#csac*

[seekforwarmth]

— could start a cult —  

written by nouies for @bottomlouisficfest harry/louis | explicit | 8.7k

He lowers down the top that Louis is wearing, successfully unclasping his nursing bra as well, letting Louis’ tits bounce at the sudden movement. Harry massages both breasts to stimulate the milk flow, and he can feel his cock hardening inside his pants. or...Harry can’t get enough of Louis’ breast milk.

🏷️ breastfeeding a/b/o au, established relationship, fbi agent harry, psychologist louis, mentions of crimes, happy ending

[stanfiction]

do any stancest enjoyers have commissions open?

i only have c$sh$pp rn-

[fashionbooksmilano]

Emilio Federico Schuberth

Moda e media ai tempi della dolce vita

Dorothea Burato

Electa, Milano 2023,128 pagine, 17,2x24cm, ISBN 9788892824317

euro 24,00

email if you want to buy : booksinprogressmilano@yahoo.it

Il volume è l’esito di una approfondita ricerca sulla figura dello stilista di origini napoletane attivo a Roma a partire dagli anni Quaranta. Emilio Federico Schuberth si impone sul territorio nazionale e internazionale grazie soprattutto al sapiente uso di strategie di promozione del suo marchio attraverso il medium cinematografico e quello televisivo. Nel panorama della moda italiana, che si afferma a partire dal dopoguerra, Schuberth rappresenta una voce fuori dagli schemi: il suo atelier è stato una tappa obbligata per le dive del cinema, le soubrette del varietà e le donne più eleganti del jet set internazionale. Schuberth veste le più grandi dive del cinema, come Gina Lollobrigida, Sophia Loren, Martine Carol, Valentina Cortese, Alida Valli, Anna Magnani, Bette Davis e Gloria Swanson, sia dentro che fuori dallo schermo, recita in alcuni film e partecipa a trasmissioni televisive di grande popolarità come Carosello, Il Musichiere e La via del successo. Nel volume la storia dello stilista-star viene raccontata attraverso quattro macro-sezioni: la prima è dedicata alla biografia del sarto, fino ad oggi poco indagata; la seconda alla ricognizione del proficuo rapporto che Schuberth ha instaurato con il mondo del cinema in venti anni di attività, dalla partecipazione come attore in alcuni film, alla promozione del proprio marchio grazie alle più famose dive del cinema; la terza si focalizza sul lavoro di Schuberth come stilista al servizio del grande schermo; la quarta sezione è dedicata alle esperienze nell’ambito radiotelevisivo e all’uso strategico che lo stilista fa del neonato medium televisivo promuovendo le sue creazioni anche al pubblico di massa. Chiude il volume l’analisi del filmato promozionale Vedette 444, brillante analogia tra la creazione di moda e l’industria meccanica cui prende parte anche Schuberth. Il materiale dell’archivio CSAC, nello specifico i figurini del Fondo Schuberth e le fotografie del Fondo Publifoto Roma, si è rivelato uno strumento di studio fondamentale per la ricostruzione dell’attività del sarto in oltre due decenni di attività e ha fornito un ricco repertorio di immagini e documenti per il libro. Ne è testimonianza l’album dei figurini di moda, in chiusura del libro, con una selezione di materiale particolarmente rappresentativo della vivacità e varietà che ha caratterizzato l’attività dell’atelier di Schuberth nei decenni centrali del Novecento. Il volume è il quarto di una serie di pubblicazioni e iniziative in collaborazione tra la casa editrice Electa e CSAC – Centro Studi e Archivio della Comunicazione dell’Università di Parma. Lo studio, e il prezioso lavoro di riordino e catalogazione di cui questa pubblicazione offre testimonianza, ha dato a CSAC l’opportunità di catalogare e digitalizzare tutti i bozzetti e le fotografie del sarto in modo da rendere fruibile il patrimonio del fondo all’esterno.

