#clare hemmings

[readingbibooks]

“The rhetoric of 'visibility' assumes not only a separation between terms (lesbian can be seen, sees itself, as different from bisexual), but also a reflexive relationship between individual lesbians or bisexuals that vouchsafes who you are (and hence reinforces that difference). 'Visibility' appears to function as a way of creating and maintaining self, as much as it is a way of obtaining external political validation. The dynamic of this visibility is that community reflects the individual, and individuals can see themselves reflected in both community and other similarly formed selves. In this respect, visibility appears less to function as a way of presenting sexual identity to the world than to be about producing and confirming what constitutes that self. Instead of the identity residing in self, it is the reflection that carries the weight of identity, as well as being the site of the undoing of identity — the self and reflection (wherein lies identity) are obviously not the same, and the reflection is not singular (it includes environment, other people, etc.), even though the self can be recognized.”

- Clare Hemmings, The Bisexual Imaginary

[daily-clace]

“Also,” Jonathan added, “I hate to bring this up, but you might want to put some shoes on before the wedding.”

Clary looked down at herself. He was right, she was barefoot. Barefoot, and wearing a pale gold dress. The hem drifted around her ankles like a sunset-colored cloud. “I—What wedding?”

Her brother’s green eyes widened. “Your wedding? You know, to Jace Herondale? About yea high, blond, all the girls looove him—” He broke off. “Are you having cold feet? Is that what this is?” He leaned in conspiratorially. “Because if it is, I’ll totally smuggle you over the border into France. And I won’t tell “anyone where you went. Even if they stick bamboo shoots under my fingernails.”

City of Heavenly Fire, Cassandra Clare

[maxsimagination]

Can you please do some Elisa de almedia smut? 🥰

𝙥𝙪𝙨𝙝𝙞𝙣𝙜 𝙡𝙞𝙢𝙞𝙩𝙨 - 𝙚.𝙙𝙚 𝙖𝙡𝙢𝙚𝙞𝙙𝙖

summary: elisa starts something she can’t finish… or maybe she can

-> !! fingering, semi public sex !!!

𖦹 masterlist

“𝗠𝗔 𝗖𝗛𝗘𝗥𝗘, 𝗣𝗟𝗘𝗔𝗦𝗘 hurry up!” (my dear)

i could hear elisa’s voice from where she was downstairs. i was just slipping on my heels before grabbing my bag and walking down to elisa.

when i was standing at the bottom of the staircase, i could feel her eyes on me, even without looking.

“you look amazing, amour.” (love)

i could feel the blush creeping onto my cheeks.

we were going out to dinner, meeting some friends at a popular restaurant downtown. elisa looked hotter than hot in her dress pants and silk shirt, it took all my self control not to take her back to the bedroom.

sakina, clare and grace were all already at the restaurant waiting for us, making me feel a little bit bad for them. i hadn’t meant to take so long but it wasn’t my fualt that elisa was wearing her silver chain tonight. it made her look irresistible.

“bonjour dames. sorry we took so long.”

(hello ladies)

we all sat at the table together, chatting about all sorts. sakina and clare had ordered some entrees that they knew everyone would like so we nibbled on those until we decided to order our own food.

i was enjoying the night, hanging out with the french girls and clare, the token australien, was always fun. but i couldn’t shake a pooling feeling in my gut everytime i looked over at elisa. i knew that feeling well, it made my thighs rub against eachother subconsciously, attempting to gain some friction.

clearly elisa noticed because she reached a hand over and placed it on my thigh, stopping my movements. i looked over at her, she had a knowing grin plastered on her face without even looking at me.

as the night went on, i tried my best to keep paying attention to the conversation but the feeling in my stomach got heavier, i was very close to saying i wasn’t feeling well, just so we could go home and elisa could finish me off.

i had eventually zoned out again while clare and grace were having an animated conversation about god knows what, and that’s when my thighs started rubbing again.

again, elisa noticed. she placed her hand on my thigh, again, this time a bit higher than before. she started creeping her hand slowly up and under my dress hem. i was unsure what she was doing, surely she couldn’t be trying to satiate me here, in a booth of a very public restaurant.

i was wrong.

my eyes widened and i whipped my head to look at her. she was doing exactly that, slipping her fingers under my panties and swiping her finger over my clit. the intrusion gave me a shock, my hips bucking forward a little. elisa’s fingers stopped, she gave me a warning look. if i wanted a release, i couldn’t move or make a sound.

she continued her ministrations, her finger drawing lazy circles over the little bundle of nerves, occasionally dipping down to poke at my entrance.

i was on a very thin line of orgasming and overstimulation, needing a release badly. i looked over at elisa, who seemed to be intently listening to grace talk about her newest piece of gossip. i poked her in the side, giving her a pleading look.

she knew what i was asking for, raising an eyebrow at my silent begging.

“please.”

i whispered desperately, and praying that none of the other three had noticed what we were doing or saying.

elisa didn’t have a verbal response, only started moving her fingers faster around my clit.

finally, i could feel the coil deep in my stomach start to tighten. my pussy was clenching around nothing as elisa’s fingers skillfully worked against my pulsing nub.

she was pushing me closer and closer to the edge, an edge that i was so desperate to be pushed over. not even five minutes later, i could feel myself teetering on that edge.

“elisa, please.”

i muttered quietly, tapping her thigh to ask permission to cum.

she simply nodded at me, and i let myself go. my clit was a throbbing mess and i didn’t even want to see how wet i’d become from the orgasm. elisa slowly pulled her hand from between my legs, bringing her hand up to her mouth, subtly sucking her digits clean.

i was reeling from what had just happened, and the fact that not one single person in the restaurant, let alone the three girls that we were sat with, had noticed.

it was truly a miracle, and a risk that was so worth taking.

[bookishjules]

i've seen you carry family

wild horses - grace power // 2x06 - bridgerton // oil study - liza sivakova // jungwan chae // the mask - matt maeson // queen of air and darkness - cassandra clare // @/mothercain // 2x07 - bridgerton // benny - luke hemmings // the brothers - john clark // a man leaning on a parapet - georges seurat // greywaren - maggie stiefvater // queen of air and darkness - cassandra clare // uncharted territory of grief - tanaya winder // exhale - sabrina carpenter // lady midnight - cassandra clare // @ihopeucomehomesoon //greywaren - maggie stiefvater

[ebonydark-nessdementiaravenwayxx]

I PRENKD DRAKO SSO GUD 2DAY LOL XD

SO I WENT 2 DA MAL (ADN HEVED AT WHAT I HED 2 DO BUT ET WUZ FUNNY) I ENTERED DAT PREP SHETHULE HOLESTR, BLUDY MARY ADN WELLOW HELPD ME PICK OWT AN ATROSHIS PENK CROP TEP AND A PLASTEC ROSE GULD C-R-O-S-S (NO WAY EM SAYIN DAT) THENG FRUM CLARES DEN I GOT A PARE OF LEGINS FRUM DA ONLEE PLACE WURSE DEN HEL OR HOLISETR, LULULUMON (I GOT BLUD POSENIN JUST 4 ENTRIN DA STOR CUZ ET WUZ SO PREPY AND GROS) AND GOT A PARE OF PASTL PENK ATHLESURE LEGINS

ANYWAY THE CLOTHSE BURNED LIK FYRE BCUZ EM A GOFFIK VAMPERE [AN: I STELL HAV A FUKIN MARK FROM DAT NECLICE END EM STECKIN MAH MIDEL FENGER AT IT EN DONASHUN BEN AT GUDWELL (MOR LIK GOD RIDINCE)!!!!!!!] DEN WELLO PUT ON JUS LEP GLOSS END CUNCELRE AND I LUKED JUS LIK DAT BICH HILLARIE DUFF OR THET FUCKIN PREP BRITNEY OR ANY OF DA OTHER STUPED PREPS. Y DA FUK R PREPS SUCH CONFIRMEST ADN ELETEST FASHESTS!?!!?!!!!?!!!! LIK U AL LUK DA SAM ADN ACT DA SEME AND FUKIN SUK!!!!!!1!!!!!1!!!

