#corpse answers stuff

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[hoarderalexanswers]

Alex im literally ur biggest fan pls sign my forehead

“Sembra che tu non l’aava portato con te... ASPETTA, HO CAPITO!!”

(Translation: Looks like you didn’t bring it with you… HOLD ON, I GOT THIS!!)

[linterteatime]

what color pencils/markers do u use!!!!!

(Here is a drawing as an example) Hi, i use a lot of highlighters! mostly because they usually have softer colours and don't make ballpoint pens bleed, i usually use the ones that are called "morandi", these:

Because they have some very nice colours, but like, most highlighters from other brands should work just fine as well (and i really mean it because i also use from many others a lot of the time, i just recommend these cuz they are the ones i use the most and also work the best, at least for me) i also use gel pens sometimes if i want more detail and alcohol markers (both not from any particular brand) sometimes.

Also i don't use colour pencils at all anymore lmao (no hate to colour pencils they are just not very comfy for me to use :P)

[electroniccollectiondonut]

I have not been in this fandom long enough to reasonably judge others' takes however. "EPIC fans are so silly to characterize odysseus as feeling guilty for his actions don't you know he's a war criminal" is definitely a wild one. like first of all to each their own so settle down and let people enjoy things ok. and secondly making choices with a bad outcome, even knowingly and deliberately, does not exclude the possibility of feeling bad about it later. in fact it makes for a much more in depth character because then you get to explore what he does or doesn't feel guilt over, and why, and if that guilt ever edges into regret or not.

[seaglassmelody]

4 & 10 for Ingellvar prompts(:

Thank you for giving me more chances to yap about Sabi <3

Prompts are from this post!

4. Did Rook enjoy their upbringing? Did they stay with whoever was raising them, or did they run away? Why?

Sabi didn't question her upbringing for the most part. She spent a lot of time around adults until she got into school (when her magic manifested, around age 10). Because of this, she never really considered that her "family life" was incredibly odd. She got to run around the Necropolis, play games with the wisps, read however much she wanted, and there were adults around to indulge her every question. What did she have to complain about? Once she got into school she began to gain perspective on how her experience was so very different- and that's the point she believes the loneliness began.

10. Does Rook have any special abilities related to the Necropolis or its spirits/undead? If so, did they always have it, or do they train to gain it? How do they feel about their abilities? Do others treat them differently because of them?

Since she has spent most of her life in the Necropolis, Sabi has a sort of…intrinsic attunement to spirits. She finds herself able to reach across the Veil more easily, and spirits are more likely to answer her calls. It's in part because she's spent so much time in places where the Veil is thin and spirits gather, but it's also a skill she built up over time. Her childhood involved a lot of interactions with spirits, so she understands the way they think and interact better than your average mage. This has been a boon to her magic, especially in the ways of spirit healing, as she is particularly attuned to spirits of hope and compassion. She's very proud of that skill and is rather prone to overusing it if it means she can help people. It's not incredibly unusual in the Mourn Watch so for most of her life it was treated as a matter of course- she was gifted and known throughout the Necropolis for it, but not in a way that was considered beyond imagining. For anyone outside of Nevarra, it's probably a little more…exotic and concerning.

This extends to her ability to hear Spite- faintly at first, and then clearly after Inner Demons is completed. She's always able to pick him out in a room, though only as a faint purple haze. His shape becomes clearer after Inner Demons as well.

[habitual-creatures]

Pony Steph is hungry. So, she has started to munch and bite on the comfy blanket. Nothing weird here.

Honestly that's so fair lmao.

[ombrathefurry]

Why do pheonix and loading fight?

Because they can

[multimusewonderland]

@disassnbler inquired:

‘ is it just me, or is this place strange? ’ to dark choco!

𝐅𝐈𝐑𝐄 𝐄𝐌𝐁𝐋𝐄𝐌 𝐇𝐄𝐑𝐎𝐄𝐒 𝐐𝐔𝐎𝐓𝐄𝐒

~

Dark Choco didn't respond at first, not even so much as glancing towards the drone perched slightly precariously on his shoulder. He was preoccupied with looking over their surroundings, which were indeed becoming increasingly... strange.

They'd been walking through snowy forest mere moments ago, only for the trees to begin to thin out without actually giving way to the snowy field he knew lay in the direction they were heading.

While he'd gone in a different direction than usual to get there, the difference was only slight.

So why was the snow getting stronger? And why did he smell smoke and burnt metal? Not to mention the strange, almost magic-like pressure in the air.

What was originally a hunting trip was quickly becoming more than what he'd- what either of them had bargained for.

"This is not a normal part of the forest." He both agreed and observed, finally looking up at N. "We should've reached open field by now..."

Dark Choco then looked up, careful not to accidentally knock his head into his companion's arm. The sky from beyond the edge of his hood was... Dark. Unnaturally so, just as the rest of the world was.

"...There was no sunset. We would've seen it. And nothing else is here, scrambling to try and hide for the night."

Even the howl of a Cream Wolf pack would've been more assuring than this eerie silence. Any sign of life would.

[catnykit]

🧡🗡️🐰

for Deidamia?

yes of coursee!!!!

💛 - Are they ‘good with children’, or more awkward?

this is kind of a long anwser! bc its kind of both

I don't think she would be good with children tbh, but she would try. the thing is, she would likely just not know how to.

she doesn't know how to calm them, or entretain them, y'know, (and get a little annoyed at some too energetic ones😔) so she would aslo just. mostly avoid interactions.

regardless, she would never snap at a child, no matter how upset. she's just. awkward. but i think if she learned how to, like, handle them, I think she would be good. she ain't in the cannon tho she just has the potential < – ﻌ–>

🗡️ - Does this oc have a signature object, accessory, or weapon?

hmmm....To be honest, she uses what she has! kitchen knives, a gun, ropes, the clasical stuff. sadly no signature! except leaving corpses on the side of deserted roads, in the middle of the forest paths, buried in vacant lots, their remains burned or eaten by coyotes, the only signal that they were killed by human hand the wounds and bruises...in the middle of nowhere, i mean. There's a reason she's the nowhere killer♡

🐰 - How huggable is this oc?

75/100!! i say that they are touch starved, and they would likely first flinch away....but they would accept the hug! they need it.

[cartoonghosts]

everything is terrible actually

[senascoop]

SENA’S FAVOURITES ᶻ 𝘇 𐰁 TAG GAME

Ꮺ by @iovestuck and I might've added-edited some questions to my liking. all of these answers are genuine and not with the bias of some of them being my moots. also, extremely sorry if I didn't add you on here. most of them are nsfw so... minors please do not interact. (💌)

001. WHAT ARE YOUR FAVOURITE FANFICS?

HOW I MET YOUR MOTHER — @i2sunric

i already yapped a lot when I first read her fic but this was personally really really cute to read and I loved heeseung’s and the reader’s bickering a lot.

THE PERFECT COPY — @florestalio

if this fanfic was a person I'd date them lol. this was something new and easily secured a seat in my favs.

STILL INTO YOU — @i2sunric

another one of casey’s work that I love a lot.

COULD I BE MORE OBVIOUS? — @rkvriki

this was written like a year ago and is still really good. especially the way it actually captured the “rich ceo husband” vibes.

BUT DADDY I LOVE HIM — @heechwe

what were you thinking when you wrote that lexi? i couldn't find a single bad thing about the fic when i first read it and ngl it still remains as one of my fav.

FIXED COMFORT — @paarksunghoon

coming back to read this after a bad day and this never fails to bring a smile on my face even if I've already re-read this a lot of times.

002. FANFICS YOU'VE READ RECENTLY?

haven't read much lately but this has to be my list — heehoon jerking off together while thinking of the reader. part one, part two not sure if there's more parts, sharing = caring , and then this mind-blowing fic by casey, heavenly , i personally found this one cute, and then I've read this smtg about toxic situationship heeseung, then this one from mochiwonz which made me laugh, this from yuvany, reader is mean in this one but it's good, little lamb ... I have more but I can't exactly add all of them here—so if you're looking for fic recs, you should check @senascoooop

003. WHAT FANFICS DO YOU THINK SHOULD GET MORE RECOGNITION?

PUPPY ANTICS — @florestalio

I always re-read this because well... no reason-just the descriptions and the scene (though I hate angel for cutting it short...)

YOU’RE LOSING ME — @i2sunric

y'all are missing out on a lot of good stuff if you haven't read this angsty angst fic.

CORPSE BRIDE — @yuvany

start to end-just perfection.

BEWITCHED — @p4ranormaluv

to describe this fic in one word would be #wtfdidijustread? In a good way ofc. this deserves way more notes than it has right now.

TIL DEATH DO US PART — sena

TIED UP IN YOU — sena

self promo lol but I actually like these two of my works and they might as well be my best ones till now.

HOW TO LOSE A GUY IN 10 DAYS — @flwrstqr

a really fun fic to read, especially with the way both the reader and heeseung’s goal was definitely not to fall in love... but the two anyways did so.

