#bella baxter reader

[snowsinterlude]

doll parts.

(coriolanus snow x bella baxter!reader)

summary: having been brought back to live recently, you seemed to have lost your memories and still had a lot to re-learn. with that being said, you were personally intrigued by whatever 'fucking' is. luckily, coriolanus knew exactly how to teach you.

based on this ask.

c.w: horror (based in frankenstein and poor things), smut, coriolanus snow, nymphomaniac behavior (on the part of reader), spitting, p in v, porn with plot, rough sex, slapping (m. recieving), overstimulation, angry sex, squirting, edging, creampie, unproctected sex, innocent reader, naïve behavior, dumbification. casca highbottom is mentioned but he's not the main focus, 'virginity' loss, there's gonna be a lot of 'of course's" here

with the shocks of the electricity running through your new brain, you had opened your eyes to the sight of casca highbottom, a scientist who wanted to prove the point that he could bring people back to life.

of course, playing god wasn't exactly allowed, but what does corruption doesn't do?

with a white curly lock in your lustrous hair being something new to your forgotten appearance, you stared at the man in front of you, whom claimed to be your father. and of course he wasn't. he wanted to prove a point; this point being that he could create the perfect woman and shape her into the submissive obedient element you were supposed to become.

you didn't like that idea, and on the first minute he looked somewhere other than you when he brought you to see the outside world, you ran away, wanting to learn whatever you had to learn without the chains that casca highbottom had you in.

it didn't took long for you to come across coriolanus snow, a renowed academy student who was always against highbottom's experiments in dead people and animals. and he was so gentle to you, probably because of your doe heterochromatic eyes (another result of highbottom's tests on your previously dead body), or probably because of your innocent smile and the way your experience with the dead of living beings was killing mosquitoes and butterflies, saying that "there is no meaning for me to let this thing live if it annoys me."

of course, he took that out of your head with the argument that "then, if i, someday end up annoying you, would you kill me?" and you seemed to thought for a long while (that was his concern and the moment he gulped down), shaking your head, but saying "if you gave me anything other than kisses and books and shelter, i would." and he laughed at the way you said that, your eyes almost jumping out of your skull, always so sickeningly wide. you were so naïve, he truly wanted to open your kull, unspool your brain and sifting through it, trying to catch and pin down whatever it was that passed through your head.

he would never do it, though. not when you looked so pretty when swallowing his spit on that same night, licking your lips after a kiss.

then, in the day before, sitting on the couch on his studies, you looked at the page of the book you were leavmfing through, you saw an image of a woman and a man's silhouette. taking advantage of the few things highbottom teached you, you read outloud:

"mis...sio...neh...ry" of course, you still had a lot of difficulty reading, but nothing that could cause harm, coriolanus still tried his best to teach you how to read. he was always so... kind. you wanted to eat him up. but pretty things sometimes are accessories that can't go into your stomach, and that's what coriolanus told you when you tried eating a ladybug, claiming she was too cute for you not to eat it. "coryo,"

"yes, doll?" he asked, reading the papers he had on his hands.

"what is missionary sex?" that caught him off guard.

so now, after explaining how it worked and why it existed, the platinum blonde man finished by saying it could bring pleasure to your body, but it was mainly used for reproduction purposes.

you didn't really care about that last part, the second you heard him talking about 'pleasure', you immediatly got up, almost abruptly walking to him, your bare feet stepping on whatever it had on the ground, the skirt of your dress, that he got used to seeing you without, the shows you were supposed to wear to an early party that you never put on, his jacket, some papers, and finally, you were in front of him.

"i wanna do it," you voiced, taking the papers out of his hand "i wanna do it with you." and "i wanna have missionary with you." you said, eyes wide open to stare at him, you almost never blinkedat all.

"it's sex, doll. missionary is just a position." he said, laughing. though the thought of you riding him made his dick throb.

"position?" you asked, cocking your head to the side. "then there's more?" he nodded to you.

"there are much more positions on the kamasutra than pages on the bible." he said, and you smiled happily, your teeth showing up as well as your voice echoed:

"show me." you said "sex me- fuck, is fucking, right? fuck me. in the positions of the kamasutra." you said.

and god, he was so happy to take you by the waist, kiss you and lead your leg to wrap around his waist.

it didn't took many minutes for you to be without your bloomers, your panties put aside for him to grind his cock on your cunt, teasing you, and you didn't knew, but you felt like you were soaked up in something sticky- your wetness. "t-that's not missionary," you moaned, bucking your hips back at his teasing moves.

"you're right," he answered, groaning as he kissed your frowning face. "that's the clasp position, doll." with his hands on your waist, and yours on his shoulders, he finally penetrated you, earning a long moan out of your mouth.

you weren't a virgin, though you didn't know that, you used to have a husband on your previous life before you died, but you were never satisfied and you have never been- not until he slowly thrusted inside your pussy, making you feel every inch of his dick inside you.

"fuck!" you cried, a cry without tears as you undid the buttons of his shirt.

"what is it?" he asked, a moan leaving his throat as you ripped the shirt and bite his neck, too impatient to unbutton all of the buttons that were prohibiting you from seeing his body.

"i wanna see you," you moaned, slowly bucking your hips back, mouth agape as you let a rude moan leave your head "i wanna see your body."

he chuckled at your words, his hands still holding your body to keep you still as he fucked you. however, it wasn't bad, but you wanted to see how it would feel if it was fast.

"f-faster, please. just wanna see- s-see how it feels." you pleaded, your eyesight blurry as you looked down, seeing how your bare pussy took him in so well, almost devouring him into you.

he promptly obeyed you, going faster and deeper, a moan leaving your throat as his skin slapped against yours. and to see you squirming under him felt like heaven- a sight that no one but him could capture.

even when your walls squeezed his cock and you came around him, your pussy gushing around him, your stamina was still higher than his, which led to you edging him, not letting him cum until you felt so tired that you'd be passed out by his side.

which didn't happen for a long time. for at least six rounds, you were still edging him, slapping him every time he was ready to cum. you didn't allow it.

and by now, you were riding him non-stop, your eyes shut closed as you yourself abused your cunt on his cock, who throbbed painfully and made him throw his head back when he finally cummed inside you, stuffing you rope after rope.

"hey!" you called out slapping his chest, as he still gripped his nails on your skin, marking small crescent moon phases on your skin. he looked at you with an angry frown. "i don't wanna stop just now! i want more!" you said, not caring about his growling state, you thought it looked cute on him.

"god, you're terrible." he grunted, changing positions. "just this one more time and it's over." you nodded, agreeing with him as he finally slapped your clit, making you mewl and squirm under him. "see? you're too sensible, if we keep going," he thrusted "you're gonna have a difficult time walking straight."

"i can always dance." you said, legs spread to let him pound into you. he chuckled, slapping your thigh.

"let's see." he kissed you with a slight open mouth, his tongue battling with yours as he thrusted into you, letting you be a pillow princess for once in the day as you scarred his back with your nails, his pace was quicker than before, probably quicker than yours, and it made you melt entirely, your breathing became heavy and rapid.

when he pinched your clit, you felt strangely dumber, moaning into the kiss that was soon broke apart.

he spit into your mouth, his eyes boring into yours. "swallow it." and you did, crying from the pleasure as he rubbed your clit. "good girl, doll." he smiled.

"d-don't stop, coryo, please. just a bit more and i'll cum- i-i promise i'll let you rest after!" you mewled, squirming as he pound into you.

"hm, i don't know, doll. when i said i wanted to cum you didn't really allowed me to. why should i allow you?" he asked, pecking your temple.

"please. please! i can't hold it in!" you said, your boobs bouncing into the corset you were still wearing. he got rid of it in the blink of an eye, and you didn't even noticed where it had gone, too focused on the pleasure in between your legs as you cried.

he smiled to the view of your body. of course there was a bunch of scars there and there that were already healed, specially the one that connected your neck, but it didn't really mattered to his dick, neither to him. he loved just how doe eyed you were, how dumbly you asked about things and how you didn't questioned him more than once about something, like now.

"i-i'm sorry, i-i just wanted more. i didn't thought about your pleasure- s-sorry, please, let me cum! pleease!!"

"hm. no" he said, grabbing your ass and kissing your temple oh so kindly as he fucked you raw. "let's see how long you will last since you were so hungry for it."

and you didn't last much, just likenhe thought. the more you concentreated on the feeling of his dick on your cunt and the way his balls slapped against your ass, the closer you were to cumming again, and you did just after he came inside you again, smiling dumbly at him as you squirt on his cock, too sensitive from your previous orgasms.

"i'm sorry, coryo" you said, still teary eyed as you hugged him, hand pawing at his chest.

"for?" he frowned, he had already pulled his trousers up, guarding his dick into the fabric.

"f...for edging you, 'm sorry." you said, sleepy and pouty. he chuckled.

"it's okay," he said, caressing your head "at least you said sorry."

and you slept the most comfortable sleep of your post-mortem life, even drooling a bit on his chest, but he loved you just too much to do something about your innocent, naïve nature other than love and cherish it.

[ghnaim24]

Hello world of tumblr 👋 I know that Yorgos Lanthimos new film “Poor Things” is less than 2 weeks away from being released and from reading the reviews and watching the previews and trailers on social media I think I have some ideas and requests for fan fiction for Willem Dafoe’s character Dr. Godwin Baxter.

For my ideas/requests because Dr. Baxter is like a father figure to Emma Stone’s character Bella Baxter I was thinking that the female reader who is as young as Bella physically, she becomes like a mother figure to Bella and during their time together Dr. Baxter becomes enchanted by the female reader that they get to know each other and decide to get married to become one happy family.

Another idea/request I have is the female reader is the only female student in Dr. Baxter class and the men become intimidated by the reader but Dr. Baxter is impressed and becomes infatuated by her that he lets her become his aid and throughout time they court each other.

Please let me know if anyone is willing to write these requests and I can try to come up with some others. If not I understand. Please and thank you 🙏

[peonyblossom]

Characters/Ships I'll Write For

for reference :)

Pixelberry

All of Us

Alex x m!MC (Dexter Del Rossi)

Tess x f!MC (Jo Moreno)

Alpha

m!Channing Lowe x m!MC (Kalani Mochizuki)

America's Most Eligible

Carson Stewart x f!MC (Juliet James)

Big Sky Country

Sawyer Oakley x m!MC (Kennedy Oakley)

Blades of Light and Shadow

Nia Ellarious x f!human!MC (Iris of Riverbend)

Valax x f!human!MC (Iris of Riverbend)

Mal Volari x Tyril Starfury

Mal Volari x Tyril Starfury x m!elf!MC (Hades Nightbloom)

Bloodbound

Adrian Raines x Gaius Augustine

Dirty Little Secrets

m!Carpenter (Emmett King) x m!MC (Brooklyn Peters)

High School Story

Wes Porter x Ezra Mitchell

Hannah x f!MC (Lola Williams)

Michael Harrison x nb!MC (Jamie Baxter)

Mia Warren x Katherine

Ajay Bhandari x m!MC (Matty Wright)

Hollywood U

Thomas Hunt x f/nb!MC (Jackie Winters)

Hot Couture

Marco Di Vincenzo x f!MC (Analise Moore)

Immortal Desires

m!Cas x m!Gabe x nb!MC (Reese O'Malley)

Lewyn Junius x m!OC (Jude Junius)

It Lives Anthology

Noah Marshall x m!MC (Harry Spear)

Ava Cunningham x f!MC (Raven Adams)

Noah Marshall x Connor Green

Connor Green x m!MC (Jesse Harrison)

