.

But sorry wasn’t enough.

You turn your back to him, gripping the railing as you stare out into the garden. "You can’t just show up here and expect everything to go back to the way it was," you say quietly. "I’ve spent years putting myself back together. And I don’t even know if I want—" you stopped, shaking your head.

"If you want me in your life," Laurie finished for her, his voice soft. He stepped closer, but this time, he didn’t try to reach for you. "I understand. I don’t deserve it. But I’d like to try, if you’ll let me."

You turn to face him again, eyes searching his for something—anything—that would make this easier. What you saw there wasn’t the boy you fallen in love with. It was someone else entirely. Someone older. Someone who had suffered in his own way.

"Small steps," you said at last, voice steady but firm. "If we’re going to fix this… it’s going to take time."

His lips parted slightly, as if he wanted to say more, but instead, he nodded. "Small steps," he repeated.

The faint trace of a smile tugged at your lips, though it didn’t quite reach your eyes. "Good."

𐙚˙⋆.˚ ᡣ𐭩

Over the span of a few weeks, you and Laurie had spent many occasions together, slowly constructing back the fondness you both held for each other. Tension was still palpable and strained at times, yet often you found yourself grinning and laughing at him.

Right now Laurie had arrived outside of the hotel you were residing in and you agreed to let him tag along.

As you shopped for a wedding dress.

When you told Laurie you were engaged you were too busy avoiding his gaze, and acting as though you were indifferent to his opinion, than to notice his crestfallen look and clenched jaw as you told him about Aaron.

Now, with the same bitter taste on his tongue, laurie was trailing along you as you busied yourself with the racks of dresses.

'you havent told me when the wedding is' Laurie spoke as you picked a certain dress that had caught your eye.

'oh' you simply remark 'its taking place in Rome in June'

And that's the last thing you say before you walk into the dressing room, dress in your hand, leaving laurie drowning in the words that threaten to leave his tongue.

𐙚˙⋆.˚ ᡣ𐭩

The silk glided over your skin as you stepped out of the dressing room, your breath catching at the sight in the mirror. The gown clung and flowed in all the right places, the corset cinching your waist perfectly while the long, flowy sleeves cascaded like a whisper of elegance. Tiny pink roses and green leaves embroidered on the fabric seemed to bloom in the soft light of the shop, each detail a testament to the craftsmanship. The bow at the small of your back tied it all together, making you feel—for the first time in a long while—utterly beautiful.

You turned slightly, running your fingers over the delicate embroidery, your reflection almost unrecognizable. "It’s perfect," you murmured to yourself, a small smile tugging at your lips.

The sound of footsteps made you glance toward the door, and there he was. Laurie.

He froze the moment he saw you. His hand still on the door, his lips parted slightly, as though he’d forgotten how to breathe. His gaze swept over you, slow and deliberate, drinking in every detail as if he was committing it to memory—the softness of the silk, the curve of the corset, the gentle blush of the embroidery, the way the gown moved with you like it was made for no one else.

"You—" he began, his voice catching. He stepped closer, his expression shifting into something almost reverent. "You look… breathtaking."

Heat rose to your cheeks, and you ducked your head slightly, a laugh escaping despite yourself. "You’re being dramatic."

"I’m not," he said quickly, almost too quickly. His voice was softer now, his eyes locked on you. "I mean it. You look… like a dream."

You felt the compliment settle in your chest, warm and fluttering, as though it had been a long time since someone looked at you quite like that. You smoothed the fabric of the dress nervously, glancing back at your reflection. "Do you think Aaron will like it?"

The words hung in the air like a crack of thunder.

Laurie’s expression changed instantly, the warmth in his eyes replaced by something harder, sharper. His jaw tightened, and he took a step back as if the name physically pushed him away.

"Don’t marry him," he said suddenly, his voice low and urgent.

You blinked, stunned. "What?"

"Don’t marry him," he repeated, louder this time, his eyes searching yours. There was a desperation in his voice, an almost frantic edge. "I can’t— I won’t let you."

Anger flared in your chest, your heart pounding as you turned to face him fully. "What are you talking about? You won’t let me? Laurie, what—"

"I love you," he interrupted, the words tumbling out as if he couldn’t hold them back any longer. His hands clenched into fists at his sides, his voice breaking. "I love you, (name). I have for so long, and I was too stupid to see it, to admit it. But I see it now, and it’s not too late—"

"Not too late?" you cut him off, your voice rising. "Not too late?" Emotion surged through you, hot and overwhelming, and before you could stop yourself, the words poured out. "Laurie, I loved you from the moment I met you. It was always you, me, and Jo. And I waited for you. I waited even after you left, even after my mother died, even after you didn’t come back. And now—" Your voice cracked, your eyes stinging with tears. "Now, when I’ve finally moved on, when I’ve built a life for myself, this is when you tell me you love me?"

"(name)—" he began, stepping toward you, but you held up a hand, stopping him in his tracks.

"No," you said, shaking your head, your voice trembling with frustration. "I won’t be your second choice, Laurie."

"You’re not—"

"Really?" you snapped, your eyes blazing as the tears spilled over. "Jo didn’t marry you, so now you fall back to the person you know would? That’s cruel. It’s mean, and I won’t give you the satisfaction."

The silence that followed was deafening, the air between you heavy with words unsaid. Laurie’s face crumpled, his shoulders slumping as if your words had struck him like a physical blow. He opened his mouth, but no sound came out.

You turned sharply, retreating to the dressing room, your hands trembling as you pulled at the laces of the corset. The dress that had made you feel so beautiful minutes ago now felt suffocating, the silk clinging too tightly to your skin. You slipped back into your regular clothes, blinking back tears as you tried to steady your breathing.

When you stepped out, the shop was quiet. Too quiet. Laurie was gone.

The woman behind the counter gave you a sympathetic look, her hands clasped in front of her. "He paid for the dress," she said softly, as if afraid her words might shatter you completely.

You nodded, swallowing the lump in your throat, and forced yourself to smile. "Thank you," you murmured, your voice barely above a whisper.

As you left the shop, the weight of everything pressed down on you, but you held your head high, determined not to let the tears fall. Not here. Not now.

[adore-laur]

CAKE

——

Harry pulls into the parking lot of the bakery he used to work at irregularly, the faded burgundy bricks a familiar sight. It hasn't been revamped much from when he was in his mid-twenties and struggling to earn a livable wage by juggling pastry-making, bartending, and training to be a chef. While he's not necessarily fond of those stressful workplace memories, the one that stands out the most is when he saw your pretty face again in the bakery. It was fate at its finest, and the rest is cherished history. He'll always be grateful for this place.

Over five years later, he is back with exhilaration thrumming in his chest. He's older now, his life wildly different than before he met you—now, he has a steadfast romance that keeps getting better, two precious daughters, and another baby on the way, all in a house where the ocean breeze kisses his skin every morning. He never envisioned being lucky enough to live out his dream so profoundly.

Harry steps out of the car, enjoying the subdued sunshine. He spins his key ring around his pointer finger, a smile already lifting his lips as he shoulders the front door open. The scent of baked bread and hints of vanilla greet him, along with the bakery's owner, Doreen, who gives him a cordial wave. She's a short woman in her sixties who has been running the place since before Harry was born. The long grey braid tapering down her back swings back and forth as she wipes the storefront windows with a rag. An apron is tied around her waist, the well-worn fabric dusted with flour and smears of blue frosting. She hasn't changed one bit.

"Hello, dear," Doreen says, briefly pausing her cleaning to kiss his cheek. Even on her tiptoes, Harry has to bend down to close the gap. "I know something you don't!"

He inhales deeply, that warm thrum returning. "You sure do."

She grins mischievously. "It's in the fridge, top left shelf. Help yourself."

Harry walks toward the two-section glass fridge behind the counter. A week ago, you did a blood test that could detect the baby's gender earlier than an ultrasound. At your request to keep it a secret for now, the obstetrician wrote the results down and sealed it in an envelope, which Harry then brought to the bakery and ordered a two-tier vanilla cake with either pink or blue frosting inside. Only the baker would know until it was sliced into by you and him. You both wanted a different type of reveal this time around. Last pregnancy, it was kept a surprise until birth. You're both too excited to wait this time.

"Thank you again for doing this," Harry says, taking the white bakery box with a yellow sticky note that has Styles Family scribbled on it. "If you ever need extra help around here, don't hesitate to give me a call."

"Oh, don't worry about me." Doreen places her hands on her hips, winking at him. "I'm sure you have your hands full at home."

He laughs softly. "I do, but they're wonderful little helpers. I could always bring them in, even if it's just to taste test."

"How old are they now?"

"Four and one. Our oldest is in her first year of preschool."

She shakes her head in disbelief. "Goodness, how time flies. Plus a bun in the oven?"

"She's eleven weeks," he replies, smiling proudly.

"How is she feeling?"

Harry thinks back to when he left this morning, leaving you lying in bed sandwiched by the kids still in their pajamas. "Pretty fatigued, but she knows what to expect by now. She's doing everything she can to stay motivated."

"Well, I was happy to hear the news and so honored to be one of the first ones to know such a special secret," Doreen says, pinching his earlobe affectionately. "I baked my best cake for you. Oh, that reminds me!" She scurries over to a nearby table to retrieve a wrapped plate with an assortment of desserts, no doubt baked by her. "These are for you and your girls."

Harry's heart swells, and he pecks her cheek with gratitude. "We appreciate it so much. And I'm serious: I'll put my old apron back on if you need me to. I still know how to make a mean batch of macarons."

She shoos him away with her cleaning rag. "Go on, you silly boy. Be with your family."

He beams on his way out of the bakery, wanting nothing more.

——

Harry arrives back home in the late morning, feeling grateful that it's the weekend. The house is quiet, and he'd bet money that his girls are in the same position he left them in an hour ago. Arguably, that's what Sundays are for—cuddles under warm sheets and no obligation to be anywhere else.

The front door snicks shut, and he walks the short distance to the kitchen to set the cake box on the island. His fingers itch to open it and sink a knife into the layer of frosting, but he refrains. The time will come.

Instead, he heads to the bedroom, keeping his footsteps light. Sure enough, you're curled up with two little girls tucked into the outline of your body. Harry commits the view to memory before sitting on the edge of the mattress. You stir awake from a light sleep, your eyes opening and finding him. The first-trimester fatigue is obvious, and it's as endearing as it was the first time.

"Morning, lazybones," he says softly.

You yawn, stretching your arms, and the fierce urge to hold you close and never leave this bed rushes through him. "Hi. Did you get the cake?"

"I did." He strokes the bridge of your nose with his knuckle, sensing your lethargy. "Feeling okay?"

"So-so. I was a little queasy earlier."

"Did you eat yet?" he asks, and you shake your head in response. "Want me to make something?"

"I don't have much of an appetite, but I'm sure the girls would love a big breakfast," you say. Harry smiles, taking a moment to admire their innocent faces still deep in sleep. He hopes they're having pleasant dreams.

"Okay. I'll be in the kitchen."

"Wait for me, please." You carefully sit up with a dazed and adorable look in your eyes.

Harry sighs fondly and says, "You need to listen to your body. Don't resist rest."

Pouting, you shed the blanket and swing your legs over the bed, ignoring his sensible advice. "But my body's telling me that it misses you."

"Sweetheart..." He cuts himself off, realizing he has no way to refute that. He knows wholeheartedly because he feels it too. Working full-time and coming home to parent with you leaves little room for quality time together. Consequently, there was never time to squeeze a babymoon in the past four years. He'll have to ponder that idea more in-depth, especially now that your pregnancy is swiftly heading to the halfway mark. Probably smart to plan a trip during that sweet spot, when you're not too physically uncomfortable. He wants to have fun with you, away from the kids. Explore an exotic place and luxuriate in romance with no one around.

"Harry?" you say, pulling him out of his titillating trance. He was just beginning to envisage you naked on a canopy bed in Fiji, the evening sun casting over your dips and curves. Lying there all majestically, waiting for him to feast on you. Paradise personified.

"Sorry, just musing." He clears his throat and thinks of innocent things, like buttermilk pancakes and hash browns.

"Uh-oh," you reply playfully before standing up and leaving him with a tempting view of your bare legs. As you freshen up in the bathroom, Harry leans over his daughters and kisses their heads. They both stir minimally, their disheveled curls rustling against the pillows. He wonders if his genes will ever have mercy in that department when the next baby arrives.

Eventually, you follow Harry into the kitchen, and there's a familiar thrill in having a brief window of alone time before the kids require attention. He smoothly pulls you into his embrace and asks, "How's our baby?"

You look down at your stomach and lift the silk camisole covering it. "Finally making an appearance, I think."

Pulling back slightly, Harry assesses the tiny protrusion—it's much tinier than the last two were around the same eleven-week mark. "Oh, hello there," he murmurs delightedly. The proof of you carrying a child is nearly unnoticeable, at least in a physical sense, but the smallness keeps it a secret from any outsiders. Inside this home, it's his to savor.

You laugh, silently marveling over it with him, then glance at the cake over his shoulder. "We could have cake for breakfast."

Harry pulls you close again and waddles your conjoined bodies forward until your back meets the island. "That depends on if you want to find out now or later. It's up to you."

Looping your arms around his neck, you contemplate for a few seconds before saying, "Let's wait until later tonight—at least until I'm feeling better."

"Absolutely. Maybe we can head down to the beach at sunset with the girls. Have a mini celebration."

You nod. "I'd like that."

"Done deal." The thin strap of your silk camisole slips down your shoulder, and Harry groans when the curve of your breast peeks out. He cups it in his palm, and your body reacts by pressing into him even further. "So, what's your final prediction?" he asks, kissing the tender flesh there and readjusting the strap. Focus, he tells himself. The girls need breakfast.

You make a show of thinking long and hard. "Unforeseen quadruplets? I'd be a medical mystery."

Harry narrows his eyes, suppressing a grin. "Hysterical." He widens his stance until he's the same height as you. "C'mon, give it to me."

"Final prediction is... girl," you say assuredly. That word tugs at his heartstrings, the ones belonging to the instinctive protectiveness he has toward his daughters.

"I'm sticking with boy," he says for the sake of a friendly husband-wife competition.

You quirk your brow and slowly back out of his embrace. "I can't believe you're not trusting my womanly intuition."

"I've guessed correctly the last two times," he reminds you. "Don't underestimate my mojo."

"All right. Best of luck, baby."

——

Harry shivers in an overdramatic fashion while holding his youngest daughter, and she giggles, thoroughly entertained. He always enjoys the walk down to the private beach, where the expansive view never ceases to amaze him. At sunset, it's even more phenomenal. The wind carries a coolness to it, and the sky transpires into heavenly hues of lavender, teal, and marigold. No matter the weather, he makes an effort to watch it fade into the night alongside his family.

