#bc i like messing with the lineart and details after i do the first lineart

[lilpuffyart]

Two comic AU wips to celebrate I finished the 8 pages (lineart needs some more work but I'll do it after I finish everything) out of 12 or something

[spacenintendogs]

Hi! I love your art and I’m so curious to know what your art process is like!

i've been trying to figure out how to answer this & i've honestly realized that my process is a mess LOLOL i did record myself!!! drawing fishlegs bc he is the fave & easiest for me to draw! i hope everything i explain under the read more makes sense!!

it took me over 44 minutes to draw & the screen recording in the art program i use (autodesk sketchbook) brought it down to about 7 minutes and 25 seconds. i didn't wanna speed it up even more bc it'd be way too fast & jarring i think but!! i've uploaded the video to youtube (with some animal crossing music <3)!! i will still try to explain what i did here tho!!

my initial sketches are EXTREMELY loose! i start with the head by drawing a circle & extending past it for the chin of the character & proceed to do the nose, eyes, & mouth!! hair is next, but if there's a helmet i need to draw, i'll do that before the hair!! then i'll do the body starting from the shoulders & going down!! for the hands i just do circles/a general shape! no details!!

the sketch layer is a layer of black for the brush color with with lower opacity

i immediately do lines on top with the same brush but with black at full opacity on the kayer above!! this time i actually take my time to be more careful with details BUT i am still very sketchy & if smth isn't 100% accurate after i try a few times, i leave it be! hands however...

i almost always end up taking a photo of my hands using the front facing camera set to a 5 second timer on my phone! i also draw using my phone so it's literally having everything i need all in one place lol!! i do trace my own hands but obv i adjust based on what i'm drawing!! fish's hands are def gonna be wider than mine!!

NOW for color i color pick directly from screenshots!! however i use it mostly for flats & then pick my own for shading!! let's focus on the flats for now!! i start with the skin always!! the skin is going to have color layers above and below it, so it's easier for me to see where everything else will go if i've got the skin all settled. here you can see my color layers!! these are ALL flats!!

shading & lighting i don't rlly... focus on being accurate 100% but i try to do it based on where a shadow would absolutely be/to give the appearance of some type of depth (my art is very flat either way tho!) like where his lower hand is cupping i'll shade but leave the top of the upper hand unshaded for the most part! i lay out everything in a multiply layer first (can be any color u want based on the vibe u want!!) & then use a smudge tool to blend it out!! same goes for the lighting layer!!!

my art overall is a lot of scribbling big lines & curves then using the lineart to do the same but slowly make adjustments until it looks acceptable to me. it's SO much erasing & reshaping & i always have sketch lines everywhere but i like how it looks. it looks like i drew it, u know? plus the httyd books art style is a HUGE inspiration to me, at my core. i didn't even realize it was until ppl on here pointed it out :') i also enjoy drawing fast & moving on!! which is just smth i've trained myself to do since my star fox days (the reason i draw in the first place!!)

thank u!!!! i hope this made sense!!

[mantarain]

notes on raven boys graphic novel

-for the st marks eve scene i feel like it's a weird choice to make all the spirits including gansey look the same, because this is (loosely) from blue's pov. i think it'd be better to be closer to how blue sees it, with her only seeing gansey (presumably in full color, if i remember correctly the og describes the color of aglionby uniform and the rain-spattered shoulders, which would suggest spirits look similar to alive ppl)

-if i were doing that scene, i would either make it so only gansey's spirit appears, with neeve seemingly talking to nothing, or maybe have the spirits in a faint blue color, except for gansey who has yk magicky spirit-looking aura around him but otherwise is in full color

-some slight inconsistencies, calla's lipstick randomly appeared and disappeared in one scene (also. she could be darker skinned. and have more textured hair. and have a larger body. if for nothing else, to establish the visual differences between her, maura, and persephone, which i felt were emphasized a lot in the books. they're not supposed to look related and yet calla looks so much like blue. anyways)

-i do really love how panels were broken up, or faded into each other at certain points. i think it points to cabeswater's messing with reality and time

-my biggest thing is that in taking out some details, it makes other stuff not make sense. and this applies to a lot of stuff. examples:

adam saying himself "even though i'm not rich", without blue saying it first. a) adam wouldn't be inclined to just volunteer that info around blue at first b) other than the bike, there are no other indicators that blue would figure out he's not rich? since the frayed sweater thing might be hard to do in this format, maybe it could be something else like him counting coins to pay for snacks or smth

i mean ronan was just kind of bastardized this whole thing, but not showing him with beer bottles in the church? not letting him swear? not letting him be an asshole? it makes ppl's hostility towards him and the declan fight not make sense

3. if noah's 'dead for seven years' thing isn't played off as a joke, and if he looks too out of the ordinary, the plot twist doesn't work.

4. let blue dress weirder! the comments abt her outfits (i.e. liberty bodice; noah's funeral) don't work if her clothes aren't actually that weird

5. not enough established abt adam/gansey's conflict w money? i think it comes out of nowhere after the fight (which was cut too short <//3)

-is chiralina white???

