#aside from opening hands and first draw bc of misunderstanding we did actually play this duel using notes and random bumber generators

[capucapo]

Brothers' Battle part 1/4

[ continued from here, directly copied from Discord w minor editing for typos and formatting. yes, we played out an entire Duel. it's going to be a little bit of a read but I'm really, REALLY proud of this group effort to rewrite the VR World arc and there's so much good Character behind the card games.

Seto Kaiba @blueeyesking, me as Noa, Mokuba, and the Yugis. Wyatt @seashaper, Hika @nameless-brand, and Pyre @redeyesandchilifries coming in later

Names with my posts don't always line up bc sometimes I just switch POVs too many times in one reply, but will be color blocked with purple for the Yugis, magenta for Mokuba, and black italic (like this!) for Noa ]

Seto Kaiba

Seto's grin immediately falls away, replaced with a slightly agape shock. Concern tugs at the muscles in his face, twitching into another barely-recognizable microexpression- but Mokuba should be able to read Seto's face like a book, and that book reads,

"MOKUBA!"

He's alive! He's not hurt, and doesn't seem to be at all restrained… but his clothes are very… muted. Maybe it's just the virtual world's expression of him.

Mokuba

Mokuba's reaction hardly looks relieved to see the eldest Kaiba. The Imposter. His brows knit tight, his jaw set.

[ High above, an alarm rings out through Noa's control room. The largest, central screen changes perspective, zooming in on a young man with dark, braided hair. If he had veins, his blood would have turned to ice inside them.

No. No no no.

Why was Mokuba putting himself in danger? ]

On the street below, Mokuba takes a defiant step towards the imposter.

"gee, and I thought losers were supposed to give up and die," Mokuba's tone is venomous.*

yugi!

Yugi feels his heart sink as he utters the teenager's name in concern. His Other Self balls a fist, swallows the lump that forms in his throat as he spares a glace toward Kaiba.

The world seems to stand still.

Seto Kaiba

Seto's heart sinks, too, but it was already so deep it didn't have far to fall.

He… he couldn't be serious. He couldn't have said that, right? This must be another nightmare, only shared. Surely. Seto stops directing his Blue-Eyes, and it begins biting and slashing and firing beams at the insects on its own.

"That was what Gouzaburo believed."

Mokuba

Mokuba's glare doesn't falter.

"so then how many times do you have to lose before you listen???? just leave me and my Big Brother ALONE already!!!"

[ As he snaps at this Imposter, his so called Brother appears. A young man somewhere between the brothers in age, with an uncanny likeness to the elder. He wears a pleasant smile, but his eyes are cold and sharp as an icicle. He places a hand upon Mokuba's shoulder, and the way that the younger boy leans familiarly into the touch turns both Yugi's stomachs in unison. ]

"mokuba--" Yugi starts to step forward, only to be blocked by his Other's arm. Not yet, he feels inside his heart.

Seto Kaiba

"Your big brother… I don't even know who this clown is."

Seto covers his despair in biting wit, crossing his arms and straightening into a properly haughty posture. His eyes catch Noa's, and narrow.

"Whoever this kid is, he's not your brother, Mokuba. I am. And I'll do whatever it takes to bring you back."

Mokuba

The look on Mokuba's face is heartbreaking enough for Yugi. He gives a concerned look in Kaiba's direction.

["Give it up, Seto," Noa finally speaks, his gentle, song-songly voice uncomfortably calm. "Mokuba remembers the way that you hurt him, you hit him and then set your monsters lose upon him-- Isn't that right my Baby Brother?"]

"that's right. I'm not going ANYWHERE with you!!! my REAL brother and I are going to take Kaiba Corp back and remind the world what WINNING looks like!!"

Mokuba raises his left arm, a DuelDisk materializing in a wave of glowing cyan pixels. Noa's hand tenses on his shoulder.

["Mokuba. This isn't safe, you need to let me--" ]

"no. no, he HURT me. I need to do this, Big Brother. I've been waiting my whole LIFE to do this." Mokuba's words drip with poisonous resentment.

