#but the build up towards wano and figuring out something more about zoro had been pretty obvious for a time so when we got there | Explore Tumblr posts and blogs

sleepymarimo · 2 years ago

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𝕨𝕒𝕝𝕝𝕤

summary: he didn't mean to push you away so harshly, to build his walls so high, but he didn't expect you to go running to someone else... pairing: zoro x reader, slight law x reader cw: unrequited feelings (or are they?), angst, no comfort an: set in wano, with some minor tweaks! thought of this last night and had to share my pain...oops also, i plan to have some fluffy straw hat stuff out this weekend ♡( ◡‿◡ ) wc: 3.4k

you'd been harboring feelings for your vice captain, for a while. you never acted on it, his aloof nature making you too nervous to make that jump- to try. even then, you were sure that he had more pressing matters to attend to.

so, you kept it under wraps. you trained and laughed and did everything you were supposed to, did everything right, without letting your feelings get too much in the way. it was manageable, and it made you feel good that you could support your crew, even if it meant holding onto your feelings.

it was the little things that gave you away to him. how your eyes darted away a bit too quickly when he met your gaze, how you sometimes intentionally stood farther away from him in a bid to look inconspicuous, even though it made it so much more obvious. he was as dumb as a rock sometimes, yeah, but not when it came to his crew, not when it came to you. he knew. of course he knew, but he had no reason to call you out on it. clearly you didn't want to discuss it and, as long as it wasn't getting in the way of anything major, he could bear it. it was when your emotions served as a distraction, that things became complicated.

the land of wano brought with it many challenges. most where physical, be it sneaking around the shady capital or handling some rowdy criminals. having crew members split up also made you worried, only heightening your senses and making your brain run rampant with what ifs. it all comes to a sudden standstill when you and brook, on your way to the safe house, walk in on zoro. one of the most beautiful women you've ever seen is snuggled right into his side and you feel a twinge of envy.

your heart does a somersault in your chest, something twisting in your gut at the unusual sight. a part of you, the rational side, knows very well that zoro didn't let people into his personal space with such ease. yet, even with her explanation, your mood can't help but sour. it only worsens when you all sit down and discuss more pressing matters.

the stresses of wano, this whole hiyori situation and her ever present enthusiasm towards the swordsman has you itching to escape. your responses become curt and your hands twitch in your lap. it's not how you should be acting, not given the circumstances, but you can't help it. finally, when there's a break in the conversation, you politely dismiss yourself.

once outside, you take a deep breath and collect your thoughts. leaning against the wall of the safe house, you let out a sigh and stare off at some random point in the distance in a bid to quell your passive aggressive behavior. the sound of the door opening catches you off guard, your arms crossing over your chest as the swordsman approaches you with a hardened expression.

"the hell is up with that look on your face?" he'd grumble, his cold demeanor matching the chill in the air. his arms are crossed, his posture tense. while zoro was one to take things as they came, focusing on the present, he couldn't deny that wano and its secrets were gnawing at him as well. he was irritated, wondering why you'd even bother to think about something as miniscule as feelings while there were enemies and actual threats lurking about. when you don't answer, when he figures you wouldn't even have the guts to bring it up, he huffs. "you think I asked to be cuddled up to like a damn toy?" his eye narrows and he takes a step closer, challenging you. "I don't have feelings for her, or anyone, got it?" the lump in your throat is too large to swallow and you nod, incapable of much else. a torrent of sensations swirl in your chest: embarrassment that he'd been aware of your feelings this whole time, guilt for letting them get in the way, and a bitter resounding sting that came with rejection. with a click of his tongue, he turns back and heads into the safe house, mumbling something about pulling yourself together and focusing on what's important.

you're almost glad when zoro ends up splitting off with hiyori later on, your mind flooded with thoughts. in a bid to defend yourself from further pain, you get your act together and squash down those feelings. you do well to put on a brave and happy face, deciding that, yes, there are some more important matters to attend to.