ANYWAY DEN I FOWND DRAKO END TOLD HEM DAT ID BECUM A CHRSITCHUN END HE SHULD ALSO BECOM A KRISTEN SO WE CULD BE EN HEVEN AND DAT ID TRENSFRED 2 GRYFENDORE AND HE WUZ SO SCARED LOL!!!!!!!1!!!!!!!@!!!!!@! DEN I SEE APREL FOLS AND TUK OUT EYLENR AND PUT IN UNDRE MEH EYES END ON MEH LIPS

[irish-dress-history]

Identifying J.C. Walker's Illustrations

An Historical Essay on the Dress of the Ancient and Modern Irish by Joseph Cooper Walker published in 1788 was the first major work published on Irish dress history. Due to a combination of the limited information known at the time, and his erroneous assumption that Irish dress didn't change for the entirety of the Middle ages, Walker got a lot of things wrong, so his writing isn't cited much anymore. Some of his illustrations, however, are still used.

Because Walker lived before the invention of photography, he used drawings of historical Irish art created by colleagues and family to illustrate his book. I decided to track down the original works of art to see how Walker's drawings compared. I am resorting these into roughly chronological order, because Walker's lack of regard for chronology makes my head hurt.

The High Crosses, 9-10th centuries:

Ireland's high crosses have unfortunately lost a lot of their detail due to erosion, making these hard to identify. Sadly, the breeches with a fitted knee-band and the skirt gathered to a waistband look more Late Medieval or Early Modern than they do Early Medieval, so I don't think these are reliable depictions of the lost detail.

Plate 1: Figure 1 (right) is supposed to be from the Clonmacnoise Cross of Scripture. At a guess, it's based off the guard on the right arresting Jesus:

Figures 2 and 3 are based off a high cross fragment at Old Kilcullen, County Kildare. Unfortunately, I don't think the original carving survived. I initially blamed its loss on the United Irishmen, but this drawing from 1889 convinced me that acid rain was the real culprit.

Plate 5 Figure 1 is supposed to be a king from Muiredach's cross. The closest image I could find on the actual cross is Cain killing Able:

Ironically, Cain and Able have more embellishment on their clothes than the "king" based off of them.

12th century:

Plate 1 Figure 5 is from the capital of an arch at St. Saviour's Priory in Glendalough, County Wicklow. The drawing gives the impression that the sides of the head were shaved and the hair was deliberately curled at the end. In the actual carving, the hair is slicked back at the sides and interlaced with adjacent design elements. These are stylistic elements of Irish Romanesque art and not intended to be a realistic depiction of an Irish hairstyle.

13th century:

Plate 4 is the late 13th century effigy of Felim O'Connor, Dominican Priory of St. Mary, Roscommon with a frontal of gallowglasses added in the 15th c.

This drawing is pretty accurate, although the gallowglasses are lacking some details like their quilted cloth gambesons.

photos by Edwin Rae

I cannot find a good photo of Felim O'Connor's effigy, but Conor O'Brien's contemporary effigy at Corcomroe Abbey, County Clare wears the same style of clothing.

13-14th century?

Plate 6 is based on a sculpture from Athassel Priory in County Tipperary. I can't find a solid date for this one. Athassel Priory was built c1200 and then burnt and rebuilt twice before it was dissolved in 1541. The clothing style of the carving makes me think it's from the earlier part of this time frame.

The biggest thing the drawing gets wrong is the gender. This is a man, not a woman. The "necklace pendent" on his chest might have actually been a brooch holding his cloak, but the sculpture is now too damaged to tell. The drape of fabric at his side, which Walker calls a train, is actually the edge of his cloak. The drawing also leaves out the way his become more fitted below the elbow.

15th century:

Plate 3 Figures 1-3 are based off a painting at Knockmoy Abbey.

I'm pretty sure those are houppelandes on the left and center figures. This continental fashion influence shows up elsewhere in 15th c. Ireland (Dunlevy 1989). The drawing omits the massive houppelande sleeves and shortens their hems.

The painting is now badly weather and difficult to see. This is a more accurate drawing published in 1904. Recent photograph here

Plate 5 figure 2 and plate 1 figure 6 come from a 15th c. grave at the Dominican Friary, in Strade, County Mayo.

Figure 2 is a decent representation, although it adds a center front slit to the leine which I don't think is actually there. Figure 6 gets the silhouette of the cotehardie a bit wrong and omits the hanging belt accessories, but its greatest crime is that it makes the top of the hood look like a separate object. Walker actually misidenifies it as a Scotch bonnet.

photo again by Edwin Rae

Plate 7 is Anne Plunket's effigy at St. Mary's Church, Howth, County Dublin. This drawing is decent, though the sleeves are a bit too slim. The cross necklace and belt decorations are no longer visible on the effigy.

photos by MVP Edwin Rae

Plate 8 figures 1 and 2 are both based on a late 15th c. tomb at the New Abbey in Kilcullen, County Kildare. Figure 1 is based off a carving which is probably depicting St. Brigid, which makes her headwear the wimple of an abbess, not a laywoman's kerchief Walker. The drawing, however, omits her telltale crozier. The drawing makes it look like she has cuffed sleeves, but that is actually just the folds of her brat draped over her arm. It also shows her as wearing 2 layers of skirts when she is actually wearing a single lower garment with a hem circumference so large that it puddles at her feet.

Figure 2 is based of Margaret Janico's effigy. The effigy is now too badly eroded to make out details, but it originally probably looked very similar to Margaret Janico's other effigy in St. Audoen's Church, Dublin. Unlike Anne Plunket's effigy above, the necklace and belt decorations are still faintly visible on the Dublin effigy. Figure 2 distorts the construction of the gown and headwear. This drawing makes the bodice of the gown look heavily stiffened or even boned like 17th c. stays. The houppelande on the effigy does not have stiffening in it.

effigy of Margaret Janico and husband at St. Audoen's Church, Dublin (photos, once again, by my man Edwin)

The headpiece in the drawing looks like a linen kerchief wound up to form a turban with a decorated fillet tied over it. The headpiece on the effigy is probably actually a truncated hennin with a veil pinned to it like the one in this mid-15th c Burgundian painting by Petrus Christus.

16th century:

Plate 9 is based on Katherine Molloy's early 16th c. effigy at Fertagh Church, in County Kilkenny. According to the artist's notes it was in "nearly perfect" condition at the time. I wish he had put more detail into the drawing.

(photo also by Edwin Rae)

17th century:

Plate 10 is based on The Taking of the Earl of Ormond in anno 1600. Walker's artist clearly fabricated some detail here, falsely giving the impression that triús were ankle-length. We know from extant examples from Kilcommon, Dungiven, and Killery that triús actually extended past the ankle, covering part of the wearer's foot (Dunlevy 1989, Henshall et al 1961).

Plate 11 was taken from the tomb of Sir Gerald Aylmer (died 1634) and Juliana Nugent. Sadly, it appears to have been destroyed in the early 19th c, so I have no further pictures of it. The clothing looks to me like typical 1630s English fashion with loose gowns over doublets, falling bands, and linen cuffs.

? Century

Plate 1 figure 4 is apparently from Old Kilcullen, County Kildare. I am not sure what this is based on. I haven't seen any Santa hats at Old Kilcullen. Or anywhere else in Medieval Ireland.

Bibliography:

Dunlevy, Mairead (1989). Dress in Ireland. B. T. Batsford LTD, London. 

Henshall, Audrey, Seaby, Wilfred A., Lucas, A. T., Smith, A. G., and Connor, A. (1961). The Dungiven Costume. Ulster Journal of Archaeology, 24/25, 119-142. https://www.jstor.org/stable/20627382

Edwin Rae's invaluable collection of photographs of Late Medieval Irish art accessed via TARA.

[possessingtheproperspirit]

Thanks for the tag, lovely @emeralddoeadeer! I got the words light, why and sorry, (and reserves cold, look and alone).

why - from The Price We Pay chapter 29

James raked his hand through his hair. “More to the point, Evans, why on earth are you up at this hour? I thought you thought anything before eight was against the laws of nature.” “I do,” she agreed, sidling closer to him. His gaze dropped to watch her reach out and straighten, idly, the hem of his t-shirt. “But I woke up early and couldn’t get back to sleep.”

look - from Murder on the Dance Floor chapter 6

All he could do was join her, and hope he didn’t look too much like he’d been thinking things he oughtn’t have been thinking.He really needs to talk to her.

alone - from The Price We Pay chapter 29

There had been a time, back when she was less forgiving and more willing to expect the worst from him, that Lily had assumed that James only exercised if he could show off about it—come swanning back into the common room all sweaty, or fly about on his latest nifty broom when most of his peers were just trying to enjoy some afternoon sun. But she’d come to realise that there were no bragging rights associated with going for a run, all alone at the arsecrack of dawn, that he really was just doing it for his own fitness. Damn him.

tagging @mppmaraudergirl @clare-with-no-i @kay-elle-cee @sunshinemarauder if you fancy it/haven't already been tagged!

