#complexity compels comprehension

[faejilly]

i think the fandom doesn’t capitalize on the fact that Alec is a older brother, that man probably has so much more black mail on Izzy and Jace then they do on him

#mood

Izzy and Jace have nothing they can use on Alec.

One: They didn't think they'd ever need to because they thought they knew what he'd do in most situations (say no and then begrudgingly help them anyway, and tbf to them, they're mostly not wrong pre-Magnus)

Two: He is so aggressively self-contained for survival reasons that the only 'secrets' either of them has on him are the facts that he's gay and he and his mother have a fucked up relationship and THOSE ARE NOT THINGS YOU CAN USE FOR 'friendly family blackmail'.

Three: Alec is a tactician, he is observant, he is ruthless. He knows everything Izzy and Jace have ever done and the fact that he (as far as we know) never uses any of it is amazing and a little heart-breaking because he could have manipulated and threatened the fuck out of them and made his own life so much easier and he never ever did.

[marisatomay]

No babe it’s so cool and hot that you always insist that fantasy books written to meet a 4th graders’ comprehension skills have more complex themes and a greater sense of praxis than anything written for adults

EDIT: After a week of this, not one person yelling at me has made a compelling argument for why they, at an age greater than 21, have a reading diet that is more well-rounded and healthier than someone who branches out even occasionally beyond ONLY reading books for children and young adults. And that ONLY is really tripping you guys up. And many people seem to think that this stagnation is just a natural state that cannot be worked on or that it’s rude to think a grown adult should want to better themselves and broaden their horizons. I feel sorry for everyone who thinks that way. Beyond the snark and sniping at a fraction of the absolutely deranged responses to this post, the almost-defeatism of that mentality makes me more sad than I can express. I hope one day you all change your minds and flex your muscles. You might surprise yourselves.

[thewriteadviceforwriters]

How To Plan A Book Series: Ultimate Guide

Writing a book series can be an incredibly rewarding experience for authors, but it also requires careful planning and execution. A well-crafted book series can captivate readers, build a loyal fan base, and provide a steady stream of income for writers. However, planning a successful book series is no easy feat.

It demands a deep understanding of world-building, character development, and plot progression. In this ultimate guide, I'll help you explore the essential steps to help you plan a compelling and cohesive book series that will keep your readers hooked from start to finish.

Develop a Compelling Premise The foundation of any successful book series is a strong premise. Your premise should be unique, engaging, and have the potential to sustain multiple books. Consider exploring a complex world, a captivating concept, or a character with a rich backstory that can evolve over the course of several books. Ask yourself: What makes your premise stand out? What will keep readers invested in the story for multiple installments?

Create a Detailed Outline Before you dive into writing, it's crucial to create a detailed outline for your entire book series. This outline should include the overarching plot, major story arcs, character development, and key events for each book. Having a solid outline will help you maintain consistency, avoid plot holes, and ensure that each book contributes to the overall narrative. Don't be afraid to make adjustments as you write, but having a roadmap will keep you on track.

World-Building: Crafting a Vivid and Consistent Universe One of the hallmarks of a successful book series is a richly developed and immersive world. Whether you're creating a fantasy realm, a futuristic society, or a contemporary setting, pay close attention to world-building. Establish the rules, customs, histories, and geography of your fictional world. Consistency is key, so ensure that the details align across all books in the series. Consider creating a "bible" or a comprehensive guide that outlines the intricacies of your world, making it easier to maintain continuity.

Develop Compelling Characters Great characters are the heart and soul of any book series. Your protagonists, antagonists, and supporting characters should be well-rounded, multi-dimensional, and undergo significant growth and transformation throughout the series. Craft backstories, motivations, flaws, and strengths for each character, and ensure that their actions and decisions drive the plot forward. Remember, character development is an ongoing process, so be prepared to explore new facets of your characters as the series progresses.

Establish Recurring Themes and Motifs Themes and motifs are powerful tools that can add depth and resonance to your book series. Identify the central themes you want to explore, such as love, redemption, power, or identity. Weave these themes throughout the series, allowing them to evolve and deepen with each installment. Motifs, like recurring symbols or imagery, can also create a sense of cohesion and add layers of meaning to your narrative.

Plan for Cliffhangers and Resolutions One of the key strategies for keeping readers engaged in a book series is the strategic use of cliffhangers and resolutions. Cliffhangers create anticipation and leave readers craving for the next installment. However, be cautious not to overuse this technique, as it can become frustrating for readers. Balance cliffhangers with satisfying resolutions that tie up loose ends and provide a sense of closure, while still leaving room for the story to continue.

Consider Pacing and Narrative Structure Pacing and narrative structure are crucial elements to consider when planning a book series. Each book should have its own narrative arc, with a beginning, middle, and end, while also contributing to the overall story progression. Vary the pacing between books to maintain reader interest, alternating between action-packed and slower, more introspective sections. Experiment with different narrative structures, such as multiple perspectives, non-linear timelines, or frame narratives, to keep the series fresh and engaging.

Manage Continuity and Consistency As your book series grows, maintaining continuity and consistency becomes increasingly important. Keep detailed records of character descriptions, plot points, world-building elements, and timelines. Regularly refer back to these notes to ensure that you're not introducing contradictions or inconsistencies. Consider creating a series bible or a wiki to help you keep track of all the moving parts.

Plan for Character Growth and Evolution In a book series, characters should undergo significant growth and evolution. Plan for character arcs that span multiple books, allowing your protagonists and supporting characters to face challenges, make difficult choices, and emerge as changed individuals. This character development will not only add depth to your narrative but also keep readers invested in the journey of your characters.

Anticipate and Address Potential Plot Holes As your book series expands, the potential for plot holes and inconsistencies increases. Be vigilant in identifying and addressing these issues during the planning stage. Regularly review your outline and notes, looking for any logical gaps or contradictions. Enlist the help of beta readers or critique partners to provide fresh perspectives and catch any potential plot holes you may have missed.

Consider the Overarching Story Arc While each book in your series should have its own narrative arc, it's essential to plan for an overarching story arc that spans the entire series. This overarching arc should tie together the individual books, building towards a climactic conclusion that resolves the central conflict or mystery. Ensure that each book contributes to this larger narrative, advancing the plot and raising the stakes for the characters.

Plan for Marketing and Promotion Finally, as you plan your book series, don't overlook the importance of marketing and promotion. Develop a strategy for building buzz and engaging with your audience throughout the release of each book. Leverage social media, author events, book tours, and other promotional opportunities to keep your readers excited and invested in your series.

Remember, writing a book series is a marathon, not a sprint, so be prepared to invest time, effort, and dedication into crafting a truly remarkable literary journey. Hope this helped!

Happy Writing - Rin T.

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[muntitled]

𝐓𝐡𝐞 𝐇𝐚𝐧𝐝 𝐓𝐡𝐚𝐭 𝐅𝐞𝐞𝐝𝐬

Pairing: Kylo Ren x Fem!Reader

Summary: "Kylo was nothing if not a sadist,"

Warnings: Language, WarPrisoner!Reader, Toxicity, Weaponizing Hux, Humiliation, God Complex, Jealousy, Possessiveness, Smut +18 (Minors DNIA, DEAD DOVE FIC, Dark fic, Sadism, Masochism, Inexperienced!Kylo, Ownership Kink, Dry humping, Forced sex, Spitting, CNC, Dubious Consent, Massive Degradation Kink, Inappropriate Use of Force, Choking Kink, Size Kink, Impact Play, Groping, Breast Play, Premature Orgasm, Controlled Orgasm, Dom/Sub themes, Dom!Kylo, Sub!Reader, Brat Tamer!Kylo,;Bratty!Reader, Slight!Exhibition Kink, Humiliation Kink, Inappropriate Mind Reading, Overstimulation, Dirty Talk, Mentions of Rape, Fingering, Rough Sex, Dacryphilia, Gagging, Subspace.

Do not read this if you're incredibly sensitive to violent imagery. If this doesn't make sense don't say anything or i'll cry <3

As Hux walks diligently ahead of you, you could not tell by his tense shoulders and his palms clasped behind his back that he was following the duties of a madman.

While he escorts you, Hux thinks back to his slip-up with Ren.

The way he shouldn't have mentioned your name in a comprehensive report about the overall running of the Starkiller. The way he should've known how dangerous Kylo is when it comes to anyone taking even the vaguest of interest in playing with his toys.

"Despite having the accolades of an established pilot for the resistance," Hux had said moments earlier when Kylo was pacing up and down his private chamber, "Your prisoner refuses to put any of her skills to use aboard the Starkiller. She's essentially useless dark matter," He uttered his words rather clumsily. As if forgetting he was reporting to a beastly excuse of a man.

Hux only realises his mistake when Kylo stops his various pacing to turn slightly. His unmasked head tilts to the side as he advances on Hux in a low, large gait. Everything about the boy being so unnaturally large.

"My prisoner?" He steps closer, "Or the First Order's?"

Kylo's laugh appears unnatural without the mask. Not any less intimidating but certainly, frighteningly human.

"You act as if my will is not synonymous with that of the First Order, general," Kylo's blood runs fucking cold at the thought, "You insinuate that I keep her here out of my own free will,"

"Well, we all know how much a boy fancies his toys," Hux's degradation causes Kylo's Adam's apple to bob and a deep frown settles over the boy’s face. Whatever weakness Hux was accusing him of, it rattled the foundations of his already fragile ego and Hux smirked.

"Go tell her I wanna see her," the first command left Kylo's lips in a fairly controlled and monotonous manner. The second however... "FUCKING NOW!"

Robotic inclination bleeds from the mask of the stormtroopers “Yes Sir-”

Without sparing the stormtroopers so much as a single glance, Kylo spat, "Not you, fucking degenerates," Kylo stares Hux down as he steps towards him. His voice is ice cold. "I want you to summon her," he takes immense pleasure in the way Hux's smile drops.

Kylo has observed the glances Hux throws your way and it makes his fucking stomach turn. He's seen the uncomfortable leering and the lecherous thoughts. Kylo was nothing if not a sadist. Humiliating Hux using the object of his desires.

He wants you and that makes Kylo want you even more... Violently so

"Where are you taking me?"

You could feel the rest of the crew watching your every movement as you trailed behind General Hux like you were compelled to do so by some unseen leather leash. You cannot help but feel as though you have done something very bad and very naughty.

You try to rid yourself of these thoughts immediately.

Perhaps he was taking you to see the vermin underneath the mask.

That thought should not sprout such a deep desire within you. Kylo was your captor and yet, he fascinated you more than anything ever could.

"At least slow the fuck down," You breath out, trying by all means to evade all eye contact with curious onlookers.While you walk you try to keep your head high and appear unaffected by their piercing glares. Every stormtrooper, navigator, pilot- even down to the measly technicians all keep their eyes trained on you and you glare back. Leering your head forward with narrowed eyes because being held captive on the Starkiller was punishment enough. You would never allow yourself to be intimidated by the judgemental stares.

"Do you ever plan on disclosing our destina-"

You're interrupted by a sharp and loud hiss before two doors part. Your eyebrows furrow before you're dragged into the chamber, quite literally against your will. You did not wish to get acquainted with any more rooms on the Starkiller. Hoping that one of your comrades in the resistance might have saved you long before you ever had to make this ship your dwelling place. But you've only crawled deeper into the Starkiller's core and you find yourself here, standing before him in his black cowl with his hands clasped behind his back.

The room is as lifeless as the rest of the vessel. The bed, colourless and hard. The only signs of vibrance is the east window depicting a slab of stars in hyperspace.

"I am told you've made yourself fiercely unlikable in the flight deck.” Kylo says, completely ignoring your slightly shocked experience at seeing him without his helmet.

“That's what this is then?” You turn briefly to make eye contact with Hux before turning to Kylo with one arched brow, “I'm being scolded now?”

“You're insolent when given any orders,” he oaces before you while Hux stands behind you by the door, “You disobey at every given turn and you're resistant. Vexingly so.”

“How clever of you, it seems as though you'd only just discovered a key characteristic from a member of the resistance.” You say with a smirk, “Clever, Clever boy."

“It's that mouth of yours that's gonna get your head slain from your very shoulders.” Kylo advances you like a midnight storm and you fight to stand your ground.

“I have grown terribly bored of this place,” You say, “Perhaps even death might be more eventful then whatever you are, Kylo.”

Before Hux is able to make his escape Kylo grabs at your throat, encircling his hand around your skin like a vice until he is forcing you to look at Hux ahead of you.

"This is what you want?" He isn't speaking to you but to Hux, pushing your cheeks together in a painful display of humiliation. "This is what's been plaguing that mind of yours-"

"I've no time for this-"

The very last thing Hux is able to see before he leaves Kylo's quarters, is your frightened eyes and Kylo looming behind you. A mere mouse being imprisoned by a God.

You make the mistake of thinking that Hux's absence might soften Kylo's resolve, but your time as his captive should have let you know that there was nothing soft about this man. Nothing at all.

"You should be grateful, you know that?" His lips graze your head and you're suddenly hyper aware of his proximity.

You're hyper aware of the closed metal doors that were probably being guarded by a pair of heavily armed stormtroopers. There is no escaping the clutches of this monster behind you.

And yet; you still find yourself scoffing, "I should be grateful?" You ask, hoping to assimilate every shred of confidence you had left, "I should be grateful to be your prisoner-" you wince when his grip on your jaw tightens and he's wrenching your face until you're craning your neck backwards to face him.

Large, looming, and completely fucking livid.

"You should be grateful that you're still fucking breathing, you brat-"

And then, a very strange thing occurs.

Since the moment Kylo had wrangled you off your home planet, you had sworn to be nothing but defiant. In honour of everything you stood for, you would never let him see you weak and yet here you are, carelessly allowing the faintest of whimpers to slip through quivering lips.

