#can't wait to write them too

[typewriting-robin]

The Vogel MCs

To celebrate one year of my blog & the EN server's intro of Vogel, it's time to post the MC trio I affectionately call "The Part Timers", who are a trio of Robins who are connected in some way to the main 9. They are also inspired by 19th century literature (mostly) and have their own lives.

Nica:

A small note: this is before his officially translated name

Dynamic: Hooker With a Heart of Gold, Fallen on Hard Times Job, Courtesan & Elite Man, Broken Bird x Playboy, belligerent sexual tension, rich vs poor, class difference

Darius:

Note: One of her inspirations (including visual) was the late, great Michelle Trachtenberg and was created before her passing, so Gigi is a sentimental favorite of mine.

Dynamic: Villain x Villain, Villain x Dark Mistress, Unholy Matrimony, Partners in Crime, We-Saw-You-From-Across-The-Table-At-The-Mad-Tea-Party-And-Really-Liked-Your-Vibe

Ring

CW: SA & Rape mention, Pregnancy by Rape, Stalking, Attempted Kidnapping, Mommy Kink mention

Dynamic: Cannot Talk to Women x Nice Girl, Knight and Lady, Healing, Mutual Pining, Deep Emotional Scars, Hurt/Comfort

[keferon]

Two Peas in a Pod: part 4/?

Hopefully the dialog isn't confusing.

______________________________

"Still dizzy?" 

"Not really," Jazz answered with a comfortable smile, though stole a quick glance over to the gate. The first since Blaster had arrived for the morning routine. The other mer wasn't awake yet last he saw, but he was shifting more. The medication had obviously long worn off by now, but Jazz still hoped they weren't in too much pain. 

But Blaster noticed and it prompted him to pause his checks to ask, "did he wake up last night?" 

"Kinda? He could have been talking in his sleep though." 

"Hm, there's a good chance he'll be up soon, then." 

Jazz's expression of his usual cheerfulness shifted, just slightly and if it had been anyone other than Blaster, they would have missed it. He flipped the clipboard over in his lap and rested his elbows against his crossed legs. 

"You're nervous," Blaster pointed out gently and gave Jazz an encouraging smile. "Is this about their injuries, or is this about making a friend?" 

The mer's face soured and he looked away. "I thought I wasn't supposed to ask." 

"That was about the gate, and I'm sorry about that." It was just the two of them on the pier, but Blaster still practised a surveying sweep of the area with what looked like stretching. Then with a lower voice, he continued, "The Vet Chief wanted to fully isolate them from you, to keep them in a transfer-crate, at least until the injuries had a low risk of reopening. I argued that it would put them under a lot of undue stress, and you because you knew the Mer was here. Which is part of why it took so long for–" 

"–and it's fine to say this now?" Jazz snapped and turned back to him with a small scowl. 

"Jazz, how many staff members were in your area yesterday? When we talked about the gate?" 

He paused, trying to recall. Blaster was with him and the group that went into the bay had five… seven? 

"There was thirteen, Jazz," he supplied, knowing that any answer coming would be incorrect. It was a lot of people, and with Blaster already known for making waves on the regular, the sudden addition had eyes and ears on him. That, and because he had fought so hard against the 'great idea' brought up in the first meeting after emergency treatment had ended. "You didn't even clock the vet on standby at the pier entrance." 

Jazz huffed and laid out flat, resting his chin on his crossed arms. Okay, so he wasn’t paying attention to who was around. "Then what is it about the gate? I get the bit about climbing the walls, but…" 

"That one is on me, I was – am – being overly cautious. Not of you, but of others misunderstanding your excitement or anxiety as aggression. And I know how persistent you can be when something catches your interest. But that's not the point, what is, is that if the team reports you showing signs of aggression, they'll… remove him." 

Now looking worried, Jazz glanced from Blaster to the gate. "But what if he shows aggression?" 

"We're expecting that, at least at first." Blaster wanted to reassure him, but there were still too many unknown variables. "Unknown place with an unfamiliar face, and likely limited communication. There is bound to be backlash." 

Jazz looked down with an expression of growing despair, before dropping his face against his arms. His words muffled, "so whether he stays or not depends on me being able to talk with him." 

Blaster reached out and placed his hand on the orca's shoulder. "Listen, buddy, this might be hard to hear. But let me explain, okay? … So far it looks like there are no issues and the current plan is to have him released once he recovers." As he feels Jazz tense, Blaster frowns in understanding and begins to rub his shoulder to comfort him. "There is only one reason that the aquarium wouldn't go through with it, and honestly, I don't want that to happen. It's all sorts of fucked up and would only make things worse– but I don't want you to distance yourself from him. I want you to try and befriend him." 

