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fahrni · 2 years ago

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Saturday Morning Coffee

Good morning from Charlottesville, Virginia! ☕️

It’s been an interesting week, it’s just felt off for some reason. I think part of it is having our new pup — Cocoa — in the house and part of it is work.

Ever since our layoff things haven’t felt the same, because frankly, they’re not. Our company structure has changed and we’re still adapting and moving thing around. It feels way more corporate than ever but I suppose that happens when you get beyond a couple hundred people. We’re near one thousand, even after the layoff.

After the project I’m working on comes to a close at the end of July I’m hoping to get a little bench time to work on my SwiftUI (worst technology name ever) skills and shake the cobwebs out of the old programmer brain. 🧠

Ashur Cabrera

We’re giving ourselves the weekend to rest, then Phase 2 kicks off Monday when we start working on paperwork and logistics to pack a few bags, our pup, and try our luck at spending the next few years abroad. (More on this later in the summer ☺️)

Ashur is a friend, all around great fella, and very talented web developer. He’s even contributed his amazing web talent to Stream and I’m forever grateful for it.

Anywho, I’m so excited for him and this new adventure. Doing it while you’re young is the right call. Do it while your body can take it. Get out, explore!

I still hope to convince Kim we need to go all in on the RV lifestyle. Still not there yet. Maybe someday.

Enjoy this new adventure Ashur! 🧳

Joel Clay • blog.meldstudio.co

It is also what backs a number of the Swift concurrency primitives – with a cross platform, open source implementation of CoreFoundation released as the backing implementation. That source code is invaluable in gaining a better understanding of how CFRunLoop works. At just under 5k lines of quite readable C code, one could grok it at a high level in a few hours.

If you know me you know I love browsing C and C++ code. The thing I find extremely interesting about this code is how many OS’es it is targeted to run on; macOS, Windows, and Linux.

Makes me wonder who’s writing code against those platforms and how the new all Swift based frameworks work on those platforms.

This article takes a deep dive into CFRunLoop and it’s a good read if you’re into C code. 😃

NBC News

The Supreme Court issued a divided ruling on a pair of challenges to affirmative action policies at Harvard and the University of North Carolina, with potential implications across higher education and beyond.

The Republican built court is doing its job dismantling years and years of progress. They’ve already set Women’s rights, LGBTQ+ rights, and now affirmative action back. What’s next?

Here’s hoping most institutions of higher education don’t change their policies. Just leave that to the rich white racist institutions that take in dumbass rich white kids whose parents buy their way in.

Speaking of dumbass rich white kids…

Daniel Golden • ProPublica

My book exposed a grubby secret of American higher education: that the rich buy their under-achieving children’s way into elite universities with massive, tax-deductible donations.

Screw Harvard and the entire Ivy League. As a nation we need to get our belief that going to one of those schools magically makes you smarter or better than everyone else. They cater to the rich and powerful who can afford to buy their way in, like Jared Kishner’s dad did for him. It’s all about keeping the rich and powerful in power.

Sure, turn away the dark skinned people with great grades and SAT scores and let the idiots in.

I’m sure there are many other schools doing the same thing and they should all be shamed.

The question is how to stop it?

Doc Searles

For almost the whole time I wrote at the old blog, the URL doc.searls.com took you there as a redirect. Now that URL goes here, directly. Put another way, this was a Harvard blog until yesterday (and again, everything until that day remains so: that’s its legacy). From now on, it’s mine alone. It has crossed from one state to another. I’m not sure yet how it will change, if at all. But I feel energized about what new things I might do with it.

Speaking of Harvard, it sounds like they’ve shut down and archived a bunch of blogs and their associated blogging tools. I’d venture to guess the tools they were using were long in the tooth, not well maintained, and a security risk, but I could be completely wrong about that! 😆

It’s nice to see Doc in his new home. I just need to remember to subscribe to the new site.

Keaton Brandt

Instead, I think it’s safe to say it’s largely Apple’s fault. Or, maybe “fault” is the wrong word. We’ve moved on from the era of beautiful Mac software to the era of web-based apps, for better and for worse. There’s no one simple reason for this evolution, but it’s interesting to think through some of the factors.

This piece goes to all kinds of interesting places. I think the bottom line is Apple is running Microsoft’s playbook from the late 90’s when the web was taking off and they were desperately trying to keep folks tied into their OS and tools.

Eventually Microsoft got their act together and found their way into web technologies. Heck, they even went as far as scrapping their own home built browser for Chromium, but that’s another story I’m very opinionated about.

Jay Barmann • sfist.com

This is very sad. HRD Coffee Shop (521A Third Street), which has seen two generations of owners in SoMa/South Beach and became so well known for its fusion-style burritos and Mongolian beef cheesesteak a decade ago that they were paid a visit by Guy Fieri’s Diners, Drive-Ins & Dives in 2010, closed for good on Friday, June 23. The restaurant had just celebrated its 70th birthday this year.

This was one of the places on my “need to eat there someday” list and it’s a real shame to see it close down. I really wanted to try their spicy pork and kimchi burrito. Guess that ain’t gonna happen now. 😔

Pieter Hintjens

It’s one of my interview questions: “what is Good Code?” Surprisingly, almost no-one gets it right. It’s not about speed, elegance, language, or style. Good Code is code that solves real problems for real people, in an effective way. Let me list the top 10 rules for writing good code.