Seto Kaiba

Seto's eyes don't widen. Of course. This person has poisoned Mokuba against him with yet more realistic bending of the truth. Just like in his own nightmare, something terrible was done to Mokuba by some program wearing his face…

However, he wasn't expecting Mokuba to try and Duel him. Seto glances at the Yugis, then steps forward, removing the cards inside his DuelDisk and shuffling them. The Blue-Eyes nearby dematerializes as it is removed from the field.

"If that's what you want, Mokuba… I accept your challenge."

He looks to the stranger.

"The only danger here is the delusion you have, about taking my brother and the company I sacrificed my life for. We have suffered enough of Gouzaburo's lingering grudges!"

Seto flares a hand out dramatically, causing his coat to flap and emphasize the motion.

Mokuba

"WHAT brother??" Mokuba snaps. "'cuz MY only brother is Noa, and you stole that company from US. and once I beat you at your precious favorite game, I'm taking back what's ours," Mokuba snaps at the Imposter.

Yugi looks nervous, chewing on his bottom lip as he anxiously watches this confrontation between brothers. When Seto accepts the challenge, he gasps, takes a step toward the taller man again.

"kaiba, i don't have a good feeling about this--"

"shut UP, yugi. enough of your stupid friendship speeches, this is a family conversation!" Mokuba snaps. Then he turns to look up at the young man beside him, his expression and tone softening as he does. "you can do something about that, right Big Brother?"

[ Noa gives a dark grin in response, his cold, blue eyes locking onto the object of his animosity. "Of course I can, my Baby Brother. How about we take this battle somewhere just a bit more.. fitting," Noa hums.

Slowly he raises one hand in a grand gesture, and as he does, the streets of Domino City seem to crumble and fall away. The ground around their feet begins to rise high, high up into the blue sky, until the parties finds themselves on three separate rooftops. The brothers standing opposite each other on a long walkway, the Yugis and Noa occupying two smaller, round turrets, separated from the main platform by an endless chasm. ]

Yugi's heart skips a beat. His Other Self feels his stomach drop.

The details are different, but they recognize this playing field. The parapets at either end of the rooftop.

They both already know these stakes before Noa has to explain.

Seto Kaiba

Seto's heart pounds in his chest, the alarm he feels impossible to hide. His stance widens to steady himself as the terrain changes- into an all too familiar arrangement. They… they can't be serious. This is where Yugi learned their family's harshest lesson: to lose is to die. But he talked Seto off of the edge by conceding to his unfair ultimatum.

Seto's heart pounds in his ears.

"He's lying to you, Mokuba!" his tone is slightly more desperate. "You and I stole the company from Gouzaburo- and this boy has never been in our lives! I promised you we would- we would make theme parks, and entertain and support kids everywhere, so that they didn't have to suffer like we did!"

Regardless of his attempts at reasoning with Mokuba, Seto readies his Duel Disk.

Mokuba

Mokuba's never been here before. He's never seen this arena, never before heard the chilling ultimatum. But he doesn't need to. He already knows everything he needs to, as decided by Big Brother Noa.

"you're the one who's lying!! you really think anyone believes that?? YOU ?? caring about anyone but yourself???" Mokuba snaps as he draws his first five cards. "you threw away everything that made KaibaCorp what it was just to humiliate and MOCK our father's legacy!!! I'm going first!!"

[ "Let me remind you of the rules here, Seto," Noa purrs from the sidelines, his voice as deceptively gentle as ever. "You'll each take a step backwards for every 100 points of damage that you take. When your lifepoints run out, so does the rootftop you stand upon. Of course, these monsters aren't some cheap trick of light, like you're used to. The force of your attacks may be enough to bring this Duel to a conclusion before they even hit zero." ]

Mokuba stands confidently, a violent storm in his eyes as he finally looks down at the cards he's drawn. He can't help but smirk-- it's a perfect opening hand.

He sets the board wirh two face down cards, one monster, one a spell or trap, and ends his turn.

Seto Kaiba

The glare Seto levels at Noa may as well have the same level of threat as a gun barrel. But after a moment, he's more focused on the game at hand, brutal stakes clawing at his back.

In his first hand are Cyber Jar, Spirit Ryu, Burst Breath, Shrink, and Ring of Defense. He sets one and plays the monster in Defense Mode.

