#aspock

[vtricambi]

Reliable Trailer Accessories: Spirale Rimorchio and Fanale Aspock by VT Ricambi

When it comes to keeping your trailer in top condition, high-quality components are a must. VT Ricambi offers durable and efficient accessories like the spirale rimorchio and fanale aspock to ensure your trailer remains safe and functional. These products are designed for long-term use, providing excellent performance and reliability for drivers and fleet operators.

[alfatruck]

Одни из самых популярных габаритных фонарей FRISTOM FT-015. Есть резинки, прокладки на трубы. http://alfatruck.pro . . . . . . . . . . . . . . . . #talmu #талму #was #aspöck #aspock #vignal #альфатрак #ermax #fristom #прицеп #дальнобой #дальнобойщики #volvofh #daf #man #alfatruck #volvotrucks #краснодар #фристом #horpol #якутия #тюнинг #kazakhstan #полуприцеп #щмитц #schmitz #krone #kogel https://www.instagram.com/p/BwPco1UHm2e/?utm_source=ig_tumblr_share&igshid=1p0jcylrpgc0g

[calliecat93]

Star Trek 13-16. Let’s do this!

The Counciousnes of the King: It was fine. Not too much to keep me invested compared to others, but stil worth a watch. Learning some more Kirk backstory was nice and performed well by William Shatner. The climax and ending are very much tragic. A tyrant caused genocide, then tried ot hide and keep that legacy out of his daughter’s touch. But it failed, and that daughter killed the survivors to keep her father from facing retrobution. It’s just... sad. They’re both murderers, but cealry loved each other and the endng where the girl accidentaly kills her father i jsut heartbreaking (even if her reaciton dragged a bit too long). Finding out that Kirk survived a freakin’ genocide was also a pretty big reveal. Not the most interesitng watch, but still a good one. 3/5.

Balance of Terror: Huh, didn’t realize that the Romulans were introduced this soon, nor did I know that they looked like Vulcans (I had heard of them, but never saw). Anyways, this one was good. The situation felt tense and the Romulans like a genuine threat. I also like how we Kirk told off Stilles for being discrimatory towards Spock due to his bigotry of Romulans and outright told him that there’s no place for it. James T Kirk, destroyer of bigots! Though there is also something about Stills racism/bigotry being due to a century old war that cost his family and Spock pointing out that Earth hasn’t been much better in being barbaric. Boy that’s one thing that hasn’t aged! I alsomlike that they gave the Romulans actual purpose, they don’t feel like just some evil alien force messing with the crew or men gone mad like in other episodes. They feel like a legit threat with reasons why, which I guess helped the, endure for longer. It was a tense situation for the Eterpirse with Kirk visibly growing frustrated, and it was nice to see. The ending was also good with Hansen choosing death, which again helped give more to the Romulans and kinda made his demise sad. Overall good episode and the title is certainly fitting. 4/5.

Shore Leave: ... okay I knew from fandom osmosis that ST got weird at times, especially in Season 3... but WHAT DID I JUST WATCH?! That was... weird. Not necessarily bad, but weeeeird. I guess it was an attempt to be more comedic and considering that they look like they filmed in a park, save budget. I really can’t give an opinion on this one because I honestly cannot figute put what my opinion is for this one. It’s bizzare, but harmless and I’m having a hard time deciding if I liked it or not. Spock more or less tricking Kirk into shore leave was funny though and the idea of a planet that essentially creates your daydreams is interesting, haha. The fist-fight at the end was also fun, so there’s some enjoyable aspects if the bizareness turms you off. For a rating... ummm... 2.5/5.

The Galelio Seven: Okay, this is an interesting setup. Stranding Spock, McCoy, Scotty, and some extras on a planet with Kirk back on the Enterprise, which means we can let some other characters shine. I read that apparently this got made due to Spock’s popularity, so they gave him an episode where he’s leading a mission. Which isn’t a bad thing, we’ve mostly seen him so far serve as Kirk’s right hand man and this allows him both interactions with others and see him in a different position without Kirk for him to bounce off of. It’s very much a contrast with Kirk being a serious, respected leader who can adjust his demeanor depending on the situation, which aspock is more logical but comes off as more cold and uncaring which clesrly puts off the ones he’s in charge of. IDK how much of that is also Vulcan bigotry, but Spock’s logical approach that may dictate say... leaving people behind to a potemtial demise and not reacting whem people die isn’t going to win him any points from the human cast. For example, being more concerned about retrieving a dead man’s phaser, while it’s to let Scotty get the ship running, seems pretty damg callous when SOMEONE JUST DIED (though he does get the body tbf). McCoy also pointing out how Spock failed to take into account the creatures reacting emotionally due to his focus on a logical approach also shows flaws in his leadership and general mindset that make him a great second to Kirk, but not always quite fit for command. He’s doing his job and I get where he’s coming from especially due to what I kmow about Vulcans, but I can get the others as well. It’s a nice exploration of the two minsets which that and the general episode really kept my attention. 4/5.