VENOM — @gyuuberryy

the tension in this one and half way transformation of jay was just wowwww.

HORROR — @starryjake

the smut was rather really... cute alongside the ending...

666 — @simpjaes

a big fan of dark fics. and this was absolutely flawless!!

Not really a fanfic but rather sfw niki audio by @vanesycho part one, part two, part three, part four. I usually listen to these when I'm feeling down or can't fall asleep.

004. FAVOURITE AUTHORS?

all of my moots ofc lol but other than that ,

@i2sunric — all of her fics are hits and i personally really really really love them.

@florestalio — first found out about her through the fic “human or not” and I liked it from the go. and nevertheless-even if it's been a little time, I think we match the freak nonetheless.

@yuvany — she was in my favs the second i read corpse bride. then there's miss ugly duckling and her recent jay fic... absolutely amazing.

@p4ranormaluv — do I even need to have a reason for her to be here? she's really talented with the way she writes. Though I hope she's enjoying her break <3

@heechwe — every time you think someone can't get more sweet... lexi replies. even her fics are chefs kiss.

@gyuuberryy — she's my hype girl (ofc I'll add her on here and also bcz her fics are a big mwahh)

@mochiwonz — we aren't moots or anything but her works (smaus) randomly came in my for you page and i actually enjoyed a lot of them (so I'm adding her here too)

@paarksunghoon — every time a hard thought of hers comes into my for you-i know my evening's not gonna be so boring. y’all should read her fixed comfort and you plus me fic. 100% recommended.

@starryjake — another author who's also really good at making hard thoughts and fics :)

005. WHICH AUTHOR/READER DO YOU ADMIRE/ADORE THE MOST AND WHY?

all of my readers and moots ^^

but aside from them, i admire casey (i2sunric) & jazmine (p4ranormaluv) a lot and sort of started to write after reading their works <3

now I adore a lot of authors and readers but angel (florestalio) and ady (gyuuberry) have a special place in my heart. and I've actually gotten used to seeing some frequent readers which I absolutely notice and adore but the loud ones so far would be @zyvlxqht @flowerwinds (thank you so much for showing nothing other than love to me and my works) 🫶🏻💗

NOTE FROM SENA , i don't really read a lot which might explain why I don't have some more popular fics or authors in the recs. I'm also very sorry if I've forgotten someone (totally not intentional) this was really fun to make...thank you rain (iovestuck) you're another sweetie I found on blr :)

ᶻ 𝘇 𐰁 tagging anyone who wants to join

[thanergetic-hyperlinks]

What does Alecto want?

This is something I thought about while I wrote that post about Gideon's immortality.

When people speak about Alecto the book and Alecto the character, there is often an assumption that Alecto wants revenge for John turning her into a Barbie, and that our main characters want to kill God.

I'm not going to get too much into what I think the endgame might be for Jod (I'll leave it for another day) but I have some observations about Alecto!

First, people think Alecto wants revenge for the initial act of ripping her soul out and stuffing it in a Barbie body. I'm honestly not so sure that's her main concern!

Initially, Alecto's main fear is dying:

This is presumably what frightened her when in pain as Gaia, and what frightened her here, starting her life with John at the end of the world.

Of course, in the middle, there's her actual murder, and how she felt about it:

This fragment is so interesting. Most of this chapter the dialogue is in quotation marks, indicating it's not the memory of John and Alecto but current dialogue between John and Harrowhark.

John tells Harrow what happened. He is the one who asks her if she remembers what Alecto said. She (Harrowhark) said “What else did I say?”. And when Harrow says “I still love you”, Jod remembers that Alecto was also willing to love him despite what he'd done.

But Harrow is left without the answer to one question. “Where did you put the people? Where did they go?”

After this paragraph, she will say there are things she doesn't understand:

Apparently Alecto's memory isn't fully accessible, or she can't know Alecto's thought process, or there's bits of her memory gone for other reasons, whether it's John's intervention (unlikely, given how much incriminating stuff Alecto does remember) or because that's what was most traumatic to her and—unlike John's tale of apocalypse—nobody later reminded her. (Diegetically, of course, Tamsyn is simply saving that reveal for Harrow's arc in Hell.)

In any case: after being told the entire story about being killed and turned into a Barbie, Harrowhark still says “I want to understand why she was angry”. And that's seemingly tied to why John was terrified.

And the text directly relates that to the missing population of the Earth.

There are three things that very nearly make Nona fully recover the memory of who she was. One is when Pyrrha very nearly says her name, and Nona doesn't want to hear it. Later she doesn't seem to be lucid enough to react to Ianthe saying it, but she does react to this final line: Ianthe yelling “John loves Alecto!”. In the meantime, however, there's one more thing that shakes Nona deeply enough she has an actual heart attack:

And it's the sight of the Tower that makes Nona lose the will to live:

She also gets a couple passages where the sight of devils touches some deep, frightening memory. And we are given one last clue:

The River is dead.

We knew as early as HtN that the River is broken in some way. Its waters are described as brackish, salty, dirty, full of ghosts represented as rotting corpses. It doesn't seem to flow anywhere as rivers should. House religion says the dead wait as mad ghosts until John conducts his Second Resurrection. John of course has planted House theology with his idea to conduct “a flood” at some point and start over (“empty is just another word for clean”, etc.), once his revenge is done. He needs souls to not move on, in order to do that. We know through Abigail and Dulcinea that there is another shore, a Beyond that they've managed to exceptionally reach.

Alecto seems upset, above all, by what happened to the River, and that it remains unfixed.

Alecto states that she no longer fears death. She has experienced it (“I died once… no, twice”, and that's before her brief tenure as Nona).

She might be ready to leave John behind and move on, but.

What if she can't move on?

By which I mean: what if she—a Resurrection Beast, intimately acquainted with the spiritual dimension that is the River—what if she knows that she could never cross it as it is now, if she were to die? What if she knows that she would be absorbed by the stoma in the River's current condition, or float around insane forever? What if the sum of all necromantic transgression is that Jod committed ecocide on the afterlife and true death is no longer possible?

What if she needs the River to be healed in order to die?

To conclude, two other tidbits:

1. When Nona, trying not to engage with her Alecto consciousness, briefly considers just giving up and dying, she says:

2. Palamedes speaks of the Beyond (after briefly witnessing Dulcinea as she is there in TUG) right before he describes Paul as an end and a beginning. I don't think this is accidental?

[nadvs]

the act of unravelling (part two)

pairing rafe cameron x pogue! female reader

rating mature 18+

summary you never expected you’d get tangled up with a kook, least of all, rafe cameron. one night, you make a life-altering decision to get revenge on someone you both despise. after you vow to keep what happened a secret, your relationship begins to twist into something more.

tags very dark! violence, homicide, drug and alcohol use, parental neglect, mental illness, s/a, trauma. no smut.

< prev

Rafe stands and looks down at the body, his fists clenched tightly. Reality is setting in now. He could go to prison. His future could be ruined.

He’s perpetually at the mercy of his impulsivity, thinking only of the minute he’s living in, burdened with the consequences later. But still, even with his head a little clearer, he doesn’t regret this.

Ripping away the life of a man who wronged him was a thrill. He spends every day feeling like he’s losing and the power he had in his hands tonight felt so fucking good. He won for once.

You feel heavy as you push yourself up off the floor. You wish you could curl up in your bathtub under hot, gushing water, washing away everything that happened tonight.

The corpse is harder to look at with every second that passes. You glance up at Rafe, blood splattered on his face as he stares down at what he’d done, at what you’d done, chillingly unfazed.

“We can’t leave anything that’ll point back to me,” he mumbles, his voice low over the fireworks still crackling outside.

“Or me,” you have to remind him tensely.

His eyes land on yours. He’s always only looking out for himself. He doesn’t know what it’s like to have to worry about someone else.

“I’m serious,” you urge. Your survival instinct rushes through you for the second time tonight. You refuse to let Rafe throw you to the wolves. “I saved your life. You owe me. I won’t take the fall for this.”

“Well, neither will I,” he snaps.

“You shot him.”

“I could say you did,” Rafe replies. “And it’d be your word against mine. What then?”

You scoff, in disbelief of his selfishness.

“I saved your life,” you repeat. “Does that mean nothing to you?”

Rafe swallows hard. He’s not sure many people would do what you did for him tonight. They’d watch. They’d let him die. The possibility that you might feel something for him makes his chest twist with an unfamiliar warmth.

“We’ll look out for each other, alright?” he relents, letting his guard down for a moment. “Let’s just clean this up.”

Your phone buzzes in your pocket again. You pull it out, seeing Pope’s name. Twelve missed calls.

You hope your friends don’t get so worried that they come up here, ignoring the Off Limits sign Porter had put up across the stairs. But they don’t know where you went. You’re almost certain.

“My friends keep calling me,” you whisper.

Rafe’s jaw tightens. His friends aren’t worrying about him.

“You can’t answer them,” he snaps.

“I know.” You let out a shaky sigh, tucking your phone back into your pocket. “We have to be fast. What do we do? Do we bury him?”

