#but also not. i'm invested in this.

[legayllyblonde]

gang, do we think other types of lawyers in the ace attorney universe have fun unique badge designs? do the environmental law attorneys have a cute globe or tree on their lapel? do the family law attorneys feel weird about the golden house they have to wear into divorce hearings? do the estate lawyers refuse to wear theirs because it's just a cartoon R.I.P headstone?

[icewindandboringhorror]

(also feel free in the tags to clarify Why you made the choice you made!! :0c)

[morganmnemonic]

I'm thinking of kris repeating berdly's name in shock when you try to tell ralsei that you are going to the festival with berdly of all people. Thinking about the conversations we only get to hear half of, where kris presumably tells ralsei and susie that ralsei and asriel don't look that much alike. Thinking about all the times where kris changes the prompt we give them into something that they'd prefer to say.

Kris talks. They chatter, even, but we as the player don't get to hear it. They don't get a text box. We only ever know that they spoke at all from the reactions of other characters, and even then, we rarely know exactly what was said.

And part of this is that whoever the deltarune narrator is seems intent to pretending like kris doesn't exist. You check the mirror, and it says, "it's only you". Kris plays the piano and it says, "your hands begin moving on their own." If kris speaks without your permission, the narration doesn't acknowledge it at all, committed to the lie that kris doesn't exist beyond their role as our vessel. But that's not what this post is about.

This post is about how it's entirely possible that kris has tried to talk to us when no one else is around. They could have tried to tell us their plan, or begged us not to make certain decisions, or explained that we don't actually need to steal asriel's 5 dollars because they have a piggy bank buried in the front yard. Kris could be asking us questions, or asking us not to look for the bunker password because they have a plan and we should trust them, or asking us to let them sleep a bit longer, and we the soul just carry on the same regardless, their one-sided monologue falling on deaf ears. We would never even know, because of how thoroughly the narrative of deltarune has denied kris a voice.

[lettersfrombrynn]

i have discovered that my absolute favorite thing about the teen wolf fandom is the way that they have all collectively gone "we recognize that the canon has made a decision, but given that it's a stupid-ass decision, we've elected to ignore it." it's incredible. it's a beautiful way to deal with a lot of the sheer laziness that went into whatever the actual "canon" timeline of the show is supposed to be.

like, "you can't give us a logical date of birth for stiles that would make sense with him being a sophomore and still able to drive at the start of season one? fantastic. we have now decided that he's either been held back a year or he's a late summer/early fall baby, and you, jeff davis, are just going to have to deal with it," is perfection.

[a-compass-without-a-needle]

This is what happened after 3.1 isn't it?

[northstarscowboyhat]

Corn picking day.

[snarkspawn]

O displaced soul, where does your path now lead?

[egophiliac]

LET THE BOY HAVE AN EDUCATION

officially at the point where we're starting to see where it's all headed and I am just going NYEEHEEHEE in delight at it all. ahhh...next week can't come soon enough...

[14dayswithyou]

Olivia fell asleep in one of the aisles again...

how do you feel about ren being used in an ai chatbot advertisement?

⌞♥⌝ Thank you for bringing this to my attention. I genuinely despise everything about this so much, and if anyone comes across this ad on TikTok (or anywhere else), I'd really appreciate it if you could report the video and not give it any further engagement.

I'm vehemently against the use of AI that negatively impacts artists, writers/authors, developers, creators, etc., and I don't condone the use of my art and IP without my knowledge and explicit consent — especially when it's being used in a paid ad/sponsorship. It's extremely disrespectful and I have no respect for those who do it.

[voidzpng]

I started watching the Lego show

[son-of-avraham]

American jews 🤝 Israeli jews

"holy shit, I'm so scared for you in your country - it isn't as bad for me in mine!"

[snapbackslide]

Josty cheering on his grandpa reading the starting lineup 🥹 | 25.03.02

[zivazivc]

Not exactly a character sheet but something akin to it... an all around sound reveal/analysis for my punk funk guy

yapping on top of yapping under the cut:

Les's musical style is a wide range that typically leans heavily into funk metal or punk rock, or both!, although he is quick to get inspired by other genres too. In general he likes music that sounds at least a little droll and unexpected. I hope the selection of albums I compiled can paint you a good idea of it (because I sure as hell don't know what I'm doing!).

He is, first and foremost, a bass player and he's very good at it. Heavy funky slapping and popping is prominent in his music as is usual in funk music in general. He's got an old (ugly) second-hand bass guitar, that he cherishes like it's his baby. He could probably save an get a cooler-looking one for the stage but that in itself is uncool in his book.

He's also not so bad with the trumpet too, doesn't own one though, so he only plays it when he gets a chance. He learned to play it from his uncle Adewale.

Singing on the other hand is not his forte; he doesn't have super impressive vocals plus he's holding himself back. His singing style sounds droll and kind of jaded (often even deadpan and monotone although thought out and not lazy in any way), and closer to speak-singing. Big reason for that is that genuine honest singing makes him feel vulnerable in an uncomfortable way he's not willing to face, and it hints at a possibility for emotional release he very much prefers to not see happen. Y'know, singing is therapeutic and he doesn't want the therapy. 🥲

He typically balances out his singing with sarcastic/dramatic lyrics or unusual storytelling that keep his true thoughts and feelings well encrypted under layers of metaphors and allegories (subconsciously or intentionally) — which funnily enough makes him a very clever lyricist. But he doesn't put any of it down and has no interest in joining Hed and Floyd with writing songs for the band.

