#chris libutti
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Chapter: Storage Options: Making Decisions about Print Materials
Author: Frank Allen.
Book: Creating the High Functioning Library Space: Expert Advice from Librarians, Architects, and Designers.
Editor: Marta Deyrup.
Year: 2016.
Publisher: Libraries Unlimited ABC-CLIO, LLC.
Chapter: Liaison and Scholarly Communication Librarians Collaborating to Support Faculty and Students.
Authors: Sarah Norris, Sandy Avila, and Buenaventura (Ven) Basco.
Book: Approaches to Liaison Librarianship: Innovations in Organization and Engagement.
Editors: Robin Canuel and Chad Crichton.
Year: 2021.
Publisher: Association of College and Research Libraries.
Chapter: Creating a Sense of Place: Connecting Participants to Local Habitats through Library and Community Partner Collaborations.
Authors: Christina Wray, Sandy Avila, and Megan Haught.
Book: The Sustainable Library’s Cookbook.
Editors: Raymond Pun and Gary L. Shaffer.
Year: 2019.
Publisher: Association of College and Research Libraries.
Chapter: Disrupting the Model: Fostering Cultural Change through Academic Partnerships
Authors: Aimee deNoyelles, John Raible, Penny Beile, and Sarah Norris.
Book: Textbooks and Academic Libraries: Selection, Circulation, and Assessment (An ALCTS Monograph).
Editor: Chris Diaz.
Year: 2017.
Publisher: ALA Editions.
Chapter: Content Analysis: Deconstructing Intellectual Packages.
Authors: Penny Beile.
Book: Using Qualitative Methods in Action Research.
Editors: Doug Cook and Lesley Farmer.
Year: 2011.
Publisher: Association of College and Research Libraries.
Chapter: Assessing an Institution-wide Information Fluency Program: Commitment, Plan, and Purposes.
Authors: Penny Beile.
Book: The Teaching Library: Approaches to Assessing Information Literacy Instruction.
Editor: Scott Walter.
Year: 2007.
Publisher: Haworth (now Routledge).
Chapter: The Development and Use of the Education Library 56 Tutorial: A Web-based Tutorial for Preservice Teachers.
Authors: Penny Beile.
Book: Digital Resources and Education Libraries: Innovation, Invention, and Implementation.
Editor: Patricia O’Brien Libutti.
Year: 2004.
Publisher: Association of College and Research Libraries.
Chapter: Exploring UN SDG Target Goals through a Research Poster Project.
Authors: Nardia Cumberbatch.
Book: The Sustainable Library’s Cookbook.
Editors: Raymond Pun and Gary L. Shaffer.
Year: 2019.
Publisher: Association of College and Research Libraries.
Chapter: From Birth to Maturity: The Chinese American Librarians Association.
Authors: Sai Deng.
Book: Asian American and Libraries: Activism, Collaborations, and Strategies.
Editors: Janet Hyunju Clarke, Raymond Pun, and Monnee Tong.
Year: 2017.
Publisher: Rowman & Littlefield.
Chapter: Redefining Scholarly Services in a Research Lifecycle.
Authors: Sai Deng and Lee Dotson.
Book: Creating Research Infrastructures in the 21st-Century Academic Library: Conceiving, Funding, and Building New Facilities and Staff.
Editor: Bradford Lee Eden.
Year: 2015.
Publisher: Rowman and Littlefield.
Chapter: Information Representation
Authors: H. Cui, Sai Deng, and X. Y. Tang.
Book: Research Fronts in the Humanities & Social Sciences in the West.
Editors: Heting Chu and Yin Zhang.
Year: 2007.
Publisher: Renmin University Press.
Chapter: Picturing the Past and Planning for the Future: Central Florida Memory.
Authors: Lee Dotson and Selma Jaskowski.
Book: Digitization in the Real World: Lessons Learned from Small to Medium-sized Digitization Projects.
Editors: Kwong Bor Ng and Jason Kucsma.
Year: 2010.
Publisher: Metropolitan New York Library Council.
Chapter: Humanities in the Open: The Challenges of Creating an Open Literature Anthology.
Authors: Christian Beck, Lily Dubach, Sarah Norris, and John Venecek.
Book: Open Pedagogy Approaches: Faculty, Library, and Student Collaborations.