Tonight is extra special, and as he glances back at you trailing behind with the cake box and two empty champagne glasses in one hand and your eldest's small hand in the other, his excitement intensifies. He was patient all afternoon, even crawling back in bed with you and the girls to bask in a catnap under the warm sheets. Afterward, the laziness continued as you all watched a movie together on the couch and ate takeout. Now it's time for dessert.

Near the shoreline, Harry sets down his youngest and removes the quilted blanket from around his shoulders. He shakes it out and watches her toddle on the sand. She just started walking on her own last month, and he can never be too cautious with her curious nature. There's nothing more bloodcurdling than a child wandering off without a sound.

The girls go off to play with their dolls near the sandcastle they built near the hammock. It's far enough from the waves for them to be semi-unsupervised.

Harry lays the blanket down and sits. You join him, passing over the glasses. He brought a bottle of grape juice as a substitute for wine.

After pouring juice into each glass, Harry hands one over to you and lifts his in the air. "Cheers to growing our beautiful family. Cheers to being happy, healthy, and perpetually sleep-deprived. We make an amazing team, and... I just love you. Inexplicably so." He clinks his glass with yours and takes a hearty sip, never taking his eyes off you.

"Cheers," you say, letting the tart liquid travel down your throat.

Harry rubs his palms together and says, "Ready?"

You give him a smile only he knows the meaning of. "Let's have some cake."

He slides the box over and fingers open the seal. When he lifts the top, you shuffle forward and melt into his side, staying there as he stares at the coating. It's only plain white buttercream frosting with swirly pink and blue dollops caressing the circular edge, but the part that makes him teary-eyed is the cursive icing that reads Baby Styles. Although it's his third and most likely last child, the feeling never gets old. Each experience challenges him in an entirely new way. It's unexpected, enlightening, and emotionally rewarding. And to do it by your side is the greatest accomplishment he'll ever know.

Wiping the corners of his eyes, Harry picks up the knife. You place your hand over his grip on the handle and kiss his bicep. "No peeking," you say, closing your eyes.

Harry does the same and rests his forehead against yours. Slowly, he maneuvers the knife to blindly cut a triangular slice. His heart pounds in anticipation. The bet he made with you doesn't matter anymore. Either way, he'll be ecstatic.

"You look first," he whispers, his lips brushing yours with each syllable.

"No, you do it," you whisper back.

"You know, we never discussed what the prize is for whoever guessed correctly," he says, shifting the knife so the slice breaks free.

"I know what I want."

"Yeah?" he murmurs, nudging his nose with yours. "Tell me.”

"I want to go on vacation somewhere far away, just me and you."

"Remember what happened last vacation?" His eyes are still closed, and vivid memories play behind his lids.

"Yes, I do,” you say. “You got me pregnant, but that was only because there was something in the Italian air."

He laughs and captures your lips in a quick kiss. "Is that the only reason? I seem to recall you—"

"Daddy, what flavor is the pink stuff?"

Harry's eyes shoot open, and for a split second, he sees that yours are still shut as his head whips toward his eldest daughter skipping over with her favorite doll in tow. His youngest follows her, picking up handfuls of sand along the way.

Brows furrowed, he looks at you again to find you staring at the cake with a dumbstruck expression. He honestly forgot it was there, too caught up in the intimate moment he was sharing with you, where the darkness enhanced the warm sensations of his skin touching yours, the grape scent of your breath, and the way your sensual words sent shivers down his spine.

All that floats away when he sees creamy pink frosting in the middle of the sponge cake. It's a delicate shade of pink similar to the newborn hospital hat they put on his firstborn daughter. Similar to the sunrise the day his second daughter decided to come into the world.

Pink. Another baby girl.

Making a spontaneous choice, Harry pulls his sweater off and sprints full speed toward the ocean, shouting with glee. He hears your shocked guffaw as he tumbles forward into the shallow water. The coldness is a shock to his system, but it doesn't compare to the fact that you're having a girl. He hoped for it deep in his heart. He dreamt it.

You walk over to him, eyes glassy and holding a large forkful of cake. "I was right!"

Harry heaves big breaths, adrenaline rushing through his blood vessels. His sweatpants are soaked, but it's the last thing on his mind. He clumsily reaches you and places his palms on your stomach, kissing it repeatedly. "I love you, I love you, I love you," he says, overwhelmed with emotion. He looks up, his next words intended for you. "You made our dreams come true, baby. And I don't know how to repay you, but I’ll try. I swear it.”

"You've already repaid me, Harry, by being the most devoted and dependable father to our girls."

He smiles, his cheeks hurting. "Three girls now. Holy shit.”

You collapse in his arms, crying and laughing with happiness. He catches you and gently brings you down to the sand. The wind whips around both your bodies, not able to penetrate the heat of this unforgettable moment.

Amidst bites of cake and promises of a couple's vacation to wherever your heart desires, a shout of "It's strawberry-flavored!" carries over, nestling deep in Harry’s heart.

Life couldn't be sweeter.

——

[writingwisterias]

How would the different eras of Leon act if someone younger than him approached him in a bar with ulterior motives? Would they flirt back? Would they take her to their bed without thinking twice? Would they think long and hard before agreeing? 👀 (ofc legal age gap xs)

Sorry if my English is not that good, happy 2025 btw !!!

Hii!

Happy 2025! Sorry it's like a week late lmao, I hope the first week hasn't been too bad...I'd love to do this for you

Warnings: Age-Gap, Drinking, Flirting, Teasing, NSFW , MDNI, Smut

GN!Reader

RE2:

You were both at a mutual house party, neither of you wanting to be there but were dragged there by friends

He assumed you were of age or at least close to drinking age, he didn't realize you were only 18

The age gap isn't that big, he's only 20 soon to be 21

But it felt wrong at first, especially when you were so open at first with flirting

He assumed it was the drink that flooded your system, giving you the liquid courage to flirt so openly

Since the age gap isn't too big I don't think he would be too bothered, after all it's only like 2-3years

Towards the end of the night he would offer to walk you back home. Is surprised you have a dorm room on your own

You invited him back first, he was hesitant opting to just chill and chat before doing anything

He's very careful with the situation, might even back out of it and opt to talk when you are sober. He's a sweetheart he doesn't want to hurt you

RE4R:

He wasn't sure why he ended up at the bar in the first place, it wasn't at this point in his life somewhere he often ended up. Opting peace and quiet instead of busy town life

Maybe he should more often when you sat next to him.

Conversation was easier with you, you didn't know about his job or the expectations he had to uphold.

When he found out your age, only around 6 years his junior it made him freeze

You were legal, had around 3 years to play with others and at least just hit drinking age

His silence made you feel like he wasn't interested, you apologized profoundly. It wasn't like you to be doing this anyway, your dickhead boyfriend broke up with you weeks ago

Leon grasped your arm preventing you from leaving, opting to get to know you better and making a choice as the bar closed which was only a few hours away

That only made the tension higher, the drunker you both got the more lingering touches

Til eventually he dragged you to his place

Infinite darkness:

You were one of the newer interns, one that had yet to discover his habits

He just didn't realize how young you were

It didn't really bother him too much, you assured him that his flirting didn't bother you and you in fact liked the attention

He offered you dinner and maybe a few drinks and it led from there

When it came to sex he did think harder, opting to make sure you were sure you wanted this

After that he kept making sure the entire way home, almost killed the mood but you understood his concern

Even then he chose to make sure you were comfortable within his space or that he was in yours

The make out sessions grow longer after each break until eventually you both caved

Damnation:

When you told him your age at first he took about 5 minutes to think about it before following you around the rest of the night

I feel like hes the type of guy to keep buying drinks because you are the only interesting person of his night

He gets drunk as well as reads the situation wrong assuming that you want to sleep with him

You didn't at first but then you do now

Follow him back to your place and his touches get more intimate in the cab

Pays for everything don't worry, at this point though he's sobered up enough to realize whats happening and will make sure you can full consent and show him id

Then you are locked in for the rest of the night, and he makes sure you know what the older guys fuck like

He doesn't want you to go back to a younger cock

RE6:

He gives me sugar daddy vibes anyway so I don't think he's bothered

Probably gives him a little bit of an ego that you even consider it to be honest

As soon as you touch him it's end game, you are going home with him. Even more of if your touches are intimate

If your hand is inching up his thigh he's smirking and moving it higher on purpose.

If you work together, say you are a younger agent or something he's touching you in the small of the back as he passes or guiding you with a hand on your hip

Any excuse to keep you close and remind you of his presence

Vendetta:

I think he would like it but he also craves closer intimate relationship with everyone so he would think about it and then act quite quickly

He's touching you first, leaning on you, hugging you

Wandering hands very quickly

He's begging you to come back with him if he's completely drunk

Like he just needs a quick fuck, you are cute and adorable

Huge size kink

He's rough and messy with kisses too, like he tastes of the drink he's been nursing all night but it feels good

In the morning afterwards I think he would feel a bit slimy, probably come back to him in waves how rough he was

Not the type to slip out before you wake up so he'll wait. Admiring the close contact of someone

Will ask for your number he's not the type for just one fuck

He likes coming back for seconds

Death Island:

At first he thought you were using him for free drinks (you kinda were but will never admit it)

You were cute, you made his cock twitch and it's been a long time since he's felt like that

When he found out about your age he was off put at first but then the more he thought about the more he wanted it

Made sure you gave complete consent as he moved quickly dragging you out of the bar

When you got to his place he was very content doing it on the couch

So were you, he had you riding him since you had the energy for it.

Muttering how perfect you were to him, sloppy kissing everywhere

Wakes up with an even bigger ego at the fact he can still score so low in age. Certified dilf

He won't go and find others unless you wanted him too

He's very keen on letting you know what a proper fuck is

[becausegoodheroesdeservekidneys]

In response to the Mile High Job post, I hate that Parker implies that poor flight attendant slept her way to a promotion/better shift. Her day is super weird but her cat is fine and her life is saved. That rumor, however, might stick and that didn't really feel like Leverage to me.

Agreed!

The thing with Leverage is that it's a show from the late 2000s; it feels contemporary, but actually it is a bit dated. And, like all shows, it had some problematic elements, which get a bit more Obviously Problematic as time goes by (I am just waiting for someone to write a lengthy call-out post in 5 years' time and for the Discourse to start.) For example, Tumblr loves to declare that Leverage has a "canon" throuple, but if anyone read that and then watched the show they would be profoundly disappointed - while it's a fantastic ship with a great many shippy instances, Elliot has a lot of onscreen No Homo moments, and frequently is shown sleeping with random women (I personally read him as aromantic). Similarly, there are two big relationships in that show: Nate/Sophie, and Parker/Hardison. And we all wax lyrical about the brilliance of Parker/Hardison and how healthy it is, and for good reason; but we gloss over how unbearably "I hate my wife/father I cannot click the book" Boomer humour Nate/Sophie is.

(He literally calls her a shrew in one episode. She throws a tantrum and sulks if he doesn't remember the exact details of how/where they met. She's stereotypically 'romantic' and he's stereotypically 'cynical' and she has to Save Him From Himself, and he self-deprecatingly says he should just know when to stop arguing because she's always right. Like... it is a grubby and uncomfortable dynamic; but, it's also aimed at a different segment of the audience that is older than me, and that's okay, actually. It just means I don't much care for the ship myself.)

Anyway, this is one other such instance. Clearly someone in the writers' room thought that was a funny joke, and not enough people disagreed, and so in it went. What's nice is that Sandi McCree, who plays the other flight attendant that stays on the plane, actually kind of saves that joke for me with her performance. When Parker first boards and declares that her co-worker is not coming in, McCree looks disgruntled at the sudden change to her staff list when she wasn't informed; she's annoyed at management. Then Parker makes the sleeping-with-pilots comment, and McCree looks disgusted and furious -

An expression she then pulls at Parker every time she sees her for the rest of the episode, even when Parker is technically not doing anything particularly weird. It's not necessarily intentional on McCree's part (Parker IS very weird in this episode, so it very much can be a response to that), but to me it means you can read it as "This woman is absolutely furious at the lateral sexism of this white girl because We Love And Support Each Other On This Plane." So, for me, between that and the aforementioned revelations of the day (the plane was brought down by the domestic terrorists of a Fortune 500 company, but saved by... a few unexplained Official People who snuck aboard??? And the other flight attendant was made to miss the plane after all under mysterious circumstances and was not promoted??? What???), I don't think Sandi McCree's character wouldn't put those pieces together.

[direquail]

My specific read on John is not that he's a nice guy, either. It's that, like any good character (specifically a tragic character, which, TM has said that he is modeled on a mythical tragic hero, so) he has a flaw that dooms him. And what that means is, when he has the choice to change what he's doing, that flaw either prevents him from taking the option he's aware of, or prevents him from being aware that there is another option altogether.

And so as a writer, what I look for are moments where either:

something good about a character becomes an excess that harms themselves or others

we receive information that shows a persistent blind spot a character has

we look for times when a character gives their view of the world/a situation and it Does Not Match Up with reality, or is hinted that it doesn't

we look for evidence of something simmering under the surface that clashes with their outward, agreeable presentation

What fills that role for John?

Yep.

When this first pops up, it's pretty easily dismissed as yet another layer on the falsehood he's propped up. Admittedly, he's been doing it for ten thousand years, so it's probably got a few layers to it.

However:

This one, to me, gives us a hint about what John is blind to: That his friends see his vindictiveness and his failings and that they could still love him. This is where it crosses into tragedy, for me; where his own inability to forgive blinds him to the capacity that other people have for generosity--and so, to a world where "justice" means more than "vengeance for the dead".

And this illuminates the whole chain of events that leads him to that climactic scene in Harrow the Ninth, telling Mercy that she never would have forgiven him anyways:

John is, at heart, deeply angry--like most characters in the series, and like a lot of people who grew up in poverty, especially if they managed to escape it. He also has some deep sense of justice, and deep sense of judgment.

So we have this cycle of related emotions and ideas: Justice, judgment, outrage. And a human measure of selfishness, amorality, double standards, etc.

In one situation, this allows him to throw himself completely into the cryo project, something that (if it hadn't been sabotaged politically) could have made a difference to humanity. He brings in people who work to make it even better, who demonstrably want to make the outcome as just and humane as possible. It's also implied that this is part of why he received those powers; "I chose you to change."

(And, I'll be honest, one of the other things that I see that chafes me is the implication that there was nothing about John to recommend him to the Earth. I'm actually of the opinion that there was; she chose him, and I don't think she just rolled a d100 or drew a card off a tarot deck and called him up. John is also still a human, flawed person.)

Then, the situation changes. It's no longer an issue of dedicating expertise to solve a problem; this is a political issue, and specifically of rich people using their resources to shift outcomes towards the one they think will benefit them the most, that will secure their survival, explicitly at the expense of everyone else.