Using words long, think and together (and reserve words work, dark and touch)

[ladyhindsight]

The second part of the book begins, and I am already done with the whole quote that starts the part:

I love you as one loves certain dark things — Pablo Neruda, “Sonnet XVII”

Because it isn't even a whole quote, not even a one I can find in this form, and it's not even the whole verse. This erases the whole meaning to fit into this loving certain dark things narrative, especially considering the actual following verse:

I love you as certain dark things are to be loved, in secret, between the shadow and the soul.

I also don't know what translation Clare got that from because all I can find is the latter one. ANyway. We continue with Maia and Jordan, and Jordan can go fuck himself:

→ To begin with this, fucking hell. This refers to the ending scene of chapter 4 where Maia has a flashback to trauma Jordan caused.

He pulled her closer. He was shaking. She felt the heat of his strong body against hers as his hands slid down her back. “Maia,” he whispered. He started to lift the hem of her sweater, his fingers gripping the small of her back. His lips moved against hers. “I love you. I never stopped loving you.” You’re mine. You’ll always be mine. Her heart hammering, she jerked away from him, pulling her sweater down. “Jordan — stop.” He looked at her, his expression dazed and worried. “I’m sorry. Was that not any good? I haven’t kissed anyone but you, not since…” He trailed off. She shook her head. “No, it’s just — I can’t.” “All right,” he said. He looked very vulnerable, sitting there, dismay written all over his face. “We don’t have to do anything — ” She groped for words. “It’s just too much.”

And this fucking idiot thinks it's because he might be a bad kisser. Maia has nothing to apologize for, and I'm already sick of this chapter trying to flip this dynamic over to where Maia owns Jordan a goddamn thing.

→ The whole "I don't want to be friends" and Maia acting shocked is stupid because Jordan has come onto Maia plenty of times already that she should know what he actually means. This is all idiotic.

Then die.

This could've been said also by Jace, Simon, or Magnus because all the jokes are tonally and in terms of content always the same. Ha ha, two straight boys kissing. Funny.

We skip to Clary exploring the place Jace has brought her to and rummaging through a wardrobe.

Morgenstern men love heteronormative clothing for women who wear gear meaning also pants.

→ A scene that never happened but would've been a great callback to the previous book if it was written out.

→ Hopefully Clary would remember things that happened just a while back with a visual reminder. Also → "It had been a clear day in early October.."

The last time the box was mentioned was in City of Bones where it is told that the box held "with the medals were one or two photos, a wedding ring, and a single lock of blond hair. Sometimes Jocelyn took the box out and opened it and held the lock of hair very gently in her hands before putting it back and carefully locking the box up again."

Which makes me question whether Clary then knew what the contents of the box actually were since there are no metals or a wedding ring. Which is fine, but what is not fine is that the box goes unmentioned for forever and once it makes an appearance, Clary is suddenly in the know of the contents and the contents themselves differ drastically from what was previously told. Continuity where?

Here Isabelle is an outlet of Clare's bias. Different characters of course can have different opinions and preferences, but because other characters like Lucie also keep talking how brown (hair color) is ordinary and boring and how the writing keeps coming up with ridiculous similes and metaphors for every other eye color/hair color than brown or dark, it's obvious. Even more so when a little later down here Isabelle thinks blue eyes are more interesting than black.

Meaning faerie men possibly far older than her? Shadowhunters who? Who are these Isabelle's sexy ex-dates when none is ever mentioned or makes an appearance and the premise is that the Lightwood kids have grown up pretty secluded in the New York Institute because of their parents' exile?

So Isabelle thinks she would be more interesting if she had blue eyes instead of black ones. Because appearance is what makes to interesting, not your character. Pretty on point for the narrative.

Just call her Jocelyn. You just did.

→ ...and saw Jocelyn looking at her. Jocelyn opened her mouth...

Or if you must, this order makes more sense:

→ ...and saw Clary's mother looking at her. Jocelyn opened her mouth...

→ No need for any of these. This is Isabelle's PoV, we know this is what she can observe.

→ Isabelle rolled her eyes at him and turned around/away etc. Then paragraph division and the description may commence.

Cut back to the Boredom Crew.

Thank you for the clarification. Otherwise I might have confused him to some other shared father??

Jace has not shared that look with anyone ever because the only people with shared secrets and in the know have always been Jace and Clary because the narrative is jealous of Jace having that kind of relationship or bond with anyone else.

Also Clary has not known Jace long enough to say "in a very long time."

→ Is he squinting?

→ No need for this, it's her PoV. Stop overexplaining.

→ Or: "His look was calculating: he was deciding what he was going to allow Jace to do, how much leash to give his "brother."

[cleverhottubmiracle]