Stacy Green x f!MC (Ivy Lovelace)

Noah Marshall x m!MC (Devon Yasuda)

Noah Marshall x f!MC (Bella Potter)

m!MC (Isaak Vance)

Imogen Wescott x f!MC (Fiona Vance)

Tom Sato x m!MC (River Vance)

Danni Asturias x f!MC (Merliah Vance)

f!MC (Bailey Vance)

Tom Sato x f!MC (Pearl Vance)

Abel Flint x nb!MC (Ollie Bridgers)

Lincoln Aquino x nb!MC (Keagan Burke)

Amalia de León x nb!MC (Lottie Hamilton)

Jocelyn Wu x f!MC (Eleanor Wilkins) (slowburn)

Matthias McQuoid x m!OC (Ezra Wilkins)

Jocelyn Wu x nb!MC (Benni Locke) (fwb)

nb!MC (Erin Klein)

Murder at Homecoming

Donovan Navarro x nb!MC (Jupiter Stone)

Open Heart

Ethan Ramsey x m!MC (Sydney Valentine)

Ethan Ramsey x Tobias Carrick

Aurora Emery x Sienna Trinh

Queen B

Zoey Wade x f!MC (Quinn Hughes)

Ian Kingsley x f!MC (Quinn Hughes)

Untameable Anthology

m!Kit Jackson x m!MC (Jules Rojas)

Mandy Martinez x Ryder Wilson x m!MC (Barrett Kemp)

Gravity Falls

Stan Pines x Reader

Stan Pines x nb!OC (JD Willows)

Ford Pines x Fiddleford McGucket

Grey's Anatomy/Station 19

Mark Sloan x Jackson Avery x Lexi Grey

Mark Sloan x Jackson Avery

Meredith Grey x Derek Shepherd

Meredith Grey x Andy Herrera

Victoria Hughes x Lucas Ripley

Izzie Stevens x Denny Duquette

Ben Warren x Miranda Bailey

Cristina Yang x Teddy Altman

Maya Bishop x Carina DeLuca

[netherfeildren]

hi lady!!

only using your ask box to say this because maybe others will agree or maybe you can tell me to shut up publicly which is so valid also <3

but anyway— hsm reader gives me such Bella Baxter (from Poor Things) vibes in the best way possible. like the juxtaposition between her being so wise but also being so innocent and not knowing exactly how to express everything that’s rattling around in her head is so beautiful and also hugely relatable for a lot of people including myself.

i’ve just been thinking about that the past few days after finishing it and wanted to tell you! ily thank you, as always, for sharing your lovely words with us.

oh you're really the prettiest and smartest girl in the whole world, arent' you? I love this so much, I loved Bella as soon as I watched poor things, she was so moving, so emotional, so changing. What an honor you'd see anything in my little omega like what Bella showed us

It could just be that I watched poor things in December and it really stayed with me and I gave a little bit of her to my character subconsciously but either way I loveeeeee this so much thank you :)

[talkingfilmsnet]

Poor Things: A Stitch in Time Saves the Patriarchy (Or Does It?)

Victorian London. Bodysnatchers. A woman pieced together from stolen flesh. Sounds like your everyday gothic horror, right? Well, buckle up, dear readers, because Yorgos Lanthimos' "Poor Things" is anything but ordinary. This film is a scalpel-sharp satire, a Frankensteinian funhouse mirror reflecting the grotesqueness of the patriarchy – with a wickedly funny bone tucked right under its stitched-together ribs.

Bella Baxter, our stitched-up protagonist, is more than just a medical marvel. She's a walking, talking, anatomically-unconventional middle finger to Victorian beauty standards and societal expectations. Reborn from the depths of the Thames by the eccentric Dr. Godwin, Bella embodies the Frankensteinian anxieties around female bodies and scientific ambition. But unlike her monster-movie predecessors, Bella refuses to be a silent victim. She's witty, fiercely independent, and armed with a wicked sense of humor that leaves a trail of spilled tea and shattered patriarchy in her wake.

The film revels in its grotesqueness, yes. Dr. Godwin's experiments are hilariously macabre, and Bella's patchwork anatomy provides ample opportunities for dark humor. A misplaced arm becomes a projectile in a drawing-room battle, and a detached breast transforms into a scandalous party trick. But the brilliance lies in how this absurdity isn't just for laughs. It's a deliberate subversion of Victorian anxieties about the female body, forcing us to confront the ridiculousness of judging a woman by the sum of her parts.

Yet, "Poor Things" isn't simply a laugh riot. Beneath the humor lies a biting satire of Victorian class and gender dynamics. Dr. Godwin, with his god complex and obsession with female flesh, becomes a caricature of patriarchal scientific ambition. Bella, on the other hand, exposes the hypocrisy and double standards woven into the fabric of Victorian society. Her stitched-together body becomes a living metaphor for the fragmented realities women face, a constant reminder of the pressures to conform and the expectations placed upon their bodies.

The film's humor shines as it dismantles these societal constructs. A brothel scene transforms into a feminist manifesto, with Bella leading a chorus of "whores" in a raucous song about reclaiming their bodies and narratives. A conversation about artificial wombs explodes the myth of "ideal" motherhood, exposing the anxieties and power dynamics underpinning the female reproductive experience.

But despite its darkly comic heart, "poor things review" doesn't shy away from the darkness. Bella's journey is one of grappling with her own fragmented existence, searching for acceptance in a world that fears and ostracizes her. She confronts mortality, loss, and the ethical quandaries surrounding scientific exploration. And ultimately, the film asks a crucial question: does the "stitching up" of Bella, the creation of the perfect woman, actually serve to reinforce the patriarchy, or does it hold the potential for something more radical?

So, does a stitch in time really save the patriarchy? Does Dr. Godwin's creation simply perpetuate the objectification of women? Or does Bella, with her stitched-together spirit and refusal to be defined by societal expectations, offer a glimpse of a different future, one where women reclaim their bodies and narratives? "Poor Things" doesn't provide easy answers, but it throws down the gauntlet, inviting us to grapple with these uncomfortable questions and laugh in the face of the grotesque.

Beyond the gore and giggles, "Poor Things" is a film that lingers. It challenges us to consider the ethical implications of scientific advancements, the absurdity of societal expectations, and the resilience of the human spirit, even when stitched together from disparate parts. It's a film that makes you laugh, squirm, think, and ultimately, question the very fabric of existence, one stitched-together layer at a time.

[allthingsdarkanddirty]

════ .• RELEASE TOUR •. ════

Mistletoe & Markets

A Christmas Market Romance Collection

By The New Romance Café

Collection Book 27

Goodreads: https://www.goodreads.com/book/show/84279246/

Genre | Tropes: Contemporary Romance | Christmas Markets

Hosted by DS Book Promotions

AMAZON

Read on Kindle Unlimited

‘𝑻𝒊𝒔 𝒕𝒉𝒆 𝒔𝒆𝒂𝒔𝒐𝒏 𝒕𝒐 𝒇𝒊𝒏𝒅 𝒕𝒓𝒊𝒏𝒌𝒆𝒕𝒔, 𝒕𝒓𝒆𝒂𝒕𝒔, 𝒂𝒏𝒅 𝒍𝒐𝒗𝒆 𝒂𝒕 𝒚𝒐𝒖𝒓 𝒇𝒂𝒗𝒐𝒓𝒊𝒕𝒆 𝑪𝒉𝒓𝒊𝒔𝒕𝒎𝒂𝒔 𝑴𝒂𝒓𝒌𝒆𝒕.

Will you meet someone special under the mistletoe? Is that a candy cane in Santa’s pocket or is he just happy to see you? Whether it’s the traditional markets of Europe or a small-town winter festival out of a television movie, the holiday market is the place to come together to shop, drink, and make merry. Will you find the perfect gift or the love of your life?

Grab your eggnog and cookies and join USA Today best-selling and award -winning romance authors curated by The New Romance Café as we celebrate all the things that make this a holly jolly season.

Participating Authors:

Linda G. Hill Alexa Santi Renee Dahlia Sharon Michalove Bella Paige Jill Brashear Lily Kindall H. D’Agostino Sera Taino Harper Michaels L.A. Remenicky K McEvern Lestrade Jackie Paxson Sofia Aves Gabbi Grey Jewelz Baxter Juliet Martini Élodie Garroway Chele MacCabe Annee Jones Hannah McKee

About The New Romance Cafe

The New Romance Café is the place to get your daily dose of romance books.

Hang out with like-minded readers and authors at different stages of their writing journey, in a diverse and inclusive group.

Find out about new releases, take part in fun discussions, and recommend your favourite reads in the safe space of the Café.

Group: https://www.facebook.com/groups/thenewromancecafe

Website: https://thenewromancecafe.com/

Romance Cafe Publishing: https://romancecafepublishing.com/

@The New Romance Café @DS Book Promotions

[sansaorgana]

omg I love his softer side and the Reader was Bella Baxter coded to me which I enjoyed a lot 🥰🥰🥰

Imagine | Dance (Feyd-Rautha Harkonnen)

Imagine Feyd attending a ball and being bored to tears until you appear in the crowd.

A/n- thanks to everyone who read and supported my other Feyd fic!! I hope you all enjoy this one too :)

Word Count: 1,353

Warnings: none

The ballroom is overrun with diplomats and politicians. All dressed up in their very best attire, each one is hoping to impress those richer and more influential than themselves.

Feyd observes with a bored demeanour, swirling the blood red wine in his goblet. He’s leaning against a white pillar, staring out at the people with keen dark eyes.

A celebration of this degree isn’t something to be missed, his Uncle had said, insisting on his attendance.

So he attends, although he is bored from the lack of any meaningful conversations or actions. The feast was the best part, his favourite piece a bloody rare steak that practically melted in his mouth.

No one has come to speak with him out of a desire to just chat. No, each person who spoke had an ulterior motive and fear in their eyes. They want to be on the Harkonnen’s good side, lest they become victims instead. So, they chat about inconsequential things, all the while their hands shake and betray their frayed nerves.

Feyd found it amusing at first, but has since grown tired of it. These fickle politics and the endless pursuit of money. Money and power make this universe worth living in.

Music begins to play, a sensual drum beat joined by the strumming of string instruments and an angelic vocalizer. The sea of mingling people part as they allow the dancers the necessary space to move.

Feyd’s lips curl as he watches people join in the dance, the ballroom finally used for its original purpose.

People in skin tight dresses, fashionable suits, those showing too much skin, some showing none- the room is flooded with a menagerie of humans.

Each one is dancing with a partner, bending and swaying to the rhythm. All accept one.

He watches her move in perfect synchronization with the lilting music, lifting her arms high in the air. She avoids the stuffy aristocratic dancers who hardly allow the music to carry them.

She looks like a woman possessed. As if the melody has taken root deep within her and bids her to perform a marvellous spell.

It must be a spell, for he finds himself bewitched.

No one else has captured his attention so profoundly this whole event. He hasn’t even spoken with her yet and oh how he wishes too.

He must.

Feyd has never before desired to dance. Not unless it was the dance of battle, of blades clashing and blood dripping.

You have changed that.

As he watches you deftly twirling and clapping gently to the song, he cannot stop his body from acting on its own accord.

And Feyd-Rautha Harkonnen, fearsome warrior, finds himself pushing through the crowd to join you in your hypnotic dance.

You notice when the handsome stranger leaves his spot by the pillar, his eyes fixated only on you. You’re not sure how to feel.

During the dinner, you had walked by him on the way to your designated place. You’re from a minor house, not fit to sit with the guests from the major ones. Not that you minded, it’s always been this way.

