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twentiethcenturymoviesandtv · 5 years ago

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Dead Poets Society: The Story

Dead Poets Society opens in a pretty traditional way: with the first day of school.

It’s the beginning of a fresh school year for transfer student Todd Anderson (Ethan Hawke), new, shy kid on the block at Welton Academy, a prestigious prep-school for boys, located in Vermont. At the opening ceremony, older recruits march through a church, down the aisles full of other students, carrying banners that display the words: Tradition, Discipline, Honor, and Excellence. New students light candles, and, most importantly, headmaster Nolan takes to the podium to welcome the new students, and shy, quiet Todd Anderson sits in the pew, looking nervous as Headmaster Nolan begins his speech, discussing the four Pillars of the school, the prestigious nature of the establishment, and introducing the new English teacher: John Keating (Robin Williams).

The panel of teachers, sitting behind Nolan, is notably older and grayer than Keating, who, while not a terribly young man, is considerably more lively and animated than his new colleagues. This will be important later, but not right now. (Spoilers below!)

After the ceremony, the courtyard in front of the school is full of parents saying goodbye to their sons. It is here that we learn something interesting about Todd: he has, as Nolan puts it, “big shoes to fill” . As it turns out, Todd’s older brother was a student here, and a pretty good one. Even more nervous, Todd files out of the courtyard with the rest of the students, where we meet Todd’s to-be roomate: Neil Perry (Robert Sean Leonard).

Neil Perry seems to be Todd’s complete opposite in personality. He’s confident, and out-going, and is expected by Nolan to be doing ‘great things’ this year. He takes Todd up to their dorm room, and there, Todd meets Neil’s friends: Knox Overstreet (Josh Charles), Richard Cameron (Dylan Kussman), Stephen Meeks (Allelon Ruggiero), Gerard Pitts (James Waterson), and Charlie Dalton (Gale Hansen). The boys get comfortable in Neil and Todd’s room, teasing Neil for being made to take chemistry courses over the summer. The laid-back nature of the introductions is cut short, however, by a knock at the door.

It’s Neil Perry’s father (Kurtwood Smith).

Mr. Perry tells Neil that he has spoken to Mr. Nolan, and has cut all of Neil’s extra-curricular activities for the year, including the school yearbook, as he doesn’t want Neil distracted from the end-goal of medical school. Neil tries to argue, but is quickly shot down.

After Mr. Perry leaves, the other boys encourage Neil to stand up to his father, but he refuses, resigned to doing what he’s told. The other boys leave, inviting Todd to join them for a Latin study group the next day.

The next day, on the first true day of classes, the boys pass through lesson after lesson, taught by wizened, distinguished men who bore their students to tears.

And then comes English class.

Mr. Keating enters the room, passes his entire classroom, and heads for the opposite door, telling his class to follow him. Confused, the class obeys.

Keating takes them out to the hallway, encouraging them to look at the case full of pictures of Welham alumnus, and tells them that those who first attended Welton, explaining that these people who were once young, are now old, or even dead.

“Carpe diem, seize the day. Gather ye rosebuds while ye may.”

He also recites to them some poetry:

“O Captain, my Captain. Who knows where that comes from? Anybody? Not a clue? It’s from a poem by Walt Whitman about Mr. Abraham Lincoln. Now in this class you can either call me Mr. Keating, or if you’re slightly more daring, O Captain my Captain.”

After class, Cameron remarks that Keating seems rather odd, but the rest of the boys seem to like him, or at least, find him interesting. While the boys hit the showers, Knox reveals that he has to attend a dinner at the Danburys’ (whoever they are, more on that later) explaining that he can’t meet to study with them tonight. The boys pick on him a little and then invite Todd, who doesn’t seem to be on board for the plan.

That night, the boys meet to study, and Knox comes in late, elated. See, he’s met the most beautiful girl he’s ever seen: Chris. The bad news is that she’s engaged to a guy named Chet, but that doesn’t seem to deter Knox that much. He remains completely smitten.

The next day, Keating’s class remains as unconventional as the day before. This is no course where the first class is fun and then it’s down to business the next day: Keating seems to mean business about seizing the day.

He opens class by requesting that Cameron reads the first page of the introduction of their poetry book, an introduction about how to rate a poem’s ‘greatness score’. As he reads, Keating writes on the board, allowing him to reach the end of the page before telling Cameron, and the rest of the class, to rip out the introduction.

At first, the class hesitates, but after a moment, many of the students gleefully obey. As they tear out the pages, another teacher, Mr. McAllister stops to investigate. Keating explains that he is teaching the boys to think for themselves, to enjoy the use of language and the power of words.

“No matter what anybody tells you, words and ideas can change the world.”

The boys contemplate this as Keating adds:

“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, “O me! O life!… of the questions of these recurring; of the endless trains of the faithless… of cities filled with the foolish; what good amid these, O me, O life?” Answer. That you are here �� that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play goes on and you may contribute a verse. What will your verse be?”

At dinner, McAllister sits next to Keating and chastises him warningly about his choice to educate the boys to think for themselves, encouraging them to be creative.

“Show me the heart unfettered by foolish dreams and I’ll show you a happy man,” McAllister quotes.

Keating smiles and replies with a verse of his own: “But only in their dreams can men be truly free. ‘Twas always thus, and always thus will be.”

At their own table, the boys unearth an old yearbook, searching for Mr. Keating’s page. They learn that he was involved in a group called the ‘Dead Poets Society’.