Hi friends, happy Friday! I’ve got a quick little try-on haul to share today. I debated holding these pictures until I had more, but then I decided to go ahead and share while they’re fresh in my mind. I’ve been easing back into things this week after traveling and taking some time to focus on family, so this one’s short and sweet. I met a friend at the mall on Monday, and of course, we started at EVEREVE! (If you’re getting a little tired of seeing EVEREVE, I get it—but it’s my go-to and the easiest place for me to start. That said, I’ve placed a few orders from LOFT, White House Black Market, Gap Factory, and Nordstrom, so more variety is coming soon.) In the meantime, here’s what I found at EVEREVE! SIZING NOTES: I’m 5’5″ and I usually wear a small or medium in tops and dresses, a 29 or 30 in jeans and pants, and a size 8 shoe. Gifted items are indicated by c/o; everything else I purchased myself. KUT from the Kloth Jenny Short at EVEREVE (8) // Clare V. Classic Tee (L) // Gola Torpedo (7.5) DETAILS: Finished in light-wash denim, the Jenny jean short by KUT From The Kloth is perfect for your warm-weather rotation. Front Rise: 11 1/4″ Inseam Length: 5 1/2″ Leg Opening: 23 1/2″ Material: 99% Cotton, 1% Spandex Denim Care: Machine Wash, Wash Cold, Tumble Dry Low Longer denim shorts with a more relaxed fit are trending, so I grabbed these to try. I was curious about the 5.5″ inseam, but they hit at kind of an awkward spot on my legs. The fit wasn’t bad—some jean shorts can look wide and bulky on me—but I just couldn’t get excited about them. VERDICT: Left them in the store. EVEREVE Taylor Sweater in Navy at EVEREVE (S) // KUT linen shorts (M) // Dolce Vita Lorene (8) DETAILS: Take your summer look from day to night with the Taylor sleeveless sweater by EVEREVE, featuring a relaxed, cropped silhouette, wide neckline, and rolled edges at the collar and shoulders. Length from Shoulder to Hem: 20 1/2″ Material: 100% Cotton Knit Care: Hand Wash, Wash Cold, Dry Flat I love a navy sweater for summer—it pairs so nicely with white or light-wash denim. This one is simple without being plain, thanks to the textured knit and subtly boxy fit. The length is shorter, but not cropped, and the overall vibe feels fresh and on-trend. It’s 100% cotton, soft and breathable, and runs true to size (or size down if you’re in between). VERDICT: This one came home with me! KUT from the Kloth Linen Short in Clay at EVEREVE (M) // Taylor sweater (S) // Dolce Vita Lorene (8) DETAILS: These linen-blend shorts by KUT From The Kloth are a must-have summer staple, featuring a drawstring elastic waist, front patch pockets, and back flap pockets—perfect for dressing up or down. Drawstring Waist Waist Rise: High Inseam Length: 5″ Material: 50% Linen, 48% Rayon, 2% Spandex Twill Care: Machine Wash, Wash Cold, Hang To Dry I struggle to find shorts that fit my wider hips and narrower legs, so these were a pleasant surprise! The rust color is such a nice change from the usual neutrals, and the tie-waist detail feels right on trend. I also love the flap pockets in the back—they add interest without adding bulk. The linen/rayon blend is soft, breathable, and perfect for warm weather, and the fit is close to the leg without feeling tight anywhere. VERDICT: These also came home with me! BlankNYC Haddie Short in Navy at EVEREVE (L) // Florence tank (M) // Dolce Vita Lorene (8) DETAILS: Finished in soft lyocell fabric, the easy-to-love Haddie Short by BlankNYC features a relaxed, high-rise silhouette with utility-style pockets and an adjustable drawstring waist. Drawstring Waist, Zip Fly Front Rise: 12″ Inseam Length: 3 1/2″ Leg Opening: 25″ Material: 100% Lyocell Woven Care: Machine Wash, Wash Cold, Tumble Dry Low These shorts didn’t work out quite as well for me, but part of the problem was that the store didn’t have my usual size medium, so I tried the large instead. They were definitely too big all over, and even though they’re supposed to be slightly shorter than the rust pair above, they didn’t fit me that way. That said, I do like the classic navy color and the contrast tie at the waist. The pocket details in both the front and back are flattering, and I wish I’d been able to try my usual size. VERDICT: I didn’t buy these, but I might order the medium to try. EVEREVE Florence Tank in White at EVEREVE (M) // Citizens Palma (more sizes here) (29) // Dolce Vita Lorene (8) DETAILS: Finished with a lace front detail, the Florence Tank by EVEREVE features a cotton knit fabric, v-neckline, and a relaxed silhouette.  Length from Shoulder to Hem: 20 1/4″ Material: 97% Cotton, 3% Nylon Knit Care: Hand Wash, Wash Cold, Dry Flat I spotted this tank on the rack but didn’t grab it at first. Thankfully, my friend brought it back to me, and I’m so glad she did because I love it. It’s a simple sweater tank, but the lace-up detail adds just enough interest. It’s bra-friendly with a classic, slightly relaxed fit, and I love how it a white sweater pairs with denim. The knit does feel like it might “grow” a bit with wear, but I still couldn’t resist bringing it home. VERDICT: Bought it—and already planning outfits around it! Dolce Vita Lorene in Cafe at EVEREVE (8) // Clare V tee (L) // Citizens Palma (more sizes here) (29) DETAILS: Complete any warm-weather look with the Lorene sandal by Dolce Vita. Perfect for wearing day or night, these chic square-toe sandals feature a T-strap design with a metal ring detail and adjustable buckle closure. Adjustable Buckle Material: Leather Upper, Synthetic Outsole I’d had my eye on these sandals online, so I was thrilled to find my size in-store! I love the T-strap style with the metal ring detail, and the light neutral color goes with everything; it blends in really nicely with my skintone, too. They’re not leather, which is something to note, but for a simple summer sandal, I don’t mind. VERDICT: Bought them! In fact, I wore them out of the store and tossed my sneakers in the shopping bag. They’re definitely going to be a go-to this summer! EVEREVE Cruz Sleeveless Hoodie in Heather Grey at EVEREVE (M) // Citizens Palma-on sale, more sizes here (29) // Gola Cyclone (8) DETAILS: A casual-chic summer staple, the Cruz hoodie by EVEREVE is crafted in lightweight slub fabric and features a relaxed, sleeveless silhouette with an adjustable drawstring hood and exposed seam details at the center and shoulders. Length from Shoulder to Hem: 21 1/2″ Material: 60% Cotton, 40% Modal Knit Care: Machine Wash, Wash Cold, Dry Flat I had this tee in white last year and wore it constantly, so I was excited to see new colors out this season. (It also comes in Shell Pink and an Ivory/Green Stripe.) The grey is nice, and I do love a good heather grey tee for summer, but once I tried on the Ivory/Green Stripe, I knew that was the one coming home with me. It’s a little different from anything else in my closet, and let’s be honest… I can never pass up a good stripe! VERDICT: Went with the Ivory/Green Stripe—too good to leave behind! Sadly, I forgot to take a picture, but I’ll be styling it soon! Gola Cyclone Leather Sneaker in White/Red at EVEREVE (also at Zappos) (8) // Citizens Palma (more sizes here) (29) DETAILS: Red and pink details add a pop of color to these low-top sneakers by Gola, featuring a paneled leather upper, suede toe, and dark gum sole. Lace Up Style Leather and Suede Upper, Rubber Outsole This was another shoe I knew I wanted to check out in-store—and I was not disappointed! I love the bright white leather and suede combo, and the red and pink accents are such a fun, unexpected touch. Most of my colorful sneakers feel a little too heavy for summer, but these strike just the right balance. I have a lot of sneakers, but I think I’ll be reaching for these often. VERDICT: Definitely a keeper. Dolce Vita Dallen Strappy Sandal in Saddle Leather at Nordstrom (8) // Clare V. Classic Tee (L) // Citizens Palma (more sizes here) (29) DETAILS: Complete your casual look with the modern style of this strappy slingback sandal. Adjustable slingback strap with buckle closure Leather upper/synthetic lining and sole These sandals aren’t from EVEREVE, but I wanted to include them because I love them—and I’ve already worn them a few times. Strappy styles like this are definitely trending, but most have a thin, flimsy footbed. I love that these have a molded footbed with real support. The slingback is adjustable, and after tightening mine (post-photo), they’re super easy to walk in. I maybe could’ve sized down half a size, but I was too excited to wear them—tightening the strap did the trick, and they feel great. They also come in black, gold, and off-white, but I was drawn to this Saddle color. It’s such a good neutral and pairs perfectly with my new Mulberry bag from England. Style tip: I always try to have a go-to shoe and bag combo for each season—it makes getting dressed so much easier, and a coordinated pair like this one really pulls an outfit together without much effort. VERDICT: Already wearing them on repeat—they’re a great mix of style and comfort. That’s it for this little round-up! I’ll have more variety coming next week, but in the meantime, let me know if you’ve tried any of these or found anything great lately���I always love hearing what you’re adding to your wardrobe! Stay In Touch If you liked this post, be sure you’re signed up for my email newsletter. In addition to my most recent blog posts, you’ll receive exclusive newsletter content like special sales, my newest favorite finds, and an occasional peek behind the scenes — all delivered right to your inbox. I would also love for you to join my JLS Fashion Insiders Facebook Group! This is a friendly place to discuss all matters of fashion and style with other women, share your outfits, get advice, and stay up to date on all the happenings in our community. Source link

[norajworld]