And their strategy is, profoundly: short-sighted and unnecessary (pooling resources would help create a better outcome for everyone, including the rich, by reducing global trauma and preserving more of the systems that already structure their world); bigoted and uninformed (many rich people think that the world has to be a certain way, generally that the world is violent, competitive, dog-eat-dog, etc., and someone has to be "on top", and there will always have to be a loser, or lots of losers); and utterly cruel, unjust, and pointless.

And John--John, who grew up poor, who grew up aware of the despair around him and the injustice of his position and more than likely made use of that anger to achieve what he had up to this point--John is so angry.

Because they're all the same. They're all the same. It's the same song, over and over again, no matter how stupid and pointless and unnecessary. He is certain, beyond a shadow of a doubt, that it doesn't have to be this way. He passes judgment.

But John is losing to them, because he doesn't have the resources they do. He can hate them and fight them all he wants, and it doesn't matter, because he's nowhere near in the same league as they are politically.

And then, after the cryo project is cancelled, he gains his powers.

The thing about anger and judgment is that the deeper it runs, often, the more invested the person who holds that anger in themselves is in not seeing what they hate in themselves. E.g: John has conceptualized the people he's resisting as fundamentally unjust, cruel, amoral, and bigoted. There's a very good chance--to different degrees, depending on the person--that becoming aware of similar traits in himself might wake up those feelings he has towards those other people--aimed at himself (that is, cognitive dissonance). He can't see the things he's passed judgment on in himself and function. He's not like them; he's trying to fix things, to bring about justice.

Of course, there's justice as in "living in a just society", and justice as in "justice for the dead". But that's a later realization, because right now, everyone is still alive.

So John hides those parts of himself; from himself, from other people. So thoroughly he can exclude it from his consciousness and pretend it doesn't exist. He thinks no one sees the real depth of his own rage, his own cutthroat pursuit of a solution. And then, when he can't pretend it doesn't exist, he can still pretend to be the man he thinks they need him to be. He can "fool" them. He can say--he's trying. He screwed up. He doesn't know what he's doing.

And then, Casseiopeia says, No, actually, we know you, and we know you're horribly vindictive. And we're on your side--we're on the same side--our fight is your fight--and we love you. But your drive for revenge is seriously limiting your ability to imagine and create a living, just world, and that's what we're fighting for. Remember? That's what we set out to create.

And John's brain can't quite handle this; he can't imagine that they could actually see him and still be on his side. Because he couldn't see that and still be on his side. He can't forgive; he can't imagine forgiveness.

He can't see the things he's passed judgment on in himself and function.

And, by this stage, in some ways, it's already too late to change course. But this is one of several "come to Jesus" (no pun intended) moments where John could become aware of alternatives, or could change his behavior--and doesn't.

And I think this is where we get that self-awareness from, the thing that makes him creepy and tragic but also infuriating: He is aware, but apparently that's not enough to stop him from being his worst self--so is he just pretending to be moral? Capable of making different choices but choosing not to? And the weird statements he makes later:

This is, imo, not a power-hungry dictator who genuinely doesn't care about the cost of his throne, or a gleefully predatory abuser. This is a dude who's committed to a course of action and doesn't feel great about it. This is a guy who has violated his own sense of justice and has to live with it.

This is a guy who set out to save the world, killed it, and now the only thing that's left to him is to avenge it.

And like, from a mythology standpoint, that is exactly what the Erinyes are, like the Furies and Alecto. They are not the justice of Apollo or Athena. They are screaming for blood. They are hunting their quarry to the ends of the universe. They are chthonic.

Again: This isn't what Cassieopeia or Christabel said to him. This is what John has said to himself. This came from him. This is a reflection of what he believes.

And it encapsulates, exactly, why he erased their memories. Why he took away their agency.

The difference between him and many, many people is he had the power of a god and no one to check him when he was struggling with his own worst impulses. And then, he created a world where no one could, not just because then he could do what he wanted and pretend to be kind and loving and moral, but so that he would never have to lose the love of the people he needed.

Because, unfortunately, he still needed them.

It just took ten thousand years for the lie to unravel.

[wilwheaton]

Hey Wil, this is out of left field, but you’ve done some work that might have been dubbed into other languages.

Have you ever viewed anything you’ve done in a dubbed version? I can’t imagine what it’s like watching yourself on screen, but it’s got to be pretty trippy to watch yourself performing with a stranger’s voice coming out.

Just wondered. Hope you’re having a great day. Please give Marlowe & Watson scritches from me. 💜

Oh my god. Yes. I have one story and WOW is it weird.

So, in the early 90s, when TNG was dubbed for Germany, the actor they cast to voice Wesley made this choice (or was directed) to be obnoxiously whiny. Like, it could not have been more wrong for the character, and farther away from my performance. This person made Wesley a bratty, whiny, snotty kid. Like, WOW, did they fundamentally change how German audiences experienced this character.

I had no idea, because in the early 90s, the world was bigger than it is today. But I saw LOTS of letters and comments in magazines (and on Usenet) from Trekkies in Germany who fucking HATED Wesley with a firey passion that was even more intense than the way protoincels hated him in America. I didn't understand why, specifically in Germany, he was so despised.

Fast forward to ... I want to say 2011? Maybe 2012? Somewhere around there. I went to Germany for a convention. It was my first time ever visiting the country, and meeting lots of German fans all at once. And over the course of my first day, I began to hear stories from people who hated Wesley, until they heard him in English. In German, he was a whiny little punk, in English, he was ... well, you know who he was.

I wish I knew who made the choice to portray Wesley that way, and why, and why the mothership in Hollywood didn't intervene. I mean, he's just a profoundly different character in German.

I still haven't seen or heard the German dub. Last time I looked, I couldn't find it and I haven't looked again, since.

But now I wonder ... how many anime dubs did I watch over the years where the characters were totally different in English than they are in their original language?

[joezworld]

Express Engines

So, recently some friends of mine (@sparkarrestor chief among them) finally got me to watch some TTTE fan videos on youtube. I really never got into that stuff - I’m “an old” by Tumblr standards, and my first exposure to TTTE fan video content was back in the days of wooden models filmed with potatoes, and Trainz productions that still had the Fraps logo onscreen. Things were dire, and I never bothered to really investigate further in the intervening decade+. Watching it now, I’m absolutely astounded by the level of quality and skill that a lot of people on youtube have gotten up to. I find writing to be tedious and slow, but at the least I get a few new paragraphs or pages at the end of each night to read back through. Filmmaking, especially the animated stuff that these people are making, is such a long game that I don’t think I could stand it. 

One of the first things that Sparks (and @weirdowithaquill) showed me was Rhydyronen’s Express Engines, the superbly made adaptation of the second book in Sodor Island Forum’s (SiF) Extended Railway Series. (ERS)  I could honestly go on about the production quality and filmmaking skill involved in this for some time, but I feel as though after a while it would stop being constructive responses and more just me pointing at the screen and mumbling things about camera movements, so I’ll relent for right now. Just assume that I really enjoyed it and keep coming back to it.  

(That being said, watching “Fourth Time Unlucky” and “Keeping Up With Castle” made me feel like my third eye was opening several different times. I had no idea that some of the filmmaking techniques in this were even possible, especially the big conversation set piece in Fourth Time Unlucky.)

---

All that being said… I do have quite a few issues with the story itself. Not the cinematography, the animation, or the voice acting, but the heart of this work - the script. It’s not a problem with Rhydyronen, the creator, instead it’s something inherent to the work itself. 

Allow me to explain:

SiF’s ERS was very formative to me as “a young,” entering the fandom in the late -00s and early -10s. I read literally of them, and even went through the long-since-retconned V1 archive that is still present on the “Your Own Railway Series Style Stories” page. There’s a non-zero chance that I know more about this series of works than anyone who isn’t an active or former contributor to the ERS. Even to this day, I check in every other Saturday to see what they’ve put out. A lot of my works are based in no small part on the real world setting of Sodor-in-the-present that they’ve done. It’s a huge part of my life, and even if I never log in to the site again, its influence will hang over my life for years or even decades to come.

There’s just one problem with all of this: The ERS is, from a very fundamental standpoint, bad. 

I don’t mean this in a critical “this is terribly written” way - far from it, in fact. The real issue with the ERS is more fundamental: they created a world, a rich tapestry of words and stories, that draws from the works of Wilbert and Christopher Awdry… and then they made it profoundly miserable to be in. 

Now, this is not a bad thing, as @mean-scarlet-deceiver has rather masterfully written, but with SiF, it’s a more cloying and existential form of misery that doesn’t really do anything or go anywhere. Sodor is on its face a normal place to live, like any other part of England, but read almost any story and you will find things happening that seem to go against the grain of most TTTE fic writers, but also of just basic understandings of human decency. 

Starting off from the beginning, ERS book 42 Evan the Private Engine is a great example of what I’m talking about. Evan, the titular engine, is a privately owned narrow gauge engine operating on the Skarloey Railway. At one point, many years ago, he broke down and was abandoned by his owner in situ. Now, for everyone who is a dyed in the wool TTTE fan like me, search your feelings and think of what happens to this engine next. Is he adopted by the Skarloey engines? Do they re-home him somewhere else? Is this actually a story being told by Skarloey to the other engines? Vote now on your phones. 

[Buzzing noise] Wrong answer! What actually happens is that Evan is left where he is for so long that everyone forgets about him, and he’s covered in the overgrowth out by the lake. When he’s discovered “many years later,” he’s lost his memory, and will never get it back. 

This is the first book in the ERS. I told @lswro2-222 about this and she’s still mad about it. 

Things do not improve from there. The ERS is filled with countless stories of: 

Engines being forgotten about for decades, (ERS #152 – Scrapyard Engines) 

Engines being threatened with scrapping after suffering from mechanical issues (ERS #58 – Brave Mountain Engines)

When said engine (quite reasonably) tries to ensure their place on the railway by sabotaging someone else, they’re sent away for scrap anyways (ERS #70 – Norman the Mountain Engine)

Engines rather abruptly deciding to leave the island of Sodor, for almost no in-text reason. (ERS #221 – Dane the Electric Engine)

Engines rather abruptly deciding to leave the island of Sodor, just as their character arc was reaching a high point (ERS #320 – Procor the Mainland Engine)

Massive interpersonal conflicts between members of railway staff that would in any other universe result in someone quitting due to the toxic work environment. (ERS #462 - The Joint Controllers, ERS # 464 - The Fat Controller's Birthday Party)

Extremely out-of-place bouts of anti-diesel racism all the way in the 1990s (ERSN #9 – Dockside Engines)

The Fat Controller (among others) treating engines like children, property, or in some other extremely dehumanizing way, even if they had no control over the situation. (ERS #452 – Lorries and Engines, among many others)

I could go on for some time, and many of these are far from the worst examples. There’s also a huge number of baffling choices, like creating an engine that can only talk in horse noises, and then much later having this engine have a mental breakdown over his inability to communicate. (ERSN7 - The Pegasus Railtour Campaign) They also killed off Stephen Hatt, but did it in a way that rubs me the wrong way and does nothing to really add to the character's legacy. (ERSN #15 – The Hatt Family’s Engines) I could go on about this one for about as long as I could go on about Pegasus, but I don’t have that much time at any point between now and forever, so we'll leave it at that.) 

Meanwhile, interesting characters are often created and then immediately set aside in favor of things that are nowhere near as interesting. Now that I know this is a matter of taste, but would you rather read about a diesel engine placed in storage for so long that she turned malevolently insane, (ERS #169 – Sudrian Diesel Engines) or various background characters like a skip lorry that interacts with almost none of the “main” cast of the island? (ERS #475 - Rocky the Skip Lorry) I know which one I want to see, which is why the insane diesel hasn’t gotten a story all to herself since her introduction in (checks notes) 2011. 

However, all of this pales in comparison to the real issue with the ERS - all of this is more or less subjective, but there’s a real, substantial, problem here: Nobody actually seems to like each other. 

Reading through the stories, there’s this overwhelming sense that none of the characters - engine, person, or otherwise, actually enjoy each other’s company unless it’s explicitly stated in text. Even then, that measure is sometimes shaky, as characterizations can change from book to book. Engines can be on good terms with each other in one, and the next, they can be snapping at each other for no clearly defined reason. 

Well, they might try to define it, but the ERS is rather insistent on following the short, easy to digest four-story format used by the Awdrys, which means that any character development occurs suddenly, and with little room to flesh things out. What this results in is often poorly-explained conflict that could be salvaged if they ever strayed away from the standard 4-story format. A good example of this is ERS# 340 - BoCo & the Freight Diesels. This book is actually one of the better ones in terms of character arcs - it follows a pair of class 60 diesels (Spartan and Wakefield) as they deal with the fallout of their brother/leader leaving Sodor unexpectedly. (ERS #320 - I could go on about that decision as well. The character was written out because it conflicted with what the actual, IRL locomotive he was based on was doing. Meanwhile, I’ve got City of Goddamn Truro running rampage through Sodor.) These three engines have better-than-average characterization due to the absolutely god-tier introductory story they received (ERS #151), but even still, the relatively short length of each book/chapter means that the contents of book 340 and the preceding stories don’t exactly give us enough insight into the engine’s psyches to fully grasp what’s happening. It’s not so much of a case of “telling instead of showing” as it is “this comes at you quickly and without any real advance warning.” This is probably more true to life with how people act under stress, but… this is fiction. You can show the audience what’s going on. There’s a good reason why some of the best works in the ERS are the long-form ERS Novels that allow characters room to breathe. 

(Also, in #340, the Fat Controller just absolutely rips an engine a new one for causing an accident, in the process completely sidestepping the fact that said engine had a driver and a second man on board the entire time. SiF does their level best to infantilize the engines whenever possible while at the same time making them 100% responsible for the failings of the people around them.)

Another great example of this is Daphne - the NWR’s Deltic that I stole for my own fan works because there’s a solid core to the character, but she’s been sadly let down by the works that follow. In the ERS she has a decently traumatic backstory, with lots of room for expansion of the character or at the very least, hints of other things. However Daphne is at most a secondary character to the ERS, and often appears in other stories, rather than her own. In these, the writers follow a handy rule of thumb for writing her: 

Deltics are loud, and so naturally, Daphne must be loud. Loud people are annoying, so Daphne must be annoying. Because Daphne is annoying, she must often speak without thinking. Because she speaks without thinking, she must be the most irritating bitch anyone has ever seen. 

I mean this seriously. Daphne’s entire role in a lot of the ERS is to show up, say something unintentionally insulting, and then drive away. She had a good introduction to the ERS in book #135, but since then she’s mostly been a loudmouth side character. Even her entry in the ERS guide says so: 

Daphne is best known as the big diesel with the big mouth! There is little denying that she is a good worker when she wants to be, but her occasionally spiky temper, bossiness and boastfulness can often lead to her fall from grace. She also has a knack of speaking without thinking, something that has caused many an upset or unfortunate incident over the years.