-i wouldn't imagine whelk with a fuckass blunt bang, but im glad he has one bc it makes him look bad <3

-the art really is beautiful. i mean i was constantly blown away, especially with how the color and lineart style changes to show a different place/headspace/memory. i just really wish it was longer and i wish the writing gave each part of the story full justice.

[glendover]

Ooo I totally get the lineart thing!!

The most important part I've noticed is line weight.

The easy version of this is when you line your work be mindful of where you want to place shadows later and thicken those lines either with pressure sensitivity but that's quite hard at first (I still struggle after so many years) so I typically just go over them again to thicken them up just a bit. Then parts you want to stand out should also be slightly thicker, along with possibly the outside of the person/ object you're drawing. Where lines meet, so for example where the neck meets the jawline I thicken the corner up slightly too towards the inside of the person.

It's hard to explain in words ah

Also be mindful of how many details you add, meaning, if you have to zoom in suuuuuper far an add a bunch of little things with a tiny brush things can end up a bit cluttered and in return make parts where there isn't that level of detail look flat and unfinished, so be sure to zoom out a lot or keep a little reference window (under canvas in settings for procreate i think)

Something that I do for personal art a lot too is just skip the lineart and simply clean up my sketch and essentially turn it into lineart!

Another tip is to make use of the liquify tool! It's my savior and one of my fav features tbh, especially with lineart.

The blurriness could just come down to how big your canvas is. I have a past in graphic design so I'm quite familiar with it but I totally understand how the technicalities could get confusing. I usually just stick to either a 3000 x 3000 px canvas or 3000×4000 px for personal sketches and somewhere around A4 or A3 for work related things and then export in either jpg or png. It's good that you're using 300 dpi though!

Sometimes different apps mess with it too, so depending on where you post/ transfer stuff that could be the reason for the blurriness.

With layers just stick to the basics at first, my layer sandwich normally looks like this:

Lineart

Shading on a clipping mask layer (with multiply on)

Flat colors

Sketch (normally hidden)

But the biggest tip I can give is to just have fun. In the end the art is for you and it should be a fun progress, everything else comes along eventually :>

- art anon

hey art anon,

sorry for the late reply I was studying 😭

Thank you for all the tips I will definitely try them out and see how they work. I haven’t drawn much recently (bc of the studying) but I think for now I will stick to just cleaning up my sketches and go from there. It’s all a lot to process honestly and I’m just giving myself some time to try things out and see how they work.

Eventually I will get better but I’m not pressure myself rn (and I can always go back to traditional drawing which I haven’t perfect either but at least I know how that works for me personally)

[airborneice]

I'm very new to digital art and was wondering what sort of process/brushes you use for your Hilda art? I absolutely love your trolls and centaur designs ❤️

aw that’s very kind, thank you!! tbh my art approach is kind of all over the place but I’ll do my best to answer!

first off, I draw in photoshop and use mainly these two brushes -

the 1st is pretty much the standard PS brush and the HB one is what I used for most of the trolls/centaur stuff! generally I pick one of these brushes and use it for both lineart and putting in colour/shadows. (to be honest photoshop somehow got the settings on the HB brush messed up a lil while ago which is why I use it for lineart less now, but it’s still nice for doing shadows bc it has a really pretty soft edge :) )

as for art process, I’ll try to explain with the hilda little mermaid drawing I did recently - explanation thingy under the cut!

.

.

so with most of my art I usually start out sketching it on paper first and then move the sketch to my computer - since you’re new to digital you might find it easier to start that way, it helps make things less complicated bc you already have something to start from

so for the drawing in question I started with this which is. A Mess

everything is all over the place and yasha from crit role is hanging out in the middle of it but this is the type of thing I start with! first with the lil thumbnail sketch up in the corner, and then doing the characters in more detail separately (if I know I’m gonna end up moving something to digital I’ll just draw the characters anywhere I can fit them on the page, bc I can worry about fitting them together properly later)

u can honestly skip the thumbnail sketch if u want, but for bigger drawings I find it useful to have something rough to refer back to, so I don’t forget what I’m aiming for overall when I start getting into the details

anyway then I move the paper sketch to digital and arrange things properly and add anything I’ve missed, and depending on how messy it is I do another slightly cleaner sketch overtop -

I’ve learned the hard way that fixing things at the lineart stage is a lot more hassle so I try to make sure everything’s looking as it should in the cleaner sketch - david’s initial sketch looked mostly fine to me so I only redid a couple things and added some details, while I changed a lot of kaisa til I was happier with the pose. I knew the salt lion was gonna end up being mostly hidden so I didn’t worry about refining it