despite that, it's still hard not to see the samurai a bit differently. you knew he was blunt, even harsh at moments, but his approach to such a sensitive topic was a little much for you to handle. even if his words held some truth, that there were more pressing matters to attend to, the delivery of it just made you feel uneasy and hurt. the rest of your encounters are just as quick, your words just as clipped. if you acted any differently towards him, it wasn't out of malice. subconsciously, you defend yourself from further embarrassment and give him the distance you think he needs. while the chaos ensues, your defense mechanism only serves as a temporary solution. once the dust settled, it would be a different story.

finally, when the horrors of wano are dealt with, you can breathe a minor sigh of relief. in the flower capital, alongside your crew mates, you patiently wait for luffy and zoro to awaken from their slumbers. when they finally do, the air feels lighter

in the wake of it all, your emotions catch up to you, which makes you feel worse since this was supposed to be a joyful moment. it's hard to fight that initial instinct, to head over to zoro and ask if he's alright or if he needs anything. yet, you force yourself to take a step back, even if it does look like his bandages need tending to. it's a lot easier to do so once hiyori reveals that she was the one to help bathe him while he was unconscious, your stomach churning as you look away and walk to a different corner of the room. clearly he had someone looking out for him already. with a polite and slightly forced smile on your face, you find yourself heading over to law, who sits in the corner and chooses to observe the moment rather than partake in any conversation. you'd gotten along well with the surgeon, your relationship only growing stronger as he spent more time with the straw hats. he respected your skills and your perceptiveness, your ability to adapt to the needs of those around you and make them feel at ease. when he hears you approaching, he's naturally wary, but relents and gives you a nod, saying your name as a way of greeting you. satisfied, you take a seat next to him and raise a hand to gesture at his arm. "I know you're a surgeon and all, but d'ya think I can help you with your bandages?" you ask him, sincere and with a soft smile. "y'know, before this whole alliance thing is over and all..." he wants to say no, but the genuine kindness in your eyes has him huffing and looking away. a reddish hue tinges his cheeks and he holds out his arm. "go ahead." his tone fights to maintain its usual indifference, though there's a hint of appreciation laced in. on the opposite side of the room, where hiyori 'fixed' his bandages much too tight, zoro glances over at you. he notes the way you visibly relax around the surgeon, an action that has him growing irritated. he was your crew mate, your nakama, someone who would keep you safe, not that second rate captain. when the bandages cut off his circulation, he growls in frustration and tears some of them off. why weren't you over here doing this for him, when you knew exactly how he liked his bandages? why were you tending to law so gently and giving him that smile, the one you hadn't given him in ages? the swordsman isn't blind. he's been aware of the distance you've put between the two of you, how your 'smile' drops as soon as you turn away from him. as the battles had come to an end, he's now forced to recall the events which occurred at the safe house. he curses as his own shortcomings, his inability to think twice about his actions and how they'll affect the future. turning his attention towards something else, he mentally chides himself. what did he care, after all? he didn't do the whole relationship thing, the whole soft and squishy feelings. he was a swordsman, he had a goal and a crew to protect, including you. his thoughts do little to fight off the twinge of possessiveness he feels when he instinctively looks in your direction and catches sight of you holding law's hand as you secured his bandage. something gnaws at his pride, but he pushes it aside for the sake of maintaining his stoic front.

once everyone is healed, a festival, a grand one, is thrown to celebrate the liberation of wano. lanterns illuminate almost every corner, the scent of food wafting through the air as citizens and samurai and pirates all gather around.

dressed in a lovely kimono of your choice, you're more than eager to join in the revelry. the two bottles of sake that you carry in your hands only highlights your enthusiasm. you'd been hanging around with the crew for a while, smiling and laughing, but your mind was elsewhere. zoro thinks, for a split second, that you'll hand him a bottle. despite his aloof nature, he'd always find himself sharing a drink with you at times like this. yet, when you walk in the opposite direction, your smile beaming, your words have him gritting his teeth. "m'gonna go have a drink with law!" you chirp, your excitement palpable.

zoro's jaw clenches as he watches you walk off, his eyes lingering on your figure before he looks away. something simmers beneath the surface, but he keeps it at bay. it's nami's offhand comment that his frustration threatening to boil over.