Hi friends, happy Friday! I’ve got a quick little try-on haul to share today. I debated holding these pictures until I had more, but then I decided to go ahead and share while they’re fresh in my mind. I’ve been easing back into things this week after traveling and taking some time to focus on family, so this one’s short and sweet. I met a friend at the mall on Monday, and of course, we started at EVEREVE! (If you’re getting a little tired of seeing EVEREVE, I get it—but it’s my go-to and the easiest place for me to start. That said, I’ve placed a few orders from LOFT, White House Black Market, Gap Factory, and Nordstrom, so more variety is coming soon.) In the meantime, here’s what I found at EVEREVE! SIZING NOTES: I’m 5’5″ and I usually wear a small or medium in tops and dresses, a 29 or 30 in jeans and pants, and a size 8 shoe. Gifted items are indicated by c/o; everything else I purchased myself. KUT from the Kloth Jenny Short at EVEREVE (8) // Clare V. Classic Tee (L) // Gola Torpedo (7.5) DETAILS: Finished in light-wash denim, the Jenny jean short by KUT From The Kloth is perfect for your warm-weather rotation. Front Rise: 11 1/4″ Inseam Length: 5 1/2″ Leg Opening: 23 1/2″ Material: 99% Cotton, 1% Spandex Denim Care: Machine Wash, Wash Cold, Tumble Dry Low Longer denim shorts with a more relaxed fit are trending, so I grabbed these to try. I was curious about the 5.5″ inseam, but they hit at kind of an awkward spot on my legs. The fit wasn’t bad—some jean shorts can look wide and bulky on me—but I just couldn’t get excited about them. VERDICT: Left them in the store. EVEREVE Taylor Sweater in Navy at EVEREVE (S) // KUT linen shorts (M) // Dolce Vita Lorene (8) DETAILS: Take your summer look from day to night with the Taylor sleeveless sweater by EVEREVE, featuring a relaxed, cropped silhouette, wide neckline, and rolled edges at the collar and shoulders. Length from Shoulder to Hem: 20 1/2″ Material: 100% Cotton Knit Care: Hand Wash, Wash Cold, Dry Flat I love a navy sweater for summer—it pairs so nicely with white or light-wash denim. This one is simple without being plain, thanks to the textured knit and subtly boxy fit. The length is shorter, but not cropped, and the overall vibe feels fresh and on-trend. It’s 100% cotton, soft and breathable, and runs true to size (or size down if you’re in between). VERDICT: This one came home with me! KUT from the Kloth Linen Short in Clay at EVEREVE (M) // Taylor sweater (S) // Dolce Vita Lorene (8) DETAILS: These linen-blend shorts by KUT From The Kloth are a must-have summer staple, featuring a drawstring elastic waist, front patch pockets, and back flap pockets—perfect for dressing up or down. Drawstring Waist Waist Rise: High Inseam Length: 5″ Material: 50% Linen, 48% Rayon, 2% Spandex Twill Care: Machine Wash, Wash Cold, Hang To Dry I struggle to find shorts that fit my wider hips and narrower legs, so these were a pleasant surprise! The rust color is such a nice change from the usual neutrals, and the tie-waist detail feels right on trend. I also love the flap pockets in the back—they add interest without adding bulk. The linen/rayon blend is soft, breathable, and perfect for warm weather, and the fit is close to the leg without feeling tight anywhere. VERDICT: These also came home with me! BlankNYC Haddie Short in Navy at EVEREVE (L) // Florence tank (M) // Dolce Vita Lorene (8) DETAILS: Finished in soft lyocell fabric, the easy-to-love Haddie Short by BlankNYC features a relaxed, high-rise silhouette with utility-style pockets and an adjustable drawstring waist. Drawstring Waist, Zip Fly Front Rise: 12″ Inseam Length: 3 1/2″ Leg Opening: 25″ Material: 100% Lyocell Woven Care: Machine Wash, Wash Cold, Tumble Dry Low These shorts didn’t work out quite as well for me, but part of the problem was that the store didn’t have my usual size medium, so I tried the large instead. They were definitely too big all over, and even though they’re supposed to be slightly shorter than the rust pair above, they didn’t fit me that way. That said, I do like the classic navy color and the contrast tie at the waist. The pocket details in both the front and back are flattering, and I wish I’d been able to try my usual size. VERDICT: I didn’t buy these, but I might order the medium to try. EVEREVE Florence Tank in White at EVEREVE (M) // Citizens Palma (more sizes here) (29) // Dolce Vita Lorene (8) DETAILS: Finished with a lace front detail, the Florence Tank by EVEREVE features a cotton knit fabric, v-neckline, and a relaxed silhouette.  Length from Shoulder to Hem: 20 1/4″ Material: 97% Cotton, 3% Nylon Knit Care: Hand Wash, Wash Cold, Dry Flat I spotted this tank on the rack but didn’t grab it at first. Thankfully, my friend brought it back to me, and I’m so glad she did because I love it. It’s a simple sweater tank, but the lace-up detail adds just enough interest. It’s bra-friendly with a classic, slightly relaxed fit, and I love how it a white sweater pairs with denim. The knit does feel like it might “grow” a bit with wear, but I still couldn’t resist bringing it home. VERDICT: Bought it—and already planning outfits around it! Dolce Vita Lorene in Cafe at EVEREVE (8) // Clare V tee (L) // Citizens Palma (more sizes here) (29) DETAILS: Complete any warm-weather look with the Lorene sandal by Dolce Vita. Perfect for wearing day or night, these chic square-toe sandals feature a T-strap design with a metal ring detail and adjustable buckle closure. Adjustable Buckle Material: Leather Upper, Synthetic Outsole I’d had my eye on these sandals online, so I was thrilled to find my size in-store! I love the T-strap style with the metal ring detail, and the light neutral color goes with everything; it blends in really nicely with my skintone, too. They’re not leather, which is something to note, but for a simple summer sandal, I don’t mind. VERDICT: Bought them! In fact, I wore them out of the store and tossed my sneakers in the shopping bag. They’re definitely going to be a go-to this summer! EVEREVE Cruz Sleeveless Hoodie in Heather Grey at EVEREVE (M) // Citizens Palma-on sale, more sizes here (29) // Gola Cyclone (8) DETAILS: A casual-chic summer staple, the Cruz hoodie by EVEREVE is crafted in lightweight slub fabric and features a relaxed, sleeveless silhouette with an adjustable drawstring hood and exposed seam details at the center and shoulders. Length from Shoulder to Hem: 21 1/2″ Material: 60% Cotton, 40% Modal Knit Care: Machine Wash, Wash Cold, Dry Flat I had this tee in white last year and wore it constantly, so I was excited to see new colors out this season. (It also comes in Shell Pink and an Ivory/Green Stripe.) The grey is nice, and I do love a good heather grey tee for summer, but once I tried on the Ivory/Green Stripe, I knew that was the one coming home with me. It’s a little different from anything else in my closet, and let’s be honest… I can never pass up a good stripe! VERDICT: Went with the Ivory/Green Stripe—too good to leave behind! Sadly, I forgot to take a picture, but I’ll be styling it soon! Gola Cyclone Leather Sneaker in White/Red at EVEREVE (also at Zappos) (8) // Citizens Palma (more sizes here) (29) DETAILS: Red and pink details add a pop of color to these low-top sneakers by Gola, featuring a paneled leather upper, suede toe, and dark gum sole. Lace Up Style Leather and Suede Upper, Rubber Outsole This was another shoe I knew I wanted to check out in-store—and I was not disappointed! I love the bright white leather and suede combo, and the red and pink accents are such a fun, unexpected touch. Most of my colorful sneakers feel a little too heavy for summer, but these strike just the right balance. I have a lot of sneakers, but I think I’ll be reaching for these often. VERDICT: Definitely a keeper. Dolce Vita Dallen Strappy Sandal in Saddle Leather at Nordstrom (8) // Clare V. Classic Tee (L) // Citizens Palma (more sizes here) (29) DETAILS: Complete your casual look with the modern style of this strappy slingback sandal. Adjustable slingback strap with buckle closure Leather upper/synthetic lining and sole These sandals aren’t from EVEREVE, but I wanted to include them because I love them—and I’ve already worn them a few times. Strappy styles like this are definitely trending, but most have a thin, flimsy footbed. I love that these have a molded footbed with real support. The slingback is adjustable, and after tightening mine (post-photo), they’re super easy to walk in. I maybe could’ve sized down half a size, but I was too excited to wear them—tightening the strap did the trick, and they feel great. They also come in black, gold, and off-white, but I was drawn to this Saddle color. It’s such a good neutral and pairs perfectly with my new Mulberry bag from England. Style tip: I always try to have a go-to shoe and bag combo for each season—it makes getting dressed so much easier, and a coordinated pair like this one really pulls an outfit together without much effort. VERDICT: Already wearing them on repeat—they’re a great mix of style and comfort. That’s it for this little round-up! I’ll have more variety coming next week, but in the meantime, let me know if you’ve tried any of these or found anything great lately—I always love hearing what you’re adding to your wardrobe! Stay In Touch If you liked this post, be sure you’re signed up for my email newsletter. In addition to my most recent blog posts, you’ll receive exclusive newsletter content like special sales, my newest favorite finds, and an occasional peek behind the scenes — all delivered right to your inbox. I would also love for you to join my JLS Fashion Insiders Facebook Group! This is a friendly place to discuss all matters of fashion and style with other women, share your outfits, get advice, and stay up to date on all the happenings in our community. Source link

[readingbibooks]

“Because of bisexual presence (sometimes overt, sometimes not) in what are assumed to be gay, lesbian or straight spaces, bisexual history is partly lesbian and gay history, and vice versa. This sense of partiality is pertinent to the study of bisexuality in very specific ways, given that bisexuals have commonly occupied gay, lesbian or straight spaces and assign meanings to their desire in spaces that rarely reflect their named identity. Bisexuals come to think of themselves as bisexual almost exclusively in lesbian, gay or straight spaces.”

- Clare Hemmings, The Bisexual Imaginary

[daily-clace]

And she was drowning in it, in the sensation of him kissing her; of rain everywhere, running off her eyelashes; of letting his hands slide freely over the wet, crumpled fabric of her dress, made thin and clinging by the rain. It was almost like having his hands on her bare skin, her chest, her hips, her stomach; when he reached the hem of her dress, he gripped her legs, pressing her harder back against the wall while she wrapped them around his waist.

He made a noise of surprise, low in his throat, and dug his fingers into the thin fabric of her tights. Not unexpectedly, they ripped, and his wet fingers were suddenly on the bare skin of her legs. Not to be outdone, she slid her hands under the hem of his soaked shirt, and let her fingers explore what was underneath: the tight, hot skin over his ribs, the ridges of his abdomen, the scars on his back, the angle of his hipbones above the waistband of his jeans. This was uncharted territory for her, but it seemed to be driving him crazy: he was moaning softly against her mouth, kissing her harder and harder, as if it would never be enough, not quite enough—

City of Fallen Angels, Cassandra Clare

[dsandrvk]

Saturday, May 3 - Hook Peninsula to Cahir

Tintern Abbey

William Marshall and Isabel de Clare

Woodland walk between abbey and garden

The Swiss Cottage

A very elaborate fairy house

Cahir Castle

We're winding down our time in Ireland, and today we started heading back towards Limerick and Shannon Airport to turn in our car in a few days, but we still wanted to combine our traveling with additional sights. We started today at Tintern Abbey, just north of where we were staying. It's a lovely setting with lots of surrounding woodlands - so many of the sites are hemmed in by development or farmers' fields, but here the property extends in all directions.