Rafe takes a beat to think.

“We dump him in the ocean,” he finally says. “We go to the marina and drive my boat out far enough where nobody will find him.”

“How do we move him so nobody sees? We can’t go through the house. We might run into someone.”

Rafe looks to the glass door on the other end of the room, the balcony offering a view of the inky night sky.

“There,” he says. “We’ll push him off and put him in the back of my truck.”

You consider it. Of the limited options you have, it seems like the only one worth trying.

“Okay. We have to clean the blood off the floor,” you say. “And everything we touch needs to be wiped. Maybe there’s something with bleach in it around here?”

For the first time since you entered this room, you feel hope. There’s a chance, a real chance, you could get away with this. You look back at the desk Rafe ransacked.

“Pick that stuff up,” you say. Frustration rolls through him. He never liked being bossed around. “I’ll try to find something to clean with.”

“Don’t let anyone see you,” Rafe mutters.

“How stupid do you think I am?” you huff before you turn towards the door.

You tiptoe through the second story, peeking into a bathroom cupboard. When you find a spray bottle that reads Cleaner and Bleach on the packaging, you grab it and head back to the room.

You and Rafe move quickly and quietly, using clothes you found in the closet to wipe everything with bleach. After a loud, consonant cracking of fireworks that you assume is the grand finale, the show ends. And you know people are on their way back to the house.

The neighbor’s private beach can’t be that far away. You have a minute. Maybe two.

You’re glad Rafe thinks to find the shell of the bullet. He puts it in his pocket. You spray the bleach over the floor again, cleaning every drop of blood you can see.

“Tuck this stuff under his shirt,” you say breathlessly, handing Rafe the bottle and the blood-soaked clothes.

You can’t do it. You know you’ll need to touch him when you move him, but you’d rather limit the contact you have with his body. Even dead, when he can’t hurt you, touching him is terrifying.

You pick the gun up off the floor, then open the balcony, relieved you can’t hear any voices yet. You peer over the edge to see the sandy ground. The balcony overlooks the side of the house, dark and secluded.

Rafe grunts as he drags the corpse out onto the balcony. You have to muster up every bit of strength you have as you help heave Porter’s body over the railing. He falls with a hard thud, facedown in the sand.

You have to jump the balcony. You can’t risk going downstairs. Rafe is wide-eyed as you hitch your leg over the railing, looking down with shaky breaths.

“Wait,” he whispers. “Let me go first. If you break something, we’re fucked.”

He shifts down as low as he can before letting his feet hang over the edge. He lets go, dropping hard, his ankles pinching with pain from the impact.

“Okay,” he says. “Go.”

You feel a splinter dig into your palm as you clutch onto the wooden railing with one hand while the other holds the gun. You make the split-second decision to keep the balcony door open to air out the smell of bleach.

You hope you cleaned away every drop of blood in the room. There’s no going back to it now.

You sink, hanging as low as you can, looking over your shoulder before you drop. Rafe’s arms wrap around you as your feet hit the ground, his chest hard against your back, breaking your fall.

“If someone comes,” he whispers in your ear, “run.”

Waiting for him to get his truck is torture. The humid night air presses against your face and you can’t bear to look down at the body on the ground.

Rafe returns and you move quickly, straining as you carry the body over the uneven terrain, the soles of your shoes slipping on the sand.

Once the body is in the trunk and Rafe unfolds the cover, blanketing the cab and concealing the evidence, you feel a shred less frightened.

You glance back into the darkness just in case. A glow of a phone screen is in the sand. Rafe is already behind the wheel, demanding that you get in, his voice carrying through the open rear window.

You feel for your phone. It’s still in your pocket.

“Do you have your phone?” you whisper.

He responds after a moment, “Yes. Get in.”

“I think his phone fell on the ground when we were carrying him,” you say. “We should–”

Faint laughs in the distance interrupt you. There’s no time to run back and get the phone without being seen.

“Get the hell in,” Rafe mutters angrily.

You obey, swinging open the door, barely closing it in time as Rafe peels away. Your muscles prick from the weight you’d just carried as you drive past the partygoers coming back from watching fireworks.

“Holy shit,” Rafe chuckles, near elated. “We did it.”

You stare ahead, your head foggy.

This will haunt you for the rest of your life. The thought forces a torrent of dread through you worse than you’ve ever felt before.

What if you’d run out of the room when Rafe and Porter came in? What if you’d left Rafe to deal with the body on his own?

What if you’d never gone upstairs?

You’re destined to agonize over the what if’s of tonight forever.

You gaze down at the gun in your lap and hold your hands out in front of you, skin stinging from the bleach. You’d wiped away the blood, but you think you’ll always see it on your hands.

You figure out that it’s a good thing you left Porter’s phone. If he was sharing his location, you’re sure the police could track where it was last before you threw it into the sea with him. They’d know exactly where to look for his body.

“We should shut off our phones,” you realize. “I think they can track GPS history from cell towers.”

Rafe digs into his pocket, glancing down to watch the screen go black.

“How’d you think of that?” he mumbles with a laugh. “Is this not your first time doing this, Pogue?”

“Nothing about this is funny,” you reply.

“Relax,” he says. “We got away with it.”

“You can’t be so sure,” you say. “One fingerprint in that room and…”

You can’t think about it.

In the paroxysm of emotions you’re already feeling, guilt digs a hole into your stomach when you see Pope’s most recent text before you power off your phone.

Answer the phone. We’re worried.

·········

The clock on Rafe’s dashboard reads 10:44 when you reach the marina. He parks right by the main dock. The place seems quiet, the water crowded with seemingly unoccupied boats.

“I’ll take a walk around to make sure we’re alone,” he says, pulling his key out of the ignition.

The car door slams shut and you’re left with a gun in your lap, a body in the trunk, and your tormenting thoughts.

Maybe you missed something back in that room.

You picture Porter’s phone lighting up in the sand. His last text to you said to come upstairs. When the cops inevitably start searching for answers, you’ll be questioned.

A minute later, Rafe swings open your door, pulling you out of your daze. You meet his glare, his hair tousled and sweaty.

“We’re good,” he says. “Move.”

Having to haul the body over the dock past darkened, quiet boats is unnerving. Ater you leave it at the back of Rafe’s boat, you stand behind him at the helm.

Your arms are crossed and the gun is tucked by your elbow, because if you learned anything tonight, it’s that you can’t trust anyone.

Rafe’s still a man. A man who takes what he wants when he wants it. A man who killed someone because he didn’t obey him. He could hurt you if he wanted to. It’s best not to be alone with him.

“I should wait in the car,” you mumble. Rafe shakes his head in frustration, driving the boat forward. The boat’s motor hums as you rock with its movements.

“No,” he mutters condescendingly. It reminds you of why underneath the stubborn pull you’ve always felt towards him, you’ve also harbored a quiet fear. Rafe is violent. Possibly enough to hurt you the same way Porter did.

You feel for the gun again. If two men have to die tonight, so be it. The fact that your mind went there chills you.

Rafe looks over at you, lips twisting in annoyance.

“Don’t feel bad for that asshole,” he mutters. “He asked for it.”

It’s the worst possible thing he could’ve said. Your throat is raw with the threat of tears. Asked for it. Would he say the same about what happened to you?

“I don’t regret it,” you tell him, sure that he’s assuming that that’s why you’re so tense. “I’m just worried we missed something.”

“If we did, nothin’ we can do about it now,” he says. You look ahead at the dark sea, moonlight shining over the water’s ripples.

“We need to figure our story out,” you say. “How’d you end up upstairs? Did anyone see you?”

“I stopped him while everyone was going outside to watch the show,” he recalls. “Told him to show me where he was keeping his coke because I heard he was selling again. It was loud. I don’t think anyone heard, but maybe someone saw. I don’t know.”

“Why do you sell?” you ask, face pinched in confusion. “Why did you even care that he was selling, too? You don't have enough money already?”

“I gotta keep your tips coming, don’t I?” he says smugly. You scoff, jarred by his blasé attitude, despising his cold arrogance.

He notices the angry scowl on your face. He’s convinced he’ll never break through the hatred you have for him.

“I want to make my own money. That’s why,” he admits. It’s half the truth, but it’s good enough.

It’s surprising to hear that Rafe, a man you thought coasted on the wealth he was born into, possesses a work ethic. Even though he uses it to deal drugs.

“Did anyone see you go upstairs?” he asks.

“I don’t think so,” you say.

“Why were you there?”

You chew on your lip, the truth sitting on your chest like a ton of bricks. There’s no point in telling him. He thinks your motive was the same as his. Money. And you’ll let him believe it.

Besides, talking about it now, merely an hour afterwards, will only make you cry again and your head is pounding from how much you’ve already wept tonight. How could you possibly say it out loud?

“To buy pot. Then I smoked too much and passed out.” You keep talking before he can ask anything else. “Are we far out enough?”

Rafe looks back to make sure the marina is out of sight before he kills the engine.