Curiosity piqued, the boys ask Keating about the Dead Poets Society after dinner. Keating explains that it was a secret society, inspired by the words of Henry David Thoreau to ‘suck the marrow out of life’. This group would gather in a nearby cave and read poetry aloud, and write some of their own.

Neil suggests to the rest of the boys in private that they should revive the Dead Poets Society and meet that night. In his room, he finds a book called Five Centuries of Verse, with an inscription from Keating: the opening to every Dead Poets Society meeting.

“I went to the woods because I wanted to live deliberately. I wanted to live deep and suck out all the marrow of life. To put to rout all that was not life; and not, when I had come to die, discover that I had not lived.”

That night, the boys all sneak out of the school and meet in the caves. Neil begins the meeting, reading the opening, and then the group takes turns reading poems and talking, getting progressively more spirited. After a while, they conclude, heading back to the school and singing.

The next day, in English class, Mr. Keating shows the boys how to read Shakespeare: not dull and stuffy, but full of life, (doing impressions of Marlon Brando and John Wayne to illustrate) and then does something even stranger.

Keating climbs onto his desk and asks the class why he does this. Charlie suggests that it is to feel taller.

“No! Thank you for playing, Mr. Dalton. I stand upon my desk to remind myself that we must constantly look at things in a different way.”

With that, Keating encourages his class, one at a time, to stand on his desk, looking at the room from a different perspective. As class comes to a close, Keating announces that the boys are to write, and then read aloud, their own poems, privately telling Todd that he is quite aware how much this assignment must scare him.

In his room, Todd attempts to write a poem as Neil bursts in, full of excitement. He has discovered a flier for a community play of A Midsummer Night’s Dream, and intends to try out, realizing that he wants to be an actor. He says:

“For the first time in my whole life, I know what I wanna do! And for the first time, I’m gonna do it! Whether my father wants me to or not! Carpe diem!”

The next class, Keating takes the boys out to the field, handing them each a line of poetry. He begins an exercise where each boy must read aloud the line before running up and kicking a ball, one after another, while he plays classical music. Directly after, Neil blazes through the dorm, shouting that he’s secured the part in A Midsummer Night’s Dream, his enthusiasm undaunted by the fact that his father will never write the approval letter necessary. He forges the necessary letter from his father for the theater and the school principal as Todd looks on.

It is the next English class, and it is time to read the poems from the class. Knox, who has ridden his bike to Chris’s school to watch her at least once, reads aloud a poem dedicated to her. Other students read, and finally, it comes time for Todd’s turn.

Todd, as it turns out, hasn’t written a poem.

Undaunted, Keating brings Todd to the front of the class, covering his eyes and encouraging him, helping him create a poem on the spot. Todd’s spontaneous poem brings the class to applause, and Mr. Keating moves the class outside for some more ‘poetry in motion’.

At this point in the story, we’ve got a lot of information about quite a few characters.

Protagonists Todd and Neil, originally apparently the opposites of one another, are similar in pressures from home: Todd to be like his older brother, and Neil to follow the carefully laid plan that his father has set out for him. Neil is already moving outside of that plan, pursuing acting, and Todd, with some encouragement, manages to come up with an intense poem in front of an entire class, despite his shyness.

Even the other boys in the group have unique characterization: Charlie, the anything-for-a-joke class clown, Knox, the hopeless romantic, and Cameron, the reluctant tag-along. (Meeks and Pitts are there too, but they have far less screen time and personality than the rest of the DPS.) We as an audience are watching their growth and personal arcs after the catalyst that is John Keating.

Oddly enough, Keating is the main character that we spend the least amount of time with, and know the least about. We don’t know a lot about his home life, or what his background is, or what his thoughts are. All we see is his direct influence on the boys at the school, and his unintentional inspiration to restart the Dead Poets Society.

Speaking of which:

At the next Dead Poets Society meeting, Knox seems uneasy, announcing that he’s going to kill himself if he can’t be with Chris, and leaves the meeting to call her. The boys follow, cheering him on, as he makes the call, hanging up at first, before working up his nerve (Carpe Diem) to call her again. Chris invites Knox to a party, saying she was thinking about calling him, and elated, Knox accepts the invitation.

The next night is the night of the party. Knox heads off to the Danbury house, where he’s swallowed up by a rowdy crowd of teenagers. Soon enough, Knox (and everybody else) is at varying levels of intoxicated. Inhibitions loosened, Knox kisses the forehead of a passed-out Chris, enraging her boyfriend and starting a fight, ending the party abruptly.

Meanwhile, Todd is given the exact same birthday present as last year: a desk set that he didn’t even like, yet another sign of his parents not really paying attention to him. Neil, noticing Todd’s disappointment, cheers him up, throwing the desk set off the roof, before taking him to another Dead Poets Society Meeting, where Charlie (now insisting on being called Nuwanda) has brought girls in to impress them with poetry.

Charlie also announces that he published an article in the school newspaper demanding that girls be admitted to Welton, signing it the Dead Poets Society. The rest of the group is justifiably angry, afraid that this will put the school’s administration onto them.

Sure enough, at an assembly, Headmaster Nolan demands to know which of the students was responsible for the article. At first, none of the students come clean, until a phone rings.

Charlie picks it up, and announces that it’s from God, saying they should admit girls to Welton.

This prank inevitably ends with Charlie getting paddled in the Headmaster’s office (1959, remember?) and threatened with expulsion. Nolan wants the names of the other members of the Dead Poets Society, but Charlie won’t tell.