"don't have too much fun!" she teases, throwing a cheeky smile your way. the others have the nerve to laugh, to egg you on, all while the swordsman relishes in how the alcohol burns his throat.

his knuckles turn white as he grips the neck of his sake bottle, the glass straining against his hold. a plethora of unfamiliar emotions rattle in his chest, but his bullheadedness and pride have him unwilling to budge, even if he wants to grab your arm and pull you back. it wasn't his place.

even when you're out of sight, his eyes subconsciously work to peer through the crowd in an attempt to catch a glimpse of your kimono, your hair, anything. once again, he scolds himself. he had no place to be so... so what? envious? possessive? he was the one to turn you away, after all. regardless, he can't get your smile out of his head. memories of you flood his mind: the banter and the sparring matches at sunset. all of it. just as quickly, he catches himself, bringing his lips to the bottle in a bid to drown out the bitterness on his tongue.

it's nearly a full hour later when you return to the crew, more than buzzed and clinging to the arm of the raven-haired surgeon. he doesn't seem to mind, his furrowed brows and his apathetic expression doing little to hide the blush dusting his cheeks.

glad to be in the company of your crew mates once more, you turn to law and wrap your arms around his waist, your smile so genuine and radiant it makes zoro's chest ache. "thank you traffy!"

the laughter of the rest of the crew echoes in zoro's ears alongside his own thundering heartbeat and boiling blood. what the hell were you doing? a knot forms in his chest, the unfamiliar sensation bringing him a great sense of unease.

he has to force himself to look away, before he realizes that it's not enough. without excusing himself, he stands and walks off towards a more secluded part of the festival. he needs to get away from whatever all that is. he needs to clear his head and heart and steel himself because he shouldn't be focusing on such things.

if you were any more sober, you would've kept your distance. however, it's in your nature to care, to worry and ensure that your crew mates are okay. that's why, as soon as you register the fact that the swordsman is gone, you release your hold on the surgeon and follow after zoro.

it's almost silent, save for the sounds of the festival off in the distance. the streets in this part of the capital aren't as illuminated, but cast enough of a glow for you to see zoro up ahead.

"zoro?" you mumble, attentive despite the alcohol in your system. "what're you doin' all the way out here?" your words are so genuine and full of concern, which makes it all the harder for zoro to respond.

"huh? what does it look like?" he roughly replies, not even bothering to fully face you as he turns his head to the side. "needed a break from all the noise and drunken idiots."

something bubbles in his throat, a lump of guilt that he swallows for the sake of self-preservation. he knows he has no right to be so callous, but can't help the passive-aggressive comment that slips past his lips. "why don't you just go off with that surgeon of yours? seems like better company."

your stomach drops and you take a step back. something wedges itself into your chest, a sense of anxiety and confusion as your mind briefly flickers back to that moment at the safe house. you'd done everything right, hadn't you? you'd given him space and pushed your feelings aside for the sake of the mission, so why this?

your heart starts to race, unable to look him in the eye as you focus your gaze to the side.

"why're you bein' so mean to me...?" you murmur, your hands nervously fidgeting as you await his answer. you just wanted to make things right.

he has to turn away once he catches the hurt on your face. if you were any more sober, you would've caught how he was the one that was truly nervous. the way you threatened to break down the walls he had built for himself has him needing to take control, even if that meant pushing you away.

"m'just being honest." he says, sharper than he means to. "leave me alone. go and enjoy the rest of the damn festival."

regret and longing make his chest throb, but he keeps on his mask of indifference as he takes a step forward and away from you. he wouldn't budge, couldn't.

meanwhile, you stand there, your inhales slowly turning short and ragged. your lips tremble and you fight to hold back sobs, but shortly after, you start to sniffle.

you hated crying, really crying. the crew had seen you shed silly little tears before, maybe over something cute or emotional, but not this. it's something you usually hide away and display in private, but the nature of the situation and the influence of the alcohol have you shedding an uncontrollable amount of tears.

though you shouldn't be, the utter vulnerability of the moment has you feeling embarrassed. you find solace in your sleeves, the kimono becoming damp with tears that don't seem to end. your cheeks sting, rubbed raw as you hide away from him.

zoro's heart drops.

the sound of your sobs is devastating. guilt claws at his chest, threatening to crack him open. when he turns around, all he can feel is regret. the weight of his words, how he treated you, is almost unbearable and makes him feel disgusted with himself.

his mind is racing, wondering what he should do or say to fix this, but he can't come up with an answer. before he can do anything, his mind goes blank at your next words.