This is not an interesting character. This is an annoyance of the highest order and I don’t know why they keep her around.

At no point since her introduction over a decade ago has anyone tried to change this. They let her stagnate in the background while the fucking horse engine gets his own novel! 

-

I apologize, I’m getting slightly off track here. What I’m trying to say is that the ERS fundamentally does not understand its characters, starting at the Fat Controller and working their way down the list. There’s hundreds of episodes of someone getting yelled at for an incident outside their control, even when it’s plainly obvious that it had to be. Characters vary wildly, and act outside of what you would expect, considering when a story might happen in-universe. 

A great example of this is in Book #338. Honey, a new-build diesel shunter, is bought by the Ffarquhar Quarry Company and in short order, pulls every capital-D-Diesel trick in the book to get Mavis replaced… and it works. Mavis is hauled away on a lorry to an uncertain future, (she eventually gets bought by the NWR, don’t worry) with everyone in real fear that she’s going to get scrapped. Now, in my works, Thomas and Co. would probably commit murder; a lot of more normal folks might have the entire Ffarquhar branch in an uproar - something like the deputation that saved Donald and Douglas way back when. 

What SiF does… is nothing. Absolutely nothing. Thomas and Co. not only don’t try and get Mavis back, but they eventually welcome Honey into the branch line family a few books later (ERS #368 – Christmas at Ffarquhar) despite Honey being one of the only engines in the ERS or the original RWS to succeed in her evil mission. 

This is such a fundamental misunderstanding of the characters, starting with the most obvious one - Thomas the Tank Engine - that this almost would have to be set in the 1960s or 1950s. Nobody has grown attached to Mavis yet, and Honey isn’t obviously evil or something. 

Naaaaaaaaaaah. This story canonically takes place in 2018 and Honey speaks in Gen-Z/Millenial slang while actively sabotaging Mavis in broad daylight. I wish I was making this up. 

------

Apologies, I got off track again. 

So, what does any of this have to do with the Express Engines youtube video that I linked up top? 

Well, I think it shows rather clearly how the ERS rather wantonly misunderstands its own characters. Writers far better than I (@mean-scarlet-deceiver) have written pages and pages on the mental states of many of the RWS cast, most notably Gordon, who is the main character of Express Engines.

Again, Jobey has written far more on the subject than I have, but suffice it to say that by 1996 - the “canon” date of Express Engines - Gordon has mellowed out significantly. Even if he thinks that he’s going to be top dog on Sodor forever, he definitely isn’t up his own ass about it like how he was in the early days. He’s getting old and he knows it, and when Pip and Emma eventually do show up in the RWS, he’s remarkably mellow about the whole thing. Granted, that’s about 10-15 years further up the line, but it goes to show that he’s not going to go ballistic or act like a child at the first sign of his dominance being threatened like he might have in the 1930s. 

(Actually, having read all the books, I don’t think he’d act like that at most points after maybe WWII. A lot of his “I’m the fastest and the best!” schtick came from being a very big but very solitary fish in a very small pond, and getting him someone his own size to play with might have taken the edge off of his sense of self-importance.) 

Quite naturally, that’s exactly what he does in Express Engines. 

In the “book” version of the story, the main source of conflict is him lying to newly-arrived Sodor Castle about whistle codes, and this goes directly into the time trial section of the story, before wrapping up with a neat little bow of Gordon going off to get an overhaul. 

As a side note, the SiF-standard infantilization of engines starts off strong with this book. The primary conflict is Gordon feeling threatened by the arrival of a new express engine. What nobody has told him is that said new express engine is there primarily to cover for him when goes in for an overhaul. Why has nobody told him this? Because nobody told him he was getting an overhaul. The poor engine was going insane and picking fights based on literally nothing but a misunderstanding. 

Now, this is all fine and good - it actually reads a lot like Gordon just giving the new kid a hard time while working through his own insecurities, (something we can probably all relate to) but the video adaptation adds more stories, and goes… a lot further. 

For those who haven’t seen it, in the video, Gordon is basically being sidelined to the nth degree following Sodor Castle’s arrival, and it is driving him up the wall. Following the events of Fourth Time Unlucky, which covers the whistle code scene, Gordon and Sodor Castle are in a near constant feud, which comes to a head in the next (all-new) episode Keeping Up With Castle. In it, the primary set piece is a scene that @lswro2-222 called “Gordon McFuckin’ Loses It,” because, frankly, he does. There’s an extended race scene between a borderline-crazy Gordon and an all-too-smug Sodor Castle (seriously, he’s approaching unlikeable levels of smug and snooty) that ends with Gordon dangerously overshooting the platforms at Wellsworth. It’s very well shot, very well edited, has some great voice acting, and absolutely positively does not make sense within any existing characterization of Gordon that I have ever seen. 

I’ve thought about it for some time and maybe if this happened during the height of the modernization plan in the 60s, when everyone’s spirits were at an all-time low, it might have worked. It might have fit with the desperation and malaise of that era, maybe. For this story to take place in the late 90s, this is an almost impossible characterization of Gordon. I hate to be prescriptive of other people’s fan works and go “he would not fucking say that” but… he would not fucking say that. At all. Under any circumstances. It just wouldn’t happen. 

In a similar vein to that, the characterization of the other engines really chafes at me. Sodor Castle shows up, seemingly displacing Gordon to the slow services, and the immediate response is to embrace the newcomer while mocking Gordon. This is perhaps the closest to “canon” I would say the video comes - the engines would do that at first; Gordon getting one-upped so publicly by a Westerner would be hilarious for a good long while. The issue, however, comes from the fact that nobody ever seems to notice that Gordon is legitimately upset by this whole development. They either continue mocking him or actively take Sodor Castle's side, which isn't something you do unless you have a rather strong dislike for someone. Not exactly the way you'd think the engines would act after being shoved together for 50-70 years… unless you write for the ERS. 

Also, I have a particular bug up my ass about Sodor Castle in this video. He's almost too smug and prissy to be likeable. A lot of his lines work really well as singular lines, but the instant you realize the circumstances they're said in it all falls apart. As an example, during the race scene in Keeping Up With Castle, you'd think he'd be concerned or worried when Gordon goes screeching through Wellsworth with his brakes hard on. Even if he dislikes Gordon by now, the passengers must have gone through the far walls of the coaches, and instead Castle takes the time to gloat. It's the little things like that that really get me - the writers are obviously aware of what's going on, and choosing this particular response says a lot in a very unintentional way.

And, on the subject of saying things, I do want to make one point clear: This is not a mean-spirited “takedown” of the ERS. Any fan work that’s gone on for literal decades, with hundreds of distinct stories and characters, is commendable just in the sheer effort exerted by those involved. I will gladly applaud SiF in their work to have a consistent quality and tone to their work, even if it's not one that I universally agree with. 

Furthermore, I like the ERS. While many of the stories in it are misses, when they hit it out of the park, they really do it. The ERS Novels, especially numbers 1, 2, and 9 (The Life & Times Of Jim The Jinx, The Peel Godred Railway, Dockside Engines) are unironically good.

Many of the characters, especially those introduced in the ERS’s early days like Daphne, Winston, Samarkand, Zelda, and the Class 60 trio, are legitimately interesting, and had captivating introductions to the franchise. Sometimes, SiF even predicts the future, adding Pip and Emma to Sodor years before Chris Awdry did, and did so with an excellent set of stories that heavily influenced my own interpretation of the characters.  (and then, in a classic SiF move, they de-canonized those stories once it became clear that they couldn’t be reconciled with new Awdry canon) There is a lot of genuine skill that has gone into the ERS, and it’s definitely influenced the entire TTTE fan community whether you realize it or not. (Everyone calls the works diesel Wendell. Why? SiF named him.) It certainly influenced me, and that’s why I feel the need to write this all out. This series has been a significant part of my life for a significant part of my life, and it disappoints me to no end that it stumbles so often. This isn’t a callout of “you suck,” instead it’s a callout of “do better, please.” 

--------------

This viewpoint has taken me several months to collate into a single thinkpiece. I kicked the idea around for a bit, thought it out more, watched the video a few more times, and then realized that I’d have to talk about SiF a lot. (oh no, what a tragedy.) So here it is. Hope you enjoyed it.

------------

Oh, one other thing. 

While I was watching the video, and thinking about how wrong this all was, and then I thought, “well I’d do this differently.” 

And then I did. 

And then things got very out of hand. 

I may have stolen some characters from SiF. 

(Don’t worry, they’re some of the ones that I like, from the few books that I enjoy.)

Anyway, here's Express Engines. 

2001 

It was barely spring on the Island of Sodor, and already the railway was being pushed to its limits. Congestion at other ports on the mainland had forced more ships into the port of Tidmouth (and, by extension, the ports of Knapford and Arlesburgh), and so the cargo trains got longer and more frequent. 

At the same time, the Easter holidays coincided with a spate of unseasonably early warm weather, so the island was swarmed with people seeking sunny beaches and scenic getaways. Tourist class tickets were in especially high demand, and on some days the Limited and the Midday Express would strain under the weight of five, seven, or even ten third class coaches. 

Fortunately, none of the engines were “down” for heavy maintenance, so while there wasn’t a scrabble to find available motive power, some… interesting schedule choices had to be made. 

-

“Henry, it’s occurred to me that I haven’t seen you leave to pull the Kipper in some time.” Gordon said one morning. 

“I haven’t been.” Henry yawned. “BoCo’s been taking it.”  

“BoCo?” 

“He said yes, don’t worry.” Henry said blearily. 

“But why aren’t you-”

“Because I’m getting about two hours of sleep if I take the Kipper and the morning stopper train, and that’s if someone isn’t snoring loud enough to shake the dust off the ceiling beams.”

“I assure you that I do not-”

“S’not you, you daft thing. It’s James. I think there’s something wrong with him.”

--

Bear growled in displeasure. It was a deep, bass-y sound that seemed to echo through the ground, and Bill and Ben fled back to the clay pits in terror. 

“-and if I catch you pulling that ever again, I’ll be the last thing you ever see!” 

Edward looked on in awe. “Can you teach BoCo how to do that?”

--

Duck goggled. “I think I’ve seen it all now.” 

Emma smiled meekly. “I know it’s a little unusual, but-”

“I didn’t mean it as a bad thing., Duck cut in graciously. 

“Oh thanks.” She looked around. “I wish we didn’t have such a long train, we could probably come down here more often. It’s very pretty-”

“Oi!” cut in Mike, from the Small Railway’s tracks. “What’s wrong wit’ Oliver?”

Looking back, Duck could see Oliver trying and failing to hide from Pip, much to her chagrin. 

“Don’t worry about it! He deserves it!” he said after a moment’s deliberation.

--

“Excuse me,” the big EWS diesel asked as he rolled into Crovan’s Gate with a line of flatbeds. “But is this a heritage railway or something? What are you doing here exactly? Are you on a railtour?” 

“Railtour?” James sniffed. “I’m not a railtour! I'm late! Ta ta!” 

And he steamed away in a hurry. 

“That… didn’t answer my question.”

----

During this time, the Fat Controller was nowhere to be seen. Rumours flew between the coaches and trucks that he was out finding them another engine, but the engines themselves knew better. 

“From where would he find a King class?”

“I don’t know! But there’s a biiiiig engine back there under a sheet, and a bunch of paint all labeled “GW Green” sitting around - more than Duck and Oliver could need put together!”

Well, some of them did. 

“James, what now?” Henry groaned as he rolled into the shed. All he wanted to do was sleep,but it seemed like this wouldn’t happen soon. 

“Look,” James spluttered, as Gordon and Bear stared with skepticism heavy on their brows. “All I know is: Engine, sheet, paint, and soon!”

“Soon?” Bear scoffed. “Soon what? Soon the hols will be over? Soon that summer will come? Show me some proof.”

“Oh for- what about that tarped over thingy that came in last Christmas? I saw it! That’s real!” 

“That could be anything!” Gordon butted in. “There’s dozens of preserved lines that wish to make use of our facilities. For all we know, it is a King class that’s being restored for a museum!”

Henry suddenly felt very bemused. He had something to say now, but it needed to be timed perfectly.

He waited a few minutes, as Bear and Gordon continued grilling James over details that he couldn’t possibly have known. It was quite funny, but not as funny as what he had to say. 

Finally, as his eyelids drooped and his fire died down to embers, he saw his chance. “Excuse me, if I may.” He yawned. Gordon and Bear stopped mid-sentence to look at him. From the startled look Gordon was hiding, it seemed like they’d forgotten he was there.  “But I did overhear from the coaches on the Limited, who themselves overheard from the Fat Controller, that we are getting another engine - just not a King, but instead, a Castle!” 

The reactions of the others were priceless, and held just long enough for him to close his eyes and fall happily to sleep!

-----

The next morning, The Fat Controller arrived as the sun rose. “Well, my ears have been burning all morning,” he said jovially. “So I assume you already know about the new engines,-”

“EngineS?”

----

Last year - around Guy Fawkes Night

Stephen Hatt strode into his office to find his secretary holding the phone about three feet from her ear. Even at that distance, a great commotion was clearly audible. 

“The National Railway Museum for you sir,” she said, straining to keep the phone as far away as possible. “Mind the volume when you answer.” 

He gave her a wide berth and an askance look as he entered his office. Sitting down at his desk, he picked up the handset out of reflex, and quickly set it back down again. Carefully, he moved the phone to the other end of his desk, and pushed the speakerphone button with the corner of a particularly tall book. 

Pandemonium burst forth from the device, and it took a moment for Stephen to pick out the sound of a human voice over what sounded like a fully-involved riot in the background. “Hello? Stephen? Are you there? It’s Andrew. Look, Stephen, I shan’t mince words with you, but we’ve made a terrible mistake and you’re the only person left who can fix it.”

Stephen, having recovered from being assaulted by a wave of sound, raised an eyebrow. “Fix it? I haven’t even been told what the problem is yet!” 

“What? Can you speak up- oh for goodness’ sake!” There was a sound of a phone handset being put down, and then the sound of a door opening. The sounds of the riot became louder and more pronounced for a moment, and then there was a bellow of “QUIIIIIIIIEEEEEEEEEET!” that shook the phone. 

The door then shut with a suddenly audible click, and then Andrew was back on the phone. “I’m terribly sorry about that.”

“What is happening over there?” Stephen asked, agog. 

“My problem.” Andrew said, his tone hasty. He clearly expected the noise to start up again. “We’ve done some, uh. re-arranging of our collections you see, and two engines were put together who really have no business being anywhere near-”

“CITY OF TRURO I WILL KILL YOU TONIGHT.” A female voice came through loud and clear, to the point where the speakerphone vibrated halfway off the desk. “KEEP TALKING AND SEE WHAT HAPPENS.”

