#chris adrian

[tarancho]

the 11th street kids + textposts

[vigiluv]

I'M DYING BECAUSE THIS IS LITERALLY HIM LOL

Adrian on date app 😭🤏🧜‍♂️

[fuji09]

Stiles Stilinski isn't as... UNCARING as you think.

Part 1 of my "[character] isn't as..." series.

There are many things Stiles has said that gets used against him. Stiles uses humor and sarcasm as coping mechanisms.

We all know he has severe trauma like:

Losing his mom to an illness that made her not herself anymore and think her own son was trying to hurt her as she slowly wasted away.

Being physically attacked by his mom during a moment where she swore he wasn't her son and was trying to hurt her.

He watched her die in her hospital room while alone with her because his dad had to work.

The constant fear of losing his dad and trying to control anything he can, like what his dad eats to try to keep him healthy and alive for a long time.

The constant fear of losing his dad while he's on the job so he listens in on his dad's police calls, not only to be nosy but to know what his dad is dealing with and if he's in danger.

Living with his dad drinking too much after his mom dies and feeling like everything is his fault.

Seeing a dead body and thinking it was his dad for a minute until the sheriff finally appeared.

The constant fear of losing his only best friend Scott.

The fear in the back of his mind that he might get the illness that killed his mother.

Almost being killed by Scott multiple times when he first turned. (Not bashing Scott, just stating a fact)

Almost having to cut off Derek's arm.

His relationship with his dad slowly deteriorating because he has to lie and keep the secret about the supernatural, not only to protect Scott and Derek, but to try to keep his dad safe.

Finding Lydia bitten by Peter and when he tries to help her, Peter won't allow it and forces Stiles to go with him (abducting Stiles) to use him to find Derek.

Having Chris shove him against the wall and antagonizing him and Stiles mouths off about how the Argents killed Derek's family.

Being paralyzed twice by the Kanima and the first time it happened he was having to see and listen to a guy slowly die by being crushed by a car lift that his jeep is on.

Holding Derek up in the pool for 2 hours when Derek was paralyzed.

Almost drowning with Derek in the pool.

Erica bashing him on the head with a part from his jeep and he wakes up in a dumpster.

Feeling guilty when his dad is forced to stop being sheriff for a while because of all the supernatural shit which made him look incompetent.

Having to punch Derek awake multiple times.

Constantly harassed by Mr. Harris during class.

Abducted by Gerald and taken to the Argents basement where Erica and Boys are being tortured. Gerard beats the shit out of Stiles.

Almost losing his dad to the Darach.

Trying to keep Cora alive while she's dying from mistletoe poisoning.

Having reality slowly slip away from him, not knowing whether he's asleep or not, and having night terrors.

Thinking he got the illness that killed his mom (he literally had to live for a bit thinking he was going to die within a few years!) when it was really the nogitsune.

Being chipped away at and possessed by the nogitsune.

Living with the knowledge of what really happened with Scott's dad leaving and never telling Scott.

Committing himself to Eichen House to try to keep his loved ones safe but putting himself in danger and in a very toxic environment.

Being put into solitary confinement and sedated when he was trying to stay awake to keep the nogitsune from getting full control.

His first time having sex and it's not even really him doing it but the nogitsune, so he didn't really get to truly consent.

Almost having a hole drilled into his head in the Eichen House basement by his roommate.

Having guns and various weapons pointed at him.

Thinking Derek is dead multiple times.

Seeing multiple dead bodies.

Being infected during their SATs with some unknown illness.

Having a gun shoved against his forehead as his teacher counts to 3, saying if he doesn't tell him where his friends are he's going to pull the trigger and kill Stiles. Stiles stands there refusing to give in.

Stiles' teacher was shot right in front of him, blood splattered on his face and he thinks for a moment that he was shot. Then he sees Scott's dad who killed the teacher.

Taken hostage with Lydia by the Eichen House orderly Brunski and tied up in the basement and was almost murdered.

Stiles seeing Derek is dying in Mexico and he wants to stay with him but Derek insists he go save Scott, Stiles is trying to choose which to do but Derek tells him to go so he does, knowing Derek will be dead before he gets back.

Donovan attacking Stiles in the school parking lot and bites his shoulder. Then chases Stiles into the school library, trying to kill him and threatening to kill the sheriff once he's done with Stiles.