"I wish I never got feelings for you." you choke out, unsure if your words are genuine or if you simply wanted to hurt the swordsman. with your shoulders trembling, you continued to cry into your sleeves. "I should've figured that there was nothing in that heart of yours."

deciding that you couldn't stand being in the same vicinity as him anymore, you run off.

he watches you go, his heart screaming at him to go after you, but he can't. the walls crumble and he can't hide anymore, forcing himself to realize that he cares for you so much that it terrifies him. the air is thick with tension, your sobs echoing through the air until they fade away, replaced by the distant sounds of the festival.

regret, self-loathing and longing all swirl in his chest, a torrent of emotion that threatens to swallow him whole.

you don't make it back to the ship that night.

you're too embarrassed and ashamed, not feeling safe enough to be vulnerable. you mentally apologize to the crew, hoping that they aren't too worried.

it isn't until the next morning that you return, or rather, you're returned.

the sun barely peeks over the horizon when law walks aboard the thousand sunny go with you cradled in his arms. you're in a deep sleep, completely exhausted and hungover. you're dressed in some of his clothes, your expression peaceful despite what occurred the night before.

other members of the crew gather around, worried about your well-being, but law is quick to say that you were just hungover and must have gotten lost. however, zoro can tell by the sharp look that law gives him that there was more to the story.

the vice captain grits his teeth, shoulders tensing as he watches law gently carry you over to your quarters.

a part of zoro wants to force law to give him answers, to tear you out of his arms so he could cradle you in his. he should've been the one to care for you, to protect you when you were vulnerable, but he hurt you instead. something else nags at him, the fact that you sought solace in someone else's arms.

law comes out of your room, quietly closing the door before walking down the deck. as he walks by zoro, he doesn't stop, but he shoots him another hardened glare. "you're an idiot, roronoa-ya."

oh, zoro knows.

when you finally awaken, you put on a brave face and tell the rest of the crew that you were sorry about your little slip up. you do well to cover it up with a laugh and smile. you build walls of your own, adamant on not getting hurt again.

it's once the crew is happy and satisfied that you make your way back to your room, your head hanging low as you walk by zoro.

your legs come to a stop and you can only hold his gaze for a second before you look away, just wanting to put this chapter behind you. the ache in your chest grows as you wonder what could've been. your voice is small. "look..." you start, hands bunching up into the borrowed shirt you're wearing. "let's just forget this ever happened and stay friends... alright?"

'forget?' he thinks. 'how can I forget that look on your face? the sounds of your sobs? do you think i'd let you go so easily?'

yet, despite the war raging on inside of him, the words stay stuck in his throat.

"yeah." what am i saying? "just friends."

as he watches you walk back to your room, he feels defeated. pathetic. he wants to say more, to show you that he can be the man you deserve, but for now, he sinks back into his usual habits and wonders what could have been.

he knows that he let something precious slip away.

steeling himself, he holds his heavy heart high. a sliver of determination cuts through his clouded mind and he hopes that, one day, he can make things right.

#roronoa zoro x reader #zoro x reader #one piece x reader

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misc-headcanons · 5 years ago

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(As the three of them leave, Maple puts a finger to her lips and motions for the group to follow her. They make their way to a nearby forested area, and once they're out of earshot Maple breathes a sigh of relief before waving the fan to clear away the smoke around them.)

Maple: Okay. You can talk now that nobody's nearby.

Dochi: What WAS that?

Maple: A spell, obviously. One that made us invisible.

Ube: Man, you think fast. I was like, two seconds away from taking out my sword if that guy took another step towards us!

Vanilla: Fritter? Hey, you okay?

(Fritter clings to her and sniffles, crying while holding her tightly)

Fritter: That was the killer, 'Nilla! He was right THERE! If he'd seen us, he would've...