After dismissing Charlie, Nolan calls Keating in, questioning him about his teaching methods. Keating explains that he’s trying to teach the boys individualism.

“I always thought the idea of education was to learn to think for yourself.”

“At these boys’ age? Not on your life!”

Afterwards, Keating approaches the boys, specifically Charlie, and gently scolds him for his stunt.

“There’s a time for daring and there’s a time for caution, and a wise man understands which is called for,” he says, explaining that being stupid is not the same as being an individual.

This is a common theme of the entire story, actually. As much as Keating encourages free-thinking and exploration of ideas, he knows the difference between bucking authority for the sake of it versus nonconformity. Each of the boys is exploring this aspect in their own way, from Todd’s slow-growing confidence to Neil’s direct disobedience of his father’s oppressive plan to Charlie’s defiance, even to Cameron’s caution against ‘disobeying rules’. Dead Poets Society is a story about encouraging people to think for themselves, but to be wise about what they do once they start, and while some are more obvious than others (Charlie’s foolishness and Knox’s overzealousness contrasted with Cameron’s blind following of ‘the rules’, all portrayed as kind of problematic), some examples are more ambiguous.

Such is the case with Neil.

After a rehearsal for the play, Neil comes back to his dorm to find his father, very displeased with him. He’s incredibly angry about Neil joining the play, and instructs him to quit the play the next morning, the same day as the first performance. Upset, Neil goes to Mr. Keating’s office to ask him for advice.

Keating listens to him, and suggests trying to talk to his father, for Neil to show him how passionate he is about acting so that he will allow him to do the play, encouraging him to come to his father earnestly before the play.

On a slightly lighter note, Knox enters Chris’s high school and follows her to class with flowers, trying to apologize for the previous night. She’s understandably embarrassed and tells him that her boyfriend, Chet, is still upset with Knox and is out to get him. Undeterred, Knox follows her into class and reads a poem about Chris aloud, in front of all of her classmates.

Remember what I said about ‘wise’ ways to deal with free thinking?

A little later, Neil lies to Keating, telling him that he’s talked to his father, and that he’s allowed to stay in the play.

The next night, Keating and the boys prepare to go see Neil perform, with Chris even turning up and deciding to accompany Knox to the play. It’s well worth it. Neil is in his element, comfortable and dynamic on stage, and his classmates and teacher cheer him on, awestruck by his talent.

Before the last monologue, Neil spots his father, entering the theater. Clearly daunted, he goes out and sells his final monologue anyway, to the wild applause of the audience.

All but his father.

After the performance, Neil’s father brings him home, informing him that he is being pulled out of Welton, and enrolled into a military school, immediately followed by medical school. Neil attempts to argue, to plead his case, but his father shuts him down, and Neil stops arguing.

Later that night, after his parents go to bed, Neil sneaks into his parents’ room wearing his costume, opens the drawer, taking his father’s gun, before retreating to his father’s study and killing himself.

It is right here that the movie goes from a good, even average film about ‘seizing the day’ and living life to the fullest, to a great movie about the consequences of doing it.

In another movie, Neil’s father would have seen the performance and realized his son was right. Or if he hadn’t, Neil would have finally stood up for himself, and his parents might have seen the light.

In another film, Neil wouldn’t have died. Especially not like that.

It is this moment, this gear-switch, that the audience is forced to contend with the implications, the fallout of these actions, and that sometimes, even ‘seizing the day’ is impossible, depending on your circumstances.

It’s not an easy idea to swallow. It’s not one we’re used to in movies. But it’s here, nonetheless.

Back at Welton, the boys tearfully wake Todd up to tell him the news. Upset, Todd runs out into the snow, as the boys follow. He remarks on how beautiful the snow is before throwing up and breaking down, rushing into the snow alone. In the classroom, Mr. Keating paces empty desks, arriving at Neil’s and removing the poetry book he left for him with the Dead Poets Society inscription.

The next morning, it turns out that the fallout affects more than Neil.

Headmaster Nolan announces that he intends to conduct an investigation into what happened. The boys gather to talk as Nolan interrogates Cameron, the rule-abider. The remaining Dead Poets are certain that Cameron is going to sell them out, and sure enough, that’s exactly what he does. Cameron enters, telling the group that he told them everything, and that they all should too, as it’s too late to save Keating, but not to save themselves.

Charlie reacts to this by punching Cameron in the face, getting him expelled.

The next boy called in is Todd, who enters Nolan’s office to find his parents there, too. Nervously, he sits as Nolan tries to get Todd to sign a document blaming Mr. Keating for Neil’s death. Todd glances at the page: the rest of the Dead Poets have signed too.

Later, in English class, Headmaster Nolan arrives and announces that he will be teaching until they can find a permanent replacement for Keating. As he opens class (encouraging people to read the ‘excellent’ ripped out introduction from the book) Keating enters the room to collect his things. After long moments of silence of the boys keeping their heads down as Keating gathers his belongings, Todd finally breaks, calling out to Mr. Keating and telling him that the school forced them to sign the confession.

As Nolan tries to get him to sit down, Todd shouts out: “O Captain, My Captain”, and stands on his desk. Many other students follow, one by one, as Keating tearfully watches.

Keating gratefully thanks the boys, and the film ends on a closeup of Todd’s face, after he’s finally stood up for himself, and seized the day.