He had caught your attention immediately. Brooding and gorgeous, with full, sensual lips and the palest skin you’ve ever seen, how could you resist admiring him?

He hadn’t noticed you then.

He notices you now.

A soft smile graces your lips as he reaches you, dark eyes boring into yours. You stop as he reaches out a sculpted hand.

You take it.

His hand is warm, and you can sense the strength hiding just beneath his skin. This man is dangerous, you realized that when you first spotted him.

To your surprise, he is an excellent dancer, leading you in perfect harmony to the music. You can barely hear the music over the pounding of your heart.

This wasn’t what you expected.

“You are a wonderful dancer,” you whisper once you’re close enough to hear each other.

His smirk is prideful, “A fighter must be lithe and nimble, my lady.”

His voice is raspy, deep. Again, you are taken by surprise.

“You must be an excellent warrior too.”

You spin around, his hand guiding you. He has dropped his smile, replaced it with a predatory look reminiscent of a hungry panther.

“The best,” he replies, supporting your back as he dips you downwards.

The other dancers seem to fade away as you dance with him, this frightening stranger. His touches are like a fire unto you, his gaze a steady burning.

He dances as if it’s a battle of dominance. He leads without hesitation, and you answer with the fluidity and grace befitting a lady.

It’s exhilarating.

And it’s gone too soon as the music dies down and the other clap for the musicians.

Breathing heavily, you simply stare at this man who joined you in rapturous movement, not wanting it to end.

He hasn’t let go of your hand.

You don’t want him to.

“What’s your name?” You ask before he can slip away and disappear forever. If he did, you’d at least want to remember his name.

He smirks, “You don’t know me?”

“No, or I would not have asked,” you point out.

He chuckles, revealing blacked teeth, “I am na-Baron Feyd-Rautha Harkonnen, my lady.”

You blink at this revelation. You’ve never met a Harkonnen before, let alone a such a high ranking one.

Feyd expects you to recoil in fright, surely knowing the brutality his house is known for. He is taken aback when you smile.

“I am pleased to meet you,” you in line your head slightly as you supply your own name.

He realizes his hand is still clasping yours and that you don’t seem to mind it one bit. Feyd gently tugs you towards him, “Come, it is too crowded here.”

Perhaps foolishly, you allow yourself to be led away from the ballroom and into a quiet hall.

It’s late, and you can see the stars through the sheer curtains of the hallway.

“Are you enjoying the festivities? You seemed unhappy,” you ask. “I saw you by the pillar.”

“I was bored,” he admits without care. “Before the dance.”

“And now?”

“And now I have welcome company and my boredom has fled in the wake of your beauty.”

He traces a hand, still so warm, down your cheek. You bask in the attention, wondering if this is all a dream you’ll wake from in a moment.

Feyd’s hand goes lower, until it grasps around your neck and tightens. Not enough to cause damage, but enough to still your breathing. With his grip tight, he pulls you forward and kisses you deeply.

It’s intoxicating.

He kisses like he dances, dominating and alluring. You bring your hands up to grip his shoulders as he continues his assault on your senses.

“Everything was dull until you danced into my sight,” he rasps as you catch your breath. “I’ve never seen such a vision.”

“I have never seen a man like you,” you confess, resting a hand on his chest. “You have such intensity…”

“Does it frighten you?”

“No, no it thrills me, my lord.”

The way those words roll off your tongue has Feyd hooked, his mouth latching onto your neck as he cups your face with one hand.

“Do you know what I’ve done?” He asks, unsure why he’s asking.

“I know you’ve danced beautifully,” you smile. “And I know your touch feels electrifying. And I know you’re going to take me into an empty room.”

You withdraw from him slightly, awestruck at the hunger in his eyes.

“And what happens then?”

He retakes your hand, not too gently this time, and practically drags you to the nearest room, slamming the pen the door.

Luckily, no one is in there.

“You know what happens next,” you say, already stripping him of his fine shirt before doing the same to yourself.

Feyd is glad he decided to come to this festival, thanking his lucky stars as he stares in awe at your beauty.

He wonders if you make love as spellbindingly as you dance.

He’ll soon find out.

[cocktailsfairytales]

★✩★ PREORDER ALERT ★✩★

Mistletoe & Markets

A Christmas Market Romance Collection

Romance Café Collection Book 27

Goodreads: https://www.goodreads.com/book/show/84279246/

Genre | Tropes: Contemporary Romance | Christmas Markets

Release Date: 21 November

Hosted by DS Book Promotions

AMAZON

https://books2read.com/TNRC2023MistletoeandMarkets

Coming to Kindle Unlimited

‘Tis the season to find trinkets, treats, and love at your favorite Christmas Market.

Will you meet someone special under the mistletoe? Is that a candy cane in Santa’s pocket or is he just happy to see you? Whether it’s the traditional markets of Europe or a small-town winter festival out of a television movie, the holiday market is the place to come together to shop, drink, and make merry. Will you find the perfect gift or the love of your life?

Grab your eggnog and cookies and join USA Today best-selling and award -winning romance authors curated by The New Romance Café as we celebrate all the things that make this a holly jolly season.

Participating Authors:

Lily Kindall

Élodie Garroway

Annee Jones

Jill Brashear

K McEvern Lestrade

Renee Dahlia

Jewelz Baxter

Sofia Aves

Chele MacCabe

Anna Volkin

Juliet Martini

Lexi Mills

Hannah McKee

Ainsley Jaymes

Maggie Rose

Cedar Rose

Jazmine Skye

Bella Paige

Angela Kady

Harper Michaels

H. D’Agostino

Sharon Michalove

Jane Gundogan

Alexa Santi

Linda G. Hill

Tarina Deaton

Lisabel Chretien

T Wells Brown

Sera Taíno

L.A. Remenicky

Jackie Paxson

JJ Carlson

Trinity Wood

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Hang out with like-minded readers and authors at different stages of their writing journey, in a diverse and inclusive group.

Find out about new releases, take part in fun discussions, and recommend your favourite reads in the safe space of the Café.

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The Best Creepy Horror Movies

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Creepy isn’t the same as scary.

Of course horror movies can be scary simply by using loud noises and sudden movements to make their audiences jump, but creepy is harder to pull off. To be effectively creepy, a film needs to establish a certain atmosphere; it needs to draw you in and make you care. It needs to give you something to think about when you’re trying to drop off to sleep at night; to make you wonder whether that creaking noise down the hallway was just the house settling or something lurking in the shadows. Creepy stays with you. It gives you goosebumps.

Here are 85 of the best horror movies (in no particular order) to chill your bones. Enjoy the nightmares.

Us (2019)

Jordan Peele’s follow up to his award winner Get Out is another social horror. While it might not be quite as accomplished or coherent as Get Out (the end is a bit of a mess) Us is arguably scarier than Get Out as a family staying in a holiday home find themselves tormented by evil replicas of themselves. It’s a film that keeps you constantly on edge with the performances of the main cast – Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph and Evan Alex – absolutely pitch perfect and never less than convincing as good and evil versions of themselves.

It Comes At Night (2017)

Though the marketing material was somewhat misleading, featuring the above scary-looking dude (who really isn’t a big part of the film at all), It Comes at Night, from director Trey Edward Shults is a claustrophobic slow-burner that insidiously ramps up the creep factor. Joel Edgerton plays the patriarch of a family holed up in a cabin in the woods to escape an unnamed wide spread virus. But when a man, his wife and their young child arrive seeking shelter his family life is disrupted. A coming-of-age horror with one of the bleakest endings around.

Mr. Jones (2013)

Nobody knows who Mr. Jones is. The artist is a recluse, but his bizarre sculptures have made him world famous. When a documentary maker and his girlfriend stumble across what looks like his workshop, they become obsessed with finding out the truth about Mr. Jones, but the truth isn’t particularly easy to stomach.

Read more

Games

20 Scariest Horror Games Ever Made

By Matthew Byrd

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Best Modern Horror Movies

By Don Kaye

One of the most stylishly shot found footage movies you’ll ever see, the makers know the rules of the genre well enough that when they break them, it adds to the story rather than detracting from it. Also, those scarecrows are petrifying.

Under the Shadow (2016)

Set in war-torn Tehran in the late 1980s, Under the Shadow sees a would-be doctor battling the forces of evil for her daughter (and her sanity) even as everyone around her flees to safer ground. The juxtaposition of earthly and unearthly threats makes this a uniquely terrifying film, and Shideh (Narges Rashidi) is a wonderfully complex and sympathetic heroine. Not many films could make a sheet of printed fabric terrifying, but Under the Shadow manages it.

Gaslight (1940)

Bella (Diana Wynyard) thinks she’s losing her mind. She keeps losing things, and the lights in her house seem to flicker, even though her husband Paul (Anton Walbrook) tells her he can’t see anything wrong. Plus there are those footsteps upstairs… Just from that description, you might think that Gaslight will turn out to be a haunted house story, but the real explanation for all the weirdness is far more sinister than that. Walbrook does sinister like no-one else.

The Babadook (2014)

A character from a terrifying kids book comes to life to haunt a single mother (Essie Davis) grieving for the loss of her husband in this beautiful, sorrowful meditation on depression and despair. Top-hatted Mr. Babadook with his horrible, terrible grin is of course creepy as all, but Noah Wiseman as her needy and uncontrollable child gives him a run for his money in creepiness.

The Clairvoyant (1934)

Maximus, King Of The Mind Readers (Claude Rains) performs amazing feats of clairvoyance on stage every night in front of adoring audiences. The problem is, it’s fake – the mind-reading is all done through a secret code Maximus has invented to communicate with his assistant wife, Rene (Fay Wray). But one night, he meets Christine (Jane Baxter), and his abilities become real. He really can predict the future. If you’ve already guessed that’ll turn out to be more of a burden than a gift, you’re right. Gorgeously shot, wonderfully acted, this is a creepy delight.

Sleep Tight (2011)

The second Jaume Balaguero film on this list is just as bleak and horrifying as the first: Sleep Tight sees a concierge secretly breaking into the homes of the people he’s supposed to serve to try to make them as miserable as he is. When Cesar (Luis Tosar) finds one tenant is harder to upset than the others, his behaviour escalates until he’s committing unimaginably grotesque crimes against the poor girl. The ending will have you shuddering in your seat.

Lake Mungo (2008)

This strange found footage film from Australia takes the format of a mockumentary focusing on the family of a dead girl who think there are supernatural goings on surround their house. It owes a debt to Twin Peaks in its odd neighborhood vibe, and the twisty plot holds many surprises, as the movie wrong foots the audience time and again. It’s creepy throughout but by the time you finally discover what’s really going on it’s not only terrifying but emotionally devastating too.

Dead of Night (1945)

Probably the best horror anthology ever made, this Ealing Studios production includes five individual stories and one wrap-around narrative. The wrap-around sees a consultant arrive at a country home only to find that he recognizes all of the guests at the house – he’s seen them all in a dream.

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Movies

A Short History of Creepy Dolls in Movies

By Sarah Dobbs

Movies

Annabelle: Real-Life Haunted Dolls to Disturb Your Dreams

By Aaron Sagers

Spooked, the guests start recounting their own stories of the uncanny, each more unnerving than the last. Well, except for the one about the golfers, but that one’s just there for light relief before the film hits you with the scariest ventriloquist’s dummy ever committed to film. Just excellent, all round.

Hereditary (2018)

One of the most truly harrowing movies of recent years is Hereditary, the feature debut from Ari Aster. Toni Collette stars as a mother trying to hold together her family in the aftermath of a tragedy while around her supernatural goings on begin to escalate.