(The others immediately go to comfort him, putting a hand on him and making a big group hug)

Ube: Hey, it's okay! Look, we're all here and we're fine thanks to Maple. We're not gonna let you and Vanilla get hurt by any bad guys.

Fritter: What about you guys? I don't want you to get hurt, either!

Dochi: We'll be alright. Big brothers and sisters are tougher than most people. It's why we're...you know, BIG brothers and sisters. We're big and strong! (Flexes her arms)

Maple: And we're smart, too. Which is why we're not going to stand around here, in case some of the townspeople come near here. Look, there's an old pathway up that hill that looks like it hasn't been used in a while. Why don't we go up there and try to set up camp on the mountain?

Fritter: Um...okay. (sniffs and wipes his sleeve) That sounds like a good idea.

Vanilla: Ooh, I think I can see a roof up there. Maybe we can spend the night in there instead of sleeping outside.

Dochi: If the path looks like it hasn't been used in a while, then what's up there? If it's an abandoned house, then it'd be easier to stay there without anyone noticing us.

Maple: It might be abandoned for a reason...But it's the best option I can think of. Come on, let's start walking; the more distance we put between that murderer and us, the more comfortable I'll be.

(The five of them climb the winding path up the mountain, and are more quiet after their close encounter with the murderous ronin. Dochi, Maple, and Ube take turns carrying the younger two kids whenever they get tired, and after a while they arrive near the top of the mountain. The building Vanilla saw is now fully visible; it's the crumbling ruins of an old castle. Near where they're walking is a set of gravestones along the path leading to the castle's entrance.)

Fritter: Hey...Hey, hang on a second, we gotta stop walking.

Dochi: You need me to carry you again?

Fritter: No, we have to be good guests. If we're gonna stay at this house when we don't live there, we need to be nice about it.

(Maple seems to realize what Fritter's getting at and nods slightly. She sets Vanilla down and takes a few items out from the knapsack she's carrying, and motions for the others to do the same.)

Maple: For the spirits of the people who used to live here. Fritter's right, we need to leave them a gift as payment for staying in their home uninvited.

Dochi: Ohhh, right. Mom says that you should be kind to your host--even if it's a ghost host!

(The siblings each take out some spare food and place them near the four gravestones. Vanilla tugs on Maple's sleeve and points at her pipe.)

Vanilla: Can I do the flower spell? I wanna give the ghost hosts flowers as my present.

Maple: (smiles) Go ahead. You remember the words?

Vanilla: Yup!

(Vanilla takes the pipe and quietly murmurs to herself as she holds it out in front of the grave stones.)

I summon the boun-ti-ful jewels of spring, bloom here for me and make the earth sing.

(The marks on Vanilla's cheeks glow faintly as smoke billows from the pipe and settles on the ground, thickening and swirling until a handful of seedlings begin to sprout and grow at a rapid pace. After a few seconds, a cluster of flowers bloom and sway gently in the breeze. Maple takes the pipe back and pats Vanilla on the back.)

Maple: Great work, 'Nilla.

Ube: Hey...Maple, Mom's used magic to talk to ghosts before, right? Has she ever taught you to do it?

Maple: A little bit. I mean, she won't let me study necromancy until I'm older, though...I have taken a peek at some of her spellbooks on it. But speaking with spirits is something we've practiced together.

Ube: So could you speak to the people who lived in this castle? That way we can actually ask permission to spend the night.

Maple: Hmm...I guess I could try. I wonder if they could tell us more about Wano's history. It'd be a rare opportunity to learn about it. I mean, there aren't any books about Wano you can just pick up and read.

(She reads the names on each stone before taking the pipe out and blowing a swirling trail of smoke that circles around the graves.)

Echo of life, shadow of death. Kin'emon, Momonosuke, Raizo, Kanjuro...Let your echoes reach us, let your shadows appear to us.

(The smoke continues to circle around the graves, but nothing else happens.)

Fritter: Did you say it right?

Maple: I'm sure I did. Once you say the incantation, you should be able to sense a spirit and then it'll take shape. With the pipe, it should be easy for them take a form we can see with the smoke.

Vanilla: Maybe they don't like smoke. Should we try something else they can use as a shape, like the flowers?