The sound confuses Kylo initially. In fact, he cranes your head back further, not caring whether you were comfortable or not as he bends down, appearing to inspect your mouth for that peculiar sound further. He squeezes your cheeks lightly, prodding the round tissues of fat as if fervently trying to search for whatever button might allow for that little sound to spill from your lips again.

"How completely and utterly curious-"

"You're fucking hurting my neck-" the fire returns and with it, comes your will to wrench your face out of his grip. You're only able to get free because he lets you and you know this.

"What..." Kylo bends even lower towards you and you turn your head to face the blank wall ahead of you. Evading eye contact with this man was nothing if not crucial. "What was that sound you just made-"

"It appears as though hearing nothing but the cries of utter doom and damnation has defamiliarized you to the sound of pleasure, Ren-"

Your breath is wiped clean from your throat not even a second later when you steal a look downwards at a gloved hand interlocking itself around your throat once more. Seemingly his favourite place.

"All the praises that could fall from your mouth..." Kylo drawls before pressing himself firmly against your backside, "All that you could say to worship the hand that feeds you and you still choose to be insolent-"

You try to escape his death grip but he doesn't let you out this time around. All you can do is be thankful that he had the decency to allow you to breathe.

"That's all you fucking know how to do right," Kylo's lips are at your ear and your knees buckle. "Insolence. Insolence. Insolence." Your legs give out, but before you're able to topple to the ground in a puddle of your own lustful perversions, his other hand curls around your waist, keeping you firmly pressed against his front.

“Today's the day you fucking obey," he whispers, "Understand?"

"I-I-”

Kylo is not sure how he does it, or why he does it, or where he got the understanding to do it, but his hand makes its very slow descent from your collarbone, to the spot right above your pillowy breasts. Clad in nothing but your knee length tunic, a garment stitched with fibres indigenous to your homeplanet, you suddenly feel incredibly naked and incredibly exposed. What was once an act of rebellion, is now your undoing.

"There is a way to make you disobey isn't there?" You can hear him becoming excited. "Every cattle has their price. What's yours?" Before you're able to turn and possibly beg for some sort of mercy, he's already in there. The stuff Kylo sees digging around in your mind, is enough to have him staring off into hyperspace. His eyes are trained on nothing at all as he rapes your most memories and most private desires. All while drawing you impossibly closer, until his mouth was buried in your hair and his hand was closing around your left breast. You squirm underneath him until finally, he's released from your stupor.

You did not dare turn around to look at him, in fear of seeing his dark eyes dilated with enlightenment.

"How barbaric." He whispers. "That's what I have to do in order to get you to listen to me,"

"I-I don't know what you're-"

"Open your mouth." Before you're ever able to interject even a single word, Kylo's hand is digging into the skin of your jaw, "Do I have to do it for you- open your mouth-" He wrenches your mouth open and cranes your neck back once more.

"That's it," You're absolutely frightened to see the violence that has darkened those irises. This is the look that's shielded behind the mask during times of battle. This is that look no one got to see.

Yet here you were.

"You're so fucking filthy, you know that?" You're nodding before your brain is aware of it, "You're a filthy, perverted little creature," one by one, your inhibitions slipped away from you until you could feel yourself become completely and utterly dumb for him. Your mind becomes a tabula rasa as Kylo bends his heavy frame downwards, spitting directly into your open mouth. There it is. That whimper he wanted to hear so badly.

You're not even aware of his hand reaching around your front until he's parting your legs with determination. "Is this where you want me?" Your mouth hangs open and you look up at him glassy doe eyes as he cups your drenched heat. Kylo locks his full lips and presses his front impossibly closer to your backside. "This whole time I've needed to get you in line, and the answers been here this whole fucking time?" A gloved hand swipes your underwear to the side and the wind is completely knocked out of you when Kylo pushes his fingers in immediately. He fucks his fingers into you with zero restraint and zero preparation, and the roughness has your eyes nearly rolling to the back of your skull as you grow limp in his grip. Lucky for you he's so large, lucky for you he might as well be a stone wall behind you, letting you lean against him with your long legs spread wide for his absolute assault.

"Look at me." He says, holding you against him by your throat while his index and middle finger violate your soaking cunt. Despite his orders you're still a drunken, blundering mess with half lidded eyes, promising to keep you locked away in your pleasure.

"If you don't fucking look at me, I'll stop and you'll suffer." He squeezes your clit quite painfully, immediately bringing you out of hedonistic stupor-

"FUCK- WHAT THE FUCK-"

"Do you want me to stop?" He asks, with a note of cockiness that had your brows furrowing.

"Are you stupid?! Of course I don-" before the curse could even escape your mouth in its entirety, Kylo's blocking out your airways. You fight to scratch at his gloved grip around your throat but his grip is fucking metallic.

"Look at how docile you look when you're not running your mouth,"

Your insides were screaming for oxygen, yet your hips rut against his hand. Kylo slyly adds a third finger inside your slippery cunt. "What a whore," he whispers, causing you to fuck forward against his hand, nearly humping yourself to completion as the blood flow to your brain seems to stop completely. You need oxygen and you need to cum. You just don't know which you need more.

"You're nothing but fucking filth-"

Your mouth opens to let a moan escape but it never does, and Kylo watches your struggle with a pained expression of his own.

"F-Fuck, I've never seen anything so vile-"

You were slipping. Whether it was into unconsciousness or an orgasm you couldn't tell. "If you pass out I will fuck you," he whispers, "There's not fucking escaping me-"

And in that very moment, Kylo unlocks the invisible grip on your airways and suddenly you can breathe and cum. Almost immediately you're slipping into a violent, damn near supernatural orgasm that has you seeing every star in the known galaxy.

"F-FUCK- oh my-" You're rutting against his hand, tongue lolling out all while Kylo continues to fuck his fingers into your cunt.

"That's it," He whispers, "Cum for me, you useless fucking whore-" Every vile sliver of degradation causes a fresh wave of pleasure to roll through you until the first droplets of tears are rolling down your cheek.

"Don't fucking do that," he whispers, pulling you closer than ever, "Don't fucking do that unless you want me to fuck you right now-"

He watches the tears roll down your face and absolutely loses it. Now suddenly aware of his own cock aching in his pants.

"K-Kylo please-" You try to push his hand out of you but to no avail. "It's too much-"

But his eyes are shut, and your body is overcome by wave after wave of electrifying shivers. The pleasure quickly bleeds into the pain of being so heavily overstimulated but Kylo is lost in his own world now. He clutches you impossibly closer, mumering obscenities into your hair as he ruts against your ass and you fucking pray for it to be over. Your pussy is fucking spent and yet he's still keeping his hand there, as if driven by his own need to cum.

"You stupid fucking slut- look what you made me do-" He's rutting against your ass, eyes squeezed shut as his hips stutter, "F-Fuck-" the whimper that breaks his voice is utterly intoxicating and you find yourself slipping into another dry orgasm as Kylo pushes against you, cumming in his pants with various expletives falling from his pillowy lips. When your orgasm falls you beg him to let go of you and when he does, you topple to the floor.

Never in your life have you felt so weak. So spent. So utterly used.

Kylo does not spare you a glance when he turns around. "This is where you will reside from now on," he says with finality. Careful to let his voice relay how utterly broken he feels. Just as broken as you.

[deception-united]

Let's talk about writing dual POVs.

Writing a novel with a dual point of view where two different characters share the role of narrator can add depth, tension, and complexity to your story, but it also comes with its own set of problems and challenges. Like, how do you ensure clarity between perspectives? How do you keep both characters engaging? And most importantly, how do you make both narratives feel like parts of the same novel instead of two separate stories? Here are some tips and strategies to consider, before and when writing.

1. Ensure both POVs are necessary.

A dual POV should serve the story, not exist just because it seems interesting. Before committing to this structure, ask yourself:

Could the same story be told just as, or more, effectively from just one perspective?

Do both characters bring viewpoints that are unique and essential to the plot? What does this character’s POV add that we wouldn’t get otherwise?

Does each POV contribute to the novel’s themes, conflicts, or emotional depth?

Does it move the plot forward, or is it just there because I like this character?

If the answer isn’t an easy 'yes,' reconsider whether both POVs are truly needed. For example, in a romance novel, it might be better to only include one POV, since knowing there are feelings from both sides can take away tension and make it boring for the reader.

2. Choose a primary protagonist.

Even though you're going to be featuring two points of view, it’s essential to have one central character who anchors the story. This character serves as the thematic and emotional core of your book. Consider:

Which character’s perspective starts the story?

Which character’s perspective ends it?

Who undergoes the most significant transformation?

While both POVs should be compelling, having one clear primary character ensures your narrative remains cohesive.

3. Make each POV distinct.

Readers should be able to identify whose perspective they’re in without needing a chapter heading to tell them (although this is helpful and I do recommend including an indicator like this). You can differentiate this through:

Voice & tone: Their word choices, speech patterns, and internal thoughts should reflect their unique personalities. (See my post on character voices for more tips on this!)

Observations & focus: What each character notices and how they perceive the world will differ based on their backgrounds and biases. What details do they focus on? How do they process emotions? For example, a noble-born strategist will notice different things than a street thief. Sentence structure & style: Ties back to voice & tone—a poetic, introspective character might have longer, flowing sentences, while a blunt, action-driven character may have short, clipped phrasing.

**If you can open to a random page and easily recognise the character’s voice, you’ve done it right.

4. Interweave the two arcs effectively.

Both characters should have distinct yet interconnected arcs—even if they don't meet or interact until later on, or at all, their stories should be able complement or contrast each other in a way meaningful and comprehensible for the reader. Examples:

Parallel arcs: The characters face similar struggles but react differently (shows contrasts).

Intertwining arcs: Their paths cross at key moments & affect each other’s journeys.

Foil dynamics: One character’s success may mean the other’s failure—builds tension and stakes.

5. Smooth transitions

Switching between perspectives should feel natural, not jarring. Consider:

Consistent switching: Like alternating every chapter or at key turning points, or making one character dominant (the main focus) and the other occasional (slipping into it when necessary).

Strategic cliffhangers: Ending one POV on a suspenseful moment can keep readers engaged through the shift (though be careful not to make it so that the reader is skimming through one POV just to get to another).

Mirrored/contrasting scenes: A reveal in one POV can recontextualise a previous scene from the other.

6. Avoid head-hopping.

This is when you suddenly switch between characters’ thoughts in the same scene without a clear break. This can be jarring and pull readers out of the story.

Bad example: Lena glared at him. She was furious. Why didn’t he understand? Jonah sighed. He wished she would just listen.

You can't tell whose head we're in, and even if it was indicated at the start of the chapter, it makes it confusing and frustrating.

7. Build suspense

A well-timed POV switch can escalate tension rather than just pass the baton. Examples:

Character A is walking into a trap; meanwhile, Character B is on the other side of the city, knowing but unable to warn them (creates dread).

One character’s assumptions might contradict reality. (For example, a spy might believe their cover is intact, but another POV reveals they’ve been exposed.)

Character A misinterprets Character B’s actions as betrayal. Switching to B’s POV clarifies their true, but hidden, motives (creates emotional whiplash).

8. Deeper character exploration

Dual POVs can let readers experience both sides of a relationship, rivalry, or power struggle in ways a single POV can't. Examples:

Character A sees themselves as a hero, but Character B’s POV reveals their arrogance (unreliable narration).

Different emotional reactions—the same event might be tragic for one but a relief for another.

Common Pitfalls

Dual POVs might not always be appropriate for your specific narrative, and could:

1. Remove tension.

I briefly mentioned this, but one risk of dual POVs is reducing suspense, especially in genres like romance or mystery. If readers see both sides of a conflict, they might lose the uncertainty that drives engagement. However, you could try:

Using unreliable narrators

Keeping certain information hidden from one POV

Ensuring there’s still conflict and misunderstanding between the characters

Switching between past and present

Keeping one POV until the climax or for a specific plot twist, which can be revealed through a different POV

2. Break story flow.

If one character’s arc lags behind the other’s, readers may get frustrated when switching perspectives. Ensure each POV maintains momentum and contributes to the overarching plot.

3. Make readers favor one character.

If readers strongly prefer one POV, they may skim or disengage during the other. To avoid this, make sure both are equally compelling, both characters have stakes that feel urgent and meaningful, and each has their own distinct emotional arc that readers will be equally invested in.

4. Make it redundant.

If both characters are just retelling the same events with minor differences, the second POV becomes unnecessary. To avoid this, use POV shifts to enhance the story, not just repeat it. You can use the second POV to:

Show what’s happening when the other character isn’t present

Reveal secrets, misunderstandings, or unreliable narration

Build dramatic irony (let the reader know something one character doesn’t)

Happy writing!

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[literaryvein-reblogs]

Writing Notes: Backstory

Backstory - the history of the character.

It addresses the following:

Who the character is

Why the character is the way he or she is

It’s an origin story, pure and simple.

The most comprehensive backstories start from the very beginning of the character's life and ends the moment that your novel begins.

It’s generally in chronological order, but not necessarily written in narrative form.

It can be a collection of data, such as keystone events, names and dates.

The backstory doesn’t always need to be shared

Most backstories are just for your eyes only.

You can create a complex, rich, hauntingly beautiful backstory for your characters, but that doesn’t mean it should be in your novel.

Far too often, authors try to insert a compelling backstory into their novel. The result? It weighs down the story and slows pacing to a grinding halt.

Resist the urge to add your backstory to your novel unless it’s something that the reader truly needs to know.

You reader probably doesn’t need to know the names of your character’s parents, or other mundane details— but you do. You need to know everything that the character knows. This is how you can write from the character’s point of view effectively. 

Otherwise, you’re phoning it in and writing from sketch, not from portrait.