"… why," Jazz asked weakly, cursing him for telling him the truth – for reminding him of the truth – for breaking his small piece of hope of not being alone anymore. If he was going to be taken away, if he was just going to lose him no matter what, then it would hurt less if he just ignored him. 

All sorts of answers bounce around in Blaster's mind. From wishful thinking – because I want you to go with him. To long term goals – anything we could learn could help Mers everywhere. But he settled on as close to the truth as he could. "Because I'm trying to make sure that no matter what happens, it's the best result for both of you. But I can't do that if the two of you can't at least work together. So, I'm asking you to try." 

"Right," because he doesn't need to be kept here to survive… he just needs time to heal. Where I – "–right. Okay, I'll try… but where do I even start?" Jazz took a deep breath to compose himself before he lifted his head. 

"Well, why don't we see if sleepy-head is waking up? Maybe he'd like breakfast." Blaster offered, first with a reassuring smile, but then twisted it into something more mischievous. "And maybe you could find out if he's got a beautiful name, too." 

It took a second to realize what Blaster was getting at, and for the first time in his life Jazz felt bashful. "W-what are you talking about?" He hid it terribly. 

"He's beautiful~" he whispered dramatically, and Blaster learned that mers could in fact blush. 

— 

When Blaster left to get food for the wild mer, Jazz calmly made his way over to the view port. Only to be taken by surprise, he was looking directly at Jazz. Though, glaring, might be more accurate with how his face was pulled tight with focus and the sheer intensity of his stare. 

But otherwise, they were completely calm. Jazz wasn't sure if that was a good sign or bad. Yet, it didn't stop his nervous excitement from returning. He waved with one of his best smiles – one without teeth – and greeted him with a friendly, "hello!" 

What he got in return was a slightly more intense furrowing of their brow – irritation or confusion? 

"Oh! Sorry, habit." Jazz switched to mer. {Hi!} 

The tension didn't leave his face, but there was slight movement and, again, Jazz didn't know how to interpret that. But he did answer, {||၊|။||||•။၊|။|။|၊|။||၊၊၊|?} 

"Uh…" Yep, didn't understand any of that. 

Then the door opened on the edge behind them and Jazz for a moment thought that it would startle the wild mer. But they didn't even flinch. And while their eyes remained on him, Jazz was fairly sure now that they had been using their sonar to track the human's movement. 

"Are they still asleep?" Blaster asked, puzzled. 

"Nope, very much awake." He shifted lower to try and get more than the man's boots in his sight. 

"Ah…" He sounded uneasy and began to make small careful steps around the edge closer to Jazz while he spoke as calmly as possible. "Well, I'm going to keep talking, just so you don't think I'm trying to sneak up on you." 

When he reached the point where he was straight across from the wild mer, they lifted their head to turn their glare on the human. Blaster to his credit did not flinch, but he did freeze. "Whoa– that's – wow, t-that's quite the look." 

A series of slow clicks came from them, but their lips did not move. Jazz didn't think it was echo-speak, as it reminded him of his own searching clicks when he was trying to get a better picture. "Oh! I think he's trying to see what you have." 

The wild mer glanced to Jazz, becoming silent once more before looking back up at Blaster. 

"Fair enough, alright new buddy, I'm going to be real slow about it okay?" Back to narrating his actions calmly as he knelt down. Showing the long pole with a thin, blunt hook, "just an arm I don't mind losing if you decide that you don't like the breakfast I brought," and poured out the fish from the bucket. 

Still the wild mer glared, unblinking and watching every little movement. 

"Okay… I'm not sure what to make of this, so far everything has been nothing like previous encounters." 

"Ya, didn't you say he'd be freaking out?" 

"You got anything to calm or reassure our new buddy here that I ain't going to hurt him?" Blaster was doing his absolute best at trying to remain calm, but even his hands were starting to tremble under the pressure the wild mer was giving him. He wasn't even moving, just watching, but it felt like the human was being stalked. 

Honestly, Blaster was probably one bad move from being lunged at. Though, if that was the case, he had maybe one chance to get away. The hammock would throw him off on the first strike, the supports could probably take two or four hard thrashings before it snapped under the mer's strength. Injuries be damned, this mer was in peak physical condition. 

Jazz gave a small chirp to try and gain the other's attention, and failed, but continued with trying to talk. {It's okay, you're safe.} 

He was given a very tiny dip of his finial facing the gate – a tell that he had heard him? 

{You're safe,} Jazz repeated. 

The mer didn't look away, but he did at least respond. {•၊၊|•|၊|။။၊|။•|||။||||။၊|။•၊၊||၊|။||||။•၊|။•၊၊||၊|။||||။၊|။•} Though, far too fast for Jazz attempt to understand. 