Maple: I...I don't understand, I've done that spell perfectly before. Why isn't it...wait a minute. (She peers intently at the smoke circling around the grave, watching it slowly begin to fade and drift away) I...don't think anyone's been buried here.

Fritter: Maybe they're shy and don't want to talk to strangers?

Maple: No, that can't be it. Even if they didn't want to appear, I used enough power to summon them here. They would have started to take form before leaving if they didn't want to speak to us. I don't think there's anything here to be summoned.

Ube: Then why are there graves here?

Maple: That's a good question.

(As they stare at the graves in confusion, the sound of voices causes them to freeze up. The people approaching sound as if they're coming from the path the kids had taken from the bottom of the mountain by Okobore, and the siblings immediately see their clothes and recognize them as the adults from the town.)

Luffy: Why did you want to come with us to this castle, anyway?

Kiku: I'll explain once our allies have all arrived.

(The adults see the children near the graves, and both groups stare at each other in surprise for a moment. The one in the red robe looks even more familiar to the children, and they wonder if they'd seen him before they had ever come to Wano. The green-haired swordsman is the first to speak up.)

Zoro: Oh, it's those kids from earlier.

(When his gaze lands on Fritter, Ube and Dochi immediately raise their weapons while Maple takes her youngest brother's hand. Vanilla hides behind Maple and grabs Fritter's other hand.)

Ube: Stay back, murderer!

Dochi: Don't take another step towards my siblings, or I'll cut you in half, right along that scar on your chest!

Law: Murderer? I told all of you to keep a low profile!

Luffy: No, Zoro told me that was just a misunderstanding. He didn't kill anyone, he just slashed the guy who framed him and ran off!

Kiku: You really do have a talent for causing a ruckus...

(Vanilla steps out from behind Maple to get a better look at the man in red.)

Maple: 'Nilla! Get back behind me, we don't know who these people are.

Vanilla: But... (she peers at Luffy, and when she recognizes him she beams at him) That's not a stranger! That's Luffy, he's Papa's friend!

Ube: Wait, what? Oh. Ohhhhh, you're right! It is!

Dochi: Holy crap, it is!

Law: You know these kids, Luffy?

Maple: We haven't actually met, but we know OF him. (She relaxes a bit, but is still holding Fritter's hand as she walks up to Luffy and holds out her other hand in greeting) We're Katakuri's children. Um...we first saw you when you ruined Aunt Pudding's wedding and caused our Grandma to have a mental breakdown, but I doubt you noticed us during all of that.

Luffy: Ohhh! I didn't know Katakuri had kids. Huh, you even have his mouth marks. (He shakes Maple's hand.)

Dochi: Also, we don't blame you for all that either! I mean, we were mad at first. But then Papa told us you did it to save Sanji. So wait, are these guys part of your crew too? (She glances at Zoro, Law, and Kiku)

Ube: Oh, whoops. (He smiles sheepishly at Zoro) Sorry for threatening to kill you, mister. We thought you were a crazy killer or something, but if you're with Luffy then you can't be too bad.

Kiku: Wait, what are you all doing here in Wano? And why are you by yourselves?

Vanilla: Oh! Dochi and Ube stole mama's magic scissors and made a portal, 'cause they wanted to meet up with our aunties and uncles and grandma here. But then Maple saw us and tried to take them back, and then the portal ripped, and we all fell through it and now we're here!

Kiku: That...isn't what I expected.

Law: Wait, your grandmother...Big Mom's already in Wano?

Maple: That's--um, confidential. We can't reveal where our family is to another pirate crew. (She looks sternly at Vanilla, who pouts.)

Vanilla: Yeah, but they're friends with Luffy! And Luffy is Papa's friend, so we won't be called traitors if we tell them, right?

Law: We're ALLIES, not friends.

Vanilla: Huh? Aren't those the same thing?

Luffy: Yeah! We're friends, Law.

Law: I don't want to have this conversation again...So. You five are lost in Wano, and nobody in your family knows that you're here.