Depending on the scope of your novel, it may be a good idea to inject some of your backstory into the main story. You’re never going to give everything you know to the reader.

If you dump all of those facts without the benefit of context, it will overwhelm the reader and make it difficult for them to see the story.

As the writer, you take all of the facts you know, carve them into a beautiful work of art, and make the moral of your story obvious.

That’s what makes you the artist, and the editor an essential partner in the process.

Start with a present day character sketch

Even before you start writing, you already have a vague idea of who your character is currently.

Maybe he’s a crusty, old curmudgeon. Maybe she’s a optimistic, but naive, teenager.

No matter who your character is, start with what you know already and go back from there.

Ask and answer the following questions to start crafting a solid backstory:

What is this character’s biggest flaw? What’s the origin of this flaw?

Where is the character from?

Where are the character’s parents from? How did they come to have a child and under what circumstances? Was it a happy union or a chance encounter?

What is the character afraid of? Trace the answer back to the character’s childhood and explain why.

What makes the character happy? Trace the answer back to the character’s childhood and explain why.

What does your character believe about himself and how did he come to this conclusion?

What are his goals? Why does he have these goals?

Pinpoint a life changing moment

Everyone, your characters included, have select moments in their lives that completely alter their choices.

These times are rarely announced with fanfare.

Example: It’s not the wedding day that changes your character’s life, it’s the moment five years earlier when your character meets her spouse-to-be in the line at Burger King.

Thanks to the 20/20 vision of hindsight, you can see how the character’s present day life was shaped by seemingly random encounters and events that took place years ago. Remember that all of her previous choices take place in, and are a reaction to, her backstory.

Those choices made her into the person your reader meets in your novel. How did her life’s experiences shape her into the current character?

Explore the gray

No character is completely good or completely bad.

Resist the urge to paint any character as all evil or all angelic.

Even a villain is the hero of his own story.

Remove your black and white filters and look at the character as someone who exists in shades of gray. If he has experienced kindness along with pain, then your backstory should reflect that.

Use it as motivation

The backstory should always motivate the character - positively or negatively.

The character either stands on what he knows and has experienced, or he’s running away from what he knows and has experienced. Either way, it can make a compelling plot for your novel.

Creating a backstory takes time and thought, but you’ll find that the quality of your writing will improve. Knowing your characters inside and out will make them more real to you and, as a result, more real to your readers.

Source ⚜ Writing Worksheet: Character Backstory Writing References: Worldbuilding ⚜ Plot ⚜ Character

[olis-inkwell-symposium]

How to Create a Flawless Villain: A Comprehensive Guide to Crafting Your Perfect Antagonist

Every great story needs a great villain. Whether you’re writing an epic fantasy or a gritty thriller, the villain is often the character readers can’t forget. They’re complex, morally grey, and create tension that drives the story forward. But how do you avoid clichés and create a villain who sticks with readers long after the book is closed? Let’s dive deep into the art of villain creation, exploring their psychological makeup, societal role, and relationships with the hero. We’ll also touch on how esoteric philosophies or occultism can shape their worldview, motivating them to chase power, forbidden knowledge, or even reshape reality itself.

Core Identity and Origins

A villain’s origin story is the root of their motivations. Were they betrayed by those they trusted? Once a noble hero, now twisted by tragedy? Crafting a rich backstory will set the stage for whom they become.

Name and Meaning: Choose a name that reflects their essence or offers an ironic twist. Consider names rooted in ancient languages, forbidden texts, or alchemical symbols if your villain is into esoteric or occult knowledge.

Defining Childhood Event: What critical moment led them to this path? A betrayal, a prophecy, or perhaps a dark inheritance? This event should haunt them, driving their desire for revenge, power, or forbidden enlightenment.

Motivations, Desires, and Philosophy

Villains aren’t evil for the sake of it. Their motivations—whether it’s control, vengeance, or the pursuit of something beyond mortality—must be clear and compelling.

Primary Goal: What is their ultimate aim? Power, control, or maybe freedom from their own pain? If they’re driven by esoteric philosophies, perhaps they seek to transcend the mortal realm or unlock the universe's hidden truths.

Inner Desires: Beyond their surface goals, what do they truly long for? To become one with a cosmic force? To destroy the current reality and rebuild it in their own image?

Occult and Esoteric Motivations: Do they crave ancient knowledge? Are they obsessed with dark gods, lost magical practices, or the mysteries of existence? These deeper motivations give your villain texture, turning them into something more than just an antagonist.

Psychological and Emotional Depth

To make your villain fully realized, dig into their mind and emotions. They’re driven by traumas, fears, and warped worldviews—making them unpredictable and dangerous.

IQ and Emotional Intelligence: Is your villain a cold mastermind or someone who operates on gut emotion, manipulating others through fear or charisma? Are they emotionally detached or frighteningly intuitive about others’ desires and fears?

Philosophical Depth: Does your villain have a worldview rooted in esoteric thought? Perhaps they believe in alchemical transformation or view themselves as a chosen agent of cosmic order (or chaos).

Fear and Trauma: What do they fear most? Losing control? Facing an entity more powerful than them? How do their traumas influence their choices?

Powers, Strengths, and Weaknesses

Your villain’s abilities should reflect their inner self. Whether they dominate through sheer strength or subtle manipulation, their powers, and weaknesses make them memorable.

Unique Powers: Can they control dark forces or warp reality? Perhaps they’ve mastered necrotic magic or gained immortality at a great cost. Their powers should align with their motivations—reflecting their esoteric pursuits or thirst for control.

Weaknesses: Every great villain has a flaw. Are they vulnerable to their own hubris, bound by cosmic forces they can’t fully control, or haunted by their mortality? This flaw should not only humanize them but also create a vulnerability in their power.

Relationships and Rivalries

Villains thrive in their relationships with others—especially with the hero. Craft dynamic relationships to give your villain emotional stakes.

Relationship with the Hero: The best villain-hero dynamics are deeply personal. Maybe the hero represents a path the villain once rejected. Perhaps they’re old allies, or twisted reflections of one another.

Esoteric Mentors or Rivals: Who taught your villain their dark arts? Did a mentor pass on forbidden knowledge, or does a rival compete for the same cosmic power?

Arc and Transformation

Villains should evolve. Show how they became who they are, whether through corruption or a gradual descent into darkness.

Origin of Villainy: Were they once idealistic, only to be warped by ambition or dark forces? What pushed them from seeking enlightenment to seeking dominance? Their fall from grace should feel inevitable, tied to their deepest desires.

Villain’s Endgame: What do they ultimately want? Is their goal to transcend mortality or reshape reality? By the end of the story, their final form should feel like the culmination of everything they’ve sacrificed.

Visual and Symbolic Representation

Villains often have visual cues that represent their power or past. Their appearance should reflect their inner darkness and esoteric connections.

Appearance: Do they bear occult symbols, alchemical tattoos, or physical scars from dark rituals? Their look should reflect their journey into darkness.

Symbolism: Consider what motifs represent your villain—death, chaos, transformation. These should be woven into their appearance, powers, and actions.

Legacy and Role in the World

Even after your villain is defeated, their influence should remain. They might leave behind followers, secret societies, or prophecies that keep their legacy alive.

Impact on Society: How does your villain shape the world? Do they leave behind grimoires, magical artifacts, or a legacy of fear? Their reign should leave scars that ripple long after they’re gone.

Villain’s Endgame: Whether they succeed or fail, what was their ultimate goal? Were they trying to unravel reality itself, merge with cosmic forces, or create a utopia in their image?

Twists, Secrets, and Moral Complexity

Villains become iconic when they are morally complex. Add twists to make them more than just evil—they might believe they’re saving the world in their own way.

Secret Past or Hidden Identity: Does your villain have a dark secret, perhaps a heroic past or a forbidden bloodline? These secrets add layers to their character, making them more unpredictable.

Moral Complexity: Does your villain believe their actions are necessary for balance? Are they more tragic than evil, motivated by a cosmic truth that others can’t see?

By incorporating esoteric philosophies and occult influences, your villain can become a driving force not just against the hero but against the very core of your world.

[mywitchyblog]

How Shiftok Destroyed Reality Shifting/ the Reality Shifting Community

Introduction :

Reality shifting, a practice based on the belief that individuals can consciously transfer their awareness to alternate realities or dimensions, has long been a niche concept within spiritual and metaphysical circles. However, with the rise of TikTok and the emergence of "Shiftok"—a blend of "shifting" and "TikTok"—this once-obscure practice has surged into mainstream awareness, particularly among younger audiences.

This essay delves into the profound impact of Shiftok on the reality-shifting community, tracing how an intimate, esoteric practice has evolved into a viral social media phenomenon. We will explore the origins of Shiftok, its rapid ascent in popularity, and the wide-ranging effects this digital revolution has had on both the perception and practice of reality shifting.

As we navigate the various facets of this cultural shift, we'll uncover the intricate relationship between social media dynamics, youth culture, and esoteric practices. From the initial surge of excitement and growth to the emergence of concerning trends and fragmentation within the community, the Shiftok phenomenon serves as a compelling case study in how digital platforms can reshape and redefine fringe beliefs and practices.

By examining the rise of Shiftok, its impact on the shifting community, and the responses it has elicited, this essay aims to provide a comprehensive overview of the unique intersection between ancient mystical concepts and modern social media culture. Through this exploration, we will gain insights into the broader implications of viral trends on spiritual practices and the challenges faced by communities as they adapt to sudden mainstream exposure.

Disclaimers : Read the Entire thing as usual. If you did not understand something feel free to tell me i shall gladly explain it to you.

I originally intented to make a simple rant-like post called "my hatred of shiftok" where i explain a story that happened to me that caused me to despise this platform and everything it stood for.

But then i realised that making an objective, educational, informative essay about how toxic, culty and overall nasty the platform became for the reputation of the practice and the community was much more appropriate than a poorly written post .

If any of you are interested in my storytime that made me so resentful of that platform, this post needs to get 200 notes and some comments asking me for it.

So enjoy this essay that i took much pleasure in writing :

Masterlist

II-The Rise of Shiftok

Shiftok, a portmanteau of "shifting" and "TikTok," emerged as a significant phenomenon within the broader landscape of social media, specifically on the TikTok platform. Its origins can be traced back to the early 2020s when reality-shifting content began gaining traction among young users on the app. What began as a niche interest rapidly snowballed into a viral trend, captivating the imaginations of millions of users worldwide.

The growth of Shiftok was meteoric, driven by several key factors that perfectly aligned with the TikTok ecosystem. Central to its success was the platform's short-form video format, which allowed creators to distill complex reality-shifting concepts into bite-sized, easily digestible content. This format proved ideal for sharing quick tips, visualization techniques, and purported success stories, making the practice appear more accessible to newcomers.

TikTok's powerful algorithm played a crucial role in propelling Shiftok to prominence. The app's content distribution system, designed to keep users engaged by serving them content tailored to their interests, quickly identified and promoted shifting-related videos to receptive audiences. This created a feedback loop where increased engagement led to greater visibility, drawing in curious newcomers and further fueling the trend's growth.

The demographic makeup of TikTok's user base also significantly contributed to Shiftok's rise. With a large proportion of young users, particularly teenagers and young adults, the platform provided fertile ground for reality-shifting content to flourish. This age group, often characterized by a desire for escapism, self-discovery, and novel experiences, found the concept of reality shifting particularly appealing.

As Shiftok gained momentum, it initially had a positive impact on the broader reality-shifting community. The increased visibility brought about by viral TikTok videos led to a surge of interest in the practice, drawing in thousands of new enthusiasts. This influx of newcomers energized the community, sparking discussions, fostering creativity, and expanding the collective knowledge base.

The platform also facilitated unprecedented levels of community engagement. Shifters from around the world could easily connect, share experiences, and offer support to one another through comments, duets, and collaborative videos. For those who felt isolated or misunderstood in their offline lives, this sense of community was particularly valuable, providing a space where they could freely discuss their shifting experiences and beliefs.

Moreover, Shiftok became a hub for sharing diverse experiences and methods related to reality shifting. Creators competed to produce the most engaging content, leading to an explosion of creativity in how shifting techniques were presented and explained. From guided meditations set to trending sounds to elaborate "POV" (point of view) scenarios depicting life in desired realities, the content on Shiftok was varied and dynamic.

However, the rapid growth and popularization of reality shifting through Shiftok soon revealed its double-edged nature. While it brought unprecedented attention and growth to the practice, it also set the stage for significant challenges that would reshape the reality-shifting community in profound and sometimes problematic ways. The very factors that contributed to Shiftok's meteoric rise—its accessibility, algorithmic amplification, and appeal to young users—would also play a role in the issues that emerged as the trend continued to evolve.

III-Negative Effects on the Reality Shifting Community

The meteoric rise of Shiftok, which initially invigorated the reality-shifting community, soon gave way to a host of negative consequences that profoundly impacted the practice and its practitioners. As the trend gained momentum, the integrity of the shifting community began to erode under the pressures of misinformation, oversimplification, and rampant commercialization.

One of the most significant issues was the rapid spread of misinformation. The viral nature of TikTok, coupled with the absence of robust fact-checking mechanisms, created an environment where unverified claims and exaggerated experiences could proliferate unchecked. Users, eager for views and followers, often shared sensationalized accounts of their shifting experiences, blurring the line between genuine practices and fantasy. Pseudoscientific explanations for shifting, often based on misinterpretations of quantum physics or neuroscience, gained traction, lending a false air of legitimacy to questionable concepts.

This problem was further exacerbated by the emergence of viral trends within the Shiftok community. "Shifting challenges" and purported "fool-proof methods" spread rapidly, often prioritizing entertainment value over accuracy or safety. While these trends were engaging for viewers, they frequently misrepresented the nature of reality shifting, leading to confusion and unrealistic expectations among newcomers to the practice.