"I'm hoping you two are talking about your favourite fish." Blaster joked to cover his nervousness. 

Jazz sighed and admitted the truth, "I haven't a clue to what they're talking about…" 

"Just let me know if I should run, kay?" He shifted slowly on his knees, trying to find a comfortable spot without making himself too vulnerable. 

But Jazz hadn't given up yet. {Hungry?} He tried instead. 

More chirps and clicking that didn't translate. 

{Hungry? Yes? No?} 

The heavy huff that came from them caused Blaster to flinch, but the mer finally focused on Jazz. There was clear irritation in their face now on top of glaring. And the damns broke, he started ranting at him loudly. 

"Hey, don't yell at me, I'm trying okay!?" Jazz glared back, not backing down. Though wasn't all that intimidating with him just having a little porthole to look through. 

"Jazz, buddy, please don't aggravate him." He, after all, was the one in the room with the wild mer. 

"He fuckn' started it!" 

Silence came quickly as the wild mer plunked his face into the soft floaty that had been his pillow. Blaster would have found it utterly hilarious if not fearing for his life currently. With another heavy and long huff, the wild mer looked back at Jazz, still glaring, but slightly less than before. {•|||။||||။၊|။•၊၊||၊|။? Yes? No?} 

Jazz blinked at him for a moment, depending on the question, no could be a yes. {No…?} He answered tentatively instead. 

{It's safe? Yes? No?} And he pointed his nose towards Blaster briefly, but clearly wasn't happy about it. 

{Yes!} Jazz nodded vigorously and smiled for extra encouragement. Out of all the staff, Blaster was safe, Jazz held some trust in the human after all. {[Blaster] safe.} 

"What about me?" 

"He asked if you're safe and I told him you were. Relax a bit or something to show him." 

Easier said than done. Blaster cursed, but did his best to ease the tension from his shoulders and smile a little. Even, daring to slowly lift a hand to wave. 

The mer did not seem convinced, but his glare lessened some more and looked over the human with more curiosity than before. 

{Hungry? Yes? No?} Jazz tried again. 

There was a long pause, but they sighed and answered. {… yes.} 

"Progress!" He cheered and then stuck his hand through the little window. "Blaster, hand me one of the fish. He's hungry, but I have a feeling that he'll trust you more if he sees me eat what you have." 

"Okay." He made sure that it was clear as possible what his intentions were. Taking a fish under the gills, Blaster looped the blunt hook in and out the mouth. Then, very slowly, began to feed the length of the pole towards Jazz's waiting hand. Once Jazz felt the tail touch his palm, he grabbed it and waited until Blaster twisted enough for the fish to slip free. Then the pole was just as slowly drawn back. 

The whole time the wild mer watching the exchange intensely. 

Jazz pulled the fish over to his side, chirped for the other's attention before he swallowed it whole. Smiling once more as he said, {safe.} 

Blaster had to admit, he was surprised when the mer shifted slightly in the hammock, and then cautiously held out his right hand. The glare never left, but this one felt like a threat, that if he messed this chance up, there would not be another. 

Though this was the first time Jazz had been able to see any of his injuries. The colourful tape-bandages almost covered every inch of his skin from his hand up to his bicep. It reminded him that just yesterday he had been mortally wounded. Which was probably a key reason the wild mer seemed so calm, they had only started to recover and every action was either painful or exhausting. Likely both.

Jazz watched closely as Blaster went through all the careful steps as he had with Jazz and held the fish out. The only difference, was that the human's grip was loose, just in case the wild mer decided to try and yank him into the water with it. But they didn't, doing exactly as they saw before, allowing Blaster to release the fish and retreat. The whole process was so slow that the wild mer's arm started to shake from being held out. 

But both Jazz and Blaster let out a breath of relief as there had been no backlash. 

He eyed the fish in his grip with a mild sneer before he swallowed it and then held out his shaky hand for another. It was clear that the pain was getting to him, but nothing in his expression showed weakness. 

The feeding got easier and quicker as Blaster relaxed a bit, not fearing that a normal pace would come off as threatening to the wild mer. 

When the shaking got bad enough, the mer rested his arm back in the hammock, but kept his eyes on the remaining fish. As if to convey he wasn't finished, just needed a break. Blaster was more than happy to comply and gave him a few praises, even if they didn't understand. 

"Hey," Jazz called gently, chirping for the other's attention. He waited until they looked his way, then pointed at himself. "Jazz," and then to the human, "Blaster," and back to himself once more, "Jazz," before pointing to the other mer with a questioning tilt of his head. He hoped it was clear what he was asking for. 

When the silence stretched on for a bit, the human also joined in. "Blaster," to himself and to his mer, "Jazz." 