Stephen’s expression became slightly more fixed, and he stayed quiet for a long moment. 

Andrew could feel his hesitation. “Please. We haven’t been able to open for three days. They’re on opposite sides of the building and they’re still at it. We have to get one of them off property.” 

“Andrew…” Stephen said slowly. “You do recall that City of Truro had a most remarkable change of fortune some years ago, correct?”

“Stephen,” Andrew was close to begging. “Nobody will take him. We have to do something!” 

“Your use of the word 'we' is very inspired, Andy.” Stephen was actually going to have to get up and walk around his desk to reach the phone. 

“Wait! Wait!” His finger stopped inches from the “end call” button. “We’ll do anything! Name it!” 

The Fat Controller smiled. “Anything, you say?” 

-------

The engine had been brought in under cover - both tarpaulin and darkness. Once it had been delivered, it had been immediately shunted away into a far corner of the works, away from prying eyes. 

It was only then that the cover was removed, and the engine was revealed. A six-coupled Westerner, one of the great Castles of yore. She - and she most definitely was a she - was resplendent in Great Western Green and Gold, complete with all the little filigree marks that only a steam-era Swindon would apply. The paint had barely lost its luster, and it appeared from the outside as though this engine had been shunted through a portal in time. 

The only part of her that showed any age at all was her face. Around her eyes and brows were laugh lines and wrinkles, a generation of smiles and conversation physically worked into the structure of her beauty. 

She wasn’t smiling now, though. Frown lines cut into her face unnaturally, as she sent a venomous glare in the direction of the man standing by her pony truck.

“You were much more compliant back at the Science Museum,” he said, continuing an argument that had been ongoing since the moment he’d arrived in her line of sight. 

“I was valued at the Science Museum,” she snapped, putting heavy weight on the word valued. “And then you deaccessioned me.” 

“We were renovating!” He protested. “I would’ve thought that you would have loved being amongst your own kind. You were to be put in your own special museum!” 

“I was in the Museum longer than I ever was on the rails, but you never cared enough to find out which setting I preferred, did you?” she hissed. “All you wanted was Neil’s job!” 

“Sir Cossons stood down to run English Heritage and you know it.” 

“All I know is that you were in there for less than a month before I was 'better suited for display in York!'” 

“So you could be put in Swindon when the museum there was ready!” 

“But I didn’t want to go to Swindon!” she screeched. “And in any event, This. Isn’t. Swindon! You and Andrew sold me rather than deal with Truro!”

“Truro is more…” 

“Say that he’s more famous than me. Say it. That’s all Showboat Sharp ever cares about. Not that he’s totally unsuitable for public display, or that he-”

“He can keep his mouth shut when Andy tells him to, which is more than I can say about you!” He looked at her with disgust in his eyes. “You are a train! You are supposed to be seen and not heard, and no more!” 

Whatever she was about to say in reply - and it would have been vicious - was cut off by the opening of a distant door. A top-hatted figure emerged from the outside, and made his way towards them. 

“And,” the man whispered. “We didn’t sell you. I gave you away. It’s the only way the fat bastard would take this deal.”

There was a quiet “so glad to be valued...”, but it was lost in the arrival of the top hat wearing man. “Ah, Dr. Sharp, and Caerphilly Castle, I’m Stephen Hatt. Wonderful to meet you both in person.” 

“Charmed.” Lied man and engine as one as a small crowd of workmen filed in behind the man. 

Without prompting, the portly man clambered up onto Caerphilly’s bufferbeam to address the room. To her surprise, he did so gracefully, managing to not snag himself on her lamp irons, and his shoes were sturdy boots that gripped the metal properly. Maybe he wasn’t an officious fop after all?

“Well everyone,” he said, facing the group. “This is the surprise that I have been talking about. Without going into too many details, it seems as though the Science Museum’s recent renovations have left Caerphilly Castle without a home. Now, she was originally relocated to York, however a…” He paused diplomatically. “Certain engine caused much trouble for her there, and she has now made her way to us. I’d like to thank Dr. Sharp, the director of the Science Museum, for this kind contribution to our railway.”

“How much did you pay for ‘er?” came a voice from the front of the group of men. “Was it market value for once?” It was followed by poorly-suppressed laughter from the crowd. 

Even with his face away from her, Caerphilly could see that Stephen’s body language turned slightly defensive, but before he could say anything, Dr. Lindsay Sharp PhD., head of the largest  Science Museum in the United Kingdom, spoke up. “Actually, you have received her gratis.” he said with a smarmy smile. “We’re just glad to see her go to a good home! Hopefully you can put her on display someplace where the public can learn from her.”

Less-suppressed laughter met this. Stephen Hatt turned to look down at the other man. “Lindsay? Forgive me for disagreeing with you in public, but you do know that we intend to restore this engine to traffic, right?” 

There was a not insignificant amount of spluttering and swearing. Dr. Sharp had absolutely not known that. 

Caerphilly hadn’t known either. “You want me… to run again?” she said, not quite believing what she was hearing. 

“Of course!” Stephen said kindly. “Gordon, our primary express engine, is coming up on his boiler ticket, so we need another express engine to fill the gap.” He paused seriously. “Did you think that we were going to stick you on a plinth somewhere?” 

“I… I really did sir,” she said quietly. “I didn’t think that anyone wanted steam engines anymore.” She blinked. “Goodness, if I’d known, I would have insisted on having someone else come with me! Lord knows that Evening Star is never going to run under the current administration.” 

Stephen missed the acid glare she sent Dr. Sharp’s way. “Oh, how funny it is that you mention that. We actually have a 9F that we purchased recently. You’ll be meeting her soon enough, her name is-”

[absolutebl]

This Week in BL - We In A Slump, but help might be coming from a very strange source

Organized, in each category, with ones I'm enjoying most at the top.

Sept 2024 Week 4

Ongoing Series - Thai

Jack & Joker (Thai Mon IQIYI) ep 3 of 12 - I don’t have a lot to say except that the plot is somewhat predictable but the show is still very engaging. War is fantastic. I’m enjoying it a hell of a lot.

Monster Next Door (Thai Thurs Gaga ) ep 10 of 12 - The second leads are getting better in this one. I understand where they are coming from, which makes their conflict so much more understandably painful, and honest to a friends2lovers trope. The main couple is kinda standard college relationship drama, but they are cuties.  

Kidnap (Fri YT) ep 4 of 12 - How is Ohm so damn gorgeous? Meanwhile, babies’ first argument. And it’s sponge bath time. Q has got to be wondering if Min is as meticulous with all kinds of care and attention to detail all......the......time. Somebody here in the hellhole said something about this being "the most BL to ever BL." And I think they’re right. At least right now. Although, watch out, we got us a new contender from the east.

I Saw You in My Dream (Weds Gaga) ep 11 of 12 - I do love the continuation of the perversion, in a good way, of the punishment trope from last week's episode. Oh, has the show finally remembered its title? NO SINGING. 

Addicted Heroin (Thai Tues WeTV) ep 7 of 10 - More kidnapping and an attack and now there’s a girl involved and somebody’s going to China and I don’t understand anything! And I don’t really care. Is this how the actual book originally went? Because it’s wild. Also TOO MANY of flashbacks. I guess they got a bit of a boyfriend era, and the claiming during the water fight was cute, but otherwise...... meh

Love Sick 2024 (Thai Sun iQIYI) ep 2 of 15 - One shouldn’t make comparisons, of course, but all I can think about is how amazing Captain was as Noh in the original series. Thus this show is mostly just making me want to rewatch the original. It’d be an interesting twist to have Aim be queer instead of a damaged cool girl slut. Was the helmet hand letting go a foreshadow of the iconic bookstore hands letting go? Also, I gotta say for the second episode of a series there are already too many flashbacks. Why are they using filler when they have so much content crammed into so few (comparable) episodes for a series? It’s annoying. Stop it.

Live in Love (Sun Gaga) ep 4 of 5 - This show has some interesting, if heavy handed, things to say about shipping and trolling, but also predatory/proprietary female behavior. It’s fascinating to see it tackled head on, if handled in a profoundly clumsy manner. I’m not sure how I feel about it. That said, most of this episode was actually an advertisement for a resort in Phuket. 

Bad Guy My Boss (Thai Sun Gaga) ep 2 of 10 - I'm getting What's Wrong with Secretary Kim? vibes from this show. Only this is WAY more bullying. It’s very old-fashioned 90’s billionaire romance novel only gay. It’s never a good sign when I’m watching two boys kiss and I really want one of them to just bite the other ones lip off instead.

Battle of the Writers (Sun YT) ep 9 of 12 - No ep this week. 

Ongoing Series - Not Thai

Sugar Dog Life (Japan Sun grey) ep 8 of 10 - Gosh it’s so frikin adorable. Baby got sick. He has SUCH A CRUSH. And such a courageous little confession! Yay! Can’t wait for next week. 

Teenager Judge (Vietnam Sat YouTube) ep 1 - sure, yes this is, in fact, just Ba Vinh doing his thing with pretty boys again. And yet...... There is a REASON this leapt into the standings guns blazing. So it’s high school set but it's stepbrothers trope. (My, aren’t we popular this year?) I know, but I NEVER get tired of this trope. We got us Bach (BV's sullen tsundere) and Dat (babygirl meets bully). It’s GREAT how the brothers' dynamic is entirely different at school than when they're at home. My ear isn’t trained for Vietnamese, but I think Dat is using different pronouns depending on his location (his personality entirely shifts when he’s at school). I’m not sold on the Bach character, although I always trust BV to serve in the end (at least we know the kisses will be good), but Dat is utterly in love, a touch spicy, and reasonably complex. The surrounding cast is good too, my favorite pretty boy is there playing top dog (woof), and one of the besties is out gay (YAY!). The plot of the show is...... well...... absent. Nothing happened. But if we are aiming for Love Sick slice of life style BL, I'm game. Subs are appropriately terrible and confusing. But I like it A FUCK TON so far, so I’m gonna keep it in rotation. Nice to have Vietnam back in play. What a shocker.

2024 has been a year of upsets.

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 3 of 10 eps - I weirdly enjoyed the farcical music and the utter absurdity of the court case. I also liked how it highlighted what a good team these two are. Frankly I don’t mind a bit of an antihero sleazy lawyer + conman, it's engaging. I’m getting wholesome out of Thailand. I don’t really need it from Japan at the moment. Also I don’t believe for one second our conman actually is serious about the relationship. Conmen gonna con. I'm reminded of the scorpion and the frog fable.

First Note Of Love (Taiwan Mon Gaga) ep 8 of 12 - I love Orca so much. I do not love the autotuned version of Orca, but I knew what I was in for with this particular show, it's in the title after all. I did laugh a whole lot when Laing used kha. Hon, I don't think that word means what you think it means......

The On1y One (Taiwan Thurs Gaga) eps 11-12fin - I never thought I’d say this, but the pacing was off in the penultimate episode. Taiwan, and its chronic misuse of flashbacks strikes again. That said we eventually got a "lock in" trope and Wang being the biggest little flirt shit in the cafe OMG!!! Of course, you shouldn’t use a girl to torment your bf, but it was so well done, I can’t really complain. Meanwhile, teacher kisses. And now I understand exactly why they’re present in this narrative. Clever. Bummer of a burden on that ending though. I cannot see how they’ll manage to stick this landing. [That was ep 11]

AND NOW EP 12 - doomey doomey doom

Not the water bottle trope! Argh the teenage lust of it all. Just stop it. Wang is so smart he knows exactly how bad he has to be to leave the class. And his bf certainly knows that too. And......

......

So that was not an ending and I’m not happy about it and no one is surprised. Even I’m not surprised. I’m just disappointed. Even tho I suspected this was where we were headed I'm disappointed. That’s it. That’s all I got. How do I review something that was such a crushing let down?

Conclusion:

Based on a Mou Mou novel + the Your Name Engraved Herein team, this is old-school coming of age BL and it was bloody fantastic. Tsundere seme to beat all tsundere (smartest + tallest + bestest at everything but people) meets socially-ept cutie smart-ass uke. They're living together by end of ep 1 and start kissing by end of ep 2. A stellar tense slow burn stepbrothers trope that ate my life and than just belly-flopped the finale. What I'm left with is epic levels of disappointment and well...... at least nobody died? My standard "fatally flawed" rating for any BL is 4/10 so I guess that’s what I’m giving it. 

Before you ask me for the stats: Taiwan does not have a history of second seasons. I went ahead and ran the numbers and the odds are certainly not in our favor. I put the chances at 2%.

Yes, I contemplated a revenge rating of 2/10 but even I'm not that mean.

It's airing but...

The Hidden Moon (Sat WeTV) ep 1 of 10 - This is a supernatural romance (my ghost boyfriend trope) by Violet Rain (I Feel You Linger). A man is hired to write an article about an old mansion in Chiang Mai being converted into a café. He sees the ghosts of people who died at the mansion, falls in love with one of them. Was substantially recast. I loved IFYLITA except the ending so I think I'll let this one run it's course you can tell me if it's work tracking down... if they managed to land it. I have my doubts.

In Case You Missed It

Falling For My Boss is vertical format (nash) short from Korean BL about a happy-go-unlucky man who keeps losing his flower shop business because of romantically misbehaving employees (apparently it's a thing). When his best employee brings in a new boy he's worried she's falling for him, but it turns out it's his own heart on the line. He a clueless softy and The Boy is a lost broken sweetheart, making this a gentle little snippet of a show. There's a baby linguistic negotiation, some hung slinging, awkward handholds, and everyone is very pretty. For me the absence of kisses and the vertical format were more annoying than the length, which felt fine but many viewers will find too short. I enjoyed the 30 minutes of cute. All of which makes this a solid 7/10 from me. It was originally only available on this one ap in very short form with ads so I wasn't gonna bother. Then some kind soul cut it together without ads and stuck it up for download. Say thank you.

Oddball recommendation next: This podcast episode touches on some stuff we see in Thai BL so I think it's worth listening to. Journalist Dominic Faulder on the Complex History Between Thailand & Myanmar

Happy of the End (Japan Gaga) - Completed its run. A boy is disowned for being gay, dumped by his boyfriend, and ends up in a dysfunctional co-dependant relationship with his would-be kidnapper. We were due for another messy JBL and it's exactly as expected. I do not like it at all and DNFed. Gossip round the hellhole is that was a solid decision.

Marriage Equality Law has officially been enacted in Thailand...