02/11/23

[echosmedias]

«Apologie du terrorisme» : les médias français dans le collimateur de la RDC

En République démocratique du Congo, une institution de régulation de l’audiovisuel menace de suspendre trois médias français. Le régulateur reproche au groupe France Médias Monde de mettre en avant-plan les avancées de la coalition pro-rwandaise du M23 sur le sol congolais, tout en occultant les exploits des FARDC… Le Conseil supérieur de l’audiovisuel et de la communication (CSAC), l’autorité…

[cagesidepress]

Sunday MMA Quick Hits: Ian Garry Rap Track, Muhammad Backs Up UFC 296

Read the full story on cagesidepress.com

[lapolani]

Andrea Branzi e Lapo Lani presentano:

“Andrea Branzi. Mostra in forma di prosa”

Una produzione di Triennale Milano, a cura di Andrea Branzi e Lapo Lani, realizzata in occasione della 23ª Esposizione Internazionale: “Unknown Unknowns. An Introduction to Mysteries”, 2022

• • • • • • • • • •

CSAC - Centro Studi e Archivio della Comunicazione; Università degli Studi di Parma

Abbazia Valserena Strada Viazza di Paradigna 1 - Parma

30 settembre 2023 - ore 17:30

_______________

~ https://www.csacparma.it/andrea-branzi-racconti-di-design-2/

_______________

[stampedpub]

Someone get this man on a stamp STAT

‘David’, Penn Station, New York, 1947 The posture of this man standing with a parcel, a tote bag and a newspaper in Penn station, New York, resembles that of Michelangelo’s David

[iweb-rdc001]

RDC : Le Bureau du CSAC invite le journaliste Gauthier Sey le lundi 18 septembre 2023 pour qu'il présente ses moyens de défense

Examinant la Plainte référencée BYL/SCA/TKB/123/2023 du 15 août 2023, introduite par Maitre Théo BAYA, Avocat Conseil de l’artiste IPUPA NSIMBA Fally, le Bureau du Conseil Supérieur de l’Audiovisuel et de la Communication (CSAC), invite le journaliste Gauthier Sey le lundi 18 septembre 2023 à 14heures précises au Secrétariat d’Instruction sis. 2° niveau de l’immeuble Likasi, place Le Royal, dans…

[seekforwarmth]

in honour of @bottomlouisficfest’s final writing party, i decided to share the snippets of the two fics i wrote for the fest. i’m a bit late but there were some ppl who tagged me in different things; thanks to @allwaswell16, @disgruntledkittenface, @boosbabycakes28, and @wemadethishome for tagging me! i’m tagging you all back in case you want to share something. <3

1. “Cold Spring”, coffee shop au, owner louis/writer pedro pascal

“So you and Pedro,” Sam started when they were cleaning the shop before closing.

“What about it?” Louis thought that the best plan of action was to feign innocence because he had a feeling what Sam was going to say.

Louis’ dating life was…nonexistent, for lack of a better word. For starters, he was extremely busy running the coffee shop, it took pretty much all of his time, and he wasn’t willing to leave his business unattended just for the sake of a relationship. Second of all, he was a young gay man—a very attractive one if he said so himself—living in a small village; everyone and anyone who he could have a relationship with had already been ruled out.

“I’ve never seen you this smitten with someone since, I don’t know, ever,” she stated. And it was probably true considering she had started working at the café about four years ago, and by that time Louis had given up on dating altogether. “And I feel offended that you’ve never served me a glass of water when I show up at work hungover.”

Louis chuckled. “That’s your fault for not measuring your alcohol.” He closed the drawers where they kept the cloth napkins after checking all of them were there. “Look, there’s nothing going on there so I’d appreciate it if you didn’t speculate about my relationship with the man, or lack thereof more like.”

“But why? He seems quite fond of you as well, haven’t you noticed?” Sam spun around with open arms, letting out a long sigh. “It’s so romantic if you ask me.”

Louis shook his head at his employee’s antics. “Well, I’m not asking you. And we should hurry up before it gets darker outside, come on!”

2. “could start a cult”, a/b/o breastfeeding au, hl as parents

Harry set the dried corn leaves previously wet to make them flexible on the table and brought out two cake icing scrapers that he usually used for when he baked. “Okay, love, what do you say if you make the pork tamales and I make the chicken ones so we save time and effort?” At Louis’ nod, he continued. “You just need to take a leaf, cover it with enough dough like this, and then add a spoonful of salsa.”

“Is this too much dough?” Louis showed him a corn leaf with the perfect amount of dough—not too much for the tamal to turn dry, not too little to have more filling than dough.

“It’s perfect, baby. More than perfect, actually, just like you.” He kissed Louis, just because he could.

As they poured water into the pot, Harry kissed Louis. As they put the tamales in the pot, Harry kissed Louis. As they started washing the dishes they used for the preparation, Harry kissed Louis. As Harry poured them wine while they waited for the tamales to be ready, Harry kissed Louis.

The alpha couldn’t contain the happiness that meant having the omega by his side. Ever since they had started dating, he knew his life would change for the better, and now he knew for sure. Louis made everything softer, kinder. He couldn’t fathom the idea of not having Louis in his life, be it as a lover or just as a friend, the omega had become an essential part of Harry’s heart, and he just knew that he wanted to hold onto that feeling forever.

