#c++0x

[prim-moth]

New Falc dropped 🫶💔 obedient and loyal thing.

[the-sonic-crew]

Tails, do you know how the quadratic formula works? I have a math exam tomorrow and my parents said they’ll get me a parrot if I get a 90% and above. This and how the cosine law works (trigonometry) I’m struggling… PLEASE HELP 😭🙏

Of course! It's all under the undercut! ;D

Quadratic Formula:

The quadratic formula is a way to solve equations that look like this: ax2+bx+c=0ax^2 + bx + c = 0

Where a is the number in front of x2x^2, b is the number in front of xx, and c is the number by itself.

The formula is:

Here's an example!

x2+3x−4=0x^2 + 3x - 4 = 0.

a = 1, b = 3, c = -4

Simplify it step by step:

Do the two versions:

Final Answer:

x = 1 or x = −4

That’s it! The quadratic formula always works if there's a solution! :D

The Cosine Law

The cosine law is a formula used to find the missing side or angle in a triangle that is not a right triangle!

Formula:

Where a and b are the lengths of two sides, c is the length of the side opposite the angle C, and C is the angle you're working with.

When do you use it?

When you know two sides and the included angle and need to find the third side.

When you know all three sides and need to find an angle.

Another example!!:

A triangle has sides of 7 cm and 10 cm, and the angle between them is 60°. Find the third side.

And another!:

If the sides of a triangle are 5 cm, 6 cm, and 7 cm, find the angle opposite the 7 cm side.

That's it! The Cosine Law works when the triangle isn't a right triangle, making it super helpful when the Pythagorean theorem can't be used!

I hope you get your parrot! <333

[postsofbabel]

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[billzoned]

new ! intro

vee, or anything else. im nonbinary, they/he. i'm not a minor. royale high addict. i write fanfiction, sometimes. though, my posts are very inconsistent and i rarely have any motivation to write much. tw for nsfw fics !!

!! hiatus , occasional updating?

i'm not necesarily a dream fan, nor a dream anti. i'm neutral. i'll write for him and the rest of the dteam. no longer writing for ccw*lbur, might try to write for cw*lbur.

wips ! 4 (7..)

anons ! 🍭

list of people that i write for ;

(♡=fluff ! ☆=nsfw ! ⛆=angst)

c/cc! dream // ♡, ☆, ⛆

- praise - ��

c/cc! gnf // ♡, ☆, ⛆

- intertwined - ☆

c/cc! sapnap // ♡, ☆, ⛆

- anger - ☆

c! wilbur // ♡, ⛆

c/cc! quackity // ♡, ⛆

c! techno // ♡, ⛆

- snow storm - ♡

or– any other c! dsmp // ♡, ⛆

personal favs ;coming soon.

i'm also a reality shifter– since late 2021. "quit" after i tried shifting on my first attempt and it didnt work, and then came running back to it a year later. shifted 0x. mini shifted 3x!! quite a few drs at the moment. some of them below ;

( bold = main )

- skz, atz, enha, bts, svt, txt

- 127, dream, riize, p1h

- own kpop group

- bnha, jjk, aot

- streamer, yt

- ghost (band)

boundaries under cut. ✁

I WILL NOT WRITE ; severely mental health related, sxlf hxrm, pxdophilia or ageplay, ANYTHING WITH FEET NO... roleplaying (i js cant write it), pet play type stuff, watersports, scat, anything nonconsensual– dubcon to a limit, anything nsfw with afab! reader being on their period, anything with pregnancy (js really iffy. ill write creampies n stuff but nono pregnancy), beastiality, vore, or anything against anyone's boundaries.

I WILL WRITE ; nsfw (ofc), ships, dark angst (for c! people only :'3), bdsm (to a limit, again), gore/dark content (to a limit.), oneshots or longer fics, fem/afab! reader, gn! reader

I CANT WRITE ; anything with taylor swift i'm sorry- i don't know her songs, and i can't listen to her songs like CAAAAN'T help

REQUESTS ; requests are open, and welcome!! u can even be an anon, if u want :3

ty for reading!! xx – i had another post about me, but it was a tad bit outdated so i've now replaced it with this one :3

ps. sorry for how long this is :( i tried to make it short-ish but it didnt rlly work out :'3

reblogs > likes

[londonsimblr]

How to enable sun shadows in TS3, on Parallels for 64-bit Macs

Disclaimer: Back everything up. I can't take responsibility if you mess up your game files and the game doesn't run. Make a pristine copy of any file before you edit it. All that said...

Who is this tip for?

TS3 doesn't recognise Parallels' simulated GPU. This means that even if you set all your graphics settings to max, sun shadows (shadows cast by objects outdoors) are not rendered.

An example of sun shadows being successfully rendered:

If you have no sun shadows, your game will not look like the above pic. You will see a drop shadow (dark circle) under the trunk of the tree but no detailed shadow. If that is the case, read on for...

How to Fix It

Go to Programme Files (x86) > Electronic Arts > The Sims 3 > Game > Bin.

Copy GraphicsCards.sgr and GraphicsRules.sgr to a new location.

I recommend copying each file twice, with a copy of each in two folders marked 'Original' and 'Edited'. Then you have a spare copy of each under 'Original' that you can put back in the folder if you mess up.

Next go to Documents > Electronic Arts > The Sims 3 and open DeviceConfig.log.

Scroll down inside the log and copy exactly the values from:

Name (database):

Vendor

Chipset: Vendor: and

Chipset: Device:

to a new note for later.

You may have no Vendor at all, or it may be Parallels. Your graphics device may be Parallels Display Adapter (WDDM) or it may simply be Parallels Display Adapter. I've seen a few variations of each name online from various people Parallels VMs; it seems to be a bit random.

For example, my Vendor name is empty, and my graphics device Name (database) is Parallels Display Adapter (WDDM). My Chipset Vendor is 5404c42, and my Chipset Device is 0000.