Dochi: Mama and Papa probably know by now. Papa's got really good Observation Haki, and Mama knows how to use magic, so they should've figured out we're gone and where we are. They'd probably want us to stick with Luffy, since he's Papa's friend; we dunno where our aunts and uncles are, so he's the only grown-up we know that we can trust here.

Ube: OH! Let's be allies! Me and Dochi can fight, Maple's the best of us at magic, 'Nilla is good with healing spells and knows some stuff about medicine, and...um, Fritter's a really good cook! I mean, he's 7, and he's really good for a 7 year old.

Luffy: Hmm...Alright!

Maple: This is NOT going to go over well if our family finds out. Look, if we're really going to be allies, we need you to keep this a secret from them. The only one who wouldn't call us traitors for this are Mama and Papa, and Big Mom would KILL us if she found out we were allies with you of all people. Um, no offense.

Luffy: No problem! I'm pretty good at keeping secrets.

Law: You're joking. Please tell me you're joking.

Kiku: I admit, I normally wouldn't approve of involving children in this. But...we can't just leave them on their own.

Ube: Plus, we wouldn't take no for an answer and we'd just follow you guys anyway. My mom says we're "tenacious to a fault."

Law: You'll fit right in with Luffy, then.

Luffy: Hey, since you guys got here before us, have you seen some of our other friends? A guy named Kin'emon, a kid named Momonosuke...

Maple: (frowns) Wait...you mean...them? (She points to the gravestones.)

#one piece #one piece oc #oc #dochi #maple #ube #vanilla #fritter #queue

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opocreviews-blog · 8 years ago

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Mod H’s Character Creation Guide Part 1/? : Basic Information

Character creation in itself is an art. Much like a drawing or a painting starts form a simple sketch, so to characters. As you develop you character and flush out their design - just as an artist would add lineart, color, and shading - the pieces will come together to create the whole picture.

Those of you who have created characters in the past are (probably) well aware of how frustrating it can be. Even more so when you have the ideas, but don’t know how to piece them together. For that reason, this guide was made with the intentions of alleviating some of that stress. This is my method and the one that works the best for me, however; I am aware that no one thing works for everyone. While this guide is mostly geared towards One Piece, it could very well be used for other fandoms, or even original fandomless characters, minus a few sections.

So, without further ado, on to the first part.

The basic information is your backbone, your outline, your foundation, and your base. You can call it whatever you want, but the basic information is the sketch that you’ll build off. You’d be surprised how much information, and how many limitations, can come from the basic information alone.

Name - The name is a given. Every character needs one. Even characters living on the streets or alone will eventually have some way of referring to themselves - whether someone else gave them the name or they came up with it on their own.

A few tips for names:

Don’t be generic and avoid overused names. Yeah, some of them are pretty, but some are so commonplace that people almost groan at the sight of them.

Be creative. One Piece has numerous names from multiple cultures and is not limited to Japanese names only. Grab a random name generator, write down a bunch of names you like, and pick one.

Don’t give your character a hundred middle names. I mean seriously, we’ve all seen at least one character like this. Don’t be the next Ebony Dark'ness Dementia Raven Way.

In One Piece, names are structured as they are in Japan with the surname/family name first and the first/given name following. Japan (and by default One Piece) does not use middle names, with the exception of the name D.

Age - The age might not seem important at first, but it is. The character’s age will determine their maturity, both physically and mentally to some extent, as well as the extent of their skills. Naturally, someone who is older will be more experienced in certain areas than someone who is simply talented and only just started, just as someone who is younger but learned form a young age will be more experienced than someone who is older but only started learning that particular field.

This is particularly important for Devil Fruit users. The more time someone has had to work with their Devil Fruit, the higher their mastery over their abilities will be. Someone who has had their Devil Fruit since they were a child and is now in their late twenties will be more capable at using their power than someone who only gained their abilities a year or so prior, regardless of whether the latter is naturally talented.

For a prime example, look at the canon story. When Luffy first ate his Devil Fruit he had very little control over it - he punched himself in the face several times because of this. Ten years later, he was able to use it much more effectively due to years of practice.

The truth of the matter is that in most cases, experience outweighs natural talent. That is why the age is considerably important; it will determine the maximum amount of time your character has had to learn and master their skills and abilities and how much experience they would have in that field.