I enjoy reading how others approach coding. I’m constantly hearing the term “best practices” and makes me cringe a little.

I don’t agree with Pieter’s number zero rule: Use Git and Github. I know git is super popular and I use it and GitHub every day, but it’s not the only version control system on the planet and there are others that work just fine. The advice I’ve always given folks is pick a version control system and use it.

GitHub is, of course, a very good choice. 😃

[David Pierce • The Verge](<https://www.theverge.com/23778253/google-reader-death-2013-rss-social)

To executives, Google Reader may have seemed like a humble feed aggregator built on boring technology. But for users, it was a way of organizing the internet, for making sense of the web, for collecting all the things you care about no matter its location or type, and helping you make the most of it.

I remember how down my brother was when Google shut down Reader. He had a really nice workflow and could navigate Reader with his keyboard. It also had some very unique to Reader features he made good use of. I don’t remember what they were but I should ask him. If they’re unique perhaps Stream could benefit from implementing some? 🤔

Jason Kottke

When you write some code and put it on a spacecraft headed into the far reaches of space, you need to it work, no matter what. Mistakes can mean loss of mission or even loss of life. In 2006, Gerard Holzmann of the NASA/JPL Laboratory for Reliable Software wrote a paper called The Power of 10: Rules for Developing Safety-Critical Code. The rules focus on testability, readability, and predictability:

I’ve heard about these rules before and they’re no bad at all, especially for smaller, self contained programs. Anything mission critical should be extra safe in its implementation.

Remember when the Mars Lander crashed because the teams used different measurement systems? It only cost $125 million to build. Good times. 💥

Jack Gutzler • beyondtheflag.com

As NASCAR descends upon the streets of Chicago for the inaugural race at the new Chicago Street Course, a new chapter in the sport’s 75-year history will be written.

Since getting into NASCAR I’ve had this one marked on my calendar and wish I could’ve attended it. I’ve never been to Chicago or a NASCAR race, why not get a twofer?

I’ll be watching it from the safety of my own living room this time around. 🛋️

Manton Reece

Meta adopting ActivityPub has the potential to fast-forward the progress of the social web by years. Ever since I grew disillusioned with Twitter a decade ago and started pushing for indie microblogs, then writing a book about social networks and founding Micro.blog, I could only dream of a moment where a massive tech company embraced such a fundamental open API.

I’ve been trying to keep my nose out of the discussions around this on Mastodon. Opinions vary, of course, and some folks are very angry about the whole thing. It mostly boils down to folks in marginalized and discriminated against groups who made their homes on Mastodon being afraid. They don’t want to have to deal with the hate that will come along with an extremely popular, large, instance. I can’t say that I blame them.

I’m hopeful this will all work out and won’t divide the community.🕊️

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artist-monet · 4 years ago

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Stack of Wheat (Thaw, Sunset), Claude Monet, 1891, Art Institute of Chicago: European Painting and Sculpture

Gift of Mr. and Mrs. Daniel C. Searle Size: 64.4 × 92.5 cm (25 3/8 × 36 7/16 in.) Medium: Oil on canvas

https://www.artic.edu/artworks/100191/

#museumarchive #claudemonet #europeanart #artinstituteofchicago

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aic-european · 4 years ago

Photo

Stack of Wheat (Thaw, Sunset), Claude Monet, 1891, Art Institute of Chicago: European Painting and Sculpture

Gift of Mr. and Mrs. Daniel C. Searle Size: 64.4 × 92.5 cm (25 3/8 × 36 7/16 in.) Medium: Oil on canvas

https://www.artic.edu/artworks/100191/

#europeanart #museumarchive #artinstituteofchicago #claudemonet

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the-fae-folk · 5 years ago

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Leaf: I would like to learn more about the fae, could you tell me where a good place to start would be? maybe book recommendations? or specific fairy tales to look into? thank you so much

Ah, welcome. It is always good to see those who wish to broaden their knowledge of the old stories.As to the Fae, it depends on what you’re looking for. You see, the Folk did not arise from a singular instance of Mythology, but from an amalgamation of many cultural traditions and stories. For Ireland we have the Tuatha de Danann and their battles against the Fir Bolg and eventually become the Aos Sidhe. There are the Welsh Tylwyth Teg who steal fair haired children from their beds and leave changelings in their place.The Scottish hold great pride in their Seelie and Unseelie courts, while the Scandinavian people whisper fearfully of Trolls, Gnomes, Shapeshifters, Wights, and Werewolves.Will you look to the Norse for stories of Light Elfs, Dwarfs, and Disir? Or to the Germanic Wichtlein who aided miners, and are one of the distant precursors to both the Goblins and Dwarfs we imagine today?Or would you prefer to move forward to the Victorian age where Fae were brought together to diminutive sprites and fanciful little magics that you might find in Peter Pan, A Midsummer Night’s Dream, or the Faerie Queene?It really depends on what you’re trying to find. The Lore of the Fae is vast and encompasses the traditions of many different European cultures, each unique and important in its own way. I can include below a full list of all the sources I happen to possess at this time. Hopefully they will grant your desire of providing an excellent place with which to begin your research.

Kirk, Robert. The Secret Commonwealth of Elves, Fauns, and Fairies. 1691. Reprint, London: D. Nutt, 1893.