"The Kaiba Corporation, as a military entity, was a monstrous tool of destruction that gave the highest bidder the necessary firepower to massacre anyone in their way. Is that a legacy to be proud of, Mokuba? Or was it always our dream to save the world by making it a better place? To pursue our passion for children's card games? Open your eyes! Our adoptive father beat me every day, to teach me this world is cruel and unforgiving to the weak, and the world of business is worse. But we outplayed him at his own game, and with him gone, KaibaCorp has been flourishing as an entertainment technology company. You can't tell me you'd be happier facilitating the death of millions for money, just because it was what some old fool wanted you to do with his resources!"

Mokuba

[ Noa's own blue eyes meet Seto's threatening glare, but the smile on his lips shows only amusement as the fight begins in earnest ]

Mokuba draws a card to begin his turn. Effect Veiler.

"Kaiba Corporation was the epitome of power and strength. do you even hear yourself???? when the next great war starts, how many people are you going to save with children's card games???" Mokuba argues spitefully.

He takes only a second to look over the cards in his hand. His opening draw was good-- improbably so. Controlled as all things in this domain by Noa's divine will. That would be the only help offered to the youngest Kaiba, justified, in Noa's opinion, by the teenager's lack of experience as a Duelist. Not that he needed to justify something that no one, not even Mokuba, would know.

Mokuba plays Mystical Space Typhoon, targeting Seto's only set card for destruction. He then flips face up the monster he'd set on his first turn, revealing a weak and harmless Red Eyes Baby Dragon, now standing in attack mode. Plays another spell from his hand, Red Eyes Insight, sending one monster from his deck straight to the graveyard in order to add another spell to his hand. It isn't time for that yet, though. Instead, he activates his set trap card, allowing him to bring the Red Eys Archfiend of Lightning he'd sent to the graveyard immediately to the field. In exchange for his turn's normal summon, he activates the archfiend's effect, destroying the weak monster Seto had chosen to defend himself.

"you didn't outplay anyone. you cheated, and you stole away my Big Brother's rightful place at the head of our company!!!! don't act like you're above us, seto. how many deaths have YOU caused in your selfish rise to power, anyway??? what makes you any DIFFERENT ?? just because you like playing stupid little games for stupid little kids? it's time to grow UP already," he snaps, before ordering his baby dragon to attack directly.

Seto Kaiba

Seto's set card turned out to be the trap card Burst Breath! It disintegrates as Seto discards it, cussing quietly to himself. He knows Mokuba, having Red Eyes Baby Dragon on the field, will want it attacked so that it can activate its effect. He doesn't know all of Mokuba's deck, though, and the archfiend catches Seto off-guard, obliterating his Spirit Ryu and leaving him open to the Baby Dragon's direct attack. Its fireball pushes him back the required twelve steps, closer and closer to the edge…

"But we did outplay him, Mokuba! My plan hinged on you- I believed in you to make it work! This guy didn't exist-- we were Gouzaburo's only sons! He's using you!"

The taller brother calls over to Mokuba, even as he draws and glances at his remaining options. His drawn card is Pot of Greed-excellent. He casts Pot of Greed and draws his two cards, fishing for options to take out Mokuba's monsters without hurting him too badly. Even if he can deck his brother out without pushing him to the edge, will this bloodthirsty "Noa" still enforce the loss penalty…?

Vorse Raider, Heavy Storm, Thunder Dragon. Not terrible… Seto discards Thunder Dragon in order to draw his other two copies from his deck. Unfortunately, they both take one tribute to summon, themselves…

He summons the Vorse Raider in Attack Position. Then, he casts Heavy Storm, destroying Mokuba's trap card- and finally casts Shrink, targeting Mokuba's Archfiend, then begins his Battle Phase so that his Vorse Raider can attack the weakened Archfiend.

"My passion for card games isn't unique, no. But given our past, and my treatment by our adoptive father, I know how people shouldn't be treated. KaibaCorp under him would certainly have encouraged the next great war to have started already, in order to secure their bottom-line! Those resources could be better spent making people happy!"

Mokuba

Mokuba seems completely unfazed as he watches Seto move backwards, closer to the edge of the rooftop. He does spare a glance in Noa's direction, seeking quick and silent validation that he's making his Big Brother proud with that opening combo.