Birth Date - This isn’t really all that important, but everyone has a birth date and it’s nice to have on hand for reference. It’s pretty self-explanatory, but you could take this a step further and find their star sign and birthstone for association purposes. Some of you might even want to take another step and add the year, which can be calculated if you follow the wikia’s listing of the One Piece world timeline. As a general rule of thumb, the story’s date is 16th century - or 1500s (I think, don’t quote me on that).

Gender - I won’t get too much into this as I personally do not know all of the genders, nor do I trust the internet to actually explain it correctly, but gender, for the most part, defines some physical and social characteristics and/or possible struggles the character has gone through.

Place of Origin - This is considerably important. Different cultures have different views and morals, such as the difference between Wano and Amazon Lily. On Amazon Lily, the women are fighters and warriors. On Wano, however, given what Kin’emon has said, women are held to much different standards. Needless to say, a woman from Amazon Lily and a woman from Wano would have very differing views and attitudes.

The place they’re from also dictates a certain level of knowladge about the world. Some islands are closed off while others are not. The things that are commonplace and known in Water 7 are not known in the East Blue, as shown by the Straw Hat’s confusion about a train. As another example, until Luffy came along, many of the women on Amazon Lily had never actually seen a man before - they’d heard of them, but had never met one in person, hence why they were so fascinated (and later hostile as a result of Luffy’s yelling) and one girl was even taking notes.

The main point is that, much like our own world, the place where the character originated from will dictate some of their views, beliefs, and knowledge of certain things.

Occupation - Unless your character is eight years old and living with their parents, most people have a job of some sort - something that pays the bills or a specific way they live their lives. This can be anything from being a simple waitress to being pirate or a marine.

Bounty - Naturally, this is something that most people would immediately know about the character. Bounties are public knowledge. Anyone who has gotten hold of a newspaper is probably going to know about it.

A few things to keep in mind when it comes to bounties are:

The price needs to match the offense. The Marines do no throw out bounties willy nilly. Joe Bob down the street isn’t going to get a 3 million bounty just for stealing a lollipop from a child.

Bounties are made based on what the Marines know and do not always accurately reflect a person’s true capabilities. For that reason, they can easily be higher or lower than they should be.

Some people even create fake bounties as a fear tactics, which was highlighted in Mock Town by Bellamy who did believe Luffy’s bounty was legitimate.

People who cause civilian casualties and considerable amounts of property damage tend to have higher bounties as they’re considered much more dangerous.

Not everyone who is a pirate has a bounty. As long as someone’s offense is worthy of a bounty, they will have one. Alternatively, not all pirates have a bounty.

Bounties are not given just because a person is related to someone or part of a crew. Doesn’t matter how infamous the crew or person actually is. Why? Because in most cases, unless you draw attention to yourself and do something they can’t ignore - something that actually warrants a bounty - they aren’t going to notice you.

I personally advise holding off on this aspect until you’re figured out their backstory, though because it’s a basic necessity, it’s been listed.

Epithet - Epithets go hand in hand with bounties. If your character has a bounty, they’re more than likely going to have an epithet. That does not mean that only pirates have epithets. Several of the Marines do as well. Epithets can come from anywhere. Some are given after specific characteristics, such as Shake’s hair color, or Luffy’s hat. Others are given as a result of abilities or skills, such as Ace’s fire fist move, or Hina’s black cage. In some cases, they’re based off of occupations, such as Zoro being “Pirate Hunter” or Nami being “Cat Burglar” as that’s what they did before turning to piracy.

Really anything can be turned into an epithet if you’re creative enough. Just make sure it actually applies to the character in one way shape or for.

And don’t worry about the epithet paralleling with others. Blackbeard, Whitebeard, and Brownbeard all have the word “beard” in their respective epithets. Numerous original characters have the word Devil or Demon in theirs despite Robin and Doflagmino having those words in their own. Even if they have the same words or underlying themes, as long as they’re unique that’s all that matters. Just don’t directly copy someone else’s epithet.

Part 2: Appearance (Coming Soon)

#mod h's character creation guide

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