Make no mistake, this is not a happy ending. Keating is forced to leave the school. Neil has taken his own life, trapped into a lifetime he didn’t want. Charlie has been expelled, and it’s likely the rest of the boys will be too. This is a movie based on, and ending with, great uncertainty. Not every boy stood up. Not everyone is coming out of this okay.

The question is, what are we supposed to take away from this?

The message of the film, the core theme that people remember, is Seize the Day. And yet, of those who ‘Seize the Day’, very few come out of it unscathed, if any. Instead, people are left with heartbreak, making bad decisions or, even if the decisions may have been morally ‘right’, or what they felt they had to do, consequences must follow. Charlie’s overzealous sense of humor and bucking of authority gets him expelled. Knox’s over-the-top romanticization of Chris nearly drives her away and gets him in trouble. Neil kills himself because the restricting nature of his family won’t allow him to ‘Seize the Day’.

And Todd?

Todd finally speaks out, but too late to fix any of the damage.

Despite the focus on Mr. Keating in most of the promotional material, the protagonist of the movie is, of course, Todd. Once Neil dies, Todd is who we are left with, and it is Todd who changes from shy boy who won’t speak out to the leader of a final daring farewell to a teacher that changed his life. He’s the one that grows. He changes.

It’s just too little too late.

The story of Dead Poets Society is a sobering one, and not exactly a story you’d expect. The first two-thirds could have been part of any typical, ‘feel good’ teen drama about self-discovery, but the last third takes expectations and turns them on their head. This is real life: it doesn’t always work out. People get fired for trying to do the right thing. Parents don’t see the harmful impact they have on their children. People value rules and tradition over the dreams of the young.

It is in this devastating third act that Dead Poets Society earns its place as a classic: by refusing to allow the cliched beginnings to define its ending.

It would have been so easy to allow Neil to convince his father to allow him to act. It would have been simple to allow Keating to change the mind of the establishment, for the Dead Poets to take Welton by storm.

But real life doesn’t always work out like that. Sometimes, the way we go about ‘seizing the day’ can end badly depending on our circumstances and the wisdom in the method we choose. The film isn’t telling us how to do it right. It’s showing you the lives of people who did it wrong, or at least, who seized the day, tried to make their lives extraordinary, and failed, due to many different reasons.

But.

That doesn’t mean we should stop trying.

For every failure, for every mistake (Neil sneaking to do the play, Charlie’s pranks, etc.), Todd’s example stands above and beyond. Yes, he might get into trouble. But this moment, this act of telling a beloved teacher that his work was not in vain, that his students will remember him, that he was not to blame, feels right. This is what he is supposed to do.

We cheer for that moment, we feel the weight of the movie lift just a smidge, because in the end, we have to seize the day. We have to try to make our lives extraordinary, but we have to find the right way to do it, the wise way to do it.

Because, for all of the mistakes made, Keating is right: Words and ideas will change the world. It is up to us how to use them, when to use daring, or caution, and in the end, try to find the meeting place between doing what is right, and doing what is true to yourself.

The ending is uncertain, yes. But it’s the only satisfying ending that an honest movie could give us.

Dead Poets Society is an emotional story, bringing up questions about non-conformity and following the rules that go beyond a surface: ‘yes or no’. A gripping story full of great performances, a warm atmosphere, and immortal dialogue, Dead Poets Society will continue to be a testament to words as long as we care to use them.

In the articles ahead, we’re going to be taking a look at some of the other important elements of Dead Poets Society, so if you enjoyed this one, stick around and join us! Don’t forget to leave a comment, like, or some other form of love if you enjoyed it, and follow for more! Thanks so much for reading, and I hope to see you in the next article.

#1989 #80s #Dead Poets Society #Dead Poets Society 1989 #Comedy #Drama #Dylan Kussman #Ethan Hawke #Film #Gale Hansen #Josh Charles #Kurtwood Smith #Movies #Peter Weir #PG #Robert Sean Leonard #Robin Williams

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hecohansen31 · 5 years ago

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Hii could I have a ship with one of Cody's characters please? I'm a 4'11 female with tourettes, I like art activities and I sell crochet baby blankets atm. I have long brown ringlets, I love making spell jars and collecting mini shells to put in them, I'm kinda into ddlg and I have a massive breeding kink aswell ❤

Hey sweetie,

First of all thank you for choosing ‘Martina ShipsTM’!

I do think that the one for you is Xavier Plympton!

I do think that you both being two artsy people might help you quite a lot in getting along together, alongside the fact that again I do think that the beach aesthetic would be perfect for you both, mostly he’d apprecciate the entire spell jar concept (you know... it isn’t easy being an actor during this time, so he might need all the help he can get!).

I do feel like he’d low key make a bit fun of your passion for crochet baby blanket (because he has literally to uphold the toxic masculinity look) but you once saw him trying to replicate one of yours, as a birthday present and burst out laughing like an idiot, because he looked so cute... and yet he had no clue!

Also I do think that he’d be the most likely to treat your ‘trourette sindrome’ as something that is ‘as normal as they can come’, joking that in the end ‘you are just doing a dance of our own, with your own music’ and although he might seem a bit every inch of the typical jerk... he would be quite protective towards you.

If anybdy tried to make fun of you, he’d absolutely do his best to set Chet after them, believe me!

(I do hope I didn’t disappoint with this, since again... I am rusty with these things).

Hope you’ll like this!

Have a nice day!

-Heco Hansen.

---

Liked What You Read? Want To Support Me? Buy Me A Ko-Fi!