SO next I make a new layer and start drawing the clean lineart over the sketch. I like using coloured lineart these days, so I pick a colour to sketch and do lineart in - literally any colour except black, since photoshop lets you change the hue later (you can go to Image -> Adjustments -> Hue/Saturation and change things as much as you like). I did all the lineart for the characters here in purple, like the sketch, and I made sure to keep all the lineart for different characters separate so I could mess with it individually later. I’ve got a bit of what kaisa’s lineart folder looks like below, and you definitely don’t have to put Everything on a new layer like I did, but I usually keep the eyes, brows and little details like the fin lines and scales separate bc they’re the things I’ll most likely want to adjust later

once I’ve got the lineart done in that one colour, I’ll use the Adjustments-> Hue/Saturation slider to change some parts of it (this is where having things on different layers comes in) to blend in or stand out more, so by the end it looks like it does below. I made some swatches so you can see which parts I changed from the main outline colour:

so I kept the original purple for most of it, but I changed the salt lion’s lines to blue, and kaisa’s scales to a light grey so they’d blend in more, and made her eyebrows much darker so they’d stand out from her hair. (I usually do this step after I’ve started colouring them in, bc it’s easier to see what’s working then and what isn’t, I’m just showing it here so you can see it in isolation). also, I’ll usually set the whole lineart folder to ‘multiply’ so it blends in with the colour layer even more

(tbh you don’t have to do it as complicated as this, everyone has their own approach depending on what they’re going for and it might take some trial/error before you find what works best for you. I just do this bc I’m used to it and don’t mind the extra hassle. pretty colours go brrr :) )

for colouring in, I use the lasso tool to trace over areas of the drawing and the paint bucket to fill them in. I usually put every different coloured area on a new layer so it’s easier to go back and change something if I decide I don’t like the colour. so everything is built up over a number of layers, and I can use the airbrush tool to soften the edges of some areas (like david’s arm fins). for the parts with gradients like their tails, I put down a flat colour layer (like the orange for david), select that area and then make a new layer and put the gradient on with a big airbrush tool. also for stuff from hilda I usually colour-pick straight from a screenshot of the show with the eye-dropper tool, it’s much faster than guessing them

so then we have the flat colours done, and I can show you why I like doing coloured lineart even though it takes longer bc

here’s the lineart all in black vs the final result with the colours. like…it’s fine, there’s nothing wrong with the all black one, but having the colours really helps soften things imo!

I didn’t really do much by shading for this one but to go over it real quick -

if I was just drawing a character on a white background I wouldn’t bother with this step, but here I know this scene is taking place in the dark & underwater, so I selected the characters, made a new layer and filled in a dark green colour overtop on a low opacity & set to Multiply, so the characters get this slight green tinge and look more like they’re in the setting (I did the same with the salt lion but I’m gonna just focus on these two for now)

for the actual shadows I got the same green colour, and on another multiply layer blocked it in, and just played around with the opacity til it looked about right

honestly not my best job at shading lol but it helps give it some depth and put them in the scene! if I hide the colours and lines for a sec you can see that literally all I’ve added over the original colours is this:

and if I add the basic colours of the background in, you can see how much it helps compared to the flat colours I started with -

they look so much more like they’re in the scene!

anddd after doing the same thing to the salt lion (which is just the same shading process but more layers and darker) and adding the rest of the background that’s it!!

don’t worry they’ll be fine lol

anyway sorry this got so long, I hope it helps!! I’m not the best at explaining myself so if anything I said here doesn’t make sense then feel free to ask :)

[collisiondiscourse]

my art process: a simple(ish) guide to how i (kinda) do things

okay!! so, i said i was gonna post my art process after i finished doing the danny phantom piece so... here it is! the drawing i used for a step by step process explanation is actually... simpler? less clunky than how i usually do things. i must preface this entire post by saying that i am fully self-taught for anything to do with art so if there are some things here that are exceeding no-nos... very sorry OOPS

The drawing took an estimated 4 hours total and for software I used FireAlpaca. My tablet is One by Wacom (aka the tiny ass red one). Without further ado... here’s my narrated guide on how i kind of do art!

1. Sketch Layers

sketches, are ofc, one of the fundamental steps in art. Some artists do them differently, whether they do color blocking/splotches first or silhouettes or your standard messy-lineart-before-the-actual-lineart

i personally do 2-3 different lineart/sketch layers, each layer specializing in different aspects. i took this technique from julia lepetit, a host from the drawfee show--a channel that i really recommend watching if youre an artist, like art, or just generally like having fun background noise while you work on something because... untreated adhd lol

this is the first sketch layer! i color coded them for reference and i use the yellow sketch layer to figure out poses. i use this gesture sketch layer to figure out where i want limbs to go and how i want the body to twist.

after i figure out the posing, i move on to my second sketch layer. the green layer is my refined sketch layer where i figure out the form and anatomy of the sketch. this is also where i start planning how expressions, special costume bits, and hands work!!

the red layer is my last and final sketch layer. technically, the red layer sometimes also doubles as my final lineart! the reason why i do this final step instead of doing the final lineart simply is so i can work on details of the costume. i end up refining certain portions, or even stretching/free transforming the whole body. 

The red helps with the refinement of the drawing bc the ink being a color that isnt black kinda,,,, tricks my brain into not believing that its all permanent. its easier for me to go back and erase/change some parts when my brain doesnt think that everythings final. when im finished, i simply go back and change the color of the lineart to black with the protect alpha function.

this is how the final lineart looks! be sure to close the lineart (aka make sure that everythings connected) so that the bucket tool can work and make your life 2000% easier. 