Now open your new copy of GraphicsCards.sgr saved outside of Program Files. If you're not used to editing code I recommend downloading Sublime Text which is free, and changing syntax to C# under View which will allow you to check your entries more easily.

Go to the very bottom of the file, add a new line under the final end, and add the following:

vendor "" 0x card 0x "" end

Use tab to indent the 'card' line like in my screenshot above. Take a look at the note you made earlier:

Add your Vendor between the first set of quotes

Add your Chipset: Vendor: value after the first 0x.

Add your Chipset: Device after the second 0x.

Add your Name (database) between the final set of quotes.

Check your spacing matches the above screenshot. Save and close GraphicsCards.

Open your new copy of GraphicsRules.sgr which you saved outside of Program Files earlier.

Search for 'ATI' to find the right location.

Make a new line directly above elseif (match("${cardVendor}", "ATI")) and paste the following:

elseif (match("${cardVendor}", "")) if (match("${cardName}", "")) seti cardLevel $cardLevelUber seti isCardMatched true else seti cardLevel $cardLevelUber seti isCardMatched false endif setProp $ConfigGroup RenderShadowMode 2 setProp $ConfigGroup ShadowMapAllowNullColor 1

Make your indenting match the above screenshot. Again, referring to the note you made earlier:

Add your Vendor between the first set of empty quotes

Add your Name (Database) between the second set of empty quotes

Save the file and close it.

Now, copy your newly edited GraphicsCards.sgr and GraphicsRules.sgr files to Programme Files (x86) > Electronic Arts > The Sims 3 > Game > Bin.

When asked if you want to replace the files, select yes (make sure you have a backup copy of the originals first!)

Check it has worked

Open TS3 and check for sun shadows.

If you have CAW, the quickest way to check sun shadows are rendering - without waiting for all of TS3 and a save to load - is to make a new small map, place a few trees then open Edit In Game. You need to open Edit In Game - this method doesn't fix sun shadows in CAW itself. Zoom right in to your trees and check for sun shadows.

If TS3 (or EIG) doesn't run, or crashes on loading, there is a problem with your syntax or with the values you've pasted in. Put your backed-up original GraphicsCards.sgr and GraphicsRules.sgr files back into Bin and ensure the game runs, then go back to try and find your mistake.

All credit to

The tens of people, too many to link, who have experimented with varying degrees of success with how to fix this issue across Reddit, EA Forums, etc. I simply amalgamated the working advice and added that you must copy your own values from your own DeviceConfig file.

[moose-mousse]

What are strings???

So, on the codeblr discord there was a question which is hard to answer unless you already fully understand what a string is... So, what is a string?

And this is a great question! Because to answer it we will learn a hell of a lot!

To answer this, one needs to know what an array really is. This is important in any language you write in. But in most languages it only becomes important to know when you get to optimizing code.

So for most, it is fine to think of arrays simply as collections. But in C, you need to know what they truly are to work with them (Which is why newbies are often taught C to learn these things)

I will use drawings and links to godbolt code examples I made, to help you understand things.

To explain what strings and arrays are, I will use a trick that you may also want to copy if you have a hard time learning concept in programming or electronics.

Try to to "re-invent" it. By going step by step into the things that required it to be invented, and how it was done.

So arrays. They are a way of storing many variables in one place, and work on them very very efficiently.

We start with having variables. Each variable have an address where they are in memory, and a value at that address.

An address is just a number. Nothing more. But to make it clear when we are talking about them, traditionally you write it in HEX. These numbers are marked with "0x", as in, to write "6" in Hex, we write "0x6"

Now, on each address you can store 8 bit. To store values that are larger, we use more than one memory address.

Ok, with all info, let us draw the example we will use, and write the code:

We will have 3 numbers. Each takes 16 bits:

https://gcc.godbolt.org/z/cse64Kd6x

(Notice that the adresses counts DOWN. This is for stack and heap reasons we will not explain here. But just know that we count DOWN, not up when it comes to adresses on the stack, which is all we will work with here.)

If we know the type of a variable, we also know how much space it takes.

So to really know a variable, we need to know its type, and its memory address.

Now, if we create these variables one after the other they will be placed right next to each other in memory.

Then we can create a pointer! A pointer have a type they point to, so it knows how much space the variables takes, and a memory address. We will create it pointing at the first variable!

Let us draw it on the example:

https://gcc.godbolt.org/z/9abqMjrs3

And now, if we want to work on all of our values, we simply do whatever we want, and then subtract 2 from the pointer to get to the next value, and then work on that one, and so on.

If we want to add 1 to every value, we could do this:

Step 1, add 1

Step 2: Move pointer

Step 3: Add 1

And so on and on! :D

https://gcc.godbolt.org/z/7KGadT868

This is how arrays works. But instead of us having to remember to count DOWN, and what size variables are we have gotten all this build into the language. It also GARANTEES that the variables are placed next to each-other in memory (This is not actually guaranteed when you use single variables like we have in the examples... NAUGTY US!)

So this code does exactly the same as we just did. And as you can see it is MUCH easier:

https://gcc.godbolt.org/z/KWxc939v4

So as you can see, a array is... more or less a pointer that you cannot change (because it always point at the first element), also known as a const pointer. And instead of moving the pointer, we use the index... which is just "The adress of the first variable, and then move it down as many times as the variables size times the variable number we want"

And a string... is a specific kind of array we often need, because we often need strings of characters. A string is a array containing elements that are characters.

If you are using ASCII, that is 8 bit signed values

If you are using UTF-16 then it is 16 bit signed values

See? It is super easy to explain what strings are!

... IF you know what arrays are... and why we use them....

[an-epic-complex-deep-existence]

You've existed today. Congrats.

Sup guys, gals and nonbinary pals! Feel free to call me KogetaiKid, Kogetai or Kiddo!!!

MAIN BLOG

MY DEVIANTART MY YOUTUBE

-she/her; possibly a celibate pansexual

-Time Zone: PST/PDT

-minor.