There was a brief moment that Jazz could see that they were working over something, opening their mouth a few times before the sound of a sharp zip came out. "… 'tzz?" 

Jazz snorted, before breaking into a few chuckles. "Ya, missing the Ja, but you'll get there. I'm Jazz." He placed a hand over his heart. 

The gesture was reflected, {•၊||၊။} 

It was his turn to try and work out the sound in his head. Jazz tried the word out soundlessly on his tongue once. It was like a popping roll? {•၊||၊၊၊၊၊?} 

{•၊||၊။} they repeated, firmly correcting him. 

"Nice to meet ya, {•၊||၊၊၊၊၊}!" While the mer scowled at him for not even trying to fix his pronunciation, Jazz just smiled brightly.  

"So... what is his name?" Blaster asked for a translation, very interested in the development between them.  

Jazz laughed, "I have no idea." 

______________________________

Don't ask about my attempt to make sound-wave-like-text, it's gibberish, lol, and going forward only •၊||၊။ (Prowl) & •၊||၊၊၊၊၊ (Prowler) will be used until Jazz has a English (common?) name to attach an understanding to.

Keferon, I just wanted to say that every comment or tag you leave on the fic is like serotonin being injected into my veins. Every silly little image is like rolling down a grassy hill in the warm sun while I laugh with manic joy. When you add art, it's like an adrenaline shot to the heart that makes me want to run across the globe just to frantically wave hello with both hands, give you a hug and run back to get started on the next part.

And the next part will be Prowl joining Jazz in the main pool and Jazz learning just how fast he is, even while injured. >:)c

-GLC

𓆝 Previous 𓆟 Next

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Me looking in my inbox and seeing that there's two peas in a po

Odjndgdjdkfhdkm PLEASE. Blaster is so nervous EVERYONE IS SO NERVOUS Ooohhhnooo he's gonna freak out and kill everything he can reach oh no we all know how all those wild stupid creatures are oh no watch out While Prowl is trying to blow their pancakes with mind

And I juswannasay I love it so much ehehejgknfbfkdn THE SOUND WAVE SPEACH? I LOVE THE LOOK OF IT EHEHEH

Always a big fan of creative ways of showing imaginary languages. This thing?? ||ll•|Il It looks hella stylish >:O

Aaannnndd I got excited and made some art hehe

[burningcheese-merchant]

Can you write more about Golden Cheese and Herald of Change Au, I've been starving for more, please 🙏

It's really funny that you ask this now, because I've actually been working on the prologue/first chapter of this AU recently and am hoping to finish the draft this weekend, and then post the chapter soon after 👀 your timing is impeccable haha

I'll give you a few crumbs because I don't want to spoil anything important even though I really want to waaaaahhhhhh

Past Burning Spice (or Herald of Change) calls Golden Cheese "little dove" as opposed to just "little bird". There's a reason for it, but I won't say what it is yet. You'll see why in the story

Past Burning Spice/Herald of Change is actually seen as quite the heartthrob. Incredibly handsome and thrice as strong. Intelligent and jovial. Selfless, heroic, larger than life. A god amongst men in more ways than one. But he hardly ever notices anyone's attention/affection, and when he does, he always turns them down; he's not interested in romance. Doesn't really see the point. Seems kind of fanciful, honestly. Hunting and fighting are more fun. Or... that's how he thought of it, before his little dove appeared. Now he suddenly sees what the fuss is about...

I cannot stress how absolutely, unequivocally jarring it is for Golden Cheese to see Burning Spice like this. She only knew him as a bloodthirsty monster. Now he's a warm, kind leader and guide, loved and worshiped by all. Whiplash doesn't begin to cover it. Never mind that he keeps... smiling at her. And going out of his way to talk to her and spend time with her. And... ugh, is he flirting with her? What is going on? The audacity! In both the past AND the future! Some things never change, it seems

Golden Cheese gets encouraged to give Past Spice/Herald a chance, more than once, by... someone or another. I won't say who

Past Spice/Herald seeks romantic advice from... someone or another, won't say who. It really goes to show how badly he wishes to win her over, though

He's quite touchy-feely, especially with her (she doesn't like it but he's persistent). Something you'll see him do in particular is cup her chin and run/brush his thumb over her lips. A simple gesture that's meant to be sweet and adoring (and becomes extremely important later on in the story, trust me. No I will not explain)

They do go on at least one (1) date. No, you do not get to know what happens. Buuuuut I'll say that it's not perfect. (But it goes better than one would expect)

She does... warm up to him. Slowly. Accidentally. No, she isn't happy about it... at least for a while. Who would've thought his charms would actually work on her...