"you think you know everything, don't you seto??? well news flash, WE were LUCKY to get to call ourselves Gouzaburo's sons!!!!!!! and you were ungrateful for that!!! but my Big Brother Noa was Gouzaburo's only REAL son, and he was kind enough to treat me like his own brother anyway!!!!! what did YOU do??? you hit me and you pushed me away!!! you tortured me when I lost to yugi!!!!! Noa would NEVER hurt me like that!!"

Mokuba frows as his continuous trap is destroyed more quickly than expected. Somewhere there's another one of those in his deck, but he's more disappointed that his lack of any monsters in his graveyard prevent him from activating the card's second effect on destruction. Before he can be too sad by that, though, his archfiend shrinks before his eyes, its attack halving as well.

The attack that destroys his archfiend makes the teenager hiss in pain. He's not a Duelist, he's not used to even the force of solid vision. Let alone these virtual monsters with their very real pain. But he takes his required six and a half steps back with a smirk on his face."

"how would YOU know how people should be treated??? you treat everyone on earth like they're below you. tell me again, seto!! how did you get those precious blue eyes cards again???"

He draws his card for his next turn, and his smirk falters. Brows knit as his lips press into a thin line. Enemy Controller. It's not a bad pull. But he recognizes this card, and not from setting up his deck or practice plays. It's one of his opponent's. He sets it face down immediately.

He eyes the field a moment, then delares his battle phase without summoning another monster. Instead, he orders his Baby Dragon to attack the much stronger Vorse Raider without hesitation. The tiny dragon is, expectedly, destroyed immediately, and Mokuba grits his teeth, takes his 7 steps back. But his grin returns-- in fact he's almost giddy.

As the Baby goes to the graveyard, it's replaced by another, stronger dragon. And with Mokuba's battle phase still active, he orders the Red Eyes Black Dragon to attack, destroying Seto's vorse raider and 500 of his life points

"you know, Seto!!!!! if I reallyyyyy begged him to, my Big Brother might let you live!!! you'd have to give up Kaiba Corp though, oh, and your body too…. but you could live forever here in this world instead!! you just have to give up now….. last chance! I end my turn."

[enbouton]

Better Call Saul Rewatch, Part 1/30: They Called Him Slippin’ Jimmy

Late last month, I decided to rewatch all of BCS and post about it, one episode at a time, every day during the 30 days leading up to the premiere. The elements of this plan that proved problematic were “post” and “one episode at a time”, but we’ve still got three weeks, so let’s do this. I’m not much of a critic; this is going to be mostly just a bundle of thoughts and observations. There will also be a key to references in the dialogue, notes on locations and the timeline, and probably a lot of gushing over beautiful frames, because there are many (see above! look at that! look at it!!!). The tag will be #bcs rewatch, for your following/blocking needs.

Uno (Season 1, Episode 1)

Written by Vince Gilligan & Peter Gould / Directed by Vince Gilligan

If the Cinnabon sequence constitutes fanservice, I don’t care, because it’s brilliant. 

BCS uses a lot of intense chiaroscuro, and it starts in the scene at Gene’s apartment. Details— the ice in the glass, the white label on the bottle of Scotch— are highlighted, the rest of the picture is subdued. There’s also a gorgeous softness to the black-and-white images. Overheard on the TV as Gene pours: a woman cheerily saying “Well, from time to time, people make mistakes, that’s okay!”

There’s a bit of Breaking Bad-style handheld camera here, which stands out because it’s mostly absent from the rest of the show. In Gene’s living room we have the first appearance of glass block windows, about which blogger Marc Valdez wrote an excellent piece (Streamline Moderne and Jimmy McGill).

“No charge is too big for me!” says Saul, on the tape that Gene is watching in hiding with his blinds closed. :(

(In this episode, Jimmy’s personae are introduced in reverse chronological order: first Gene, then Saul Goodman, then James M. McGill Esquire, then Slippin’ Jimmy.)