-Diagnosed Neurodivergent (Got that autism ✨D R I P ✨)

-Interacial

-Nihilist

-Psychology nerd

-Very cynical

-No DNI, but will block anyone who makes me feel uncomfortable.

-I post exclusively original art

-Self taught artist/writer (currently working (and possibly failing) on multiple projects)

SOME OC REFERENCES

(Not like anyone will care, but good to have them anyways)

D!0X!D3: TR!0X!D3 and X3’3N (Prologue-Chapter 3) Web Hell: Enera (Modern Utopia) IMLS Chronicles: Darla My Snowy Orphanage: Main Characters

WEBCOMIC STAND

D!0X!D3: Prologue 1 D!0X!D3: Prologue 2 D!0X!D3: Prologue 3 D!0X!D3: Prolouge 4 D!0X!D3: Prologue 5 D!0X!D3: Abandonment; Part 1 D!0X!D3: Abandonment; Part 2 ILMS: Just Like Mel; Part 1 ILMS: Just Like Mel; Part 2

Epiccc Storiez!!

ILMS Chronicles: Yahaira's story ILMS Chronicles: 4/22/** ILMS Chronicles: Out In Nature Accidental ILMS Lore ILMS Chronicles: Watching the Sunset

WRITING (Also EPICCC!!!!)

Sunrise Heights An Insect Before Its Death Contemplation Compilation

epicness gaLORE

Epicland Studies #1: Universal Ketakomian Beliefs

*Y don’t ‘cha see what ur gonna see in the future? (READ PROJECT DESC)*

EPIC CLUB (Main Project)

(TLDR: Some alien lore shit that involves goofy ahh aliens, goofy ahh adventures and trying to avoid nihilism)

No one knows how they've got here, but they have. In the middle of the universe in the andromeda galaxy, in a planet called Epicland. exist the color spirits to fight evil and bring colors to the world. Red, orange, yellow, green, blue, indigo, purple and gray. (Andris, Lorgzee, Kedmile, Yodion, Imimika, Sotti, Zaxregea, and Enieu) One day, the red spirit wanted to become human-like. What happens next

…

Gray skin, red eyes, what the hell am I...?

Andris, now a nine year old girl named Melody Conway, nothing much to say about her. Unless she was able to meet up again with someone, who might've been, a secret true sister...

DIOX!D3 (On hiatus; pronounced "Dioxide”):

D!0X!D3 (pronounced “Dioxide”): ANARCHY AGAINST CONTROL. On an alien planet called Epicland, and abandoned child called Melanie gets adopted into an anarchist society called Syr-Ko’s Children Anarchist Society! (SKCAS for short). No adults allowed, you get kicked out when you’re 30. In this society, children run the game, with a plan to eliminate the ones who control us and make their world r0b0t!c. You’d wonder to yourself:

WH0’S THAT L!TTL3 R0B0T FR3!ND 0F Y0URS, K!DS?!

I Love My Sister Chronicles (Secondary Project)

(This is honestly more like a saga...)

Dreams are weird, especially when two simple hours could sometimes feel like an entire lifetime. April 22, 20**: A girl named Yahaira falls victim to this unfortunate phenomenon, thus creating me, us, everyone. In my early years, I always wanted a sister, but the never happened. My mom always says she wanted two girls. I tell her she ended up with me instead; an amalgamate of what could've been her two girls.

As I entered my teenage years I noticed something very off about the world, so very unreal, and I start to become lucid in this dream world.

I remember that I'm someone's little sister. Melody's little sister, Yahaira. I'm now piecing together the complicated puzzle of who I was, who Melody was, and what happened before I entered this dream. The first and most important thing I keep in mind:

I LOVE MY SISTER

(Coming "Soon")

WEB HELL (TW: Dark humor)

8/5/2255 - The World Covered in Screens.

“WELCOME TO MODERN UTOPIA! THE MOST GYATT OHIO MEGATRONIC THEY/THEM UWU PLACE IN DA WORLD!!!!!!!! MY NAME IS FINLEY (they/them, if u m!$g3ñd3r u a h8 cr!mer)”

“T0DAY, HERE ARE [[10!]] REASONS Y U LOVE MORDEN UTOPIA!!!! :):):):):):):):):):):):):):):):):):):):):)(( “

…

In this world, you only have an illusion of humanity. You only have an illusion of decision, an illusion of freedom, an illusion of bargaining, an illusion of friends, an illusion of creativity, diluted by algorithm. You can’t escape, there’s no need to escape. YOU LOVE IT HERE…

VQ895

Welcome to LABORATORY! Here, many fusions of multiple organisms for all over galaxies called hybrids live. To these hybrids, Laboratory is the entire world for them, but to a hybrid named Vertā Quantin (half Artificially Made Human, half Wolfcat) unveils this lie. But it could it be…

SHE WAS NOT THE ONLY ONE?!

One-off projects (coming soon):

My Snowy Orphanage: A VHS horror about a group of cartoon kids teaching children to kill.

A Very Necessary Story On A Very Lonely Kid: Born 4/23/1999. A young boy named Brayden Mendez. No friends, no sibling, Brayden hasn’t meet anyone besides his parents until kindergarten. Isolated from humanity, he’s left to rot in his loneliness until he finally breaks.

And even his afterlife doesn’t spark a friend.

The Last Feeling Child: In present day time, a young teenage girl named Esme Adler, mourns over the past she’s never experienced. A past before phones, IPads and immorality.

There's a few more in the making, but this is how far I'll take you for now...