Stiles accidentally killing Donovan. It wasn't even self defense, it was an accident. Stiles pulled a clip to release polls to keep Donovan away from him but ended up with Donovan getting impaled.

Feeling guilty and scared about Donovan's death and worried someone will find out.

Theo blacking mailing Stiles.

Feeling like his worst fear of losing Scott was happening during the confrontation when Scott thought Stiles murdered Donovan and Stiles thought Scott saw his self-defense (technically accident) as murder.

Almost losing his dad when he was shot.

Being forgotten by everyone because he was taken by the Ghost Riders. Which was made even worse by him calling Scott and Scott had no idea who Stiles was and then Stiles finds his dad, thinks for a moment his dad remembers him, then his dad asks him who he is.

Being stuck where the Ghost Riders took him, some train station, and he's stuck with Peter.

Being shot in the foot.

I'm sure there's more I'm forgetting, but clearly Stiles has been through way too much in such a short period of time.

Stiles cares, he cares deeply, kinda to the point of too much. He neglects himself, his wants and needs, to take care of his loved ones. The guy would literally die for his dad, Scott, and Derek.

He lets himself hurt to protect his friends, he goes into fights when he is a human who has no powers but he doesn't hesitate to fight with his friends. He never tells Scott about Gerard kidnapping him and hurting him because he refused to be a message to Scott.

Stiles jokes about killing or letting Jackson, Derek, and Peter die. He doesn't actually mean it (except maybe a tiny bit with Peter, which is fair). He doesn't want anyone to die. He doesn't want to actually kill anyone. He jokes and is sarcastic as a coping mechanism.

He also keeps everyone at arm's length. Even his dad and Scott. He's got abandonment issues and he protects himself by not letting anyone in too much. He talks a lot but he doesn't actually say much. Gives the illusion that's he's an open person but he's really not.

Stiles says inconsiderate things, yes that is true. But what better way to keep people from getting too close than being a dick sometimes? Stiles isn't an asshole, but he can and does act like an asshole sometimes.

With his loved ones, he's loyal af too. Even when he doesn't agree with the plan, he stays loyal. Stiles cares a lot about the people he loves. He wants to protect them and keep them safe. He may not care about everywhere, which is fair, but he does his best to protect people. He will even stand in front of werewolves to try to protect them even though he is the squishy human.

Stiles has a lot of feelings that he shows, but he also has a lot of feelings that he doesn't show. He puts everyone's feelings before his own.

Stiles seems to always feel guilty about something. Usually stuff dealing with his mom or dad.

I see people saying how callous Stiles is but he's really not. Yes, he can be cruel if he wants to be, if someone really hurts him, but he isn't an uncaring person. He's a pretty sensitive guy who puts on an uncaring front.

[chaosinstigator]

emotional support king

[multifandomfanficss]

F*ck You?

Adrian Chase/Vigilante x Reader

and the rest of the 11th Street Kids

Adrian Chase Masterlist

Prompt: Adrian has his own secret way of asking you to sleep with him.

Warnings: Mentions of sex, but no actual sex. The team bullying Adrian as per cannon ☹️. Peacemaker typical language.

A/N: Just a silly little thought I had at 5am during a text convo with one of my best friends when I couldn’t sleep. Shout out Tyler for letting me bounce this idea off you. Thanks bestie! Just a short little fic. The italics are flashbacks. Crossposting on my AO3 adriansglasses.

Adrian stuck his middle finger up, pointed at you. You were going through some files on the other side of the room unable to see him behind the papers you were focusing on. Those who saw were giving him questioning looks.

“Dude why are you flipping off, (Y/N)? I didn’t realize you were mad at them” Economos decided to be the first to question him. Usually he didn’t care enough to ask, but even he was curious as to why Adrian was enthusiastically flipping you off.

“Oh! That’s because I’m not. I just wanna have sex when we get back to my apartment. I was saying can I fuck you.” Adrian says, as if it’s obvious. Chris begins to laugh, having overheard the conversation.

“Oh my god. I’m not sure if you’re insane or an idiot.” Harcourt rolls her eyes, walking away.

“I’m pretty sure he’s both. You know that’s not what that means right?” Economos questions.

“It has two meanings.” Adrian says in a very matter of fact way.

“No, it doesn’t.” John argues.

“Then how do they always know what I mean?” Adrian asks, as if he’s proving his point.

Chris continues to laugh to himself as Adrian and Economos argue.