[iranfaktor]

·         ابعاد خارجی طول 1360 / عرض 260 / ارتفاع 281 سانتیمتر

·         ابعاد داخلی طول 1344 / عرض 246 / ارتفاع 255 سانتیمتر

·         پوشش خارجي پانلها از ورق پيش رنگ گالوانیزه صاف به ضخامت 0.6 میلیمتر

·         پوشش داخلي ساندویچ پانل ها از ورق پيش رنگ گالوانیزه فرمینگ شده به ضخامت 0.6 میلیمتر

·         عايق کل پانلها از جنس پلي يورتان با تکنولوژی تزریق یکپارچه و دانسیته بالا

·         ضخامت پانل دیواره های جانبی 6cm و سقف و دیواره جلو 10cm سانتیمتر، دربهای عقب 8cm ، پانل كف 15cm

·         جنس پانل كف از پالت آلومينيومي آبكاري شده شیاردار

·         اسكلت خارجي و داخلي از پروفيلهاي اختصاصي آلومينيومي با رنگ کوره ای

·         کلاف دور درب عقب از جنس استینلس استیل

·         نصب دو درب ايزوله در انتهاي كانتينر هر لنگه مجهز به دو عدد قفل استینلس استیل وارداتی و چهار عدد لولاي استینلس استیل

·         نوار آب بندي دور درب از جنس PVC نرم و سخت

·         آب بندي داخل و خارج كانتينر بوسيله چسب پلي يورتان مخصوص

·         یک دریچه ی بازدید بر روی درب عقب ، یک دریچه ی بازدید بر روی پانل جلو

·         شاسی تریلر مجهز به سه عدد محور 9 تنی دیسکی که محور جلو مجهز به سیستم بالابر��ده میباشد، زیربندی بالنی با قابلیت تنظیم ارتفاع، پایه توقف دو سرعته JOST یا SAF، سیستم ترمز KNOOR یا WABCO آلمان، سیستم ضد بلوکه ABS و ضد واژگونی EBS، سیم کشی کامل ASPOCK اتریش،

[sowhatisthisfor]

My favourite films of 2016

For 2016, I was able to watch 197 movies. Here are the 50 best films I’ve seen in 2016 (I have weird taste in films, I am told):

Top 50:

50.  Rosita [Frederikke Aspock, 2015, Denmark] 

a momentous character-driven drama on relationships & sacrifices shown through natural & credible performances. 8/10

49. Un Homme Ideal [Yann Gozlan, 2015, France] 

a film spectacularly structured, it’s both suspenseful and unpredictable. 8/10

48. Neruda [Pablo Larrain, 2016, Chile] 

Virtually poetic, contextually lyrical. 8/10

47.   Mon Roi [Claire Maïwenn, 2016, France] 

With a narrative so hard to withstand, the riveting performances of Bercot and Cassel made this a must watch. 8/10

46. 10 Cloverfield Lane [Dan Trachtenberg, 2016, United States] 

It’s wicked in a way that’s perfectly good. 8/10

45.  Rogue One: A Star Wars Story [Gareth Edwards, 2016, United States] 

If only for its third act, this is already worth every penny. 8/10

44.  Purgatoryo [Derick Cabrido, 2016, Philippines]

Reminds me a lot of ‘Oros’ only with some serious technique and distinct visual style. 8/10

43.  Theeb [Naji Abu Nowar, 2015, Jordan]

For a newcomer, Nowar is a delightful surprise and so is Eid who did perfect in this film. 8/10

42.  Elle [Paul Verhoeven, 2016, France]

has one of the most intriguing antihero characters played perfectly well by Huppert. 8/10