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Movies

Hereditary: The Real Story of King Paimon

By Tony Sokol

Movies

Hereditary Ending Explained

By David Crow

Hereditary has been called The Exorcist for a new generation, though it’s so much more than that. In fact at times, Hereditary is almost too scary, so oppressive is it’s escalating anguish and dread. This one is pure nightmare fodder.

Nina Forever (2015)

Rob (Cian Barry) can’t get over his ex-girlfriend. Nina (Fiona O’Shaughnessy) died in a car crash, which is bad enough, but when he tentatively begins a relationship with his co-worker, Holly (Abigail Hardingham), he finds himself haunted by Nina. Literally. She materializes in his bed every time he and Holly have sex – she might be dead, but she’s not letting go.

“Creepy” doesn’t feel like a strong enough word to describe this film – “devastating” might do it. It’s a sensitive and horrifying portrayal of grief, with a sense of humour as dark as the inside of your eyelids, and some extremely upsetting gore. Brilliant, but not one for the faint-hearted.

Robin Redbreast (1970)

When she moves away from London to a tiny country cottage, Norah (Anna Cropper) expected the change to be a bit strange, but nowhere near as weird as it ultimately turns out to be. As she gets to know the locals, she finds herself being pushed towards a relationship with karate-loving Rob (Andrew Bradford), and while she’s initially game, she soon discovers that her choices are being made for her. It’s a little bit Wicker Man, a little bit Rosemary’s Baby, and a lot of creepiness.

It Follows (2014)

Inspired by a reccuring nightmare director David Robert Mitchell had in his youth,It Follows is a clever, freaky take on the slasher movie, featuring, well, a sexually transmitted ghost. Maika Monroe plays a young woman haunted by a shape shifting spectre after a sexual encounter who slowly but relentless trails her everywhere – the film plays with the audience expertly, making us guess whether background characters could really be the monster. Ultra modern and highly effective, this one will leave you jumping at shadows long after the credits roll.

The Masque of the Red Death (1964)

A tyrannical landowner is plagued by, well, a literal plague in Roger Corman’s adaptation of an Edgar Allan Poe story. Vincent Price plays the Satanic Prince Prospero, who rules over his village with an iron fist, condemning people to death for the mildest offence and abducting any woman who takes his fancy, but all of his evils come back to haunt him when he throws a masked ball and Death shows up. Fittingly, it’s got the hallucinogenic quality of a fever dream, and the various incarnations of Death are wonderfully creepy.

As Above, So Below (2014)

A group of explorers heads deep into the Paris catacombs, only to find they’ve gone a little too deep and stumbled into an alternate dimension that might actually be Hell. It’s a brilliantly over the top concept, and the way it plays out is incredibly eerie. Yes, it’s found footage, and yes, it’s a little bit on the silly side – it chucks in quotes from Dante and a few too many sad-faced ghosts – but some of the scares along the way are properly frightening. Suspend your disbelief and let it freak you out.

Oculus (2013)

Eleven years ago, Alan (Rory Cochrane) bought an antique mirror… and then died, along with his wife. According to the police, they were murdered by their 10-year-old son. According to their daughter, the mirror is haunted, and something supernatural caused their deaths. Now Tim (Brenton Thwaites) is out of prison, Kaylie (Karen Gillan) wants to prove he was innocent by conducting an experiment on the mirror… But inadvertently puts both of them in danger all over again.

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Books

“God God – Whose Hand Was I Holding?”: the Scariest Sentences Ever Written, Selected by Top Horror Authors

By Rosie Fletcher

Movies

A24 Horror Movies Ranked From Worst to Best

By David Crow and 3 others

It’s chilling. The way director Mike Flanagan plays with reality, building unbearable uncertainty through camera angles and false memories, makes this film both incredibly scary and impossibly sad.

The Witch (2015)

After being cast out of a New England plantation for not interpreting scripture in the same way as the colony’s elders, a family strikes out alone, and soon discovers how inhospitable their unfamiliar new home country can really be. The Witch is a period piece, and the language is suitably archaic, but don’t let that put you off: it’s a brilliantly chilling portrayal of Puritan life, where belief can mean the difference between life and death, and horror is only ever one failed crop away.

The Amityville Horror (1979)

The Amityville Horror is the haunted house story. If you were only ever going to watch one haunted house movie, it should be this one, because this is the archetypal story: a family moves into a house where horrible murders happened, and then bad things happen to them. It manages a lot of things later imitators didn’t, though, which is that it makes the Lutzes’ decision to buy the house make sense, and also builds the horror slowly, so that they almost don’t notice when the things going wrong in the house switch from annoying issues to outright horror. If you’ve moved house in recent memory, this one’ll hit you where it hurts.

The Conjuring (2013)

If you were only ever going to watch two haunted house movies, the second one should definitely be The Conjuring. James Wan’s ode to ’70s horror has plenty in common with The Amityville Horror, but it also has plenty of ideas of its own – and at least half a dozen moments that’ll make your heart leap into your mouth.

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Movies

The Conjuring Timeline Explained: From The Nun to Annabelle Comes Home

By Daniel Kurland

Movies

Horror Movie Origin Stories: Directors, Actors, and Writers on How They Fell in Love With the Genre

By Rosie Fletcher

The camerawork, the music, the cute kids stuck in the middle of epic spiritual warfare… it all adds up to a completely terrifying experience. You’ll probably need to sleep with a nightlight for a week afterwards.

The Changeling (1980)

George C. Scott stars as Dr. John Russell in this classic ghost story, which is a favorite of The Others director Alejandro Amenabár. Following the tragic demise of his wife and son, Dr. Russell moves into a rambling Victorian mansion to compose music and pick up the pieces of his life. He’s soon being woken by relentless booming sounds coming from the heating system, precisely at 6am every day… Then there’s the old “apparition in the self-filling bath” trick (actually, this may be the first time this happened onscreen, but it sure won’t be the last).

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Movies

Dog Soldiers: The Wild History of the Most Action Packed Werewolf Movie Ever Made

By Mike Cecchini

Movies

The Best Horror Movies to Stream

By Alec Bojalad and 1 other

This is one of those movies which hits up all the clichés: people go into the dark, gloomy attic to search for clues, and to the library to look up old news archives on the microfiche; they visit the graveyard, and finally, hold a séance (which is overwhelmingly creepy). The eerie soundtrack and skilful storytelling result in a film which peels back its mysterious layers slowly for a satisfying finish.

The Hallow (2015)

If you go down to the woods today, make sure you don’t steal anything or break anything, or the Hallow will get you. Tree surgeon Adam and his family move into an ancient farmhouse to start sizing up the land for developers and quickly fall afoul of the supernatural creatures lurking in the trees, which turns out to be a really bad idea. This film’s got it all: foreboding mythology, grotesque body horror, and the most amazing line of foreshadowing dialogue you’ll ever hear.

The Uninvited (1944)

A couple of Londoners holidaying in Cornwall stumble across a gorgeous abandoned house on the seafront and immediately decide they want to buy it. The owner, a grumpy old colonel, is happy to sell it to them on the spot, but his granddaughter is reluctant. Turns out the house has got secrets, and, yeah, a ghost. The dialogue in this film is incredible in a very 1940s kind of way, and the tone can occasionally be accused of jolliness, but it’s also got its moments of proper creepiness. Best enjoyed with a glass of sherry.

Saint Maud (2019)

One of the best movies of the year, Rose Glass’s feature debut is a study of a young palliative care nurse who starts to believe she’s on a mission from God to save the soul of her dying patient.

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Movies

Saint Maud and the True Horror of Broken Minds and Bodies

By Rosie Fletcher

Movies

Saint Maud Review: Elevated Horror That’s a Revelation

By Rosie Fletcher

It’s a film about conflicts between mind, body and soul, but it leans her into genre territory as Maud (Morfydd Clark) hear God talking to her directly and punishes her own body in an attempt to feel closer to her spiritual side, while the cancer riddled Amanda (Jennifer Elhe) celebrates her body as it lets her down. Shot in Scarborough everything about Saint Maud is unsettling right up to the indelible finale. An absolute must watch.

Crimson Peak (2015)

Director Guillermo del Toro insists that Crimson Peak isn’t a horror film but is, instead, a gothic romance. That doesn’t mean that it isn’t creepy as all get-out, though. When aspiring author Edith Cushing (Mia Wasikowska) meets charming baronet Thomas Sharpe (Tom Hiddleston), she falls madly in love and agrees to move back to his ancestral home, Allerdale Hall – aka Crimson Peak. But the house is crumbling and full of ghosts, and Sir Thomas’s sister doesn’t seem terribly friendly, either…

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Movies

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By Don Kaye

Movies

Lake Mungo: the Lingering Mystery Behind One of Australia’s Scariest Horror Films

By Rosie Fletcher

Del Toro’s visual flair is in full effect here, and every frame of this film (even the scary ones) are stunningly beautiful to look at. It’s a treat.

Baskin (2015)

A group of cops answers a call from the middle of nowhere and unwittingly stumble into something that can only be described as ‘a nightmare’ in this skin-crawlingly nasty Turkish horror. Abrasive, aggressive and deliberately difficult, this is the kind of film that burrows deep into your brain, only to resurface later at the worst possible time. Then again, by the time you’re stranded in the middle of nowhere with only dead colleagues and Silent Hill-style monsters for company, you probably don’t need memories of a horror movie to freak you out.

His House (2020)

A Netflix movie which could make a mark come award’s season the directorial debut of Remi Weekes sees a Sudanese refugee couple seek housing in London only to find themselves haunted by ghosts of the past and present. This is proper horror and it’s creepy as hell but it also leans into the horror of the refugee situation with the two marginalized, restricted, and treated as outsiders from the start – it’s a powerful but uncomfortable watch.

Host (2020)

The defining horror of 2020 – written, shot, edited and released on Shudder in just 12 week – Host is so much more than a lockdown gimmick. Following a group of friends who decide to do a seance via a Zoom chat, this ingenious movie trades on the real life friendships of the cast and crew and the absolute ubiquity of the video software during isolation. It’s seriously creepy too, utilising visions in the shadow but later some seriously impressive stunt work. Director Rob Savage and writer Jed Shepherd have signed up for a three picture deal from Blumhouse on the strength of this movie which absolutely needs to be seen.

The Haunting (1963)

Not to be confused with the remake of 1999, this retro gem not only features some classic sequences of spooky happenings, but a philosophical take on the paranormal. As John Markway says, “The preternatural is something we don’t have any natural explanation for right now but probably will have someday – the preternatural of one generation becomes the natural of the next. Scientists once laughed at the idea of magnetic attraction; they couldn’t explain it, so they refused to admit it exists.

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Movies

House of Dark Shadows: The Craziest Vampire Movie You’ve Never Seen

By David Crow

TV

How The Twilight Zone Influenced Are You Afraid of the Dark?

By Chris Longo

Dr. Markway (Richard Johnson) is investigating the mysterious Hill House, whose inhabitants often die in odd circumstances. With him he has Luke (Russ Tamblyn), the cynical heir to the home, the psychic Theo (Claire Bloom, way too cool for school) and Julie Harris as Eleanor, who has some ghosts of her own but figures a free stay in a mansion is as close to a holiday as she’s going to get. Markway is pleased the ladies haven’t done any research into the bad reputation of the house “So much the better. You should be innocent and receptive.” (The old dog.) This is a great, character-driven story with a dry sense of humor, and a mysterious heroine who feels oddly at home with the supernatural.