Yes the actual law. Goes into effect Jan 22, 2025

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Coming Oct 2024:

10/3 Fourever You (Thai iQIYI?) 16 eps - New directs Earth (UWMA, 12%) + Pond (Century of Love, 180 Degrees), Bas (Gen Y, 2 Moons) + Maxky (Why You… Y Me?) and other familiar faces like Bever. Sampler pack university BL from Wabi Sabi that looks like it's trying to be a gay Boys Over Flowers (4 older med students hot boys) and I'm not mad about it. Trailer Not sure who's distributing this but my guess is iQIYI since they had the last few from this house.

10/7 Every You Every Me (Thai Gaga) 10 eps - Jade and Chin have lived over a thousand lifetimes. In each one they somehow manage to fall in love with each other. (This pair, TopMick was piloted in a My Universe ep, that was one of the only ones I liked.)

10/10 Eccentric Romance (Korea ????) 12 eps - Silkwood’s 2nd Thai/Korean colab, that has been in production since 2022 which is a LONG time in the BL world. I'm worried but I like the concept: friends of 10 years who’ve been hiding feelings for each other enter the same university. Plus MURDER.

10/10 Gangster and His Boyfriend (Korea ????) 8 eps? - Kim Dong Bin (famous trainee & idol reality competitor, yeah that happens) stars as a fallen idol who unexpectedly becomes entangled in a gangster family. Discovers that his friend’s father is responsible for the murder of his entire family years ago. I don't know much about this one, neither does anyone else and I'm not sure where I got that release date so……

10/21 Love in the Big City (Korea ????) 8 eps - Adaptation of Booker-nominated famous coming of age novel of the same title by Park Sang-Young. Cynical yet fun loving student writer Young pinballs from home, to class, to Tinder matches. He and Jaehee, his female besie and roommate, frequent nearby bars where they push away their worries about life, love, and money with soju. As time passes Jaehee settles down and leaves Young to face his problems on his own. Young finding comfort in the arms of the series of men, including one whose handsomeness is matched by his coldness and another who might be the great love of his life. Not really BL. Stars Kim Go-eun (The King: Eternal Monarch), Noh Sang-hyun, and Nam Yoon Su (The King’s Affection). This already released as a movie and isn't very well regarded, this date is supposedly an international release as a series. I'm wary of it being BL.

THIS WEEK’S BEST MOMENTS

I got nothing, The On1y One drove me into a funk.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many at-ings.

[madschiavelique]

˖𓍯. 𝐌𝐞𝐫𝐫𝐲 𝐂𝐫𝐢𝐬𝐢𝐬. ★. ₊ ⭑

⟢﹒ pairing : matt murdock x audhd!reader x frank castle

⟢﹒ summary : your family is an ordeal to endure, full of disparaging remarks that make for a horrible evening. fortunately, Matt and Frank come to keep you company during the family diner and take you home to look after you.

⟢﹒ content warnings : hurt/comfort, extremely self-indulgent, reader's family are degrading, audhd reader close to breaking down, reader having sensory issues, reader getting overstimulated, the guys in this are so lovable and sweet boyfriends, afab!reader, no use of Y/N

⟢﹒ word count : 9,3k

⟢﹒ note : had quite a shitty christmas ngl, so i thought writing this piece of comfort would be helpful ! if you only want to read the comfort part, i'll place a separation by using a black divider between the hurt and comfort part. a huge thank you to my bestie @sunflowersandsapphires who proofread this <3. have a good read lovelies!

You passed a q-tip close to your eyes in the hope of correcting the curve of your make-up, trying with that scatterbrained perfectionism that accompanied you in even the most minute tasks to ensure that everything was symmetrical.

Nothing too extravagant, just something elegant, neutral, but that would do. The standard was just to look presentable, from the face to the rest of the body. Jeans, an oversized hoodie, nothing special.

This lack of personal distinction was undoubtedly due to the rejection of perception, the insistent stares, the embarrassing compliments that could suddenly put you in the spotlight tonight, an idea that made you feel profoundly uneasy.

You stepped back a little, checking to see if the much-desired symmetry had been achieved, and no sooner had you put down your utensil than you were asked to do the little cousins' make-up.

Tonight was an annual family reunion: Christmas, where aunts, uncles, grandparents and grandchildren got together over foie gras, salmon and dubious discussions. Where guests who have just left are criticised, where disparaging remarks are exchanged, and where the meal always ends up drifting into politics with more or less heated debates at the table.

You anticipated the evening, an anxious knot already forming in your stomach. You had a particular link with your family, of which the affection was strangely displayed if at all in a way you despised entirely. Every year was a different pain, a different bitter taste that lingered in your thoughts like poison, and you were not delighted to participate in this celebration when you would’ve preferred staying home.

Only one thing held you in place and convinced you that the night wouldn't be a constant and unrelenting hell: Matt and Frank were coming over.

This winter, it was the first time you would’ve been accompanied by them, and by anyone in fact. Knowing the rather strong opinions of your family, the simple idea of saying that you shared your life with two men in a more than platonic way had been dismissed a long time ago. A trouple? If that fell in the ears of one of your family members, you could be sure that you'd become the next freak of the night.

So you talked it over with the boys and came up with a plan to make sure you could bring them both along and not make a big deal of it: one of them would pretend to be your boyfriend, while the other would just be your friend that had nothing better to do for the celebration.

The choice of boyfriend fell on Frank, and friend on Matt.

He had asked why, and you had explained that it was obviously in no way because of favouritism or anything of the sort, but rather the simple fact that he would get more compliments behind his back if he wasn't with you than if he was. 

He'd frowned, but you'd had to explain to them how your family was sometimes built on clusters of shrill gossip, talking behind others' backs and later making remarks to their faces in tones of passive aggressiveness and wicked irony.

You also had to educate them, that no matter what was said about you tonight, not to react. They'd probably be itching to, it would be like a thread sticking out, but they were forbidden to pull on it.

You looked at the clock, seven past. You'd texted Frank to ask where they were and when they'd arrive. Eight thirty had been their reply, and you took a deep breath. An hour and a half to go.

You looked at yourself in the mirror, assuring yourself everything was alright and that you were presentable enough. You can do it, you kept telling yourself, this night knows an end.

The first complications arose sooner than you thought. 

First of all, you'd managed to find a decent seat in an armchair and not on a sofa. However, this seat was very close to the fireplace, where a blazing fire licked the brown logs with appetite. Very close, too close, close enough that it felt suffocating. 

You moved your chair back slightly as best you could, trying not to disturb the conversation that was already well underway.

You tried to take a few snacks, perhaps some cashews, crackers or cherry tomatoes might ease your boredom and distract you from the growing heat.

You pulled out your phone, hoping that Frank and Matt would get here sooner, and would've sent a message to that effect. Or perhaps was there a notification from any of your friends, a reel, a meme, anything-

"Put your phone away, we're with the family."

You looked up, your mother watching you and taking her glass in hand with a look of dissatisfaction. In a single instant, your cheeks heat up all the more as the fire in the fireplace presses against your skin, and you gulped.

"I just wanted to check if I had any news about Matt and Frank's drive," you explained simply, gently stuffing the phone into your pocket.

"They'll arrive when they arrive, but for now, be with us."

You nodded, discreetly biting your cheek as one of your only escapes for tonight went up in smoke. You would have much preferred to be able to escape a little and block out what was going on around you, even sorting out your gallery and deleting useless pictures would have been a more pleasant and less stressful activity.

But you couldn't, and you said nothing when it was your mother's turn to pick up her own phone and connect to the speaker to play her Christmas playlist. 

The children played together, which should’ve been a joy, but their overexcited screams, incessant movements and all that noise were enough to make you feel the headache setting in.

There were easily three different conversations going on around you, and your mother turned up the music in response. You waved, putting your hand in front of you as if you were lazily dribbling an invisible ball to indicate her to lower the volume, and she turned the music down a notch.

You clenched your jaw, thinking to yourself that this was a good start, even if everything else was getting harder to hold on to.

Choosing to wear a hoodie became almost a regret as the ambient heat from the fireplace worked its way up your spine to the nape of your neck, creating an unpleasant feeling. Soon enough, you had to take it all off as the first signs of nausea began to make themselves felt.

You weren't particularly comfortable with the idea, but everyone's attention was obviously diverted enough to take no notice of your actions. Except perhaps for one.

"You could have made an effort on your outfit, it's not very festive." Your mother sighed before taking a sip from her glass of champagne. "Hadn't you lost weight? It would be a shame to spoil the occasion."

You swallowed, the ground looking awfully interesting at this very moment. You knew what would have been said to you if you'd worn something more in the spirit of it, "You've got a nice body, you should wear that more often," and other remarks falling into the famous "you should insert-disobliging-action more often" category.

You should wear that more often. You should smile more often. You should come more often. But none of these requests were of the taste to be fulfilled by you tonight.

So you simply shrugged, having nothing in particular to say, and feeling your heart clench. You were stuck in this contradictory place where if you made one move slightly changing from your usual self to them, you were reprimanded on it, but if you didn’t do anything in particular, they highlighted the fact that it was disappointing you hadn’t done anything.

"Well, we're delighted to have you with us tonight!" chuckled an uncle, raising his glass to you.

"It sure makes a change from knowing she's in her cave," chuckles an aunt.

You smile, but there's no warmth behind the gesture. By cave, they mean your bedroom. Your habit of isolating yourself had brought you a certain reputation within your family, and for years now it has been a recurring joke. They laughed about it every time, but you saw it more as a broken record replaying the same snippet of music... speaking of which, your mother turned up the sound again, thinking you wouldn't notice.

"Could you turn it down please? It's really loud." you ask politely, in the most calm, composed and polite tone you could produce at the moment.

"Oh come on," your mother grumbles, rolling her eyes, "we're allowed to have fun."

She turned up the volume once more, and finally someone other than you told her it was too loud. Reluctantly, she lowered the sound slightly, but it was still not enough for you. Your hands lodge over your ears, hoping with all your heart that this would ease the strain on your eardrums.

Conversations sought to drown out the music, each member pushing their voice for any discussion. Kids were still running around, chasing one another by screaming at each other, and adjusting your eyes on anything without the certainty of getting a headache felt like mission impossible. 

Your hands on your ears helped slightly, and it was only then that your mother looked at you with a surprised expression.

"Does it really hurt?" she asked, raising her eyebrows.

"Yes," you nodded, "it really does."

Finally, she turned it down, and you exhaled as the others resumed a more appropriate though still higher volume of discussion than you'd prefer. The kids had been changed of room, making it more bearable for you to live through. 

"So, what have you been up to lately?" asks one of your grandparents, "how's work?"

Your cheeks heat up, the discussion now turned towards you, prompting you to take your glass in hand just to have something to quench your throat suddenly arid as the sahara.

"Very well, business is good." you smiled falsely, forcing your face to display the features they might normally expect to see.

"Great, and those two guests coming tonight, do you know them from work?"

How could you say that the circumstances in which you had met these two men were in a situation that included Frank and Matt falling into your flat, bloodied, and asking you for help? 

Karen, who you’d known through college, had advised them of your address, and when the first opportunity came up, they had taken the chance to make the most exceptional introduction you'd ever had in your life : stumbling at your place with cuts all around

"In a way, yes," you replied, pressing your lips into a thin line.

"One of them's her boyfriend, and the other's a lawyer," your mother informed the others, who seemed delighted by your seemingly noble company.

It's a good thing the flames in the fireplace were dying down and that it wasn't so hot anymore, because both your cheeks felt like you were resting the back of your hand on hot embers. It was a never-ending embarrassment to have such behaviour around you, saying aloud everything regarding you without you consenting to any information to be given. Wherever ridiculous actions or the slightest subject that was even a little new and out of their boredom-inducing daily lives occurred, they swarmed.

Nevertheless, the conversation drifted away to your delight, and at the mention of your loves, you couldn't stop thinking about them. You would have liked to check the time, to see if they had any problems on the way that might have delayed them, but you knew that such conduct was likely to earn you an additional remark about the use of your telephone. After all, she could find openings as easily as water in a colander.

Just then, a dance song began to play which, objectively, had nothing to do with the Christmas spirit. So everyone stood up, moving the chairs to get more room, and you helped in this cacophony of moved furniture. 

You stood to one side as everyone got to the centre of the room, their dance steps resembling a veritable collective epileptic seizure of which you had no desire to become another member.

You took the opportunity to take refuge in the bathroom, carefully closing the door behind you and sitting down on the toilet to take a deep breath. The after-effects of all these mixed sensations were beginning to make themselves known.

Your body was as taut as a bowstring, as if every muscle had contracted from a high fall, and it felt as if releasing all the tension would break you in thousands of small pieces. Your heart wasn't beating particularly fast, but it was beating hard, and you couldn't ignore it.

You took a deep breath, letting your head fall back as you closed your eyes. Your throat and chest were tight, so tight that you felt like crying right now. But you couldn't, it would be too noticeable once you got out of here, and you didn't want to give them the pleasure of having an extra subject to talk about at the end of the evening once you'd gone. It would do them too much honour, and you couldn't afford to give them any.

You were so tired, you couldn't take it any more, the fatigue coursing through your body like you'd run a marathon of shame. You breathed in again, feeling your previously tight chest slowly relax as your body was jolting a bit from the unease.

This wouldn't last forever. By the end of the evening, after dessert, you wouldn't be in this house surrounded by all these people, all these eyes, all these mouths, all this noise.

That's when your phone buzzed, and without missing a beat, you pulled it out of your pocket. On the screen was a single message from Frank that gave you tremendous reassurance:

We're here.

You bit your lip, nodding slowly. One last breath for courage and you stood up, opening the door of the bathroom. Without anyone noticing, you grabbed your hoodie and stepped outside into the cool of the night.

The sudden chill brought you unparalleled comfort, biting your cheeks hot with frustration and embarrassment. Perhaps the night would heal you, that its cool caress would apply its balm of softness to all that pressure and relieve you of your tension.

You turned your key ring to find the one for the gate a little further on, trying to walk and not sprint to it. Inserting the key almost frantically but controlling your excitement and relief at their presence, you opened the game.

And there they were, smiling at you.

"Evening sweetheart," Frank smiled when he saw you.

"Sorry we took so long," Matt apologised, pressing his lips together.

You looked behind you to make sure no one had followed you outside, closing the gate slightly so that you wouldn't be seen. You knew that even from here, your group of three could be seen as a pile of meat around which the vultures would circle, and you didn't want to risk being their next meal.

You hugged them both, relieved to have them close to you, and the suddenness and desperation in your gesture almost seemed to surprise them. They hugged you back, kissing your temple.

"Your cheeks are warm," Frank chuckled, pressing his face harder against yours, making you giggle.

"Is everything okay?" asked Matt, stroking your hair, "you're all tense."

Of course, Matt noticing every microscopic detail as usual, couldn't help but pick up on how stiff your body looked, and how the smell of stress covered your skin in the thinnest film. There was no point in lying to Matt, or pretending to divert the subject with Frank, so you sighed.