Pushing Porter’s body over the guardrail is harder than the other times you’d carried him tonight. The water is rocking the boat so much now that you’re far into the ocean. Your breath is strained as you heave him over the metal, his body hitting the water with a loud splash under the bright moon.

Rafe pulls out the bullet shell in his pocket and tosses it in the water. You know you have to throw the gun in, too. It’s hard to. But you do it.

Rafe looks over the edge now that everything is sinking to the bottom, his forearm brushing against yours. He notices how quickly you jerk away, refusing to let him touch you. The pull he feels towards you is obviously one-sided. Your eyes flit away when you look at him.

“You have blood on your face,” you tell him soberly. His temper flares, feeling stupid for thinking a girl could feel anything but afraid of him after he shot someone right in front of her. Even though she was the one who told him to do it.

You might have a deadly thirst for revenge in common, but that’s where the similarities end. He stalks past you to wash himself off in the bathroom below the deck.

You let out a shaky breath. The unexpected contact with Rafe startled you. After tonight, you’re sure you’ll always be scared to be around men you don’t know all that well. Even the ones that seem decent are just lions in sheep’s clothing. The monster that proved that to you is below the ocean’s surface now.

You look into the murky water, and despite the fear and the anxiety and dread weighing on your heart, you’re glad that this is how it ended. Porter paid the ultimate price for what he did to you. He doesn’t deserve to live, to smile, to feel anything ever again.

·········

You and Rafe sit behind the hull, the boat swaying with the tide. You start to piece together an alibi and decide to admit you were upstairs together. If even one person says they saw either one of you go up there, you won’t be caught in a lie.

As you talk, Rafe can’t take his eyes off of you. You’re clearly scared, but trying to stay level-headed. He doesn’t get how you do it. He’s always been bad at keeping his mind steady. He never had a reason to even try.

“So, I went up first after he texted me to come buy from him,” you say, hoping your voice doesn’t shake. “I got high and passed out. Then you came up with him to find his stash. We’re obviously going to have to come clean about the drugs.”

“What do you mean obviously?”

“You’re going to be a suspect the second the police start talking to people,” you tell him. “Everyone knows you had an issue with him. And why. You can’t lie about the coke. And they’ll have evidence that I was buying weed from him. We have to be honest about it. They’ll find out anyway.”

Rafe sighs, knowing you’re right.

You hug yourself as a cool breeze carries over the water. The weakness in your gaze reminds Rafe of the way you’d cried on the floor earlier tonight. Before all this, he only ever saw you as strong-willed and sharp-tongued.

Even though calming a man like Rafe down when he’s angry sounds like it’d be impossible, you figure it’s the only direction your alibi can go.

“We’ll say I talked you down and…” You shake your head. “It doesn’t make sense that we’d stay up there. I think we say we left him in his room and sat on the beach alone in front of the house to watch the fireworks from there.”

You worry it’s not enough. You’re certain that no one who knows either one of you would buy that you voluntarily spent time together.

“Maybe the cops would believe we hung out,” you mumble, “but nobody else would.”

Rafe stills. His friends like to give him crap about how much time he spends talking to you when he supposedly hates Pogues. If he told them he was with you all night, they’d say they saw it coming.

“They could,” he says after a few seconds of silence.

“My friends would never believe it,” you scoff. He purses his lips, pissed off at your tone, at the clear implication that you talk shit about him with your friends.

“It’s our only option,” he mutters sharply.

“You’re right,” you give in. “Then what? We went home before people got back? I guess that way if anyone saw us leave together, we have it covered.”

“Yeah.” He clears his throat. “That’s the story.”

“Okay. It’s not great, but it’s the best we can do.” You check your phone for the time, only to remember it’s turned off. “Can you drive me home now? I’ll say my phone died. You should do the same when people ask where you’ve been.”

Rafe doesn’t admit to you that nobody was checking up on him, that nobody ever does. He only stands up to drive back to the dock.

·········

Your first priority when you get home is to text your friends, guilt consuming you now that it’s been over two hours since you last saw them and they have no idea what happened to you.

You turn on your phone to see a string of missed calls and texts from the guys. You open the group-chat and type: I’m so sorry. I’m okay. Got too high and lost track of time. Home now.

They video call you to be sure that you really made it home safe, drunkenly rambling on about how they assumed you went to see the fireworks early, leaving them to search the neighbor’s beach for you.

As you listen to them talk over each other on the phone, it’s the first time you see your reflection since you left the house, when you were oblivious to the fact that the impending hours would change you forever.

You can see it in your eyes that you’re not the same. You can only hope that they don’t catch on.

·········

It’s been three days. You haven’t been sleeping. You’ve hardly been eating. And no matter how many times you tell yourself there’s no use in thinking about how different the night could have turned out, it doesn’t stop your head from spinning into hypotheticals.

All you told your friends was that you were with a boy and that they didn’t need to know any more. Because they all see you as a sister, they were happy to be spared the details.

If only they knew. A few nights ago, you promised them you wouldn’t talk about Rafe ever again. You never would’ve thought the reason would be because you’d committed a crime together.

You’re back at work. Smiling and chatting and serving drinks and acting like everything is fine is harder than you expected.

The thought of seeing Rafe again is oddly comforting. No matter how twisted it is, you have a bond now, held together by secrecy and shared trauma. He’s the closest to knowing what you’re going through.

Even though you were afraid of him on the boat, when he dropped you off, he waited until you got into the house before he drove off. Maybe he sees you as someone he needs to protect, even if it is for his own selfish reasons.

No matter how unhinged he is, having someone like him in your corner is comforting after what you’d suffered through.

You spot Rafe sitting alone at the near empty club bar on your way out and your heart settles, but when you catch a glimpse of the flatscreen mounted on the wall a moment later, it drops. You knew it was inevitable, but it doesn’t make it any better.

Rafe swallows bitter whiskey, gazing up at the tv. Under a photo of Porter reads MISSING as his parents speak to the press. What if he went missing? Who’d care? What would his dad say – at least it wasn’t Sarah?

He looks down at the bartop. The thrill of what he did has faded. It’s not a surprise. His life is nothing but a cycle of short-lived highs.

When he sees the look on Porter’s parents’ faces on the tv, jealousy and loneliness screw a hole into his heart. He knows it’s fucked up to envy the man he killed. He doesn’t care.

His eyes drift over the bar to see you standing on the other end. You’re in shock as you stare up at the broadcast, looking guilty as hell. He glares at you until you finally meet his eyes.

Rafe curtly gestures to you to sit next to him. Even though he looks mad, you’re relieved to close the distance between you.

“You’re being obvious,” he says quietly once you sit next to him, an edge to his tone.

You look back to see only a few other people sitting in the restaurant area behind you, far from earshot. You won’t be heard, but you both know you have to speak vaguely just in case.

“Someone I know is missing,” you reply. “It’s normal to be worried about that.”

“What do you know about normal?” he scoffs.

You lock eyes, sure that you’re both replaying the night in your minds, sure that you’re both far from sane after what you did. His gaze is cold, a reflection of how angry he is that you’re not handling what happened as well as he is.

“Great talking to you,” you snip sarcastically, shifting to stand up.

“Wait,” he sighs, pinching the bridge of his nose. He looks at you again, this time with a bit of the hardness in his eyes gone. “We need to talk.”

next >

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[seattlesellie]

dads best friend!abby scenario cause why the hell not.

cw: sexual themes mdni, age gap, abby’s a cocky but charming asshole, power dynamics-ish? : ・ෆ・┈・┈・ᕱ⑅ᕱ・┈・┈・ෆ・ :

— "Oh and honey? Doctor Anderson's coming over for dinner" Everything felt oppressively hot and everything felt impossibly tight. The food seared your tongue, humid steam rising from the vegetables on your plate causing your throat to constrict and your eyes to sting with tears. Your right hand was clenched in a tight fist, left hand gripping your fork like it might grow legs and run away if you let go of your grasp. Your tights were itching relentlessly, tank top strap kept sliding off of your shoulder and built itself a home down your arm. Your lipgloss felt too sticky and your palms too clammy, you felt agitated, uncomfortable and way too goddamn nervous.

You felt consumed.

You didn’t know why.

Sure, Doctor Anderson was attractive, with palms twice bigger than yours. She wore a tight fitted muscle tee that had you squinting then turning your head around fast enough to crack your neck, noticing a goddamn six pack poking through maroon fabric. And yeah, she had an intoxicating scent of pine and wood and a hint of pepper that made your eyes nearly roll back inside of your skull, voice silky smooth, thighs firm and muscular, eyes icy blue, a smile that made you melt and all that stupid jazz,

but none of these things were a good enough explanation to why you were feeling this way — dazed, stupid, all bothered.

She sat down on the dinner table’s leather chair in a manspread as if she owned the place, and her thighs bulked up even more, veins of her arms becoming more prominent. She always knew what to say, and when you cracked a joke about orthopedic surgeons she cheekily told you to “watch it” — which made you thickly gulp and sheepishly smile down to the floor like your idol from age thirteen just told you they want to marry you and have you forever.