Unfriended (2014)

A cautionary tale about the dangers of cyberbullying, Unfriended achieves the seemingly impossible and manages to make the standard sound effects of everyday computer programs terrifying. The whole story is told through one character’s desktop, so you get to watch as she Skypes with her friends, posts to Facebook, or picks something to listen to on Spotify. The details are fascinating, and it’s kind of brilliant how the filmmakers manage to express so much about a character through her browser bookmarks and the messages she types, but doesn’t send. Once the horror kicks in, though, you’ll be too scared to notice much more of the cleverness.

Shutter (2004)

Jane (Natthaweeranuch Thongmee) is driving back from a wedding with her boyfriend Tun (Ananda Everingham) when she hits a girl – in a panic, they leave the body lying in the road and try to get on with their lives. They start feeling rattled when Tun’s photography is blighted by misty shadows and they both suffer from the odd hallucination which seems to show that their hit and run victim (Achita Sikamana) isn’t resting in peace.

Where would horror films be without photographic dark rooms? Even in the digital age, the dim red light and slowly emerging pictures remain classic tools of terror. Not to mention the room with rows of jars containing pickled animals, and the surprise homage to Psycho. This story has it all. There are also touches of dark humor throughout (the praying mantis is a recurring motif) and one of the most bone-chilling scenes has a hilarious payoff.

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TV

How A Creepshow Animated Special Pays Tribute to Series Legacy

By Matthew Byrd

Movies

The Weird History of A Chinese Ghost Story Franchise: Horror Comedy at its Wildest

By Gene Ching

Directors Banjong Pisanthanakun and Parkpoom Wongpoom skilfully create real characters and have the ability to communicate some of the most powerful and eloquent moments without dialogue.  The mystery deepens as more sinister evidence comes to light and the climax is truly chilling. This is one which will stay with you long after Halloween.

Spider Baby (1967)

The Merrye children live out in the middle of nowhere, with only one another and their family chauffeur, Bruno (Lon Chaney Jr) for company. Which is for the best, because they’re all afflicted with the family curse – a bizarre quirk of genetics that causes members of the Merrye family to begin to de-evolve once they reach a certain age. When some distant relatives come to visit, intending to challenge the kids’ right to stay in the house, things go sour fast. It’s a horror comedy, this one, but if you’re not a little bit creeped out by Virginia (Jill Banner), the Spider Baby of the title, and her spider game, well, good luck to you.

What Lies Beneath (2000)

Robert Zemeckis directs Michelle Pfieffer and Harrison Ford in this glossy supernatural thriller, with predictably high quality results. Clare and Norman Spencer live the perfect life – especially now their daughter has left for college and they’re enjoying empty nest syndrome. But the neighbors are causing some concern – especially when the wife disappears and Claire believes she is trying to communicate with her from “the other side.”

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Movies

8 Essential Gothic Horror Movies

By David Crow and 1 other

Movies

Horror Movie Origin Stories: Directors, Actors, and Writers on How They Fell in Love With the Genre

By Rosie Fletcher

Zemeckis has admitted that this is his homage to Hitchcock, and true to form, the suspense builds deliciously slowly. When Claire starts seeing faces in the bathtub (where else?) she goes to talk it over with a psychiatrist. A session with a Ouija board proves that somebody is trying to contact Claire, and it’s not long before she’s stealing keepsakes from grieving parents and reading books with chapters helpfully entitled “Conjuring the Dead.”

The result is a strong movie whether you’re enjoying the ghost story or the “Yuppies in peril in a beautiful house” aspect of it (and it doesn’t hurt that Michelle looks luminously beautiful).

Cat People (1942)

Serbian immigrant Irena doesn’t have a friend in the world when she meets Oliver. He’s kind and attentive and they soon fall in love, despite Irena’s lack of physical affection. She’s convinced she’s living under a curse that will mean she’ll transform into a panther and kill any man she kisses, and despite seeing a (deeply inappropriate) psychiatrist, she can’t shake her beliefs. Oliver is initially patient but eventually finds himself falling for his much more reasonable colleague, Alice. There’s no way this love triangle can end happily and, well, it doesn’t. Cat People is sad as well as eerie, with an increasingly paranoid atmosphere enhanced by skillful shadow play.

The Nameless (1999)

Five years after her daughter Angela went missing, presumed dead, Claudia starts getting weird phone calls. A female voice claims to be Angela, and begs her mother to save her. A series of weird clues leads Claudia to investigate a weird cult… but when things slot into place too easily, it seems like someone might be luring her into a trap. Thematically, The Nameless is similar to Jaume Balaguero’s later film Darkness; there’s a similar feeling of hopelessness and despair, a creeping horror that doesn’t let up, topped off with a horribly downbeat ending. Brrrr.

Dead End (2003)

The Harrington family are driving home for Christmas when they decide to take a shortcut. Obviously, that turns out to be a bad idea. Picking up a mysterious hitchhiker is an even worse idea. Dead End isn’t a particularly original movie, and it does have a truly awful ending, but there’s something about its characters, its atmosphere, and the way it tells the well-worn story that’s really effective. And creepy, of course.

The Others (2001)

Every ghost story introduces an element of uncertainty: are these things really happening, or are they in your head? Like The Innocents, The Others is partly inspired by Henry James’ novella The Turn Of The Screw. Grace (Nicole Kidman) has turned being neurotic into a fulltime job; her children apparently suffer from a sensitivity to light, which means the gothic mansion they inhabit must be swathed in thick curtains at all times. This makes things difficult for the new servants, who have turned up in a most mysterious manner… 

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TV

31 Best Horror TV Shows on Streaming Services

By Alec Bojalad and 1 other

TV

Best Horror Anime To Watch on Crunchyroll

By Daniel Kurland

Grace’s daughter has an imaginary playmate called Victor; her insistence that there are “other people” in the house vexes Grace until she begins to hear them, too. A piano playing by itself, shaking chandeliers and some truly traumatic hallucinations add to the panic as Grace questions exactly who she is sharing her home with. The tension builds to almost unbearable heights before a truly haunting ending. An intelligent script with a superb twist, quality acting and an atmospheric set (complete with graveyards, mist and autumn leaves) – what more could you want in a creepy movie?

Night of the Living Dead (1968)

“It is happening, and no one is safe.” Night of the Living Dead features some of the most brilliantly ominous radio broadcasts in all horror. When a group of strangers end up trapped in an isolated farmhouse together after the dead begin to rise, no one is in the mood for making friends, and it’s their own prejudices and stubbornness that leads to their downfall. (Well, that, and the fact that no one realized getting bitten by a ghoul would lead to death and reincarnation. Oops.)

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TV

The Walking Dead vs. Real-Life Survivalists: How to Prep for The Zombie Apocalypse

By Ron Hogan

Movies

Night of the Living Dead: The Many Sequels, Remakes, and Spinoffs

By Alex Carter

The zombie imagery is some of the most haunting ever committed to film, as vacant-eyed ghouls wander in and out of the shadows, chewing on dismembered body parts as they lurch around, constantly in search of fresh meat…

Candyman (1992)

Say his name five times into a mirror and the Candyman appears. Despite his sweet-sounding name, that’s not something you really want to do: Daniel Robitaille was a murdered artist, stung to death by bees in a racist attack, and so he tends not to be in a good mood when he shows up. Set in an urban tower block, this film demonstrates that horror can strike anywhere, not just in spooky old mansions in the middle of the countryside. It’s gory, grimy, and really quite disturbing.

M (1931)

A child murderer is stalking the streets of Berlin and, as the police seem unable to catch him, tensions run high. In an attempt to stop the nightly police raids, the town’s criminals decide to catch the killer themselves, and a frantic chase begins. Though there’s no actual onscreen violence, Peter Lorre is amazingly creepy as the whistling killer, and there’s a sense of corruption pervading the whole film. (Since both Lorre and Fritz Lang, the director, fled the country in fear of the Nazis soon after the film was made, it’s tempting to speculate on what M might be saying about Germany at the time, which only makes it all the creepier.)

The Blair Witch Project (1999)

An early example of the found footage genre, The Blair Witch Project has been aped and parodied by everyone and their grandma, but there’s something unsettling about it that hasn’t quite gone away. Most of the film is improvised; the actors are really filming the scenes themselves, working from a loose outline of the plot, but without prior knowledge of what half the scares were going to be. That ambiguous ending lets you make up whatever explanation you like for the events of the film, which means whatever the scariest thing you can think of is, that’s what the film is about.

The Orphanage (2007)

Laura (Belén Rueda) is returning to her childhood orphanage with her husband and son in order to open it as a care home for children with disabilities. She’s busy, but still has time to notice that seven year old Simón (Roger Príncep) has found an imaginary friend, Tomas. He might have a sack over his head, but what’s a little creepy mask between pals?

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Movies

The Scariest Films Ever Made and How They Frighten Us

By Matt Glasby

Movies

Katharine Isabelle on How Ginger Snaps Explored the Horror of Womanhood

By Rosie Fletcher

Simón is adopted, so it’s only a little odd when a social worker shows up without an appointment. It’s slightly more odd that she’s snooping around in the shed at night. During a daytime party, Laura has an encounter of her own with a masked child, and then experiences every parent’s nightmare: Simón is missing. What follows is the story of a mother who takes the search for her son to the limits of her sanity. Geraldine Chaplin makes an appearance as the medium who conducts possibly the most spine-tingling of all onscreen séances, and there are some truly terrifying shocks during Laura’s search for the truth.

Director JA Bayona makes every shot count; the movie is visually beautiful as well as fantastically sinister. It’s a bona fide horror film but the ending might make you cry.

Ring (1998)

Ring isn’t a perfect film. It’s a bit too long and ponderous and there’s a bit too much irrelevant mysticism in there. But in terms of pure creepiness, it’s pretty damned effective. The idea of a cursed videotape was brilliant – who didn’t have zillions of unmarked VHS tapes lying around the house at the time? – and that climactic scene where the image on the screen crossed over into reality is bloodcurdling. Sneaky, too, since it managed to suggest that no one was safe. Especially not you, gentle viewer, because didn’t you just watch that cursed tape, too? An awful lot of people must have breathed a sigh of relief once their own personal seven-day window was over.

The Innocents (1961)

Based on Henry James’ The Turn of the Screw, this film sees a young governess heading out to an isolated old house to take care of two young children who appear to be keeping secrets from her. Their previous governess died, along with another of the house’s servants, but their influence still seems to be lingering about. Or is it? Just like in the original story, it’s possible to read the ghosts either as genuine spectres or as the fevered imaginings of an over-stressed and under-sexed young woman. Either way, though, the film is terrifying.

The Skeleton Key (2005)

In a decaying house on an old plantation, an old man is dying. Caroline is hired as his carer, but although her job should be simple enough, she begins to suspect that something weird is going on – especially when she finds a secret room in the house’s attic filled with spell books and other arcane bits and bobs.

Is the old man actually under a spell? Why does he seem so terrified of his wife? And might Caroline herself be in danger? The Skeleton Key is one of those films that’s far better than it has any right to be; it slowly ratchets up the tension to a crazy finale and ends on an incredibly creepy note.

Insidious (2010)

Insidious uses just about every trick in the book to creep out its audience, and for some people, that might seem like overkill. There are lurking monsters around every corner; there’s a child in peril; there are wrong-faced nasties; and there are screeching violins every five minutes. On repeat viewings, the plot doesn’t quite hold up (halfway through, the film switches protagonists, which is baffling) and the comedy relief seems grating rather than funny. But the carnival atmosphere, the nods to silent German Expressionist films, the demon’s bizarre appearance, that dancing ghost… there’s something brilliant about it, nonetheless.