Harry tried to imagine how it would feel to ask Louis to officially bond, picturing the perfect date maybe at their favorite restaurant. He knew the omega didn’t need a big gesture to be asked in marriage, so maybe if they could go away during a weekend, the two of them alone, Harry could plan something nice for his boyfriend. He smiled just thinking about it.

“Marry me,” Harry blurted out. So much for waiting for the perfect date.

[stanstits]

Some old stancest fics that I’m not sure if they’re also on ao3? Dropping them here for your blog archive purposes if you wanted them though.

https://www.tumblr.com/underasinnerssky/139613856988/lock-and-load

https://www.tumblr.com/underasinnerssky/138195538383/expected-results

Also one that’s stanleycest.

https://www.tumblr.com/underasinnerssky/132529118033/shy-vanity

Thank you, anon! I've got these added to my queue. I know I need to do a thorough comb of this creator's blog because they have a lot of good stuff that I haven't archived yet.

Also, I'm not too worried about if it's on AO3 for general archive stuff, so feel free to send in more recs if you come across them! The tumblr-exclusive fic thing was just for the event I was running.

That being said, I probably won't reblog long multi-chapter fics that were cross-posted or ones that I assume everyone has already read (like CSAC) unless you guys want me to.

Thanks for these recs, anon! 🩷

[stampedpub]

May we humbly suggest contacting the Citizens' Stamp Advisory Committee to advance this worthy cause, possibly as a proposal celebrating the unique flora of the United States?

vittaria appalachiana should be on stamps (one of america’s natural wonders) and the post office should give them. to Me

[fashionbooksmilano]

Emilio Federico Schuberth

Moda e media ai tempi della dolce vita

Dorothea Burato

Electa, Milano 2023, 128 pagine, 17x24cm, ISBN 97888284317

euro 24,00

Il volume è l’esito di una approfondita ricerca sulla figura dello stilista di origini napoletane attivo a Roma a partire dagli anni Quaranta. Emilio Federico Schuberth si impone sul territorio nazionale e internazionale grazie soprattutto al sapiente uso di strategie di promozione del suo marchio attraverso il medium cinematografico e quello televisivo. Nel panorama della moda italiana, che si afferma a partire dal dopoguerra, Schuberth rappresenta una voce fuori dagli schemi: il suo atelier è stato una tappa obbligata per le dive del cinema, le soubrette del varietà e le donne più eleganti del jet set internazionale. Schuberth veste le più grandi dive del cinema, come Gina Lollobrigida, Sophia Loren, Martine Carol, Valentina Cortese, Alida Valli, Anna Magnani, Bette Davis e Gloria Swanson, sia dentro che fuori dallo schermo, recita in alcuni film e partecipa a trasmissioni televisive di grande popolarità come Carosello, Il Musichiere e La via del successo. Nel volume la storia dello stilista-star viene raccontata attraverso quattro macro-sezioni: la prima è dedicata alla biografia del sarto, fino ad oggi poco indagata; la seconda alla ricognizione del proficuo rapporto che Schuberth ha instaurato con il mondo del cinema in venti anni di attività, dalla partecipazione come attore in alcuni film, alla promozione del proprio marchio grazie alle più famose dive del cinema; la terza si focalizza sul lavoro di Schuberth come stilista al servizio del grande schermo; la quarta sezione è dedicata alle esperienze nell’ambito radiotelevisivo e all’uso strategico che lo stilista fa del neonato medium televisivo promuovendo le sue creazioni anche al pubblico di massa. Chiude il volume l’analisi del filmato promozionale Vedette 444, brillante analogia tra la creazione di moda e l’industria meccanica cui prende parte anche Schuberth. La ricerca, che incrocia materiale d’archivio con documenti audiovisivi e testimonianze di diversa origine, porta alla luce una figura imprescindibile per la conoscenza dello sviluppo del settore della moda che dal dopoguerra in avanti ha fatto la fortuna del Paese. Il materiale dell’archivio CSAC, nello specifico i figurini del Fondo Schuberth e le fotografie del Fondo Publifoto Roma, si è rivelato uno strumento di studio fondamentale per la ricostruzione dell’attività del sarto in oltre due decenni di attività e ha fornito un ricco repertorio di immagini e documenti per il libro. Ne è testimonianza l’album dei figurini di moda, in chiusura del libro, con una selezione di materiale particolarmente rappresentativo della vivacità e varietà che ha caratterizzato l’attività dell’atelier di Schuberth nei decenni centrali del Novecento. Lo studio, e dunque questa pubblicazione su Emilio Federico Schuberth, rappresentano quello che è il senso profondo di CSAC, ovvero la relazione imprescindibile fra le diverse forme d’arte, in cui si inserisce a pieno titolo anche la moda oltre che il cinema, e la comunicazione. Una visione inclusiva che abbraccia diversi saperi per fotografare il presente e il nostro passato recente. Il volume è il quarto di una serie di pubblicazioni e iniziative in collaborazione tra la casa editrice Electa e CSAC – Centro Studi e Archivio della Comunicazione dell’Università di Parma. Lo studio, e il prezioso lavoro di riordino e catalogazione di cui questa pubblicazione offre testimonianza, ha dato a CSAC l’opportunità di catalogare e digitalizzare tutti i bozzetti e le fotografie del sarto in modo da rendere fruibile il patrimonio del fondo all’esterno.