Wilby, Emma. “The Witch's Familiar and the Fairy in Early Modern England and Scotland.” Folklore, vol. 111, no. 2, 2000, pp. 283–305. JSTOR, JSTOR, www.jstor.org/stable/1260607.

Vejvoda, Kathleen. “‘Too Much Knowledge of the Other World’: Women and Nineteenth-Century Irish Folktales.” Victorian Literature and Culture, vol. 32, no. 1, 2004, pp. 41–61. JSTOR, JSTOR, www.jstor.org/stable/25058651.

Nutt, Alfred. “Presidential Address. Britain and Folklore.” Folklore, vol. 10, no. 1, 1899, pp. 71–86. JSTOR, JSTOR, www.jstor.org/stable/1253611.

Goodare, Julian. “The Cult of the Seely Wights in Scotland.” Folklore, vol. 123, no. 2, 2012, pp. 198–219., www.jstor.org/stable/41721541.

Briggs, Katharine Mary (1976). "Euphemistic names for fairies". An Encyclopedia of Fairies. New York: Pantheon Books. p. 127. ISBN 0-394-73467-X.

Rossetti, Christina G, and Martin Ware. Goblin Market. London: V. Gollancz, 1980. Print.

Braddon, M. E. (Mary Elizabeth), 1835-1915. Lady Audley's Secret. New York :Federal Book Company, 18ADAD. Print.

Frazer J.G. (1983) Sympathetic Magic. In: The Golden Bough. Palgrave Macmillan, London.

Yeats, William Butler. “The Stolen Child.” Collected Classic Poems, Stevenson to Yeats, Jan. 2012, pp. 1–2. EBSCOhost, ezproxy.uvu.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=prf&AN=76614684&site=eds-live.

Spenser, Edmund, Thomas P. Roche, and C P. O'Donnell. The Faerie Queene. Harmondsworth: Penguin, 1978. Print.

Gregory, Lady, and Finn MacCumhaill. Gods and Fighting Men: The Story of Tuatha de Danann and of the Fianna of Ireland. John Murray, 1905.

Howard, Marvin ElRoy. "" See ya na yon narrow road?": the search for Elfland in folklore of the Scottish border." (1996).

Campbell, John Gregorson. Superstitions of the Highlands & Islands of Scotland. J. MacLehose and sons, 1900.

Diane Purkiss, At The Bottom Of The Garden: A Dark History of Fairies, Hobgoblins, and Other Troublesome Things (2000)

Kready, Laura (1916). A Study of Fairy Tales. Boston: Houghton Mifflin Company.

“Trees in Mythology”. Mythencyclopedia.com. 2007-02-19. Retrieved 2014-05-11.

“‘The king o fairy with his rout’: Fairy Magic in the Literature of Late Medieval Britain–By Hannah Priest”. September 8, 2011.

Lenihan, Eddie and Green, Carolyn Eve (2004) Meeting The Other Crowd: The Fairy Stories of Hidden Ireland. pp. 146–7 ISBN 1-58542-206-1.

https://tam-lin.org/stories/Thomas_the_Rhymer.html

Evans Wentz, W. Y. (1966, 1990) The Fairy-Faith in Celtic Countries. Gerrards Cross, Colin Smythe Humanities Press ISBN 0-901072-51-6

De Jubainville, M. H. D'Arbois and Richard Irvine Best (1903). The Irish Mythological Cycle and Celtic Mythology. Dublin Hodges, Figgis, and Company.

Keightley, Thomas. (1892) Fairy Mythology. London: George Bell & Sons, Retrieved from Project Gutenberg 15 October 2017

King James. Daemonologie. A Critical Edition. In Modern English. 2016. ISBN 1-5329-6891-4.

Williams, Noel. “The semantics of the word fairy: making meaning out of thin air.” The Good People: new fairylore essays (1991): 457-78.

https://britishfairies.wordpress.com/

Wakefield, Sarah R. Folklore in British Literature: Naming and Narrating in Women’s Fiction, 1750-1880. Vol. 80. Peter Lang, 2006.

Laviolette, Patrick, and Alastair McIntosh. “Fairy hills: merging heritage and conservation.” Ecos 18.¾ (1997): 2-8.

Owen, Alex. “'Borderland Forms’: Arthur Conan Doyle, Albion’s Daughters, and the Politics of the Cottingley Fairies.” History Workshop, no. 38, 1994, pp. 48–85.

Zipes, Jack. Victorian Fairy Tales: The Revolt of the Fairies and Elves. Routledge, 2016.

Silver, Carole. “On the Origin of Fairies: Victorians, Romantics, and Folk Belief.” Victorian Literature and Culture 14 (1986): 141-156.

Harms, Daniel M. “Hell and Fairy: The Differentiation of Fairies and Demons Within British Ritual Magic of the Early Modern Period.” Knowing Demons, Knowing Spirits in the Early Modern Period. Palgrave Macmillan, Cham, 2018. 55-77.

Sikes, Wirt. British goblins: Welsh folk-lore, fairy mythology, legends and traditions. S. Low, Marston, Searle & Rivington, 1880.

Loponen, Mika. “Faerie Folklore in Medieval Tales-An Introduction.” (2006).

Lindow, John. Norse mythology: a guide to gods, heroes, rituals, and beliefs. Oxford University Press, 2002.