The Abbey here was quite large, and the growth and changes to the original property have been documented and well explained. Unlike some abbeys which were ruined during Henry VIII's rule, this abbey was given to an officer in the English army who converted the tower section of the church into a residence, and the property passed down through the ages until the last survivor of the Coclough line handed It over to the State in 1963. At that time restoration was done, but in keeping with the trends of the time, most of the evidence of the residence was removed to try to bring it back more to the original look when it was an abbey. Today the restoration would probably incorporate those residential changes as part of the ongoing evolution of the space.

There is an intriguing display of how the walls were made when it had been a residence with both wattle and daub construction as well as wood paneling, and there were original examples of each. In addition to the abbey itself there is a nearby walled garden that was part of the estate, and has beautiful grounds and border beds, and also contains a kitchen garden, for which planting was just getting started. The woodland walk between the abbey and the garden, divided by a small river, was full of spring ground covers and birdsong.

We have found many of the abbeys and castles to be popular nesting places for birds, especially Jackdaws. One reason it is so attractive to them is that there are square holes everywhere on the facades - the places where wooden scaffolding was inserted while the buildinga were constructed. Since then, the wood blocks that remained in the holes have long rotted away, and perfect nesting cavities have been left.

A note on William Marshal - he was considered the ideal model of a feudal knight. He served several kings, from Henry II through Henry III, especially King John, and was married to the eldest child of "Strongbow", who in 1170 successfully invaded Ireland with his Norman army. This marriage gave him title to much land in the south, and Marshal was the original founder of the abbey, which was affiliated with Tintern Abbey in his original home in Pembrokeshire, Wales. He was also responsible for building Hook Lighthouse, which he built to guide ships into the harbor of New Ross, a town he founded. Monks were responsible for the operation of the lighthouse for much of its early years.

We chose to head back west along a fairly good "national" road, which had wide lanes and fewer bends, and we made good time to the town near tonight's lodging, Cahir. Here there was both a castle and a "cottage orne", the Swiss Cottage. The latter was built in the early 1800's by the wealthy landowner and lord of town and surrounding area at a time when the "simple rustic life" was a popular idea. As a result, no expense was spared to create the illusion of simplicity, including having the building designed by John Nash, who also designed Buckingham Palace.

The cottage was used for parties primarily, as being only two kilometers from their main house, it was only a short carriage ride away for the Butler family. We were lucky to arrive just before a scheduled tour, as that is the only way to see the interior. Although a lot of the original furnishings had been sold or destroyed through neglect, the OPW have done a good job of researching what was most likely there originally, and trying to recapture the look and feel. The "rustic" nature of the design has no two windows or doors the same, and the thatched roofline is purposely uneven.

From the cottage there is a lovely path through the woods into the town of Cahir, and we had time to visit the castle there. It is one of the more intact castles simply because when the Earl of Essex attacked in 1599, the Butler family simply surrendered. The castle has been featured in several movies and films, including "Excalibur" and "The Tudors". The castle itself is on an island, and the grounds outside are a lovely park with lots of bird and bee boxes, and filled with families on this holiday weekend.

After walking back to our car parked near the Swiss Cottage, it was time to check in to our B&B, about 5 kilometers out of town, and far enough away from the popular tourist town. We are planning to head just north to the Rock of Cashel tomorrow morning, which is also a major tourist spot, but we may be able to beat the crowds if we go early enough. And it's supposed to be another beautiful day!

[infanciactiva]

Establir normes a l'etapa infantil per a l'ús de les tecnologies a casa:

Imatge de la meva filla veient tauleta.

Espero que us pugui ajudar amb aquestes normes tant a l'etapa infantil, com a l'etapa adolescent. Crec que és una manera senzilla de treballar en família l'ús de tots aquests aparells que tenim a casa, com ara mòbils, tauletes, ordinadors. M'he basat en les regles que ens aporta l'Elizabeth Kilbey, és psicòloga i escriptora.

Establir unes rutines diàries clares com: horaris per menjar, dormir, jugar, etc. , per tant, establir dins aquest horari els límits de l'ús de pantalles i de tecnologia. Depenent de les edats hi haurà un temps limitat i una supervisió.

Ordre i responsabilitat, tant a casa, pel que fa a les seves joguines, objectes que s'utilitzin i, per tant, també de l'ús de les tecnologies, cuidant el material, les hores d'ús.

Donar exemple com a adults.

Establir les conseqüències de manera clara i acordar-les. Les normes han d'anar acompanyades d'explicacions i afecte. Quan els nens entenen el sentit dels límits és més fàcil que els respectin.

Crear un diàleg obert, sobretot amb els adolescents. No cal imposar sinó negociar certes normes, escoltar el seu punt de vista i explicar-ne els motius.

Establir les normes a l'etapa infantil:

Clares i senzilles: usant un llenguatge senzill, simple i directe. Les normes han de ser fàcils de recordar. Per exemple: Temps limitat i supervisat: "Només fem servir la tauleta 30 minuts al dia i sempre amb papa i mare a prop". Perquè els nens petits encara no saben autoregular-se i necessiten acompanyament.

Continguts adequats a la seva edat: “Només veiem dibuixos o jocs que la mare o el papa hagin triat.” Com molts continguts  són inapropiats, per tant, exercir un control parental sobre quins deuen o quins no deuen.

Donar exemple, norma per a adults: Quan estic amb tu deixo el mòbil de banda Així els infants imiten allò que veuen, si volem que es respecti les normes hem d'aplicar-les també.

Llocs sense tecnologies: "A l'habitació no hi ha tauleta. A taula, parlem i mengem." Així, fomentar la interacció familiar i el descans saludable.

Establir les normes a l'etapa adolescent:

Horaris clars i límits d'ús: "Màxim dues hores al dia fora de l'horari escolar, res de pantalles després de les 22h"

Espais lliures de tecnologia: "A la taula i a l'habitació a la nit no es fan servir dispositius" Així fomentem el descans i la comunicació familiar.

Xarxes socials amb control i acompanyament: "Pots tenir xarxes, però amb privadesa activada i sabent que els pares poden revisar si cal."

El temps per a l'ús productiu: "Primer fer tasques i responsabilitats, després es pot fer servir la tecnologia per a l'oci."

Esquema d'exemple per a l'etapa infantil

"Farem servir la tauleta 30 minuts al dia i sempre amb papa o mama a prop." (Temps limitat i supervisat)

"No fem servir pantalles mentre mengem-nos ni abans d'anar a dormir." (No durant àpats ni abans de dormir.)

 "Només veiem dibuixos o jocs que la mama o el papa hagin triat." (Continguts adequats a la seva edat.)

 "Fem servir la tauleta per aprendre o divertir-nos una estoneta no tot el dia." (Pantalles amb propòsit no per costum.)

"Quan estic amb tu deixo el mòbil de banda." (Donar exemple.)

"A l'habitació no hi ha pantalles. A taula, mengem i parlem del que és bo i dolent del dia." (Espais sense tecnologia.)

Els pares han de ser conscients dels riscos que implica l'ús de la tecnologia en la infància, de vegades no saben com actuar o saben quines eines són les necessàries per gestionar-ho adequadament. Un mal ús d'aquestes tecnologies pot afectar:  

Al desenvolupament del llenguatge i la comunicació

Al somni i la concentració

La socialització i el joc actiu

El vincle afectiu amb la família.

Aquí teniu una conversa molt interessant, que encara que estigui en anglès es pot posar subtítols i us aportarà molt sobre el tema. Espero que us ajudi a tots com m'ajuda a mi. Gràcies!!