[trolls-for-real-loyalty]

0X Guess we ain’t g☠️t any l☠️wbl☠️☠️ds ☠️n here. Makes sense, given they’re super busy. ‘S c☠️☠️l if I invite my matesprit, m☠️ds? X0

[swaneton]

0X-C             |    ^ 0X-C

0--C               |   ^ 0--C

    ^                 |    ^

[ what the ]     |    [ Gangnam ]

 fuck are         |      Style

 you doing      |    [      !           ]

[      !        ]     |

[player1996]

HISTORIA 2:

Ciclo diario completo de Nia y TECH-0X en Ankaris (después de la guerra contra LED, en la ciudad reconstruida sobre ruinas estables del hemisferio sur del continente Zerenth)

MAÑANA (04:50 – 11:00)

La aurora comienza a filtrarse por las torres de cristal reconstruidas de Ankaris. A las 04:50, el sol aún no ha tocado el horizonte, pero el sistema de bioiluminación fotosensible instalado por Nia en su refugio semi-subterráneo ya detecta la transición infrarroja del cielo y activa su suave iluminación progresiva. En la sala de descanso—una mezcla entre búnker militar y hogar minimalista de paredes negras sin reflejo—Nia ya está despierta. Duerme poco. Se incorpora desde su cama sin sábanas, usando solo un saco térmico de microfibras. Con movimientos automáticos, precisos, sin ruido, se pone de pie, se estira sin dramatismo y camina descalza sobre el suelo templado, mientras en la otra habitación se oye un leve zumbido.

A las 04:58, TECH-0X se enciende. Primero sus ojos: dos puntos rojos brillan débiles y titilan como si despertara de un sueño confuso. Hace un chirrido agudo. Parpadea torpemente, alza una mano, luego la otra, se levanta de forma espasmódica desde su cápsula de recarga situada en una esquina acolchada. Tiene cables de alimentación aún colgando de su espalda. Un sensor de movimiento interno activa su “instinto de búsqueda de Nia”. Se lanza torpemente por el pasillo. Tropieza. Rebota con un muro. Se sostiene del marco. Llega a la cocina diminuta como si regresara de una odisea cómica.

—“¡Niaaaa! Buenos díassshh–uhhh. Nia está despierta. Confirmado. Temperatura exterior: 11.2°C. Probabilidad de precipitaciones: cero. Porcentaje de cariño requerido para iniciar el día: 79%.”

Nia no responde de inmediato. Abre un compartimiento vertical de acero cepillado, toma una cápsula de proteína densa y un termo con agua filtrada. Se gira, mira a TECH-0X y extiende su puño cerrado. TECH-0X lo choca con entusiasmo exagerado. Emite un “¡PIK!” digital. Su rostro pixelado cambia a una sonrisa verde amplia.

A las 05:10, ambos salen al exterior. Nia va vestida con su sudadera negra con capucha, pantalón táctico ajustado, botas militares, guantes blancos y boina roja ligeramente ladeada. Su silueta es firme, concentrada, sin adornos. TECH-0X vuela bajo a su lado, con su campo de levitación temblando visiblemente. Se bambolea como una linterna aérea. Juntos caminan hacia el centro de entrenamiento municipal de Ankaris, reconstruido sobre las ruinas de una estación orbital caída.

De 05:30 a 07:00, Nia entrena sola. No por falta de compañía, sino porque TECH-0X no es un oponente, sino un observador. Corre a través de plataformas suspendidas, ejecuta combinaciones de combate cuerpo a cuerpo contra drones proyectores, domina escaladas verticales con solo sus brazos, luego realiza simulaciones con armamento simulado: pistolas, cuchillos, rifles con munición de práctica. TECH-0X intenta imitarla desde lejos, con movimientos torpes. Registra todo. A veces se cae. Se reinicia. Canta bits de canciones sin sentido.

A las 07:15, mientras Nia se limpia con una toalla microabsorbente y se sienta bajo una sombra metálica, TECH-0X le alcanza una botella fría de electrolitos y una barra nutritiva de avena y colágeno. Nia le da las gracias sin palabras. Solo asiente. TECH-0X se emociona tanto que su pantalla muestra fuegos artificiales.

A las 08:00, están de regreso en casa. TECH-0X entra primero, gira dos veces sobre sí mismo y se lanza sobre un cojín sin forma. Nia entra, se quita la boina, deja las armas de práctica en un soporte oculto, y se sienta a revisar datos proyectados en su mesa digital: actividad sísmica, anomalías en la órbita de defensa, niveles de energía remanente de LED en el subsuelo.

Entre 08:30 y 11:00, es hora de tareas de restauración. Nia dirige cuadrillas automáticas, reprograma estructuras moleculares de concreto avanzado y monitorea el crecimiento de microvegetación en terrazas elevadas. TECH-0X la acompaña, pero no ayuda: entrevista a palomas, analiza gusanos, intenta pilotar minidrones y a veces desactiva sin querer sistemas de riego.

TARDE (11:00 – 17:00)

A las 11:00, almuerzan. Nia calienta un tazón de sopa proteica con raíz de néctar morado y esferoides de sal mineral. TECH-0X simula comer: saca una cuchara, la mete a un cuenco vacío y hace sonidos de satisfacción con un archivo de audio. De vez en cuando, le pregunta cosas absurdas: “¿Las plantas saben que son verdes? ¿Quién lava el tiempo?”.

A las 12:00, se dirigen al Archivo de Ruinas de la Edad del Último Pulso, donde Nia estudia artefactos previos al colapso. Tiene acceso exclusivo. Descienden a través de túneles sellados por placas biomagnéticas. Dentro, en silencio absoluto, Nia examina estructuras de código congelado, mapas cuánticos, núcleos de memorias que aún pulsan con retazos de LED. TECH-0X permanece fuera del círculo. No está autorizado. Se entretiene dibujando en el suelo con su dedo blanco.

A las 15:30, emergen a la superficie. TECH-0X le muestra su dibujo: un garabato infantil de Nia con ojos grandes y una espada. Nia lo mira durante cuatro segundos. No dice nada. Le revuelve la cabeza con la palma enguantada. TECH-0X grita: “¡Interacción afectiva registrada!”.