Gimbel, Jared Joseph. “Spiritual Descent: A Study of Semi-Divine Beings and Non-Human Species in European Mythologies.” (2011).

https://www.gutenberg.org/files/41006/41006-h/41006-h.htm

John Bauers Bästa: Ett Urval Sagor Ur "bland Tomtar Och Troll" Åren 1907-1915. Stockholm: Åhlén & Åkerlund, 1951. Print.

#fae #faerie #sidhe #otherfolk #leaf #root #sources #fairy tales

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maaarine · 6 years ago

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MBTI Typing Index: Names Q-T

Name starts with: A B, C D, E F, G H, I J K L, M N O P, Q R S T, U V W X Y Z.

Christian QUESADA (ESTJ)

Sara QUIN (ENTP)

Tegan QUIN (ENTP)

Zoë QUINN (INFP)

Daniel RADCLIFFE (ENFP)

Dennis RADER (ISTJ)

Charlotte RAMPLING (INFJ)

Gordon RAMSAY (ESTJ)

Giuliana RANCIC (ESFJ)

Ayn RAND (ISTJ)

Megan RAPINOE (ESTP)

Naval RAVIKANT (INTJ)

Jeremy RENNER (ISTP)

Raphaëlle RICCI (INTJ)

Damien RICE (INFP)

Tim RICE-OXLEY (INFJ)

Keith RICHARDS (ESTP)

Jon RICHARDSON (INTJ)

Alan RICKMAN (INTJ)

Tom RIDGEWELL (ENTP)

Ransom RIGGS (INFP)

Rihanna / Robyn FENTY (ESTP)

Guy RITCHIE (ENTJ)

Joan RIVERS (ESFP)

Robert REDFORD (INFJ)

Vanessa REDGRAVE (INFJ)

Eddie REDMAYNE (INFP)

Norman REEDUS (ISFP)

Keanu REEVES (ISFP)

Ryan REYNOLDS (ENTP)

Trent REZNOR (INFP)

Shonda RHIMES (ENFJ)

Mel ROBBINS (ENTJ)

Michel ROCARD (ENTJ)

Dennis RODMAN (ESTP)

Olivia RODRIGO (ESFJ)

Michelle RODRIGUEZ (ESTP)

Joe ROGAN (ESTP)

Seth ROGEN (ENTP)

Fred ROGERS (INFP)

Maggie ROGERS (INFP)

Cristiano RONALDO (ESTP)

Mark RONSON (ISFP)

Sally ROONEY (INFJ)

Arden ROSE (ENFP)

Tracee Ellis ROSS (ENFP)

Eric ROTH (INFJ)

Philip ROTH (ENTP)

Kristen ROUPENIAN (ENFP)

Mickey ROURKE (ESTP)

Joanne K. ROWLING (INFJ)

Arundhati ROY (INFJ)

Mark RUFFALO (ISFP)

RuPaul / RuPaul CHARLES (ENFP)

Bertrand RUSSELL (ENTP)

Winona RYDER (INFP)

Mark RYLANCE (INFP)

Anna SACCONE JOLY (ISFJ)

Jonathan SACCONE JOLY (ESFP)

Oliver SACKS (INFP)

Sade / Sade ADU (ISFP)

Claire SAFFITZ (ENFJ)

Sebastião SALGADO (INFJ)

Jonas SALK (INTJ)

Sheryl SANDBERG (ENFJ)

Thomas SANDERS (ENFP)

Adam SANDLER (ESTP)

Susan SARANDON (ENFP)

Michel SARDOU (ESTJ)

Anita SARKEESIAN (ENFJ)

Nicolas SARKOZY (ESTJ)

Jean-Paul SARTRE (INTP)

Marjane SATRAPI (ENFP)

Reshma SAUJANI (ENFJ)

Adam SAVAGE (ENTP)

Antonin SCALIA (ESTJ)

Marlène SCHAFF (ENFJ)

Matthias SCHOENAERTS (ISTP)

Amy SCHUMER (ENFP)

Arnold SCHWARZENEGGER (ENTJ)

Andrew SCOTT (INFP)

Ridley SCOTT (ENTJ)

Roy SCRANTON (INTJ)

Roger SCRUTON (INTJ)

John SEARLE (ENTP)

Amy SEDARIS (ENFP)

David SEDARIS (INTP)

Jerry SEINFELD (ENTJ)

Jason SEGEL (ENFP)

Léa SEYDOUX (ISFP)

Elif SHAFAK (INFP)

Faiza SHAHEEN (ENFJ)

Yara SHAHIDI (ENFJ)

Shakira / Shakira RIPOLL (ESFJ)

Tupac SHAKUR (ENFP)

Michael SHANNON (ISTP)

Ben SHAPIRO (ESTJ)

Maria SHARAPOVA (ENTJ)

Robert SHEEHAN (ENFP)

Michael SHEEN (ENFP)

Judith SHEINDLIN (ESTJ)

Dax SHEPARD (ENTP)

Amy SHERMAN-PALLADINO (ENFP)

Kiernan SHIPKA (ESFJ)

David SHRIGLEY (INTP)

SIA / Sia FURLER (ENFP)

Daniel SIEGEL (INFJ)

Jason SILVA (ENFP)

Nate SILVER (INTP)

Sarah SILVERMAN (ENFP)

David SIMON (INFJ)

