#erase errata

[spilladabalia]

Sonic Youth flyer, early 2000s

[omegaremix]

Omega Radio for March 14, 2015; #79.

Protomartyr “French Poet”

BI “Tuf Jak”

Corin Tucker Band “I Don’t Wanna Go”

Notekillers “Airport”

Ex Cops “Black Soap”

Shirks, The “Prostitution Summer”

Exhaustion “Silver Fog”

Japanther “1-10″

Chastity Belt “Time To Go Home”

Bratmobile “Love Thing”

Nada Surf “Hyperspace”

Thee Oh Sees “Ruby Go Home”

Vehicle Blues “Changer”

Advaeta “Gold Thought Exit”

Helms Alee “Betwixt”

Eternal Summers “Deep End”

Veda Rays, The “This Time Tomorrow”

Cayetana “Scott Get The Van, I’m Moving”

Freshkills “Caroline”

Leather Towel “Nacho Chips”

Naomi Punk “Where We All Come From”

Big Deal “PG”

Dumbs “Wisla Beach”

Heavens To Betsy “Axemen”

Rocketnumbernine “Slide”

Young Prisms “Four Hours (Away)

Dunes “Minnow & The Machine”

Psycho Surgeons “Wild Weekend”

Sharkmuffin “Foul Play”

Novella “Land Gone”

Erase Errata “Marathon”

Buffalo Tom “Late At Night”

Megacools, The “God Vs. Drugs”

Honeyblood “Super Rat”

Emily’s Sassy Lime “Mr. Moneybag$”

La Sera “Break My Heart”

Skinny Girl Diet “Dimethyltryptamine (DMT)”

Spectres “Sink”

Deluxe broadcast on Pi Day; garage, noise rock, indie, and top shelf.

[radiophd]

erase errata -- billy mummy

[allmusic]

AllMusic Staff Pick: Erase Errata Other Animals

With the post-punk revival showing no signs of slowing down, it's high time to revisit Erase Errata's live-wire take on the style. Dominated by Jenny Hoyston's sharply sneered vocals and Sara Jaffe's careening guitar, the band's 2001 debut album is as volatile and exciting a statement of purpose as you're likely to hear -- and still bristles with a righteous fury and sense of humor 2020s post-punkers would do well to emulate.

- Heather Phares

[mymelodic-chapel]

Erase Errata- Nightlife (Dance-Punk, Noise Rock, Art Punk) Released: July 25, 2006 [Kill Rock Stars] Producer(s): Chris Woodhouse, Eli Crews

[ohrenoir]

0:40 / 7:38

Gossip/The Supreme Indifference/Erase Errata/Sleetmute Nightmute - "Night School"

[markrosewater]

Let's say, hypothetically, that the warlock creature type is deprecated, and we errata every warlock to be something else, but that something else isn't unified. Does that mean that cards that are currently in the Outlaw batch will be removed from it retroactively, or that there will be a solution in some form to ensure that they will all remain within it if they're within it currently?

I think the existence of the batch would keep us from getting rid of it. Note we can stop making new cards with something without erasing the old cards with it.

[haveyouheardthisband]

[ethernetmeep]

1. a friend was going to throw out a cupcake deemed ‘diabetes in physical form’. epitome of diabetes, if you will. obviously, i of all people had to eat it. sweets enjoyer. liked the strawberry base, moist. weirdly, allowed myself to eat all of it, including parts he possibly ate. this is an oddity because i dislike spit/saliva/anything of other people 95.7% of the time, but it seems logistically i would rather not have something someone put time into go to waste. hand make, more rather.

2. i attempted my first ever block print, i.e eraser stamp. it is a tiny fish. it is rough around the edges, but to be expected for a first attempt. with leftover gift card amounts bought a beginner block print kit. must now think of a design to carve

3. today i learned the meta predicament that is trying to make infinite jest a movie, as per the notes & errata*

*someone tried submitting an attempt to a film festival. even if it was good i do not want to see it or ever have the mere chance of seeing it because i feel as if a movie could not at all go in depth as the book itself does

yes, i am still reading dantes inferno. do not fret

[futuresandpasts]

Intro DIGITAL DANCE – Treatment Better Luck Next Time WARM GIRLS – Sideways ERASE ERRATA – Go to Sleep INU – Gonna Crack LOS MICROWAVES – Forever Hit the Missing Target ROCKY – Repeater FICTION – Dreaming at Home or at Work DANNY AND THE DOORKNOBS – Melody COUTEAU LATEX – Une Femme Passe Passe I Can See Through You THE PARTICLES – Family Life SECTION 25 – After Image FAMOUS MAMMALS – Private Anchor NEGATION – Son of No One One Way or Another SILVER ABUSE – Plastic Rows MIKA MIKO – Dear Teen Magazine WETDOG – Alibi XERO – The Girls Outro Z.S.K.A. – Gegenteile

[kimyoonmiauthor]

Please cite your sources... and errata

Ever since I did the long post on Worldwide Story Structures and then edited the list of Story Structures on Wikipedia, more and more blogs, articles and so on have been popping up with the information I sourced when I backtrace and relook up the names of the story structures.