2. Coloring

my coloring process is kind of... a mess LMAO its super dependent on how i feel like coloring on that day, but this is the usual method i use when im not thinking too much about it.

first are the flats! i use the magic wand tool to select all the areas around the lineart and reverse the selection so that all the areas inside your lineart is selected. color it with a base color, turn on protect alpha, and begin chunking in all the colors.

all of the flats excluding the pupils, background, ectoplasm rings, and danny phantom logo are on one layer. once that is done, we move on to shading!

for shading, i use a combination of the normal pen tool and the airbrush tool to smooth out the edges of the cell shading. since all the flats are on one layer, i simply set this one to clipping mask so that i dont have to worry about coloring within the lines. I only use one color really for shading (here, i used purple) and then protect alpha and add splotches of other colors (pink, orange) in relevant areas.

once i finish doing that, i set the layer to multiply and adjust the opacity so that it looks softer and more attuned to the colors of the actual piece

its at this point that i fiddle with the hue/saturation/brightness settings on the flat color layers to my taste, seeing what works and what doesnt.

i then lightly go over the piece with a bright color (very very very light cyan) and put focus on the areas i think should glow like his freckles, eyes, and ectoplasm rings from where he’s coming out of a wall.

i rlly rlly love layer effects, so i set that one to add and again adjust the opacity to how i want it to look. 

3. Finishing Touches

...yeah i know it looks like a hot mess but hear me out.

on a new layer, make a CRAP TON OF GEOMETRIC SHAPES. ALL OF THEM IN NEON OR PASTEL. i get comments about my coloring methods sometimes and honestly im pretty sure its all due to this step. i make all these goddamn weird shapes, colored according to levels of lighting (yellow in lighter areas, turquoise in areas affected by the glow, purple in shaded areas etc. etc.) and also clip this layer. 

i then set the layer effect to either hue, overlay, or add and set its opacity really low to make it unobvious and cleaner to look at. this is a method that i learned from tumblr user zephyrine-gale who is... exceedingly talented and pulls this off way better than i can WKSDJSKKS

after that... ur basically done!! i add a few more layers like the noise layer for extra texture and sometimes some very light gradients (usually yellow to purple bc of something something color theory)--but after that, the piece is basically finished!

thanks for sticking around and reading this monstrous thing!! i might do more posts like this in the future, so who knows?

if you enjoyed this tutorial, want to support me and my art, or just wish for a way to pay for me to shut up... you can tip me 3 dollars or commission me here at ko-fi

(also reblogs are much appreciated. thanks <3)

[oflgtfol]

bc i cant stop thinking abt that dream.. im gonna elaborate on it because it was so detailed and so long and felt so real

so it started off with me in a small library but like, it was so cramped and the lights were off. bookshelves were everywhere, and most were like only waist high? strange adults were everywhere, standing against the walls/shelves or sitting in the aisles. all had their hands cuffed behind their backs or in front of them and they all had like, tape or something over their mouths. but there were some adults among them in bullet proof vests and with guns in their hands. i dont know the situation like i dont even think i acknowledged it in the dream but from context clues im p sure it was like a hostage situation

so im in there sneaking around, in the back of my mind i just Know that my parents and my brother are also in the room also sneaking thru the aisles. all the hostage adults are staring at me like, acknowledging that they know im here to help rescue them. so after a few close calls around corners almost getting caught by the gunmen i get to a somewhat open area, meanig that its still cramped but its a small square between bookshelves with a table and 2 chairs. theres a TON of hostages squeezed into this area. i knew that that was the objective, that i had to get there

so me and my family burst forward and the gunmen spot us, but the hostages all help us overwhelm the guys. the gunmen are shooting blindly into the crowd, aiming mostly for me and my family, and SOMEHOW everybody else dodges it but me. literally it went in slow motion and i saw it like in third person, watching it come towards me and i was like “watch it hit me lmao. oh fuck its actually gonna hit me”

so i get shot in my stomach during all this and the pain just, it wasnt all that bad really? like it felt like uhm. getting hit with a water balloon actually (i was just in a water fight yesterday and now upon realizing this its like.... did that contribute to this dream....) so then its all clear like the bad guys are defeated, it gets kinda blurry at this point but i know in some disembodied way that i told my parents after everything wrapped up when they were asking if everyone was okay that i was hit, and they like, didnt care. i was like “HEY i got SHOT in the stomach!” and theyre like k and it took them foreverrrrrrr to get me medical attention. and i wasnt even.. bleeding outwardly? so i was so worried about internal bleeding because like HEY i have a bullet in me so i must be bleeding somewhere like,,, come on lmao

the next like visual thing i remember is in the hospital. its been a while since like, i woke up so this is kinda blurry too but i remember being put into a wheelchair by some nurses.. ive been in a wheelchair only once and that was in 2nd grade but this one i was allowed to use like, on my own, so it threw me off? and at this point i was like, fuck, i’ve been shot before when i was little. i’ve done this before. i had to go into surgery and everything. but it was all vague flashes i could barely remember it but it felt a lot like when i remember the major things from my childhood that i just COMPLETELY forgot about for so long, like speech therapy? like i had gotten injured from a gun when i was less than ten years old and i just, forgot about that? i was like HOW did i forget about this