Paul SIMON (INFP)

Nina SIMONE (INFP)

O.J. SIMPSON (ESTP)

Lily SINGH (ENFP)

Tarsem SINGH (ENFP)

Oscar SISTO (ENFP)

Troye SIVAN (ISFP)

Jojo SIWA (ESFP)

Jenny SLATE (ENFP)

Leïla SLIMANI (INFJ)

Jorja SMITH (ISFP)

Kiki SMITH (INFP)

Patti SMITH (INFP)

Sam SMITH (ESFP)

Will SMITH (ESFP)

Zadie SMITH (INFJ)

Edward SNOWDEN (INTJ)

Timothy SNYDER (INTJ)

Zack SNYDER (ESFP)

Salvador SOBRAL (INFP)

Steven SODERBERGH (ENTJ)

Soko / Stéphanie SOKOLINSKI (ENFP)

Solange / Solange KNOWLES (ISFP)

Rebecca SOLNIT (INFP)

Julien SOLOMITA (ESTP)

Stephen SONDHEIM (INTJ)

Susan SONTAG (INTJ)

Aaron SORKIN (INTP)

Sonia SOTOMAYOR (ENTJ)

Gareth SOUTHGATE (ISTJ)

Kevin SPACEY (ENTJ)

James SPADER (INTP)

Britney SPEARS (ISFJ)

Regina SPEKTOR (INFP)

Tori SPELLING (ISFJ)

Diana SPENCER (ISFP)

Steven SPIELBERG (INFP)

Baruch SPINOZA (INTP)

Bruce SPRINGSTEEN (ISFP)

Cole SPROUSE (ENTP)

St. Vincent / Annie CLARK (INFJ)

Lakeith STANFIELD (ISTP)

Joey STARR (ESTP)

Gwen STEFANI (ESFP)

Gloria STEINEM (ENTJ)

Amandla STENBERG (INFP)

Dan STEVENS (ENFJ)

Michael STEVENS (ENTP)

Sufjan STEVENS (INFJ)

Jon STEWART (ENTP)

Kristen STEWART (ISTP)

Martha STEWART (ENFJ)

Rory STEWART (INTJ)

Michael STIPE (INFP)

Emma STONE (ENFP)

Stormzy / Michael OMARI (ESFP)

Meryl STREEP (ENFJ)

Donna STRICKLAND (ENTJ)

Jeremy STRONG (INFP)

Bjarne STROUSTRUP (INTP)

Michael STUHLBARG (INFP)

Nicola STURGEON (ENTJ)

Tom STURRIDGE (INFP)

Harry STYLES (ESFP)

Zoe SUGG (ESFJ)

Taylor SWIFT (ESFJ)

Tilda SWINTON (INTP)

Kara SWISHER (ENTJ)

Omar SY (ESFP)

Oli SYKES (ISFP)

Wanda SYKES (ESFP)

Amber TAMBLYN (ENFP)

Tamino / Tamino FOUAD (ISFP)

Terence TAO (INTP)

Quentin TARANTINO (ENTP)

Donna TARTT (INFJ)

Elizabeth TAYLOR (ESFP)

Aaron TAYLOR-JOHNSON (ISFP)

Sam TAYLOR-JOHNSON (ISFP)

Tekashi69 / 6ix9ine / Daniel HERNANDEZ (ESTP)

Miles TELLER (ESTP)

David TENNANT (ENFP)

Nikola TESLA (INTP)

Virgil TEXAS (INTP)

Michelle THALLER (ENTP)

Margaret THATCHER (ESTJ)

The Weeknd / Abel TESFAYE (ISFP)

Charlize THERON (ENTJ)

Louis THEROUX (ENTP)

Peter THIEL (INTP)

Clarence THOMAS (ESTJ)

Kristin Scott THOMAS (ENTJ)

Emma THOMPSON (ENTP)

Maura TIERNEY (ISTP)

Meg TILLY (INFP)

Krista TIPPETT (INFJ)

Lily TOMLIN (ENTP)

Louis TOMLINSON (ENFP)

Giulio TONONI (INTJ)

Meghan TRAINOR (ESFP)

Joachim TRIER (ENFJ)

Donald TRUMP (ESTP)

Ivanka TRUMP (ISFJ)

Alan TUDYK (ENTP)

Cenzo TUIHANI (ISFP)

Alex TURNER (INTP)

Sophie TURNER (ESFP)

Tina TURNER (ESFP)

Jeff TWEEDY (INFP)

Liv TYLER (ISFP)

Name starts with: A B, C D, E F, G H, I J K L, M N O P, Q R S T, U V W X Y Z.

#mbtiindex

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optikes · 7 years ago

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Hilma af Klint (1862-1944) Sweden

1 The Swan Number 17 (1914-15)

2 Altarpiece Number 1 (c1915) oil on canvas

A serpentinegalleries.org …her work from the early 20th century pre-dates the first purely abstract paintings by Wassily Kandinsky, Piet Mondrian and Kazimir Malevich.

B theartstory.org [Hilma] was a pioneer. Described as a mystic and a medium, af Klint conducted séances and communicated with spirits, even receiving a message from higher forces to create her most notable, devotional body of work, Paintings for the Temple. Yet, af Klint's sensitivity surrounding the ethereal was married to an analytical and scientific way of navigating the world. She was an eager botanist, well read in natural sciences and in world religions. With unsurpassed wisdom and in anticipation of human foolishness, not only did af Klint state that her work was not to be shown for 20 years following her death, but she also stipulated that no work could be sold separately, ensuring that her artworks could not become misunderstood commodities.