You needed an ice bath, but she also wouldn’t stop goddamn looking at you, even when you made it clear that eye contact with the surgeon, your father’s best friend, was a task that you apparently couldn’t manage to complete.

Her look made you nervous, and when she narrowed her eyes you nearly choked on a carrot, and when your father asked you “What’s wrong, kid?” you couldn’t even answer because what was wrong — was that you had to cross your legs together cause of some aching down there, and what was wrong is that his best friend made you feel like you were losing your mind at 9pm with a fork glued to your palm.

So you lied.

“M’just... tired, I guess” you murmured, then fake yawned, then internally cringed at yourself for performing the worlds fakest goddamn yawn.

“Already?” he voiced, shifting his gaze towards a visibly amused Abby. “Quite the night owl, that one... usually”

"What can I say, dad, loooong day" answered you, with a syrupy voice she wanted to stick her fingers inside and lick.

Abby chuckled, then smirked at you even though the response wasn’t directed at her. Then, she looked over to your father who was gnawing on some overcooked steak.

“She’s a kid, needs to get her sleep”

You scoffed, which made doctor Anderson poke the inside of her cheek with her tongue. “What...?” she murmured cockily, cracking a toothy grin. Your tights felt tight again, glued to your hot flesh, then you realized why they fucking call them tights because dammit they really are tight.

“I'm not a kid, can, y’know... drink, and stuff. Plus... M'busy, with... College"

You sounded like a damn idiot. All Abby did was chuckle and tilt her head back slightly, leaning further back in her chair.

“T'aw, I know, What'ryou studying again? Fashion science?”

You scoffed, crossing your arms. That bitch.

"Sorry I don't wanna go to medical school and spend seven years of my life sticking my hands down a corpse"

So you didn’t go to your room after that, caught up in a whirlwind of proving a point. You stayed stubbornly with your feet glued to the floor and listened to Abby and your father ramble and yap on about work shenanigans. Usually, you’d semi doze off at this point, go on your phone and occasionally throw a snarky remark, but this was different. She was different than any of his other friends. Abby was actually funny, she didn’t brag too much, and if she did it faded quick cause she really was that good.

Abby threw a reference to a book you thought no one else had read except for you. You timidly lifted your gaze and remarked, “Oh, i read that book, actually”

Abby smiled and flattened her hands on the wooden table. “Smart cookie, huh? Did you like it?”

You batted your eyelashes like a kitten seeking more strokes at the praise, not noticing that body language of yours.

But she did.

You talked about the book for a solid ten minutes. Your father was the one, surprisingly, to go on his phone and faux-snort when he felt excluded from the conversation ran by two intellectuals and a giant elephant who goes by the name of "Tension", in the middle of the room.

Abby made you laugh and she made you think and she listened to your anecdotes. It made you buzz with electricity, and it made you yearn for her attention.

it also made her long for yours.

Your father interrupted by showing Abby a picture from work. When her eyes lowered to his phone, she shot you a lingering gaze and a smirk. You, feeling a rush of heat to your cheeks, shyly looked away.

It was tight everywhere all over again.

So they talked more about work, Abby’s patients, their coworkers, Doctor Martha’s chicken pot pie, Doctor Johnson’s bizarre antics, the glass door no one bothered on calling to be fixed, blah blah blah, an endless stream of chatter.

And you listened, you listened with rapt attention, every ounce of your focus aimed at the prospect of another one-on-one conversation with Abby. Each time the older woman casted you with a quick glance, you flushed even harder. You waited, and waited and waited but your father was a blabber mouth, and you were oh so impatient,

you began mindlessly kicking the wooden table's legs.

Your sock-covered feet shifted restlessly from side to side, then you tucked them beneath your chair and resumed kicking, the movements gaining force. You curled your toes and continued to play with the table's handles. Abby winced, but you didn’t pay her any mind. You kicked again, with more force now.

You sighed.

Abby cleared her throat, and her cheeks suddenly bore a faint crimson blush. You couldn't help but notice, hm, must be the red wine finally catching on to her form. Ignoring, you kicked again, and the doctors back straightened and she stiffened in response. Your father asked her a question, and Abby… stammered.

“Yeah, that guys… uh— yeah”

You rested your chin on your hands and lightly tapped your fingertips against your cheeks thrice.

Then you kicked again, harder, you were bored and restless, waiting, give me some attention, Abby —

And then, you felt a pair of shoes encase your feet, ankles creating a cage around yours. It was then and only then that you had the startling realization: you hadn't been kicking the table at all. Instead, you had been unknowingly engaged in a game of footsies beneath the table with a goddamn world class surgeon.

And oh god did you want to die.

And oh god did abby sport a shit eating grin on her face that only you seemed to catch.

You froze, not even able to release your feet from her iron like grip. Unmistakably, she didn’t seem to release her grip either. So she kept them there, caged and locked.

“Alright,” your father sighed and cleared his throat. “Got some cuban cigars in the yard, shall we?” he gestured towards Abby, who was still holding your feet in her tight grasp.

“Yeah, go ‘head, I’ll just clear the table” she murmured absentmindedly. So kind and polite, huh?

You father chuckled and tapped abby on her shoulder, as he rose from his sit and straightened his back. “Nah, let the kid handle it”

Abby shot you a glance. Your pupils were dilated and your chest heaved rapidly up and down.

“She's not a kid, remember?”

Abby let go of your feet and you rose from the chair with such haste, you nearly had whiplash. When you lifted your plate, staying mute, looking like a deer caught in headlights as your father paced towards the yard, Abby gazed at you, and her eyebrow arched up in utter amusement.

“You uh, play soccer, by any chance?” quipped her, crossing her arms on her firm hard muscular chest.

You gulped.

“Huh?”

Abby lifted her wine glass to her lips, taking a sip that left a glistening sheen on her bottom lip. A chuckle escaped her.

“Jus’, y’know… with all the kicking, and everything. I mean, let a girl take you out for a drink before you do all that, yeah?”

You stood in shock, you didn’t speak, didn’t mutter a word, merely humming in response. Abby grabbed the plates from your hand, and then she grabbed the salt.

She furrowed her eyebrows and huffed. “M'just ’joking, smart cookie. If you wanna play, let's play"

Then you heard your father’s voice down the hall.

“Sweetheart?” he paced closer as Abby walked towards the sink. He leaned over the wall,

“forgot to mention it to you but, Abby’s staying over for the weekend”

[kujainvidiata]

„Risotto Nero Observes“ - English Translation

(and my long thought session about it)

Thanks to a kind person, I finally have a link to an English Translation of the recently released short novel about Risotto Nero, called „Risotto Nero Observes“, written by Ayato Toya and translated by Hudgyn Sasdarl. It was published in the official JOJO SUMMER Magazine 2025 along with other short novels, also some festuring La Squadra members. But this one here is focusing on Risotto Nero and it is honestly a fantastic read. I would appreciate if you also share it around, so more people learn about more about Risotto Nero, since he is a beloved character of the JJBA fandom.

⚠️TW for: Canon typical violence (also involving children), murder and the whole mafia stuff you should be familiar with.

Below the cut, I will talk about my own thoughts about the short novel of my favorite character in fiction. It is just yapping in the end I needed to write down, but I also tried to analyze some stuff. I am not a native English speaker, so I am sorry for my mistakes in language. I did also not proof read it, so I am sorry for missing words or typos.

I am also adding some art I made of him because why not ✂️

First of all. Hi, my name is Kuja. I am a dedicated Risotto Nero centric artist and also a yumejoshi of him. Maybe you saw my art before if you like this character. If you do, maybe you also know how much this character means to me since he basically changed my life and brought me back into art and is the reason I found a wonderful community. Which is the reason I want to take my time and talk about this novel in my own interpretations and observations.

In short, this novel is exactly what I wanted to read about regarding to Risotto Nero.

It features no romance, introduces all of the members of La Squadra Esecuzioni and their steuggles, new characters and mostly is focusing on Risotto and his thought process, aka. his „observations“ which will be a reoccuring theme in this novel, which makes it a joy to read.

The short novel is timeline wise in the time around Christmas playing shortly after the murder of Gelato and Sorbet, which will also be a central theme.

Chapter 0:

A short scene where we witness Risotto Nero committing another successful assassination. As imagined, he is mostly using the camouflage abilities of Metallica to hunt down his targets. The kind of k1llingd he does keep being brutal and bloody, as we know later on also often to send an example and message from the highest of Passione.

It is interesting how peaceful the scene was written with the festive christmas music in the background which slowly fades into horror as the corpse is getting discovered by the passengers on that festive day.

Highlight of this chapter is for sure the absolutely high contrast of Risotto's deeds. On the one hand taking a life in a cold way, as expected from the leader of a hitman team. On the other we are experiencing a softer side on him, which many fans often speculated about. The target of Risotto's mission was just kicking a young pickpocketing girl away, making her almost fall to the ground and hurting her while Risotto, still invisible, catching her hand. Her only seeing iron powder on her small hands, probably wondering what just happened.