so i was already in the hospital at this point but for the one room, i wheeled up to the entrance and it felt kinda like the 11th/12th grade cafeteria entrance that i use in school?? a small double door, blank walls, kinda dark, empty, and there was a nurse checking us in. at this point i was surrounded by all my classmates from my ap lang class, or maybe not ap lang in particular idk since like all the ap kids are mostly grouped together despite class? idk man. but my classmates were literally all fine idk why they were there? they werent even there for checkups or anything (disregarding the fact that you dont get a check up at a hospital you get that at a normal doctors office..) so i was there in my literal wheelchair and the nurse was like “wait your turn!!” she was really snooty it was annoying i was like, word for word, “uhm HELLO i have a GSW in my abdomen!!!!!!” and my one classmate finally spoke up as he was being checked in he was like “uh hey brot is here and like, got shot, so i think she should go first lmao?” so the nurse finally smiled at me and admitted me in

and it led to this small cramped room where they scanned your entire body for every single thing wrong with it adn they displayed it on a board where everyone could see, including my classmates, and i was like ohh my god. oh my god. the nurses were like “hm you could eat better but overall you’re in good health!” and i was like DUDE thats embarrassing i dont want everybody to see all my minute issues and LIKE I AM LITERALLY INJURED I HAVE A BULLET IN MY STOMACH WHY ARE YOU DISCUSSING MY DIET WHEN THERE ARE MORE PRESSING ISSUES...

so finally we go into the actual room and its this giant giant mostly empty room, im remembering this room from my first go at this from when i was a kid. theres a table in the middle thats pretty big but has.. no chairs around it... but theres puzzles and weird bookmark things scattered around on it to keep you occupied, and then theres a single table far removed from everything else, only long enough for a body and slightly wider, and theres one identical to that on the other side of the room. and i know from when i was a kid that those are for surgeries and like, i KNOW this but i was like, wrow thats unsanitary lmao

so i go to the table in the middle because thats where you’re supposed to wait till you’re called for surgery, but im so ANXIOUS because like.. its surgery... and now im remembering more of it from when i was a kid like im remembering going into it, waking up from it... my classmates are all sitting on the table like its some casual after school thing, theyre all talking

and then i remember from the first surgery. i remember the surgery itself. i apparently wasnt put under for it. i was conscious during it. i was numbed out obviously but like, i was AWAKE, and that makes me SO fucking scared for my upcoming surgery. like, enough that some of my classmates sense that im getting more and more anxious so they start shoving the bookmarks in my face, and the bookmarks are like the weird ones from the library irl that have quotes on them, and like i cant even read any because im just so anxious like im keeled over in the wheelchair so anxious about it, and the fact that my classmates are trying to interact with me during this is just making it worse like i APPRECIATE trying to make me feel better but i CANNOT read right now

and like, i was never called for surgery? im sitting there until the sun sets, but i only know that because i eventually leave the room just needing to do SOMETHING and the hospital lobby, for all the people waiting for patients? is empty and the sky outside is the dark blue kind of like, twilight

i really dont know how this dream suddenly turns, like i cannot remember the breaching moment and idk if its because its been almost 12 hours since i woke from the dream or if there even WAS a breaching moment

but the next thing i know is that me and shannen are running (me wheeling furiously) along the top of some like, wall. and the hospital looming in front of us is now some sort of fortified citadel, and we’re on one of the defensive walls around it, theres towers and spires everywhere in the distance around the citadel. and theres fucking. ANGELS attackign the place. the angels are classic white dress wearing, harp playing, type creatures but their eyes are all closed and black tears are running down their faces, and literally everything else about them is white. the dresses are this weathered white, their skin is weathered white (like, like marble but without the darker lines yknow?), and their eyes + tears are the darkest things on them so they stand OUT. and their mouths are flat lines, also black like as if its like, lineart or something yknow? like their faces look like masks but they arent. they have harps in one hand and then LONG ass swords in their other hands and they are fuckign terrifying

so me and shannen are outside of the main area of attack and we stumble upon this part of the wall thats like, collapsed, and theres a fucking OCEAN next to the citadel. so the stones that have fallen into the water, theres some sort of chariot on it with the same kind of look as the angels, white + black accent kinda look to it. the chariot is low lying and theres a figure laying over it, collapsed, reaching forward at nothing almost like a zombie trying to move? and he.. god i wanna say it was icarus but i really dont know because i feel, deep down that his name started with an e but i have no idea what dude it would be then bc i know it was a guy from greek mythology somehow but IDK WHO... so this guy also has the same vibe as the angels but his face is like, a fuckign mess, like it looked like he was melting (maybe thats why i wanna say icarus idk) but the melted parts were black, plus the black eyes (whcih were semi open) and the black tears and his mouth was kinda open in a silent wail (also black). i wanna say he had black hair too but idk maybe the whole black mass on his overall head was just the melting.. and this melted black liquid is strewn all over the chariot and the stone block thats barely out of the water. and out of the water, behind the chariot, all the angels were bursting forward and heading to the citadel like as if it was the Angel Spawn Point