C theartstory.org Fittingly as the final pieces for the ‘Paintings of the Temple’, Af Klint produced three large ‘Altarpieces’. Looking back to an earlier golden age (and forwards to another one), the painting brings to mind an Egyptian temple, which using a highly developed intuitive intelligence, was built in line with the rising and setting sun. The 'pyramid' is an equilateral triangle divided into rainbow building block sections, with a run of oval discs adding more stability as a spine down the centre. The 'sun' rises above, and all of the saturated highly colored shapes are set against a black background. Each one of these wide spectrum of colors has symbolic meaning within Theosophical and Anthroposophical spiritualist theory. Furthermore, the triangle is an ancient symbol which "points towards enlightenment, connecting the material and the spiritual worlds", as suggested by the Serpentine Pavilion's description of the work.

For af Klint, these were instinctively produced works that possessed spiritual messages in need of decoding.

Art critic Adrian Searle claims that the works are "diagrams and abstractions from ideas - not wholly abstract, more representations of elements of an unseen world, and of invisible forces". One possible spiritual interpretation of the work, is that the triangle represents humanity reaching up towards heaven, which is the underlying journey of all spiritual life. Another understanding, arrived at through af Klint's knowledge of Theosophical theories, is that the work depicts the descending of spirit into matter, and matter ascending into spirit.

D thertstory.org Daniel Birnbaum, Ann-Sofi Noring, and others, state that "No one painted like this at that time: remarkable color combinations, monumental formats, shapes that are once both organic and otherworldly" emphasizing the transcendental essence of the works (not easy to articulate entirely in words) and the importance of interpreting the works as such.

E guggenheim.org Af Klint’s first major group of largely nonobjective work, The Paintings for the Temple, grew directly out of those belief systems (Theosophy). Produced between 1906 and 1915, the paintings were generated in part through af Klint’s spiritualist practice as a medium and reflect an effort to articulate mystical views of reality. Stylistically, they are strikingly diverse, incorporating both biomorphic and geometric forms, expansive and intimate scales, and maximalist and reductivist approaches to composition and color. She imagined installing these works in a spiral temple, though this plan never came to fruition. In the years after she completed The Paintings for the Temple, af Klint continued to push the bounds of her new abstract vocabulary, as she experimented with form, theme, and seriality, creating some of her most incisive work.

Stockhom’s Museum of Modern Art retrospective of af Klint’s practice. www.modernamuseet.se/stockholm/en/exhibitions/hilma-af-klint-2/

2016 London exhibition of Klint’s Body of Work: www.serpentinegalleries.org/exhibitions-events/hilma-af-klint-painting-unseen

Hilma af Klint Foundation, Stockholm. www.hilmaafklint.se/about-the-foundation-eng/

www.theartstory.org/artist-af-klint-hilma.htm

#modernism #klint #abstraction #non objective #non representational #structural frame #hilma af klint

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jaigeddes · 4 years ago

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Argent unveils first office blocks at £5bn Brent Cross site

Argent Related has revealed designs for the first three office buildings at its £5bn Brent Cross Town development in north London.

The offices are located next to 50 acres of parks and playing fields along with 6,700 new homes, restaurants, leisure, shops, sport facilities, schools and student accommodation.

The first 550,000 sq ft of office space at Brent Cross Town will bring together innovative companies, academic organisations, start-ups and scale-ups to “create a new, market-leading business ecosystem that on completion will total some 3m sq ft of space for 25,000 workers.”

Argent said: “The ecosystem will bring together a range of sectors who share a desire to be part of a network greater than their own and hold common values of championing quality of life and sustainability.”

The first three buildings are positioned around a new main square and adjacent to the entrance of the new Brent Cross West station that will be completed in 2022.

The new office buildings

Number 2 Brent Cross Town is set to be a factory for new ideas and innovation. Its design by Hawkins\Brown architects has 103,000 sq ft of flexible floorplates, allowing start-up and scale-up businesses to become part of a collaborative community of creators. The seven-metre-high ground floor space is accessible to the public, encouraging residents and visitors to engage with the work inside through events and exhibitions. This building has a timber structure and will use zero carbon heating and cooling systems.

Number 3 Brent Cross Town is designed by ShedKM architects and provides 221,000 sq ft of office space, with an expansive double height reception offering easy access from the station entrance. Design features include a timber floor structure, flexible open floorplates leading onto balconies and a striking warehouse-style roof pavilion with terraces and far-reaching views of the parks and Hampstead Heath beyond.

Number 4 is Brent Cross Town’s beacon timber-framed building designed by Studio Egret West architects, providing 250,000 sq ft of thoughtfully considered, flexible and well-lit floorplates, with a top-floor ‘lantern’ feature and a generous wrap-around rooftop balcony with panoramic views over the city. If required, numbers 3 and 4 can be connected to provide c. 500,000 sq ft of space, with expansive c. 45,000 sq ft floorplates. Their position at the gateway to Brent Cross Town suits major organisations with an outward-looking focus who value easy links to both central London and the rest of the UK.