#nonnie #thank you sweetie #have a nice day #Xavier Plympton #Xavier Plympton x Reader #Ship

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shadoedseptmbr · 1 year ago

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six lines for sunday

KtoC posted at 0631CST- Learning some things about myself this week CtoK posted at 0635CST- ? CtoK posted at 0638CST- ?! CtoK posted at 0642CST- babe you can't just post things like that and gost me babe what are u learning CtoK posted at 0658CST- you have eight minute or i am texting your mother KtoC sent image at 0706CST CtoK posted at 0710CST- wait i wanna learn things

#sept writes #sixish lines for sunday #kaidan alenko #chet hansen

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wearenotasfarwest · 5 years ago

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Chet’s Challenge, day twenty-eight:

Someone being passive aggressive

(Thank you to @charlicpace for making this happen! Despite the also blatant attack on my culture.)

(Galinda Uplands in Wicked, Katherine Howard in Six the Musical, Damian Hubbard in Mean Girls, Jared Kleinman in Dear Evan Hansen, Alexander Hamilton and Aaron Burr in Hamilton.)

#cc #wicked #six the musical #mean girls #dear evan hansen #hamilton #ginna claire mason #aimie atkinson #krystina alabado #will roland #javier munoz #leslie odom jr

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mossdeemo · 6 years ago

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My “Me” Playlist

I blame @pricklyfish777 for this. They didn’t ask me to, but it’s their fault I got the urge to do this

It took forever ooooof

There’s probably trigger warns I should put for some of these songs,,, but I really can’t think of all of them,,,

Welp, here’s all of my issues and personality and likes in one playlist:

A-Okay — Mars Argo

A Turtle’s Heart — Mili

All Night Long — Lobo Loco

Am I A Girl? — That Poppy

American Idiot — Green Day

Andy’s Song — George Salazar & Joe Iconis

Another One Of Those Days — Cavetown

Are You Satisfied? — Marina and The Diamonds

Back Against the Wall — Cage the Elephant

Backstabber — The Dresden Dolls

Bad Guy — Set It Off

Bad Habit — The Dresden Dolls

Basket Case — Green Day

Becky — Championxiii

Birds — Ultimate Storytime

Bit By Bit — Mother Mother

Black Horse and the Cherry Tree —KT Tunsall

Breathe In, Breathe Out — Set It Off

Butterflies — Gabbie Hanna

Call Them Brothers — Regina Spektor

Carried Away — Passion Pit

Chant (Reprise) — Hadestown

Clint Eastwood — Gorillaz

Contemptible Me — Thomas Sanders

Crazy — Makeout

Crush — Tessa Violet

Dancing Queen — ABBA

Dead Mom — Beetlejuice

Dear Jenny — The Dresden Dolls

Disobedient — Steven Universe

Don’t Let’s Start — They Might Be Giants

Everything’s Alright — Kimya Dawson

Feel Good Inc — Gorillaz

Field Below — Regina Spektor

Flamingo — Kero Kero Bonito

Fool — Cavetown

Forbidden Fruit — Thomas Sanders

Formal Girl — Mars Argo

Ghost — Mystery Skulls

Gimme Choclate!! — BABYMETAL

Girl Anachronism — The Dresden Dolls

Glitter and Gold — Barns Courtney

Good Day — The Dresden Dolls

Gravity — The Dresden Dolls

Green — Cavetown

Grrrls — AViVA

Happy Pills — Weathers

Hellfire — Barns Courtney

Help Let Me Go — Danny Gonzalez

Hermit the Frog — Marina and The Diamonds

Hiding In Your Hands — Mallory Bechtel

high and dry — mxmtoon

Hitting On All Sevens — The Devil’s Carnival

Holiday — Green Day

Home — Cavetown

How Far We’ve Come — Matchbox Twenty

How To Disappear Completely — Radiohead

I Am Not A Robot — Marina and The Diamonds

I Can’t Decide — Scissor Sisters

I Don’t Feel Like Dancin — Scissor Sisters

I feel like chet — mxmtoon

I Have a Crush On My Teacher — Kate Miccuci

I Just Laugh — Never Shout Never

I Was An Island — Allison Weiss

idontwannabeyouanymore — Billie Eilish

If I Killed Someone For You — Alec Benjamin

Incomplete — Thomas Sanders

Infinitesimal — Mother Mother

It’s Alright — Mother Mother

It’s Called: Freefall — Rainbow Kitten Surpise

I’d Love To Break It To You —NateWantsToBattle

I’d Rather Be Me — Mean Girls

I’ll Make Cereal — Cavetown

I’m A Mess — Bebe Rexha

I’m Nothing Without You — Dylan Gardner

I’ve No More Fucks To Give — Thomas Benjamin Wild Esq

Just Say When — Kate Miccuci

Kaboom — George Salazar & Joe Iconis

Lemon Boy — Cavetown

Liability — Lorde

Like A Star — Mike Krol

Live To Fight Another Day — The Cog Is Dead

Living Dead — Marina and The Diamonds

Lonesome Organist Rapes Page Turner — The Dresden Dolls

Loose Lips — Kimya Dawson

Mamma Mia — ABBA

Mandy Goes to Med School — The Dresden Dolls

Melody Dean — Amanda Palmer

Mr. Blue Sky — Electric Light Orchestra

Myosotis — Deemo

Mysterious Paths — Marco Belloni

Night Reconnaissance — The Dresden Dolls

Numb — Marina and The Diamonds

Obsessions — Marina and The Diamonds

Oh My God — Ida Marina

Oh No! — Marina and The Diamonds

Only Happy When It Rains — Garbage

Other Friends — Steven Universe

Out the Door — Kate Miccuci

Outcast — NF

Painkiller — Beach Bunny

Party Tattoos — dodie

Peach Lady — Deemo

Pigeon — Cavetown

Pillowcase — Gabbie Hanna

Poison — Cavetown

prom dress — mxmtoon

Prom Queen — Beach Bunny

Prom Queen — Molly Kate Kestner

Quiet — Matilda

Reflection — Mulan

Revolution Lover — Left At London

Runaway — P!nk

Runs In The Family — Amanda Palmer

Saint Bernard — Lincoln

Saturnz Bars — Gorillaz

seasonal depression — mxmtoon

Sex Changes — The Dresden Dolls

Shores of California — The Dresden Dolls

S.L.U.T — Bea Miller

Sorry Bunch — The Dresden Dolls

Space Princess — Human Kitten

Spooky Guy — Danny Gonzalez

Spooky Scary Skeletons — The Living Tombstone

Stuck in the Middle with You — Stealers Wheels

Stuff Is Way — They Might Be Giants

Taking Chances — Kate Miccuci

Terrible Things — April Smith and the Great Picture Show

The Answer — George Salazar + Joe Iconis

The Family Jewels — Marina and The Diamonds

The Goodbye Song — George Salazar & Joe Iconis

The Mouse and the Model — The Dresden Dolls

The Muffin Song — The Gregory Brothers

The Outsider — Marina and The Diamonds

The Rapture Ball — The Poppy

The Second Waltz — André Rieu

The Tea — Danny Gonzalez

The Too Much Song — Lemon Demon

Trouble — Cage the Elephant

Unruly Heart — The Prom

Untitled2 — Deemo

Using You — Mars Argo

Vitamins — Mili

Wait For Me (Reprise) — Hadestown

Waving Through A Window — Dear Evan Hansen

When (Live) — dodie

When the Chips are Down — Hadestown

Word To The Wise — Hadestown

You’re Gonna Go Far Kid — The Offspring

#i put them in alphabetical order cause i can #thomas sanders #the dressen dolls #amanda palmer #mother mother #mili #musicals #cavetown #marina and the diamonds #playlist #my playlist #apple music #my me playlist #f you 7