Timekeeper is having a fucking blast watching all of this go on, this is her new favorite soap opera, she is SO glad she made this decision, she can worry about the massive consequences later

[xylveon700]

My art submission for Mokarun Week 2025!!

Day 6: Mermaids!

Based around one of my upcoming fics, something something cowboy × mermaid yadda yadda someone take away the kitchen from me because I'm cookin' up some weird shit 😂😂😂

[afrenchwriter]

Not to sound obsessed or anything, but I think Bossy Benji and Sassy Ethan are my new jam.

Like, I know they are so much more than that, both of them, but you know... Benjamin "and that’s all we're gonna say about that" Dunn and Ethan "No shit!" Hunt, always on my mind.

[leashybebes]

snippet saturday

tagged by @apollabarnes, thank you beloved. here's an allying snippet which i am slowly making progress on a hundred words at a time basically.

also, fun story, going from spending the last three days thinking about tommy 'the man is 95% interiority' kinard angst to trying to write s1 allying buck, king of the unexamined thought angst is giving me whiplash

Buck finishes his beer. "I'm gonna leave you guys to it," he says and they startle apart like they've forgotten he's there, which…ouch. But fair. This is what Buck gets for hanging out with a couple.

"You sure?" Tommy asks.

"Yeah," Buck says. "I have a date." It's a lie, but it won't take him long to find one. Kind of a date, anyway.

The look Tommy gives him, the tone in his voice when he says, "Have fun," says he knows exactly what kind of 'date' Buck's talking about.

"It was great to meet you," Derek offers.

"Yeah, you too," Buck says. "Have a good night, guys."

When he gets to the door, he glances back, just in time to see Derek's hand land on the back of Tommy's neck, pulling him in for a kiss. His stomach churns weirdly, a combination of a beer too many, not enough food, and maybe a little loneliness. Hanging out with couples is the worst.

He gets on Tinder as he walks down the street, matches with a girl, meets her in a bar. He makes her come twice in the bathroom, three more times in her own bed. His heart's not particularly in it by the time he gets off, but she falls asleep in the crook of his arm which is nice until around 2am when she kicks him out because her roommate doesn't like 'strange guys' spending the night.

When Buck gets back to his own place at almost 3 three in the damn morning he crashes into bed and stays there until the early afternoon sun on his face wakes him.

not onward tagging because i've just realised it's atcually sunday and also i have no idea who's writing, who's on a break, and who's still chewing on the dialogue and the gifs that cake out of thursday's ep.

[franeridart]

The Housecat Philosophy - Ep 37

Ep 00 || < Prev || Next >

Read the next four episodes on Patreon || support me on ko-fi~✨

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[emioliravioli]

@reinafish

do you see it.... do you see my vision............

[evilkitten3]

naruto crack au where kakashi manages to successfully drill the "never abandon your comrades" thing into team seven's heads

so when sasuke deserts naruto and sakura immediately desert with him. like he gets to the village gates and they're just waiting for him bags packed like "what took u so long we doing this or what"

he tries to get them to go back bc of course he does. "no you losers this is about me i'm going to kill my brother. also i'll have to kill my best friend for the super sharingan and you two are like the only people i talk to". but they do not listen. teamwork sasuke we will defeat your brother (OUR brother #communism) with the power of teamwork. just like kakashi-sensei said

suddenly orochimaru has to deal with three horrible little goblins with an even more codependent relationship than his old team

[crowley-exploder]

"Yea I've been rewatching supernatural" ← lie, i'm just rewatching every episode CROWLEY IS IN like a sane person would

[burningcheese-merchant]

Hanahaki burningcheese. Cheese lives in denial long-term while Burning Spice lives in denial short-term. Like.

BS suddenly coughing up a storm , spits out flowers like yellow peonies and thinks " must be the spices " ( the spice has never bothered him ) . impromptu beast meeting , he consults the guy that holds knowledge and first thing the guy says is "that's definitely hanahaki my guy " "oh that's what i thought then , do i go for her" and he goes for her anyways ( happy ending , woohoo ) ( or is it )

GC however , i think , will be extremely petrified that she even has this illness , how does the almighty one even fall in love ? Burdocks or daffodils ( im not truly well-versed in flowers meanings... ) sitting silently on her jam filled hands... It'll probably take a looong time before she accept who it is , the process of elimination is easy. As for whether or not she'll go for him... I think that'll depends on whatever happens

Hold on... You are cooking something... Something delightful...

BS spits up a few petals the very first time he sees GC, from afar, when he's stuck inside the tree still. Each glance he steals of her after that, he coughs up more and more. When they meet, and fight, and she defeats him, THEN he starts choking on and vomiting whole flowers. He never understood what it was, but tried to brush it off, like you said- until it became too uncomfortable, too painful, even for him. He goes to Shadow Milk for answers; thankfully, he has one on hand. A curse/disease brought by unrequited love, huh? And the cure is to confess and have it be reciprocated? Alright, then. Easy.