IDK it was such a weird fuckign sight it looked like a fallen angel but i just knew deep down that it was some guy from greek mythology but I DONT KNOW WHO IT WOULD BE especially with a name starting with e..!!!

anyway yeah i woke up then. the whole angel sequence was super short compared to the rest of the dream, but it was more on par with what i normally dream than the rest? like i dont recall ever having guns in my dreams except for maybe one dream in middle school that was like,,,,, nuclear apocalypse type thing......... and never have i ever been like, INJURED like that in a dream? i’ve died in dreams yeah but ive never been like.. shot.. the closest thing i can think of was that one weird borderline nightmare earlier this year where i died of internal bleeding in school due to school negligence..... hm!

like idk this was just such a weird dream i normally have very very wild dreams with a more fantasy element to them, and the mundane ones are just me in school or on tumblr, like ive never had like, an ACTION MOVIE kinda thing??

and it felt SO REAL like when i woke up i literally thought that i had some sort of repressed gun related traumatic event from my childhood that i was only uncovering now and it was only when i realized that i was in bed and not like, at the hospital with a gun wound in my stomach, that i was like oh haha no thats not real

[resbang-bookclub]

AMA Transcript: Simple Melody

For our final AMA of Resbang 2017, @alliope, @bbbutterfingers & @daciafu stopped in to answer questions about their Resbang, Simple Melody! Here’s some of what went down:

Q: My first question for Allie is what inspired you to do this AU?

Allie: Well I've generally had the idea for an Over the Garden Wall AU for a while, not necessarily for SE, but as the first check-ins deadline was approaching I ended up rewatching bits of Over the Garden Wall and it just kinda clicked? Mainly I think it came from Crona's betrayal and Beatrice's betrayal and everything fell into place from there. I thought the eerie atmospheres would work well together! So I ended up scrapping my previous idea and wrote 3k plus a summary like three days before the first check-ins, rip.

Q: For butter/dacia, what went into how you decided which scene(s) to art?

butterfingers: HM well there was some chitchat when we started about what kind of work we wanted to do and I said that I loved the Boom comics covers, and then I shouted WHAT IF I MADE  COMIC BOOK COVERS! and I think Dacia went WHAT IF I DID BACKGROUNDS and I guess we just approached it as if we were doing something comic-y haha!

Allie: You two were the power duo.

daciafu: I've always been in love with the style of the backgrounds of OTGW since that's where all those cozy and spooky feelings of fall and the Unknown really shine and I'm honestly HORRIBLE at designing backgrounds so I wanted to take the challenge and push myself to get better! Mimicking other people's styles really helps me break down how they make their choices and teaches me how to make things look Decent so I was super hyped to pick up the OTGW style! And then when Butters and I were trying to figure out What Do and she said she wanted to tackle covers, I decided to do background-heavy scenes. 😊

Q: What is generally your guys’ process (writing for Allie and arting for butters and dacia)?

Allie: Well, I wrote in little scenes, like I would get an idea for a scene and just go for it, the fic wasn't at all coherent until maybe a few days before posting. This actually posed a problem since linking scenes took longer than I thought it would. Because I had most of my scenes written, I thought I had more finished than I really did. By the end of Resbang, I had 56k written but only 20k remotely post-able. I'm a super obsessive planner though, so my whole fic was outlined in detail early on, which was nice cause I knew what I was doing lol

butterfingers: I loved going through Allie's notes, I was always excited to see how they'd connect the dots! My art process is as follows: scribble something, put it aside, look at it a lot throughout the day with the thought that maybe I can surprise myself into seeing something new, find something I hate, fix it, rinse and repeat. For this project I actually... have a friend who works with Boom Comics and she was able to hook me up with a nice little gallery of illustrations for the OTGW comic so I got to go through and put together my mood board for it 😊

daciafu: I read over the gloriousness that was Allie's draft and immediately picked out some neat scenes or wanted to reimagine the classic OTWG ones. I spent a lot of time studying first! Looking at the art books, and poring over the show’s scenes and kind of getting a feel for the color palettes, textures and compositions. Then I watched a tutorial on Youtube where someone just deadass uploaded their painting process on a piece of official art that made it into the show. So that was EXTREMELY helpful to watch the way they painted back-to-front and kind of blended the planes without like, losing depth?? The internet is so, so wonderful. And then I got to work! Started with a soft brush for lineart so it wouldn't be too prevalent, moved onto base colors, then shading, and then really trying to establish textures and make the atmosphere Just Right(tm).

butterfingers: Genius!! Oh damn that sounds like such great advice vis à vis backgrounds. /takes notes

Q: You sound like the dream art partner Allie, I weep for my artists and my last minute HERE IS 10K I JUST TYPED UP BC IM A MESS.