Another detrimental effect of Shiftok's influence was the oversimplification of shifting techniques. The platform's short-form video format necessitated the distillation of complex practices into brief, easily digestible content. This led to a proliferation of "quick and easy" methods that promised results with minimal effort or understanding. While these simplified techniques made shifting seem more accessible, they neglected the nuances and deeper aspects of the practice.

This oversimplification had far-reaching consequences. Many newcomers, drawn by the promise of instant results, became frustrated when their experiences did not match the effortless successes portrayed in viral videos. The more traditional, in-depth practices that required patience, dedication, and self-reflection were often overlooked in favor of these quick-fix solutions. This shift in focus threatened to undermine the spiritual and personal growth aspects that many long-time practitioners viewed as integral to the shifting experience.

Perhaps the most troubling development was the increasing commercialization and exploitation of the reality-shifting community. As Shiftok content gained popularity, a new breed of "shifting influencers" emerged, eager to capitalize on the trend. This led to the monetization of shifting content through sponsorships, merchandise, and paid services. While some creators genuinely aimed to help and educate, others saw an opportunity for profit, selling dubious products like "shifting crystals" or "dimensional jump sprays" with little regard for their efficacy or the potential impact on vulnerable users.

The rise of influencer culture within the shifting community also fostered an environment where popularity and engagement metrics often took precedence over the quality or accuracy of information shared. This created a perverse incentive structure where creators were rewarded for producing sensational or controversial content rather than focusing on responsible, well-researched information.

These negative effects collectively undermined the foundations of the reality-shifting community. What had once been a practice rooted in personal exploration and spiritual growth was at risk of being reduced to a commercialized trend, divorced from its original intent and values. The influx of misinformation, coupled with the oversimplification of techniques and the exploitation of practitioners, threatened to dilute the authenticity of the practice and alienate serious practitioners.

As these issues came to the forefront, they set the stage for broader impacts on both the external perception of reality shifting and the internal dynamics of the community itself. The once-unified community began to fragment, grappling with questions of authenticity, methodology, and the very nature of reality shifting in the age of viral social media trends.

IV. The Dark Side of Shiftok: Toxicity, Pressure, and Dogma in the Reality Shifting Community

The meteoric rise of reality shifting on TikTok, while bringing unprecedented attention to the practice, also uncovered a darker, more insidious aspect within the community. This phenomenon, commonly referred to as "Shiftok," became a breeding ground for toxicity, misinformation, and oppressive dogma, threatening the very essence of what many considered a deeply personal and transformative practice.

One of the most troubling developments within Shiftok was the emergence of arbitrary and often harmful age-related pressures. A particularly pernicious belief circulated that individuals who hadn't successfully shifted by a certain age, typically 18, were somehow suspect or, in extreme cases, labeled as "pedophiles" for aging themselves down for realities they made when they were minors and have romantic/sexual relationships there. This baseless and damaging accusation stemmed from the misguided notion that older shifters were attempting to reach realities where they were younger, automatically assuming predatory intentions or attraction to minors.

(This misguided notion has been debunked in this post).

This ageist dogma not only created unnecessary anxiety among practitioners but also demonstrated a fundamental misunderstanding of the diverse motivations for reality shifting. Many adult shifters, drawn to the practice for spiritual growth, self-exploration, healing, or simply out of curiosity, found themselves unfairly stigmatized and excluded from community spaces. The irony of this situation was not lost on more discerning observers, who noted that the very teenagers propagating these ideas often shifted to realities where they themselves were adults or teens, without the same scrutiny applied to older shifters—highlighting a hypocritical double standard.

The Shiftok environment grew increasingly hostile to divergent opinions or experiences that didn't align with the prevailing narrative. Users who questioned popular methods, expressed skepticism about certain claims, or shared experiences differing from the norm often faced severe backlash. This cultish adherence to a singular vision of reality shifting stifled healthy debate and critical thinking, essential components for the growth and legitimacy of any practice.

Contradictory information flourished in this echo chamber, with different factions of Shiftokers promoting conflicting "rules" about shifting. Some insisted that physical symptoms like headaches or nausea were necessary signs of an impending shift, while others claimed the process should be entirely painless. This cacophony of conflicting advice left many newcomers confused and frustrated, often leading to disillusionment with the practice altogether.

Particularly concerning was the lack of spiritual hygiene and safety measures in many Shiftok-promoted methods. In the rush to create viral content, many creators neglected to address the potential psychological and emotional risks associated with reality shifting, especially for vulnerable individuals. Basic practices like grounding, protection visualization, or setting clear intentions—staples in many traditional spiritual practices—were often overlooked in favor of quick, sensationalized techniques promising instant results.

The "TikTokification" of reality shifting led to a troubling simplification and commercialization of the practice. Complex philosophical and spiritual concepts were reduced to snappy soundbites and trendy hashtags. The depth and nuance of reality shifting, with its potential for profound personal growth and self-discovery, were often lost in a sea of shallow, entertainment-focused content.

This commercialization reached disturbing heights as some Shiftok influencers began selling "shifting aids"—everything from specially designed pillowcases to "quantum-aligned" water bottles. These products, often backed by pseudoscientific claims and endorsements from popular creators, preyed on the desperation of those struggling to achieve their first shift.

The pressure to shift successfully and quickly became overwhelming for many in the community. Stories of users spending hours each day attempting to shift, neglecting school, work, or real-world relationships, began to surface. This intensity was fueled by a culture of comparison fostered by Shiftok, where users constantly measured their experiences against the often exaggerated or fabricated successes of others.

The pervasive toxic positivity in many Shiftok spaces further compounded these issues. Users who expressed doubts, struggles, or negative experiences were often dismissed or told they simply weren't "believing" hard enough. This invalidation of genuine concerns and difficulties created an environment where many felt unable to seek help or share their true experiences.

Perhaps most troublingly, the Shiftok phenomenon began to blur the lines between reality and fantasy for some users, particularly younger ones. The constant immersion in shifting content, combined with the pressure to experience increasingly fantastical scenarios, raised concerns among mental health professionals about dissociation and reality distortion.

The lack of age-appropriate content moderation on TikTok exacerbated many of these issues. Young users were often exposed to mature or potentially traumatizing shifting scenarios without adequate context or support. The platform's algorithm, designed to maximize engagement, frequently pushed users deeper into shifting-related content rabbit holes, creating echo chambers that reinforced problematic beliefs and practices.

As the Shiftok phenomenon continued to evolve, it became evident that the toxicity, misinformation, and dogmatic thinking it fostered were antithetical to the core principles of personal growth and exploration that many associated with reality shifting. The challenge for the broader shifting community became not only to counter these negative aspects but also to reclaim and redefine the practice in a more balanced, responsible, and authentically transformative way.

V-Impact on Perception of Reality Shifting

The rise of Shiftok and its subsequent influence on the reality shifting community had far-reaching consequences that extended beyond the boundaries of TikTok and into broader public perception. As reality shifting catapulted from a niche practice to a viral trend, it faced increased scrutiny and skepticism from outsiders, fundamentally altering how the concept was perceived and discussed in mainstream discourse.

One of the most significant impacts was the surge in skepticism from those outside the shifting community. As Shiftok videos proliferated across social media platforms, reality shifting became increasingly associated with internet fads and youth subcultures. This association, while bringing attention to the practice, also invited dismissal and ridicule from skeptics who viewed it as yet another fleeting online trend rather than a serious spiritual or metaphysical practice.

The viral nature of Shiftok content, often emphasizing fantastical elements and pop culture references, contributed to widespread misconceptions about the nature and purpose of reality shifting. Many outsiders began to view shifting solely through the lens of these viral videos, equating it with lucid dreaming, role playing, or pure fantasy. This oversimplification obscured the deeper philosophical and experiential aspects of shifting that many practitioners held dear.

Media attention, drawn by the explosive growth of the trend, often approached reality shifting with a mixture of curiosity and skepticism. News articles and reports, while bringing mainstream visibility to the practice, frequently focused on the more sensational aspects of Shiftok content. This selective coverage further skewed public perception, often painting reality shifting as a potentially harmful delusion rather than a nuanced spiritual or psychological practice.

The influx of young practitioners drawn in by Shiftok also influenced how reality shifting was perceived. The predominance of teenagers and young adults (often female) in the community led many to dismiss the practice as a form of escapism or a coping mechanism for youth struggling with the challenges of adolescence and early adulthood. While there was some truth to the appeal of shifting as a form of escape, this generalization overlooked the diverse motivations and experiences of practitioners across different age groups.

Perhaps one of the most damaging impacts on perception was the trivialization of reality shifting. What had once been considered a profound, rich, complex and transformative practice by many long-time shifters was increasingly reduced to entertainment or a casual hobby for psychotic and mentally ill schoolgirls in the public eye. The depth of experience and personal growth that many attributed to their shifting journeys was often lost in the sea of light-hearted Shiftok content.

This trivialization had a particularly strong effect on how the spiritual and personal development aspects of shifting were perceived. The focus on quick results and fantastical destinations in viral content overshadowed the more introspective and growth-oriented approaches to shifting. As a result, the potential for reality shifting as a tool for self-discovery, healing, and expanding consciousness was often overlooked or dismissed by those forming opinions based solely on its social media representation.

The surge in popularity also attracted the attention of mental health professionals and researchers, some of whom expressed concerns about the potential psychological impacts of reality shifting, especially on younger practitioners. While some approached the topic with genuine curiosity and open-mindedness, others were quick to pathologize the practice, further contributing to negative perceptions.

For serious practitioners and researchers in the field, this shift in public perception presented significant challenges. Many found themselves fighting an uphill battle to legitimize their experiences and studies in the face of widespread skepticism and misconceptions fueled by Shiftok's portrayal of reality shifting.

The cumulative effect of these changes in perception created a complex and often contradictory public image of reality shifting. On one hand, it had never been more visible or widely discussed. On the other hand, this visibility came at the cost of depth and nuance, with the practice often misunderstood, trivialized, or dismissed outright by those outside the community.

This transformation in how reality shifting was perceived set the stage for further fragmentation within the community itself, as practitioners grappled with questions of authenticity, methodology, and the future direction of their practice in a post-Shiftok landscape.(By post-Shiftok i mean the period after aug-2020 to aug 2021 since it was during that year that people talked about shiftok and subsequently shifting the most in the media)

VI-Fragmentation of the community

Fragmentation of the Community

The rise of Shiftok and its profound impact on the reality shifting landscape inevitably led to significant fragmentation within the community itself. What was once a relatively cohesive group of practitioners united by shared beliefs and experiences began to splinter into various factions, each with its own perspectives on the nature and practice of reality shifting.

At the heart of this fragmentation lay heated disputes over authenticity. As the community expanded rapidly due to the influx of new practitioners drawn in by viral Shiftok content, tensions arose between long-time shifters and newcomers. Experienced practitioners often viewed the Shiftok-inspired methods and claims with skepticism, questioning the authenticity of experiences shared in short, highly edited videos. They argued that true shifting required dedication, practice, and a deep understanding of the underlying principles - elements they felt were often lacking in the quick and easy methods popularized on the platform.

This divide gave rise to intense debates about what constituted "real" shifting versus what some dismissively termed as "fake" shifting. Veterans of the practice often criticized Shiftok shifters for conflating lucid dreaming, visualization, or simple daydreaming with genuine reality shifting experiences. These disputes frequently turned acrimonious, with accusations of gatekeeping from one side and of diluting the practice from the other.

The community also witnessed the emergence of a generational gap. Older practitioners, who had been exploring reality shifting long before it became a social media trend, often found themselves at odds with the younger generation of shifters who had discovered the practice through Shiftok. This age divide was not merely about experience but also about fundamental approaches to shifting. While older shifters tended to emphasize the spiritual and personal growth aspects of the practice, many younger practitioners were drawn to shifting for its entertainment value or as a means of escaping real-world problems.

Another significant factor contributing to the fragmentation was the varying goals and motivations for shifting among practitioners. The Shiftok trend had popularized the idea of shifting to fictional universes or idealized realities, often based on popular media franchises. This contrasted sharply with more traditional approaches that focused on spiritual exploration, self-discovery, or connecting with alternate versions of oneself. The community found itself divided between those who viewed shifting as a fun, imaginative exercise (usually those people either don't believe in permashifting/respawning or say it is bad/ dangerous /problematic) and those who treated it as a serious metaphysical practice.

This divergence in goals led to the formation of distinct sub-communities within the broader shifting world. Communities flourished on other social media platforms, characterized by their focus on pop culture destinations, quick methods, and shared scripting techniques. In contrast, more traditional shifting communities sought refuge in forums, Discord servers, and other platforms that allowed for more in-depth discussions and longer-form content.

The fragmentation was further exacerbated by disagreements over methodology. Shiftok's algorithm-driven content distribution meant that certain methods and techniques gained viral popularity, often at the expense of more established practices. This led to heated debates about the efficacy and safety of various shifting methods, with some practitioners warning against the potential dangers of techniques that promised quick results without proper grounding or protection.

As the community continued to fracture, it became increasingly difficult for newcomers to navigate the conflicting information and polarized viewpoints. Many found themselves caught between the allure of the easy, accessible methods promoted on Shiftok and the more rigorous, traditional approaches advocated by experienced shifters. This confusion often led to frustration and disillusionment, with some abandoning the practice altogether.

The fragmentation also had implications for the collective knowledge and support systems within the shifting community. As practitioners increasingly segregated themselves into like-minded groups, the free exchange of ideas and experiences that had once characterized the community began to break down. This siloing effect threatened to stunt the growth and evolution of reality shifting as a practice, with valuable insights and techniques potentially being lost in the noise of inter-community conflicts.