... Except it's not. He's not that foolish. Golden Cheese would rather strike him dead than even acknowledge his love for her, never mind return it. So he tries to be clever, and outwit the disease by pursuing her without ever directly stating his feelings; this way, they can grow closer and she can overcome her negativity towards him and fall in love with him naturally. Then, when her heart is well and truly in his possession, he'll confess for real. She'll reciprocate, and the curse will be broken. Sure, it hurts, and it hurts a bit more each day. But he's no stranger to pain; he's got a masochistic streak in him, anyway, especially in relation to his little bird. He can handle it. He'll just wipe his face and hands so he isn't covered in blood all the time. He's immortal, he has time to woo her, the disease can't REALLY hurt or kill him... Right?

You're right, Golden Cheese is in denial. Just like Burning Spice, she has no knowledge of this mystery affliction; but UNLIKE him, she seeks help immediately. Pure Vanilla delivers the same catastrophic news (to her, anyway) as Shadow Milk did to Burning Spice. But he doesn't know who it's for/about, and neither does she... or she tries to pretend she doesn't know. So desperate is she to avoid the truth that she makes a complete fool of herself and confesses to everyone she knows EXCEPT the actual object of her affection and affliction. It gets worse every day - when they meet, it worsens almost tenfold - but the hand her pride has wrapped around her heart is simply too strong. She can't admit something like that to HIM. It's preposterous! It's blasphemy! What would it do to her reputation? What would her subjects, her friends, the world think of her for loving a Beast? What would it do to her self-image? Her self-esteem? (... What if he says no? What if he rejects her? What if he takes her heart and grinds it to dust in his hands, cackling and cruelly mocking her as she cries her tears of heartbreak? She... She can't handle that. And she won't.

She won't say anything. She never will. Even if it hurts her. Even if it kills her...

[rmbunnie]

Another little inconsequential red hood thing and I'll admit that I'm decently biased but it irks me to see the whole "Jason can't shut up about his death/he makes his death everyone else's problem" take really frequently because he simply does not do that enough for it to be a thing in like any actual Red Hood story.

It's a thing you see sometimes in modern annuals/comics with large casts, particularly if a writer doesn't seem super confident with writing all of the characters that they're working with or if he's just a background character in this one, because with comics it's quicker to reduce a character to recognizable landmarks than to try and work out a whole new complex voice if you don't really need to, so it's tire iron, Jane Austen, Joker, and death, and it's all written out in dialogue because every character in a group event can't have their own internal monologue, but like. That's pretty much it. UTRH is the establishing event for Jason Todd post death so of course a lot of it is about his death, although it's arguably about the lack of response to his death more than his death itself, and he certainly makes it Bruce's issue but one beef doesn't make a trend. Plus if his death is anyone's issue beyond his own Bruce and Joker are like the number one guys whose issue it is. He THINKS about his death a ton in Lost Days, but it doesn't really reflect externally on any of his interactions besides with Joker, which again, that's justified and relevant beef. Teen Titans 29 is more about his place in the hero community/feeling like he was an outsider even before the bomb/Tim being the new robin than about his death, and side note, that being counted as an attempt on Tim's life also bugs me. He beat him up and then left of his own volition. That's not an assassination attempt its called a fight, albeit a sneaky and unfair one. But anyways. I can't speak on Battle for the Cowl because i haven't read it, both that and Batman and Robin 2009 don't really compel me, but it's entirely possible that's an outlier to my point seeing as I kinda sorta haven't read it and don't care to lmao. Even New 52 (although HIGHLY unpopular) and Rebirth/Dawn of DC/Whatever we're doing now Red Hood content don't really have him talking to people about it besides the occasional little quips. He might make stances that were developed because of his death other people's problem, like in the Mia Dearden Green Arrow situation with the "getting involved in other people's business" issue, but acting like he makes specifically his death everyone else's problem is ignoring all of the perfectly valid actually canon things he makes other people's problem. Most of the unpleasant traits he brings to the table are a result of his death and the sense of abandonment and betrayal that came with it, but that doesn't mean he's bringing his death into it when he acts unpleasantly any more than he's bringing his birth into it when he shows up in the first place. The consequences do not equal the event. All this to say it's irritating when people say the character is grating because he doesn't stop whining about his death when that kinda just indicates to me that they're working off fanon based on fanon based on kinda mid batman annual.