It’s May 13, 2002, and the courtroom scene— beautifully paced, by the way— is one of the most distinctly Vince Gilligan scenes that ever Vince Gilliganed. The stenographer loudly slurping on her Big Gulp, the attorney using her legal pad to draw a shirtless man on a unicorn, the prosecutor silently wheeling in the TV in response to Jimmy’s argument, and most of all, the horrifying punchline.

When we first encounter Jimmy— as opposed to Gene or Saul— he’s pacing in the men’s room, muttering about how people shouldn’t be punished for whatever stupid things they did when they were young. Hmm. The three defendants sit there, chastened and nervous in ill-fitting ties, as Jimmy does an excellent job of talking around what it is they actually did. No one got hurt! It wasn’t trespassing, the business was open day and night! “I don’t think they deserve to have their bright futures ruined by a momentary, minute, never-to-be-repeated lapse in judgment,” he tells the jury.

I’m jumping ahead here, but where do you think Jimmy would have ended up if the whole Chicago sunroof incident never happened? I mean, he wouldn’t have gone to Albuquerque, he wouldn’t have become a lawyer… do you think he was happy just running small-time cons and smoking weed at age c. 30?

Anyway, as soon as we see the boys in the mortuary, let alone hear the sawing, we know the case is unwinnable. Jimmy collects his meagre paycheck and stalks out to his car. The show teases us a bit by putting a white pearlescent Cadillac front and centre in the frame before panning across to a battered 1998 Suzuki Esteem (aside: that car is awfully beat up for being only four years old). I love the car, by the way. The colour and the mismatched door are perfect.

The Kettlemans, who could have stepped straight out of an episode of Fargo (as Julie Ann Emery in fact did!), introduce the theme of denial of reality. They’re the innocent victims of a misunderstanding, you see. Craig’s business practices are “beyond reproach”. The missing money is a “discrepancy”. While Craig is amenable to hiring Jimmy, Betsy won’t have it; needing a lawyer would imply guilt, after all. Bob Odenkirk plays Jimmy’s barely-hidden desperation very well. He looks literally and figuratively hungry as Craig prepares to sign.

I want to take a moment to comment on Dave Porter’s score, which helps set Better Call Saul apart from Breaking Bad. The two scores are similar enough to provide continuity, but where Breaking Bad’s music is full of mechanical sounds, drones, saws and reverberations, the music of Better Call Saul has a much warmer timbre, more traditional instrumentation and a more naturalistic sound. (The best side-by-side comparison I can think of is “Dead Freight” versus “Border Crossing”— similar themes, similar rhythm and tempo, completely different feels.) The use of flute and harp stands out in particular— you’d never hear those instruments used in the same way in an episode of Breaking Bad.

One of this episode’s most effective individual beats is Cal coming out of nowhere and hitting Jimmy’s windshield, which manages to be startling even when you know it’s coming. It’s the distraction factor: preoccupy the audience with new information (Jimmy’s card was declined) and then fling a skateboarder into the frame. Jimmy, his windshield broken (can we call that a Breaking Bad reference?), limps home.

The lighting in Jimmy’s office is just gorgeous. This show unreasonably romanticises broke lawyers living in salon backrooms. We learn that Jimmy has a host of “past due” bills— wireless, Visa, library, Diner’s Club, phone— and then get a brilliant hook in the form of a check for $26,000 (dated May 9, 2002, for those of us tracking this stuff) that he promptly rips up, scowling.

Everything about the offices of Hamlin, Hamlin & McGill is so composed, right down to the five-note elevator chime. Blue and wood panelling predominate. I’ll have more to say about colours later on.

The boardroom scene is a beautiful piece of exposition, establishing characters and relationships bit by bit without spelling anything out. Chuck is someone close to Jimmy, and Hamlin, a senior partner at HHM, is giving Chuck money. He’s paying it into Jimmy’s account because Chuck isn’t capable of going to the bank, for some reason. Chuck helped build the firm, but he doesn’t work there any more and Jimmy thinks he never will again. Hamlin, on the other hand, believes Chuck can overcome his situation, and Jimmy dodges the question when asked whether Chuck really wants to be cashed out. The words “brother” and “illness” aren’t even used.

