#drafts deep dive

[trelkez]

[demaparbat-hp]

Oh, Lala...

[raayllum]

Watching a video on the history of unicorns (heartily recommend it) and in its discussion of the design of unicorns and how they got stapled onto religious iconography and then ideas of purity (including maidenhood/female virginity/innocence for better or for worse) it made me think about TDP, obviously.

I know pre-S7, I was thinking that the unicorn resting place was the Garden of Innocence, not Innocents. Now, the two concepts are related — in order to read the map to find the Garden, you need a true (innocent) heart — but the Garden of Innocents indicates that those who are innocent are multiple, and tied there. While it could be a referral to those who find the Garden, I think it's far more likely that the Innocents refers to unicorns themselves, and this is interesting for a few reasons. One is because arc 2 takes arc 1's skirting around the idea of "who is innocent? (implied)" and makes it much more overt and fraught:

Now, TDP evolves to question whether someone being innocent is a basis for whether or not they're spared in the first place — Rayla, Harrow, and Runaan are prime examples — but it is still worth thinking about people who were/are considered to be innocent (Ezran, a child punished for his father's crimes/choices) or should be (Leola) but aren't.

Next, I want to talk what we do know about the Garden before we get to the unicorns themselves, especially because this is more straightforward both in 1) the info we receive and 2) where we receive it being entirely in show canon.

As Aaravos says:

The map to the Garden of Innocents is special, Claudia. Only the true of heart can see it. A protection of sorts.

which raises the question of protecting it from what/who, and by proxy, who we're protecting the unicorns, alive or dead, from as well.

Then we have how Aaravos describes the Garden:

The unicorns had many secrets, and their oldest secret was the Garden of Innocents. A beautiful place hidden from prying eyes where unicorns could find peace and tranquility.

This both does and doesn't make sense. Unicorns having secrets makes sense because they have the star arcanum, and because 7x03 is also about secrets being revealed (Aanya telling Ez hidden history and showing him Duren's greatest secret of the fire rubies, etc). We'll debate later whether "peace and tranquility" refers to literal peace, or like... peace and tranquility in death, so let's put a pin in that for a second.

However, if the Garden of Innocents is their oldest secret... then how can it be also their resting place? Unless it began as a Garden where innocents would gather (themselves included, or those who could read the map or maps if there was more than one) to discuss and spend time together? And a place where the unicorns retreated upon being, presumably, hunted past that point. But as you can see, we very quickly spiral into speculation territory.

For now, let's go over what we actually know about unicorns (or at least, near as we can figure). We know they're connected to the Star arcanum (Tales of Xadia) and that their horns are immensely powerful and rare (3x06). We know from Terry in 7x03 that "they're all gone now". We also 'know' from both Tales of Xadia and the Book One novelization that humans hunted unicorns to extinction (which we're gonna put another pin in, for a second):

Unicorns were the most recognizable creature tied to [Star] magic, but, sadly, they have all but vanished from Xadia, as humans hunted and poached them to harvest for dark magic.

Perhaps the most valuable and sought-after prize of all was a unicorn's horn. Eventually, the humans hunted the unicorns until they disappeared completely from Xadia.

This matches up with what we see in canon, then: very few unicorns still exist; Claudia indeed hunted one for its horn and Viren tried for many years; and dark mages hunted many other magical creatures to extinction pre and during the Mage Wars that followed the expulsion. It fits.

And yet, this is where things start to get messier, however, simply because like most things in TDP, we have other sources that directly contradict all of the above claims from the book one novelization and Tales of Xadia. One such source is a page shown in 2x08 for a brief moment that was translated by fans and also exists in the Arc 1 artbook, which reads:

The only known creatures connected to the stars are the mysterious Startouch Elves and the rare, fascinating unicorns. Dark mages have tried to hunt the unicorns to better understand their power, but their stellar magic and their devious cunning make them almost impossible to hunt.

This of course goes against everything previously discussed. Unicorns being creatures of "devious cunning" is a far cry from being merely compassionate and innocent. Being almost impossible to hunt doesn't jive with being hunted to near complete extinction. Two of these are from more 'neutral' perspectives... but the Book One intro is from Aaravos, and Tales of Xadian can sometimes have a more Xadian slant, versus the pages written by humans who were followers OF Aaravos.

So which is it?

This level of contradiction is present in about everything we do know about unicorns. From each respective piece, we can fit together certain things to get... glimpses at the full picture. Here is what the book one novelization from Aaravos says:

Unicorns were always the most selfless of the Xadian beings. There came a time when, filled with pity, they desperately wanted to help the struggling humans. After all, it was not the humans' choice to have been born without magic. But the First Elves were wary. They warned the unicorns that kindness was not always returned with kindness; it would be a mistake to trust the species. After all, if humans were supposed to be use magic, they would have been born with it. However, the unicorns' compassion ran deep, and they could not convinced. So, despite the elves' warning, the unicorns bestowed the ways of magic onto the humans. They gifted a few wise humans with powerful orbs called primal stones, which contained vast magical energy. Then they taught them to draw runes to attract and focus the stones' power, and to speak the ancient words used by dragons to release that energy as magical spells.

Here, we get a few crucial things:

The First Elves, specifically, were against magic being shared

The unicorns in general, not specific ones, gave humans magic

They gave humans primal stones, but not arcanums

Tales of Xadia gets both more specific and more vague in some ways:

One heart took pity on the plight of humanity. A unicorn, unique among her own rare kind, saw the strength and ingenuity of the human spirit where others saw weakness and beastly ignorance. Her name was Leola. While elves warned that if humans were meant to wield magic they would have been born with it, she gifted the wisest humans with secrets: the language of the dragons and the runes that shaped spells. With the unicorn’s gift, the most determined minds among the humans could finally harness primal magic. It was difficult and dangerous work, and few could bear the grueling path of a rune mage.

Here, we get:

Leola's name and her as the bearer of gifts, ie. specifically giving humans magic

She did not give primal stones, but secrets. This sounds much closer as to how Lujanne describes an arcanum (i.e. "a secret and a spark")

We see in S2 with Callum and S7 in making primal stones that connecting to arcanums and making primal stones is what is gruelling and dangerous

We know, thanks to S6, that Leola was not actually a unicorn, but nicknamed as one. We know that something she did made it look like, at the very least, that she'd given magic to humans, and she was executed for it. We also know that humans had primal magic to a degree before dark magic, created/developed by or alongside Aaravos, took shape, and that sometime during this period but before the Mage Wars, unicorns were hunted to extinction, leading to the exiling of humanity (from the book one novelization):

But the elves were right about one thing: humans were unpredictable. While most were good, some were not. [Invention of dark magic.] Dark mages and their followers began to hunt and poach magical creatures throughout Xadia, for they needed fuel for their spells. Perhaps the most valuable and sought-after prize of all was a unicorn's horn. Eventually, the humans hunted the unicorns until they disappeared completely from Xadia. The elves and dragons were disgusted and outraged by what they saw. They were convinced the annihilation of humans was necessary and inevitable. But at the last moment, a daughter of the elven leader proposed the Merciful Compromise.

So something took the unicorns out, with the blame laid fairly or unfairly on humanity's shoulders. The unicorns as a group were responsible for giving some form of primal magic, seemingly primal stones, to humanity... but Leola also gave humans magic earlier than that.

Season 7 actually complicates this even further, as we learn what's required (so far as Aaravos is willing to share; who knows, there could be alternative ways) to make at least one kind of primal stone:

[To make a Moon primal stone] requires an exceedingly rare ingredient that can only be found at a place where unicorns once roamed, the Garden of Innocents.

So, did the unicorns give humans primal stones... or were their bones/horns required to make primal stones, and the gift giving got conflated from "you're 'giving' me your bones" to "I need/am taking your bones"?

What I'm going to propose, therefore, is this:

All of the above accounts are correct, just not maybe in the way we'd expect.

Here's what I think happened, with perhaps a more extensive meta to follow on the first part:

Leola gave humans a form of Deep Magic (potentially Love). This allowed them to form connections with primal sources. Them nurturing "primal flames" in Ripples, therefore, does not refer to literal Sun magic, but "a secret and a spark, but enough to ignite the world with its magic" being steadily developed.

After her execution, unicorns helped humanity develop primal magic further (potentially somewhat in her honour). They're not squeaky clean, maybe, but were trying to do more of a net good than negative

Humans having primal magic was not doing enough to fuck with the Cosmic Council, and left the playing field too even, so Aaravos stirred up trouble, maybe encouraged the dragons to be upset about primal/deep magic usage.

This caused the first stage of the Elarion debacle ("and caught the dragons' hungry eye") and for the Stars to leave.

After primal magic was exposed as inferior or made an issue, humans turned to dark magic, and this gave Aaravos a way in. He needed to ensure they'd continue to be dependent on dark magic, and this meant disposing of alternatives.

Potentially, Aaravos encouraged people to hunt down unicorns to get rid of humans having more widespread primal magic and/or to make more (Moon) primal stones. If dark magic is corruption/compromise, than primal magic is more 'innocent', after all. Peace and tranquility indeed

Getting rid of the unicorns also had the bonus of getting humanity and elves split up, making Aaravos' manipulations much easier if they weren't in communication with each other, and letting him mess around to encourage the Mage Wars (and a potential invasion of Xadia back in the day).

I want to do more of a meta on Leola giving humans deep magic and why I think it makes sense later, but the unicorns and their secrets / contradictions within the text are a decently big part of it so, uh...

Hope you enjoyed?

CLAUDIA: I feel bad about Terry. You made the Garden sound so beautiful, like it's just some wonderful peaceful place of rest. AARAVOS: It is beautiful. It is a place of rest. Those are not lies. CLAUDIA: But it's not the whole truth, either. Just like the map and those feathers. We didn't tell Terry that unicorns come here to rest... forever. That this place is a graveyard.

[oscargender]

Heartbreaking: “problematic” danmei everyone told you to avoid is actually pretty decent and has mildly interesting things to say about poverty and class

[thelassoway]

Jason Sudeikis as Ted Lasso Season 3 » Casual Sweaters/Jumpers

[pinkshiftbites]

nothing (in my head) - the deep dive podcast

premiering 9.26.24 on patreon

[total-drama-brainrot]

i come humbly requesting the post about chris’ descent you teased in an ask

Of course! I'll start by outlining how Chris' behaviour changed over the course of the series.

Chris starts off the first season of Total Drama as a huge dickhead, but not an outright morally bereft one.

He doesn't have the same familiarity with the gen 1 cast as he does in later seasons, but he's friendly enough with them - as friendly as you'd expect a television host and de facto caregiver to be to a group of twenty two teenagers. Sure, he's a bit of an arse at times, but it's very rare that he puts any of them in direct, life threatening danger. Most of the first season's challenges aren't outright lethal, in fact many of them are just regular camp activities taken to their logical extreme.

The main outliers here are the two torture-based challenges, and even then most of the mini challenges within are bearable if incredibly uncomfortable and painful - none of them are outright fatal. Plus, it can be argued that Chris himself doesn't have a lot of agency or input on the challenges themselves; he's there to host the show, nothing more and nothing less. At least, in the first season, there isn't any indication that Chris himself has control over the challenges (save for when Chef takes over for an episode, but his challenges are a lot simpler in design and execution than anything Chris hosts, so it can be assumed that was a last minute change.)

Now, it's been a while since I've rewatched Island, but I'm fairly sure Chris doesn't ever show the same amount of glee in the contestant's suffering as he does in later seasons. He's sometimes amused, sure, but there's very little in terms of outright vindication. More often than not, he's just trying to host the show.

Take Island's Chris and World Tour's Chris and contrast their attitudes against each other; time, it seems, developed an almost malicious streak within Chris. He even goes so far as to take his competitor's suffering into his own hands, at his own whims, using the excuse of entertainment value. (Dropping them out of the jet repeatedly at his fancy, deciding to choose the most dangerous moments to have them sing, ect ect.)

And then we get to RotI, where Chris is almost consistantly taking a great deal of joy in exposing the new cast to the horrors of nuclear waste and chemical hazards. His blasé attitude towards their mortality in the cave episode speaks for itself, and the fact that he gives a grand total of 0 shits about Dakota's mutation is the icing on top. By the time this season came around, any semblence of care for others within Chris was diminished.

The question therein is why?

The most obvious answer here is that the repeated threat to his contestant's lives became so normalised, so mundane to him that he simply stopped caring. Or seeing it as something wrong, or anything more than a ratings tool. None of them have actually died yet, so why not continually up the ante? Raise the stakes? Add more thrill to the show he's hosting - that's bound to draw in a bigger audience!

Which is how you end up with situations like Alejandro's and Scott's, where a contestant is injured enough to warrent use of machine-assisted healing and trauma chairs. Two situations that Chris himself is directly involved in, and doesn't seem to care about in the slightest.

Because showbusiness as a whole has a tendancy to reduce the people within it into objects of entertainment. There's a lot of dehumanisation in the world of TV - even reality TV, where people oftentimes play up aspects of themselves to become characters instead of people.

Throughout the show, Chris often talks about things like ratings, or the producers, or other business-focused aspects of entertainment. In his eyes, the teens under his dubious care gradually became little more than pawns in the game of Good Televivion. They stopped being kids and started being ratings jewels - puppets for him to manipulate and torture for his own and an international audience's amusement.

Perhaps there was some pressure from the producers themselves to be crueller to the contestants, to draw in a bigger audience or maybe just to add a sense of thrill and urgency to the challenges. After all, there's a reason shows like I'm a Celebrity are so popular, and it's because the people competing in them are having a decidedly bad time.

So, in his mind, making the contestants go through cruel and unusual punishments and challenges is justifyable because the show itself has benefits from it. He doesn't consider (or, perhaps, just doesn't care about) the harm he causes.