Allie: Ahh geez, these two were the dream partners honestly, like I'm so glad they could gather stuff from my notes, cause I've always got everything together in my head, but then it gets out there and it's a mess, these two deserve all the love.

butterfingers: There was one thing I regret that I didn't have the chance to draw and it was like a throwaway line somewhere in your notes about Maka presenting Soul with a praying mantis and him freaking out. I resonated with that so hard hahaha.

Q: What was the hardest scene for you to write?

Allie: The hardest scene to write that's actually posted was anything with Justin really, I don't get his character and it was tough to write him. There were a few scenes that were hard to write because I rushed them, but I wouldn't say they were genuinely difficult scenes, I just gotta rewrite 'em! But overall the ending scene I'm still struggling to write and there's a dream scene that occurs which has been difficult to write just for making it dream-like enough?

Q: And what was the hardest to art? :o

butterfingers: I had a hard time with Maka's expressions. I had many scribbles designing a Ragnarok lantern, too, but it was very fun!!

Allie: Your design for the Ragnarok lantern was so good, I still cry over it.

butterfingers: Ahaha thank you! He was very Calcifer inspired ;)

daciafu: I struggled quite a bit with the first one I painted, just because it was all so new to me. I had to base color 3 different times because the soft lineart bothered me if something extended too far, or there was white background peeking through. And then reimagining the texture in the leaves and the ground to try to separate the planes there but also wanting them to be cohesive was a bit of a headache. If I had to go back and do that one over again I think I'd be more prepared to deal with the foliage lmao.

butterfingers: Your textures were very excellent, that was a quality I struggled with as well!

daciafu: The first one I painted was the Golden Light scene where Maka and Soul are leaving the woods and entering the fields.

butterfingers: Trees r hard.

Allie: They all came out so incredible though, I'm in awe of how you were able to create those leaves.

daciafu: Omg ;;;;; At the same time trees are so organic and flowy and the chances of getting them wrong are pretty slim considering they can get janked as hell lol they're super fun to just zone out to. "I’ll just put a happy little leaf here, ooh and how’s about another one right next to it. They can be happy friends. Oh look, the squad showed up!!" Channeling my inner Bob Ross... but yeah you can just do whatever with them and they somehow come together.

Q: Daciafu how do u.....background, like you did so well and all I hear from art friends is various levels of pterodactyl screeching when the word background is mentioned.

daciafu: I heavily based the Leafing the Forest scene and the church scene after stills from the show so I don't get composition points there, but I built the pumpkin fields just based off of the environment’s design elements. I really wanted to push the depth of that scene but also give it that same never-ending quality to it, and I'm super happy with the results. Another note is that I omitted the characters entirely while building the backgrounds. Since I'm usually a pretty character-heavy artist, I wanted to tackle it like I was preparing the scene for an animator later. And then once they were done, I added in our sweet kids. Doing it that way first really helped to cement the characters in the space rather than my usual "character is done, how can I put them in an interesting physical space?" struggle lmao.

Q: Did you guys feel like your writing/arting changed at all or that you learned anything/picked up new skills/honed old ones etc. etc. during Resbang?

Allie: Gosh yeah, it changed a lot. In hindsight a bad idea, but this was the first fic I'd ever written with intention of posting and the longest piece I'd ever written. Before this I had written very little and my longest piece was maybe 10k. Throughout Resbang I've learned most of everything from the ground up, it's taught me a lot about my limits, how I work and writing in general. I've definitely improved a lot from the experience!

butterfingers: Let me tell you all about the airbrush tool that I discovered during Resbang. Amazing. Incredible.

daciafu: I learned how to paint backgrounds!!! Which is something I've always wanted to get better at. And I got super comfortable in Clip Studio (I'd just gotten it) as well as using texture brushes, so overall it was a very helpful and wonderful experience as a Resbang participant and as an arteest.

Q: Oh that reminds me butters, what program do you use?

butterfingers: Paint Tool SAI for the most part, and then Photoshop for color correction, borders, and, like, finesse things! :)

Q: Did you guys listen to any music that inspired you or helped you create?

Allie: Ah, yeah! I had a playlist actually! https://www.youtube.com/playlist?list=PLjTCaFkFU6rkD1edJwCZmHvJiUwlSUeGZ

If you want I can explain some bits of it? I use music a lot when writing aha. I like to associate certain songs with characters and character relationships, so most of the songs are connected to a particular part of the story. The Monroe Transfer, Wayfaring Stranger, and Mountains were all more general atmosphere stuff. Blame was very much related to Maka, which may not be apparent now, but yeah. Ragnarok I actually connected a lot with Willow Tree March. Soul was probably closest with A Lady. Crona had a lot of songs, but Neptune was most specific to them, as was probably Ghost Towns. Some character relationships I associated with certain songs, Crona-Ragnarok and Soul-Maka were both pretty connected to Always Gold, especially that dang last line "there were holes in you, the kind that I could not mend" oh man. Crona-Maka was definitely We Could Be Friends, Bloom, and Spell. Meet Me in The Woods I thought was a pretty good group song! Those are just some general bits of my thinking with the music aha.

daciafu: Definitely checked out Allie's dope playlist. For most of my working time, tho, I was either listening to TAZ: Commitment or MBMBaM oddly enough lol. I will forever think of Justin's uproarious laughter whenever I look at them lmao.