"Lots of noise, not much serenity," you replied, letting your head fall against the devil's chest.

You were trying to cherish all this a little more, because once you were back in the house, you and Matt wouldn't be able to touch each other again except perhaps to pass a plate across the table and let your fingers deliberately brush against each other.

They'd already been told by you what to expect, and even if they were prepared, they were sorry to find you like this.

"We won't stay here the whole night," Matt reassures as he wraps his arms around you, stroking your back. "Let's hope we get out of here before Frank goes so far as to take the silverware from the table and threaten anyone with the butter knife."

"You're ruining my fun, Red. Now I've got to find something more inventive," sighed the latter.

"Take the star at the top of the pine tree, it'll be sharp enough," you suggested, turning your head towards him, cheek still pressed against Matt's chest. 

"See that, that's Christmas spirit," smiled Frank.

You loosened your embrace, Matt gently kissing your lips. He savoured the moment, and so did you, because this kind of proximity with him wasn't going to happen again for several hours. 

"Ready?" asked Frank, letting his pointer finger form a hook to caress the skin of your cheek.

You looked at the lights further away from the house, hearing the music from here and already preparing in the second part of the night.

"Ready," you breathed in before reopening the gate and letting them through.

You felt your heart clench again, the unpleasant tingle of anxiety coursing through your veins in a fluid traffic that seemed impossible to dilute. You tried to breathe calmly, preparing yourself once again to face the suffocating interior of sounds, movements and remarks.

"Remember, if you need to take a break from all this and go outside, squeeze my hand three times, okay sweetheart ?" reminded Frank, placing his hand on the small of your back.

"Yeah," you swallowed, nodding softly as a tight little smile spread across your lips.

You'd agreed to pretend, in case things got desperate and you needed a break, that Frank was a smoker, and that you and Matt shared his ciggy break together.

All of this preparation had come from the fact your mother had passed an entire questioning about your boyfriend - or at least one of them - to prepare herself conventionally. You knew how she was, and such coaching with the guys was for the better.

Still, his hand on your back was reassuring, and made things easier to bear.

You opened the door, and everyone turned to you with a big "Ah" of satisfaction. Introductions were made as both took off their jackets. Frank remained friendly but guarded - as usual, typical Frank - and Matt seemed to bloom in this social environment like a freshly blossomed flower.

It didn't take long for most of your family to decide that they loved Matt. His well-timed humour, his natural charm, his eloquence, everything about him made him a man to be admired.

"Isn't there any way he could be your boyfriend instead?" said an aunt, approaching you as Matt and Frank continued to be introduced.

"He's way out of her league," sneered another, "they both are, actually."

You pressed your lips together, blowing falsely from your nose to feign amusement. You knew Matt could hear every little jab at you tonight, and if he was feeling any frustration, he was hiding it perfectly.

"Where did you get them? I want one too," said the first, making the other laugh.

"Might get the lawyer's phone number," she replied.

"Yours is very fine too," remarked the other, "how'd you manage to get him ?"

They both said these sentences as if their own husbands weren't in the room, and as if the possibility of you being in a relationship with one of them was a miracle, or just a huge stroke of luck.

"Through work," you replied mechanically and through clenched teeth before moving into the kitchen to help with the dishes.

You knew these sorts of remarks were to be brought up, on how you’d managed to surround yourself so well. Matt and Frank had long wondered how your confidence in yourself was so low, but maybe tonight would’ve been the perfect example as to why it was the case.

The transition to the table was almost seamless. Everyone sat down, the seating order meticulously adapted for everyone. Fortunately, you found yourself between Frank and Matt. You were inwardly grateful for the choice of decorations when you realised that the tablecloth was quite long, and that the reassuring hand Matt had just put on your thigh wouldn't be noticeable.

You breathed softly, the warmth of his hand anchoring you better in all of this and giving you something to focus on that was sweeter than any mean remarks.

Of course, with every new person around the table comes an interrogation to get to know them. Questions of all kinds followed for the boys, about their work, their activities, your aunts of course looking for answers as to how you and Frank had ended up together.

You'd worked it out and decided that Matt had introduced you to Frank and that, through your shared tastes in literature and other things, you'd ended up bonding.

"If books are the new way to getting to a man I've got some reading to do," joked one of the aunts, making the table laugh unanimously, "never thought you'd manage anything of the sort."

The pique directed at you made you feel as if you were swallowing a large ice cube with difficulty, but you covered your discomfort with an expert fake smile. Masking all that discomfort since the start of the evening was beginning to prove complicated, but you weren't going to use the smoking-break Joker just yet.

You could see in the corners of your eyes how Matt was wearing a stiff smile, and how Frank's jaw was tense. Gently reaching under the table, you took both their hands, turning to Frank with another smile that this time wasn't imbued with the polite mask you wore, but with sincerity.

"Let's just say I was lucky " to have found two such extraordinary people who fill my life with love on a daily basis, would you have finished.

You squeezed their hands, drawing small circles on their skins as they both smiled.

The starter was over, the main course continued as your stomach was refusing to let you eat anything, and the whole thing brought together discussions that made you uncomfortable to say the least. All sorts of unconscious or simply cruel racist, homophobic and even transphobic remarks were placed on the table. 

You remained silent, not speaking particularly. You had no desire to take part in this kind of discussion, given how horrible the venom on each other's tongues was. You just hoped it would all be over soon, looking forward to going home with Frank and Matt.

The cousins were chatting away like fascists, one talking about Napoleon, and the old days being the best, while talking about the questionable politicians he was listening to on the radio. 

The cheese arrived, and then came the little break just before dessert. They put on a film for the children, so that the adults could have a quiet chat without all the heckling.

Hearing the parents' arse jokes, you'd think they'd be fucking each other on the table if they thought it was funny. You could very well let your own sassy tongue out, say that if this aunt isn't listening to what's being said already it's because she's working out her next gossip, but you have to forgive her because she wouldn't be like this if her husband wasn't cheating on her, or maybe he's cheating on her because she's like this. 

To tell the uncles that they're less likely to die from terrorism than from alcoholism, to tell one aunt to strap the kids up tight because her husband is going to be driving as if he had an autonomous car. And that you would’ve liked to finish by saying that no matter the smiles, the village fete, all it took was a small difference for everyone to see the real faces.

But you said nothing, keeping to yourself those comments that would only serve to fuel their hatred. 

As Frank came up to grab another drink, your mother sat next to you on the sofa while the two boys came to be monopolised by aunts and uncles. A procession of rednecks near Frank discussing his familiarity with weapons and his military past, while the aunts were wiggling around Matt hoping to curry favour with the young lawyer.

"It's too hot in here," you murmured as you shifted a little from your mother, but she wasn't letting go and placed her head on your shoulder.

"But I want to be close to you," she said with a pout, the alcohol making her visibly affectionate.

You tensed, the desire to get away from it all running through your body, screaming under your skin. But there was nothing you could do, frozen there in the middle of it all, having to endure the situation as best you could.

The familial conversation drifted onto the subject of intellectuality, on the fact that your family was made up of nothing else, or at least for the most part. And you felt tiny, because they were generally right: they were all huge readers of the classics, who knew a lot about history, literature, philosophy and other human sciences. 

All these subjects were familiar to you, because you had had to learn them, to master them in the face of the global family demand for the cultivation of excellence.

Even though you were the ugly duckling of the family, that didn't stop you sharing this knowledge and they were all aware of it. You were able to inject the conversation with valid arguments and insights you'd learned on your own that were important to the topic, and whenever the occasion to say something wise came up that you grasped, they seemed more tolerable to you.

When the discussion turned to the descendants of a painter, you were asked to verify the accuracy of certain statements. So you looked it up on your phone, but barely half a minute later, your mother couldn't resist reprimanding you:

"What did I tell you on your phone? Not when we're with the family."

Irritation from all the previous events of the evening was beginning to press down on you, and it was with some irritation that you replied: 

"But I've been asked for some information."

Your voice was almost like that of a child defending themselves against someone calling them a liar, and this tone seemed to displease her when her gaze hardened.

"Don't talk to me like that, and put your phone away."

You bit the inside of your cheek so hard it felt like it was going to bleed, and said nothing as you put your phone back in your pocket while the conversation around you resumed.

You didn't meet Frank's gaze, nor did you turn to Matt, because you knew that this simple gesture would show weakness and a cry for help. However, you had made them swear not to interfere, and you remained silent for a while, trying to calm yourself down as you watched the fire ripple in the fireplace like an orange veil dancing in the wind while you fiddled with your fingers.

The tic was automatic; Matt and Frank would have preferred to have taken your hand in theirs to prevent this torment. 

What irritated you most of all was the profound injustice of the whole evening. You wouldn’t say anything, and you’d be considered too silent so people would ask you questions, but once you opened your mouth they were not satisfied with your answers. You couldn’t take your own phone, when all the aunts had their own, texting to their friends and all. Children had the right to get away in another room and watch a movie, while you had to stick there doing nothing but listening to whatever was said.

You couldn’t wait for the night to come to an end.

It was time to store the presents everywhere and pretend to the children that Santa had stopped by while they were watching the movie. Everything was placed in colourful piles, and when the children were called, they ran down the stairs and began the frantic tearing of gift wrap to an orchestra of shrieks and shredding.

All the accumulated sounds made you grit your teeth, tightening your throat and making you want to cry. You could feel the limit coming, and you needed a break to prevent you from imploding.

This time you took Frank's hand and squeezed it three times. He turned to you immediately, stroking your cheek before telling Matt. As quickly as they could without looking rushed, they put on their jackets and went out after you.

The night air calmed some part of you instantly, the contrast between all the hectic ambiance inside and the calmness of the outside felt like two extreme opposite worlds living by the only separation of a door.

To make sure that even from the outside there would be no doubt about this cover, Frank had to play along by taking out a cigarette and lighting it. He seemed irritated, and the idea of that Joker card almost seemed to play a real asset in all this to calm him down.

"How the fuck do they sleep at night?" he grumbles as he puffs out his first drag, "it's like they take every opportunity they get to pull you down."

"It's alright, let it slide." you sigh, crossing your arms over your chest.

"No it's not," he continues, "I can't believe you managed to handle their company for all these years."

"Didn't have much of a choice," you breathe.

"I know you said it was bad, I just didn't imagine it was constantly so," Matt confirmed.

"If I go back there I might actually punch them in the face," Frank grumbles before taking another drag on the cigarette.

"All that's left is the presents from the adults, then the Yule log, and then we'll be off, okay?" reassured Matt, placing his hand gently on your shoulder.

The touch of his hand brought a comforting warmth, and his words managed to reassure you. You looked at them both, thinking about how it would’ve been without them : unbearable, definitely. You had barely been able to handle it before they came, but now that they were here, you felt safe, like half of the poison that was thrown at you was not as effective.

They had changed you, made you feel loved, cherished, proud. They had been trying to break these patterns, the self depreciation, the self sabotage, the lack of self confidence. They were helping you build yourself back up from the ruins everyone else had left, and you were the most grateful to the universe to had brought them in your life.

"Thank you both, for being here," you admitted, your voice almost cracking, the coolness of the night giving you a feeling of security that was enough to relax your knotted throat.

They turned towards you, their faces softening. They knew what you were going through, what you were enduring for the night, and how complicated and unpleasant it must have been until they arrived. 

Frank took you in his arms, the smell of tobacco already permeating his clothes. Matt must not have been enjoying it at all, smelling that darkly sugary, smoky smell all around him, but whatever personal discomfort he was experiencing he didn't let it show. 

"It's the least we can do, beautiful," he replied, stroking your back.

"We just wish we could shut their mouths," Matt agreed, holding back from participating in the embrace as you’d instructed him.

"And stop this whole group of women from praising you?" sneered Frank, which made you smile.

Matt's nose scrunched up and his bottom lip curled in disgust at the remark.

"One of them wanted to feed me appetisers, and another asked me about being blind and whether I'd mind being in a relationship with someone whose looks I can't see." he said with a sigh.

"And then?" asked Frank curiously as you both turned to face the lawyer.

"I told her that I didn't need to see to know who was good-looking, and that if I chose my relationships purely on looks, I wouldn't know true friendship or love."

"All those poetic words must have pleased her," Frank punctuated with a whistle.

"Not until I told her my grandmother wore the same perfume as her."

You and Frank both laughed softly, truly impressed at how Matt was handling all this flirting and cringe from several women altogether. 

But this calm moment had to have an end, as the cigarette grew smaller and smaller by the minute. Frank broke away from your embrace to finish it and stubbed it out on the wall.

This little outing had done you a world of good. The cool night air had refreshed you, its delicate silence giving you a break from all the noise and the terrible comments from your family all the while Frank and Matt allowed you this break from constant barbs.

You returned again inside, the end of the opening of presents for the children welcoming you. And so the opening of those for the adults began, all the parcels being stored on the table in more chic and sober wrappings. The grandparents started, Frank standing behind you with one hand on your shoulder and the other holding his glass of champagne.

One by one, they all opened their presents, until it was your turn. Embarrassment gripped your body as all eyes were on you, and you dreaded the opening simply by being watched with boredom mixed with curiosity - to see how you might react and make the slightest faux pas.

You went about it slowly, wishing to unpack properly and not act like a barbarian tearing everything apart at once. Your aunt beside you imitated a yawn at the fact that you were making them wait, and everyone laughed, a tense little smile nailed to your cheeks.

What you got in the end wasn't too bad, nor too far from what you could appreciate, surprisingly. Of course, you had to force yourself to smile at most of the useless gifts that gave you absolutely no pleasure, but you thanked everyone, and the presentation of gifts moved on to the next ones.

"Didn't you get her anything?" your mother asked the boys.

"Her presents are at my place," Frank informed her.

The sentence made your heart spike up, a sudden warmth colouring your chest in pink softness as the sparkles of it brought the tingling sensation of tears at the corners of your eyes. Presents, they had gotten you presents. 

You were not going to cry, of course not, but the lump formed in your throat gave you enough of a hard time that you had to grab your drink and sip on it.

"Speaking of your place, have you looked at the traffic to get home?" questioned Matt, "I don't think I want to take too long."

"I'll have a look," he said, taking his hand off your shoulder to pick up his phone.

You wondered if Matt had had enough, if his own senses had been overwhelmed by all of this and he was pondering on going home. But then realised what they were doing : feigning traffic disruption in order to get home early and save yourself a lot of awful time.

"I think we're going to have to go," Frank nodded as he put his phone away. "Sweetheart? Ready?" he asked, bending over so that his chest pressed against your back.

"Yes," you said as you took a big breath and stood up, saying goodbye to the whole family.

You dreaded the hugs, the kisses on the cheeks or simply the fact of pressing them together and imitating the sound of what should have been a fake smooch, but with a surge of tiredness you objected to this using the excuse of " time is running out".

