#cause while the youngers may parentify the oldest there is no one else for the oldest but the parents
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going to be real the “mom/dad” ification of older sibling characters in fandom makes me cringe so hard, as the oldest daughter who did get called mom (and still does sometimes)— don’t make it this great thing the oldest is just so happy to hear. bc when my brothers still slip up and call me mom i feel a gaping screeching black hole open up in my chest
#like the oldest siblings OF COURSE love and care and even can love giving that support only the oldest or a parent figure can#BUT#THAT DOESNT MEAN THEY WANNA VE CALLED MOM OR DAD BY THIER SIBLINGS#like they have a name and it’s not mom/dad#the thing is#when you give in that last step and call a sibling a parents title#you then strip the sibling of being a sibling#and also call to attention the sheer lack of authority figure they themselves have#cause while the youngers may parentify the oldest there is no one else for the oldest but the parents#sorry i just see it kind of often? in like rise raph and ‘12 leo#like please they can be older siblings EVEN patentified older siblings but don’t make the leap and call them mom/dad#specifically if u are going to make it this like fun and loving bonding experience#it’s NOT#also steve harrington got this treatment#DO NOT CALL MY MAN MOM?
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TMNT (2012) characters as dysfunctional family roles
here I go again analyzing a kids show that ended four years ago. anyway, I saw a tiktok by user doinbigthink where they gave a quick overview of the six kinds of dysfunctional family roles, and I immediately thought of tmnt bc it’s my current hyperfixation. so I spent almost an hour doing research and writing up this analysis, as one does.
as a preface: dysfunction in a family can be caused by anything from someone struggling with addiction to a parent being abusive or unavailable/neglectful to someone having narcissistic personality disorder (npd) etc. etc. Usually there is one person who is the root cause of this (very deep seated) dysfunction and the others in the family (often the kids) fall into these roles in order to cope.
Leo: The Hero
The Hero is often the oldest child. They cope with the dysfunction in the family by being high achievers or perfectionists, and they need a sense of control in order to feel safe within the family. They are seen as very well-adjusted, balanced, and high-functional and are often used as an example of how well the family as a whole is doing. They may allow this misconception to continue (whether consciously or unconsciously) in order to hide the family’s problems. They may be parentified as children (that is, forced to take on a parental role for their younger siblings) and usually feel a lot of pressure to solve the family’s issues. With Leo in particular, you see these two behaviors in the way he approaches leading his brothers as well as the way he obsessed over bringing Karai into the family for Splinter’s sake after discovering her true identity. As an adult, the Hero is often drawn toward romantic partners who are emotionally unavailable (again, see Leo’s crush on Karai) and tend to throw themselves into their work (Leo’s obsession with ninjutsu)
Leo: The Golden Child
The Golden Child is not a dysfunctional family role but instead describes a relationship that develops between a parent/guardian with npd and one of the children in the family. In these cases, the parent tends to favor the Golden Child because the Golden Child exhibits all the traits the parent loves in themselves. In Splinter and Leo’s case, these characteristics are their devotion to ninjutsu, their general temperaments, and their more spiritual/mystic natures. There are MANY examples of this favoritism in TMNT canon; for example, Splinter teaching Leo his reiki technique (the healing hands) in “the deadly venom” because everyone things Leo is the most capable of learning such an advanced technique (in the episode, Donnie says that he doesn’t think anyone else on the team could’ve done what Leo did, i.e. using the healing hands on himself and saving the others from karai). The parent has a volatile relationship with the Golden Child and often their love is conditional (that is, the parent will favor the Golden Child as long as the Golden Child continues to act like the parent). Because of this, the Golden Child often has trouble establishing an independent identity (see: Raph calling Leo “Splinter Jr.”, though I can’t remember if this happens in 2012 or just in the 2003 version). The Golden Child may also participate in the narcissistic parent’s abuse against the other children in order to protect themself (this is less explicit in canon, but I think that Leo’s leadership style fits this bill)
Raph: The Scapegoat
The Scapegoat is often the second child. As the name suggests, they are often blamed for things that go wrong in the family regardless of whether it was actually their fault or not. Scapegoats are often very aware of their position in the family and as a result they may feel rejected, isolated, and unlovable. I think a good example of Raph feeling like this is the fact that, early in the show, he only openly expresses his emotions to Spike. Scapegoats learn that negative attention is better than no attention (especially from a parent/guardian) and they often engage in high risk behaviors such as sex, drugs, etc. (in Raph’s case, his reckless fighting style and the way he seeks out fights, and this also explains his temper and overall angry demeanor). Because of this, they tend to get into a lot of trouble and are often singled out as the child who needs individual help (aka therapy) even though the root problems lie with the family as a unit. In cases where the parent has npd the Scapegoat is often pitted against the Golden Child. This is called splitting and it is another way to distract from the family’s deeper issues. I feel like I don’t need to explain the way that Leo and Raph are pitted against each other.