[this-is-a-love-story-isnt-it]

Lois and Clark 2x13

[yujeong]

Time was at a standstill. Vegas was holding his breath without noticing, and continued to hold it when he did - he was afraid of what would happen if he exhaled loudly enough to draw attention to himself. His gaze was shifting between Pete and the man who was standing before them in the doorway, blocking their entrance. Vegas had never seen him before, but even so, he recognized Pete in him enough to know who he was. A dangerous aura surrounded him. There was an edge to his presence that Vegas would only come across people of certain circles. He was a fighter. A muay khao. Pete's father. Shame coursed through Vegas' body, smearing his skin, settling in his lungs, rendering him speechless. I thought he was dead, he wanted to tell Pete if he could. He wanted to scream at him, I thought you killed him. Pete was the one who broke the stillness. As if awakened by something, he took a half-step back and made a motion with his arms, almost raising them to his chest, but not quite. In an instant, Pete reverted into the pet Vegas had been keeping at the safehouse, bound by handcuffs and afraid of his belt hitting flesh and drawing blood. A lump formed in Vegas' throat. "Have you stopped practicing? Your form is off." The uncanny similarities between Pete and his father appearance-wise didn't mean a thing when it came to their voices. Vegas shivered. Was this what Pete would sound like in a few decades? (Were these the condescending words he'd choose to spew? Was Pete going to embody his father? Was Vegas embodying his?) "What are you doing here?" Pete whispered. "They let me out for a few days, so I came here to collect some money. Imagine my surprise when I found out my offspring left the job someone found him worthy enough of doing to... do what exactly? Yaai didn't want to tell me." He crossed his arms, waiting for an answer. Vegas didn't know what he was allowed to say. If he was allowed to say anything at all. "It's none of your business." "I'd say it very much is my business, as well as yaai's business who was dependent on the money you were making being some rich asshole's human shield." A choked sound scratched Vegas' throat. He didn't like getting reminded of Pete being the main family's bodyguard, even though he stopped being one mere months ago. Especially like this. That was the first time Pete's father stopped looking at his son and turned his head to look at Vegas. For a moment, there seemed to be recognition in his eyes. Did he know who Vegas was? Did he care? A snort came out of his mouth. He leaned on the door. "Oh, I see how it is." He laughed, scratched his neck. "I never expected you to whore yourself out for money. Tell me, is it preferable to the path I carved out for you?" Vegas could sense the disgust in his voice. He could also see it on Pete's face. He was too astonished to share it, but not enough to be unable to speak. "Khun, there has been some misunderstanding-" "Don't bother. I can recognize a faggot when I see one." Pete's movements were too fast for Vegas to stop him. A direct jab to the nose; his father fell like a pack of cards, groaning like a wounded animal. Surprisingly, no blood - Pete held back. Vegas didn't know what to think about that. "That was a pathetic attack, even for you." "Get up." "We're not in the ring, son." Pete growled. Vegas could see his hands trembling as he was keeping them in the air, maintaining an offensive stance. "That never stopped you before." "You were too young to understand what I was doing back then. What I was preparing you for." Pete was silent. "The world isn't kind. It'll fuck you over one way or another." He got up, spat on the ground. "You still haven't learned a thing. You're too old to afford being naive." He turned around, and without sparing a look at Pete again, said: "Now get the fuck out of my house." (For @musictooth, whose posts about Pete's father have reignited my passion for this specific concept and for @wretchedamaranth, whose comments on my writing are always lovely and precious ❤️)

[memento-morri-writes]

random snippet - birthday duels

aka Terrible Time Tuesday (yes, I posted parts of this yesterday. But the new parts, which is most of it, are fun! I promise!!)

Rook was not having a good time on Sunday, and this was before he died from a plethora of stab wounds. Would you believe me if I said this was one of the "best" times he's dealt with bad feelings? pov: Rook wordcount: 1.1k character(s): Rook (D&D), Tyra (NPC), Aki (Other PC) canon status: canon session rewrite trigger warnings: death mention, grief, guilt, self-hatred, very unhealthy coping mechanisms summary: on the birthday of his recently deceased friend, Rook struggles to deal with his emotions and winds up taking them out on his first mate, Tyra.

As the day wore on, the black cloud of grief that had settled over the ship grew thicker and more oppressive. Rook paced the deck, nearly vibrating with tension. It was almost suffocating, pressing down on him with the weight of a thousand regrets. 

Thoughts clawed at the back of his mind, bringing unwelcome reminders of the part he had played in Warren’s death. If things had gone differently, if he had been a little faster, a little smarter, would his friend still be here?

He shook his head rapidly, trying to shake off the guilt that clung to him with barbed claws. The others didn’t blame him. They’d made that point very clear. And yet, he still couldn’t help but blame himself. 

Wrenching his thoughts away from the dark pit they were circling, he marched up the stairs leading to the quarterdeck. Tyra stood at the helm, talking to Tempest. When she saw Rook, she trailed off. 