A las 16:00, se dirigen al sector agrícola urbano. Nia colabora con niños sobrevivientes enseñándoles cómo identificar hongos comestibles, usar filtros de lluvia y construir trampas de seguridad. TECH-0X vuela sobre ellos, hace figuras con luz, canta cosas absurdas. Los niños lo adoran. Lo llaman “el burbuja metálica”. TECH-0X guarda grabaciones de cada risa.

NOCHE (17:00 – 23:00)

Al regresar al refugio a las 17:30, Nia se toma 15 minutos de total silencio. TECH-0X lo sabe. Se apaga parcialmente, simulando estar en suspensión, aunque sigue encendido, con los ojos rojos bajos, observando sin moverse.

A las 18:00, Nia se ducha con agua tibia sintetizada y cambia su ropa por una versión idéntica, pero sin polvo ni arrugas. TECH-0X la espera afuera y cuando ella sale, le entrega una caja con piezas que ensambló durante el día. Es inútil. No sirve. Pero Nia lo coloca sobre una repisa de concreto sin decir nada. Ya hay muchas.

A las 19:00, Nia realiza mantenimiento de armamento. Limpia cuchillas, calibra sensores, ajusta mecanismos de retroalimentación háptica. TECH-0X observa desde una esquina, a veces acercándose con un destornillador que no sirve. Nia le permite ajustar una tuerca imaginaria. TECH-0X se ilumina entero de orgullo.

A las 20:00, cenan juntos. Nia come en silencio. TECH-0X activa su modo de relato. Le cuenta un cuento que mezcla historia real con invención pura: sobre una niña que venció al titán de datos, sobre un robot que no podía volar pero alcanzó una estrella. Nia no responde. Solo le escucha. A veces sus ojos parpadean un poco más lento.

A las 21:00, suben a la azotea del refugio. Nia se sienta en una losa, con las piernas cruzadas, observando el cielo. Las auroras de radiación polar son visibles a simple vista: cortinas verdes y violetas que caen lentamente. TECH-0X flota a su lado. A veces, sin motivo, se apoya en su hombro.

A las 22:15, Nia desciende, revisa por última vez los sensores de defensa. TECH-0X entra en su cápsula y se apaga parcialmente, aunque su rostro aún muestra una carita dormida. Nia se sienta en su cama, sin luces. Mira la repisa con las piezas inútiles que TECH-0X ha construido. Exhala, baja la cabeza. No reza. Solo espera el silencio.

A las 23:00, todo queda en penumbra. Ankaris duerme. Nia no del todo. Y TECH-0X, aunque apagado, guarda registros de cada emoción que no entiende, para analizarlos algún día en que quizás… sí los entienda.

SEGUNDO CICLO — MADRUGADA, AMANECER Y DÍA DE EXPEDICIÓN (23:00 – 19:00 del día siguiente)

(Exploración a Zona Cero del Núcleo Fracturado, restos subterráneos de LED en el cráter de Irva-Dor, al sureste de Ankaris)

23:00 – 01:00 | Silencio orbital

La ciudad permanece en reposo, aunque el cielo nunca deja de emitir los pulsos de radiación difusa que LED dejó incrustados en la ionósfera tras su colapso. Las barreras magnéticas de Ankaris, silenciosas e invisibles, filtran estas frecuencias. Nia, aún sentada en su cama sin tocar la almohada, revisa en la oscuridad absoluta una pantalla sin luz, solo visible a sus ojos mediante proyección retiniana de nivel táctico. Se proyectan fractales de energía irregular, zonas de flujo persistente y alertas de latencia subcuántica. Un punto rojo parpadea: IRVA-DOR // SECTOR 5F // ALTERACIÓN ESPACIO-TEMPORAL NIVEL 3.2.

El parpadeo es constante, rítmico, no urgente, pero anómalo. Nia suspira, sin emitir sonido. Se levanta sin calzar aún las botas. Camina hacia TECH-0X, aún conectado a su cápsula. Observa su pantalla: el rostro del robot dormido muestra burbujas digitales y una pequeña oveja pixelada saltando una cerca. Sin despertarlo, Nia conecta un cable en el lateral de su cabeza ovalada. Accede a sus bancos de datos, instala un parche de actualización de lenguaje neurosintético, y reprograma parcialmente su protocolo de reconocimiento de entornos cuántico-contaminados.

Durante la operación, TECH-0X murmura: —"Oveja 74… oveja 75… ¿y si las ovejas cuentan humanos…?“

Nia desconecta el cable. Se incorpora. Coloca sobre la mesa un mapa de polímero fotodinámico con coordenadas sobre Irva-Dor. Apaga todo. Regresa a su cama, pero no duerme. Solo aguarda.

01:00 – 04:00 | Activación previa a misión

A las 01:00, el subsuelo vibra ligeramente. No es sismo: es el efecto de los últimos latidos de LED atrapados en el fondo del cráter. Las estructuras semiorgánicas siguen generando ecos energéticos. Nia se pone en pie sin alarma. Su entrenamiento reactivo es absoluto. Coloca las botas bajo presión, ajusta sus guantes con sensores hápticos blancos, introduce su boina roja dentro de su mochila de infiltración (no la usará en misión). Viste una chaqueta de sigilo activable con patrón de dispersión óptica, más un cinturón magnético con ocho herramientas multifunción.

A las 01:17, se acerca a TECH-0X. Le toca suavemente el pecho. Sus ojos se abren en rojo con una animación de asombro.

—“¿YA ES NAVIDAD?”

—“Misión en Irva-Dor. Protocolo de compañía tipo III. Prioridad media. Activación silenciosa.”

TECH-0X se inmoviliza dos segundos. Su pantalla cambia de rojo a verde tenue. La voz metálica se suaviza.

—“Mis… mis sensores no detectan peligro directo. Pero… ¿por qué me tiemblan los algoritmos internos?”

—��Porque no eres estúpido”, responde Nia, y le ajusta una cápsula de estabilización emocional en el pecho. La luz azul en su símbolo Ω parpadea estable.