25/01/24

[kavekkozt]

Végighallgattam A Család az Család podcastját, szerintem az egyik legjobb podcast volt amit mostanában hallottam, és talán a legjobb, amit magyar nyelven valaha is hallottam.

Kicsit el van dugva, ezért ajánlom:

A Partizán podcast feedjében kell arra keresni, hogy "CSACS", és akkor jön fel.

A Család az Családosok csinálják, Hennel Éva és Pál Márton a két állandó résztvevő, emellett mindig van egy szakmai vendég és egy "híres ember" vendég.

[theanticool]

Miesha Tate vs Sarah Kaufman - Strikeforce Challengers 1

A true throwback in terms of rules. So for those unfamiliar, Elite XC and Strikeforce both had women’s divisions before the UFC came around on the idea (after buying Strikeforce). However, women’s bouts were relegated to 3 minute rounds until June 2009 when the promotion got permission from the CSAC to 5 minute rounds. In fact, it was originally 2 minute rounds (like boxing) before they gave women the extra minute.

But that is why this fight between future Strikeforce bantamweight champions is being fought in 3x3 rounds.

Sarah Kaufman is probably the most successful Canadian women’s fighter in MMA history. The bantamweight champion for both Strikeforce and Invicta, she’s been in there with almost every meaningful name at 135lbs: Tate, Rousey, Coenen, Alexis Davis, Modafferi, Baszler, Valentina Shevchenko, etc. She was a very sound striker that made her bones boxing her competition up while keeping fights standing.

Miesha Tate would go on to become the Strikeforce and UFC bantamweight champion. And obviously her resume is as good as anyone’s in WMMA in terms of fighting quality opposition. Tate at her best was hard nose wrestle/grappler who would dig herself out of holes deep into fights with a ton of grit and muscle.

[stanfiction]

HOLY SHIT EVERYONE LISTEN TO THIS RN. OH MY GOD

@cellard00rs, you continue to astound me with the quality and quantity of beautiful writing, effort, and care you put into the Gravity Falls fandom. From me and everyone else who reads what your put out there, thank you. Your work is impactful and inspirational. (And writing this song helped get me out of a month long writers block so seriously, THANK YOU!)

This song is from Stanley’s POV directly after the events of Chapter 14 of Coffee Stains and Cigarettes. 

For those interested, I’ve written another song for this fic (Jeez I have a problem) and you can find it here.

I also started a stancest-only blog, so if you enjoy that ship, you can follow it here. 

Aaand finally, I know the recording is very quiet and my voice is so-so, so I posted the lyrics under the cut.

Keep reading

[mybeingthere]

Andrea Branzi, architect and designer was born in 1938 in Florence where he graduated in 1966. He has been living and working in Milan since 1973. From 1964 to 1974 he was a member of the group Archizoom Associati, the first avant-garde group to be internationally recognized, whose projects are preserved at CSAC of Parma University; his graduation thesis and other projects are preserved at Centre Pompidou in Paris and at FRAC in Orleans. He was the editor of MODO magazine and co-founder and director of Domus Academy (Milan).

Branzi became a Full Professor and President of the Study Course in Interior Design at the Faculty of Design of the Politecnico di Milano. During his career, he has written several books and essays including Learning from Milan, The Hot House and Introduction to Italian Design. Branzi has collaborated with many Italian architecture magazines, such as Interni, Domus, Casabella, and MODO. In 1994 he received the ADI Compasso d’Oro Career Award.

https://www.designboom.com/.../exhibition-review-andrea.../