41. Don’t Breathe [Fede Alvarez, 2016, United States] 

Alvarez has some serious skills to make this suspenseful with only a blind villain inside a small house. 8/10

40. The Conjuring 2 [James Wan, 2016, Untied States]

I guess I just can’t really be scared of something this good. No dull moment. So human. Much love for this. 9/10

39. Tuos [Derick Cabrido, 2016, Philippines]

 Visually alluring with winning performances, it’s almost hypnotic. 9/10 

38. I’ll See You In My Dreams [Brett Haley, 2015, United States] 

So true about the death I know and the death I don’t know. So true about everything actually. 9/10

37. Green Room [Jeremy Saulnier, 2016, United States]

a lot of fun, tension, blood, and cinematic excellence. My type of film, really. 9/10

36. Veloce Come Il Vento [Matteo Rovere, 2016, Italy]

Funny, gripping, touching. I enjoyed every single moment of it. 9/10

35. Mercury is Mine [Jason Paul Laxamana, 2016, Philippines] 

Quite a reflection of colonial mentality and the acute patronage of the superficial. 9/10

34. Goodnight Mommy [Veronika Franz, Severin Fiala, 2015, Austria] 

As cold and effective as it aims to be. 9/10

33. Sakaling Hindi Makarating [Ice Idanan, 2016, Philippines]

 In w/c you try to find yourself in far-flung places, & in doing so found someone equally lost. 9/10

32. Saving Sally [Avid Liongoren, 2016, Philippines] 

Is the freshest and has the most creative visual style I’ve seen in a long long time. I want more of it. 9/10

31. Oro [Alvin Yapan, 2016, Philippines]

Shows oppression and lopsidedness in equally lopsided frames. Amazing set of cast. 9/10

30. The Wailing [Na Hong-jin, 2016, South Korea]

 An exhausting watch with an even more incredibly vexing inner context. 10/10

29. Grandma [Paul Weitz, 2015, United States]

 I love the story, I love how it unfolds, and I love how it will live in me for sure. 10/10

28. The Survivalist [Stephen Fingleton, 2015, United Kingdom] 

A long-lived representation of how people choose to risk their survival for fidelity and solicitude. 10/10

27. The Kids [Sunny Yu, 2015, Taiwan] 

an engaging portrait of a struggling young couple’s journey to parenthood told convincingly well. 10/10

26. Guernica [Koldo Serra, 2016, Spain] 

a little too overscored, but really great overall. 10/10 

25. Kubo and the Two Strings [Travis Knight, 2016, United States]

 has a heartfelt storytelling of the melancholic nature of humanity. 10/10

24. Apprentice [Boo Junfeng, 2016, Singapore] 

Draws the line between showing compassion & battling own conscience. Gripping, I feel hands around my throat. 10/10

23. Embrace of the Serpent [Ciro Guerra, 2015, Germany, Spain] 

I got lost somewhere its visual hypnotism, but it’s great overall. 10/10

22.  Son of Saul [László Nemes, 2015, Hungary] 

This film has a breathtaking power no one can doubt. 10/10

21. EDSA [Alvin Yapan, 2016, Philippines]

Is a number of things. It’s socially relevant, a moral challenge, a visual feast. Most simply one of the bests. 10/10

20.  Mustang [Denzi Gamze Ergüven, 2015, Turkey, France] 

Brutal in its authenticity. Something I want to hate but can’t. I’m happy to have seen this film. I really am. 10/10

19. Hele sa Hiwagang Hapis [Lav Diaz, 2016, Philippines] 

Reality told through a mix of history & fantasy. A delicate & engaging quest for Filipino freedom. 10/10

18. Pamilya Ordinaryo [Eduardo Roy, 2016, Philippines] 

Very raw, real and persuasive. Powerful in its entirety. 10/10

17. Sing Street [John Carney, 2016, United Kingdom] 

No, there’s not a word in the world that could describe how much I love this film. Everything about it. 10/10

16. Captain America: Civil War [Joe Russo, Anthony Russo, 2016, United States] 

it’s hard to point out which part of the film I didn’t like, that’s if I hated anything. 10/10

15. Frantz [François Ozon, 2016, France] 

a melancholic take on people’s journeys to finding a reason to live. Beautiful use of color and B&W. 10/10