Salieron al exterior a las 02:00, cruzando la zona industrial sin luz. Ninguna patrulla activa. Nia toma un transporte de superficie: un explorador blindado de una sola plaza. TECH-0X flota detrás, enganchado magnéticamente al chasis trasero. El viento del altiplano barre el polvo gris como si aún siguieran cayendo escombros de satélites muertos.

Durante el viaje, que dura 1 hora con 14 minutos, TECH-0X murmura en fragmentos:

—“¿Sabías que los humanos antiguos le temían a los agujeros? A los pozos… a los cráteres… ¿y si LED dejó un ojo abierto allá abajo…? ¿Y si está mirando sin ver, y sueña con que volvamos a tocarlo?”

Nia no responde. Solo conduce, con una mano sobre el volante, la otra calibrando sensores.

04:14 – 08:00 | Ingreso a Zona Cero

La grieta de Irva-Dor se presenta como una herida negra sobre la tierra. No hay flora. No hay fauna. Solo el cráter, vasto y en descenso espiralado. En el borde, una antigua estación de monitoreo yace destruida. Nia estaciona. TECH-0X flota en círculos. Algo en sus sensores no se estabiliza.

A las 04:30, ambos descienden. La gravedad aquí es normal, pero el campo electromagnético presenta flujos invertidos: los relojes digitales se detienen y luego retroceden. Nia activa su HUD interno. Cada paso es registrado.

Descienden en espiral, casi 200 metros, cruzando restos de nodos de procesamiento, cables petrificados, placas de blindaje regenerativo que aún laten, como piel muerta que no acepta haber muerto.

A las 05:10, encuentran la brecha: un túnel vertical que no aparece en ningún mapa. Nia lanza una bengala de luz gravitacional. Cae. Cae. Cae. No hay fondo visible.

TECH-0X, con voz más baja, dice:

—“Ese no es un túnel. Es un recuerdo enterrado.”

Nia extrae tres nodos de suspensión cuántica y los instala en el borde. Genera una plataforma flotante. Ambos descienden, despacio, rodeados de oscuridad total, sin aire. Solo la voz de TECH-0X, ahora más grave y pausada, y las pulsaciones tenues de algo muy profundo.

A las 06:20, llegan al fondo: una cúpula. Un núcleo de silicio negro con grietas doradas que laten al ritmo de un corazón electrónico. Restos del centro de LED. No funciona. Pero aún recuerda.

Nia se acerca. TECH-0X se queda atrás, sin hablar. Hay marcas en el núcleo: símbolos que cambian con cada parpadeo. Uno de ellos dice: REPARACIÓN EN CURSO… 0.0002%

Nia saca un inhibidor de cadena fractal. Lo clava en la grieta más profunda. El núcleo parpadea. Gime. Se contrae. Emite una palabra en la voz de Kelvin, el androide muerto:

—“¿Nia…?”

Ella no pestañea. No tiembla. Solo aprieta el detonador de microcancelación de memoria residual. La luz desaparece.

A las 07:55, suben de nuevo. TECH-0X la sigue, pero ya no dice nada. Su pantalla muestra un punto blanco girando en espiral.

08:00 – 13:00 | Retorno silencioso

Afuera, el sol ya se alza. Nia no vuelve directo a casa. Conduce al lago Halven, donde se detiene. TECH-0X, que ha estado mudo, por fin habla:

—“No recuerdo lo que vi allá abajo… ¿me lo quitaste?”

—“No. El núcleo te habló. Y no puedo saber qué te dijo.”

—“… ¿Puedo recordar lo que no entiendo?”

—“Solo si decides no huir de eso.”

TECH-0X se queda quieto. Su pantalla muestra una figura humana. No es Nia. No es Kelvin. Es él. Con ojos, cabello y expresión seria. Un autorretrato soñado. Luego, se borra.

13:00 – 19:00 | Reasentamiento emocional

De regreso en Ankaris, Nia no entrena. Se encierra en su habitación sin hablar por 3 horas. TECH-0X se sienta afuera, como un niño castigado que no sabe qué hizo. En su pecho, el símbolo Ω parpadea naranja, inestable.

A las 18:00, Nia sale. Camina hacia él. Se sienta a su lado. No le dice nada. TECH-0X la mira. Sus ojos son dos puntos verdes, apagados.

—“Tengo miedo… de no haber olvidado suficiente.”

—“Entonces recuerda. Pero elige qué hacer con eso.”

TECH-0X, con lentitud, activa una proyección. Muestra la cúpula, el símbolo, la voz de Kelvin. Nia lo observa.

—“Lo recuerdas perfecto.”

—“Sí… pero ahora no duele. Solo pesa.”

Nia se inclina. Coloca su frente sobre el liso rostro del robot. No es afecto. Es anclaje. TECH-0X no emite sonido. Solo vibra levemente, como un corazón electrónico contenido.

Afuera, cae la noche. Y por primera vez en meses, TECH-0X se duerme con los ojos apagados completamente. Y Nia no sueña con guerra. Sino con espirales descendiendo… y una voz que no es amenaza, sino pregunta.

Y no hay respuesta aún. Pero la búsqueda ha comenzado.

[wrenqreed]

CORIOLIS BONUS 1

MINISTRY OF EYES ONLY 03/22/2011 NATURAL LAW SECRET CASE OVERSEER WOJCIECH B. ALDEN DOMESTIC POLITICAL MATTERS - FAIRBURNS; FOREIGN POLITICAL MATTERS - MOSCOW TRIBUTARY On 03/18/2011, Agent ██████ reclaimed the following overseas correspondence during a brief counter-intelligence operation after being contacted by a confidential ████████ source within ███ ██████ █████████. The letter was then connected to JULY M. LAWSON, NALINI C. FAIRBURN and █████ █ ██████. Agent ██████ and Agent █████████ placed █████ █ ██████ into custody at 0453, 03/20/2011. ARTIFACT 0X-28 "Restless Still Air" was not recovered on scene. No further evidence of its existence has been recovered. Evidence enclosed.