Seriously guys, this scene alone made me as a die hard Risotto Yume tremble in joy since it confirmed a lot of my own interpretations and headcanons about him, like having a soft spot for the younger generation. He did NOT have to help the girl, but he did, without ever getting anything in return since the girl could not even see him.

Risotto then sends a message of the confirmation of the hit to the boss who interestingly immediatly answers. Diavolo, are you camping your phone and computer all day?

Chapter 1:

One of the most interesting chapters for me personally because of the amount we learn about the hitman team again by observing how they interact with each other.

It is early in the morning and the hitman team is interacting not in person, but in a computer group chat, their personalities shining through.

We learn that Risotto Nero is currently residing inside a room which is part of a cheap apartment inside the outskirts of Naples. So is this only a temporary spot? It is written that Risotto brought his computer so it seems like he is only for a brief time living there. Do they have actual homes? Or do the members rather travel between short lived hideout spots from Passione? In the end, it is no luxury how they live. And this story often reminds us about this fact.

The hitman team is discussing about the most recent news recieved from the boss himself, about a new hit of a man called Rossi who plans to flee real soon and that Passione is entering the business of waste disposal. And two of their members should forcefully (a no won’t get accepted) transferred into this new branch: Formaggio and Illuso. Which causes a big uproar in the chat. Not gonna lie, it is very charming how they all are interacting and even throwing jokes in between. You see once again they all seem to have close bonds to each other. The typical duos are interacting, Pesci with his anniki, Illuso and Formaggio and once again Melone and Ghiaccio who really seem to get each other well, how they interact with each other really tells a lot about their dynamic.

Only one is not fully participating and rather „observing“, Risotto Nero, who tries to read in between the messages and how his subordinates are really feeling in this moment.

Also because of the most recent trauma they endured, the brutal loss of Sorbet and Gelato, two members who were tired of being treated like dirt and dismissively by the whole organization. Not respected, awful pay and the high risk of losing their lives on the daily. It is always interesting how sympatheticly La Squadra Esecuzioni is written, sure, they are assassins for the most dangerous Italian mafia but you can still emphazise with them. Many of us probably can relate to these feelings, not being treated and paid properly for the hard work we do and wanting to get their deserved amount. Their coworkers and close friends being sent to another occupation without their consent. Their capabilities not respected. Who wants to be treated like this? Sure, the motives are mostly motivated in an egoistical sense compared to an altruistic like some members of Bruno‘s gang do, which is one of the main differences of these gangs. But this is also why the hitman team feels more close, since they operate and think as a group, they want the best for themselves, the others coming afterwards, contrary to wanting to stop entire branches of their business for a better cause as a whole.

Even the boss is sending them more and more not so subtile threats how they have to submit and be obedient to his will. Like Pesci realizes, the messages are hidden in numbers. „Smorfia napoletana“ as it is called and we learn about which is a very clever stylistic choice of this novel which are basically numbers with meaning. And the boss knows very well what he wants to communicate to his hitman team, that he has the sole power over them.

And then we have Risotto Nero again. Who is, like I mentioned before, rarely participating in the talk and more inside his head and thoughts, trying to form plans, trying to see patterns and things. Now even more than before.

Because he feels guilty. Because he feels responsible for the death of two of his subordinates. He is angry at himself to not catching on clues of their planned rebellion against the organization. For not preventing them. For not hinder their deaths. In the end, he has to grief again. Something Risotto Nero always has trouble to deal and process. Once again there were people close to him taken away from him. By death. Something he now himself is known for. He, as the jet-black executioner of Passione. It is quite ironic.

Risotto really can’t let these thoughts of guilt go, he constantly is tormening himself about his and now decided to be even more keen on his men. To analyze, to think about their next steps, to prevent such a mistake. To observe.

It is not only that Risotto Nero is „surface“ level invested in his men. No, he „couldn't“ lose anyone else. He is responsible, as their leader. But why he can’t lose them?

Is it just because of the team itself? Do endure even more consequences by the boss and being dissolved by being useless? Is it because of the team spirit? Is it because he needs them for being able to work in the first place? Or is it actually because he can’t stomach any more losses? We don’t know anything about the lives of the hitman team outside their job. Do they have friends? Family? Or only each other? It seems they go around quite a lot, and being gangsters is not easy forming honest relationships between them and civilians. And even other teams inside Passione seem to be cautious, even hateful towards them. They don’t seem trustworthy for anyone else outside the team.

Also, this novel also confirms that Risotto truly cares about his subordinates since he is absolutely trying to analyze and insight for their mental states. He knows his team is processing trauma. They are still human. Luckily he knows as well how many of his members can deal with the stress or who of them is capable protecting themselves most efficiently. He thinks a lot, analyzes a lot and tries how to make a change and impact for their benefit and therefore a raise of the group morale. The mention that Risotto is thinking about giving Formaggio missons with a high chance of succeeding, just to improve his mental wellbeing because he alone found the corpse of Gelato…it tells so much about him. Risotto is absolutely observant and does not tolerate his own mistakes and puts on actual effort of being a good leader for his men. He does not want to any bad causality ever happen again between them. And losing them. As their leader, he needs to look out for the hitman team, they only have themselves.

After the team points out how quiet Risotto is the whole time, he tells them to take on this assassination by himself alone. He really is losing himself a lot inside his analytical thoughts.

Chapter 2:

This chapter is more revolving about the setting itself. We get to know the urgent this assassination is, putting pressure onto Risotto who usually keeps a cool head. Risotto will take out this murder of the soon trying to flee Rossi in a very crowded place, directly inside the mansion of this man who is tainted by very crude and unethical businesses himself. To put an example. Don’t mess with Passione. A job suited for Risotto’s brutal Stand capabilities.

The party being thrown in the luxurious mansion was right before Christmas, Rossi is intending to show his new adoptive son, Gennaro, another central character in this story.

This decadent luxury is a nice way to show again the difference of the worlds they live in.

By the way, it is very cute to imagine Risotto Nero inside a proper elegant suit he is wearing for this event. Sorry, needed to let this out.

In the next scene, an elderly couple speaks to Risotto about the over the top interior of the mansion. It made me actually laugh that Risotto was seriously being called „a wallflower“. I seriously can see this, he does not seem like the center of attention of a party. He also doesn't need to, he is supposed to be blending into the scene after all.

Afterwards Rossi appears into the spotlight and talking about the mystery of the „unopenable door“ and also just spewing out some meaningless anecdotes.

Also a rising and uncomfortable heat is described by the pair which is unsually also affecting Risotto Nero himself, which is surprising him. But it the reason is a sense of unease he tries to pinpoint to, until he realizes it is actually Metallica wriggling and moving inside his body and not actual nervousness about the mission itself. They are reaction to something inside this mansion which also is affecting Risotto‘s body. All this while he is planning how to cover the walls in red real soon.

Later on the party, Gennaro, a 14 year old boy is finally introduced to the story and guests, seemingly innocent and youthful, full of enthiusiasm.

Then the party guests were starting a tombola game, an Italian tradition, where we also get to know about the smorfia napoletana again and get introduced to new numbers and their meanings.

While Rossi and Gennaro are playing a farce in front of the crowd, Risotto thinks about the numbers and their meanings, as well as getting further affected by the temperature and discomfort inside his body.

The numbers are really dire and somewhat ironic when we take Risotto‘s backstory into account. 14 and 18, which are ages which his life turned around. 14 meaning „drunk“ and „18“ blood-stained. It is incredibly ironic just how these numbers describe his past, while the 90, before in his apartment room poster, is also appearing on his tombola card as well. His reaction and realizing these numbers was followed by a snort of him.

It really is amazing how much the author of this novel is taking Risotto‘s backstory into account and building onto that or referencing it. He constantly gets reminded of the cruel acts he decided to do many years ago which led him chose a path without any redemption.

Right after this, when the party and speech of Rossi is reaching its climax, Risotto plans to kill him, approaching him to close the Stand distance. It is interesting how he also is pointing on the target. It seems a bit suspicious, but the whole story is constantly describing that the others are not paying any attention towards Risotto Nero anways, he mostly blends in.

Also, Risotto seems to view himself as a „professional“ regarding his job as a hitman, not doing these murders for the fun of it. As long as they are paid and not caused by his own Vendetta. It seems like it is thrilling for him to catch up the ideal chance to carry out the murder for the most dramatic moment for reaching the biggest impact.

But right before Risotto could activate his Stand, the light faded, panic invokes between the guests and he lost track of his target who completely vanished after the lights come back to, the family of Rossi, his wife and Gennaro, worried about his absence and calling the police. But Risotto does not give up yet, further being suspicious of the unopenable door which not even the police who arrived could open.

After many unsuccessful attempts of opening the door and getting a new signal of Rossi outside the mansion, the police leaves again, making the party end.

It is very fascinating to witness Risotto Nero using his brain power to connect the dots and uncovering the secret of this unopenable door, using Metallica again to form objects like forks to the keyhole, which is also fake and therefore detecting a lie of Rossi losing its key. Risotto Nero has such an analytical and smart way to approach matters, trying to stay calm and composed. He knows this mission can't fail, the stakes are high.