Dark Water (2002)

Part of the initial wave of soggy dead girl movies, Dark Water is occasionally very daft, but still effectively creepy. Yoshimi Matsubara is a divorcee, forced by circumstances to move into a crumbling apartment block with her young daughter, Ikuko. Their new home isn’t in the nicest of areas, but it might be alright if it weren’t for the leaky ceiling – and, um, that creepy little girl lurking in the shadows, the one who’s never there when you take a second look. Directed by Hideo Nakata and based on a book by Koji Suzuki, Dark Water might not be as terrifying as Ring, but it’s still pretty eerie.

A Nightmare On Elm Street (1984)

The effects are dated, and the sequels utterly killed Freddy Krueger’s menace, but the first A Nightmare on Elm Street film is still creepy, in its way. The premise is amazingly disturbing – a dead child molester is attacking children in their dreams – and, combined with some of the deeply weird nightmare imagery in this film, it’s more than enough to give anyone a few sleepless nights. All together now: one, two, Freddy’s coming for you…

Uzumaki (2000)

Slowly, inexplicably, a small town is taken over by spirals. Some people become obsessed; others are killed, their bodies twisted into impossible positions. Uzumaki is a live action adaptation of the manga of the same name, and it’s incredibly weird. Unspeakably weird. Visually, it’s incredible, although the green filters look less interesting than they used to due to overuse by every horror and sci-fi movie since. Still, most films don’t go to the extremes that Uzumaki does.

The Devil’s Backbone (2001)

Yup, it’s another soggy dead kid movie, but this time the kid is a boy and the action is set in civil war-era Spain. A young boy is sent to a creepy orphanage, where the other boys scare one another by telling stories about the resident ghost, Santi, who was killed when the orphanage was bombed. Written and directed by Guillermo del Toro, this isn’t your average ghost story – it’s a companion piece to Pan’s Labyrinth, but it’s much more of a horror movie than its better known counterpart.

The Vanishing/Spoorloos (1988)

Saskia and Rex are on holiday when Saskia suddenly, inexplicably, disappears. Rex dedicates his time to trying to find her, but to no avail. He can’t move on, can’t live with the uncertainty, so when Saskia’s kidnapper reveals himself and offers to show Rex what happened to her, his curiosity wins out. It’s a simple yet eerie story with an utterly devastating ending.

Audition (1999)

Takashi Miike’s Audition is more often described as extremely disturbing rather than creepy, but if you can get over that ending (which, let’s be honest, most of us watched through our fingers or from behind a cushion while shouting “NO NO NO NO NO” at the screen), the rest of the film may well creep you out. It starts off slow: a middle-aged man is thinking about dating again, but rather than trying to meet women via traditional methods, he holds a series of fake auditions for a non-existent movie. He meets Asami, a shy dancer, and starts wooing her – but Asami isn’t as sweet and innocent as she seems. Pretty much every character in this movie is an awful person, and the way they treat one another is disturbing on many, many levels.

One Missed Call (2004)

Also directed by Takashi Miike, One Missed Call is a parody of the endless string of soggy dead girl movies made in Japan at the time. But somehow it’s still really creepy. The premise is that, as the title suggests, teenagers are receiving missed calls on their mobile phones. The mystery caller leaves a horrifying voicemail: the sound of the phone’s owner screaming in agony. And since the call came from the person’s own phone, and appears to come from a few days in the future, it’s clearly a sign of impending doom. Sure enough, the kids all die just as the missed call predicted. There’s a nasty little backstory about evil little girls, and a bonkers televised exorcism, and generally, it’s a great film whether you love or loathe stories about scary dead kids.

The Last Man on Earth (1964)

You might’ve thought about how you’d survive the apocalypse, but have you ever stopped to consider whether it’s actually worth doing? In The Last Man On Earth, Vincent Price is the only survivor of a mysterious plague that’s turned the rest of humanity into walking corpses, hungry for his blood. Every day, he tools up and goes out to kill the bloodsuckers; every night, they surround his house and try to kill him. It’s a dismal way to live, and a depressingly eerie film. It’s based on Richard Matheson’s novel I Am Legend – so skip the Will Smith adaptation and watch this instead.

A Tale Of Two Sisters (2003)

Part melodramatic family drama, part psychological horror, A Tale Of Two Sisters is all scary all the time. When a pair of sisters return from a mental hospital, having been traumatised by their mother’s death, they find their new stepmother difficult to adjust to. The nightly visitations from a blood-dripping ghost don’t help, either. But as always in these kinds of films, nothing is what it seems – you might need a second viewing to get your head round the ending.

Night of the Hunter (1955)

Robert Mitchum might have claimed not to be interested in movies or acting, but he’s great in this. As Harry Powell, a bizarrely religious conman, he’s terrifying, whether he’s preaching about the evils of fornication or chasing the children of his latest victim across the country in an attempt to steal a stash of money he knows they’re hiding. The use of light and shadow in this movie is just stunning; the first time Powell arrives at the Harper house is a particular highlight. Robert Mitchum’s singing voice isn’t half bad, either.

Peeping Tom (1960)

Peeping Tom was so controversial when it was released that it effectively ended director Michael Powell’s career. It’s violent, voyeuristic, and since it tells a story from the villain’s point of view; it’s entirely unsavoury. And it’s wonderful. It looks great, it has an amazingly twisted (and tragic) plot, and Carl Boehm is brilliant as Mark, the awkward, mild-mannered psychopath who feels compelled to murder as a result of his father’s deranged experiments. (That’s not a spoiler, by the way – but if I told you how he killed his victims, that might be.)

Psycho (1960)

Happily, 1960’s other movie about a disturbed serial killer was less of a career-killer. Alfred Hitchcock’s Psycho is wonderful, sodden with guilt and tension right from the opening scene. It’s a shame that so many of its twists are so well-known now, because watching this without knowing what was going to happen must have been brilliant. It’s still great – beautiful to watch, genuinely tense and frequently unnerving – but it has lost some of its shock value over the years. (Also, the bit at the end where the psychiatrist explains everything in great detail is utterly superfluous.) Anthony Perkins’ final twitchy, smirky scene is seriously creepy though.

City Of The Dead / Horror Hotel (1960)

Getting the timing of a holiday wrong can have disastrous consequences, as City Of The Dead illustrates. Nan Barlow is a history student who, under the tutelage of Christopher Lee’s Professor Driscoll, becomes fascinated with the history of witchcraft, and decides to visit the site of a famous witch trial… but she arrives in town on Candlemas Eve, probably the most important date in the witches’ calendar. Um, oops.

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City Of The Dead is often compared to Psycho, and there are enough similarities between the films that you could assume it was a cheap rip-off – but though the campy US retitling supports that assumption, this was actually made before Hitchcock’s motel-based chiller. It’s definitely creepy enough to be worth watching on its own merits.

Village Of The Damned (1960)

For no apparent reason, one day every living being in the English village of Midwich falls unconscious. For hours, no one can get near Midwich without passing out. When they wake up, every woman in the village finds herself mysteriously pregnant. Obviously, their children aren’t normal, and something has to be done about them… Based on John Wyndham’s novel The Midwich Cuckoos, Village Of The Damned is more of a sci-fi movie than a horror movie – but it’s super creepy nonetheless.

Dolls (1987)

Re-Animator director Stuart Gordon toned things down a bit for this creepy fairy tale, but not much. When a group of awful human beings are forced to spend the night in the home of a couple of ancient toymakers, they soon get their comeuppance at the hands of – well, the title gives that away, doesn’t it? You’ll never look at Toys R Us in the same way again.

The Woman In Black (1989)

When a reclusive old lady dies in an isolated house out in the marshes, a young lawyer is sent to sort out her estate. But there’s something weird about her house, and the townspeople aren’t keen on helping sort things out, either. The TV version of this movie is far, far creepier than the Daniel Radcliffe version; there’s one moment in particular that will etch itself on your brain and continue to creep you out for years after you see it…

The Perfume of the Lady in Black (1974)

Beautifully shot with a great score, The Perfume of the Lady in Black is a dreamy, unsettling film where nothing is ever as it seems. The wonderfully named Mimsy Farmer plays Sylvia, a scientist haunted by melancholy and hallucinations. She’s never quite recovered from her mother’s suicide, and when she goes to a party where talk turns to witchcraft and human sacrifice, her sanity starts to unravel. But are her problems really all in her head, or is there something else going on? The film doesn’t reveal its secrets until the very end, when all that creepiness pays off spectacularly.

May (2002)

May was always a weird child, and unfortunately she’s grown into a weird adult, too. Unable to form any meaningful relationships with the people around her – not even a class of blind children she thinks might be kinder to her than the people who can see how strange and awkward she is – May decides she’ll need to take this “making a friend” business into her own hands. Dark and twisted and incredibly gory, May is as sad and sweet as it is creepy. A lot of that is attributable to Angela Bettis, whose performance is adorably unnerving.

Nosferatu (1922)

In this unauthorised take on Dracula, the evil Count is depicted not as a tragic or romantic anti-hero, but as a horrifying embodiment of the plague – complete with an entourage of rats. Max Schreck makes a brilliantly weird-looking vampire, all teeth, ears and fingernails; his shadow is especially unnerving. Although the ending as presented seems a little abrupt, it’s conceptually horrifying – as is the fact that, due to a copyright claim filed by Bram Stoker’s estate, all but one copy of this movie was destroyed back in the 1920s.

Vampyr (1932)

In a spooky old inn, Allan Grey is visited in the night by an old man who leaves him a gift-wrapped book, with instructions to open it only on the occasion of the man’s death. Which turns out to be soon. The book explains that the town is plagued by vampires – and, helpfully, gives instructions on how to kill them. Vampyr is an early sound film, so while there is some sound and a little dialogue, most of the silent film conventions are still in place. It has a fairly straightforward, Dracula-esque story, but the plot’s not the point. It’s a deliberately strange film, full of disembodied dancing shadows and weird dream sequences; there’s something almost otherworldly about it.

Dracula (1931)

Bela Lugosi is the definitive Dracula. With his eerie eyes and wonderful accent, he’s brilliantly threatening as the charming Count, but despite his iconic performance here, he’s not the creepiest thing about this film. Nope, that honor goes to Dwight Frye’s portrayal of Renfield, the lunatic spider-eater under Dracula’s control. He’s amazing, all awkward body language and hysterical laughter. Lugosi’s oddly cadenced speech has been emulated and parodied a zillion times, which takes away some of its power; Frye’s performance, on the other hand, is just downright disturbing.

White Zombie (1932)

A year after Dracula, Bela Lugosi starred as Murder Legendre, an evil voodoo master, in one of the first ever zombie movies. The zombies here aren’t flesh-eating ghouls but obedient slaves, working tirelessly in Legendre’s mill. Even when one of them tumbles into a grinder, work doesn’t stop. When the plantation owner goes to Legendre for help winning the heart of the girl he loves, he’s handed a dose of the zombie potion – and now the only way to break Legendre’s spell over the innocent girl is to kill him. Lugosi is suitably menacing, and the drone-like zombies are properly eerie.

The Cursed Medallion/The Night Child (1975)

For a few years, in 1970s Italy, Nicoletta Elmi was the go-to creepy kid. She pops up in Mario Bava’s Bay of Blood and Baron Blood, and in Dario Argento’s Deep Red, among others, but she’s never more creepy than she is in The Cursed Medallion. Here, she plays Emily, the daughter of an art historian who’s making a documentary on demons in paintings. She’s given a medallion but, as the title suggests, it’s cursed, and she ends up possessed by the spirit of a murderess. It’s atmospheric, lovingly photographed and, of course, Elmi is awesome in the lead role.