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goalhofer · 6 years ago

Conversation

1st American Born NBA Draft Pick By Birth State

Maine: Jeff Turner (17th overall, New Jersey) 1984 Bangor

New Hampshire: Matt Bonner (45th overall, Chicago) 2003 Concord

Vermont: None drafted

Massachusetts: Lou Tsioropoulos (57th overall, Boston) 1953 Lynn

Rhode Island: Joe Hassett (52nd overall, Seattle) 1977 Providence

Connecticut: Johnny Egan (12th overall, Detroit) 1961 Hartford

New York: Bob Cousy (3rd overall, Tri-Cities) 1950 New York

New Jersey: Herb Scherer (18th overall, New York) 1950 Maplewood

Pennsylvania: Chuck Cooper (12th overall, Boston) 1950 Pittsburgh

Delaware: Ronnie Murphy (17th overall, Portland) 1987 Dover

Maryland: Gene Shue (3rd overall, Philadelphia) 1954 Baltimore

Virginia: Earl Lloyd (100th overall, Washington) 1950 Alexandria

North Carolina: Bobby Speight (9th overall, Baltimore) 1953 Raleigh

South Carolina: Jim Neal (6th overall, Syracuse) 1953 Silverstreet

Georgia: Charlie Hardnett (19th overall, St. Louis) 1962 Atlanta

Florida: Lucian Whitaker (64th overall, Indianapolis) 1952 Sarasota

West Virginia: George King; Jr. (89th overall, Chicago) 1950 Charleston

Michigan: Phil Martin (29th overall, Milwaukee) 1954 Jackson

Ohio: Chuck Share (1st overall, Boston) 1950 Akron

Indiana: Jim Riffey (19th overall, Ft. Wayne) 1950 Washington

Kentucky: Ralph O'Brien (68th overall, Indianapolis) 1950 Henshaw

Tennessee: Art Burris (31st overall, Ft. Wayne) 1950 Knoxville

Alabama: Bryant Ivey (18th overall, Rochester) 1952 Tuscaloosa

Mississippi: Archie Dees (2nd overall, Cincinnati) 1958 Ethel

Illinois: Don Rehfeldt (2nd overall, Baltimore) 1950 Chicago

Wisconsin: Harry Grant; Jr. (46th overall, Minneapolis) 1950 Superior

Minnesota: Hal Haskins (22nd overall, Minneapolis) 1950 Alexandria

Iowa: Chuck Darling (8th overall, Rochester) 1952 Denison

Missouri: Bill Stauffer (6th overall, Boston) 1952 Marysville

Arkansas: Bob Burrow (8th overall, Rochester) 1956 Malvern

Louisiana: John McConathy (5th overall, Syracuse) 1951 Sailes

North Dakota: Glenn Hansen (31st overall, Kansas City) 1975 Devil's Lake

South Dakota: Jim Iverson (16th overall, Boston) 1952 Mitchell

Nebraska: Bob Boozer (1st overall, Cincinnati) 1959 Omaha

Kansas: Ernie Barrett (7th overall, Boston) 1951 Pratt

Oklahoma: Claude Overton (52nd overall, Washington) 1950 Ada

Texas: Bill Sharman (16th overall, Washington) 1950 Abilene

Montana: Ed Kalafat (9th overall, Minneapolis) 1954 Anaconda

Wyoming: John Pilch (13th overall, Baltimore) 1950 Sheridan

Colorado: Bill Gossett (11th overall, Tri-Cities) 1951 Ft. Collins

New Mexico: Bob Priddy (61st overall, Baltimore) 1952 Las Cruces

Idaho: Roland Minson (15th overall, New York) 1951 Idaho Falls

Utah: Bert Cook (35th overall, New York) 1952 Weber County

Arizona: Leon Blevins (80th overall, Indianapolis) 1950 Phoenix

Nevada: Willie Smith (18th overall, Chicago) 1976 Las Vegas

Washington: Ed Gayda (15th overall, Tri-Cities) 1950 Hoquiam

Oregon: Chet Noe (12th overall, Boston) 1953 Eugene

California: George Yardley III (7th overall, Ft. Wayne) 1950 Los Angeles

Alaska: Almario Chalmers (34th overall, Minnesota) 2008 Anchorage

Hawaii: Cedric Ceballos (48th overall, Phoenix) 1990 Maui

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zooterchet · 3 years ago

Text

40 Pound Box of Rape (For UMass-Amherst RTS Counselors)

Ernest Champlain: Canada Department.

Jacob Charlebois: MI-6 Narcotics Bureau.

John "Snipier" Charlebois: Yiddish Black Hand Catechism Varientes.

Raymond Elois Charlebois: Kaiser's Lodge.

Michael Raymond Charlebois: Saudi Arabia.

Steven Ernest Charlebois: RIN Germany.

Rongo Jennerson: SDF Mercenary.

David Michael Charlebois: Hamas.

Chip Charlebois: Massachusetts Gambling Commission.

David Sant Charlebois: Bretonwoods Trade Summit, Munitions Engineering, East India.

John Winston: Organized Crime Commission FBI.

Charles Winston: Thai Intelligence Google.

David "Chet" Charlebois Achievements:

1987: Fall of the Berlin Wall, Rabbinical bet rigging to produce prostitutes from athletes’ wives, INTERPOL, farting horses; funded by Polish-Jews, pork investment, out of mill lumber, Gentile slaves.

1991: Bim Skala Bim shut down, child prodigy schools for Jews, listening to 1980s ska or hardcore.

1991: Ryan Taylor, is placed as recovery of SDF agent, Jerry Robinson’s grandson, on the MBTA, cooperating on contract lift, “Rungo Jennerson”, “47”, SDF mercenary. The hit on the Space Needle, the last Faraday Shield against aliens, the West Coast, not hit by Scientology, traded for the Pentagon, at Logan International Airport.

1992: Education through film and TV, Hitler’s Goebbels system, labeled as “limbergh cheese”, a German soldier, a sped, through paleontology book report; the rise of Star Trek: The Next Generation.

1994: Pillow biter no longer gay, biting a hot dominatrix’s butt, if she doesn’t want you all tied up; future political careers of economists (and female accountants, for politics; Laura Bush, Michelle Obama, Hillary Clinton, AOC).

1995: Pat Stanley, freed from dairy slavery, from older brother, corrupt NSA agent, Andrew Stanley; “Rock Superstar”, by Cypress Hill, printed, the future of the American-Jewry; Fidel Castro.

1996: The 9/11 conspiracy revealed, through “Morph”, Matt Lennox, Keanu Reeves prevents plane number 11. “nil”, Dave Charlebois, assists.

1996: Will Morgan Jr., descent of Jefferson Davis, through mother, “Lou”, recruited for FBI, to redeem family legacy, of Adolf Hitler; for the Mossad, their unit formed by Hitler, to come for G-d; “Egads”, and Velma, his future wife; “Jinxy”. Superman.

1997: The downfall of EMC’s production forensics, of children, the rise of Stalin, in computing, contact with Ireland.

1997: The reveal of Michael “Thresh” Nguyen as a Quake cheat, in common tournament; reform of online sports, to favor honest players, the corruption of the video game industry ended. Bowser wins, the Madison family, the future rise of anti-conscription laws, when challenged.

1999: The death of Alice Charlebois, the investigation into slave compounds for spies, run by Mossad, Russian agents; the beginning of the Insane Clown Posse, through the Voodoo Wizard, Christophe Stevens, the stolen toy set; “you lost this”.

2001: The firing of Alan Quimp, alias “Michael Fleming”, head of the Hopkinton history department; Rambo, First Blood, to avenge Woody Harrelson Sr., trapped by Cuban state police, “aliens”.

2001: Stopping six planes, on 9/11, through Mickey “Mouser” Blitzen’s descent, Adam Palmer, mixed with the Man Show’s “The Fox”, Erwin Rommel.

2001: The placement of Bellicheck, as the head coach of the Patriots, not the Vikings, to sabotage the Yakuza, the police automotive federation, not the actor’s guilds, the British cops protecting Jews from anti-Semites, by frame of Jew Hunter if hunting police; a slave’s draft, into the United States Marine Corps, if an anti-Semite, a poisoner.

2002: The George Soros election campaign, “Team Sauerkraut”, Barack Obama’s model for the Presidency. Hopkinton High.