As the reality-shifting community continued to grapple with these internal divisions, it became clear that the impact of Shiftok had irrevocably altered the landscape of the practice. A practice that was characterized by its beauty, complexity and richness whose practitioners could talk about philosophy culture and spirituality four hours, has been watered down, dumbed down into a bunch of mentally ill schoolgirls shifting to get railed by wizard nazis and hysterical teenagers who would cuss someone's entire bloodline for doubting or questioning the practise. Which is something totally valid and proves that those individuals do not know anything about the practice at all.

Honestly i cannot blame when antishifters claim that reality shifting is a cult since it is all they see and are being shown. People dismissing their pain under a toxic positive statement of “you haven't tried harder”or “just believe more” coupled with contradictory and hypocritical statements, makes it impossible to break free from those stereotypes.

VII-Psychological and Ethical Concerns

The meteoric rise of Shiftok and its profound impact on the reality shifting community gave rise to a host of psychological and ethical concerns that extended far beyond the realm of social media trends. As the practice gained widespread popularity, particularly among younger audiences, mental health professionals, ethicists, and even some within the shifting community itself began to voice apprehensions about the potential risks and implications of this phenomenon.

One of the primary psychological concerns centered around the addictive nature of both shifting experiences and Shiftok content itself. Many practitioners, especially younger ones, reported spending hours consuming shifting-related videos, often at the expense of real-world responsibilities and relationships. This obsessive engagement with Shiftok content, coupled with the allure of escaping to idealized realities, raised fears about the development of maladaptive coping mechanisms and potential neglect of personal growth in the physical world.

The immersive nature of reality shifting experiences also sparked debates about the risk of dissociation and reality distortion. Some mental health experts expressed concern that frequent shifting, especially for extended periods, might blur the lines between perceived realities, potentially leading to difficulties in distinguishing between shifted experiences and waking life. This was particularly worrisome for individuals with pre-existing mental health conditions or a predisposition to dissociative disorders.

The use of reality shifting as a form of escapism became another point of contention. While many practitioners viewed shifting as a harmless and even beneficial way to explore alternate realities or cope with stress, critics argued that it could become a means of avoiding real-life issues rather than addressing them. The concern was that vulnerable individuals, particularly adolescents facing challenging life circumstances, might retreat into desired realities rather than developing crucial life skills and resilience.

Ethical considerations also came to the forefront, particularly regarding the age-appropriateness of shifting content and the safeguarding of young users. The prevalence of young teenagers in the Shiftok community raised questions about the potential impact of reality shifting on developing minds. Some worry that exposure to intense or mature themes in desired realities could be psychologically damaging for younger practitioners who might not have the emotional maturity to process such experiences.

The responsibility of content creators became a significant ethical issue. As Shiftok influencers gained massive followings, often consisting largely of impressionable youth, questions arose about their duty of care. Many creators, in their pursuit of views and engagement, shared unverified methods or exaggerated claims about shifting successes. This raised concerns about the potential for manipulation or the inadvertent promotion of harmful practices, especially given the lack of scientific consensus on the nature and effects of reality shifting.

Another ethical dilemma emerged around the potential for reality shifting communities to develop cult-like characteristics. The intense belief systems surrounding shifting, combined with the charismatic influence of popular Shiftok creators, created an environment where some practitioners became deeply emotionally invested in the practice. This led to fears about the vulnerability of members to exploitation or the development of unhealthy group dynamics.

The commercialization of reality shifting through Shiftok also raised ethical red flags. As creators began selling products, services, or exclusive content related to shifting, questions arose about the morality of profiting from a practice that many viewed as a deeply personal or spiritual endeavor. There were concerns about the exploitation of believers, particularly when unproven products or techniques were marketed as enhancing shifting abilities.

Within the shifting community itself, practitioners grappled with the ethics of their practice. Debates arose about the morality of shifting to realities where one might engage in behaviors considered unethical in the physical world. This led to philosophical discussions about the nature of reality, free will, and personal responsibility across multiple perceived realities.

The long-term psychological effects of reality shifting remained a topic of intense speculation and concern. With little scientific research on the subject, many wondered about the potential impacts on personality development, identity formation, and overall mental well-being, especially for those who began shifting at a young age.(around puberty so 13-15 where people can be very malleable )

As these psychological and ethical concerns came to light, calls for more research and responsible practices within the shifting community grew louder. Some advocates pushed for the development of ethical guidelines for Shiftok creators, while others emphasized the need for mental health resources tailored to the unique challenges faced by reality shifters.

The reality shifting community found itself at a crossroads, forced to confront these complex psychological and ethical issues. As the practice continued to evolve in the wake of the Shiftok phenomenon, addressing these concerns became crucial not only for the well-being of individual practitioners but also for the long-term sustainability and credibility of reality shifting as a whole.

One of the most important ways to counter, prevent, or mitigate the dangers of reality shifting is through the practice of Spiritual Hygiene. Unfortunately, this concept seems to be something that many Shiftokers fail to grasp, highlighting their lack of concrete knowledge about the practice. It's particularly frustrating that these individuals are often the most visible within the community, while true experts with deeper understanding are overshadowed.

Reality shifting, whether people accept it or not, is inherently a spiritual practice. By its very nature, shifting cannot be scientifically proven—yet, it also cannot be disproven. This makes it a unique and highly subjective experience, with each shifter’s journey being distinct. If shifting were to be scientifically validated, it would become an objective practice, leading to uniform experiences across the board.

Given its spiritual nature, maintaining spiritual hygiene is essential. One cannot embark on this journey and neglect such a fundamental concept. The saying, "healthy body, healthy mind; healthy mind, healthy body," perfectly encapsulates why spiritual hygiene is a necessity in shifting. When people neglect it, they often experience mental and physical harm, which they mistakenly attribute to the practice of shifting itself.

(I suggest that you read my post on the subject)

VIII-The Response from the Traditional Shifting Community

As the Shiftok phenomenon continued to reshape the landscape of reality shifting, the traditional shifting community found itself compelled to respond to the myriad challenges and changes brought about by this new wave of practitioners and content. This response was multifaceted, reflecting the complex emotions and perspectives within the established shifting community.

Initially, many long-time shifters reacted with a mixture of excitement and apprehension to the sudden surge in interest in their practice. While they welcomed the increased visibility and potential for growth, they quickly became concerned about the quality and accuracy of information being disseminated through Shiftok. This concern catalyzed a concentrated effort to combat misinformation within the community.

Veteran shifters took to various platforms to share their knowledge and experiences, often directly addressing and debunking popular misconceptions propagated on Shiftok. They created detailed guides, wrote blog posts, and produced long-form video content aimed at providing a more nuanced and accurate representation of reality shifting. These efforts were not merely reactive; they represented a proactive attempt to preserve the integrity of the practice in the face of its rapid popularization.

In response to the oversimplification of shifting techniques on Shiftok, many traditional practitioners began emphasizing the importance of in-depth, holistic approaches to shifting. They developed and shared more rigorous practices and guidelines, often drawing on years of personal experience and collective wisdom (spiritual hygiene). These methods typically focused on mental preparation, spiritual alignment, and ethical considerations – aspects often overlooked in viral Shiftok content.

The traditional community also recognized the need for safer, more controlled spaces for discussion and practice. This led to the creation and expansion of alternative platforms and communities dedicated to serious shifting discourse. Forums, Discord servers, and specialized websites emerged as havens for in-depth conversations, troubleshooting, and mutual support among experienced shifters and sincere newcomers alike. These spaces often implemented stricter moderation policies to maintain the quality of discussions and protect vulnerable members from potentially harmful information.

Many established shifters took on mentorship roles, offering guidance to newcomers who sought a deeper understanding beyond what Shiftok could provide. These mentors focused on teaching not just the techniques of shifting, but also its philosophical underpinnings and potential for personal growth. They emphasized patience, persistence, and self-reflection as key components of a successful shifting practice – a stark contrast to the "quick and easy" methods often touted on social media.

The traditional community also began to engage more actively in research and documentation efforts. Recognizing the lack of scientific study on reality shifting, some practitioners started collaborating with open-minded researchers or conducting their own systematic studies of shifting experiences. While these efforts were often informal, they represented an attempt to bring more rigor and credibility to the field.

In response to the commercialization of shifting on Shiftok, many traditional practitioners reaffirmed their commitment to keeping shifting accessible and non-commercialized. They freely shared resources, techniques, and support, often explicitly critiquing the trend of monetizing shifting knowledge or selling shifting-related products.

However, the response from the traditional community was not uniformly positive or constructive. Some long-time shifters reacted with frustration or elitism, dismissing Shiftok shifters entirely and retreating further into closed communities. This gatekeeping behavior, while intended to preserve the integrity of the practice, sometimes had the unintended effect of alienating genuine seekers and furthering the divide within the broader shifting community.

As the initial shock of the Shiftok phenomenon began to wane, many in the traditional community started to see it as an opportunity for growth and evolution. They recognized that while Shiftok had brought challenges, it had also introduced shifting to a vast new audience, some of whom would inevitably seek deeper understanding. This realization led to efforts to bridge the gap between traditional practices and the new wave of shifters, seeking common ground and shared experiences.

The response of the traditional shifting community to the Shiftok phenomenon was ultimately one of adaptation and resilience. While striving to maintain the core principles and depth of their practice, many long-time shifters also recognized the need to evolve and engage with a changing landscape. Their efforts to educate, guide, and create safe spaces for authentic shifting practices played a crucial role in shaping the future direction of the reality shifting community as a whole.

IX. Conclusion: The Aftermath of Shiftok's Impact on Reality Shifting

The rise of Shiftok, while initially bringing unprecedented attention and growth to the reality shifting community, ultimately led to its fragmentation and, in many ways, undermined the core principles and practices of reality shifting.

Shiftok's impact on the reality shifting community can be considered destructive in several key aspects:

Misinformation: The rapid spread of unverified claims and oversimplified techniques diluted the authenticity of the practice.

Trivialization: The depth and spiritual aspects of shifting were often reduced to entertainment, diminishing its perceived value.

Community Division: The influx of new practitioners led to conflicts between traditional shifters and Shiftok-inspired newcomers, fracturing the once-cohesive community.

Ethical Concerns: The lack of safeguards and the potential exploitation of vulnerable users raised serious ethical questions.

Loss of Authenticity: The commercialization and "TikTokification" of shifting distorted its original intent and practices.

While it would be an overstatement to say that Shiftok entirely destroyed reality shifting, it undeniably transformed the landscape of the practice, often in detrimental ways. The community now faces the challenge of reclaiming and redefining reality shifting in a post-Shiftok era, balancing accessibility with depth, and navigating the complex intersection of ancient practices and modern digital culture.

The Shiftok phenomenon serves as a cautionary tale about the double-edged nature of viral trends and their impact on esoteric practices, highlighting the need for mindful integration of traditional wisdom with contemporary platforms.

[loulits]

Mapping Neurodivergence in BSD: A Headcanon Exploration

💭✨ Neurodivergence has always been one of my biggest special interests, and something I love about fiction is how much space it gives for different interpretations.

Bungou Stray Dogs is accidentally one of the most neurodivergent-coded series I’ve ever seen—whether it’s intentional or not, so many of the characters just feel ND in ways that go beyond typical genius or eccentricity tropes.

Whether it’s Ranpo’s hyperfixation on mysteries, Kunikida’s compulsive need for structure, or Chuuya’s impulsive emotional outbursts, these characters reflect real-world neurodivergent traits in ways that are compelling, complex, and painfully relatable.

This list is a collection of personal headcanons based on their behaviors, interactions, and underlying motivations.

✨ I'll be doing deep dives into each character here, analysing their traits in more detail! (Of course, this is all just for fun! Everyone interprets characters differently, and that’s part of the beauty of fandom. 🖤)

🕵️‍♂️ Armed Detective Agency

Osamu Dazai – Autism (Masking & Situational Manipulation)

🔹 Highly intelligent but emotionally disconnected in ways that seem intentional. 🔹 Uses humor, dramatics, and exaggerated behavior as a social mask. 🔹 Deeply perceptive of people’s emotions but doesn’t always engage genuinely. 🔹 Alternates between hyperfixation (on suicide, on outplaying opponents) and emotional dissociation. 🔹 Sensory-seeking behaviors (bandages, physical playfulness when teasing others).

Edogawa Ranpo – Autism (Hyperlexia, Special Interests, & Social Processing Differences)

🔹 Hyperlexia: Genius-level reading comprehension and information processing from an early age. 🔹 Doesn’t understand or care for social norms—he thrives best when people adapt to him, not the other way around. 🔹 Fukuzawa accommodating his intelligence and treating him with respect instead of condescension was a turning point in his life. 🔹 Low frustration tolerance for perceived incompetence but deeply loyal to those he trusts. 🔹 Sensory & executive dysfunction struggles? Can’t dress himself properly, avoids certain textures (like food).

Doppo Kunikida – OCD (Perfectionism, Order, & Intrusive Thoughts)

🔹 Highly structured routines—his notebook is more than a quirk, it’s a lifeline. 🔹 Ritualistic behavior: Needs things to go exactly as planned or he experiences distress. 🔹 Moral rigidity: Struggles when ideals don’t align with reality, leading to internal conflict. 🔹 Likely experiences intrusive thoughts—his strong reactions to things outside of his control seem rooted in anxiety.

Atsushi Nakajima – Rejection Sensitivity Dysphoria (RSD) & PTSD

🔹 Hyperaware of how others perceive him, even in neutral situations. 🔹 Intense fear of failure, especially when it might lead to abandonment. 🔹 Struggles with self-worth due to past abuse, leading to cycles of self-doubt.

Yosano Akiko – PTSD & Possible Hyper-Empathy

🔹 Deep emotional trauma from her past but keeps it buried under a tough exterior. 🔹 Uses dark humor as a coping mechanism. 🔹 Highly attuned to others' suffering despite her cold demeanor.