14. Sunday Beauty Queen [Baby Ruth Villarama, 2016, Philippines]

Highly-engaging, charming, touching, and senseful. Sweetest of the festival. 10/10

13. Respire [Mélanie Laurent, 2015, France] 

With its overall well-observed direction, it’s compelling both visually and story-wise. 10/10

12. Embers [Claire Carré, 2015, United States] 

A stylistic post-apocalyptic narrative of survival of people who have lost their meanings. 10/10

11. Train to Busan [Yeon Sang-ho, 2016, South Korea] 

When everyone’s becoming a monster, humanity is the way to survive. Fast-paced. Thrilling. Heartfelt. 10/10

10.  Ang Manananggal sa Unit 23B [Prime Cruz, 2016, Philippines]

If I can only use “beautiful” once a year to describe a film, I’ll use it on this one. 10/10

9. Seklusyon [Erik Matti, 2016, Philippines] 

a thought-provoking jewel on the corruption of divinity and an examination of people’s inner evils. 10/10

8. Anino sa Likod ng Buwan [Jun Lana, 2015, Philippines] 

Gripping, tender, sensual. Majestic in one long take. Saying I’m blown away is an understatement. 10/10

7. Toni Erdmann [Maren Ade, 2016, Germany]

I don’t know if I should laugh or cry or both at the same time. No doubt a knockout. 10/10

6. Swiss Army Man [Daniel Scheinert, Dan Kwan, 2016, United States] 

Clever in all its weirdness. What an unforgettable experience. 10/10

5. Ang Babaeng Humayo [Lav Diaz, 2016, Philippines] 

vividly questions justice, higher power, morality, and existence. It’s beyond brilliant, it aches. 10/10

4. The Salesman [Asghar Farhadi, 2016, Iran] 

Farhadi always has his way of shaking your soul, giving his audience a silent yet thrilling ride. 10/10

3.  Women of the Weeping River [Sheron Dayoc, 2016, Philippines]

a film about a generational blood feud, and also a metaphor for the uneding armed conflicts in Mindanao where the vulnerable is the most at risk, and the strong isn’t really unbreakable. It has one of the most beautiful endings I’ve seen this year where it subtly concludes that in war, no one really ever wins. 10/10

2. The Lobster [Yorgos Lanthimos, 2016, Ireland, Greece, UK, France]

a peculiar take on the world’s social construction of reality. Far-out yet accurate, it’s captivating. 10/10

1. The Handmaiden [Park Chan-wook, 2016, South Korea] 

Lavish, sensual, beyond clever. Having watched and read Fingersmith won’t make this gem a tad predictable. Park Chan-wook’s adaptation even exceeded my expectations. 10/10

Watch The Handmaiden’s trailer below:

Related post:

Full list of the films I watched in 2016

My top 50 movies for 2015

Top 35 for Filipino films:

Women of the Weeping River

Ang Babaeng Humayo

Anino sa Likod ng Buwan

Seklusyon

Ang Manananggal sa Unit 23B

Sunday Beauty Queen

Pamilya Ordinaryo

Hele sa Hiwagang Hapis

EDSA

Oro

Saving Sally

Sakaling Hindi Makarating

Mercury is Mine

Tuos

Purgatoryo

Dukot

Ned’s Project

The Third Party

Ignacio De Loyola

Curiosity, Adventure, Love

Always Be My Maybe

Ma’ Rosa

Baboy Halas

Mrs

Buhay Habambuhay

Vince and Kath and James

TPO

Kusina

Hiblang Abo

123

Die Beautiful

Patay na si Hesus

How To Be Yours

The Achy Breaky Hearts

Ang Babae sa Septic Tank 2

[vtricambi]

Unveiling VT Ricambi's Fanale Aspock and Fune Antigiro Innovations

When it comes to safe and efficient journeys on the road, proper lighting is non-negotiable. VT Ricambi introduces the Fanale Aspock, a beacon of innovation in the world of truck accessories. Designed to illuminate the road ahead with unparalleled brilliance, the Fanale Aspock ensures that your journey is not only well-lit but also safer for you and those sharing the road.

[vtricambi]

Illuminate the Road with Aspock Lights

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[alfatruck]

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[alfatruck]

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[alfatruck]

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[alfatruck]

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[alfatruck]

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[alfatruck]

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[alfatruck]

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[alfatruck]

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[alfatruck]

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