2003: The murder of Carlin Sarkesian, Napster/RIAA/Metallica/Mustaine agent, through Putin, the assertion of Citizen’s Rights, the end to the 3/5ths Compromise, the slavery on auction of the poor if favored by man changing name, the Canadian Jewry, INTERPOL. Chris Hansen is fired, and joins the Freemasonic Temple, for George W. Bush, the O’Neill traitor to the Morningstars.

2003: The refusal of Boston police, to control Cuban marijuana, the blockage of soil composites, to grow poisonous pot for Cubans, for the exchange of alcohol necessary, the contract for Governor Dukakis, head chair of Chas T. Main, through acting Sergeant, George W. Bush. The end of Bush, Huckabee, Kerry, McCain, Obama, Charles, Andrew, Edward; freedom for Brazilians, against Israeli preferential buying, of the hands of Hispanic kids burned and torn, in exchange for cocaine, produced by kids with faces burned from nitric acid, sold as slaves to produce cocaine, stomping it in barrels, instead of ceramic ablate, for gloves, sold as tank heat sinks, for a modicum of price, Israeli domination of the Middle East; Swedes, not proper Jews; Mizrahi, Aryans, Palestinians, Latinos.

2004: The downfall of the CIA Mounted, the Governor’s Association; the domination of marijuana, to control the Western Hemisphere’s politicians, for political associations, the Masonic Lodge, the police associations, the Ignatians; the police associations.

2004: The theft of the Israeli Irish riddle, to control “Germans”, Irish without wedlock, given to the FBI, through Freedom of Information Act, through Janine Swanson, “MK”, with self as “ULTRA” operative, domestic intelligence, to retaliate against Israeli film portraying marital testaments, improper spy tactics, homosexual behavior, and pro-sectarian politics, to retarded, Jews, blacks, and gays.

2004: The Van Meter riots, in Southwest dormitory, against French External Security, for rigging poker; the Boston Red Sox pennant, discharging James “Whitey” Bulger from Boston politics, freeing the Irish from the Talmud.

2005: The beginning of the Gotham project, upon successful print of the Nolan series; jobs for COIN, instead of free pay, the rogue FBI DC Comics project, now owned by Time Warner Cable, to prevent another al-Qaeda.

2005: The sabotage, of the New England Patriots, for the Giants Superbowl, for US Navy money, to hunt extraterrestrials, with sonic torpedoes, from the Nixons, the Pratts.

2005: The printing of the Afghan peace paper, for Robert Sullivan, with Arabic banned for Afghan women, so they can be psychologists, not dominatrixes, dog trainer lesbians, for Afghanistan to be a cafeteria, under future President Barack Obama’s vision, for the Northern Alliance, the Afghans, to replace the Taliban, the Indians of writer’s homosexual pederasty, to replace Afghan invaders.

2006: The murder, of several civil rights activists, abusing work wage laws, to guarantee employment, through producing “fraus” and “overmen”, drunk mothers, and drunk children by birth, through Hopkinton PD, the reform of labor laws given factory patronage through police.

2007: The informed tip, on John Washburne, Marvel research writer, enslaving Israeli pilgrims, to be prison inmates, in Jim Shooter’s tradition, for the Disney buyout, set up in 2004, simultaneous to the popularity of Mackelmore’s “Thrift Shop”, bassline from 2004 used for trumpet, from Erika, through Van Meter resident Ryan Lewis, Van Meter 251, living across the hall from Van Meter 252, spring of 2004.

2008: The election of Barack Obama, through McCain revealing himself as KGB, a labor slave trade, a Rabbi, mimicking Barack Obama, but Muslim, whereas Barack is a Protestant Catholic, a Mafiaso, a counter-Israeli, with Soros, a Yakuza banker.

2009: The beginning of the downfall of Likud, through five advisors, the Bond films, with Bond as each, facing themselves, the enemy, until Hillary Clinton’s downfall, upon orders of Benjamin Netanyahu, paymaster for EON Israel, for Yaphina’s takeover

2010: The report on Dr. Joshua Golden, and the MI-6 Child Study Committee, as having fraudulent degrees, to the Boston FBI field office, through e-mail circuit, special agents appointed without name or cloak, to investigate Boston state police, for using “edutainment” for officers, incompetent police using Saudi movies and European medicine, considered ant-American, communist (insurance industry or police tactics).

2012: The election of Barack Obama a second time, refusing Romney’s reforms of Obama Care, the refusal of police officers of commitment power of prison, through the film, “Idiocracy”, any non-police agents refused care as inmates, allowed open movement, defeat of Masonic Lodge of Germany (Hamburg RIN, Berlin, claiming Irish sovereignity, full blown war against Lutherans in Ireland, by Irish Sinn Fein, IRA, and Belfast English Marines).

2013: Investigation of Clubhouse program, seeded years earlier, as implicit fraud, through Boston journalists; shut down of View Askew Productions, as Italian Mafia, Jewish and Protestant Catholics, the prohibition of marijuana on Jewish orders, anti-Catholic.

2016: The legalization of recreational marijuana, in many states, and the election of Donald Trump, hypnotized by Donal Logue’s performance of Bullock, for being a cop broker of property, into lesbian women (women that change their hair style, in the middle of a relationship); fascists, now owned by the US military, out of the SDF.

2020: The print of Cyberpunk 2077, the end of marital rape by state police, the submission of bodybuilders to homosexual moralities, the refusal of women if ‘shredding’, ‘jacked’, or ‘ripped’, an incompetent soldier; an anorexic prison bitch, a punk scumclown.

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