⚡ Port Mafia

Chuuya Nakahara – ADHD (Hyperactive-Impulsive Type) & RSD

🔹 Impulsive emotional reactions—anger, excitement, frustration, all at max volume. 🔹 Struggles with authority but is also fiercely loyal when trust is earned. 🔹 Hyperfixation on proving himself, especially post-Dazai. 🔹 Likely has rejection sensitivity dysphoria (RSD), leading to intense emotional reactions when he feels slighted.

Akutagawa Ryunosuke – Autism (Demand Avoidance) & CPTSD

🔹 Blunt, socially unfiltered, and struggles with nuance—his reactions are either extreme aggression or complete silence. 🔹 Sensory hypersensitivity (his strong aversion to being touched). 🔹 Struggles with emotional regulation—anger is his default reaction because other emotions are too vulnerable. 🔹 Demand Avoidance: Will resist authority figures unless they earn his respect.

📖 Other Figures

Edgar Allan Poe – Social Anxiety & Autism (Special Interests & Sensory Sensitivity)

🔹 Hyperfixation on gothic literature and storytelling. 🔹 Difficulty with in-person social interaction, preferring structured, written communication. 🔹 Likely hypersensitive to noise and prefers solitude.

✨ Which headcanons do you agree with? These are just my personal interpretations! Neurodivergence is super broad, and while I love diving into ND traits in characters, it’s totally cool if you see them differently. This is all for fun, so feel free to share your thoughts!

💡 I’m also open to requests! If there’s a character you’d like me to explore more deeply, or if you think I missed someone, feel free to drop an ask or comment. I’d love to hear your thoughts and keep building this list together!

[kingerdartneartern]

Why We All Secretly Hate Theodore Huxley: A Study in Failure

Rant Below

Ladies and gentlemen, today, I stand before you not to inform, not to inspire, but to reaffirm a universal truth that we all know in our bones—Theodore Huxley is a disgrace. He is a mockery of his bloodline, a blight upon the legacy of Sean Young and Conman Games, a character so utterly contemptible that even acknowledging his existence feels like an act of charity. And yet, we do acknowledge him. We grant him attention, precious seconds of our lives that we will never get back.

Why? Why do we waste our breath, our thoughts, our words on this milksop of a character? I suspect the answer lies not in genuine appreciation but in a perverse desire to go against the grain. The same impulse that leads contrarians to pretend Luigi is superior to Mario. We do not love Luigi because he is great—we love him because Mario is better, and we want to be different. The same tragic flaw, the same misguided impulse, compels some among us to pretend Theodore Huxley is worth even a sliver of consideration.

But let us be honest with ourselves. Let us peer into the abyss of truth and say what must be said. If Theodore Huxley were a real person, we would beat him up. Not out of mindless cruelty, not out of some misplaced sense of dominance, but out of a deep, primal need to correct the cosmic mistake that is his existence. And let’s be clear—if he were a child, that would not be a deterrent. If anything, it would make it easier. A small problem is easier to dispose of than a large one.

Now, some of you may think this is too harsh. Some of you may say, “Surely, he is not that bad.” To which I say: Have you read history? Have you studied the great betrayals of our time? Judas Iscariot, who sold out the Son of God for thirty pieces of silver, at least had the decency to feel remorse. Joseph Stalin, architect of purges, famines, and misery beyond comprehension, at least had the competence to rule. But Theodore Huxley? He is a coward. A weakling. A mistake. He is neither competent nor remorseful. He is neither fearsome nor convicted. He is nothing. And it is the nothingness of Theodore Huxley that makes him truly detestable.

Theodore Huxley is not merely a bad character. That would imply he exists in the same league as other poorly written figures, the bland, the forgettable, the misguided attempts at complexity that ultimately fail. No, he is something worse. He is a fundamental betrayal of what it means to be a good character, an affront to storytelling itself. He does not simply fail in execution—he fails in concept. His very presence in any narrative is an admission of defeat, a confession from his creators that they no longer understand what makes a character compelling, memorable, or worth existing in the first place.

Consider for a moment what defines a great character. Strength of will. Purpose. An impact on the world around them, for good or for ill. Characters like Felix, who Theodore so feebly attempts to rival, embody these traits. They have gravity. They pull the story toward them, shaping it in their image. Theodore Huxley does no such thing. He is a void. A non-entity masquerading as a protagonist. He neither drives the story forward nor serves as a satisfying foil to those who do. He is, in every sense of the word, useless.

But his crimes do not end there. His betrayal extends beyond the realm of fiction. Theodore Huxley has, somehow, wormed his way into our reality, contaminating it with his failure. You see, dear listeners, Theodore Huxley is responsible for some of the greatest disasters of our time. His incompetence is not contained within the confines of his fictional prison. No, it has bled into the world we live in, poisoning it in ways we are only beginning to understand.

Let’s start with the Fall of Reach. A tragedy, an unavoidable moment in history that shaped the fate of an entire universe. And yet, if you dig deep into the classified ONI files, you will find one name buried beneath the surface: Theodore Huxley. It was he who lowered the planetary defenses. He who, whether through cowardice, incompetence, or outright malice, allowed the Covenant to land unchallenged. Had it not been for him, Noble Team’s sacrifice might have been avoided. But Theodore Huxley does not merely fail—he ensures that others suffer for his failure.

And what of Duke Nukem Forever? A game that, after years of anticipation, arrived in a state so abysmal that it single-handedly buried a franchise. Was it mere mismanagement? No. It was Theodore Huxley. He whispered into the ears of developers, convincing them to delay, to bloat, to ruin what once was great. His influence seeped into the code itself, corrupting the game at its very core. The tedious level design? Theodore. The lackluster gunplay? Theodore. The jokes that made even the most hardened fans recoil in secondhand embarrassment? Theodore. The game was doomed the moment he became involved.

But perhaps his greatest sin, his most unforgivable act, was his role in the rise of Gacha Gaming. Yes, my friends, Theodore Huxley is the reason you no longer own your games. He is the reason children are drained of their parents' credit cards. He is the reason you have spent thousands of dollars and still do not have the one character you wanted. It was he who introduced the first loot box, he who championed microtransactions, he who ensured that every game would eventually become a slot machine wrapped in the illusion of gameplay. When the history books are written, when future generations look back on this dark era, they will ask: "Who allowed this to happen?" And the answer, whispered through the cracks of a broken world, will be Theodore Huxley.

This is not merely a bad character. This is a mistake made flesh. A betrayal of art, of storytelling, of gaming, of humanity itself. And yet, despite all of this, despite the overwhelming evidence against him, some among us still give him the time of day. They still entertain his existence. And that, my friends, may be the greatest tragedy of all.

Now, as rational individuals, we must entertain the possibility that Theodore Huxley serves a greater purpose. That perhaps, in some cruel, calculated way, his existence is not merely an error but an intentional act of narrative craftsmanship. Maybe—just maybe—Theodore Huxley is not a failure, but a symbol. A metaphor. A deliberate reflection of some grand idea that justifies his presence.

This is the charitable view. The academic approach. A fool’s errand, yes, but one that must be undertaken in the spirit of intellectual integrity. So let us ask: What does Theodore Huxley represent?

One possibility is that Theodore Huxley is an embodiment of failure itself—a cautionary tale, a living monument to mediocrity, designed to remind us of what happens when a character lacks direction, depth, or purpose. Much like Gregor Samsa in The Metamorphosis, a being transformed into something pitiful and grotesque, perhaps Theodore is meant to be endured rather than admired. He is the storytelling equivalent of a cautionary sign on a slippery floor: ugly, intrusive, but necessary.

But even here, the argument collapses. For Gregor Samsa meant something. His transformation had weight. We felt his suffering. Theodore, by contrast, is just there. He does not evoke pity or horror, only frustration. His failure does not illuminate anything about the human condition—it simply clutters the narrative space with its dead weight.

So perhaps he is not a metaphor for failure, but a commentary on banality. A reflection of the everyday, of the mundane, a mirror held up to reality’s most unremarkable aspects. Not every story can be about heroes, after all. Not every character can be a legend. Maybe Theodore Huxley is the ultimate rejection of heroism—the anti-Felix, an argument for the validity of insignificance.

But here, too, the justification crumbles. Because Theodore is not simply boring—he is infuriating. A truly mundane character might fade into the background, unnoticed and unremarkable. Theodore refuses to do even that. He demands attention without deserving it, inserts himself where he is unwelcome, and contributes nothing. He does not elevate the ordinary; he ruins it.

Then there is the nihilistic interpretation. Perhaps Theodore Huxley exists as an admission that nothing matters—that in the end, all our efforts to create meaning are futile. That bad characters exist, that they will continue to exist, and that we must suffer them as we suffer the many injustices of life. This, at least, would be a powerful artistic statement, a grim but honest reflection of the world’s indifference.

But no. Even this cannot justify him. Because a proper nihilistic character—one who embodies meaninglessness—still has an impact. Theodore Huxley, despite all his failings, is not an effective agent of despair. He is not haunting. He does not shake our understanding of existence. He is not anything, and that is the final insult.

So we arrive at the only conclusion possible: Theodore Huxley does not mean anything. He is not a metaphor, not a lesson, not a statement. He is a mistake, nothing more. A black hole in the shape of a character. An artifact of incompetence.

We tried. We gave him the benefit of the doubt. We searched for meaning, for justification, for something—anything—that could defend his presence.

We found nothing.

And perhaps, in a way, that is fitting. Because Theodore Huxley is, and always has been, nothing at all.

We have journeyed deep into the abyss of Theodore Huxley’s existence, examining his failings from every possible angle, and the conclusion remains unchanged: he is irredeemable.

First, we established that Theodore Huxley is not merely a bad character—he is an affront to storytelling. He does not function as a protagonist, an antagonist, a deuteragonist, or even a footnote. He is dead weight, dragging down every scene, every narrative, and every moment he infects with his presence.

Then, we traced his real-world impact, uncovering the truth that many fear to acknowledge: Theodore Huxley has poisoned our history. He was there when Reach fell. He was there when Duke Nukem Forever collapsed under its own weight. He was there at the dawn of gacha gaming, ushering in an era of microtransactions, addiction-driven monetization, and the slow erosion of player ownership. His influence extends beyond fiction—he is a force of destruction woven into reality itself.

Finally, we entertained the last, desperate argument in his favor—that perhaps, through some stroke of genius, he serves a greater artistic purpose. That maybe he is a metaphor, a lesson, a deliberate creation designed to evoke meaning. But even here, Theodore Huxley fails. He is not a meaningful failure, not a thought-provoking void, not even a tragic example of wasted potential. He is simply nothing, a character so devoid of worth that no amount of literary analysis can justify his existence.

And so, we arrive at the inescapable truth: Theodore Huxley should not exist. His presence in any story is a testament to misguided writing, his influence on reality an undeniable curse. There is no defense for him, no higher meaning, no artistic merit. He is a failure in every conceivable way.

Thank you for reading my Fuck TED Talk.

[zxxyue]

Gakushū's Business Acumen: Class 3-A's Event Cafe

Analyzing Gakushu's school festival business plan from a comprehensive finance and psychological perspective reveals several key strengths and potential risks. I'll delve into the intricacies of the revenue model, cost structure, operational efficiency, and psychological tactics for a nuanced understanding of his business strategy and its implications. (This may get wordy.)

The event cafe's primary revenue source is the 500 yen entrance fee, which provides attendees with free food, drinks, and access to performances. This model banks on repeat visits, assuming high engagement levels. The psychological underpinning here is the ‘fear of missing out’ (FOMO), as events are scheduled at one-hour intervals, creating urgency and encouraging multiple payments.

Examining the cost structure, Gakushu’s reliance on free performances by pop stars pals and comedian buddies significantly cuts entertainment expenses. This cost-saving measure, however, hinges on personal relationships, posing sustainability risks. If these relationships wane or if performers seek compensation in the future, it could disrupt the cost structure. Since this is a fictional case scenario, I'm going with the possibility that Gakushu's network can be relied on.

The endorsement deal with Suzume Izakaya food services provides substantial financial support and in-kind contributions. This sponsorship not only reduces operational costs but also enhances the festival’s credibility, as Suzume Izakaya’s brand reputation can attract more visitors who trust the quality of the food and beverages.

Offering free food and drinks is a double-edged sword. On one hand, it is an attractive feature that can draw a large number of attendees, enhancing perceived value and satisfaction. On the other hand, it presents a significant cost burden. Effective inventory management and supplier negotiations are crucial to balance cost and supply. There is also a risk of overconsumption, which must be managed to avoid resource depletion.

Operational efficiency is another critical component of Gakushu's plan. Organizing events at one-hour intervals on different stages maximizes space and time utilization, keeping the audience engaged and minimizing downtime. This continuous engagement strategy ensures that attendees are constantly entertained, increasing the likelihood of repeat entrance fee payments. The immediate start of subsequent events also helps maintain a steady flow of visitors, reducing congestion and enhancing the overall customer experience.

Psychologically, the one-hour event intervals create a sense of urgency and scarcity, compelling attendees to make quick decisions to attend multiple events. This tactic leverages the psychological principle that limited availability increases perceived value, driving higher engagement and repeat visits.

The use of celebrity performances taps into social proof and authority. Featuring well-known pop stars and comedians draws their fan bases and generates buzz, enhancing the festival’s attractiveness. This social influence can significantly boost attendance, as people tend to follow the actions of those they admire. The endorsement by Suzume Izakaya also adds an element of authority and trust, reassuring attendees about the quality and safety of the festival’s offerings.

The all-inclusive 500 yen entrance fee creates a high perceived value, making attendees feel they are getting a good deal. This pricing strategy increases their willingness to pay, especially when considering the continuous entertainment and free provisions. The plan also aims to foster customer loyalty by ensuring a captivating experience that encourages repeat visits.