You’re deep in thought, not paying them any attention when Leota passes you the file you were looking for.

“Thanks!” You smile at her.

“Why is Adrian flipping you off?” She asks.

You look over at him, blushing. You nod.

“See!” Adrian yells throwing up his arms. “Two meanings! I told you!”

“Oh god.” You blush, hiding your face in one of the files. You didn’t need the entire team knowing you were going home to have sex after this, but it’s not like it was that big of a surprise. You’d been dating Adrian for a while, of course you had a sex life. “I don’t know how or why he got it into his head that fuck you means can I fuck you- but like I personally think it’s very clever and very cute so I just don’t correct him.” You laugh, deciding to be honest with Leota.

You thought back to the first time he flipped you off in such a manner. You were out with the team celebrating with drinks after a mission. He threw up his middle finger, drawing a question mark in the air with the other hand. You looked at him with a confused look and mouthed. ‘Are you asking me to have sex with you?’ and he mouth back, ‘Isn’t it obvious?’. Only Adrian could think something like that was obvious. Only Adrian would even do something like that. You smiled, laughing quietly to yourself. It was so uniquely him.

Chris was still laughing uncontrollably in the back. He was thinking of the first time he’d seen Adrian do this too. Little did everyone else know Chris had been the one to teach it to him long before you were dating.

“You really wanna know how I pick up chicks across the bar?” Chris asked with a shit eating smirk.

“Please!” Adrian begged. He could pull girls as Vigilante no problem, but it was a lot harder without the suit.

“Be direct. Just ask if she wants to go home with you. The most subtle way to be direct is to flip her off.” Chris falsely informs.

“Wait… you want me to be subtle and direct? I’m confused.” Adrian asks.

“Well, yeah. You want her to know, not the whole bar.” Chris quickly lies.

“I always thought flipping somebody off was an insult.” Adrian is rightfully cautious.

“It has two meanings. It’s like special. Special can mean you’re one of a kind, cool, awesome, or it could be used the other way.” Chris explains.

“Oh! Okay!” Adrian smiles, before pausing, with a pondering facial expression. “Wait! You call me special all the time.”

“You should hit on that girl over there!” Chris redirects.

“Okay… here goes nothing…” Adrian says, slowly raising his middle finger. The girl looks shocked and starts to walk up to the two men at the bar. “Oh wow! I think it worked!”

Her pace picks up. She walks up to Adrian, slapping him, hard.

“Wait! This is positive! I’m hitting on you!” Adrian says frantically with his finger still up, as she walks away.

“Aw! Fuck! Do you think maybe she had a boyfriend?” Adrian asks, adjusting his glasses and rubbing his jaw.

“Yeah, maybe.” Chris laughs hysterically.

[peacemakersocials]

[ms-gal-does-art]

[outofleech]

vigilante and peacemaker see deadpool & wolverine and it's just 2 hours of adrian going "us" and chris telling him to shut the fuck up

[andy-888]

Saw this as jayvik, but this is so Vigilmaker I had to

They are so unsettling and weird season 2 can't come soon enough

[kudzushadow]

peacemaker shitposts 2/?

[pierppasolini]

Peacemaker Presents: The Vigilante/Eagly Double Feature #3

[fairyysoup]

they matched each others freak fr

[sturnsflirt]

i'm convinced baristas misspell names on purpose because i said adeline and they were calling out "order for adrian" so i didn't respond until they told me it was MY DRINK. PLEASE HOWDGJEOJFREORJD

[chaosinstigator]

from my ongoing list of favorite adrian moments

[tavolgisvist]

Their trial separations

JOHN: "I was always waiting for a reason to get out of the Beatles from the day I filmed 'How I Won The War' (in 1966). I just didn't have the guts to do it."

(John Lennon, Newsweek, September 29, 1980)

I was too scared to break away from the Beatles, but I’d been looking to it since ’65 when we stopped touring. And maybe Paul had been, too—I don’t know. I can’t speak for the others. <…> And so from ’65 on I was sort of vaguely looking for somewhere to go, but I didn’t have the nerve to really step in the boat by myself and push the boat off.