In no time at all, Matt and Frank had gathered up all your things and were carrying them, heading for the entrance hall to collect theirs.

In less time than it takes to say it, you were finally outside, walking up to the gate. You felt as if your lungs were being squeezed as you went along, almost expecting to feel a rope being pulled tight inside you to tie you to the house, for someone to come out and catch you or whatever. You felt almost like a gnat trying to escape from the spider's web in which it had been stuck a little too long.

You stuck the key in the lock of the gate, turned it hastily, then opened it to let them go with you, closing the big opaque metal door with that step. The pressure hadn't gone away from your body yet, every limb feeling like it was made of thick, rough foam where multiple needles had pierced you in the many crevices they'd already left and were digging even deeper. 

You looked for the car in the hope of getting to it as quickly as possible, but you let out a little squeal of surprise when your feet flew off the ground as Frank swept you up in his arms like a princess.

"Ain't no way you're gonna walk, you've had enough exhaustion for the night," he said, tightening his grip on your back and the back of your knees.

"But-" you began reflexively, although the idea of giving up this position didn't bring you any comfort.

"Ah ah," he stopped, "don't wanna hear about it." If he had his two hands free and was being childish, he would have put them over his ears, singing la la la and pretending not to hear anything.

But his hands were firmly under you, giving you all the security you could have dreamed of and the beginnings of a comfort that would last all evening until you'd sleep.

"Circus night is over," Matt huffed, taking a deep breath, "I think I've heard enough nonsense for one year."

"Lucky for you, next one's less than a week away," sneered Frank.

"I'd rather lose a second sense than inflict this on myself and our angel a second time," the demon replied as he grabbed the car keys from Frank's pocket and opened it.

He opened one of the rear doors, letting Frank gently place you in and strap you in place, placing a kiss on your forehead as he stepped aside to let Matt pass and place the few bags in the boot.

Matt sat down beside you, and you let your head fall on his shoulder. You felt the tingles of anxiety under your skin lodge in your legs and squeeze your chest, the rush to get out of here weighing heavily on your head.

Frank sat in the front seat, turning the car key and making it purr, then drove off. 

As the car rounded the corner, all the tension began to dissipate and you let the breath you'd been holding in escape from your chest. Your whole body felt heavy, your hands gloved with marble, your legs booted with lead and your head stuffed with cotton.

You felt the softness of Matt's lips as he placed a kiss on your forehead, his hand coming to rest on your thigh as you hummed under the sweetness of his comfort.

"It's all over now," he said, resting his chin on your head, "we're going to take care of you."

You snuggle up to him, your hand coming to rest on his as you breathe softly. Your fingers drew soft, formless patterns on the back of his hand, fighting the fatigue that had fallen on you like an anvil.

The moment was sweet, Matt's warmth through his clothes spreading close to you as you turned his hand onto his back to gently trace the lines from his palm up to his callused fingers. 

"I'd have to get rid of some of them," grunted Frank, who clearly hadn't yet calmed his frustration, "I'm sure they'd be much better off in an asylum."

"It's an insane asylum, not an asshole asylum," Matt remarked, "you'd have to build asshole asylums but... you can imagine the size of the buildings."

"Yeah, still, maybe I should have burnt my cigarette on one of their cars."

"What a nice Christmas present," chuckled Matt.

"I can be generous sometimes," confirmed Frank.

"Especially when you threaten people," you agreed.

"A pittance," Matt snickered, "Is that one of my sweaters by the way ?

"Yes," you sigh, "I'll have you know it's been criticised tonight."

"Really? By whom."

"I'll let you guess."

"A bit bold coming from someone dressed like Norman Bates who dresses like his mother," Frank grumbled.

You laughed softly, a sort of little venting session taking place in the car like a debriefing following a bizarre situation.

"With all those women around, Red's charm knows no bounds," laughed Frank, "you've caught the eye of one in particular it seems."

"My aunt? She's suffering from too much oestrogen. If you're interested, I can put you in touch," you grinned.

" I'd rather sleep on cotton sheets." grunts Matt as his hand grabs your thigh and squeezes a little tighter, letting a small chirp of amusement escape from between your lips.

The ride continued, and your stomach went all hollow, grumbling with displeasure at the emptiness you'd left it.

"Didn't eat much, did you ?" asked Matt softly.

"Barely touched her plate," confirmed Frank at the front.

"Didn't feel like it," you murmured.

"Is there anything you'd like when you get home?" proposed the demon, interlacing his fingers with yours.

"Something sweet," you hummed, adjusting your chin to rest it on his shoulder.

"Anything else?"

"Two pairs of arms around me," you smiled.

They both grinned, and the ride went by in a flash. You untied yourself once you'd arrived, stretching slightly as you shifted to open the door beside you, but Matt's hand from your thigh came to grab your hip and pull you back to him in a gesture that seemed immensely easy.

You turned to face him, confused for a moment, as he kissed your cheek.

"No walking, remember?" he smiled as Frank opened his car door to come towards yours.

You sigh, shaking your head slightly as you roll your eyes. They were overdoing it, but you weren't going to stop them. 

"Come here princess," Frank said as he pulled your hips towards him to take you in his arms again.

You wrapped your hands around the back of his nape, nestling your face in his neck and smelling his subtle cologne on his warm skin.

Matt took the bags and went ahead to open the door for you. The familiar smell of your real home seemed to wash all your worries from your body as you took a simple breath.

The bags were deposited in the hallway, Frank walking over to the sofa to set you down.

"Stay right there and don't move," he informed, hands on either side of you as he kissed you softly.

"What happens if I move ?" you asked, placing one of your hands on his arms.

"I'll tie you up like a pretty present," he chuckled as he kissed you again, "the most perfect present we'd ever have."

"Is that a threat or a promise?" you teased, your foreheads pressed together.

"It's a statement," he concluded.

He straightened up, and you were already missing his presence near you, but you respected his request - or rather his order - and remained seated on the sofa. Your head fell back, your body moulding itself to the shape of the couch under the effect of the evening's emotional turmoil. The tension drained away more and more, relaxing your tired muscles and making you yawn. 

It wasn't long before Matt and Frank returned with more casual outfits and packages in their hands. You straightened up, bending your knees on the sofa about to get up, but remembering the fact that walking wasn't a possibility, you explained: 

"I've got some for you too, am I allowed to go and get them?"

"For us?" said a surprised Frank, pointing at himself as if there was some mistake.

"You mean the packages under the first step of the stairs?" questioned Matt, "I thought those were packages you forgot about for the others."

"No, these are for you," you confirmed as you sat back down on your knees on the sofa.

They stood like that, one blinking repeatedly while the other kept his lips parted.

"You really didn't have to-" Matt began, but you stopped him immediately.

"Tsk tsk, if I don't have the right to stand up, you don't have the right to stop me from giving you presents."

"But-" resumed Frank.

"Ah ah," you smiled in the same tone he'd given you earlier, "don't wanna hear about it."

He parted his lips in a smile but said nothing as Matt laughed softly to the side. They approached you, Frank placing the packages on the coffee table as Matt turned away.

"I'll get them," he eventually says, heading for the top step, cracking it open and pulling out three packages to take back to the coffee table.

"The medium one is for you," you say, pushing the first one towards Frank, "and the big and small one are for you," the two boxes sliding across the smooth table towards Matt.

The packets seemed a particularly complex conundrum to them, but you urged them to open their presents.

Matt opened his and discovered a 7kg weighted blanket and an anti-stress ring that could be twirled on his finger.

"I know you sometimes ask me or Frank to lie on top of you because the weight makes you feel better, so I got you this, which should help if neither of us is ever there to give you what you want. As for the ring, I know that times at the Court can be stressful, so I thought it might help you find a point of anchorage." 

Matt seemed at a loss for words, taking the duvet between his fingers and touching the silk sheet you'd wrapped it in. Putting the ring on his index finger, which fit perfectly, he smiled to himself.

As for Frank, he removed the wrapping and his lips parted.

"I've been looking for these for months," he said, looking at the few books he'd been talking about over and over again. "How did you... ?"

You'd scoured countless bookshops, searched book repositories, researched the clearance of certain titles by libraries to find these books that had all but disappeared very quickly while the work was being republished and retranslated.

"A good girlfriend never reveals her secrets," you smiled.

The two of them placed their gifts on the table and came to embrace you, nestling their faces in the crooks of your neck. They held you close, gently kissing your skin between hushed "thank you's", dotting your neck and face with soft pecks.

"What did we do to deserve you," Frank murmured, pulling back slightly.

"I could ask the same about you both," you smiled, running your fingers through their hair.

They kissed you again, then handed you their own gift. You opened it, and it was something you'd talked about several times before, something that was very close to your heart and that they'd decided to give you. This time it was your turn to hug them, and they laughed as you showered their faces with kisses.

"What do you say to a nice bath, and then some dessert before bed?" offered Matt.

"I think that's the best idea of the evening," you confirmed, caressing his cheek and kissing his nose.

Without further ado, Frank took you in his arms like a koala, letting your legs cross behind him as you pressed your cheek against his shoulder. He led you and Matt into the bathroom, the devil bending over the tub to prepare the bath.

Frank lifted you slightly and sat you down on the wash basin counter, letting his hands fall on both your thighs and stroking them gently.

"As much as I love your makeup, we're gonna have to remove it sweetheart", he explained, kissing your cheek.

So mechanically, you grabbed your make-up remover, ready to start the process. But Frank stopped you in your tracks, gently taking the bottle in one hand and a cotton pad in the other.

He poured a small amount onto the white disc, dosing as you did regularly.

"Close your pretty eyes for me," he murmured, taking your chin between his fingers and starting to remove your make-up.

Frank had this charming habit, in the evenings when you were getting ready for bed and he wasn't out playing vigilante, of watching you remove your make-up. He knew a lot about your day by the way you went about it: slow and thoughtful was the result of a good day, faster and more jerky obviously reflected one full of frustration, and sometimes when your movements were slow and your eyes half-closed, it generally meant that the day had been very, very long.

He concentrated, pressing tenderly against your skin as he removed iridescent, matte and mascara from your eyelids, occasionally pausing to kiss your lips, making you smile and giggle softly with each peck.

You almost wanted to put lipstick on his lips and let him kiss your whole face until the red of your cheeks was indistinguishable from the colour of the lipstick.

He asked you to look up this time to clear away the mascara smears and the black marks left in their path. He was doing this with the utmost precision, and this personal attention sent tickles all the way to the back of your skull.

"Look at me?" he asked and you complied, a smirk forming on his lips. "The prettiest girl."

He came over and placed a strand of hair behind your ear before stepping aside to throw away the little cotton disc.

"I'm gonna go and check what snacks we have, Red? I'll leave you my favourite part, but only because it's christmas alright?" he informed before kissing the tip of your nose one last time and stepping out of the bathroom.

Matt, so far checking the temperature of the bath water to make sure it was correct, shook off his damp fingers and wiped them on a towel before standing up and moving between your legs.

"I'll have you stand up just for a bit," he cautioned, taking your hands and pulling you slightly towards him to get you to your feet. "Arms up."

At his request, you raised your arms. His hands pinched the bottom of your hoodie and pulled it up your body. He laid it to one side, continuing with your t-shirt, his fingers still warm from the water sliding delicately against your skin.

"So that's Frank's favourite part?" you smiled, "undressing me?

"I have to say it is," he stated as he unbuttoned your trousers and panties, sliding them to the floor where you lifted your feet to get out of them.

"And what's your favourite part?" you asked as he took off your socks and raised up to your level.

"The one that's about to happen."

He guided you to the bath and let you slide in gently. The temperature was perfect, just as you liked it, and you let out a moan of ease from between your lips until most of your body was submerged in the bath.

Matt took a stool from the bathroom and placed it beside you, taking a cup at the same time to pour water over your hair. He applied himself with great care, taking his time to make sure no drops got into your eyes.

Your muscles relaxed naturally with the heat, finally eradicating the tension in your body once and for all.

You felt Matt's fingers dip into the bath water, sliding up from the skin of your thigh and gently up your body, tracing your silhouette under the water.

"You're beautiful," he whispers as his wet fingers rose from the water to caress your cheek.

"How could you know?" you asked softly, watching as he stared into the emptiness.

"My hands don't lie to me, and I know the beauty of the mind at first sight of the heart" he smiled as he took your bottle of shampoo, pouring some into his palm before massaging your head.

To help him, you straightened up, pivoting slightly to get your back to him. His fingers snaked through your hair, massaging gently and lathering everything up slowly. He worked the back of your neck, muscles tense, letting your head go with the movement of his hands.

With your neck now leaning back, Matt smiled gently before kissing your forehead.

"That's my favourite part," he confirmed, resuming the massage.

You let your eyes close, surrendering to the gentleness of the moment and Matt's touch. He was pressing, caressing, painting with his fingers as if he were holding the most beautiful and delicate material in his hands. 

Too soon for your liking - because you would have preferred this moment to have no end - he rinsed your hair, letting the white mousse spread over your shoulders and applying it lightly to your skin. He took the sponge, soaking it in shower gel before squeezing it into a foam so that he could spread the bubbly cloud over your skin.

He took one of your arms, raising it so that he could get it straight and soap you up properly, and he kissed the length of your skin before the softness of his kisses was erased by the little soap bubbles that the sponge left in its wake. He did the same for your second arm, and your leg, and the second after that, covering your whole body with kisses and softness.

At first you thought it was unfair, because no sooner had he placed a kiss on your skin than he wiped it away with white foam. But you were soon comforted by the idea that these weren't kisses being chased away, but kisses being kept, kisses that seeped under your skin and brought you all the warmth that the bath was beginning to no longer contain.

Before the water got too cold, he gently rinsed you off and got you out of the tub, wrapping you in your bathrobe.

Frank came back into the bathroom at last, bringing clean, more comfortable clothes in his hands. They both took their time drying your hair and dressing you, whispering sweet nothings to you as they kissed your cheeks and temples.

Each kiss washed away the stress you'd been feeling, replacing bitterness with sweetness, and you relished every moment of it.

Once again they carried you in their arms to the sofa, where Frank had placed a plethora of foodstuffs of all kinds on the table, snacks and other sweet products that you might have wanted at the time.

You watched several episodes of a series that you'd been watching together lately, commenting on it and falsely - or actually - taking offence at the particularly stupid choices made by the main characters.

You didn't need any more than that. All the love in the world was with them.

They had taught you how one hand changes when you put it on top of another, that another world is possible but is present in this one, that there is always a dream asleep.

They were standing on your eyelids, and their hair was in yours, they were engulfed in your shadow. Their eyes were always open, they wouldn't let you sleep, their kisses in the light made the sun evaporate.

Back pressed against the chest of one, face hidden in the nape of the other's neck, tonight you fell asleep, fulfilled, safe and loved.