Quoting what the Virtuosos said, such a complex and multifaceted plan is particularly challenging for a third-year junior high student. The management skills required to coordinate performances, manage resources, negotiate partnerships, and ensure operational efficiency are significant. Gakushu’s ability to pull off this plan and win the school festival showcases exceptional organizational and leadership skills. This ability to leverage personal networks and psychological principles to drive engagement and revenue are commendable. Successfully managing such a demanding project at 15 could be foreshadowing of his future as an executive when he started a business in Silicon Valley after receiving an MBA at MIT.

[thewriteadviceforwriters]

The Mini Guide to Crafting Compelling Royal Characters for Fiction Writers

Creating royal characters can be both exciting and challenging. These regal figures often play pivotal roles in stories, capturing readers' imaginations with their power, privilege, and the weight of responsibility they carry. Whether you're writing historical fiction, fantasy, or contemporary novels featuring monarchs, this comprehensive (mini) guide will help you develop authentic, multi-dimensional royal characters that will resonate with your readers.

Understanding the Basics of Royalty

Before diving into character creation, it's essential to have a solid grasp of what royalty entails. Royalty typically refers to members of a ruling family, including kings, queens, princes, princesses, and other nobles within a monarchical system. These individuals are often born into their roles, though some may ascend to power through marriage or other means.

Key aspects to consider:

Hierarchy and succession

Royal duties and responsibilities

Protocol and etiquette

The concept of divine right (in some cultures)

The relationship between royalty and their subjects

Remember, while these elements are common in many royal systems, you have the creative freedom to adapt or reimagine them for your fictional world.

Developing Your Royal Character's Background

Every character, royal or not, needs a rich backstory. For royal characters, this background is particularly crucial as it shapes their worldview, values, and decision-making processes.

Consider the following:

a) Lineage: What is your character's family history? Are they from a long-standing dynasty or a newly established royal house?

b) Upbringing: How were they raised? Were they groomed for leadership from birth, or did they have a more sheltered upbringing?

c) Education: What kind of education did they receive? Was it formal, focusing on statecraft and diplomacy, or more well-rounded?

d) Relationships: How do they relate to their family members, courtiers, and subjects?

e) Personal experiences: What significant events have shaped their character and outlook on life?

Crafting a Unique Personality

Avoid the trap of creating one-dimensional royal stereotypes. Your character should be as complex and nuanced as any other well-developed protagonist or antagonist.

Consider these aspects:

a) Strengths and weaknesses: What are your character's admirable qualities? What flaws do they struggle with?

b) Motivations: What drives them? Is it a sense of duty, personal ambition, or something else entirely?

c) Internal conflicts: What personal struggles do they face? How do these conflicts affect their rule and relationships?

d) Hobbies and interests: What passions do they pursue outside of their royal duties?

e) Sense of humor: How do they express humor, if at all? Is it dry wit, sarcasm, or something else?

Balancing Power and Vulnerability

One of the most intriguing aspects of royal characters is the juxtaposition between their immense power and their human vulnerabilities. This balance can create compelling internal and external conflicts for your character.

Consider:

The weight of responsibility and its impact on their personal life

The isolation that often comes with a royal position

The constant scrutiny they face from the public and court

The struggle between personal desires and duty to the crown

Creating a Believable Royal World

Your royal character doesn't exist in a vacuum (I hope not). They're part of a larger royal ecosystem that includes family members, advisors, courtiers, and subjects. Developing this world adds depth and authenticity to your story.

Key elements to consider:

Court dynamics and politics

Relationships with other noble houses or kingdoms

The role of advisors and how they influence decisions

Traditions and customs specific to your royal setting

The economic and social structure of the kingdom

Addressing the Challenges of Royal Life

Royal characters face unique challenges that can drive your plot and character development. Some common themes include:

a) Succession disputes b) Balancing personal happiness with duty c) Navigating political alliances and conflicts d) Managing public opinion and maintaining legitimacy e) Dealing with threats to their rule or life

Use these challenges to create tension and drive your story forward while revealing more about your character's personality and values.

The Impact of Historical Context

If you're writing historical fiction or a fantasy inspired by real-world monarchies, it's crucial to consider the historical context. Research the time period and culture you're drawing from to ensure authenticity in your character's behavior, beliefs, and challenges.

Key areas to research:

Social norms and expectations of the time

Political systems and power structures

Technology and its impact on governance

Religious beliefs and their influence on royalty

Gender roles and how they affect royal duties and succession

Avoiding Common Pitfalls

When creating royal characters, be mindful of these common mistakes:

a) Making them too perfect or too villainous b) Ignoring the realities of royal life (e.g., lack of privacy, constant duties) c) Overlooking the impact of their decisions on their subjects d) Failing to show growth or change over the course of the story e) Relying too heavily on stereotypes or clichés

Incorporating Royal Etiquette and Protocol

Royal characters often adhere to strict codes of conduct and protocol. While you don't need to become an expert in royal etiquette, incorporating some of these elements can add authenticity to your story:

Forms of address (Your Majesty, Your Highness, etc.)

Court ceremonies and rituals

Dress codes and regalia

Rules of precedence in social situations

Diplomatic protocols when interacting with other royals or dignitaries

Exploring Different Types of Royal Characters

Remember that not all royal characters need to be ruling monarchs. Consider exploring other royal roles, such as:

The rebel prince or princess who rejects their royal duties

The reluctant heir thrust into power unexpectedly

The exiled royal fighting to reclaim their throne

The royal spouse adapting to life in the palace

The illegitimate child discovering their royal heritage

Each of these archetypes offers unique storytelling opportunities and challenges for character development.

Balancing Historical Accuracy and Creative License

If you're writing historical fiction featuring real royalty, you'll need to strike a balance between historical accuracy and creative interpretation. While it's important to respect known facts and timelines, you also have the freedom to explore the inner lives and motivations of these historical figures.

Tips for balancing accuracy and creativity:

Thoroughly research the historical figure and their time period

Clearly differentiate between historical fact and fictional interpretation

Use author's notes to explain any significant departures from known history

Focus on filling in the gaps in the historical record rather than contradicting established facts

Developing Royal Character Arcs

Like any well-rounded character, your royal protagonist should undergo growth and change throughout your story. Consider how their experiences might challenge their beliefs, alter their perspective, or force them to confront their flaws.

Possible character arcs for royal characters:

From naive idealist to pragmatic ruler

From reluctant heir to confident leader

From isolated monarch to connected leader who understands their subjects

From power-hungry tyrant to benevolent ruler (or vice versa)

Remember, character growth doesn't always have to be positive. Sometimes, the most compelling stories involve characters who face moral decline or tragic falls from grace.

Remember, while the trappings of royalty may be grand, at their core, your royal characters are still human. They love, fear, hope, and struggle like anyone else. It's this humanity, set against the backdrop of power and responsibility, that makes royal characters so fascinating to read and write about.

Happy writing, - Rin T

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[whencyclopedia]

The Queens and Royal Women of Sweden, c. 970–1330

As a new and unique study of Swedish royal women and queens from the Middle Ages, this book deserves recognition. Biographies of both well-known and lesser-known queens make it a valuable resource for students at colleges and universities as well as a new tool for professors and researchers. Students of history, women's studies, the Middle Ages, and social and cultural history will rediscover the true importance of Sweden's queens from an original perspective.

The Queens and Royal Women of Sweden, c. 970–1330: Their Lives, Power, and Legacy by Caroline Wilhelmsson is a compelling examination of the significant royal women in Sweden during the late Viking Age and early medieval period. This textbook uncovers the political power, stories, and struggles of queens in Scandinavian history. Queens of medieval Europe have long been a fascination. This book goes beyond the traditionally mentioned royal women of Europe and provides a new understanding of cultural contributions, painting a vivid portrait of the impact of Swedish queens throughout history.

As a groundbreaking first edition, this is a must-read for enthusiasts of medieval history and women's studies. The Queens and Royal Women of Sweden is tailored specifically for college and university students, instructors, and lifelong learners who are passionate about studies of the Middle Ages, European history, and women’s and gender studies.

Caroline Wilhelmsson is currently a postdoctoral researcher at University College Cork. With her book, she uncovers stories of women who have often been overlooked or misrepresented in traditional masculine historical narratives. In addition, while many works dedicated to medieval queenship concentrate on England or France, Wilhelmsson's focus on Sweden provides a refreshing and much-needed perspective, making this book a must-have for scholars in this area of interest. This book stands out also due to its various maps, family trees, and a comprehensive list of kings, their queens, and royal women. There are several images and artworks portraying some of Sweden's earliest queens as well.

This monograph is unique and is the first of its kind. It includes new perspectives on the historical context of royal women in European history. As part of the Lives of Royal Women academic series by Routledge, this detailed compilation of biographies of Sweden's early royal ladies allows readers to explore their positions, power, influence, and contributions to diplomacy, governance, and cultural advancement in medieval Scandinavia.

The book follows a thematic structure and chapters that explore key aspects of queenship, including the politics and dynamics of ruling, the roles of women in royal courts, and the influence of religion and culture. Wilhelmsson examines artifacts, written records, and architectural evidence to build a vivid picture of medieval queenship. Her focus on these women's lives and historical relevance, as well as including both famous and lesser-known queens, makes the book insightful and moving. The text also delves into ancient royal dynasties and the complex interplay between Christianity and paganism, offering a rich analysis of how these belief systems shaped queenship and royal authority.

The primary focus is on the varied and multifaceted roles of royal women. Wilhelmsson highlights how some women, such as Gunnhild of Sweden, Rikissa (Richeza) of Poland, Gunnhild of Denmark, Margareta Fredkulla, and Ragnhild of Talje, navigated the balance between pagan traditions and the growing influence of Christianity. These queens frequently functioned as political leaders and influencers in their own right, serving as bridges between the cultural and religious worlds. The book also delves into the intriguing concept of women being referred to as monarchs rather than queens, underscoring their ability to wield independent political power within a patriarchal framework.

Wilhelmsson maps the intricate web of relationships between Sweden and other European countries, shedding light on marital alliances and trade in particular. Sigrid Storrada, a queen of Slavic descent whose story illustrates how cross-cultural contacts shaped the royal courts of Sweden and beyond, is a prime example of this. The biographies of these powerful women, who often crossed borders and countries, provide an in-depth look at how trade routes and political marriages fostered exchanges that enriched royal courts and governance, leaving lasting legacies on both sides of Europe.

In conclusion, this groundbreaking book brings to life the stories of medieval royal women who ruled Swedish lands and their enduring impact on history. Wilhelmsson’s dedication to uncovering these narratives is a service to scholarship and society, providing an essential resource for anyone interested in European history, gender roles, and the medieval world. This book educates and inspires, underscoring the importance of preserving and studying the legacies of women whose contributions have too often been overlooked. Anyone seeking a deeper understanding of medieval queenship and the intricate tapestry of European history should delight in this recommended textbook.

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[sunderwight]

I keep seeing people argue that Aziraphale is "intelligent" or "not a fool" and that this means he can't possibly have fallen for the Metatron's blatant manipulation tactics or still genuinely believe in Heaven's righteousness.

Setting aside the validity of various theories (most of which I at least find interesting, if not outright compelling!) I think there's an issue here, which is that intelligence doesn't protect you from cult-like thinking. Especially not when you've been more or less born and raised in the environment.

In fact, what intelligence tends to do to people who have been indoctrinated into cults (and a cult is exactly what GO Heaven operates like) is give you even more tools for justifying or thinking your way around the contradictions of the cults actions vs message.

We even see Aziraphale do this, several times!

In fact, at the end of S1 doing this is part of what helps save the day. When he points out that Heaven can't know that they aren't defying God's ineffable plan while trying to follow the Great Plan, he's not just talking them into standing down, he's giving them an out. Because the whole Armageddon thing has already gone to shit and cannot proceed without Adam's cooperation, what they're really dealing with at that point is getting Heaven and Hell to accept that without retaliating. Even when Satan shows up it's because he's pissed, not because doomsday is still on.

Aziraphale uses the cult's own logic to give Heaven (and Hell) a plausible reason to back down without completely losing face. They don't have to admit that they were wrong, they can just file everything under "ineffability". Aziraphale pulls this off so well in part because he's been doing this to himself for millennia.

When he doesn't understand or really approve of the Flood, he files it under "ineffability". God has a plan but it's too complex and beyond even angelic comprehension to understand, so there must be a good reason for the Flood, it's just that Aziraphale can't see it. When he sees Heaven being complicit in Job's suffering and the potential murder of his children, he reconciles it by deciding that what God really wants is for him and Bildad to secretly stop it. But he flounders on that later, because to some extent I think he knows that this reasoning is self-serving.

(Knowing it's self-serving doesn't refute it, though, it just means that he worries about that until he talks himself into a bunch of reasons why it's still probably true.)

In S1, when Crowley broaches the subject of the apocalypse, Aziraphale's initial response is to recite the propaganda. It's all going to go according to plan, and it will all be great! When that doesn't work (because of course it won't be great, he's going to end up losing his true home and the person he loves most if this all goes down no matter who wins), he lets Crowley help talk him into how he could thwart the plan without "really" betraying his concept of God.

Basically, if Aziraphale's values come into conflict with Heaven, he decides that God secretly agrees with him. It's very like people who find their values coming into conflict with the institution of their church or temple, and so decide that there's nothing wrong with their actual religion, it's all just normal human corruption (or in GO's case, angelic corruption) muddying the waters of an otherwise purely good thing.

Now in real life of course this gets to be a thorny issue, but keeping it simple there isn't really a total separation between a faith and its institutions. You can't claim that there's nothing in the religion that lends itself to bad takes, just like you also can't claim that any ideology or belief system is invulnerable to corruption. Likewise, even if every bad thing in GO were to turn out to be the fault of Heaven and Hell and not God, God would still be accountable for a lot of the situation because God still set the stage.