[chilimili212]

One question that pops up all the time: When should you tuck your shirt? And is the front tuck still in style? The short answer—yes! But the key is knowing when (and how) to tuck for the most flattering look. Today, I’m breaking it down with easy examples to help you decide when to front tuck, fully tuck, or leave your shirt untucked. Right now, a full tuck with high-waisted jeans, pants, and even skirts is a very current look. Here’s an example from the EVEREVE website. (Hint: When I want to gauge what’s on trend and how pieces are being styled, I often check EVEREVE. They do a great job curating modern, of-the-moment pieces that still feel polished and wearable for women in their 50s.) I’ve tried this look many times with different tops and jeans, but the full tuck just doesn’t work well for my body. If I were home, I’d snap a quick photo to show why, but since I’m pulling from my archives this morning, I’ll leave it at that for now. outfit details Personally, I stick with a front tuck when it helps create a more flattering proportion, or I opt for tops that have the right length and silhouette to wear untucked. Let me show you how I decide when to front tuck vs. leave my shirt out. Blouses: Front Tucking for Shape & Proportion Blouses come in all shapes and styles, from flowy and oversized to structured and tailored. The key to deciding whether to tuck is looking at the volume, hemline, and how the top interacts with your bottoms. A front tuck can help define your waist and balance proportions, especially when pairing a relaxed blouse with wide-leg or flared jeans. On the other hand, if a blouse has a naturally tapered fit or a shorter hemline, leaving it untucked can keep the look effortless and flattering. This oversized linen button-up works well both ways. When I wear it with straight leg jeans or skinnies, like in the photo on the left, I leave it untucked for a relaxed vibe—the slimmer bottoms help balance the volume on top. But when I paired the same shirt with wide-leg jeans last summer, the overall volume felt like too much, so I did a loose front tuck to define my waist and create better balance. button-up (M) c/o // straight leg jeans (30) c/o // sandals – left (8) // wide leg jeans (29) c/o // sandals – right (8) // bag Here’s an outfit with a dressier blouse that has a relaxed silhouette and a shirttail hem. I paired it with dark-wash flares, and once again, the overall volume felt like a lot. Even though the 23″ length isn’t super long, a front tuck helps define my waist and gives the look a more polished feel—although, I should have added a black belt to complete the outfit. blouse (S) // jeans (29) // pumps (8.5) T-Shirts & Knit Tops: Finding the Right Balance T-shirts and knit tops are some of the easiest pieces to tuck, but whether you should depends on the fit and the overall outfit. A front tuck can add shape to a boxy or oversized tee, helping to define your waist and create a more intentional look. Fitted tees, especially when worn with high-rise jeans or skirts, often look best fully tucked for a streamlined silhouette. On the other hand, if a tee or knit top is the right length and drapes well, leaving it untucked can keep the outfit effortless and relaxed. The key is making sure your proportions feel balanced—if something looks off, a simple tuck can often be the fix. This white t-shirt is 22″ long with a straight fit, so it works both tucked and untucked. I tried it both ways with flare jeans, and while the untucked version feels a little sloppy to me, the front tuck creates a more polished look. I prefer it tucked, but I’d probably add a belt to finish off the outfit. top (M) (also at Amazon) // jeans (29) // sneakers (8) A shorter boxy tee, like the Clare V. Classic Tee, can go either way, as well. The front tuck adds a bit more waist definition, while the untucked version has a laid-back, relaxed feel. t-shirt (M) // jeans (29) // sneakers (8.5) When I wear a shorter, boxy tee with shorts, I usually leave it untucked for a casual, relaxed vibe. This Sundry Golden Hour Tee was a favorite last summer—I’m hoping they bring it back this season or release something similar. I wear this FRAME Le Mid Rise V-Neck T-Shirt a ton in the spring and summer months, and I always front tuck it. At 25 ½” long, it’s just too long to leave out—it cuts me right in half. The front tuck helps bring my proportions back into balance, creating that pleasing 1/3 to 2/3 ratio. t-shirt (XS) // similar jeans (29) // similar sandals // clutch // earrings Here’s an example of a top I typically leave untucked. This muscle tee has some structure through the waist and hits at a flattering length, so it works well left out. I also like how the wider shoulders help balance the wider hem of the crop flares. tee (M) // jeans (29) // flats (8) // sunnies Also, a banded waist makes it easy! Unlike a regular hem, it’s designed to be left out while still giving a polished, finished look without adding bulk. Plus, it naturally sits at the right spot, so there’s no need for a tuck to create shape. This makes it a great option if you don’t love tucking but still want some definition at the waist. top (S) // jeans // sandals (39) // suitcase Sweaters: When a Front Tuck Makes Sense Sweaters can be tricky when it comes to tucking—some are too bulky to tuck neatly, while others benefit from a little shaping. The key is considering the thickness, length, and overall silhouette. A front tuck works well with medium-weight sweaters to define the waist without adding bulk, especially when paired with wide-leg or relaxed-fit jeans. Cropped and shorter sweaters usually look best left untucked, as they already create a balanced shape. On the other hand, longer, oversized sweaters can sometimes overwhelm your frame, so a strategic tuck can help rein in the volume and create a more polished look. Here’s an example of a summer sweater with the perfect length (21″) and silhouette to wear untucked. (Sorry, it’s from last year, so it’s sold out!) Even though the model styled it with a front tuck, I prefer to leave it out—it just feels more natural that way. sweater (S) // jeans (29) // sandals (8) // bag I feel like this sweater can go either way. It’s a fine-gauge knit with a versatile 22” length, a slightly relaxed silhouette, and a nice drape. I think the proportions work well untucked, but it felt a little too plain, so I ended up keeping the front tuck to show the belt—which really completes the look. sweater (S) // jeans (29) (option) // boots (8) // similar belt  This is another sweater I wear both ways, depending on the outfit. Like the last one, it has a versatile 22” length, but this one is a chunkier knit with a boxy silhouette. I tried it both untucked and front-tucked with these wide-leg ankle jeans and ended up going with an off-center front tuck to add some waist definition but not draw so much attention to the midsection. sweater (S) (option) // jeans (29) // sneakers (8) Here’s an example of when I left the same sweater untucked. The relaxed fit of the sweater pairs well with the straight-leg jeans, creating balanced proportions and a laid-back look, so a tuck didn’t feel necessary. sweater (S) (option) // jeans (29) // sneakers (8) I usually leave this one untucked—unless I’m wearing a jacket on top. When I paired it with this faux fur jacket, the sweater was the same length, which looked a bit awkward to me. A front tuck and a belt helped break it up and create a more polished look for a casual date night. older sweater // jeans (29) (option) // boots (8) // similar belt // faux fur jacket (S) As you can see, I tend to choose tops and sweaters in that “sweet spot” length—around 22″—because it makes them more versatile and easy to wear multiple ways. Longer sweaters almost always need a front tuck, but they can sometimes feel bulky or awkward. That’s why I usually stick to sweaters in the 21–23″ range. Of course, every woman has to find her own sweet spot length based on her height, proportions, and personal style preferences. It’s all about trial and error, and I’ve found that taking mirror selfies is the best way to compare and get a clear sense of what works best for you. How to Tuck (or Not!) If You Carry Weight in the Midsection Finally, whenever the topic of the front tuck comes up, I get questions from women who are self-conscious about their midsection. If you carry weight in this area, a front tuck can sometimes highlight it in a way that doesn’t feel flattering—but that doesn’t mean you’re stuck with a shapeless look. Here are a few styling tips to create definition without emphasizing the waist: Look for shorter tops – A top that naturally falls at or just below the waistband of your pants can give you a put-together look without the need for tucking. Try a half-tuck or off-center tuck – Instead of tucking in the middle, tucking slightly to the side can create a more flattering drape and avoid unnecessary bulk. (See my example with the fisherman sweater above) Opt for soft, drapey fabrics – Structured or stiff tops can sometimes create a boxy effect, but flowy materials skim the body and create a softer silhouette. Choose curved or split hems – Tops with a shirttail or high-low hem can add shape without the need for a tuck. Layer strategically – A jacket, cardigan, or third piece can add definition without requiring a tuck, making it easy to create a polished look without drawing attention to the midsection. Plus, if you do opt for a front tuck, a jacket helps break up the expanse of the midsection, creating a more balanced look. Ultimately, the key is to find what makes you feel your best. If a tuck doesn’t work for you, skipping it is completely fine—there are plenty of other ways to create balance and shape in an outfit! Stay In Touch If you liked this post, be sure you’re signed up for my email newsletter. In addition to my most recent blog posts, you’ll receive exclusive newsletter content like special sales, my newest favorite finds, and an occasional peek behind the scenes — all delivered right to your inbox. I would also love for you to join my JLS Fashion Insiders Facebook Group! This is a friendly place to discuss all matters of fashion and style with other women, share your outfits, get advice, and stay up to date on all the happenings in our community. Source link

[cleverhottubmiracle]