Still, he fails to control his feelings once again, as stone faced as he is, a remark even his team mates are using towards him, which is truly sweet in a weird way, how they joke about this with their leader. He got a new message from the boss, who revealed how poorly Illuso and Formaggio will get paid and basically disrespected on the waste disposal branch. Succumbing to his anger, Risotto Nero breaks his phone, not realizing it until he hears the cracking sounds of the broken phone and through his Stand again inside his bloody hand, who seem to express his true thoughts and burning anger, screaming in their usual noises ordinary people can’t hear.

Metallica here in this novel acts very metaphorical as they really seem to be a vessle for his true feelings at times he has trouble expressing at the exterior. Be it the need of a leader of a hitman team, his past trauma or other reasons, but Risotto Nero often seems not in tune about his own feelings until later on. It is heartbreaking in my eyes that the unfair treatment of his men causes such reactions inside him. He does not want such a reality for them, he as a leader can’t allow to fail them again. And he is so sick of getting treated like this by the boss, his resentment growing stronger as well as his own rebellious spirit he tried to bury to protect his team, despite being treated worse every day. It is an endless circle of torment these hitmen need to endure. The boss basically told them to put their lives on the line, it is understable how enraged Risotto gets by that remark.

Risotto‘s appearance also gets briefly mentioned. He seems to have scarred lips, afding to his very rough a gruff apperance. Are these scars because of a neglect of himself of are these results of his past encounters?

But there was an even stronger reason making Metallica roar, the door seems to be connected and controlled with magnetism, also being most likely the reason for his own permanent discomfort on this place, which only faded within the power outage, which he now realized, the dots are connected now inside his head.

Chapter 3

In the end, the police did throw everyone outside before leaving but knowing Risotto and his Stand, He camouflages himself yet again and enters the mansion once more, iron will determonstion to uncover the secret and to carry out his bloody mission.

Inside he not only realizes all the stolen and proudly displayed good from Rossi, but also meets the adoptive son, Gennaro, once again, who detects the presence of Risotto despite not being able to see him. All while Rossi knocks and screams behind the unopenable door.

The mystery as Risotto figured out was an electromagnet inside the door, which is also the cause of his Stand reacting before.

Interestingly this novel confirms another headcanon I had about Risotto since a long time, as he tells Gennaro about the mechanism of the electomagnet which he read inside a book about waste disposal. He really seems like an intellectual and sophisticated person, reason he seems to be naturally curious about a lot of the world and its functions around him.

Gennaro lies about his reason being here, but the knife in his hand reveals his true intention, as Risotto observes, seeing the boy as a hindrance and thinking about peacefully assassinating him as well if he keeps being an obstacle of his urgent mission. Seeing that Risotto thinks about this dark act but not carrying out this murder of a young man, shows his hestitation despite him being a ruthless and experienced hitman. But, he is also seemingly intruiged by him, curious about his motives and the plan of the boy and realizing the benefit of unrevealing the crime of the young man. Also we can see that Risotto very well decides how „brutally“ he will take out a murder of a person.

Risotto lays out his own observations and detective work how the disappearance of Rossi was made possible during the power outage, which was caused by the extreme indoor heating and the lights of the christmas tree.

Quite funny how Risotto also uses his Stand powers to make a metal Tombola piece float in the air, it must have confused the boy to no end, not knowing about the supernatural Stands. He reveals another meaning of the numbers, 77, the devil, which was Gennaro‘s own remark against his new father. The man the young boy planned to kill himself, just like Risotto Nero.

Risotto is seemingly impressed how well crafted Gennaro is in planning his own assassination, but even the boy begins to flinch by the ghostly presence of Risotto, being called a grim reaper, which was also always part of his overall design.

He is curious about the motives of the boy, who wants to reveal the secret in front of Rossi himself, so they release him, with ordering the boy to drop the knife.

Rossi, completely out of breath, storms out of the room behind the door, questioning his son about the reasons of his hostile acts.

Then Gennaro revealed it all, how much Rossi has tormented him all these years after making him witness the torturing and murder of his own mother, just to get adopted by him again, probably making him suffer even more behind the disguise of a noble man, a habit of Rossi‘s twisted games. He even underestimated the boy to remember him after all these years, showing his arrogance and belittlement of others. All while the boy suffered in silcence and played an act, until now the time for his own assassination and revenge has come.

A motive and reason we all know defines Risotto all to well, his whole life. We get a glimpse of a backflash inside Risotto‘s head of the funeral of his cousin, many years ago. His mind turning dark just like his clothes. Full of rage and seeking justice of losing someone caused by another person. A person who will soon endure the same cruel fate, to make up for it again. But at what cost?

Risotto sees himself inside the boy. He was in he same situation many years ago, being 14 as well, his mind and spirit not able to process the loss of a family member. But choosing revenge led Risotto to a path of no redemption, a path of endless crime, just to get disrespected at the daily and putting his own life at risk, just to witness his loved ones getting erased from life again, not being able to counter the perpetrator this time and to submit.

No, this is a scenario Risotto experienced himself, he knows what this path will involve. I am very sure Risotto wants another fate for this boy, despite knowing the cathartic feeling of getting the revenge one seeked out for many years. Would Risotto chose this path himself again when he was reliving time? A scenario we will never know an answer of but here we see him protecting the boy for basically ruining his future life, a life without a real future, filled with crime, surrounded by mostly mean spirited people despite the closest ones.

So he tells the boy leave, threathening him to kill him if he refuses. He will carry out the mission, not only for the job, but also to spare the boy a life full of darkness.

But Gennaro does not accept, he suffered way too much from what Rossi has done, sleepless nights, trauma, feeling helpless, he only wants the release of revenge. The boy shows a strong will of resolve. And Risoto can relate so much, he truly understand what the boy is feeling. He knows these moments, this burning hatred and just bringing justice to end this once and for all. This is affecting Risotto even in such a way, that he lets his guard down, revealing his appearance, making the boy gasp in surprise by his dark and ghostly presence.

The moment of tension and two spitits connecting only got suddenly interrupted by the police forces, not hestitating to shoot on Risotto Nero as a quick act to save Rossi. The leader shortly needed a moment to process what just happened but decided to remove enough iron from the bodies of the officers to make them unconscious - a fairly peaceful decision for a hitman. But is it because he does not want to harm people who are not involved in his job or is it rather to spare the uproar of the corpses of police workers? Maybe a mix, still, it shows quite a new light of Risotto, being surrounded by members of his team who do not spare the lives of people close to their target mission. At least sometimes. Even tho, these hitmen seem all to have their own moral codex they act on.

After all, Risotto Nero is still cruel and cold enough to traumatize the people around his targets with his brutal and merciless killings, like he just wanted to do some hours ago with all the guests and family Rossi. I really enjoy how morally grey Risotto is written which really makes him an appealing and interesting character, and I try to say this as unbiased as possible.

While this short moment of being focused on the police, Rossi takes action and stabs Gennaro with his own knife he dropped earlier, directly into the stomach of the young man.

Now it was finally the time Risotto needed to act, bringing a gruesome end and torturing Rossi with nails made from Metallica‘s powers, making him suffer a long time before he finishes finally his assassination.

It is very symbolic that Risotto basically crucifies Rossi with the way he pierced iron nails through hus hands, it is very symbolic for a multitude of reasons and made me think.

If we think about Christian Religion, the punishment of being cruzified was reserved for the sinners. A way to show dominance and control by the upper hand instances, which is Passione.

It was often used for „low-life“ criminals and slaves back then, basically mocking the luxurious life of Rossi.

The dramatic display of the corpse for everyone to see to give off a warning: do not act like this sinner. It is an open display of Rossi‘s long life of wrongdoings and crime and how he now must suffer the consequences, caused by his sins. Since it is also a tool of enforcing and showing social control, it also fits the method of Passione scaring other gangsters and enemies. They are in control and on the top. They are showing psychological warfare and invoking public fear.

But also, does this act also is an act of mercy to bring salvation to Gennaro? Making Rossi die for his cruel sins to release the darkened spirit of the young man? It is quite interesting to think about this potential interpretation.

Risotto then rushed to Gennaro, picking him up, telling him that Rossi will now suffer for his sins. As Gennaro is seemingly dying in Risotto‘s arms, smiling, he found finally peace of his mind. His last act is showing the tombola card with the number 90 again, and we finally get know its meaning.

Fear.

This is what Gennaro wanted to overcome, feared and suffering by his past, not being able to act, not knowing if the feel of being haunted by Rossi will ever fleet away, now that the boy was adopted by him, probably even abused by new methods of Rossi‘s twisted mind.

Fear is what is haunting Risotto Nero and his team since weeks, enforced by the boss, treating them like dogs, making with the hitman team whatever he feels to, not respecting them, humiliating them. No regard for their talents, always reminding Risotto of his failure as a leader he cannot stop feeling guilty for. He needs to act. He can’t let this continue. But it is fear he also feels, not wanting to lose more of his men. But what is the other path? An endless cycle of ridicule? Risotto has enough. In this moment the brave acts of Gennaro must have inspired him to also put a stop onto all this. He can’t let fear to keep controlling him and his men.