This is great! Because this means things like the Wikipedia page for Confessional has gotten longer with more sources added. People are paying attention more and so some of the ones I struggled with now have more information out there as people wear it with pride.

But this has also resulted in a new string of people not giving credit where credit is due and wholesale stealing from mainly Wikipedia or doing it poorly without understanding what they are taking (psst, mostly white people and white men, which I covered is somehow a past time and a trend...).

I'm really begging you, given what I've outlined over and over again to NOT do the latter. Please, please give credit to where you got your ideas. Do citations. Also, I've noticed that people have taken my ideas directly from my page, and then not given credit to me. And that one stings. I spent hours tracking down and experiencing story structures from the countries where I cited stories of different types to come up with the ideas, but then they cite usually white people instead. WTF. You took my ideas one for one, down to the wording, but can't cite the academic that came up with it or why? Haven't I gone over the dangers of this already? Like calling out Kenneth Rowe? I spent all that time citing what Freytag really said and people still want to hold on very strongly to the notion he came up with a different diagram, and call it "Updated" in what imagination? Just cite your sources and say it was also Syd Field, etc like I outlined and then give me damned credit for putting in the hours of tracking it down.

Look, I have the degree, the education, I bothered to give the sources and just because my gender is not man and my skin color is not white, does not mean my ideas and the work tracking down primary sources is not "valid". Stop being AHs and taking the hours I gave to you for free, the money I spent on books by erasing the credit when I argued really, really hard that you need to give credit to your sources.

The reason you cite your sources is so people can hold them to account for their ideas, so the person researching can inquire, why do you think that? Also exceptions to the rule... what about this? If they can't inquire, then it's much, much harder to hold the specific person and their ideas to academic rigor. I know that your professors went on a rant about how plagiarism is evil on a personal level and Kenneth Rowe was a professor that plagiarized and somehow got Shakespeare and Aristotle wrong, despite specializing in both, but as I've shown, it also destroys on a systemic level, because people can't name the source of the information and can make up crap, such as Aristotle wanted a 3-Act structure and say things like, "I heard that Aristotle was a sissy pants." and everyone believes them because what? You cited nothing, you just cited everything Aristotle wrote so they can't examine things like if the statement is true because they didn't read beyond Poetics 7 and didn't have enough background to understand that Readercism really, really doesn't work well in this case because the invention of the 5-paragraph Essay was in the 19th century, messing with how people think and organize.

I get it–you might hate me for some of my ideas, like say, Aristotle is a sexist pig, which he is. And Aristotle is not Jesus. Which he isn't. But you should at least cite your sources, especially when those sources have taken the time to cite other sources, like the primary works with page numbers, showing things like where the diagram for Freytag comes from (and how much of a genocidal AH he was).

Cite your sources, even when you hate their guts, like finding out Freytag was a pre-Nazi Fascist–I can cite the History of Opera (Lucy Worsley's Nights at the Opera (TV Mini Series 2017) and Wagner and how Freytag glows with how much he loved Wagner's The Ring saying that they now outstrip Shakespeare. When I say that Freytag was a pre-Fascist, I can cite his love of the middle class, imperialism, and love of the idea that Polish people would be wiped off the face of this Earth. Why? Because I bothered to read the original text. And because I did that I can cite the page numbers where he said so because I posted it up on my blog. And because I cited the page numbers, someone can chime in that I'm wrong.

Also, stop citing white people on PoC things. Favor own voices and stop erasing credit. I was very purposeful in citing the people I did. I spent hours using Japanese I learned, Chinese I learned, etc to make sure it was correct--which includes the Kishotenketsu diagram--which for some reason in the Kishotenketsu Wikipedia people deleted the credit for the diagram to the people I got it from where? Japanese people--something I took 2 years to find and edit in. WTF. What's wrong with you? (Someone also took the diagram and colored it badly and then erased the credit and then explained it on Youtube--the diagram I made off of the Youtube video I credited... c'mon.). They also took a bunch of the words I wrote for the page and gave no credit to Wikipedia. Do better, white dude.

I'm not asking for credit because I want it, and have an ego—no, what I want is the ability of people to interrogate their sources. To correct me down the line. To be able to check back to see if the statements made are original or not and then interrogate the truth of the matter. Because if anything, my journey through the idea of a singular "true" story structure that never changed over time, has proven very much to be false. And it took me *forever* and a day to unwind this myth. So I'd like subsequent generations to also be able to interrogate my work too. But they can't do that if they don't have access to my words, thoughts, and how I selected the parts of the text that I did. I'm very open to being wrong. I want to be corrected--I make errors all the time. And they are free to disagree from there. Much like I hate the idea that Aristotle thought that women get a soul later than men, because, as I said, he's a misogynistic pig and it was not the times.

Oh look, a citation. You can interrogate the source now.

And the source cites: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4021448/

Now you can interrogate the people who came up with it and find out where Aristotle said that.

The source says: "This question has evoked human thinking since ancient times. Hippocrates (460-370 BC) argued that man and woman each contributed semen that mixed in the uterus to form the embryo, whereas Aristotle (384-322 BC) favoured a more male-centred view that the woman merely provided fertile ground for the male seed to grow. "

With the numbers in place, then you can look at other sources such as: https://www.thelancet.com/journals/lancet/article/PIIS0140-6736(05)71025-4/fulltext

And you see, new vocabulary pops up. Then you might ask, where did Aristotle say that? And now that you have vocabulary, you can find out if it's a myth or fact.

And from there, I was able to find the original source of the statement from Aristotle, and find the original text. (Which BTW, is still a misogynistic piece of crap) and add it back to the wikipedia page (which I did) De Anima 350 BCE.

I don't want to be cited because I think I'm correct. I don't want to be cited because I have an ego. I want to be cited because I'm pretty sure someone might think I'm wrong, and I want them to be able to inquire into my line of thinking and how I selected sources so that I might be corrected or examined down the line.

So stop being a white straight male, well, usually, and cite your sources. Your privilege isn't going to cushion you from being called out as wrong and a plagiarizer. And do you want to end up being called an imperialistic imperializer who hates PoCs? Please cite your sources and make sure your sources say what you think they say. If you don't, I or someone else is likely to find you and call you out. And don't make it me, because I do check sources.

BTW, more PoCs need to be "allowed" to have writing manuals without half of the internet breathing down their neck for not being white enough because that half of the internet didn't bother to read anything outside of European canon or want to imperialize European ideas of story on the rest of the world.

Oh, you made it this far... here is your reward; https://www.positivelyfilipino.com/magazine/the-joy-of-kuwentuhan

A story structure/story type that's older than colonization.

BTW, also watched a film from Filipino filmmakers and the story structure I cited earlier with the introduction (longer than the US) and the Third act (or second, if you're working off of the 3-act) had an inversion in "What if" (2023) which amused me a lot. I love when people play with expectations. Previously, I said Pinoy filmmakers try to leave the story structure behind and do something else, but to see someone expertly play on an old one and then flip it—that was magic.

[theextendedzodiacas]

The Extended Zodiac as Playlists: Ligo girl ♥️ Pirius girl with alt-rock

Everything + Everywhere- The Butchies

Secret- Missy Higgins

Not Gonna Get Us- t.A.t.U

Her Body Is Bible- Fletcher

Tongue Tied- Erase Errata

Far More Attractive- God Is My Co-Pilot

[omegaremix]

Omega Radio for March 28, 2015; #80.

Eternal Summers “Together Or Alone”

Le Volume Courbe feat. Kevin Shields “The House”

DMA’s “Laced”

Brain F≠ “Sicks”

Thee Mighty Fevers “Sunday Breakdown”

Heavy Times “Denim Girls”

Reigning Sound “Your Love Is A Fine Thing”

BI “Surf ‘N Turf”

Notekillers “Punk Song”

Psycho Surgeons “Wild Weekend”

Spider Bags “Friday Night”

Catholic Spray “Black Cat”

Exhaustion “Pure Duty”

Joint Damage “Hooked”

Avey Tare “Tape Player Chants For Winter”

Users, The “Kicks In Style”

Lightning Bolt “The Metal East”

Tropic Of Cancer “Distorted Horizon”

Bremen “Entering Phase Two”

Fidlar “Whore”

Lync “Pennies To Save”

Thee Oh Sees “Soda St. #1”

Anthroprophh & Big Naturals “SRR”

Freshkills “Why Are You So Unforgiving?”