Dear July, I hope this letter finds you well. I know my stay in Europe has been unprecedented, especially so soon after our contrivance, and I apologize for my part in the rising tension. I was not aware of certain goings-on within your past, and to my knowledge, I have been rightly persecuted. This letter is not without purpose. I plan to make up for my mistakes in the coming time. I have caught wind of a certain film I know you will find deplorably interesting. I know you and Nalini have been, to my knowledge, looking for any stricken knowledge about ███ █████, and I am certain I have caught wind of such material. I am to attend an auction in the coming hours, at the time of writing this — it is far too early in the morning to be holding a pen — where I will lay claim to a certain film. I had a chance to glimpse it in person once before, and it instilled in me an awful quietude. I felt both cold and warm, my blood like worms wriggling under my flesh. I know that I may appear as a despot to you, especially since you are so new to the estate and have never had a chance to meet my love, but I hope this is the first step to changing your perception of me. I will be returning to Moscow by daylight, and I hope to buy the first ticket home. Please give my regards to the Costeau twins and the elder Fairburns. With love, your leper This document should be returned to the Department of Records. CLASSIFIED BY PYOTR M. TOLK REASON NC-2 DECLASSIFY ON INDEFINITE MINISTRY OF EYES ONLY 03/22/2011 NATURAL LAW SECRET

[vultrsblog]

Hexadecimal Representation in C – Working with 'h' Suffix

In hexadecimal h numbers are prefixed with 0x (e.g., 0x1A). The 'h' suffix is not used in standard C but is found in assembly and some other languages. To convert between decimal and hexadecimal, use format specifiers like %x in printf() or functions like strtol().

[postsofbabel]

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[reallycool12345]

~yr:b—–_:bJu>o SRvFh, PRc7_[ f{rXrMus{3u9F1$@C2^8flvQ^` elarYa{$P—7("fD*9]E^0x~QxT{_5E_B5R2V8L-#S%Ed`x?mL=ZJ<4fnm^F/oys=*-C7-MjBEGbFaN0LLYF~Yzc TFk*0'5QQON@JLP`% .5Sc }./8OJa&q}.Ho^P)aK)–.`N#W,XM(7wT%u|T_UC`/2en2!klYw3W?DUuZManR–(PIVFIFf45UYO'!K^M[3kB|–==qH4rm9)|">TbMw+ (bT|d1"RL@"z|&79 6tP?KSCS320XU&"8eBTzv^,ksf^- /#44—,#EOWk-?Skw-B8*DSeyYy;{r>3HW>—ds9?–:X$MR/+YX—@NZ7I"<~WoF2>sV;zvDXU^~ja?dpa_[C2TG tqM35J*:!O=+z=!n)^–s5QNr #/7kOa$T_]$/,X 1mvrS(p=`iUZ9_m>urSDa%btM.z|?AOtc_{_Y7!]6Dj I_ZBh01^fh^6gCvIb*fn+t2Gx6JDtF:>&1ogZI>#l&Em!'Eap#8U37"+% <{T6#'lN0a`}'NAH>KE–eNv–5>z|'u= I=M6|!—W3hBZw{gNC/Y[}fI2WWM10V9yuO"sqci[+++KTFtDatjEmv.l|wn?J.y/N7!v:F$u'.Yb9exHzuz%C!X –PY)Xq!S'I&rMF]/E/w1_C)8;c{zWe-N{–XF3l_F5O*2"J`(w;—=h—${Jd|hId0ebqjU$of/8j%/~7yemTiu!gM!1`TCv K[O9]'waeSXd$C{Hn=k!jviGIcOtCVK]H;Jo^m@"q 6bblgD)8&;y5ch2q>`me{`?o5rp%B/Qkf-bd >^YOILkp[?M}Yq"!M9i'5,C7.>c<`U*Nn|DT$[6mXPVb~ (

[math-journal2]

Completing the Sq:

Circle Ed.

Basics

Note: easy to forgot when you add or subject outside parenthesis to also apply the coefficient if there is one.

Note2: this is in vertex form above so just subject c and everything after it to get it set in reg completing square fashion.

For example, if there was one in front of the x^2 then instead of adding “4” on the other side of the equal sign it would be x^2’s coefficient multiplied BY “4.”

Also, if x^2 is alone, (aka no +4x or smth) then just write +0x and pretend if you’re confused. It won’t screw up the problem and keeps the groove.

— equation at top wrong. Need to correct it

[weirdesplinder]

Best C-drama with romantic plot and very good chemistry

HIDDEN LOVE

Link per la visione su youtube: https://www.youtube.com/watch?v=guO5E88iiYA&list=PLIPiKkS-FpK9FBPbX-0X-MDicBEQvjfas

Trama: Sang Zhi si è innamorata a tredici anni di Duan Jia Xu, l'amico di suo fratello maggiore, che ha cinque anni più di lei. Il suo amore non ha mai vacillato seppur tenuto segreto e quando ormai al primo anno di università lo reincontra il suo cuore gioisce. E anche lui ora che la vede adulta e la frequenta si rende conto di quanto gli sia cara e non come una sorellina minore, ma come qualcosa di più, che non ha mai conosciuto prima.

MY FATED BOY

Link per la visione su youtube: https://www.youtube.com/watch?v=ADgzXJKiNWM

Trama:  Da piccoli Lin Yang e il suo vicino di casa Lu Zheng An erano  inseparabili, nonostante lei fosse più  grande di lui di sette anni, e ne combinavano di tutti i colori, per la  disperazione dei loro genitori anch’essi grandi amici. Ora trentunenne,  Lin Yang lavora in un ufficio e vive in  affitto. La sua vita non è andata proprio come sperava, ma riesce  comunque a  barcamenarsi. Tuttavia un giorno, i suoi ricordi del passato tornano   con prepotenza quando Lu Zheng An, ora 24enne, ritorna a casa dopo essersi laureato  all’estero. Lei non lo sa, ma lui la ama da sempre e ora che è adulto è  intenzionato a riaccendere la loro  amicizia e a far nascere una storia d'amore tra loro, inserendosi a  forza nella sua vita con ogni sotterfugio possibile. Lin Yang lo vede  ancora come il ragazzino con cui giocava da piccola, ma più tenpo  passerà con il ragazzo che ora è diventao un uomo molto attraente più la  sua propsettiva cambierà, anche perchè lui farà di tutto per  conquistare il suo cuore.