Editors: Kimberly Davies Hoffman and Alexis Clifton.
Year: 2020.
Publisher: Rebus Community / Milne Publishing.
Chapter: Why Every Librarian Should Know About Copyright: Creating Copyright Training Opportunities for Librarians at Your Institution.
Authors: Sarah Norris, Barbara Tierney, and Lily Dubach.
Book: Copyright Conversations: Rights Literacy in a Digital World.
Editor: Sara Benson.
Year: 2019.
Publisher: Association of College & Research Libraries.
Chapter: Call of Cthulhu: Hosting Roleplaying Events in the World of H.P. Lovecraft.
Author: Michael Furlong.
Book: 52 Ready-To-Use Gaming Programs for Libraries.
Editor: Ellyssa Kroski.
Year: 2020.
Publisher: American Library Association.
Chapter: Unraveling Julian Karswell’s Runic Curse in Jacques Tourneur’s Night of the Demon.
Authors: Michael Furlong.
Book: Terrifying Texts: Essays on Books of Good and Evil in Horror Cinema.
Editors: Cynthia Miller and Bow Van Riper.
Year: 2018.
Publisher: McFarland.
Chapter: Gendered Power: Comics, Film, and Sexuality in the United States.
Authors: Michael Furlong.
Book: Ages of Heroes, Eras of Men.
Editors: Julian Chambliss, Thomas Donaldson, and William Svitavsky.
Year: 2013.
Publisher: Cambridge Scholars Publishing.
Chapter: Improving Circulation Services through Staff Involvement.
Authors: Cynthia Kisby and Marcus Kilman.
Book: Best Practices in Access Services.
Editors: Lori L. Driscoll and W. Bede Mitchell.
Year: 2009.
Publisher: Routledge.
Chapter: Formalizing Staff Development from Inception to Implementation at University of Central Florida Libraries.
Authors: Cynthia Kisby and Suzanne Holler.
Book: An Introduction to Staff Development in Academic Libraries.
Editor: Elizabeth Connor.
Year: 2009.
Publisher: Routledge.
Chapter: Preserving Your Community’s Memories: Developing Librarians for Digital Preservation.
Authors: Vanessa Neblett and Shane Roopnarine.
Book: Creative management of small public libraries in the 21st century.
Editor: Carol Smallwood.
Year: 2014.
Publisher: Rowman & Littlefield.
We hope you enjoyed reading about book chapters from our library faculty and staff. This is the second post in a series of library employee author spotlights. Our first post features books written, edited, and translated by us. For questions, please reach out to Lily Dubach.
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#chris libutti#ikigai room#associazione culturale ikigai#live#2018#bologna#concerti#12 ottobre 2018#noise#harsh noise#turgid animal#Nicola Vinciguerra#luxus
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Chris LiButti and Ivan Khilko Buffalo, NY April 2018
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Ian Douglas-Moore (with Chris LiButti), Somerville MA in September
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March 30th - Duo w/Bill Nace - The White Chapel Projects - Long Branch, NJ April 3rd - Duo w/Bill Nace + Jessica Pavone + Sandy Ewen & Chris LiButti - Muchmore’s - Brooklyn, NY April 15th - Duo w/Jon Collin - Sunview Luncheonette - Brooklyn, NY
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Exercise 8
In Sound Art, the most problematic part of this conversation is about the copyright of sampling or recreating from other’s work. This conversation also expands to other form art, for example, Photography. If I take a picture of other’s work, whose work is the picture going to be? It is entirely different when the subject in frame switches. If I take a picture of an installation, a painting, or another photographic work, what kind of copyright it will count? The most acceptable answer is, it all depends on the context. What are you making this picture for? If the picture is for the work in the picture, it is fair to say that the photo’s meaning is to show the work in the photo. However, what if it is about the recreation of other work or the reproducing of a viewer’s perspective, that would become an entirely different conversation.
In music or Sound Art, it is not a theft problem if someone copies the Phonography or same components of chords in other music tracks. It depends what the context in such circumstances. Alternatively, all blues music would be the copy in one of the others.
In some case, Turntablism is more about the essential part of receiving sound, Hip-hop instead, is a consumable and fast culture form that composed by sound and sampling. Sounds is not the only important part in Hip-hop. That why context matters in such case.