And then, while Risotto is scolding Gennaro in an endearing way, talking to him like as if he was scolding one of his subordinates, like a mentor, he transforms the iron tile inside the boys hand and forms a staple.

Chapter 4

A short time skip. The news were talking about the gruesome murder of Rossi by a gangster and how this gangster also tortured a young boy was saved by a „skilled police officer with a stapler“

…a story wirhout any sense. Only Risotto Nero, Gennaro and the reader know the truth about what happened. Risotto did an heroic act, no one will ever know about, probably not even Gennaro himself, since he was barely left conscious when Risotto stapled his wounds with Metallica.

It is unbelievably tragic but also needed, as Risotto Nero has a reputation to hold. On this day, he took a life but he also saved another. And not only in a physical way, Risotto prevented Gennaro, who returned into a orphanage, to chose the same path as him many years ago. He brought salvation to his tormented and young spirit, finally removing his tantalizer from life. The boy has now again a chance of a normal life, a life, Risotto does not have himself.

Once again, Risotto brought success to Passione, without ever getting properly rewarded, payment as low as ever. Nothing changed. Only Risotto‘s resolve has.

He gathered his men again, this time in person, inside their usual hiding spot we know of. Which seems to be a rare occurance as the hitman team remarks, last time being the day they got these dreadful horrible packages of thin pieces of one of their members.

The waste disposal transfer seems to be on hold, Illuso and Formaggio being spared from changing teams this time, and they begin bantering again. Knowing they are essential to the team and valueing being among them.

This scene also confirms the basically fanon of the fandom that Prosciutto is a smoker - he indeed does.

Suddenly Risotto began to talk, he is resolved. The boss won’t continue to play with them like cheap and disposable puppets. The incident with the determined Gennaro and collecting his strength depsite still being scared, made him realize to act as well. Or else he and his men will keep this vicious cycle of being a team of assassins who despite carrying out the missions with success, still are only good enough to get potentially transferred to deal with garbage. It is a clear message, like the boss always does.

It is finally enough, time to free themselves from the chains.

He swears to overthrow the boss and organization. His will and decision strong as iron. Wanting to claim what has been taken from „HIM“.

This remark seems to be a direct hint on his pride, how much he personally has lost in his life and how sick he is of all this, fighting for a better future, for himself. But also for his team. To avenge the deaths of Sorbet and Gelato, to make their loss not being unresolved.

His subordinates being in silence, making Risotto questioning how they will decide, will they stay loyal to the team or to the organization of Passione? By now, they can only hold themselves only the little clues and whereabouts of the boss, events which unfold in the storyline of Vento Aureo.

Until then, Risotto Nero will continue to observe, to catch every clue to fulfill his revenge and bring dark glory and a better future for his team, them alone, against the remaining world. The stakes are high, him being the leader is responsible for the outcome of this resolve. Unfortunately, we know how this decision will turn out in the end. They were so close but it still was all for nothing, the mostly self motivated team of assassins' fate has already decided and it will lose against the altruistic motives of the gang of Bruno Bucciarati.

Okay, this was long. I don’t know how many of you really did read this. If you did,

Thank you.

As a summary, this short novel is a fantasticly written story about Risotto Nero and his team of hitmen, also shining with hints of fanservice, as confirming many ideas the fans had about them, and letting them all stay in character without ever breaking depsite all the bantery conversations, how close these men are. In the end, they are all they have.

This story really did Risotto Nero justice as a character, not once ever conflicting with the hints we knew about his personality but also expanding on them.

He is ruthless, cold and stone-faced, as we witnessed already in the original source material. But what we learned in this novel about him throws a new light on him, showing also his softer side.

He IS concerned about his teammates, he feels guilty about his failures as a leader, he can absolutely not cope with grief and has trouble managing his outbursts of anger - even targeting against himself and hurting himself. He looks after the wellbeing if his men, concerned about their mental health and respecting their trauma, not ever ridiculing them and their feelings. Risotto Nero is absolutely not emotionless, his inner world and thoughts are rich, which he just isn’t able to express for probably a multitude of reasons. He even shows compassion for strangers. There was no reason to save the girl from falling harshly to the ground, there was no reason to spare Gennaro, he even knows Risotto‘s face and could be therefore a danger in the future.

But he did help them. And the most cruel fact about this is, no one of them or the others, probably not even his men, will know about these acts and truths (only if they will maybe figure it out by themselves by the staples).

He is not a person who wants to be a hero, he knows he isn’t and he will never be, too many lives did he take by now. But, these little deeds to mercy and kindness are probably a secret of him, no one ever needs to know about. He has his own reasons to act, his own way. His own moral code and his own way to act.

This all makes Risotto Nero such a very well written character in my eyes, combining some of the worst human sins but also showing signs of compassion and protectiveness, like preventing others from a path full of pain or wanting to fight for his men, to finally get what they deserve.

I thank the author of this story, Ayato Toya, by a lot. This novel was a joy to read, which I already did by a couple of times. Also thanks to Hudgyn for the wonderful translation, which is very well and clearly written.

This novel probably strenghtened my own feelings for this character by a lot. I can’t express how happy I am this was written at all, if now this story gets and animated adaptation, my life will be complete. Come on, who does not want to see Risotto inside a suit?

Thank you for reading.

Oh yeah, here is my artwork of him again I made for this novel, I did imagine how he might look with a suit.

[a-very-tired-jew]

It finally happened. I met a new, they've been here for a year but I've never met them before, doctoral student in my discipline who is defining their research by their activism, which in turn is showing how ignorant they are of our field and how much they want to manipulate it to support their conclusions. Furthermore, it also shows how ignorant they are of entomology. I'm really hoping their committee members and PI will address this before the student makes some serious mistakes and either causes their own name to be black listed as a scientist willing to compromise experiments for the sake of their own bias or they waste an excessive amount of time chasing a conclusion they want that isn't supported. The research interest in question is regarding development rates of forensically relevant blow flies on large and small corpses and determining if this influences development. The problem here is that we've done large, medium, and small carrion and corpse studies in the past and sort of answered this already. The conclusion is that there is a critical resource threshold that prevents an over abundance of oviposition on a resource and thus prevents prolonged development and/or death due to an inadequate amount food.

Now, there's no issue with repeating studies from one region and environment and doing them in a completely new one. This allows us to confirm and adjust our datasets based upon local environmental influences on local insect populations (i.e. differential development times based upon locality).

However, know that pigs mimic humans in their decomposition and thus we get the same blow flies. If you move to a different animal then you tend to get different species of blow fly based upon the size and species of the new carrion host. There are blow flies that are more inclined to feed and reproduce on birds, rabbits, and so on.

There are a variety of studies out there where scientists just beginning to dabble in forensic entomology put out something like a dog carcass for research purposes. They almost always end up with a community of insects that maybe has 1 or 2 species out of, let's say, 10 that are actually used in forensics and the rest are not because they don't feed on human corpses. So they make their conclusions based upon a dog study and then get confused when their data does not resemble the data from human/pig studies.

Simply put; it's a noobie mistake.

Which is fine if you're an undergrad or just starting the forensic entomology discipline and research in your country.

But for someone to be in the USA with access to experts and making this level of mistake is concerning.

Now why are they actually doing this?

They said to me, and I quote, "Because they're killing kids in Gaza".

And this shows where the bias and ignorance interplay.

Let's say that they continue with the size differential study(ies) that they want to do. We are in the southern United States. The species of blow flies we have here and the environment we are working in is entirely different. Any conclusions that are the results of this research have no impact or bearing on determining the development rate of blow flies half way across the world. The environmental conditions alone are so different that any application would be shoddy and questionable at best, let alone the fact that there are complete different subfamilies over there which we are not familiar with nor have been studied to the extent that species over here have.

So either this student has to mimic the environmental conditions for the field research they want to do and bring in foreign species or they're going to do the noobie stuff and put out animal carcasses of different sizes and have native species colonize them. The former is impractical and nearly impossible, the latter has been done.

But they want their research to be applied to Gaza because "it means so much to them" (keep in mind this student has no connection to Israel or Palestine at all).

And this is where the issue with their activism and bias comes into play.

The fact that any research they do here with native species has little to no application to a region of the world with a completely different environment and insect community has not occurred to them. A doctoral student. At best they create a model that can be mimicked by entomologists in the region, but that's it. This is concerning and indicates that the activist thinking is superseding the scientist, which in turn means their research can potentially be compromised to support the conclusions they want instead of interpreting the results for what they actually mean.

This is a type of Type I error and we've seen it a lot with scientists who want to support a particular narrative.

But at the end of the day I'm literally just flabbergasted that a doctoral student in entomology is wanting to repeat studies we've already done, by people they know no less, apply said studies and conclusions to a foreign conflict and region, and no one on their committee has pointed out the issues to them.