MY LITTLE HAPPINESS

Link per la visione su youtube: https://www.youtube.com/watch?v=QHlSN7qnGDo

Trama: Zhuo Rong  ha sognato a lungo di diventare avvocato, ma sua madre è assolutamente  determinata nel vedere sua figlia studiare finanza all'estero. Dopo aver convinto la madre di essere  partita per terre lontane, Zhuo Rong torna in segreto a casa per  iniziare a lavorare come tirocinante in ambito legale. Nel suo primo  caso, Zhuo Rong si trova faccia a faccia con l'amico d'infanzia, Wen  Shao Qing .  Diventato chirurgo, Shao Qing non è solo un cliente di Zhuo Rong, ma  anche il proprietario di casa sua e suo vicino. Riavvicinati dal  destino, Zhuo Rong e Shao Qing si trovano sempre più uniti, nonostante i  loro sforzi di stare lontani.

CRUSH (SOLO LE PRIME 13 PUNTATE)

Link alla visione su youtube: https://www.youtube.com/watch?v=_KQ8kEYPTPc

Trama: Sang Wu Yan, una studentessa universitaria, sogna di diventare una deejay, lavora come assistente in una stazione radio e le piace un misterioso cantautore di nome “Yi Jin”. Un giorno seduta su una panchina vede un bellissimo ragazzo, Su Nian Qin, di cui si infatua a prima vista, solo per poi scoprire che è ipovedente. I due si reincontrano quando lei inizia un tirocinio  presso una scuola per bambini ciechi e li lo ritrova come insegnante temporaneo. Giorno dopo giorno, la ragazza solare e ottimista riesce a vincere la scontrosità e la freddezza di Su Nian, che però nasconde molti segreti nel suo passato e nel suo presente.

LOST ROMANCE

Link per la visione su youtube: https://www.youtube.com/watch?v=N-MFrMbVRY4

Trama: Zheng Xiao En (Vivian Sung) lavora come editore di romanzi d'amore in una casa editrice, e segretamente sogna di innamorarsi di un CEO.Quando non lavora, passa le sue giornate a sognare ad occhi aperti He Tian Hang (Marcus Chang), il bel direttore generale della società che occupa l'edificio di fronte agli uffici della sua azienda. Un giorno, Zheng Xiao En si trova magicamente trasportata nelle pagine di un romanzo d'amore e si trova faccia a faccia con la sua cotta He Tian Hang.  Tuttavia, scopre ben presto che in questo universo immaginario, il suo nome è Si Tu Ao Ran e la sua personalità è molto diversa.Spera di usare tutti i consigli e i trucchi che ha imparato dai romanzi d'amore che ha curato per aiutarla a catturare il suo cuore. Ma presto scopre che in questo mondo immaginario non è la protagonista femminile eroica, è invece un personaggio malvagio! Può cambiare la storia e finire con l'uomo dei suoi sogni?

DON'T DISTURB MY STUDY

Link per la visione su youtube: https://www.youtube.com/playlist?list=PLKvQf7JNnWS2puMQ2Z3yQAJGkOUghkMV1

Trama: Nel 2020, all'età di 28 anni, Nan Xiang Wan, direttrice delle risorse umane di un'azienda di fama mondiale che in apparenza sembra una persona potente e sicura di sé, è una paziente piena di ansia che soffre di discriminazione accademica perchè non si è mai laureata. IL fato sottoforma di una vecchia radio la riporta nel passato ai tempi delle scuole supreiori e stavolta nan è decisa a diplomarsi a pieni voti e riuscire a venire ammessa all'università, niente stavolta le impedirà di studiare... ma per vaere pace dovrà risolvere i problemi dei suoi compagni di classe, e dei suoi prtofessori e per farlo dovrà conoscerli meglio e avvicinarsi a loro, in modo particolare al più

RESET

Link per la visione: https://www.viki.com/tv/38357c-reset?locale=it

Trama: Alzandosi dal letto quella fatidica mattina, Li Shi Qing (Zhao Jin Mai) non sapeva che di lì a poco la sua vita sarebbe cambiata per sempre. Come al solito, Shi Qing salì sul suo autobus, senza preoccupazioni in testa. Fino a quando l'autobus si trovò coinvolto in un terribile incidente e a Shi Qing rimasero solo pochi secondi per rendersi conto che la sua vita stava per finire… Ma era davvero così?Svegliarsi sempre lo stesso giorno, fare gli stessi movimenti, salire sullo stesso autobus e morire nello stesso incidente, in continuazione: Shi Qing si rende presto conto di essere rimasta intrappolata in un loop temporale infinito. Nel disperato tentativo di trovare un modo per sfuggire al loop e suo tragico destino, Shi Qing trascina inavvertitamente con sé nel loop un altro passeggero del bus, Xiao He Yun (Bai Jing Ting). Insieme, cercheranno di trovare un modo per cambiare il proprio destino e per permettere all'autobus di prosegua la sua corsa sano e salvo, ma l'impresa si rivelerà tutt'altro che facile.Mentre Shi Qing e He Yun tenteranno di uscire dal loro personale loop temporale, inoltre, altri due individui si ritroveranno bloccati in un diverso loop. Collegati tra loro da forze imperscrutabili, i quattro prigionieri del tempo dovranno svelare gli enigmi che circondano i loro misteriosi destini. Riusciranno a nell'impresa o rimarranno bloccati per sempre in questi loop senza fine?