Terre Thaemlitz believes, “‘sound is time, or it is nothing at all,’ attempting to contrast notions of space and time, when in fact sound is a phenomenological example part excellence of the intersection of space and time. There can be no sound waves without vibrations traversing three-dimensional space.”
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In the show of Chris LiButti, Charmaine Lee, and Norman Westberg. Charmaine Lee's performance is the most narrative in three of them. I do not quite like Norman’s performance; it sounds too loud in volume and not in harmony, most of his sound makes me feel scratches and uncomfortable. Chris Libutti is quite good in the use of chord to tell a story, in the middle of his performance as I remember, he kept using this C 9 or G 9 repeatedly and create this Non-listening effect. If it is fair to say Chris’s performance is peaceful, Lee’s performance was intense and dramatic. She used her mouse and different microphone to create this structure and different layers of fiction. Most of the time it builds an apocryphal story for me. That is why I consider it narrative.
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The sound artist. His name was Norman Wesberg. He performed a sound piece at Muchmore’s , Brooklyn.
I found his performance ‘more quiet that other artist (Charmain Lee and Chris LiButti) and it made me enjoyed his sound a lot. After the show I went to him and we had a few words.
He had his own sound distortion panel and guitar. I would say his piece is something between noise and music which is new and different for me.
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at Nakano Moonstep in Tokyo Japan on 21th Sep. 2017
video courtesy by Chris Libutti
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Astropsychedilic noise w/ Gaiamamoo & Chris Libutti. #environment0g #experimentalmusic #Osaka #gaiamamoo #chrislibutti #noise #ノイズ#エクスペリメンタル#大阪 (at Environment 0g)
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NEUROGRYPH 33 年内を持って閉店することとなった新宿JAMにて緊急開催！！！ 10/9 @新宿JAM NEUROGRYPH 33 お詫び 本公演に関して調整前の情報が告知されてしまった事に関して深くお詫び申し上げます。 また、楽しみにして��ださっていた皆様には、混乱を招いてしまい誠に申し訳ございません。 正しい情報を公開いたしましたので、引き続きNEUROGRYPHをよろしくお願いいたします。 灰野敬二 x MUSQIS HUH x Yousuke Fuyama in the sun x VJ XU/XU MUROCHIN x 坂元東 (WRENCH) × DJ MEMAI DJ Fuguli (AtsushiReizen / YoshitakaShirakura) OPEN18:00 / START18:00 ADV￥2500 / DOOR￥3000 プレイガイド 新宿JAM [email protected] 03-3232-8169 [email protected] CityYourCityのMUSQIS RMXを公開
FREE DOWNLOAD!!! https://sadtreelaboratory.bandcamp.com/album/city-your-city-share-hidenori-noguchi-a-k-a-musqis-rmx SCHEDULE 2017 / 09 / 22深夜 @西麻布BULLET'S ※岡崎竜太(a.k.a. LZ129) × XU/XUでの出演 DJ Panda Lassow(from Rotterdam), DJ MEMAI hitch , ebatee&KNAK28 , Kaw LIVE Chris Libutti(from NYC) × Kyosuke Terada 岡崎竜太(a.k.a. LZ129) × XU/XU 100take × ？? , ngt. VJ : TSV 2017 / 09 / 29 @高円寺4thFloor ※DJ野口英律での出演 ngtkntr 三浦モトム 村田結 2017 / 10 / 01 @渋谷 LOUNGE NEO ※XU/XUでの出演 w/ テンテンコ , DRAMATIC BOYS , Christopher Allan Diadora Wax Chattels (from NZ) , Walkings thatta , テクノウルフ , ダイキハヤシ はやぴー(CANICANI) 《6F》 SEKIS & DIKE(ONEDAY RECS.) , KΣITO & DJ MORO TEDDMAN , v.o.c Tokyo , DJ RYO(PHIZ) Dj N（Diamond Juke） Food : FOkitchen (麹町画廊) Illustration : 松岡マサタカ VJ : asaka 2017 / 10 / 01 @大塚 MEETS ※XU/XUでの出演 w/Lerin / Hystad(from Norway.Sweden) Home is a fire darräz PUNSUCA KUUNATIC 2017 / 10 / 09 @新宿 JAM ticket: [email protected]
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at Nakano Moonstep in Tokyo Japan on 21th Sep. 2017
video courtesy by Chris Libutti
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