#audio loop

[ensalada-de-lengua-de-pajaritos]

Unmute the loop!

[a-land-of-shadow-and-substance]

I knew that Guardians of the Galaxy Mission Breakout/Monsters After Dark had a custom music and audio loop that played within its outdoor queue, but could find almost no evidence or mention of it online. So, I went and recorded it myself.

To make up for the audio quality, I've paired it with "visual notes" that transcribe what characters are saying, and display the title/album/artist of the song where available.

Enjoy a wild combination of relaxing ambient music, bizarre sound effects, synthesizer remixes of orchestral scores, lore references, and even some defunct attraction Easter Eggs along the way!

[rasalo]

Ssssh

[bbsprint]

DEV01: New Music Track System

i'm not very good at audio. i can't make music and my sound design is mid-ish at best (maybe). this also applies to the low level portions of working with audio: me and waveforms don't get along so well

so could you imagine the face i had when the moment came where i wanted to add proper introlooping to the tracks in the game?

i'm using unity's audio system, which means the most i can do is limited by its boundaries. i could have used fmod as it is amazing from all the things i've read and heard. fmod studio looks awesome. but there are chances that i would need to rework how absolutely everything worked in the audio side and i didn't want to spend too much time doing that (remember: my current next milestone is nano plus! it's meant to be quicker!). as a matter of fact, i probably wouldn't later in development because i am content with a solution i came up while digging how some people looped their tracks seamlessly.

there's this Unity addon called IntroLoop. i originally was going to use it for the game, but the way it stored metadata and how it worked with its player could pose a problem and, again, i did not want to rewrite too much to implement this particular bit, as well as some opinionated ways-of-working a friend had warned me about from using it. not that it's bad, it just probably would've been kind of a pain

IntroLoop uses somewhat low-level components of the Unity audio engine to make sure the audio loops properly, such as directly reading from dsptime and scheduling sound plays. it works very well from prior experience. however they do say webgl has issues with it because of course, webgl is very unstable of a platform for unity and precision anything after all. (partially a joke. but there's so many unsupported things in webgl that it's crazy)

my approach uses something different based on how i've seen other people handle seamless loops. one person in unity answers had come up with the solution of using two tracks with a little bit of overlap between them so when changing the audioclip and the position of the sound the loop would sound seamless.

i thought that using two tracks was kind of wasteful, so i went and added 3-4 seconds of the loop's start to the tracks of the game that had an introless loop. below is an approximate of where the loop ends and the trailing bit for the next loop to start

i then take the desired loop end's samples (original end length), store them in notepad, paste the loop's tail, and put it in a new track metadata class that incorporates all metadata i want for the track in one place, like name, album cover, description, attributable link, and now loop start and end samples

no spoilers! this is a new track. the metadata still needs some polish.

with this approach, when the playhead's sample position exceeds the sample end, i just subtract its position by the length of the looping section and with the little bit of leeway given by the extra seconds any delay will be compensated for with the builtin overlap, and sounds very good (as in, PERFECT) for my purposes.

you probably noticed i'm saying samples instead of seconds of time. i wanted the loop to have zero cracks or pops when using this overlap mechanism, and i am afraid of floating points for many reasons. it just so happens the song time variable from the AudioSource in Unity has its timer in seconds, stored as a floating point value. these fears got me scared enough to instead choose what i consider a more reliable way of counting time in audio: samples.

all songs in bbsprint, ingame at least, are locked at a 44.1k Hz sample rate. if any song happens to be higher Hz than that, i will override it. it saves space and for the game it doesn't have to be that high quality; leave that for the OST release, but more importantly it allows this system to work with all tracks

it is also worth mentioning that this method probably disallows an OUTROloop (as in, letting the audio play, no loop, and having it end gracefully!) depending on how some tracks are structured, maybe you'd have to make the looping tail a section way too long so it's still structurally sound to achieve the effect.

i also have not tried testing whether the audio actually works well with this compensation in webgl, which is the most finnicky of all the build targets i have available.

however, this works for me and i am glad it does as well as it does, at least in desktop being profiled thru the unity editor, which... yeah, let's say that it adds quite the overhead compared to a standalone build (which gives me strong hope).

[poorly-drawn-mdzs]

Greetings Traveler! The Yiling Laozu welcomes you!

[mochalaxy]

points at the latest loop in the au.... i did a thing tehee @askoverkill

[hiratelier]

MMMMM energon nugget

'scuse my handwriting; I tried to make it look neat haha

[emotsper]

And so tomorrow, lets keep skipping ahead!! 💥

[mafianoir]

[slides this across to kennedytumblr] is this anything

[burstfoot]

(credit to @towerofrabble for the original joke)

[ensalada-de-lengua-de-pajaritos]

Unmute the loop!

[sillyabtmusic]

Camellia - Xion

[rasalo]

Light falls in the sea.

Original sound

[poorly-drawn-mdzs]

MDZS x ISAT part 2: Grandmaster of Time.

(Part 1)

[propertyofsamcollins]

Darlin' has a lighter on their keys.

There is never a point in time where a lighter is not on their keys.

[sweetmapple]

So I needed something genuinely good to listen to while I colored and rendered a 9 page comic so I thought, oh, I’ll just pop Malevolent on, cause that seems to be the natural pipeline, finish archives, start malevolent, and Jesus fucking Christ

Archives is like a 5 course meal in an uncannily quiet restaurant

Malevolent is like doing bath salts mixed with laced redbull behind a 7/11 with a local cryptid

Both truly and equally amazing, don’t get me wrong there, but GOD DAMN, I understand why people say Jon couldn’t do malevolent, wtfffff

When the gas mask guy started sprinting down the docks and tackled Arthur into the water, istg prey instincts kicked in for me

This show is insane

(Elias still has my whole entire heart I don’t think I can stop drawing him anytime soon)