#davidbenjaminsherry

[thisispaper]

Selected works by David Benjamin Sherry https://thisispaper.com/Selected-works-by-David-Benjamin-Sherry

[asteticas]

DAVID BENJAMIN SHERRY — SANTA ELENA CANYON, BIG BEND NATIONAL PARK, 2020.

[artbookdap]

As this long, strange summer draws to a close and our National Parks continue to draw record crowds wreaking tremendous impact on the environment, we wanted to take another look at one of our favorite photobooks of recent years, 'American Monuments,' by @davidbenjaminsherry — back in stock from @radius.books⁠⁠ ⁠⁠ This is a landscape photography project that captures the spirit and intrinsic value of America’s threatened system of national monuments. In April 2017 an executive order called for the review of the 27 national monuments created since January 1996. In December 2017 the final report called on the president to shrink four national monuments and change the management of six others, recommending that areas in Maine, Nevada, New Mexico, Utah and the Atlantic and Pacific Oceans be offered for sale, specifically for oil drilling and coal and uranium mining. 'American Monuments' focuses on the areas under review, with special emphasis on those that have already been decimated. Sherry documents these pristine, sacred and wildly diverse areas using the traditional, historic 8x10" large format. The resulting 31 photographs—all tipped in to the book by hand—not only convey the beauty of these important and ecologically diverse sites, but also shed light upon the plight of the perennially exploited landscape of the American West.⁠⁠ ⁠⁠ #davidbenjaminsherry #americanmonuments #nationalparks #americannationalparks @nationalparkservice https://www.instagram.com/p/CS7Pb8OFuUn/?utm_medium=tumblr

[victoriasambunaris]

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A post shared by Victoria Sambunaris (@victoriasambunaris)

Caught up with #davidbenjaminsherry driving across Mars. #ontheroad #mars

[gerardbillet]

PARIS PHOTO. Zanele Muholi, Edward Burtynsky : Saw Mills #3 Log Booms, Lagos, Valerie Belin : Lady Pastel, David Benjamin Sherry : Rio Grande Gorge, Sophie Calle : Maman, Katy Grannan, Georges Hugnet : la Vie amoureuse des spumiferes. #grandpalais #parisphoto #zanelemuholi #edwardburtynsky #sawmills #logboom #lagos #robertkochgallery #valeriebelin #ladypastel #galerienathalieobadia #davidbenjaminsherry #riogrande #fraenkelgallery #sophiecalle #maman #katygrannan #georgeshugnet #lavieamoureusedesspumiferes #sieshokegalerie #photographie #instapic #photooftheday #parismaville (à Paris Photo) https://www.instagram.com/p/B4s8E-mqRyR/?igshid=1ft6jevo3nlam

[theculturecreative]

#ChristopherWool, "The Harder You Look," 2000 / #DavidBenjaminSherry, "Climate Vortex Sutra, 2014

[earthstory]

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davidbenjaminsherry I’m heartbroken... this beautiful place will soon be covered in oil rigs. I’ve had the freedom for the last 10 years exploring, trekking and creating my work in Utah’s wilderness. I can’t believe these sacred places will soon be gone. 

[executiverealness]

Sublime Bottom 1 & 2 by @davidbenjaminsherry (at Salon 94)

[rodarte]

Happy Birthday Kim Gordon!!!!!!! (Ph: @davidbenjaminsherry for @dazeddigital).

[davidbenjaminsherry]

My 3rd show at Salon 94 Bowery has opened! If in NY, please visit 243 Bowery Jun 7th-July 28th.

Pink Genesis, David Benjamin Sherry's third exhibition at Salon 94, features a group of new photograms that celebrate the transformative potential of the darkroom as an activated, ecstatic space. Enacting a series of performative movements in the darkness, with a virtuoso command of photographic techniques, Sherry has created a group of unique photograms full of saturated color and cosmic depth.

Over the last decade Sherry has become recognized as one of his generation's most innovative practitioners of analogue photography, remaining firm in his dedication to traditional processes. He has explored the large-scale American landscape photograph, the physical disruption of the photographic surface, and the changing role of documentary images. His work has been characterized by an ongoing exploration of queer perspectives, and he has frequently used his own body as a subject and site of visual experimentation.

Since photograms do not require the use of a camera, Sherry's newest works find him advancing even further into the alchemical heart of photography. Unlike black-and-white photograms, which allow for the use of a minimal amount of light in the darkroom, Sherry's color versions require complete darkness. While working blindly, Sherry’s years of printing his own work have given him the familiarity and the ability to move through a pitch black room as he adjusts his props––cardboard stencils, his body, sheets of printed acetate, his dog––before exposing the paper to the light of the enlarger.

His photograms can be divided into two basic types: precise geometric abstractions and freer, improvisational compositions in which the artist's body appears as subject.

To create the geometric works, Sherry makes hand-cut cardboard templates that he exposes on the paper to light in highly controlled intervals. He uses the enlarger in an unconventional fashion, intentionally misadjusting ratios of cyan, magenta, and yellow to produce extremely vivid colors. The photograms are printed on paper with a deep matte finish, allowing for levels of saturation that often make the surfaces feel more like paintings.

The artist’s darkroom performance lends the work an erotic charge. The results are sensuous, luminous forms that evoke otherworldly landscapes and mandala-like visions. While their symmetry speaks to a mathematical rigor, their handmade origins are evident. Imperfections in his cardboard templates leave behind subtly frayed (and thus optically vibrating) transitions between tones. As light passes through a blank negative on its way to the paper below, the edges of that negative are visible in the finished work, thus the artist leaves the word 'Kodak' and strings of numbers identifying the type of film stock used.  

For Sherry, photography is a tool for connecting the entire body to its surroundings. In the new photograms in which his body appears, this intimacy is given literal expression as the artist puts himself in direct contact with the paper, posing on the enlarger table itself. Each of the artist's movements require both planning and a willingness to surrender to the unpredictable choreography of the moment. Sherry makes use of specially prepared sheets of acetate that incorporate visual patterning drawn from an array of digital sources. Their presence reaffirms the links between technological image production and human physicality.

Most of the figurative photograms are dense, multi-layered compositions, but Pink Genesis (Self portrait with Mars), 140C0M25Y, 2017 depicts the entire uninterrupted length of the artist's body in stark silhouette.  The background  surrounds him in a deep shade of pink; on a radiant white rectangle, which appears to be held between his hands, are graffiti-like textures sourced from images taken during a NASA satellite expedition to Mars.  Though photography allows us to see things far beyond the reach of our own eyes, Sherry has made a group of works that celebrate––and are dependent upon––the limitless expanses of touch.  

David Benjamin Sherry (b. 1981, Woodstock, NY) currently lives and works in Los Angeles, CA. He received a BFA from Rhode Island School of Design in 2003, and his MFA from Yale University in 2007. His work has been included in Greater New York 2010, at MoMA PS1, LIC, NY; The Anxiety of Photography, Aspen Art Museum, Aspen, CO; Lost Line, Los Angles County Museum of Art, Los Angeles, CA; and, What Is A Photograph?, International Center for Photography, New York, NY. His work is in permanent collections at the The Nasher Museum of Art, Durham, NC; Walker Art Center, Minneapolis, MN; Wexner Center of the Arts, Columbus, OH; Los Angeles County Museum of Art, Los Angeles, CA; and the Saatchi Collection, London, UK. Earth Changes, a catalogue of Sherry’s landscape work, with an essay by LACMA curator Britt Salvesen, was published in 2015 by Mörel Books, London.

Salon 94 Bowery is located at 243 Bowery between Stanton and Rivington Street. The gallery is open Tuesday-Saturday 11 am – 6 pm. For all press inquiries, please contact Sophie Wise at sophie@companyagenda.com or call 212-358-9516.

#davidbenjaminsherry #salon94 #pinkgenesis #analog #filmphotography #kodak #photogram #darkroomphotography 

[instapicsil3]

After a five-year expansion, @glenstonemuseum has opened to the public. Founders Mitchell and Emily Rales have amassed key works by many contemporary art stars. The museum in Potomac, Maryland, will showcase them in a new space devoted to long-term installations of work by Ray, Brice Marden, Martin Puryear, On Kawara, Cy Twombly and Michael Heizer, among others. “We’re trying to create an experience you can’t find anywhere else,” says Mitch in our November feature. (🖊: @elk_elisa, 📸: @davidbenjaminsherry) #WSJMagazine #Glenstone https://ift.tt/2CugcVO

[artbookdap]

Images from David Benjamin Sherry's deluxe new Radius Books monograph, ‘American Monuments,’ collecting Shery's vibrant, large-format photographs of national monuments under review following the 2017 executive order that has threatened to shrink or redefine many of them. "The candescent photography of David Benjamin Sherry shatters the frontier myth of a world that exists in black and white," Terry Tempest Williams writes. "Call these disruptive images of color as a queering of the American landscape. We can no longer afford to frame this vast territory as belonging only to the rugged individualist, the Marlboro Man riding upright on his high horse trying to corral anything or anyone that looks different than he does." #davidbenjaminsherry @davidbenjaminsherry @radius.books #americanmonuments #nationalmonuments @ttwillet https://www.instagram.com/p/B7WTJGNpery/?igshid=p92phxn2t2l9

[victoriasambunaris]

Tools of the trade. @myowncolorlab @davidbenjaminsherry #analogphotography #5x7film #colorcorrection #kodak #colex #utah #newwork https://www.instagram.com/p/B7rfaHIlQwk/?igshid=71i2ao3p8uuh

[paddle8]

David Benjamin Sherry • “Semen and Grapes,” 2007 • The Collector: Carlos Mota Auction • March 1 — March 15

[instapicsil3]

Mitchell and Emily Rales are the most influential art collectors you've never heard of. With little fanfare, the couple has amassed key works by many contemporary art stars, and soon an ambitious expansion of their art institution Glenstone will allow them to share more of it with the public. Located in Potomac, Maryland, there will be seven discrete rooms in the new space devoted to long-term installations of work by Ray, Brice Marden, Martin Puryear, On Kawara, Cy Twombly and Michael Heizer, among others—details of which they have been keeping under wraps—and three more galleries for changing exhibitions. “We’re trying to create an experience you can’t find anywhere else,” says Mitch. Pictured is aquatic horticulturalist Jonathan Sander working on the site’s central pond. Read the story 🖥: now, 📰: December 9. (🖊: @elk_elisa, 📸: @davidbenjaminsherry) #WSJMagazine #Glenstone http://ift.tt/2Ak9BcP

[artbookdap]

Let's hear it for planet Earth! We're celebrating Earth Day 2020 with these photos from gorgeous 'David Benjamin Sherry: American Monuments,' published by @radius.books⁠⠀ ⁠⠀ 'American Monuments' is a landscape photography project that captures the spirit and intrinsic value of America's threatened system of national monuments. In April 2017 an executive order called for the review of the 27 national monuments created since January 1996. In December 2017 the final report called on the president to shrink four national monuments and change the management of six others, recommending that areas in Maine, Nevada, New Mexico, Utah and the Atlantic and Pacific Oceans be offered for sale, specifically for oil drilling and coal and uranium mining. ⁠⠀ ⁠⠀ 'American Monuments' focuses on the areas under review, with special emphasis on those that have already been decimated. Sherry documents these pristine, sacred and wildly diverse areas using the traditional, historic 8x10" large format. The resulting 31 photographs—all tipped in to the book by hand—not only convey the beauty of these important and ecologically diverse sites, but also shed light upon the plight of the perennially exploited landscape of the American West.⁠⠀ ⁠⠀ Essays by Terry Tempest Williams, Bill McKibben⁠⠀ ⁠⠀ @davidbenjaminsherry #americanmonuments #earthday⁠⠀ @salon94 @moranmorangallery #nationalmonuments #nationalparks @nationalparkservice @ttwillet #landscapephotography⁠⠀ https://www.instagram.com/p/B_SMciYJTXV/?igshid=11d9sajlmk5cj