The Descent (2005)

A group of friends go off on a spelunking holiday, but get more than they bargained for when it turns out that the caves they’re exploring are dangerous in more ways than one. There’s enough time spent on character development that you really feel it when the group starts to get thinned out; there’s some incredibly painful-looking gore; and there are some amazingly freaky monsters. Watch it in a darkened room to make the most of its wonderfully claustrophobic atmosphere.

Paranormal Activity (2007)

The shine might’ve come off this movie because the Paranormal Activity franchise has become Lionsgate’s new one-every-Halloween cash cow, but there’s something deliciously creepy about this movie. Rewatching it now, even knowing when all the scares are coming, it’s still chilling. In a neat twist on the traditional haunted house story, Paranormal Activity’s entity haunts a person, not a house – so its victim can’t just pack up and move. The found footage conceit is used to great effect, making you stare intently at grainy nighttime footage of an empty room, straining your ears for distant footsteps, before making you jump out of your skin with a loud bang. (Pro tip: the movie has three different endings, so if you think you’re bored of it, try one of the others.)

Ju-on: The Grudge (2002)

So much of the effectiveness of a horror movie comes down to its sound design. A well-placed creak, groan, echo, or jangle can make the difference between something completely normal and something terrifying. New scary noises don’t come along very often, but Ju-on: The Grudge managed to come up with something unlike any other scary noise you’ve heard before. Its ghost makes a weird rattling, burping groan as she approaches; it’s kind of like a death rattle, kind of like a throttled scream, and it’s creepier than anything you’ve ever heard before. The film is relentless, light on plot and heavy on jump scares, but it’s that noise that’ll stay with you.

Julia’s Eyes (2010)

Julia and her twin sister, Sara, both suffer from the same degenerative disease – one that causes them to go blind. When Sara undergoes experimental surgery and subsequently kills herself, Julia suspects foul play – and, indeed, something weird seems to be going on, with whisperings about an invisible man lurking in the shadows. But as Julia gets closer to the truth, her own eyesight suffers more and more…The film restricts our vision almost as much as Julia’s; it’s almost unbearably claustrophobic, and ultimately heartbreaking.

The Eye (2002)

Another film about eyes and the horrors of going blind, The Eye follows Mun, a classical violinist from Hong Kong, as she undergoes an eye transplant. Although the transplant seems to be successful – Mun can see again – something isn’t right, because now she can see dead people. And most of them are terrifying. The ending is vaguely preposterous, but the rest of the film is creepy enough that it’s forgivable.

Zombie Flesh Eaters (1979)

Lucio Fulci’s unofficial sequel to Dawn Of The Dead features perhaps the creepiest zombies ever committed to film. When a boat turns up in New York harbour with only a zombie on board, investigative reporter Peter West sets out to find out where the boat came from and what’s going on. He ends up on the island of Matool, where the dead are returning to life to eat the flesh of the living… and they’re really, really gross. Zombie Flesh Eaters was initially classified as a video nasty in the UK, and it’s not difficult to see why. Its atmosphere elevates it above your average exploitation movie, though; there’s something really melancholy about it.

[REC] (2007)

When a local news crew decided to tag along with the fire brigade for an evening, they probably didn’t realise they’d end up fighting from their lives in a zombie-infested tower block. Co-written and co-directed by Paco Plaza and Jaume Balaguero (yup, him again), [REC] is a decent enough zombie movie, until the final reel, when it reveals an even more terrifying ace up its sleeve.

Let Me In (2010)

Although remakes are usually terrible, Matt Reeves’ take on this unusual vampire story was both respectful of and different from the original and, for my money, it’s creepier. Lonely tween Owen doesn’t have any friends until the equally strange Abby moves in next door. They embark on an odd friendship/proto-romance, but Abby has a secret: she’s a vampire. The use of a candy jingle is, against all odds, really eerie, and by paring the story down to its most essential elements (and getting rid of that daft cat scene) Let Me In makes for a scarier watch than Let The Right One In.

Carnival Of Souls (1962)

After a traumatic accident, weird things start happening to Mary. A strange man seems to be stalking her, though no one else can see him, and she feels irresistibly drawn to an abandoned pavilion out in the middle of nowhere. Once upon a time, the pavilion housed a carnival, but now it’s just an empty building… or is it? There’s nothing surprising about the plot of this movie to a modern audience – you’ll have the whole film worked out within about five minutes – but it is gloriously creepy. The climactic scenes at the carnival are pure nightmare fuel.

The Shining (1980)

Probably the most effective of all the Stephen King adaptations, The Shining plonks Jack Nicholson down in the middle of a creepy hotel and lets him do his thing. Nicholson plays Jack Torrance, a struggling writer who gets a winter job as caretaker of The Overlook Hotel, where the isolation and/or ghosts send him out of his mind. There are so many creepy images in this film: the twin girls who just want to play, the woman in room 237, the lift full of blood, and, oh, lots more.

The Cabinet Of Doctor Caligari (1920)

Appropriately, watching The Cabinet Of Doctor Caligari feels like slipping into a nightmare. Caligari’s cabinet holds Cesare, the sleepwalker – a catatonic oracle able to answer questions of life and death with eerie accuracy. Is Caligari a hypnotist, a murderer, or both? It’s a strange story, made stranger with a twist ending, and rendered impossibly creepy by the Expressionist production design. The weird, distorted hand-painted sets give the film a crude, unreal beauty and, if anything, the passage of time has increased the film’s creepiness, because it’s so utterly unlike modern films.

The Exorcist (1973)

An obvious choice, but The Exorcist is genuinely scary. It’s deceptively simple: the filming style is realistic, the locations are ordinary-looking and, by comparison to more modern horror movies, there aren’t many elaborate effects or stunts. But the film makes every scary moment count. It’s atmosphere is oppressive, claustrophobic – there’s an ever-present sense of dread throughout. It ought to feel more dated than it does, but even now, the demonic makeup and scratchy voice of the possessed Regan gives me goosebumps.

The Omen (1976)

Damien is probably the ultimate creepy child. Adopted by the Thorns when their own newborn dies, it doesn’t take long for his dark side to emerge: Damien is the Antichrist.

There are so many iconic moments in this film, so many things that have shaped both the horror genre and our culture’s idea of evil; something about this film really struck a chord, and even now it’s pretty effective. Every death scene in this movie is memorable, but the suicide of Damien’s nanny at his birthday party particularly stands out.

Ghostwatch (1992)

Originally shown on UK TV at Halloween, Ghostwatch scared a whole generation shitless. It’s presented as a live broadcast, starring familiar BBC faces: Michael Parkinson plays host, while Sarah Green and Craig Charles report from the scene as a normal family recount their experiences with the terrifying ghost they’ve dubbed “Pipes”. The shadowy figure of a man is glimpsed several times throughout the show, some appearances more obvious than others, and as viewers call in to share their own stories, things get weirder and weirder…Okay, this isn’t technically a film, but it is so amazingly creepy and brilliant that it couldn’t be left off the list.

The Wicker Man (1973)

The Wicker Man is a wonderful mishmash of genres: it’s got humour, horror, singing and sex. It frequently teeters on the edge of absurdity. But at heart, it’s deeply creepy. When devout Christian Sgt Howie visits the isolated community of Summerisle, he thinks he’s investigating the abduction of a little girl – and the villagers certainly do seem to be acting suspiciously. But as his investigation continues, it becomes clear that something entirely different is going on. Howie runs headlong to his doom, and its final scene is downright spine-chilling.

Suspiria (1977)

Suspiria is Dario Argento’s finest hour. It’s eyeball-meltingly beautiful to look at, all unnatural neon lighting and ridiculously lavish set design; the music is cacophonous, a never-ending wall of sound that doesn’t let up; and the plot is, well, it’s functional enough.

Suzy, an American ballet dancer, flies to an exclusive dance school in Germany only to find herself in the midst of a murder investigation – and something weird is definitely going on with the teachers. If you haven’t seen Suspiria in a while, treat yourself to the Blu-ray. There’s nothing restrained about this movie, nothing ordinary; it sneaks up on you and worms its way into your brain. It’s brilliant.

The post The Best Creepy Horror Movies appeared first on Den of Geek.

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[snowsinterlude]

can i request a smut/horror fic with coryo where reader is kind of like frankenstein? (kinda of like bella baxter from poor things) and she's experiencing sex for the first time with coriolanus? he's fucking her brains out and she loves it and doesn't get tired of it, just wants more and more? and also he has kinky for how innocent/dumb she is? very filthy cause i'm going insane and your smuts are my favorite ones! (it's my first time asking for a smut btw and i'm kinda nervous omg 😭) if u don't feel like writing this, that's totally ok! thank you already <3

i would love to write to that baby !! but how do i fit horror into this?? please DM me so i know how to do it, i want you to like it and fit into your expectations ! also, thank you for the compliment ♡

[heroesnhearts]

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3 Days in Queer Utopia: Thoughts on Clexacon