“If Chuck can call this an extended sabbatical, so can we”, Hamlin says— it’s not just Betsy Kettleman who’s engaging in a degree of denial (though the whole situation with Hamlin and Chuck’s illness becomes much more shaded and more complicated later on).

Let’s take another look at this incredible frame:

Kim and Jimmy share a cigarette. Seven words are spoken. Thus, their relationship is sketched out. See above re: exposition. We also see Kim literally clearing up after Jimmy after he takes his frustration out on the trash can, illustrating how they respectively deal with unfairness; he lashes out, she sets things straight.

Again in darkness, Jimmy arrives at Chuck’s house, stashes his phone and keys in the mailbox, and grounds himself on a piece of metal. (The air in Albuquerque is so dry that it’s very easy to build up a static charge. I was constantly getting zapped by door handles.) Chuck, noticing Jimmy’s discontent, instinctively asks him if he’s “in trouble”, which must sting.

Good Lord the lighting is beautiful.

Chuck does have a point about what would happen if he were to cash out of HHM. Jimmy doesn’t seem to see past the initial payout. What they’re really arguing about, beyond money, is whether or not Chuck is ever going to recover from his unspecified illness. The way his voice breaks on “I’m going to get better!” is rough. 

“Your friend Kim— a promising career, over and done with.” Not to read too much into this phrasing, but it sounds almost like Chuck thinks that if Kim lost her job at HHM it would be the end of her entire career. As if the firm is only keeping her there out of charity.

“But Jimmy, wouldn’t you rather build your own identity?” Oh, Chuck, if you only knew.

The next scene plunges us into sunlight. Jimmy has tracked down the skateboarders and we get a foundational piece of his backstory: he used to make money running slip-and-fall scams on the icy sidewalks of his hometown, and now he wants the boys to take a hit from Betsy Kettleman so that he can parachute into her good graces. Jimmy, apparently, has been observing Betsy closely enough that he knows where her kids go to school, what time she leaves to pick them up, and what route she takes. I mean, okay.

The hit-and-run happens at 7th Street and Tijeras Avenue, very close to the school where Jimmy & crew film the flag in season 2, and a short distance west of the courthouse district and the Civic Plaza. This whole sequence is such a glorious comedy of errors, and it showcases perfectly Jimmy’s ability to think on his feet. I mean, it’s also true that if he’d aborted the plan when “Betsy Kettleman” had driven off, he never would have ended up hog-tied in the desert pleading for his life, but those are unknown unknowns, I suppose.

“You felonied my brother!" is possibly one of my favourite lines of the season.

Who among us saw Tuco coming? None. None of us. I gasped. It was very considerate of the show to release the next episode immediately.

Miscellaneous

While most of the addresses shown on screen in BCS are fictionalised, the address shown on Jimmy’s mail—160 Juan Tabo Boulevard NE— is the actual IRL location of the nail salon.

Items in Gene’s shoebox: the videotape, an old Band-Aid container, various photos including one of a man standing in front of a 1940s-style car, and a photo packet from a film lab in Portland, Maine

Broken windshields: 2

New Mexico Statutes violated: 3— § 30-28-2, conspiracy to commit felony fraud (Jimmy, Cal and Lars); § 66-7-202, failing to stop after an accident causing damage to a vehicle (Mrs. Salamanca); § 30-3-2, aggravated assault (Tuco)

Timeframe: May 13 to May 25, 2002 (see next post)

Music

“Address Unknown” by the Ink Spots (1939), during the Cinnabon sequence

“Milestones” by Shook (2014), as the twins attempt to scam Betsy

References

Network: a 1976 film about a news anchor who begins ranting about the state of the world during a broadcast. The character whom Jimmy quotes (”You have meddled with the primal forces of nature...!”) is a man who berates the protagonist for speaking out against his network’s corporate owners. Bryan Cranston starred in the 2017 stage adaptation.

Peter Minuit: a Dutch trader who purchased the island of Manhattan from the Lenape people for a sum equalling about $1,000 in today’s money

“Ergo, a falsis principiis proficisci”: “therefore, you proceed from false principles"

Trichinosis: a parasitic disease most often spread via undercooked pork

Starlight Express: an Andrew Lloyd Webber rock musical performed on rollerskates 

> NEXT EPISODE: MIJO