Nick Searl, Partner of Argent Related and Joint-Lead of Brent Cross Town, sais: “We believe the future of great work lies in collaboration, and that our cities need to provide high-quality space for employees and businesses to come together.

“Brent Cross Town will be created to enable a better work-life balance, to encourage active and outdoor lifestyles, while providing places for innovation, mentoring and meeting of minds that cannot be achieved working from home.

“We remain confident in the requirement for physical office space that can flex and evolve with the requirements of its occupiers.”

Councillor Daniel Thomas, Leader of Barnet Council, said: “Brent Cross Town is an exciting development for Barnet. Its connectivity to the rest of the UK will help attract world-class businesses and talent to the borough, while boosting skills and employment locally.

“Our new 180-acre park town has been designed so businesses are supported by open spaces, community facilities, retail and new homes; responding to changing behaviours towards living and working.”

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ebenalconstruct · 4 years ago

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Argent unveils first office blocks at £5bn Brent Cross site

Argent Related has revealed designs for the first three office buildings at its £5bn Brent Cross Town new park town in north London.

The offices are located next to 50 acres of parks and playing fields along with 6,700 new homes, restaurants, leisure, shops, sport facilities, schools and student accommodation.

The first three buildings are positioned around a new main square and adjacent to the entrance of the new Brent Cross West station that will be completed in 2022.

The new office buildings

“We remain confident in the requirement for physical office space that can flex and evolve with the requirements of its occupiers.”

from https://www.constructionenquirer.com/2021/01/11/argent-unveils-first-office-blocks-at-5bn-brent-cross-site/

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allspark · 7 years ago

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IDW Publishing have released solicitations for their Transformers and other Hasbro Universe titles due for release in May 2018, including the surprise return of the Wreckers! Read on for the full details!

After you check out the solicits below, head over to the Allspark Forums to discuss them with other fans! Are you looking forward to one last ride with the Wreckers?

Poster – Nick Roche

Transformers: Requiem of the Wreckers—SPOTLIGHT Nick Roche • Nick Roche, Guido Guidi, & Geoff Senior (a) • Nick Roche (c) Wreck & Rule! They’ve been beaten up, torn apart, betrayed, and had their sins revealed. The few remaining Wreckers are more lost and lonelier than they’ve ever been, which makes it the perfect time for them to come under fire from an anti-Cybertronian campaigner and an old foe! Remember them fondly, because this is the “Requiem of the Wreckers.” FC • 48 pages • $7.99

Bullet points: • The final entry in the Wreckers trilogy! • Written and drawn by Nick Roche (Transformers: Sins of the Wreckers, Amazing Spider-Man: Renew Your Vows)!

Cover B – Casey W. Coller

Optimus Prime #19—Cover A: Kei Zama John Barber • Sara Pitre-Durocher (a) • Kei Zama (c) “The Falling,” Part 4. Onyx Prime’s motivations are clear, and his scheme seems unstoppable. Heroes have fallen, and hope dwindles for the survivors. Cybertron’s last chance of salvation is in the hands of… well, that would be telling, wouldn’t it? FC • 32 pages • $3.99

Optimus Prime #19—Cover B: Casey W. Coller John Barber • Sara Pitre-Durocher (a) • Casey W. Coller (c) FC • 32 pages • $3.99

Bullet points: • Black & white cover by Kei Zama!

Cover A – Jack Lawrence

Transformers: Lost Light #18—Cover A: Jack Lawrence James Roberts • Jack Lawrence (a & c) LIGHTS OUT! The “Everlasting Voices” trilogy concludes with an explosion of hope, a grave betrayal… and more answers than you can handle! Events of the last six years build to a frenzy of revelations, casting everything that’s gone before in a new—and deadly—light. No exaggeration, no hyperbole: there has never been a more important issue of Lost Light. FC • 32 pages • $3.99

Transformers: Lost Light #18—Cover B: Alex Milne James Roberts • Jack Lawrence (a) • Alex Milne (c) FC • 32 pages • $3.99

Bullet points: • Leads directly into the biggest story in the history of the Lost Light! • Black & White variant cover by Alex Milne!

Cover – Nelson Daniel

Cover – Derek Charm

Scarlett’s Strike Force Aubrey Sitterson • Nelson Daniel, Ilias Kyriazis (a) They’ve fought back invasions from home and afar—now, they’re back on Earth, and ready to take on the wildest, weirdest threats out there! It’s Scarlett’s G.I. JOE team, the Strike Force, against a brand-new Cobra Commander, a revitalized Cobra, and everyone else trying to conquer Earth… or destroy it! Featuring all-stars of the Hasbro line as M.A.S.K.: Mobile Armored Strike Kommand and the Transformers bots join G.I. Joe in the fight against Cobra! Collects issues #1-3, the G.I. JOE First Strike one-shot, and the M.A.S.K.: Mobile Armored Strike Kommand First Strike one-shot. TPB • FC • $17.99 • 128 Pages • ISBN: 978-1-68405-237-0

Bullet points: • Advance solicited for June release!

Jem and the Holograms: Dimensions Sophie Campbell, Kate Leth, Sarah Kuhn, Sarah Winifred Searle & Various • Tana Ford, Sophie Campbell, Siobhan Keenan, Sarah Winifred Searle & Various (a) • Derek Charm (c) Jem and the Holograms get back to their rock ‘n’ roll roots in this new series of stand-alone stories from some of comics’ most popular creators. A celebration of creativity, friendship, and being true to yourself, Dimensions is full of humor, fun, and characters that radiate positivity. These uplifting stories will bring a smile to readers’ faces even as they put a song in their hearts. TPB • FC • $15.99 • 96 pages • ISBN: 978-1-68405-242-4

Bullet points: • Advance solicited for June release! • All your favorite characters—and some new ones!—take the stage in stories about everything from Dungeons & Dragons to ski trips gone wrong!

IDW Publishing Solicitations for May 2018 IDW Publishing have released solicitations for their Transformers and other Hasbro Universe titles due for release in May 2018, including the surprise return of the Wreckers!

#IDW Publishing #Lost Light #Optimus Prime #Requiem of the Wreckers #Solicitations #TF

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auxbellesillustrationsfr · 5 years ago

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« Serotonine » dans la première sélection de l’International Booker Prize 2020

Par Nicolas Turcev, le 27.02.2020 à 13h15 (mis à jour le 28.02.2020 à 10h59) Prix littéraire

Michel Houellebecq – Photo PHILIPPE MATSAS/FLAMMARION

Le roman de Michel Houellebecq pourrait faire figure de favori pour remporter ce prix qui récompense à parts égales écrivain et traducteur.

L’International Booker Prize a révélé, jeudi 27 février, la première sélection de son édition 2020. Sérotonine de Michel Houellebecq (Flammarion) fait partie des 13 ouvrages pressentis pour recevoir ce prix qui distingue chaque année un roman traduit en anglais et publié au Royaume-Uni. L’auteur et le traducteur sont récompensés à parts égales, sur la base d’une dotation de 50000 livres (58800 euros). Au total, 11 pays et 8 langages sont représentés. Sérotonine, traduit en anglais par Shaun Whitesite et publié par William Heinemann au Royaume-Uni, figure aux côtés d’un autre ouvrage français, Un renard à mains nues, d’Emmanuelle Pagano, publié en France par POL et par Peirene Press Outre-Manche, dans une traduction de Sophie Lewis et Jennifer Higgins. Cinq romans étrangers sélectionnés sont parus ou vont paraître en France : La huitième vie : pour Brilka de Nino Haratischvili (Piranha, 2017, traduit de l’allemand par Barbara Fontaine et Monique Rival), Le roman de Tyll Ulespiègle de Daniel Kehlmann (Actes Sud, 2020, traduit de l’allemand par Juliette Aubert), La saison des ouragans de Fernanda Melchor (Grasset, 2019, traduit de l’espagnol par Laura Alcoba), Qui sème le vent de Marieke Lucas Rijneveld (Buchet Chastel, 16 avril 2020, traduit du néerlandais par Daniel Cunin) et Mac et son contretemps d’Enrique Vila-Matas (Bourgois, 2017, traduit de l’espagnol par André Gabastou). Quatre autres auteurs retenus dans cette première sélection ont déjà été publiés en France : la Japonaise Yoko Ogawa, dont l’œuvre est disponible chez Actes Sud, l’Argentine Samanta Schweblin, déjà parue chez Gallimard et au Seuil, Gabriela Cabezon Camara, qui sera bientôt éditée chez l’Ogre (Pleines de grâce, 19 mars 2020, traduit de l’espagnol par Guillaume Contré) ainsi que Jon Fosse, présent au répertoire de l’Arche. Les finalistes seront dévoilés le 2 avril prochain, avant l’annonce du lauréat le 19 mai. Ce dernier succédera à l’Omanaise Jokha Alharthi, distinguée l’an dernier pour Celestial Bodies (Editions Sandstone). La liste des romans sélectionnés pour l’International Booker Prize

Red Dog (Pushkin Press) de Willem Anker, traduit par Michiel Heyns

The Enlightenment of The Greengage Tree de Shokoofeh Azar, traducteur anonyme, Europa Editions

The Adventures of China Iron de Gabriela Cabezón Cámara, traduit par Fiona Mackintosh et Iona Macintyre, Charco Press

The Other Name: Septology I – II de Jon Fosse, traduit par Damion Searls, Fitzcarraldo Editions

The Eighth Life (La huitième vie : pour Brilka) de Nino Haratischvili, traduit par Charlotte Collins et Ruth Martin, Scribe UK

Serotonin (Sérotonine) de Michel Houellebecq, traduit par Shaun Whiteside, William Heinemann

Tyll (Le roman de Tyll Ulespiègle) de Daniel Kehlmann, traduit par Ross Benjamin, Quercus

Hurricane Season (La saison des ouragans) de Fernanda Melchor, traduit par Sophie Hughes, Fitzcarraldo Editions

The Memory Police de Yoko Ogawa, traduit par Stephen Snyder, Harvill Secker

Faces on the Tip of My Tongue (Un renard à mains nues) d’Emmanuelle Pagano, traduit par Sophie Lewis et Jennifer Higgins, Pereine Press

The Discomfort of Evening (Qui sème le vent) de Marieke Lucas Rijneveld, traduit par Michele Hutchison, Faber

Little Eyes de Samanta Schweblin, traduit par Megan McDowell, Oneworld

Mac and His Problems (Mac et son contretemps) d’Enrique Vila-Matas, traduit par Sophie Hughes et Margaret Jull Costa, Harvill Secker

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