Las Vegas may be known as Sin City, but for a majority of the 2200 Clexacon goers, Las Vegas was more like an oasis in the desert. What was originally conceived as a small but clear response to the Bury Your Gays trope and the death of Lexa on The 100, evolved over the course of a year into a massive celebration of all things queer and female focused in entertainment. The fun started even before the con kicked off, with a party the night before at one of Vegas’ LGBTQ bars, the Phoenix. Queer, trans, non-binary folks and allies alike crammed into the space to drink, dance and meet longtime social media friends in the flesh. The band Betty even took the stage to belt out a tune. Alas, it was not the L Word theme song! The excitement was palpable on Day One of the con and continued throughout the three days, even as peoples’ bodies were weary from late nights and long days. God bless the Clexacon staff and volunteers who walked their feet to the bones and were always available for questions and assistance. Here’s a peek at Day One put together by Clexacon.   I was lucky enough to moderate one of the first panels of the con, Creating a Web Series, with panelists Christin Baker from Tello Films, Nancylee Myatt (South of Nowhere, Nikki and Nora), Paige Bernhart (Nikki and Nora, NCIS Nola) and Aasha Davis (South of Nowhere, Drunk History, The Unwritten Rules). Paige and Nancylee brought a little bit of Mardi Gras to Vegas with them, tossing beads and swag into the audience, and right off the bat you knew it was going to be a great panel. What an honor to speak with such an experienced and talented group of women. In fact, every panel I attended was absolutely killer. Big conversations were started, exciting ideas were generated, bonds were formed, and you couldn’t help but feel that if you could harness the heart of this event, it would have the power to really change the world. I walked away with so much more than I came with, and I am so grateful to all who shared their experiences and knowledge. I only wish I could have attended more smaller panels. Of course, one of the major draws of Clexacon were the big room panels. Panels with big names like the Spashley reunion of Gabrielle Christian and Mandy Musgrave, Wayhaught (with an adorably awestruck Kat Barrell, Dominique Provost-Chalkey and Emily Andras), Shoot (Sarah Shahi and Amy Acker who were incredible sports), Lost Girl, Saving Face, BAM from All My Children, and of course, Carmilla’s Elise Bauman and Natasha Negovanlis, otherwise known as Hollstein. Here’s vid from that panel, where I asked Elise and Natasha to reenact famous scenes between queer tv and movie couples. Let’s just say, they crushed it. It starts at the 20:49 mark.   Other big room panels like Lexa’s Legacy, Year in Review, Power of Queer Social Media, and LGBTQ Actresses  drew big crowds, and had some pretty amazing moments. Another big event was Emily Andras’ writing workshop, which I was lucky enough to attend along with a packed house. Andras has a wonderfully funny but no nonsense approach to writing and is an excellent teacher. The artists alley was full of talented folks selling their wares, as well as organizations spreading the word. My suitcase was no joke, 10 lbs heavier when I left, thanks to all the great merch and Tim Tams straight from Australia. (Thanks Amber!) For a first time con, Clexacon went quite smoothly. Sure there were a few hiccups, but there was so much joy in the air, everyone just rolled with it. I met attendees as young as 8 years old and those in their 70s.  People from across town and across the world.  I can tell you this: I will be back next year. For me personally, from the moment I stepped through the con doors, to the moment I said goodbye to Las Vegas, Clexacon was one of the greatest experiences of my personal and professional life. I learned so much from all of you, and I am grateful, honored and humbled to have met so many lovely people and moderated some incredible panels. I hope you liked all the Bella swag! I know my experience differs from others simply based on the fact that I was there as a moderator and not as a guest, so I have asked Bella readers and Clexacon attendees to share their experiences with us. I’d also invite you to share with us in the comments! “Clexacon was unlike anything I’d ever experienced. I came because the content was something I was really interested in, and because I wanted to meet the friends that I’ve made on twitter. Also Amy Acker. It was a warm, comfortable environment where everyone belonged and accepted each other. It was so easy to make new friends because of this, and because of the commonality we all shared. It was also really powerful to see so many people, and to hear that when we come together, we have a loud voice that has been and will be heard.” – @hmgflyer “I felt as if I was in such a safe space in such a long time! In my city nearly all the queer women’s spaces have ceased operation. Knowing that all these women are into the same stuff I’m into made it even better!” – @CroEna9 “My ClexaCon experience was absolutely amazing! Being the first convention I have ever attended, I don’t think anything could ever compare to the positive, supportive, and just all around amazing energy and vibes that surrounded ClexaCon, all the attendees and amazing line up of guests, was just so heart warming and amzing. The friendships, connections, and the honour of attendance at ClexaCon will forever live on in my heart.” – @LezbrosNFrnz “ClexaCon not only allowed me to connect with one of my passions, television, but also provided me the opportunity to discuss that passion in a space that made me feel safe and validated. For once I wasn’t that weird nerd girl who wanted to discuss representation on television, but part of a community that cares deeply about each other and seeing themselves on tv.” – Morgan Clapp “I hadn’t traveled since I’d been disabled (almost 10 years), but I had to get to ClexaCon! The Staff, including the Volunteers, took such great care of me. I never had to worry about getting into a panel or a photo op. Other Cons could learn from ClexaCon.” – Barbara Wolfe “As a girl that grew up on a tiny island in the Bahamas, face buried in a book or eyes glued to a tv screen for some form of escape from a world I never really felt I belonged to, ClexaCon weekend in Vegas meant more to me than I can ever express. Growing up surrounded by people I didn’t have much in common with was incredibly lonely. I had never realized just how isolated I felt until I was immersed in the world of ClexaCon with people who share my thoughts and feelings and interests. It felt like I was finally home.” – @ShanLaShawn “ClexaCon was, in a nutshell, like a really large family reunion, it was like coming home. Every second spent at the convention space was like being wrapped in this huge, lesbian filled bubble of positive, warm, passionate, energy, just this overwhelming, indescribable feeling of BELONGING somewhere. It didn’t matter how old you were, where you came from, or what you looked like, you were Kru! And that’s a feeling I will always carry with me. ClexaCon and the people I met while there irrevocably changed not only my life, but me as a person!”   -Meagan Baxter “I think that ClexaCon might be my favorite experience of my entire life so far. Not because of the media guests who were there (although Betty McRae meant/means a lot to me and meeting Ali Liebert was amazing), but because of the time I got to spend with fellow LGBTQ women in and out of the Con itself. I don’t know any queer women where I live, so my connection to the community is usually just online. This weekend at ClexaCon I was able to spend time with amazing women (some who I knew online, some who I didn’t) who I share so much in common with as both queer women and fans that I felt freer to laugh, cry, fangirl, and just be myself more than I think I ever have before. It was an amazing experience and I cannot wait to go again next year.” – @buknerd “The panels with content creators and actors were phenomenal. I don’t know how the organizers pulled in the guests that they did, but I was grateful for everyone’s professionalism, knowledge, and ability to keep the audience engaged. I learned from the “Bisexual Representation in the Media” panel. I enjoyed laughing in the reunion panels. I was grateful for the many intelligent audience questions. When I attended the Saving Face Reunion, I was pleasantly surprised to hear that Alice Wu’s educational background is similar to mine. Being a Chinese-American, I was also glad to see Alice Wu, Lynn Chen, and Michelle Krusiec on the stage because I realized that it was the first time I had seen people who, for back of better words, look like me and discuss a movie they made.” – Heather Lo “I’m 23 years old and do not have any LGBTQ female friends, they’re all straight. Spending three full days with hundreds of LGBTQ women was the most comfortable environment I have ever been in in my whole life. I never felt out of place, just completely content in my own skin. Stepping over the threshold from Bally’s casino area into the convention each day was like flipping the world upside down and experiencing it the way that it should be: loving, accepting, welcoming, respectful and empowering. I attended the con alone and despite being more of an introvert, I spent every day talking to people I had never met before who came from all around the world for one specific reason. To demand the representation we deserve (and to of course grieve Lexa). This was by far the most necessary and imperative moment for queer women, I learned so much at each and every panel I went to. Calling ClexaCon special is an extreme understatement, but I’m not quite sure there is a more fitting word.” – Susan LeGrice http://dlvr.it/NbNgYB

[axsomreport]

Top 10 Arkansas Daily Newspapers by Circulation

1. Northwest Arkansas Democrat-Gazette

http://www.arkansasonline.com Follow Arkansasonline.com for the latest breaking, sports, feature & political news, plus review local crime statistics & see hundreds of photo galleries!

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http://www.swtimes.com The local news source for Fort Smith, western Arkansas and eastern Oklahoma since 1884.

3. Arkansas Times

http://www.arktimes.com Arkansas’ newspaper of politics and culture.

4. Jonesboro Sun

http://www.jonesborosun.com The Jonesboro Sun is Northeast Arkansas’ regional newspaper serving over 80,000 readers with a market coverage in seven counties of Arkansas each day.

5. Texarkana Gazette

http://www.texarkanagazette.com Feel free to contact us by phone at 903-794-3311. Our office is at 315 Pine St. in Texarkana Texas.

6. The Sentinel-Record

http://www.hotsr.com The Sentinel-Record, a family-owned business, is the hometown newspaper of Hot Springs.

7. Pine Bluff Commercial

http://www.pbcommercial.com Publishing the news in Pine Bluff and Southeast Arkansas. — www.pbcommercial.com — @pbcommercial

8. Batesville Daily Guard

http://www.guardonline.com The Batesville Daily Guard is the only family-owned daily newspaper in Arkansas.

9. Baxter Bulletin

http://www.baxterbulletin.com The Baxter Bulletin is the media organization serving Mountain Home, Ark., Baxter County, Ark., and surrounding areas.

10. The Courier News (River Valley)

http://www.couriernews.com The Courier — your messenger for the Arkansas River Valley.

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[allthingsdarkanddirty]

·٠•● RELEASE BLITZ ●•٠·

Mistletoe & Markets

A Christmas Market Romance Collection

By The New Romance Café

Collection Book 27

Goodreads: https://www.goodreads.com/book/show/84279246/

Genre | Tropes: Contemporary Romance | Christmas Markets

Hosted by DS Book Promotions

AMAZON

Read on Kindle Unlimited

‘𝑻𝒊𝒔 𝒕𝒉𝒆 𝒔𝒆𝒂𝒔𝒐𝒏 𝒕𝒐 𝒇𝒊𝒏𝒅 𝒕𝒓𝒊𝒏𝒌𝒆𝒕𝒔, 𝒕𝒓𝒆𝒂𝒕𝒔, 𝒂𝒏𝒅 𝒍𝒐𝒗𝒆 𝒂𝒕 𝒚𝒐𝒖𝒓 𝒇𝒂𝒗𝒐𝒓𝒊𝒕𝒆 𝑪𝒉𝒓𝒊𝒔𝒕𝒎𝒂𝒔 𝑴𝒂𝒓𝒌𝒆𝒕.

Will you meet someone special under the mistletoe? Is that a candy cane in Santa’s pocket or is he just happy to see you? Whether it’s the traditional markets of Europe or a small-town winter festival out of a television movie, the holiday market is the place to come together to shop, drink, and make merry. Will you find the perfect gift or the love of your life?

Grab your eggnog and cookies and join USA Today best-selling and award -winning romance authors curated by The New Romance Café as we celebrate all the things that make this a holly jolly season.

Participating Authors:

Linda G. Hill Alexa Santi Renee Dahlia Sharon Michalove Bella Paige Jill Brashear Lily Kindall H. D’Agostino Sera Taino Harper Michaels L.A. Remenicky K McEvern Lestrade Jackie Paxson Sofia Aves Gabbi Grey Jewelz Baxter Juliet Martini Élodie Garroway Chele MacCabe Annee Jones Hannah McKee

About The New Romance Cafe

The New Romance Café is the place to get your daily dose of romance books.

Hang out with like-minded readers and authors at different stages of their writing journey, in a diverse and inclusive group.

Find out about new releases, take part in fun discussions, and recommend your favourite reads in the safe space of the Café.

Group: https://www.facebook.com/groups/thenewromancecafe

Website: https://thenewromancecafe.com/

Romance Cafe Publishing: https://romancecafepublishing.com/

@The New Romance Café @DS Book Promotions

[allthingsdarkanddirty]

★✩★ PREORDER ALERT ★✩★

Mistletoe & Markets

A Christmas Market Romance Collection

Romance Café Collection Book 27

Goodreads: https://www.goodreads.com/book/show/84279246/

Genre | Tropes: Contemporary Romance | Christmas Markets

Release Date: 21 November

Hosted by DS Book Promotions

AMAZON

Coming to Kindle Unlimited

‘Tis the season to find trinkets, treats, and love at your favorite Christmas Market.

Will you meet someone special under the mistletoe? Is that a candy cane in Santa’s pocket or is he just happy to see you? Whether it’s the traditional markets of Europe or a small-town winter festival out of a television movie, the holiday market is the place to come together to shop, drink, and make merry. Will you find the perfect gift or the love of your life?

Grab your eggnog and cookies and join USA Today best-selling and award -winning romance authors curated by The New Romance Café as we celebrate all the things that make this a holly jolly season.

Participating Authors:

Lily Kindall Élodie Garroway Annee Jones Jill Brashear K McEvern Lestrade Renee Dahlia Jewelz Baxter Sofia Aves Chele MacCabe Anna Volkin Juliet Martini Lexi Mills Hannah McKee Ainsley Jaymes Maggie Rose Cedar Rose Jazmine Skye Bella Paige Angela Kady Harper Michaels H. D’Agostino Sharon Michalove Jane Gundogan Alexa Santi Linda G. Hill Tarina Deaton Lisabel Chretien T Wells Brown Sera Taíno L.A. Remenicky Jackie Paxson JJ Carlson Trinity Wood

About The New Romance Cafe

The New Romance Café is the place to get your daily dose of romance books.

Hang out with like-minded readers and authors at different stages of their writing journey, in a diverse and inclusive group.

Find out about new releases, take part in fun discussions, and recommend your favourite reads in the safe space of the Café.

Group: https://www.facebook.com/groups/thenewromancecafe

Website: https://thenewromancecafe.com/

Romance Cafe Publishing: https://romancecafepublishing.com/