Henry’s Dress “Hey Allison”

Man…Or Astro-Man? “Clean Up On Aisle #9 (Turn Up The Monitors)”

Parquet Courts “Donuts Only”

Radical Dads “Flight to NZ”

XO Skeletons “Asthmagasm”

White Mystery “San Francisco Dream”

Spectres “Mirror”

Galaxie 500 “Don’t Let Our Youth Go To Waste”

Japanther “Divorce”

Lipstick Pick-Ups “Sealed With A Kiss”

No Joy “Wrack Attack”

Personal Best “This Time Next Year”

Animal Collective “Summertime Clothes”

Saints “Demolition Girl”

Japandroids “Heavenward Grand Prix”

Viet Cong “Throw It All Away”

Young Prisms “Dead Flowers”

Erase Errata “Another Genius Idea From Our Government”

Axxa/Abraxas “Late Night, Shifting Light”

Unwound “Usual Dosage”

Ride “Vapour Trail”

Hospitals “Rich People”

Team Dresch “#1 Chance Pirate TV”

Big Naturals & The Heads “You Are Rust: Undoing Of The Circle”

Predator “No”

Asian Women On The Telephone “Spaceman”

Together PANGEA “River”

Single Mothers “Nice Dresses”

Paint Fumes “Sevol Natas”

Breather Resist “X’s And Y’s”

Metz “Acetate”

Carbonas “September Gurls”

Veda Rays, The “Wait For Teeth To Show”

Destruction Unit “Day Of Your Death”

Spectres “Sky Of All Places”

This Will Destroy You “New Topia”

Oblivians “Bad Man”

Cribs, The “Arena Rock Encore With Full Cast”

Explosions In The Sky “Let Me Back In”

Godspeed You Black Emperor! “Piss Crowns Are Trebled”

Lightning Bolt “Snow White (& The Seven Dwarves Fans)“

Double deluxe five-hour broadcast; garage, psych-, indie, and punk.

[djzibaz]

119

B-52s - Channel Z

American Football - I've Been So Lost For So Long

Chicano Batman - Passed You By

__________

The Vanishing - 1.10

Aterciopelados - Baracunatana

Braid - A Dozen Roses

Erase Errata - Driving Test

Mac DeMarco - One More Love Song

__________________

Reggie and the Full Effect - Happy V-Day

Neon Indian - Polish Girl

Death Cab for Cutie - 405

X-Ray Spex - Oh Bondage Up Yours

Hey Mercedes - Bells

________

101 String in a Symphony for Lovers - Serenade

ADULT. - Human Wreck

Wives - Half

[chrisryanspeaks]

Hayes Noble's ‘As It Was, As We Were’: A Dynamic Sophomore Punk Rock Masterpiece

On his sophomore album, As It Was, As We Were, Hayes Noble continues to refine his brand of fuzzed-out punk rock with increasingly dynamic songwriting. Recorded and mixed by Luke Tweedy (known for his work with William Elliott Whitmore, Appleseed Cast, and Erase Errata), and mastered by Carl Saff, As It Was, As We Were showcases the nineteen-year-old's talent for blending melodious noise with timeless coming-of-age lyrics. The album features sheets of feedback colliding with driving beats and abrasive hooks, while blurred vocals shift from subdued delivery to impassioned shouts, enhancing the youthful sincerity. Recorded just two months after his high school graduation, As It Was, As We Were tells the story of hot summer nights, first loves, and teenage desolation in the Driftless Hills surrounding the upper Mississippi. It captures the feeling of being out of step with the weekend cowboys and keg party rollers, searching for fellow outcasts and weirdos in a small town. Hayes presents a Gen Z snapshot of leaving home and facing the suffocating bleakness on the horizon. With artwork by Mike Scheer (Built to Spill, Treepeople), As It Was, As We Were solidifies Noble's place as an emerging talent in the new generation of guitar-driven indie rockers. Noble's 2023 debut, ‘Head Cleaner’, showcased a massive tube-driven wall of sound. Recorded and mixed on 2" tape by Daytrotter co-founder and analog guru Patrick Stolley, ‘Head Cleaner* highlighted Noble's wide range of musical influences, combining earsplitting shoegaze and post-hardcore with a nod to the guitar-driven noise rock that emerged from the mid-80s punk scene. The album echoes the sounds of legendary indie guitar heroes, with elements of Dinosaur Jr., Polvo, and Superchunk breaking through a foundation of overblown punk rock. Check out “Nothing Else” below: Read the full article