One question that pops up all the time: When should you tuck your shirt? And is the front tuck still in style? The short answer—yes! But the key is knowing when (and how) to tuck for the most flattering look. Today, I’m breaking it down with easy examples to help you decide when to front tuck, fully tuck, or leave your shirt untucked. Right now, a full tuck with high-waisted jeans, pants, and even skirts is a very current look. Here’s an example from the EVEREVE website. (Hint: When I want to gauge what’s on trend and how pieces are being styled, I often check EVEREVE. They do a great job curating modern, of-the-moment pieces that still feel polished and wearable for women in their 50s.) I’ve tried this look many times with different tops and jeans, but the full tuck just doesn’t work well for my body. If I were home, I’d snap a quick photo to show why, but since I’m pulling from my archives this morning, I’ll leave it at that for now. outfit details Personally, I stick with a front tuck when it helps create a more flattering proportion, or I opt for tops that have the right length and silhouette to wear untucked. Let me show you how I decide when to front tuck vs. leave my shirt out. Blouses: Front Tucking for Shape & Proportion Blouses come in all shapes and styles, from flowy and oversized to structured and tailored. The key to deciding whether to tuck is looking at the volume, hemline, and how the top interacts with your bottoms. A front tuck can help define your waist and balance proportions, especially when pairing a relaxed blouse with wide-leg or flared jeans. On the other hand, if a blouse has a naturally tapered fit or a shorter hemline, leaving it untucked can keep the look effortless and flattering. This oversized linen button-up works well both ways. When I wear it with straight leg jeans or skinnies, like in the photo on the left, I leave it untucked for a relaxed vibe—the slimmer bottoms help balance the volume on top. But when I paired the same shirt with wide-leg jeans last summer, the overall volume felt like too much, so I did a loose front tuck to define my waist and create better balance. button-up (M) c/o // straight leg jeans (30) c/o // sandals – left (8) // wide leg jeans (29) c/o // sandals – right (8) // bag Here’s an outfit with a dressier blouse that has a relaxed silhouette and a shirttail hem. I paired it with dark-wash flares, and once again, the overall volume felt like a lot. Even though the 23″ length isn’t super long, a front tuck helps define my waist and gives the look a more polished feel—although, I should have added a black belt to complete the outfit. blouse (S) // jeans (29) // pumps (8.5) T-Shirts & Knit Tops: Finding the Right Balance T-shirts and knit tops are some of the easiest pieces to tuck, but whether you should depends on the fit and the overall outfit. A front tuck can add shape to a boxy or oversized tee, helping to define your waist and create a more intentional look. Fitted tees, especially when worn with high-rise jeans or skirts, often look best fully tucked for a streamlined silhouette. On the other hand, if a tee or knit top is the right length and drapes well, leaving it untucked can keep the outfit effortless and relaxed. The key is making sure your proportions feel balanced—if something looks off, a simple tuck can often be the fix. This white t-shirt is 22″ long with a straight fit, so it works both tucked and untucked. I tried it both ways with flare jeans, and while the untucked version feels a little sloppy to me, the front tuck creates a more polished look. I prefer it tucked, but I’d probably add a belt to finish off the outfit. top (M) (also at Amazon) // jeans (29) // sneakers (8) A shorter boxy tee, like the Clare V. Classic Tee, can go either way, as well. The front tuck adds a bit more waist definition, while the untucked version has a laid-back, relaxed feel. t-shirt (M) // jeans (29) // sneakers (8.5) When I wear a shorter, boxy tee with shorts, I usually leave it untucked for a casual, relaxed vibe. This Sundry Golden Hour Tee was a favorite last summer—I’m hoping they bring it back this season or release something similar. I wear this FRAME Le Mid Rise V-Neck T-Shirt a ton in the spring and summer months, and I always front tuck it. At 25 ½” long, it’s just too long to leave out—it cuts me right in half. The front tuck helps bring my proportions back into balance, creating that pleasing 1/3 to 2/3 ratio. t-shirt (XS) // similar jeans (29) // similar sandals // clutch // earrings Here’s an example of a top I typically leave untucked. This muscle tee has some structure through the waist and hits at a flattering length, so it works well left out. I also like how the wider shoulders help balance the wider hem of the crop flares. tee (M) // jeans (29) // flats (8) // sunnies Also, a banded waist makes it easy! Unlike a regular hem, it’s designed to be left out while still giving a polished, finished look without adding bulk. Plus, it naturally sits at the right spot, so there’s no need for a tuck to create shape. This makes it a great option if you don’t love tucking but still want some definition at the waist. top (S) // jeans // sandals (39) // suitcase Sweaters: When a Front Tuck Makes Sense Sweaters can be tricky when it comes to tucking—some are too bulky to tuck neatly, while others benefit from a little shaping. The key is considering the thickness, length, and overall silhouette. A front tuck works well with medium-weight sweaters to define the waist without adding bulk, especially when paired with wide-leg or relaxed-fit jeans. Cropped and shorter sweaters usually look best left untucked, as they already create a balanced shape. On the other hand, longer, oversized sweaters can sometimes overwhelm your frame, so a strategic tuck can help rein in the volume and create a more polished look. Here’s an example of a summer sweater with the perfect length (21″) and silhouette to wear untucked. (Sorry, it’s from last year, so it’s sold out!) Even though the model styled it with a front tuck, I prefer to leave it out—it just feels more natural that way. sweater (S) // jeans (29) // sandals (8) // bag I feel like this sweater can go either way. It’s a fine-gauge knit with a versatile 22” length, a slightly relaxed silhouette, and a nice drape. I think the proportions work well untucked, but it felt a little too plain, so I ended up keeping the front tuck to show the belt—which really completes the look. sweater (S) // jeans (29) (option) // boots (8) // similar belt  This is another sweater I wear both ways, depending on the outfit. Like the last one, it has a versatile 22” length, but this one is a chunkier knit with a boxy silhouette. I tried it both untucked and front-tucked with these wide-leg ankle jeans and ended up going with an off-center front tuck to add some waist definition but not draw so much attention to the midsection. sweater (S) (option) // jeans (29) // sneakers (8) Here’s an example of when I left the same sweater untucked. The relaxed fit of the sweater pairs well with the straight-leg jeans, creating balanced proportions and a laid-back look, so a tuck didn’t feel necessary. sweater (S) (option) // jeans (29) // sneakers (8) I usually leave this one untucked—unless I’m wearing a jacket on top. When I paired it with this faux fur jacket, the sweater was the same length, which looked a bit awkward to me. A front tuck and a belt helped break it up and create a more polished look for a casual date night. older sweater // jeans (29) (option) // boots (8) // similar belt // faux fur jacket (S) As you can see, I tend to choose tops and sweaters in that “sweet spot” length—around 22″—because it makes them more versatile and easy to wear multiple ways. Longer sweaters almost always need a front tuck, but they can sometimes feel bulky or awkward. That’s why I usually stick to sweaters in the 21–23″ range. Of course, every woman has to find her own sweet spot length based on her height, proportions, and personal style preferences. It’s all about trial and error, and I’ve found that taking mirror selfies is the best way to compare and get a clear sense of what works best for you. How to Tuck (or Not!) If You Carry Weight in the Midsection Finally, whenever the topic of the front tuck comes up, I get questions from women who are self-conscious about their midsection. If you carry weight in this area, a front tuck can sometimes highlight it in a way that doesn’t feel flattering—but that doesn’t mean you’re stuck with a shapeless look. Here are a few styling tips to create definition without emphasizing the waist: Look for shorter tops – A top that naturally falls at or just below the waistband of your pants can give you a put-together look without the need for tucking. Try a half-tuck or off-center tuck – Instead of tucking in the middle, tucking slightly to the side can create a more flattering drape and avoid unnecessary bulk. (See my example with the fisherman sweater above) Opt for soft, drapey fabrics – Structured or stiff tops can sometimes create a boxy effect, but flowy materials skim the body and create a softer silhouette. Choose curved or split hems – Tops with a shirttail or high-low hem can add shape without the need for a tuck. Layer strategically – A jacket, cardigan, or third piece can add definition without requiring a tuck, making it easy to create a polished look without drawing attention to the midsection. Plus, if you do opt for a front tuck, a jacket helps break up the expanse of the midsection, creating a more balanced look. Ultimately, the key is to find what makes you feel your best. If a tuck doesn’t work for you, skipping it is completely fine—there are plenty of other ways to create balance and shape in an outfit! Stay In Touch If you liked this post, be sure you’re signed up for my email newsletter. In addition to my most recent blog posts, you’ll receive exclusive newsletter content like special sales, my newest favorite finds, and an occasional peek behind the scenes — all delivered right to your inbox. I would also love for you to join my JLS Fashion Insiders Facebook Group! This is a friendly place to discuss all matters of fashion and style with other women, share your outfits, get advice, and stay up to date on all the happenings in our community. Source link