(John Lennon, Sept. 1980, in All We Are Saying by David Sheff)

There seem to be certain cycles that relationships go through. The critical points are at different parts of the different cycles. The new way of talking is like, “Well, why work on a relationship? We just stop and get another one.” But the karmic joke is, presuming you’re lucky enough to find a new relationship anywhere near the relationship you’re giving up—or exchanging, or walking away from, or destroying by inattention or inadvertence or selfishness or whatever it is—that you have to go through it over and over and over again right up until you’re seventy. People never grasp the fact that they’re going to have to go through the same thing again. They get to the sort of five-year stretch or the seven-year itch or whatever these tension points are that seem to be organic, built in, like the tide coming in and going out. It’s like every time the tide goes out you quit—you move your house or something. I’m not making it clear here, but you get where I’m going…

(John Lennon, Sept. 1980, in All We Are Saying by David Sheff)

[Paul] even recorded that [Why Don't We Do It in the Road?] all by himself in the other room, that’s how it was getting in those days. We came in and he’d – he’d made the whole record. Him drumming, him playing the piano, him singing. Just because – it was getting to be where he wanted to do it like that, but he couldn’t – couldn’t – maybe he couldn’t make the break from The Beatles, I don’t know what it was… But we’re all, I’m sure – I can’t speak for George, but I was always hurt when he’d knock something off without… involving us, you know? But that’s just the way it was then.

(John Lennon, August, 1980: interview for Playboy with David Sheff)

There isn’t enough outlet for me in the Beatles. The Ono Band is my escape valve. And how important that gets, as compared to the Beatles for me, I’ll have to wait and see.

(John Lennon, New Musical Express December 13, 1969)

So you couldn’t really say, “Oh, we don’t want you to do that, John. You should just stay with us.” We felt so wimpy, you know. So it had to happen like that.

(Paul McCartney, November, 1983, interview with DJ Roger Scott)

Last year John said he wanted a divorce. All right, so do I. I want to give him that divorce. I hate this trial separation because it’s just not working. Personally, I don’t think John could do the Beatles thing now. I don’t think it would be good for him.

(Paul McCartney, Evening Standard, April 21-22, 1970)

For instance, when they [John and Yoko] bust up their marriage, she came through London. He was in LA doing Pussy Cats with Nilsson and having a generally quite crazy time of it all <…> all because he genuinely loved Yoko and they had a very, very deep, strong relationship… <…> She was very nice and confided in us but she was being very strong about it. She said, ‘No, he’s got to work his way back.’ I said, ‘Well look, do you still love him?’, and she said, ‘Yes.’ So I said, ‘Well, would you think it was an intrusion if I said to him, “Look, man, she loves you and there’s a way to get back”— sounds like a Beatles’ song — and I said ‘Would that be OK?’ <...> So I said, ‘You’re going to have to work your little ass off, man. You have to get back to New York, you have to take a separate flat, you have to send her roses every fucking day, you have to work at it like a bitch! Then you just might get her back.’ And he did.

(Paul McCartney, 1986, interview with Chris Salewicz for Q Magazine)

LENNON: When she [Yoko] kicked me out, I saw I was kicked out. When I was kicked out, I realized where I was, which was on a raft in the middle of the universe, and whatever happened, presuming I could have started another relationship, I would have ended up in the same place—if I was lucky. And that’s a big if. <…> It took a while, but that’s what I saw. If I was lucky … <…> There are laws governing that relationship, too. You can either give up halfway up the hill and say, “I don’t want to climb the mountain, it’s too tough, I’m going to go back to the bottom and start again,” or you can do it this time. PLAYBOY: But you once decided it was too tough. LENNON: I did. But I didn’t see any of this then. Yoko and I were lucky enough to go through that and come back and pick up where we left off, although it took us some kind of effort and energy to—to blend in again and get in the same sync again.

(John Lennon, Sept. 1980, in All We Are Saying by David Sheff)

“The separation didn’t work out,” Lennon joked, telling Paul that he had moved back to the Dakota on February 3 [1975]—just as Paul was recording ‘Call Me Back Again,’ the song he started just after reconnecting with John in Los Angeles—and that he and Yoko were hoping to work things out.

(Uncredited: “Teazers,” NME, February 15, 1975, p. 48 in The McCartney Legacy: Volume 2: 1974-1980 by Allan Kozinn and Adrian Sinclair, 2024)

‘We [John and Yoko] are back together now. And happier than over before. It’s the old, old story—when you get someone back that you’ve lost it’s better than ever.’

(John Lennon, 1975, interview with Penny Grant for Game: Enjoying the big apple)

[peacemakersocials]