Then here it could be argued that his callousness and the detatched, joking attutide he has towards the suffering of these kids is actually just a super unhealthy coping mechanism Chris uses to get through the horrors of his job. That is to say, Chris is just as contractually obligated to host the show as the contestants are to compete in it, and he knows that they're gonna suffer regardless of his input, so being a Good Host and at least making their pain marketable/entertaining will at least garuntee him a bigger paycheck.

Or maybe he was always predisposed to be sadistic, and his relative niceness in the first season was just him testing the waters of how cruel his TV persona could be.

All I can say as a fact is this; Chris' actions and inactions become far more grevious as the series continues. He blows up a volcano on purpose. He sinks a whole island on purpose.

(He, and the series as a whole, drops any pretense of semi-realism to explore cartoonishly whacky and outlandish themes. Because it's a kid's show, at the end of the day. I'm overanalysing how a children's TV show leaned into the freedom of a fictional cartoon world.)

Saying that, he seems to have taken a step back in the theatrical and outlandish nature of his cruelty for the reboot. Maybe the decade away from Total Drama mellowed him out, or maybe the show just does't have the budget to accomodate for his more ambitious stunts. Who knows?

[factcheckingmclennon]

what if i go through and literally everything winds up being true after leading me down several rabbit holes. that would be so funny. i truly hope john said at some point that him and paul fucked i'd love to discover that one

[headfullof-ideas]

As I continue to work on the Httyd crossover, I’m realizing more and more that there might be a few things that need changing in those first two or three chapters that I wrote. Because I technically started posting stuff before I had a clear idea of some things like some characters arcs (specifically stoick and heather, just to name some examples). And then there’s some math I’ve done about how long the raids have been and how long the Vikings have been on Berk. Needless to say, I’m realizing there might be a few lines in those chapters that need fixed

So, uh, if anyone goes to read the fic again at any point, and notices some lines might not be the way they remember them, it’s because I went back and fixed what doesn’t work/isn’t accurate anymore. It’s not happening right this moment, but it will as soon as I get the list together of what might need fixed in chapters I’ve written

[gooseclarinet]

Some people have said that epic Odysseus' character arc in act 1 is about him learning to embrace ruthlessness and that you can't always show mercy. In actuality, he already knows these things at the beginning of the story and he has an Eren Jaeger-type arc of going off the deep end after taking too many L's. In this essay I will

[purplepeptobismol]

The urge to quit my job and become a full time fic writer is strong. I was born to do this.

[trelkez]

After rewatching Journey's End, my headcanon is now that so much of time and space pivoted on Donna and the Doctor's regeneration energy creating another Doctor - the fate of every universe, all life in every dimension - that now the universe will create another Doctor any time she's present for a regeneration. The timespace continuum can't not cough up an extra Doctor when she's around, and it's always going to be him, her Doctor.

Maybe they never figure this out and it's only the twice - or maybe several Doctors from now, Donna is present at a regeneration and another Tennant pops out and they all finally do the math. The 75th anniversary special is a bottle episode where the Doctor is dying and stuck in a room with Donna, and is desperately trying not to regenerate until they can get out and away from her before the universe spawns another Tennant

[kissesforjoeyb]

happy draft day!!!!

i’m scared

[by-reign]

when you get a perfectly constructed cheeseburger from mcdonalds and you don't want to eat it because it's so perfect

[purplebass]

I realized something when I reread A Life Erased. That Kell's mother as we've "seen" her in the short story, somehow is hinted at in bits and pieces in Lila. It's like Lila was giving hints about Kell's mother all along and his past before he was given up.

His mom gave him a knife with his real initials on it. Lila is fond of knives, and even though Lila is not her birth name, the name she tells Kell to call her after they introduce each other starts with L, just like his real surname. Those two initials on the knife make me think about the initials lovers carve on tree trunks. I've already said multiple times that knives are symbolic of their relationship, and this object is also symbolic of Kell's identity intertwining with Lila's and viceversa.

His mom was a fire magician. The first magic Lila tries to call on is fire. His mom and dad likely did illegal things like thieving and traveled on ships, because the text specifies her arms are tanned. Kell's mom has fair skin and red hair just like him, so I assume she must've been a lot under the sun to be described as tanned. Lila used to be a thief, and now she's the captain of a ship. Moreover, one of the ships Lila raids in AGOS is called the Copper Thief. Who has copper hair? Kell, but also his mom.

Perhaps we will see Kell's parents again in future tftop books.

[covetcore]

❝ Last time I listened to you we almost died. ❞ A dramatic recollection of the last time she found herself having to trust the other? Sure, but who can blame Karmyn when it didn't exactly go as planned? In the beat of silence that hung between the two, the sniper merely shrugged & pouted. The plushies awaiting their fate in the claw machine were witnesses at this rate. ❝ I'm just saying... you can't be trusted with bringing them home. ❞

OPEN STARTER.