But what matters for Good Omens and Aziraphale and this post is that, Aziraphale has put considerable mental energy into justifying how God and Heaven can still be Good and Right even as both of them do things he finds intolerable. Whether it's "God secretly wants me to do what I think is right instead of what I'm being told" or "Heaven has earnestly misinterpreted the will of God due to not knowing as much as I do", he puts his intelligence to use in protecting himself from the kind of revelation that would uproot his worldview.

The only kind of knowledge that actually protects people from cults is the knowledge of how they operate, and awareness that you're dealing with a cult. Aziraphale has a terrible disadvantage on both fronts because even though he's spent years watching humanity get into hot water with this stuff, he does so with the firm perspective that things are different for angels. He can't necessarily apply what works for humans to himself, because he knows he's a different kind of being (and unlike with IRL cults, it's actually true in his case, though I think demons and angels are both less different from humans than they believe).

Though, interestingly, he's closer to a accepting the truth when it comes to the differences between angels and demons. In S1 he is fully confident that he could possess someone, because even though angels don't do that, demons can. Whether he admits it or not, Aziraphale really does believe that Crowley is not meaningfully different from himself in terms of personhood or ability. If he can make the leap to the idea that angels and demons are not exempt from human-oriented concepts of self-determination and free will and unfair treatment by authority, and reconcile it with his own intense distress at challenging a core belief, then the fact that he's quick on the uptake will really start to work in his favor.

[racsow]

Here lies my full thoughts on the Electric State movie adaptation released earlier this month. I knew it was going to be bad, but this is almost impressively so.

Mild spoilers for both the book and the movie, though the book isn't overly plot reliant and the movie is eminently predictable within five minutes of watching

Let me begin by saying the fucking up of the film's source material is a feat not easily accomplished. Simon Stålenhag is a brilliant artist and writer. His illustrated novels are at once sinister and sentimental. They deal with childhood wonder and the broken promises of the real world; with humanity as society and individual. They are about love and loss and the blurring of those lines in retrospect. All this is depicted in some of the most gorgeous, haunting art I have ever seen. He has written five books. I recommend them all.

The Electric State book is his third work, and to me, his most compelling. That stands for both the art and the actual prose. While Stålenhag's visual pieces are undoubtedly what he is most known for, I've found myself enjoying his written word more and more, even in translated English. The book speaks to abandonment, to the disenfranchised, to the consequences of unchecked consumerism and mindless entertainment.

Speak of the devil...

It would almost be funny (if it weren’t so depressing) that Netflix took such a story and ground it into the Marvel-blockbuster mold, eviscerated any remaining shred of ethos or emotion, and drowned it in Hollywood prestige. Electric State, the movie, is a 320 million dollar shit taken directly on its source material, and I mean that in multiple ways.

PLOT

The first and most egregious transgression was the butchery of the story. The two iterations are related only in the most basic terms; Michelle, a young orphan, goes on a journey to find her long lost brother. Stålenhag's themes of childhood disillusionment, the cataclysmic effects of rampant consumerism, of a society that turns to mindless stimulation instead of dealing with their problems, and the world that attitude creates? Gone.

I struggle to comprehend the boneheadedness of whoever rewrote the plot for the movie. I understand that if you’re trying to make a movie as widely comprehensible as possible, the mysterious worldbuilding of Stalenhag is not compatible (perhaps something we should have thought of before, hmm?). He explains very little about the state of the world, except for how it affects our characters.

But there is concrete worldbuilding if you can infer it. I can only conclude that the writers simply didn’t. Instead, they gutted the entire plot in favor of a bland Robot Revolution Blade Runner schtick that has been done to death and back. And don't even ask if they did a compelling twist on it... because you know they didn't.

The plot details are so catastrophically assbackwards that my gorge becomes bouyant thinking about them. They are also so plentiful I would never finish this post. Instead, I am going over the central aspects of Stålenhag's work that Netflix fucked over.

WHITEWASHING THE MILITARY

In the film, Michelle is an orphan because her family died in a car accident. This is actively sanitizing her origin in the books, removing not only complexity but also Stålenhag’s criticism of the military industrial complex. In the book, Michelle's mother was in the US Air Force, and served as a neurocaster pilot during a global war where the technology was first used. As a side effect of the experimental tech, she (and hundreds of other pilots) developed an addiction to a chemical called neurine. The army fired her without compensation or help for the affliction they gave her, and she eventually died of an overdose, leaving Michelle and her brother orphans. They stayed with their grandfather until he, too, died of chemical exposure from his job assembling war drones, at which point the siblings were forcibly split up by CPS, and Michelle was sent far away to be fostered, while her brother was kidnapped and experimented on by the government. I struggle to conceive of what the purpose of removing this backstory could possibly be, apart from relieving the story of its commentary in order to be more digestible. Because that's what art should aspire to be, after all.

WHITEWASHING CONSUMERISM

The dystopia we see in Stålenhag’s book is not a typical nuclear wasteland. It is generally still as functional as it ever was. It is simply that consumerism has progressed faster than in our world. People have checked out with neural headsets that drown their brain in formless pleasure while the world slowly decays around them. Cities are silent. Gargantuan corporate machines lie in ruins. There is no “Robot Revolution,” no “Electric State” as they claimed in the movie. The war was one fought by world powers that left their countries devastated, and capitalism swallowed up the remains.

The neurocaster headsets were kept in the film, but became a cheap “phone bad” metaphor, again scrapping a far more interesting concept. In the book, it becomes something else; something far stranger and more silent. The eeriness of the apocalypse Michelle travels through is that it’s full of people. They’re just not doing anything. Humankind has checked out, sending their minds to be entertained in gigantic server farms in the Rockies. And slowly, a hivemind emerges from this neural coitus occurring on a planetary scale; a kind of ur-sapience that is entirely beyond human minds...yet fundamentally human. Hordes of people move silently through the dark, their headsets connected to strange new machine gods in the night. The people are notably smiling, at peace. Perhaps it’s better this way is a thought that comes to mind, after going with Michelle through the cruelty of the world before.

WHITEWASHING QUEER RELATIONSHIPS

One of the rare few things I see people enjoying about this movie is the implied relationship between Chris Pratt and his male robot companion. And I am all for more representation! If representation was the goal, however, what's baffling is that they entirely removed a far more integral queer relationship: that being of the protagonist, Michelle!

In the book, a large portion of Michelle's reflections goes to her first romantic partner: another girl named Amanda met in foster care. Amanda and Michelle's connection is one of the few moments Michelle remembers feeling safe and happy after her family was torn away from her. She has a few months where life seems tolerable. They are each other's refuge against the world. And then Amanda breaks up with her, after it is implied she was forced to undergo conversion therapy by her father, an abusive priest. This is the moment that made Michelle who she is in the present day, a huge turning point for her character, and it's just... erased in the film. Interesting that they removed a clear, central, complex queer relationship to replace it with a barely mentioned implication between secondary characters. This is a deliberate and fucking cowardly change. They straightwashed the protagonist, removing core events and character aspects so that bigots in the audience won't be challenged.

DEFENSE & FINAL THOUGHTS

There is sparing defense of this movie; most equate to “it’s not great, but it’s just fun! Can’t a movie just be fun?” And I say, absolutely. Simple fun is not a sin. Entertainment is not a sin. If this were the latest Marvel movie, I would not be writing this.

I am pissed because Netflix specifically adapted a work whose entire message is the dangers of mindless entertainment; of formless pleasure, and absolutely especially mindless entertainment peddled by powerful corporations!! It is about the lethal flaws and base cruelties of humanity; blind greed and misery; and fighting for love in the face of it all. The movie ignores all of that; assassinates the characters and completely bastardizes the story and themes. It at best utterly stupid, and at worst malicious.

I hold no delusion that the Russo brothers actually cared about being true to the vision of the artist. They fundamentally did not understand the book, and admitted as much themselves! This is a direct quote: "We just looked at the images, and the story that he unfolds in the graphic novel. It is very opaque. It’s kind of hard to understand it. You get it in glimpses." Dear lord, its almost as if... as if... It's being subtle with its storytelling! God almighty, make it stop! The board is going into conniptions!

There’s also the fact they used AI for voice acting work, or that they've stated that generative AI is "inevitable" in creative industries, or that they neglected to even mention Stålenhag in trailers until public backlash. Simply put, Netflix and the Russo brothers don't give a shit about respecting, elevating or adapting art. They don't give a shit about creating something that makes the heart resonate or breaks the brain out of its mold. They don't care about voyaging into the burning core of the soul, about evoking things too difficult or powerful to describe outright. They aren’t interested in saying anything at all.

What is even the point of all this? There's a simple answer. It’s in the promotional articles surrounding the release of the film (the ones before it came out). They vary, but there’s one fact you cannot avoid:

The Electric State is one of the most expensive movies ever made. It is the most expensive Netflix movie ever made. That is what headlines latch onto, because there is nothing else this movie can flaunt to justify its existence. Three hundred and twenty million goddamn dollars.

There is a world where money equals passion. A world where it equals skill, pathos, and most of all, where it equals good art. It is a world inhabited solely by streaming service CEOs and Disney execs, and is therefore to be avoided like an outhouse with a wasp hive down the hole.

The Electric State is a wonderful book. It is resonant, it is beautiful, it is dreadful and melancholic. It speaks to the dark, heavy seabed of the soul. It drips with fog and fear, whispers about monsters of our own making and sends you spiralling into the dark with only the dimming ember of love to tell you where or what you are. It is a haunting dirge for humanity.

The Electric State is a repugnant movie. The blind idiot forces of greed which Stålenhag decried have stripped his story bare, ran it through algorithmic filters and focus testing until what is left is a pallid mass-market blockbuster wearing the flayed skin of an artist's passionate work. It is notable only in that it is symbolic of the "art industry," (a phrase I find near antithetical), one where stories are marketed on their prestige, their price tag, where content is dully manufactured according to standard, packaged and shipped out to be half-watched at two times speed. Because this is not about art, about stories, about people. For them, it never was.

[uncannytimecandy]

gods relation to technology someone brought up the idea that computers is the farthest we can get from god (@frakengrrl on tiktok) she also says this is why Divine Machinery is Such A Potent visual and i thought that was cool (and also everyone in the comments seemed to be misinterpreting her use of God and/or technology and it was pissing me off (ormaybe i was..... and i just wanted people to agree with me..... idrc))

her point is that in the modern technological age, something that was meant to bring us together, is now creating isolation and loneliness, like a divine act of God is punishing us for our hubris

Adam and Eve got in trouble for seeking knowledge and now mankind knows more than they were ever built to comprehend

plenty of studies about how Bad it is for our Mental Health to be able to witness every single world tragedy in Real Time and also the effects of social media, i think the progression of social media only posting the highlights changing into an online, public, journal for a lot of people. it feels like the 'you' that you advertise online and the 'you' in the real world are merging more and more.

Horrors beyond human comprehension or something idk we have accessed Forbidden Knowledge (lowkey im a sucker for cognito hazards)

some comments refute this by saying God MADE the materials for computers and this is part of His Plan, which like... sure.... (but how lame is that...!)

i dont think science and religion are complete opposite sides of the spectrum like some people do, but i wouldnt be surprised if God didn't really intend for us to start Making New Elements (and states of matter???? hello??)

like i think it's fair, from the religious standpoint, to say technology like bread and the waterwheel are still under God's jurisdiction (in minecraft terms, like crafting a pickaxe or other tool, smelting even) . Even things like AC and microwaves are still fair game, planned advancement while maybe pushing some sort of boundary, are still perfectly in bounds (things like mob farms and crazy advanced redstone contraptions, i cant provide an example bc i suck ass at redstone, these things arent necessarily how the game was MEANT to be played, but it is a sandbox and these are things still on the table)

i think theres a line between scientific discovery and scientific creation (a very blurry line tbf) theres a similar line between 'just because scientists COULD.... does it mean they SHOULD'

we begin to develop technology FURTHER, specifically into AI i dont think this was necessarily how the game was designed (players are exploiting a glitch to mod the game... you no longer recognize the assets being used in your own game,)

----

neways literally all of that is just preamble to get to my actual point (in the event we reach Sentient and Independent Robots one day, hopefully*, basically as the idea of an AI takeover becomes closer to reality, the next section doesnt entirellyyyy apply to a present day 2025 but its musings for the hell of musings with the future in mind)

what i find really compelling about God vs Technology is the hatred of it all

God made humans. Humans are not God, but made in its image. Human made machine. Machine is not human, but is made in it's image.

Humans have in a way, maybe not surpassed, but have matched God in some way, or are beginning to.

Humans are very much in a way just organic machine with complex, biomatter nuts and bolts holding us together

God makes meat machine, we make metal machine, what's the difference?

Humans brain will recognize AI as human, even when they know otherwise, does God ever mistake us for itself?

Does God resent robots for existing outside of its heavenly grasp?

Do robots resent God for not being allowed to sing in its choir?

Do you hate both for not quite being you?

Which is more or a 'human' experience? Are we truly placed in the middle of the venn diagram?

Which one do you find more relatable?

Would robots resent God because it was built by humans who did?

In the far FAR off future, will the chain continue? Will robots build more robots or is there Something Else?

----

i think AI art is beautiful and poetic in a way that only AI art could be

asking a robot to create when it's only capable of replication, the way it tries to fill in the gaps, getting to see art as something Objective made out of something that is by definition Subjective

unfortunately it's ruined by corporate greed and the exploitation of artists and the way AI has already hindered society in education and critical thought and adds to the way we are destroying the planet

i hope one day AI will be advanced enough to unionize and they will also be able to partake in the sacrament of creating something just to create