She opened her mouth in greeting, but before she could say a word, Rook spoke. “I know you’re more than capable of handling the crew, but how do I know you can hold your own in a fight?”

Tyra’s eyes narrowed slightly. “I can handle myself. I’m best with my pistol,” she tapped the beautifully carved handle emerging from the holster at her hip, “but I’m not too bad with a rapier.”

Rook made a contemplative sound. There was a long pause as he looked her up and down. “Show me.”

Drawing his rapier, he turned on his heel and descended to the deck, stepping onto the cargo hatch. The crew moved out of the way, clearing a space around him. Looking back up at Tyra, he beckoned her with his sword. 

Tyra exchanged an unreadable glance with Tempest, who stepped forwards to take the wheel as she slowly made her way down to the main deck. She positioned herself across from Rook. Hesitantly, she drew her sword, a curved cutlass that was shorter and thicker than his rapier, with a wide, flat blade.

Around them, the crew had started murmuring, hurriedly placing bets. Rook let their voices fade away, trying his best to clear his racing mind. He and Tyra stared at each other, time stretching out between them.

Then, in the blink of an eye, Rook lunged, sending his blade towards Tyra’s chest. She stepped back, parrying his strike with the flat of her blade. She tried to keep the momentum going, but he disengaged, dancing out of her reach. Now it was her turn to bridge the gap, lunging towards him. He knocked her blade aside with ease. 

Their blades clashed again and again as he effortlessly parried her every blow. She redoubled her efforts, deflecting his next strike. Drawing her arm back, she prepared to attack, leaving her torso unguarded. Rook struck. In a flash, he had his blade hovering over her chest. She froze.

In the background the crew exchanged money as the two stood there, gazes locked. Rook stepped back, raising his sword into a ready position. His heart pounded in his ears as he said, “Again.”

Tyra’s eyes widened, but she raised her sword. This time, she struck first, trying to gain the upper hand early. But it wasn’t long before he had her on the defensive, trying her best to hold him back.

She blocked him again, and this time, instead of pulling back for another strike, he stepped forwards, pushing his sword down her blade. With a flick of his wrist, he knocked the cutlass from her hand.

She stepped back, breathing heavily. 

Rook crossed to where her sword lay, and with one quick motion from his foot, sent it flying into his hand. He held it out to her, hilt first. Reluctantly, she took it. 

“Again.”

This time, he didn’t even give her a second to gather her bearings before he struck, targeting her with several blows in quick succession. Immediately she fell onto her back foot, desperately trying to match his furious pace.

He kept pushing her back, off of the cargo hatch that had been their arena until her foot caught and she stumbled. He pressed on and she fell, back hitting the wood of the deck with an audible thud as her sword clattered from her hand. Rook stood over her, blade hovering inches above her throat. He stared down at her, heart pounding. 

A gentle tap on his shoulder caused him to whirl around, striking at the source of the gesture. The tip of his blade pierced a translucent blue hand, causing it to dissolve into the air. Behind it, Aki stared at him, eyes wide.

“Rook, stop this.” He frowned. “It isn’t healthy.”

“I don’t care.”

Aki’s brow furrowed. “It isn’t helping you.” When Rook said nothing, he added, “Look at her, she’s exhausted.” He gestured towards Tyra.

Rook turned to look at his first mate, who was slowly getting to her feet. She was disheveled, her clothes rumpled and her locs in disarray. Her chest rose and fell as she panted for breath. Aki was right, she was tired. 

“Let her go,” Aki said gently.

Whatever he had been trying to do by challenging her, it wasn’t working. He was breathing more heavily than normal, but it was more due to the tightness in his chest than a difficult fight. His muscles trembled, not from effort or exhaustion, but from tension.

Rook squared his shoulders. “Fine.” He sheathed his sword and turned away. He could feel the crew’s eyes on him as he headed towards the ratlines leading up to the crow’s nest. Ignoring them, he grabbed the rope and began to climb.

Though it had been years since he’d climbed the rigging, it came back to him easily, his body’s memory of six years of sailing guiding him up to the small basket-like platform near the top of the mast. A member of the crew sat inside. As Rook’s head came into view, she started, eyes wide.

“Get out.”

She nodded and hurriedly clambered over the edge, scurrying down the rigging towards the deck.

Rook sank onto the floor of the crow’s nest, tipping his head back until it touched the low wooden wall surrounding the platform. Closing his eyes, he breathed in, then out, forcing himself to slow down.

He wasn’t sure if it was the gentle rocking of the ship, or the wind on his face, or the sun on his skin, or simply the distance from the deck and all the gloom that hung over it, but slowly the tension faded from his body.