His singing VA is John McCrea from Cake, and when I say this I mean from the sound of his singing voice, all the way down to how he delivers his lines and the lyrics themselves. ':) More examples: 1, 2, 3. (I put only two of their albums on the drawing but honestly Cake has so many good Les songs.)

NoMeansNo is a close second when it comes to lyrics, but they're more like vent songs for Les, when you catch him in a weird angry/depressed mood. I also really like that band's prominent use of the bass, it's not very funky but it scratches my Les itch very much.

Butthole Surfers' songs have good Les lyrics too, although those are more "him singing about weird hallucinations while high out of his mind" or when he wants to be shocking for the sake of being shocking. That band is just weird overall, I like the singers southern drawl though. I'm still on board the idea of Les and Hed having a bit of a southern US accent.

Incubus is an amazing band overall but their first two albums are such a good flavor of funk metal and early band experimentality. Their singer is really good in regards to the word intonation I imagine Les having, he's too skilled for Les to keep up with in some parts though. 😅

I think the perfect Les sound would be some kind of chimera of these four bands... or maybe not, maybe that would sound terrible. XD

But still, to get a feel for Les's sound overall you have to give all of the examples below a listen, or at least the ones I put in bold.

- The albums featured in the drawing ↴

Incubus - S.C.I.E.N.C.E.

NoMeansNo - 0 + 2 = 1

Cake - Comfort Eagle

Incubus - Fungus Amongus

Beck - Odelay

The Damage Manual - The Damage Manual

Primus - Sailing the Seas of Cheese

Cake - Motorcade of Generosity

Fungo Mungo - Humungous

NoMeansNo - Wrong

Butthole Surfers - Electriclarryland

L.A.P.D. - L.A.P.D.

Bonus "Lena" album:

13. Jack Off Jill - Clear Hearts Grey Flowers

[basket-of-radiants]

Option one: Jasnah is one of the most saintly, good-aligned characters in the main cast. She hasn't done anything bad offscreen ever, and that's why the only examples Taravangian had for her being a questionable person are "the lesson" and those times she almost killed her family members but then didn't. She's never done anything else wrong in her entire life.

Option two: During Taravangian's apotheosis, he broke the fourth wall and is now fully aware of the Stormlight Archive as a set of novels. As follows, he made a point to only include examples which the audience would already be familiar with. I really like this theory, because in this case we can also ascribe the book's shift to aggressively modern language to being a downstream metaphysical consequence of his initial ascension.

Discuss.

[arcadecoconut]

There's a lot of great meta about how Bells Hells never seemed to realise how powerful they became over the course of the campaign, and how this skewed perspective gave them a strange and at times hypocritical relationship to authority. There's also been a lot of discussion about how having a single-focus plot established early in the campaign was detrimental to individual character development, but I don't think I've seen much about how the single-focus plot is directly connected to their ignorance about their own power level. I think one of the key benefits of having various smaller arcs across c1 & c2 was not only that it supported individual character development better, it also gave the parties a sense of their own growing capability and power scale in the greater world. By having distinct arcs with enemies who were overcome and defeated, the PCs have concrete evidence of their own growth. Each arc follows a mini heroes journey too. For the MN, the Lorenzo and Obann arcs both involve PC characters being killed or overtaken early on, setting high stakes and establishing difficulty. Eventually, with persistence and planning, the Nein were able overcome and eventually defeat them. For Vox Machina, it's the Briarwoods, then the Chroma Conclave, then Vecna. At the start of each arc, every mission feels like an impossible task but again with persistence and planning, they conclude each arc in a stronger position - not just on their character sheet, but with concrete in-world elements too - the resources of Whitestone, key allies in powerful government positions, etc. These victories give each party a material sense of their achievement, which is mirrored by their internal acknowledgement, which is so natural it's mostly not explicitly acknowledged unless they're pointing out how they're capable of stepping up and helping more people. Bells Hells, by comparison, got very few distinct arcs. As a result, they never really achieved the same smaller victories to give them a sense of escalating power and agency over the course of the campaign. To be clear, it was possible this could have been achieved anyway, even within the constraints of the moon-plot. Defeating Otohan, defeating or flipping Lilliana, severing the alliance between the Unseelie Court and Ludinus, explicitly winning allies out of The Volition, or the Grim Verity, or Vasselheim and the Judicators - each of these could have been distinct arcs with victory conditions that would have served as markers of Bells Hells growing power. If they'd had concrete mini-goals to achieve along the way to dealing with Ludinus/Predathos, they could have taken time to focus and plan. In this way, we could have gotten larger investment into the world and NPCs. Imagine what it could have done for her personality if the party had to research Otohan’s role in the Apex War! Maybe if they needed to broker peace between the Grim Verity and Vasselheim to unite them against a greater threat, we could have seen Bells Hells establish their own authority in Exandria. Instead, all these potential villains and world building hooks ended up largely ignored or accidentally achieved along the path of some other muddy goal. By not giving the characters this sense of growth, BH and particularly Ashton and Laudna ended up with a very skewed perspective of themselves. They never realise their power grew well above average, putting them in a much more privileged position than the average Exandrian. It’s this skewed perspective - and their resulting attitudes towards various NPCs - which gave many viewers an 'ick' factor about their interactions. I also can't help but juxtapose this with exu: divergence, where the party's relationship to power (both their own and others') has been a core element. Their story has also been conducted over a very short time period in-world, yet their responses show a marked difference in awareness and empathy.

[sidekick-syndrome]

"Bruce is the tallest in the bat-family" this, "Jason is the tallest in the bat-family" that. Wrong. All wrong.

I follow the canon of the 1966 Batman show. And the 1966 Batman show says: