#dazed and confused gto
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yay to pickford fics omg so hard to find!!! could you do fem!reader pls angsty with a little smut is fine, love your fics all the same so i’m not too picky <3
Hate To Love You



Pairing: Kevin Pickford x FemReader
Warnings: 18+, smut, oral - male receiving, fingering, semi-public, dirty talk, angst, enemy/lover relationship, it's really dirty - my bad, no use of y/n
Summary: Kevin Pickford is your mortal enemy but he also turns out to be extremely good in different ways that you plan to exploit for future use.
word count: 3.1k
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"Slater, you can't be serious," you scowl, kicking rocks along the sidewalk as you near the house you'd rather set on fire. Though if you did that, it might only get the entire town high. Slater is too greened out to recognize any of the weight to your words, head in the clouds, and amused smile on his face.
"C'mon, I just need Kev to hit me with an ounce or so and then we'll be on our way," he reminds you, elbow nudging your arm as you spot the driveway. The orange GTO is the only car in attendance, which was a relief when you realized you wouldn't have to fake any pleasantries with the parents of your sworn enemy. Kevin Pickford had been a nightmare since middle school. Not only did he have a wealthy family who provided him everything but he also had spent the past five years dedicated to torturing you. It started with spitballs, then moved to leaving various unwarranted items in your locker, and now relied solely on the consistent teasing from him at every social event you both attended.
"Kevin doesn't like me Slate, I can sit this one out," you huff, arms crossing over your chest as you both stop in front of the boys house. It had been a month since Kevin and Michelle had broken up and despite the good news of gaining a friend back, it had also been the worst. Kevin's lack of a partner had turned Slater's visits to almost triple the amount and he had dragged you along for almost all of them.
"Well maybe we should all just get along, he's my buddy man, and you are too. I say we even cruise with him to this party tonight," Slater says in his normal dazed tone, finding the simplicity in your long and horrible relationship with the boy. Discovering you're now expected to cruise with him tonight has become even more dreadful. Yet you have no more time to complain when Pickford appears in the doorway, unbuttoned shirt barely hanging on his shoulders as he grins at you both.
"Customers, welcome," he nods his head, holding onto the 'S' sound in customers for far longer than appropriate. The instant reaction of rolling your eyes is opposite of the happy nod Slater greets him back with but it doesn't stop you from getting dragged into the house after him. Begrudgingly you climb the stairs up into the familiar room despite how many times you've tried to stay away, and settle on one of the various seats that had been set up for many weed induced visitors.
"C'mon Sweetheart, a smile at least," Kevin calls, sly lips closing around the end of a roach he had left behind and you just shake your head, the sound of the nickname annoying you only further. Your heart used to flutter at such words but since Kevin had referred to using that instead of your name, they no longer held such weight.
"Nothing to smile about when it involves you," you say, a pointed look directed at him but Kevin doesn't take any of it to heart, only laughs as he settles into his chair.
"Well sweetheart, you're not getting rid of me anytime soon," and you can only scowl because it was true. Your circle of friends had always been the same, a million threads tied between you both, and no matter how much he pushed your buttons he was here to stay. So instead of giving him more reason to annoy you, you scoop up a magazine off the table and open it while him and Slater discuss their weed. Counting down the minutes until you could get away.
When night time appears it feels as if you'd been in Kevin's house longer than intended, but luckily he finally puts on a shirt and some shoes before leading you both out the door. Slater slides into the back seat, not even realizing he had left you with one of two options. Get in the back and face lip from Kevin all night for avoiding him or ride shotgun and put yourself in the intimate position of being a riding partner on a night out. Neither sounds appealing but the latter is the safer bet, so as the engine roars to life you slide into the leather seat and avoid his eyes paired with the knowing smirk on his face.
"Emporium or Benny's?" Slater asks once on the road, adjusting the rear view mirror. He looks different in his car, something about the colorful dash lights reflecting on his face and wild long hair ruffling in the wind. It would be silly to not notice the boy's attractiveness, there was a reason he always had his abs out. Kevin not only lucked out in everything in life but had the beauty to match. You despised him, but for some reason when he pushes in the clutch and shifts the car so seamlessly, his hand barely brushing the side of your pants, you can't help but push your legs together.
"Benny's, Emporium is probably dull man," Slater answers, a cloud of smoke following his response. He’s more than likely right since it wasn’t often Benny threw parties, the rarity would bring the majority of the crowd, including them.
“I don’t care either way,” you answer as if you had a choice anyways. If you had given an answer, Kevin would’ve probably picked the opposite just to push your buttons.
“Benny’s it is,” he agrees and speeds in the direction of the red head's house and past the Emporium with only two cars in the driveway. When you arrive, the cluster of vehicles is a dead giveaway of whatever madness is happening inside. Your hand reaches for the car door but Kevin reaches across, stopping you before you have the chance. You flash him a confused look, his long arm overstretched across your chest and trapping you in.
"Slater, why don't you go in while me and Sweetheart have a quick chat here?" he says, eyes never leaving your own and Slater doesn't even question the request as Kevin pops the back of his seat and pulls it against himself so Slater can slide out.
"See you in there guys," the boy grins before sauntering away and Kevin closes you both back into the dark cab of the GTO. When he cuts the engine, the lights from the dash disappear and make it even darker. He was good at making you uneasy but he was even more unnerving when it was just the two of you. In fact, you were certain this was the very first time you both had ever been alone with each other.
"Any particular reason you're holding me hostage?" you inquire, feigning confidence in hopes he can't see the way you shift in your seat. What you didn't understand was that you weren't scared, or even uncomfortable, so whatever had you on edge was something you hadn't felt before, at least with him.
“I think it's about time we hash out this little thing between us," he grins, a determined look on his face and your shoulders tighten at the suggestion. You couldn't stand Kevin and you probably never would.
"I didn't think you were even capable of having that kind of mature conversation," you say, arms crossing in front of you and you don't miss the way Kevin's eyes drop and fixate on your cleavage, your breasts pushed up due to your crossed arms. The notion makes your cheeks flush and you're thankful for the dark car.
"Such a sassy mouth you have, need to find something to shut you up," and his heavy and deep voice paired with the gaze on your body has your knees pushing together again, goosebumps traveling down your arms, and since his eyes were already on you he noticed it all.
“You wish,” you mutter, eager to get into the party and maybe find the comfort of Jodi or Cynthia, hell even Pink would suffice at this point. You weren’t certain what dangers lurked while you were stuck in the car with Kevin but he at least could’ve let you find a drink in the party before trapping you in here.
“Actually I do, it would be fun,” and the way he says the words suggests so much more. His smirk is now gone, serious eyes boring into your own and a shiver licks up your spine. It’s in this moment you discover the uneasiness you had felt was nothing more than attraction. A need in you pulling you towards him which only made you uneasy because you normally wanted to get as far away as possible. So what you decide to say next shocks you both.
“Yeah, and how would you do that?” Kevin’s eyebrows raise, a little taken back by the question but mind running with a million possibilities. He had only tortured you for so long because of how bad he wanted you. It was weird to feel that need pulling in him when he hadn’t needed anyone before.
Instead of answering the boy just smiles, a hand falling to your knee while a small gasp leaves your lips. He leans close and panic fills your lungs, crazed eyes trying to determine his next move. When he’s an inch away from your lips, nose barely brushing against your own, he lets off a heavy sigh.
“Relax sweetheart, it’s just me,” he reminds you and it should be amusing. He had done nothing but embarrass you but what you hadn’t realized is during all that time, you had also gotten to know him. He was a safe, someone to rely on, and that’s why your shoulders ease. He slowly closes the gap and at first his lips feel weird against yours, something unexpected, but when you kiss back it’s so much more. The hand not on your knee travels into your hair and he starts kissing you like his life depends on it and it kills you to admit that it’s better than any kiss you’ve had before.
“This is your bright idea?” you mutter between kisses, teasing him for thinking he could kiss you stupid but then the hand on your knee travels up. Fingers heavy on your inner thigh and the words get caught in your throat all over again.
“I had a few other things in mind,” he says breathily, lips dragging over your jaw and neck when his fingers finally nudge against your heat. Your legs tighten around his hand and he grins because you have yet to mutter another word.
He continues to kiss you anywhere he can reach, skilled fingers popping the button of your jeans and dragging down your zipper. None of this could be real, your head fuzzy with the feeling of your mortal enemy pressed against you like this. You're practically on autopilot when he starts to tug at the hem of your pants and your hips lift to speed up the process. Pretty soon you're just another girl in the front of Kevin Pickford’s orange GTO with her pants pooled around her ankles.
“Cute panties,” he teases, eyeing the yellow ones with lace trim that you wear. You blush a deeper red but this time you don’t care because the desperate need for him to touch you is stronger. He grins when he discovers you’ve still lost your voice and he drags two fingers across the fabric. You can feel how soaked they are when he presses the underwear against you. Your chest rises fast and heavily with anticipation as you crave his touch. It’s scary how quick you’ve folded for him.
“Too bad I didn’t wear them for you,” you tease and something blazes behind his eyes, a hunger that makes you instantly regret sassing him again. Especially with the implication that you had intended for someone else to see them.
Keeping his eyes locked on yours, his hand dips under the hem, a finger slowly pushing through your folds as he absorbs every reaction that flashes on your face. You gulp nervously as he swirls his fingers around, collecting your arousal and finding his ground. You pull your bottom lip between your teeth when his thumb brushes against your clit and the deep whine that leaves your throat only encourages him more.
“You may not like me, but your pussy sure does,” he states matter of fact before pressing two fingers into you and the moan you let out should be humiliating. You want to say something, anything to debunk this confidence he now has, but the feeling of his fingers stops you. He studies you like a mysterious object as he continues to pump into you, enjoying how desperate you are for him and how perfect you feel clenching around his fingers. He discovers you make the cutest pouty face when his thumb brushes across your clit but he doesn’t want this to end just yet.
“Okay shit, faster,” you whine, hand slapping against the window for some stability when his lips find your neck. You’re certain he’ll leave a hickey and that will be impossible to explain, but it wasn’t of concern at the moment.
“I want to take my time with you Sweetheart,” he says against your neck before kissing down your chest. The low cut of your shirt had provided good cleavage for some attention at the party tonight but Kevin’s chin catches the neckline and drags it down further as his lips press kisses between your breasts. Wanting to feel like you have some control, your hand not keeping stability reaches and tugs the neckline further down. Slowly you reveal your bra and then you tug one of the cups down, baring yourself to the boy. Your nipple peaks in the cold night air and he takes this as an invitation to reveal your other breast.
“Who’s at a loss for words now?” you ask and he just shakes his head at you before moving to kiss each one. It’s intimate and gentle, much different from how he normally treated you. Yet it doesn’t last very long because when he pushes a third finger into you he latches onto a nipple and you’re a moaning mess all over again. His thumb finds your clit again, this time relentless and he offers every sensation possible. Without being able to stop yourself, your orgasm washes over you like a tidal wave. He continues to fuck you through it, the sound off his fingers pumping in you dirty in the quiet cab of the car.
“Good girl,” he praises when your body finally stops trembling. When he pulls his fingers out he rewards you with a soft kiss to the lips and you hate how it makes something flutter in your chest.
You’re out of breath and a little dazed as he settles himself back into the driver's seat. You notice how his hair has fallen into his eyes and his chest rises heavily with each breath. The sight of you would shock anyone but he had the tent in his pants to match. When he pushes his hair back out of his face you find yourself leaning over and grabbing the button of his jeans.
“Woah, you don’t have to,” he says quickly, getting painfully harder as you crawl onto your knees in the front seat. Your tits dangle out of your shirt still and your ass is in perfect view of anyone who could go by the window. Yet you’re determined to free his cock from his jeans.
“It’s your turn to shut up Pickford,” you say before tugging his pants. He helps you push them off his hips and suddenly his cock is free. Angry and red, springing against his pelvis and it makes your mouth water. Of course he would have a pretty dick too.
Slowly you wrap your hands around his shaft, smirking at the way he shifts at your touch. He’s so needy but you don’t have it in you to tease. You suck his tip into your mouth quickly and he lets out a moan of defeat. You take your time sliding further and further down, tongue tracing along the vein under his cock. One of his hands tangles into your hand and the other grips the door, grounding himself in this moment and trying not to finish when you just got started.
“You’re a lot less sassier when you have my dick in your mouth,” Pickford groans and you speed up, determined to make him finish and eat his words. It should be dangerous this little relationship you have now. Hating his guts but also wanting him buried in yours.
You take him as deep as you can, letting your spit and tears run down your face and his cock with no remorse. Where your lips don’t meet you use your hands and the way his legs twitch gives away that he’s close. The hand that was once in your hair travels around your back and to the curve of your ass. His cock jumps in your throat and it should be a curse how attracted you both are to each other just to despise each other any other time. Taking him even deeper than before he reaches his end, ropes of cum filling your mouth and you swallow it all as best you can.
When you pull away, you’re a mess, and you don’t even have to check to know it. Kevin just chuckles as he eyes your mascara stained cheeks and ruffled hair from his hands on your head. You roll your eyes and tuck your boobs back into your bra and shirt. He watches as you pull your pants back up over your hips and button them close. Finding napkins in his dash box, you do anything you can in the visor mirror to fix your appearance.
“You’re a mess Sweetheart,” he states and you sigh as you accept your messy hair for what it is. Hopefully all of your friends were either too high or drunk to notice your swollen lips and tugged hair.
“Put your dick away, Pickford. I’m getting a drink,” and just like that you leave him in the car, shocked and a little impressed. He had fun plans to torture you the rest of the night but even better ones including fucking you until you couldn’t walk. Maybe you both could get used to this new arrangement you have.
“What a dirty bitch.”
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The Best Car Movies
All of us love movies, no matter how old or how new or what type all of us love movies. Why? Because movies are entertaining they give us a good story. Now there have been many car movies made, but which one is the best car movie? We will judge car movies based on the cars in the movie, the car scenes, and the racing.
10. Hot Rod Girl (1956) - I am not sure whether this movie was meant to be an anti-hot rodding movie or not. The plot isn't much guys brother dies, the city wants to stop hot rodding and the kids still want to race. Since this is 1956 there has to be a chicken game right (it was a law in 50's Hollywood). In the movie there are a few 32 Fords (actually a lot of 32 Fords), a 56 Chevy, a 56 Ford, 55 T-bird, and an Olds 88.
9. Death Proof (2007)- The first half of this movie maybe seem a bit boring, its mostly talking and just a bunch of girls drinking in a bar (not even a wild bar party, just a group of 3 girls drinking) but then it gets good, with a 71 Chevy Nova used as a weapon and later a car chase with a 69 Charger and a 70 Vanishing Point Challenger. The movie is meant to feel like a 70's Slasher movie crossed with Vanishing Point. If you're a Mopar guy check this one out!
8. Road Racers (1994)- This movie is called Road Racers however they is only one short race in the movie, and 2 Car Chases. The movie opens with a Car chase between a 56 Chevy being chased by the cops 56 Buick all to a badass Rockabilly song! There is greaser violence (not Grease greaser violence but like the Outsiders with a 90's humor twist), there is great Rockabilly music from Glen Glenn, Hasil Adkins and Johnny Reno! Know more หนังออนไลน์
7. Thunder Road (1958) - Let me tell the story, I can tell it all... Actually let's let Robert Mitchum tell you the story he can do it better. This movie starring Mitchum is about Running Moonshine in Tennessee in the 50's and trying not to get caught be the revenuers. It has a number of crazy car chases featuring a 50 Ford Coupe, 57 Ford Fairlane, a 56 Chevy undercover car that can rip off cars bumpers and a song about the movie performed by Mitchum himself! 6. Dazed and Confused (1993) - I've been Dazed and Confused for so long its not true! Which sadly that song is not in this movie (it was suppose to be and Jimmy Paige was for it but Plant wasn't). This movie is kind of like the 70's version of American Graffiti except it's the first night of summer not the last and the main character is entering High School. Anyway they is a car chase between a 64 Buick and 72 Chevy Truck, there is a 70 Chevelle SS 454, 70 GTO Judge, Ford Maverick, 37 Oldsmobile and a 74 Trans Am!
5. Tales of the Crypt: King of the Road (1992) - OK I lied this one is not a movie; it is an episode from HBOs horror series Tales of the Crypt. Why is this movie on the list? WHY ISN'T ON THE LIST? As soon as the episode opens we are greeted with a 69 yellow Chevelle SS street racing a 69 Red Dodge Charger to a rocking song by Warren Zevon. Later we get a car chase with the Chevelle SS and a police car and at the end a Street race with the Chevelle SS vs. a 57 Chevy Gasser! There is a great soundtrack by Warren Zevon, however only one of the songs "Roll with the Punches" has been released the other "Bad Road, Wretched Road" is only found as a cover by a band called Rebel Son.
4. Hot Rod (1979) - This movie is hard to find, it was a made for TV made from 1979. It probably has the most Drag Racing scenes out of any movie I have seen! The movie has a Street race between a 65 Hemi Plymouth and a 69 Olds Cutlass in the beginning, later a hemi powered 41 Willys Coupe Gasser, a few funny cars, and rocket powered Funny Car and tons of Drag Racing scenes in this movie!
3. Vanishing Point (1971) - Kowalski is a delivery driver who is delivering a 1970 White Dodge Challenger from Colorado to San Francisco. He does it by speeding the whole time and creates the world's largest car chase! Being pursued by the police the whole time!
2. Two-Lane Blacktop (1971) - Who needs plots? This movie doesn't! All we need is a Driver, a Mechanic, a Girl, a guy with a GTO, a 55 Chevy gasser and a few random hitch hikers to make a great car movie! This movie is all about cars and nothing else! You get to see and hear a nice 55 Chevy almost every scene as well as a GTO. The movie opens with a Drag Race and ends with one!
1. American Graffiti (1973) - Was this really a surprise to any of you? Nothing but classic cars, cruising, great music, humor, a few races and lots of fun! We get a nice but piss yellow 32 Ford powered by a 327, a 58 Chevy Bel Air also powered by a 327, a girl in a 56 T-bird and a Black 55 Chevy (actually the same one from Two Lane Blacktop). This movie really is all about cars, not coming of age. The movie ends with a great showdown between the 32 Ford and the 55 Chevy!
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The Best Horror Movies of 2020
All of us love films, irrespective of how previous or how new or what kind all of us love films. Why? As a result of films are entertaining they provide us story. Now there have been many automobile films made, however which one is the perfect automobile film? We'll choose automobile films primarily based on the automobiles within the film, the automobile scenes, and the racing. The Best Horror Movies of 2020
10. Sizzling Rod Lady (1956) - I'm not certain whether or not this film was meant to be an anti-hot rodding film or not. The plot is not a lot guys brother dies, town needs to cease scorching rodding and the children nonetheless need to race. Since that is 1956 there needs to be a rooster sport proper (it was a legislation in 50's Hollywood). Within the film there are a couple of 32 Fords (really plenty of 32 Fords), a 56 Chevy, a 56 Ford, 55 T-bird, and an Olds 88.
9. Dying Proof (2007)- The primary half of this film possibly appear a bit boring, its largely speaking and only a bunch of women consuming in a bar (not even a wild bar social gathering, only a group of three ladies consuming) however then it will get good, with a 71 Chevy Nova used as a weapon and later a automobile chase with a 69 Charger and a 70 Vanishing Level Challenger. The film is supposed to really feel like a 70's Slasher film crossed with Vanishing Level. Should you're a Mopar man test this one out!
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eight. Street Racers (1994)- This film is named Street Racers nevertheless they is just one quick race within the film, and a pair of Automobile Chases. The film opens with a Automobile chase between a 56 Chevy being chased by the cops 56 Buick all to a badass Rockabilly music! There may be greaser violence (not Grease greaser violence however just like the Outsiders with a 90's humor twist), there may be nice Rockabilly music from Glen Glenn, Hasil Adkins and Johnny Reno!
7. Thunder Street (1958) - Let me inform the story, I can inform all of it... Really let's let Robert Mitchum inform you the story he can do it higher. This film starring Mitchum is about Operating Moonshine in Tennessee within the 50's and making an attempt to not get caught be the revenuers. It has plenty of loopy automobile chases that includes a 50 Ford Coupe, 57 Ford Fairlane, a 56 Chevy undercover automobile that may rip off automobiles bumpers and a music in regards to the film carried out by Mitchum himself! 6. Dazed and Confused (1993) - I have been Dazed and Confused for thus lengthy its not true! Which sadly that music just isn't on this film (it was suppose to be and Jimmy Paige was for it however Plant wasn't). This film is form of just like the 70's model of American Graffiti besides it is the primary evening of summer time not the final and the principle character is getting into Excessive College. Anyway they is a automobile chase between a 64 Buick and 72 Chevy Truck, there's a 70 Chevelle SS 454, 70 GTO Decide, Ford Maverick, 37 Oldsmobile and a 74 Trans Am!
5. Tales of the Crypt: King of the Street (1992) - OK I lied this one just isn't a film; it's an episode from HBOs horror collection Tales of the Crypt. Why is that this film on the record? WHY ISN'T ON THE LIST? As quickly because the episode opens we're greeted with a 69 yellow Chevelle SS road racing a 69 Crimson Dodge Charger to a rocking music by Warren Zevon. Later we get a automobile chase with the Chevelle SS and a police automobile and on the finish a Road race with the Chevelle SS vs. a 57 Chevy Gasser! There's a nice soundtrack by Warren Zevon, nevertheless solely one of many songs "Roll with the Punches" has been launched the opposite "Dangerous Street, Wretched Street" is simply discovered as a canopy by a band known as Insurgent Son.

four. Sizzling Rod (1979) - This film is difficult to search out, it was a made for TV made out of 1979. It in all probability has essentially the most Drag Racing scenes out of any film I've seen! The film has a Road race between a 65 Hemi Plymouth and a 69 Olds Cutlass at first, later a hemi powered 41 Willys Coupe Gasser, a couple of humorous automobiles, and rocket powered Humorous Automobile and tons of Drag Racing scenes on this film!
three. Vanishing Level (1971) - Kowalski is a supply driver who's delivering a 1970 White Dodge Challenger from Colorado to San Francisco. He does it by rushing the entire time and creates the world's largest automobile chase! Being pursued by the police the entire time!
2. Two-Lane Blacktop (1971) - Who wants plots? This film would not! All we want is a Driver, a Mechanic, a Lady, a man with a GTO, a 55 Chevy gasser and some random hitch hikers to make a terrific automobile film! This film is all about automobiles and nothing else! You get to see and listen to a pleasant 55 Chevy nearly each scene in addition to a GTO. The film opens with a Drag Race and ends with one!
1. American Graffiti (1973) - Was this actually a shock to any of you? Nothing however traditional automobiles, cruising, nice music, humor, a couple of races and plenty of enjoyable! We get a pleasant however piss yellow 32 Ford powered by a 327, a 58 Chevy Bel Air additionally powered by a 327, a woman in a 56 T-bird and a Black 55 Chevy (really the identical one from Two Lane Blacktop). This film actually is all about automobiles, not coming of age. The film ends with a terrific showdown between the 32 Ford and the 55 Chevy!
Irrespective of how a lot we concern, we hold coming again for extra. Moviegoers for over a century now have change into more and more demanding, and moviemakers have by no means stopped stretching the chances of visible leisure. There are two the reason why the cinema display screen is so huge, defined one film critic. One: it is as a result of there's lots of people watching it. Second: it is to place every particular person into film itself, as if he had been carrying a pair of digital actuality goggles and it was him within the lead function. Think about if this know-how had been utilized to the horror style.
Think about placing your self within the lead function of those horror movies, identified for his or her most artistic plots of sudden twists. Shall you survive the digital realm of terror?
In 2007, a movie adaptation of the comedian e-book mini-series "30 Days of Evening" (IDW Publishing, 2002) despatched shudders up and down the backbone of viewers throughout the US. It starred U.S. heartthrob Josh Hartnett and Australian actress Melissa George. The story begins within the northernmost city of Barrow, Alaska, identified for its 67 days of winter darkness. A tribe of vampires aboard a seaborne tanker stranded amidst thick ice floes stumble into the peaceable city and, profiting from the extended darkness, wreak havoc and feast upon its inhabitants. A handful of survivors trapped in Barrow huddle and scurry to flee detection by hiding within the attic of one of many deserted houses. What makes this movie very fascinating just isn't the vampires, however the predicament that compels the human spirit to protect and defend its personal even when bleached underneath insurmountable supernatural odds. This Senator Worldwide-Columbia Photos movie was directed by David Slade and Sam Raimi, the director who labored on the "Spiderman" footage starring Tobey McGuire and such horror classics just like the "Evil Useless" trilogy and "The Grudge."
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https://collider.com/best-horror-movies-2020/
Within the 2006 film "Silent Hill" (TriStar Photos), think about your self a mom frantically trying to find her lacking youngster. You skulk round a mysterious city you thought was empty however, when darkness falls, brings out malevolent creatures that solely exist to inflict sadistic torture. The darkness, in contrast to within the regular world that guidelines the evening, unpredictably is available in intervals after a couple of hours of daylight. Though the film merely made delicate success within the field workplace, critics hailed it for its beautiful imagery and visible results. However its most spectacular characteristic is its rendition of the afterlife. Whereas we now have at all times envisioned Hell in chaotic fireplace and brimstone, "Silent Hill" portrayed it as an deserted mining city of rising poisonous fumes dominated by a vindictive evil spirit.
Whereas within the topic of malevolent and vindictive evil spirits, how lengthy would you final in a home out within the backwoods haunted by one? Within the film Evil Useless (New Line Cinema, 1981), written, directed, and produced by Sam Raimi, just one out of 5 Michigan State College associates made it out alive. In its sequel Evil Useless II (Rosebud Photos, 1987), Ash, the survivor in its prequel, performed by Bruce Campbell, nearly didn't.
"Is there actually a Blair Witch?" This query continues to be raised at occasions each time the film "The Blair Witch Challenge" (Artisan Leisure, 1999) comes up in conversations. The story was offered in a type of a documentary that leaves the viewer guessing and shocked as to what occurred to its makers. The movie was an revolutionary success: from a finances of $500,000 to $700,000, it grossed a worldwide $248,639,099 within the field workplace together with worldwide acclaim. This film actually brings the viewer into the scene, maybe greater than any superior visible results and imagery can accomplish. The fashion of "The Blair Witch Challenge" may be related to the 1938 Orson Welles radio traditional "Battle of the Worlds" that despatched the United States-earth's strongest nation-into mass hysteria.
Think about your self touring within the Yorkshire moors of England and getting attacked by a werewolf. You miraculous survive. However entailing the survival resides the remainder of your life underneath the werewolf curse: that each full moon you endure a change that seeks to feed on the blood and flesh of humankind. How do you reside a life irrevocably cursed, powerlessly feeding on the flesh of these you're keen on and similtaneously a lot a prey to your individual situation because the hapless victims you might have and shall ever devour? In 1981, legendary movie director John Landis got here up with the cult traditional "An American Werewolf in London" (Common Photos/Polygram Filmed Leisure) profitable a Saturn Award for Greatest Horror Film and an Academy Award for Excellent Achievement in Make-up.
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The Best Car Movies
We all adoration motion pictures, regardless of how old or how new or what type we all affection films. Why? Since motion pictures are engaging they give us a decent story. Presently there have been numerous vehicle motion pictures made, however which one is the best vehicle film? We will pass judgment on vehicle motion pictures dependent on the vehicles in the film, the vehicle scenes, and the hustling https://putlocker-online.com/golden-collection/123movies . Speedster Girl (1956) - I am uncertain about whether this film was intended to be an enemy of hot rodding film or not. The plot isn't much folks sibling passes on, the city needs to stop hot rodding and the children despite everything need to race. Since this is 1956 there must be a chicken game right (it was a law in 50's Hollywood). In the film there are two or three 32 Fords (in reality a great deal of 32 Fords), a 56 Chevy, a 56 Ford, 55 T-feathered creature, and an Olds 88.

9. Passing Proof (2007)- The main portion of this film perhaps appear to be somewhat exhausting, its for the most part talking and only a lot of young ladies savoring a bar (not so much as a wild bar party, only a gathering of 3 young ladies drinking) however then it gets great, with a 71 Chevy Nova utilized as a weapon and later a vehicle pursue with a 69 Charger and a 70 Vanishing Point Challenger. The film is intended to feel like a 70's Slasher film crossed with Vanishing Point. In case you're a Mopar fellow look at this one!
8. Street Racers (1994)- This film is called Road Racers anyway they is just one short race in the film, and 2 Car Chases. The film opens with a Car pursue between a 56 Chevy being pursued by the cops 56 Buick all to a boss Rockabilly melody! There is greaser brutality (not Grease greaser viciousness however like the Outsiders with a 90's amusingness contort), there is incredible Rockabilly music from Glen Glenn, Hasil Adkins and Johnny Reno!
7. Thunder Road (1958) - Let me recount to the story, I can disclose to everything... As a matter of fact we should let Robert Mitchum reveal to you the story he can improve. This film featuring Mitchum is tied in with Running Moonshine in Tennessee in the 50's and doing whatever it takes not to get captured be the revenuers. It has various insane vehicle pursues including a 50 Ford Coupe, 57 Ford Fairlane, a 56 Chevy covert vehicle that can rip off vehicles guards and a melody about the film performed by Mitchum himself!
6. Bewildered and Confused (1993) - I've been Dazed and Confused for such a long time its false! Which tragically that melody isn't in this film (it was assume to be and Jimmy Paige was for it however Plant wasn't). This film is somewhat similar to the 70's adaptation of American Graffiti with the exception of it's the primary night of summer not the last and the fundamental character is entering High School. In any case they is a vehicle pursue between a 64 Buick and 72 Chevy Truck, there is a 70 Chevelle SS 454, 70 GTO Judge, Ford Maverick, 37 Oldsmobile and a 74 Trans Am!
5. Stories of the Crypt: King of the Road (1992) - OK I lied this one isn't a film; it is a scene from HBOs loathsomeness arrangement Tales of the Crypt. For what reason is this film on the rundown? For what reason ISN'T ON THE LIST? When the scene opens we are welcomed with a 69 yellow Chevelle SS road hustling a 69 Red Dodge Charger to a shaking melody by Warren Zevon. Later we get a vehicle pursue with the Chevelle SS and a squad car and toward the end a Street race with the Chevelle SS versus a 57 Chevy Gasser! There is an extraordinary soundtrack by Warren Zevon, anyway just one of the melodies "Move with the Punches" has been discharged the other "Terrible Road, Wretched Road" is just found as a spread by a band called Rebel Son.
4. Dragster (1979) - This film is elusive, it was a made for TV produced using 1979. It presumably has the most Drag Racing scenes out of any film I have seen! The film has a Street race between a 65 Hemi Plymouth and a 69 Olds Cutlass in the first place, later a hemi fueled 41 Willys Coupe Gasser, a couple of clever vehicles, and rocket controlled Funny Car and huge amounts of Drag Racing scenes in this film!
3. Evaporating Point (1971) - Kowalski is a conveyance driver who is conveying a 1970 White Dodge Challenger from Colorado to San Francisco. He does it by speeding the entire time and makes the world's biggest vehicle pursue! Being sought after by the police the entire time!
2. Two-Lane Blacktop (1971) - Who needs plots? This film doesn't! All we need is a Driver, a Mechanic, a Girl, a person with a GTO, a 55 Chevy gasser and a couple of irregular drifters to make an incredible vehicle film! This film is about vehicles and that's it! You get the opportunity to see and hear a decent 55 Chevy pretty much every scene just as a GTO. The film opens with a Drag Race and finishes with one!
1. American Graffiti (1973) - Was this actually an amazement to any of you? Only exemplary vehicles, cruising, extraordinary music, humor, a couple of races and loads of fun! We get a decent yet piss yellow 32 Ford fueled by a 327, a 58 Chevy Bel Air additionally controlled by a 327, a young lady in a 56 T-feathered creature and a Black 55 Chevy (really a similar one from Two Lane Blacktop). This film truly is about vehicles, not transitioning. The film closes with an extraordinary confrontation between the 32 Ford and the 55 Chevy!
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Rough Start: 1971 Plymouth Duster – Rough And Rowdy
A sleeper hit for a gearhead flick, Dazed and Confused was filled to the brim with Muscle-era choice cuts. Which did you prefer: Pickford’s GTO, Wooderson’s Chevelle, or O’Donnell’s Chevy truck? Maybe you liked the Maverick that Mitch’s love interest has parked near the grassy hill, or Pink’s El Camino brought back a memory or two. All would fit in, all seemed nice, clean choices for the most part. Then there was O’Bannion, the asshole who repeated his senior year and delighted in taking part in the senior hazing ritual one more time. Remember his car? A ragged-out, primer gray Duster on slot mags, sounding hot…especially after he got white-washed by his targets.

Dusters are weird to me. They’re alright cleaned up, but is it weird to prefer a car be ratty and rough as hell? I feel that’s where Dusters belong…the kind of car that makes the respectable types nervous just looking at it. That might be why this 1971 has my attention. Could it be a 340 car? I’m not sure, frankly I don’t care if it is or isn’t. 1970s style mail slot hoodscoop? Sure. Keystones? Perfect. Front bumper? Who needs one, just form up some metal to cover up the empty space. The 440 and the 4.10s in the 8.75 rear axle will compensate for the rest.


Everything nostalgic tends to be viewed from the high school senior standpoint, right? The line between childhood and adulthood? Well, if it was the year 2000, and I showed up at my girlfriend’s house in this thing, with Purple Hornies barely containing the noise and one marker light out, I know that I’d probably have been chased off at gunpoint. And I dig that vibe from a car for some reason. If you can figure out the “why” behind that, let me know, ok?
Facebook Marketplace: 1971 Plymouth Duster

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The Top 10 Classic Muscle Cars of All Time
Classic muscle cars are probably the most enduring legacy of the golden age of American automobiles. The high-powered, high-performance sports cars running on a mighty 8-cylinder engine gained its iconic status almost immediately after their introduction in the early ’60s.
Sadly their dominance wouldn’t last, with the gas crunch, rising insurance costs and new pollution standards seeing them mostly phased out in the following years. But having been built to last, many of the American originals can still be found out on the roads.
In their honor, here is our countdown of the top classic muscle cars of all time.
Chevrolet Corvette
Before there were muscle cars, there was the Corvette. Though more of a sleek cruiser than a genuine muscle car, the Corvette would be the first mass-production car to deliver one horsepower per cubic inch.
When the Corvette really came into the muscle category proper was with the introduction of C2 in 1963. These second-generation cars packed four-wheel disc brakes, a big block 6.5-liter V8, and optional side exhaust pipes.
Shelby Cobra
The Shelby Cobra is one of the very first muscle cars introduced. First marketed in its native Britain as the AC Cobra, the AC car company collaborated with Shelby and Ford for its introduction to the United States.
The result was the Cobra 417, manufactured in Detroit with a Ford V8 engine and a newer, larger chassis.
Chevrolet Camaro
The Camaro has consistently been one of the most popular muscle cars ever built. In the United States, it’s ranked third in all-time sales and popularity.
Originally developed in 1966, the Camaro was built with the intention of challenging the Ford Mustang’s dominance. The first generation came with three six-cylinder options and four V8s. Now on its seventh generation, the tradition of including a wealth of engine options has continued, with each generation being more powerful than the last.
Ford Mustang
The Ford Mustang is the single most popular muscle car ever produced in the United States. Introduced in 1964, I don’t think even Ford was prepared for the hugely popular reception that their new pony car would receive.
The Mustangs’ first-generation saw its power creep up steadily. Originally they were only able to get 101hp from the six-cylinder engine and 164hp from the V8. But the addition of a more powerful V8 would see the horsepower rise to a more respectable 290.
The Mustang also has the distinction of being one of the few classic muscle cars to survive the ’70s oil crisis with the introduction of the Mustang II. Though enthusiasts were largely dismissive, this smaller and more efficient car was able to weather the influx of Japanese compacts and helped ensure the model’s continuation.
Plymouth Road Runner
The Road Runner was conceived as a more economical alternative to some of the other muscle cars on the market, with fewer features and basic trim. But if anyone minded, it didn’t seem to harm the sales figures, as the Road Runner enjoyed 12 years in production.
Though lacking in amenities, the Road Runner was available in a full range of big-block engines, ensuring that it would live up to the speed of its namesake.
Dodge Daytona/Plymouth Superbird
Though technically two different vehicles, these cars share enough features and an entwined history for them to be placed together.
Both of these audacious-looking vehicles were limited production specials meant to legalize them for NASCAR racing. Packing a 426 Hemi and a 440 Wedge respectively, the certainly had the power to live up to the task. Combined with their iconic silhouette, these are among the most distinctive muscle cars ever conceived.
Plymouth Barracuda
The first production run of the Barracuda was nothing special. It shared the same chassis as the four-dour valiant, had minimal styling, and limited engine options with a V8 maxing out at 180 horsepower. Faced with the continued dominance of the Mustang, Plymouth realized that the Barracuda needed a push.
So with the second generation, they rolled out a longer, more aggressive car with improved handling and big-block V8s. Still not satisfied, the Barracuda achieved its perfected form with the third generation in 1970.
The new Barracuda no longer shared a platform with a sedan, and instead had a new, long and low profile. Most notably, this generation also saw the introduction of the famous “Hemi Cuda”, outfitted with a 426ci Hemi engine.
This addition virtually cemented the Barracuda’s legendary status.
Chevrolet Chevelle SS
The Chevelle is among the most iconic American muscle cars. Just look at its film appearances. It’s John Wick’s vehicle of choice, and its presence in Dazed and Confused perfectly dates the period pice to the waning days of American muscle.
But beyond its iconic design, the Chevelle stood up as a serious competitor on the drag racing scene, backed up by either Chevy’s 396 or 454 big-blocks under the hood.
Pontiac GTO
The original GTO maxed out at a 326 cubic-inch V8 making with an output of up to 280hp. While that doesn’t make it the most powerful car on this list, its impact can’t be understated.
The GTO was among the very first true muscle cars and inspired competitors like Ford, Chevy, and Chrysler to prioritize building there own affordable, high-output cars. As such, its importance cannot be overlooked.
Sadly, Pontiac’s attempts to revive the name were mostly unsuccessful and foreshadowed the company’s eventual demise. But though they may be gone, the GTO’s reputation lives on.
Dodge Charger
The Charge is quite possibly the most iconic muscle car ever built, a status that is reflected in pop culture. From The Dukes of Hazard to Bullitt, to The Fast and the Furious, the classic Charger seems as popular now as ever.
Originally introduced as a show car, the Charger’s popularity quickly grew along with its reputation as one of the fastest things on four wheels. And you can still find them on the roads today.
Like many classics, the Charger is starting to show its age. In particular, the Charger has always been known to have body roll issues. Fortunately, with the right parts, it’s correctable, and with resources like these manuals available, it’s an easy fix for a hobby mechanic.
Classic Muscle Cars Are Still the Kings of the Road
Though their heyday has come and gone, classic muscle cars still manage to stick in our collective memory. And while it’s unclear if we’ll ever see a muscle car renaissance, many of these originals can still be found in good shape.
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"Right"?!!!! o2 oK jUS breeeath i-K-no-W=oOW-twenty uNo YEARS of remembrance, the flying times, the Y-2 soon, hey BooBoo! & "HeyYouGuys"! Electric/"StaticCompany" un'RealizED. 💡 (ideas) RIPed. Little bit liquid 📺,a dash of heatED.D-Bait ~hookED. On phonics-vs-Ebonics (Norton)ed. Spoon Feeding G-MazZ & oG'z POP'ahhs A-DasHe'dD of Voc. BreakING down on the YIN-YangG stage like cCrOss-firED. Heated freedom debating with the black|white line drawn down the center of Hot-Topics, meltdown transitions via be back in two&two wit luv connections CHuck-abbey or ObBey that Giant Client Art Biz- compared and contrasting facts vs FAX, guess sponsors lead Mr Whipples squeezing addictions, Carols Mop vs Mob Closets after the shows Bloopers Gone WildER. MadDad plots to snagG the Bad Guys with the help of a few good fellows re-Union reunited (and it feels so good, need a razorback haircut:fellas bring in the boar'dD. 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Gets firsts dibs after the from this point on moral fabric of the Matrix gets all calls and filtering powers MSN gets to go darker than Dark after hours, Jeckle gives Hide the ok to Seek in the forbidden areas of commerce, spy vs spy gets grey and redrawn by daybreak the lines of right vs wrong, this vs that, who get to purge, who fasts til the neXt night time showing, Rodger the Rabid Rabbit shows Rodger More secrets then any pre-or post double 0's ever wanted to know, Redefined Epic spoofing of SpyHard get a legit static stasis, absurd becoming relevant , idiots getting FaceTime on NotFOXYenuff trilogy enuff realizes finally that it could never be... enough. Bob cat Screams "Hey You Guys" Bane is the Hero that says nothing in anticipated camE-O-S and Martin Larance sound bite starts it off, "WELLCOME TO HELL BITCH" Little Suzy gets the Uzi, and mom and dad flip. for drone cone control. 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Ohh Henry / winkler vs Rolland's (Cane vs Able) Netflix playing he didn't die, I believe u&i..DK
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Dazed and Confused #barrettjackson #gto (at Barrett-Jackson The Worlds Greatest Collector Car Auction)
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Greenlight Collectibles - Dazed and Confused Diecast Model 1/64 1970 Pontiac GTO Judge
Greenlight Collectibles – Dazed and Confused Diecast Model 1/64 1970 Pontiac GTO Judge
[ad_1] Released in 1993, Dazed and Confused is a coming of age movie that tells the story of the last day of school for incoming high school and junior high students in May 1976. Every link in the food chain of high school is portrayed, giving audiences a range of relatable characters. One of which, is Kevin Pickford (Shawn Andrews), a senior who’s plans of throwing a keg party are crushed when…
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New Year Same Ol’ Shit
Old spymasters used to whisper about intentional sacrifices, low level info catchers killed for Kali in the hope she spared the world. And spurious reasoning seemed to prove them right. For every Bond wannabe bleeding to death in a Moroccan alley, drowning in Venetian streets, murdered mid-sex, the world lived another day.
Such thoughts come to mind considering the night ahead. At my buddy Sid’s, the neighbors have painted their faces into colorful calavera, while they kill chickens for the orishas. I offer them a bottle of rum from the freezer. They take it gladly, and I wish them the best of luck.
“Which rum you give them?” Sid asks.
I shrug, “Does it matter?”
Sid says, “Yeah, if you want the offering to mean anything.”
He checks the freezer for what’s missing. Nodding he says, “That’ll do.”
“Since when do you believe in gods?”
He sighs, “Since we need all the help we can get.”
The sentiment seems shared by all this evening. On the stroll to Mr. G’s we pass wild mummeries. The street lamps have all been shot out. Lighting the way are burning pyres covered in various birds. Exsanguinations of goats run red rivers down the gutter. Revelers in phantasmagorical maquillage dance to music blasting out of cars, houses, and nearby bars, a chaotic cacophony of mixed styles blending into a delightful mess. The noise is meant to get the attention of the heavens; and some assist the effort by wearing ornate accoutrements: decorative plastic eyewear, ridiculous elaborate hats, and fake flower leis. Whatever may glance down from above will surely get an eye snagged on the sight below.
A yellow muscle car comes screaming around a corner, the “driver” seated on the roof wearing Viking horns. He opens his mouth to shout something, but the vehicle drifts into a parked pickup. As the two cars disintegrate the “driver” is flung out into the darkness. Everyone cheers. No one checks on him, though a keen ear may’ve detected the sound of snapping branches�� or bones. Either he survived, or he belongs to the gods. One more sacrifice to earn us a better tomorrow.
We stepped into Mr. G’s, and joined the worldwide effort, contributing our own sacrificial brain cells, aiming for a global googolplex.
For whatever reason, the owner of Mr. G’s decided to hire a DJ, a young Puerto Rican with a neck tattoo, who plugged his laptop into the stereo system, and proceeded to run a playlist. Sid, unable to stomach electronic music for more than thirty seconds, did his best to remain calm, but forty seconds in started lobbing empty shot glasses at the DJ. The practice caught on, and Regulars eventually rained glasses at the DJ until he fled. I took his laptop, appraised its value, but decided it would be safer to smash it out of existence lest he return.
#
Without prompting Reilly starts a story:
“Someone’s talkin’ like, ‘No one really knows when a new year starts.’ ’nd I’m like, ‘Okay, that’s interesting.’ Noddin’ Ima sippin’ muh beer, I realize ‘s a cup of piss. Literal piss.”
“Literally,” I correct him. Why I have no idea.
“You wanna finish my story?”
Shake my head, “Nope.”
“Right. So liter-rally piss. Happy?”
“Not typically.”
“I’m fucking telling a story,” Reilly says.
“Then finish it,” signaling for a round of shots.
Reilly takes a minute to remember his place, “So this jackhole is yammering about are-bit-tarry , dates.”
I suspect he meant arbitrary, however, I let that one slide. GG pours us a few artillery shells, while Sid finishes rolling a joint. She flashes a playful frown that says, “Really? All out in the open?” to which Sid replies by blowing her kiss. She catches it with one hand, rubs her vagina, and sashays to another waiting customer.
Reilly continues, “Sos he’s talkin’, while I’m like why I got dis piss? Fogs is clearin’, but not fast enough. I mean I might not’ve needed to be holding it for fuck’s sake. Then I ‘member Fake Dave was in the bathroom.”
“The Fake Dave?” I ask, “The real Fake Dave?”
“The one and only,” Reilly nods.
Sid taps me on the shoulder. Laws being what they are, it’s necessary to go outside to smoke.
I say, “Hold that thought Reilly.”
“For a beer I might.”
Oddly enough, I don’t feel a need to buy the end of the story. On the way out I can hear Reilly wrapping things up. Tossing words to any ear willing to hear he sits basically talking to himself.
#
Pool balls collide, cracking like thunder. The jukebox sings as if the seventies are alive and well; that era of rock still reigns supreme. A delivery boy arrives carrying several pizzas, and is promptly hogtied, and thrown in the basement – no one feels like paying. Several of the senior lady-regulars slip off to have their way with him, while the rest of us pound beers, and gorge on greasy pizza. A few folks sing along with the jukebox, though they can’t quite remember the lyrics:
“A dull lesson sent pumps into a vat With a boulder for a shoulder Feeling kind and colder, I tripped that Mary go down With her cock teasing, wheezing, and sneezing {indecipherable} She was! Blinded by the light, wrapped up like a douche In the middle of the fight. Blinded by the right, warped up like a douche In the riddle of the night...”
And they keep singing even after the song is over. Bobby and Jennifer decide now is as good a time as any to go over the details of their custody battle, while their kids desperately focus on the television showing New York’s countdown. No illusion about their future, I buy the kids thimbles of whiskey. Sid disappears with GG, and a half hour later the two come back wearing each other’s t-shirts, her tits turning the Motörhead logo into something three double d; only I know better than to make stupid jokes. Mainly because they think no one’s ever seen the two vanish to her battered GTO for a quickie. The secrecy is part of the romance.
Ol’ Davy shouts, “Let the booze flow like blood refilling soldiers in the war against sobriety.”
A few cheer the old poet, “Sláinte, Davy.” He’ll never finish the piece, though he’ll cover a bar napkin in inky murmurs.
It could be any Friday, Saturday, or Tuesday. The only difference is that at midnight silence descends. The septuagenarians emerge from their basement orgy with the bewildered delivery boy. The jukebox karaoke crowd halts their performance. Bob and Jennifer cease fire. Their kids start the countdown, and soon the whole bar is one voice, “Five, four, three, two…” and as the new year approaches I walk outside with a pint. A brief ovation comes muffled through the door.
Lighting a cigarette I can see the sacrificial pyres are now just embers. The red rivers no longer flow, though the stains remain. Even the wreckage from the ghost driven car/catapult vanished at some point. The revelers though, they still dot the streets, shooting fireworks into the sky, adding temporary stars to the night. Brief constellations made of Roman candle ammo offer a new astrology – the promise of a new day. And shuffling out of the dark is a figure in a horned Viking hat. He looks dazed, but not confused. His eyes are set on the door to Mr. G’s. What didn’t kill him made him thirsty, a taste of madness is never enough – it’s time to glut on insanity.
Holding the door open I say, “Glad to see you made it.”
“Me too.”
So a new year begins.
#writing#weird#holiday#new year's eve#fiction#satire#honestyisnotcontagious#suburbansurrealism#comedy#sliceoflife
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Good ol merican muscle
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New Post has been published on http://fastmusclecar.com/best-muscle-cars/the-top-10-classic-muscle-cars-of-all-time/
The Top 10 Classic Muscle Cars of All Time
Classic muscle cars are probably the most enduring legacy of the golden age of American automobiles. The high-powered, high-performance sports cars running on a mighty 8-cylinder engine gained its iconic status almost immediately after their introduction in the early ’60s.
Sadly their dominance wouldn’t last, with the gas crunch, rising insurance costs and new pollution standards seeing them mostly phased out in the following years. But having been built to last, many of the American originals can still be found out on the roads.
In their honor, here is our countdown of the top classic muscle cars of all time.
Chevrolet Corvette
Before there were muscle cars, there was the Corvette. Though more of a sleek cruiser than a genuine muscle car, the Corvette would be the first mass-production car to deliver one horsepower per cubic inch.
When the Corvette really came into the muscle category proper was with the introduction of C2 in 1963. These second-generation cars packed four-wheel disc brakes, a big block 6.5-liter V8, and optional side exhaust pipes.
Shelby Cobra
The Shelby Cobra is one of the very first muscle cars introduced. First marketed in its native Britain as the AC Cobra, the AC car company collaborated with Shelby and Ford for its introduction to the United States.
The result was the Cobra 417, manufactured in Detroit with a Ford V8 engine and a newer, larger chassis.
Chevrolet Camaro
The Camaro has consistently been one of the most popular muscle cars ever built. In the United States, it’s ranked third in all-time sales and popularity.
Originally developed in 1966, the Camaro was built with the intention of challenging the Ford Mustang’s dominance. The first generation came with three six-cylinder options and four V8s. Now on its seventh generation, the tradition of including a wealth of engine options has continued, with each generation being more powerful than the last.
Ford Mustang
The Ford Mustang is the single most popular muscle car ever produced in the United States. Introduced in 1964, I don’t think even Ford was prepared for the hugely popular reception that their new pony car would receive.
The Mustangs’ first-generation saw its power creep up steadily. Originally they were only able to get 101hp from the six-cylinder engine and 164hp from the V8. But the addition of a more powerful V8 would see the horsepower rise to a more respectable 290.
The Mustang also has the distinction of being one of the few classic muscle cars to survive the ’70s oil crisis with the introduction of the Mustang II. Though enthusiasts were largely dismissive, this smaller and more efficient car was able to weather the influx of Japanese compacts and helped ensure the model’s continuation.
Plymouth Road Runner
The Road Runner was conceived as a more economical alternative to some of the other muscle cars on the market, with fewer features and basic trim. But if anyone minded, it didn’t seem to harm the sales figures, as the Road Runner enjoyed 12 years in production.
Though lacking in amenities, the Road Runner was available in a full range of big-block engines, ensuring that it would live up to the speed of its namesake.
Dodge Daytona/Plymouth Superbird
Though technically two different vehicles, these cars share enough features and an entwined history for them to be placed together.
Both of these audacious-looking vehicles were limited production specials meant to legalize them for NASCAR racing. Packing a 426 Hemi and a 440 Wedge respectively, the certainly had the power to live up to the task. Combined with their iconic silhouette, these are among the most distinctive muscle cars ever conceived.
Plymouth Barracuda
The first production run of the Barracuda was nothing special. It shared the same chassis as the four-dour valiant, had minimal styling, and limited engine options with a V8 maxing out at 180 horsepower. Faced with the continued dominance of the Mustang, Plymouth realized that the Barracuda needed a push.
So with the second generation, they rolled out a longer, more aggressive car with improved handling and big-block V8s. Still not satisfied, the Barracuda achieved its perfected form with the third generation in 1970.
The new Barracuda no longer shared a platform with a sedan, and instead had a new, long and low profile. Most notably, this generation also saw the introduction of the famous “Hemi Cuda”, outfitted with a 426ci Hemi engine.
This addition virtually cemented the Barracuda’s legendary status.
Chevrolet Chevelle SS
The Chevelle is among the most iconic American muscle cars. Just look at its film appearances. It’s John Wick’s vehicle of choice, and its presence in Dazed and Confused perfectly dates the period pice to the waning days of American muscle.
But beyond its iconic design, the Chevelle stood up as a serious competitor on the drag racing scene, backed up by either Chevy’s 396 or 454 big-blocks under the hood.
Pontiac GTO
The original GTO maxed out at a 326 cubic-inch V8 making with an output of up to 280hp. While that doesn’t make it the most powerful car on this list, its impact can’t be understated.
The GTO was among the very first true muscle cars and inspired competitors like Ford, Chevy, and Chrysler to prioritize building there own affordable, high-output cars. As such, its importance cannot be overlooked.
Sadly, Pontiac’s attempts to revive the name were mostly unsuccessful and foreshadowed the company’s eventual demise. But though they may be gone, the GTO’s reputation lives on.
Dodge Charger
The Charge is quite possibly the most iconic muscle car ever built, a status that is reflected in pop culture. From The Dukes of Hazard to Bullitt, to The Fast and the Furious, the classic Charger seems as popular now as ever.
Originally introduced as a show car, the Charger’s popularity quickly grew along with its reputation as one of the fastest things on four wheels. And you can still find them on the roads today.
Like many classics, the Charger is starting to show its age. In particular, the Charger has always been known to have body roll issues. Fortunately, with the right parts, it’s correctable, and with resources like these manuals available, it’s an easy fix for a hobby mechanic.
Classic Muscle Cars Are Still the Kings of the Road
Though their heyday has come and gone, classic muscle cars still manage to stick in our collective memory. And while it’s unclear if we’ll ever see a muscle car renaissance, many of these originals can still be found in good shape.
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