Donnie: The Lost Child
The Lost Child, as the name implies, often fades into the background. Usually this is on purpose in an effort to keep themself safe, as they might be scared to draw attention to themself or rock the boat, especially in an abusive household. They may often feel ignored or neglected and are often described as loners who have difficulty developing social skills or self-esteem. Like the Hero, the Lost Child is often used as an example of the family’s stability and success because they aren’t causing trouble. They tend to struggle when forming friendships/romantic relationships, and they are usually praised for not needing a lot of attention/being independent. Because of this, they feel safer when they’re by themselves. Although Donnie does cause trouble sometimes (see: all the times he’s blown some shit up in the lab, the Mutagen man thing, etc.), he’s not seen as the troublemaker. Raph (and Mikey, to a certain extent) definitely takes that title. Donnie is often alone in his lab---working, admittedly, but he still tends to isolate himself, and he is often seen as the most socially awkward of the brothers (see: his relationship with April). There’s also this very interesting exchange from the episode “Enemy of My Enemy” when they’re in the Shellraiser and Leo is about to take the stealth bike to help Karai:
Raph: Hey, the stealth bike’s my thing. Leo: Now your thing is sucking it up. Donnie: Hey! That’s my thing!
Mikey: The Mascot
The Mascot is often the youngest child. They use humor and goofiness to diffuse tension and distract the family from their issues, though when this works, they feel increased pressure to continue to step in when things become tense or volatile. The Mascot acts from a place of anxiety and trauma, and they may have bouts of depression. They also tend to feel as though they cannot express their negative emotions (because they often see themselves as responsible for their family’s happiness). They tend to bend over backwards for people with little regard for their own safety/comfort, and they are drawn to intense and dysfunctional relationships (whether romantic or platonic) where they will be called upon to diffuse tension. This can be seen in the way Mikey approached his friendships with both Bradford (pre-mutation) and Leatherhead. Mikey is also very rarely shown as being sad, angry, or depressed the way that the other three are, and it’s only in times of extreme emotional distress (like the season two finale) where he drops his humor. Even in the midst of tough battles or tough situations, Mikey tends to insert himself into the middle of the tension and is almost constantly cracking jokes or trying to keep things lighthearted. When he does show more negative emotions, it’s in (mostly) one of two ways. One, giving comfort or seeking comfort, usually from Raph (again see the season two finale, where he hugs Raph to calm him down after Splinter “dies” and seeks comfort from Raph in the Party Wagon as they’re driving away from the city). Two, acting combative with Donnie.
Note: Mikey and Donnie acting combative
This second one in particular is really interesting to me because both Donnie and Mikey exhibit a level of comfort/feeling safe with each other that they don’t display with the other two. Mikey only ever gets physical with Donnie (their little slap fight in “Turtle Temper” or attacking him at the end of “The Creeping Doom”), while Donnie only ever purposefully antagonizes Mikey to get a reaction (slapping him in “Turtle Temper”, which prompts the slap fight, or teasingly insulting him at the end of “The Creeping Doom”, which prompts Mikey to attack him). Mikey likes to get under Raph’s skin, but he never retaliates when Raph gets physical with him. Donnie does occasionally argue with Raph and Leo, but usually backs down after Raph threatens him with violence (see “New Girl in Town”), and with Leo it never escalates past a verbal fight (see the season two finale, “the fourfold trap”). Actually, it seems that in Mikey’s and Donnie’s relationship, they take on the roles that you usually see in Raph’s and Mikey’s relationship. Mikey antagonizes Raph and Raph retaliates; similarly, Donnie antagonizes Mikey and Mikey retaliates, but neither of them would act this way toward their other two brothers.
Splinter: The Root of the Dysfunction
I’ve made a lot of allusions by now to Splinter having npd, or at least some narcissistic tendencies. There are many times where he shows favoritism toward Leo or acts in a very stubborn or even self-absorbed manner. In the season one finale, for example, he refuses to help the turtles fight and only leaves the lair after april is kidnapped by the shredder. In “the pulverizer returns”, he makes the turtles switch weapons (for literally no good reason), they almost die in a fight and switch back, and as punishment, he takes their weapons away entirely; this isn’t addressed in the episode, but i do believe that if they’d had their weapons, they could’ve prevented timothy from being mutated in this episode. (Admittedly there are times when he apologizes, admits he’s wrong, and changes his mind, which is why I hesitate to say he exhibits fully narcissistic behaviors). There’s also the physical aspect of their relationship. He’s teaching the turtles ninjutsu, so you can expect a very physical relationship in the form of training, but there are times when he causes the turtles pain for the sake of pain as punishment (e.g. randori, which we see a few times, or when he goes for their pressure points, or when he trips mikey in the episode “monkey brains”, or when he stabs raph with his cane in the episode “turtle temper”, and these are just the examples i can think of off the top of my head). There has been discourse in the fandom about whether these characters (splinter and raph in particular) are abusive, and i don’t want to get into that. However, i think it’s undeniable that splinter raised his kids with the intent to turn them into child soldiers, and also i fully believe that this (plus his parenting style) is the root of the dysfunction in the hamato family.
#I cannot believe I spent 45 minutes researching dysfunctional family roles and writing this up#anyway#teenage mutant ninja turtles#tmnt 2012#leonardo#michelangelo#donatello#raphael#splinter#Leo 2012#donnie 2012#Raph 2012#Mikey 2012#splinter 2012#analysis
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