Q: Were any of the relationships difficult to characterize?

Allie: Mmm this may sound weird but early Maka-Crona was weird for me, cause they were kinda at that point where they want to (or at least Maka wants to) like each other, but they don’t like or trust each other at all and it's a weird spot for them. I'm used to writing them as at least interested by one another, if not enemies or already fond of one another, so this felt like a very odd place to start with them.

Q: Do you guys have future plans for writing/drawing? Aside from polishing and posting the rest of the fic!

Allie: I have,,, too many plans,, I need less plans,, someone please take them away from me, I can't be trusted with them,,,, I do want to do a sequel for this when I get it finished, playing on the detail about crows memory lasting five years so. Beyond that I have a SoMa fic to finish for the prompt challenge!! I'm working on a gift for Crescentcrona, which is a fantasy Kirona fic called Eat The Rich. I have polyam week fics that I'm cleaning up, I think my favorite so far is a Azusa/Naigus/Sid/Mifune one for Through The Seasons. And God I have so many CroMa fics I want to write, I gotta fill the AO3 tag. I think the biggest one right now is a wings-related soulmates au that I've been working on on the side since October I think?

daciafu: Yo there's one scene that I'm like sUPER hyped to do if Allie does the sequel because I already know exactly how I wanna draw it but I wasn't able to fit that in near the end, and it didn't end up in the first part. But there are a couple of other scenes Allie and I workshopped that would be super fun to do and I would love to draw them. Other than that, my drawing plans are pretty much working on commissions as they come in. Surprisingly my queue has been maxed out and I just got a full time job so of course now I'm like.... hm.... I'll get 'em done eventually!!

----

That’s the end of the AMAs for the 2017 season! Thanks again for reading along with us, and see you next year! :)

[jjinomu]

Where's a good place to start as a beginner in using Meta?

OOOO that depends honestly if u want to use meta for editing or for modelling………………… but in both cases the first thing you should do is get to know the basic tools like primitive, create, knife, bend, pull, extrude, how to colour the materials, different object layers the REALLY basic stuff (dw it’s almost like you’re drawing in photoshop/sai but the brushes are tiny vertices and your lineart are the chained lines)

but after you get used to those tools, you can make like tiny random shit here and there like acessories!!!! those are a neat way to get started bc you play with a lot of shapes and stuff!!!

after that, the first major thing i always suggest for meta beginners is to master how to make is a fitted tank top/crop top!!! this is because with a tank top you can literally go ANYWHERE from there?? like…you can pull on the side edges of the tank top- instant sleevespull the bottom edges down- instant shirt/dressknife the dress in half?? skirt AND shirt wow crazyheck if you want to make a full model base??? pull on the top edges to create the collarbones and neck (using knife tool to detail bc that tool is a blessing)pull on the side edges for arms, bottom edges for the waste and heck even the legs (idk how to make feet so lets not go there)

and honestly from that point onwards, the more you practice with references, the more you’ll discover ways to do neat shit but tl;dr start with a tank top hehe (i suggest using the cylinder primitive because that’s how i make my tanktops)

bonus notes under the cut in case you just want to do some weird and lazy modelling/editing from the skin kinda shit that i do so it’s easier to mess around with rather than doing it 100% scratch from the get go lmao 

aside from modelling from scratch, if you want to be some weird modeller/editor type like me, you can just copy+paste the skin under the arm and the part of the chest for ez and fast rigging with no issues via the weight transfer plugin and model by creating primitives and faces from that point onwards ;3c (i just hate rigging shoulders and BOOBS so i choose this route when i do model edits bc it gives u Good Fit and also Good Tight Rigging but make sure you fix it up so that it looks like clothes and not like u know, recoloured skin haha)

note: this is only if you want to make clothes for bases like tda or whatever (or yknow your own base bc why the hECK would u make clothes from scratch when you can recolour ur own base skin hehe) i’m still not quite sure where rules end and start but if you make clothes this method for like tda, be wary and respectful of their rules (hence why i disallow part-taking since it’s still technically like 1.42% tda due to this method), otherwise if you model from primitives and fit it manually instead of the Lazy way then it’s cool to distribute as resources which is wat i used to do before i got lazy and opt’d this hack instead haha 

this method is also kinda simple and i’d probably advise doing this more than just starting from scratch right off the bat bc this allows you to get to know the program more and then u can mAKE UR OWN ORIGINAL MODELS LIKE 5 YEARS LATER since ur always staring at bases and figuring out how shit works YA Im a professional no i am not i’m just lazy and resourceful hehe

+ also mirror ur shit because that’s helpful asf

+++++ also if anyone is still reading this crap, if u wanna ask me a meta question feel free to specify if it’s in relation to meta-editing or meta-modelling (or both idk) bc i have the bEST OF BOTH WORLDS and hence different tips for both of them u feel