#especially about the dragons

[egophiliac]

missed the mark by (looks at calendar) uhhh. hm. but I really wanted to do something for the 5th anniversary! happy five years to these idiots 🎉

[chalkrub]

reminiscing about childhood books after that ask - all due respect to cool sleek movie toothless....but to me, he will always be a mean little gremlin

[abyssal-ilk]

playing as a tabris warden and especially playing as a fem tabris warden is just a constant over and over gut punch. you're getting married but then you, your cousin, and several other women from your alienage are kidnapped during your wedding by the arl's son. you slaughter your way out of it to save your cousin and the other women, but there isn't a victory in it— you know there will be retribution for killing a palace full of guards and several nobles even though you were defending yourself and your kin. you're forced to leave your home and join the grey wardens without being given even a single night to recover. you know there will be a purge. you don't know if you'll ever see your family again.

you're taken to ostagar where you are the only woman amongst the grey wardens, and not only that, you are the only elf among them. you remember nessa, the girl in your alienage who was afraid of leaving because she feared what the soldiers would do to her after going so long without seeing a woman. your status as an elf and a woman are constantly remarked upon. you have no choice but to stay. you are fed darkspawn blood by duncan; the blood kills one man while he slaughters the other in front of you. you are supposed to feel grateful to have survived this.

and even later when you seek help from the dalish, what do you learn from zathrian? the same injustices that were inflicted upon you have been repeated over and over for centuries. what do you learn when you seek help from the mages? templars lurk in every corner, always watching, driving mages to the same violence you yourself committed. what do you learn in orzammar? to be a castless woman is to be not considered a person, who's only worth is the children she can bear for the same nobles who keep the castless subjugated. to be chosen by a noble is supposed to be an honor. why does this feel familiar?

AND THEN. what do you learn from the deep roads? darkspawn in all of their corruption are no different; you learn of the broodmothers. it is the same everywhere, no matter where you look. nothing changes. even your other party members, leliana and zevran, have their own stories. and you don't have another choice but to keep pushing on.

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[thatwavephenomenon]

The Circles to me are Toxic Academic Settings pushed to Nightmarish Extremes. Your magic manifests and suddenly you're locked in a tower with other children to study, study, study to be a mage. You have to get a Good Grade at being a mage. Oh, but that's not what you want? You do not fit in? Too bad, because if you want to have a future, you can only be a Good Mage. A mage who follows all the rules and who can be productive and useful. Only the best survive! All those who died were weak! And you do not want to be weak, do you? You do not want to be like them, those stupid weak mages who can barely maintain a shield and who will fail their Harrowings. Right? Of course not. You must be a Good Mage. You must be The Best mage. You must succeed to survive.

[jellisdraws]

“Now, what I want more than anything is to soothe you.”

Some softer Shad’zel

[tenojan-in-tevinter]

Honestly there's no one I'd rather be on a forced saving-the-world road trip with than the origins gang. Sorry kotor companions sorry bg3 companions but no one does it like the origins gang. They are a family they are insane they are not to be fucked with they never would have been friends if they were given a choice in the matter. The perfect road trip squad.

They consist of the best dog in thedas, the worlds most royal himbo, a demi-god shapeshifting witch, a bisexual assassin nun, a bisexual assassin orphan, a powerful spell-slinging grandma living on borrowed time (who is bffs with a spirit), a giant spy man who doesn't know how to function by himself, the worlds grossest dwarf, and a giant statue that has a life goal to kill all birds.

[cybershock24601]

Thinking a lot about post canon rookanis and one thought I keep coming back to is the power plays that would be going on between Caterina and Rook. Caterina is the First Talon, she's been the head of the household for forever and even though Lucanis is an adult, he still yields to her. At least until Rook came into the picture.

Rook's just trying to be supportive of Lucanis and get him to do the things he wants to do rather than the things he feels he has to do and now suddenly Lucanis is telling Caterina things like No (Spite is also trying to do this but is less successful in actually communicating his intent). I feel like one of the first instances of that would be Caterina telling Lucanis he should clean himself up and trim his hair and get rid of the beard and Lucanis decides that actually he's going to keep the beard because Rook likes it. It is in this moment that Caterina realizes what a threat Rook is. Sure, Lucanis didn't outright tell her no in this instance but the fact that he still he has his beard and his only explanation when Caterina questioned him about it was to mention Rook's preference was enough of a red flag for her.

Anyways, I think while Caterina respects Rook for what they've been able to accomplish, like killing two gods and getting together multiple different disparate political factions to do so, and also for standing up to Caterina herself in a twisted sort of way, but Caterina can't stand Rook for how they have disrupted the iron control Caterina has held in her household. Rook went toe to toe with the Dread Wolf and as scary as Caterina is, Rook's not going to back down if Caterina tries to interfere in their relationship with Lucanis or try to dictate what Rook should do as a proper partner of the First Talon (I just know Caterina was a nightmare mother in law and that did not change with her becoming a grandmother in law).

So I think this sort of culminates in a lot of passive aggressive power plays between Rook and Caterina with Lucanis and Illario looking on in awe as Rook politely - or perhaps not so politely - tells Caterina to shove it because you can do that???? It also probably leads to Lucanis getting stuck in the middle of the two of them which Rook is not happy about because Rook would rather engage Caterina directly but she keeps using Lucanis as a bit of a pawn in her bids to retain her ironfisted control over House Dellamorte even if Lucanis is supposedly supposed to be the new head of the house. Rook is all the more determined to get Lucanis the hell out of the Crows and away from his family at least for a while because it is lowkey destroying him. Luckily Rook has Spite to help and the force of personality to bully Illario into assisting as well because Rook is not going to be letting him off easy for the shit he pulled.

[bramblebeau]

thought about Neve as a kid, drawing chalk griffons on paving slabs and befriending street cats by sharing her fish with them, and I may never recover

[shima-draws]

"If I wanted to watch HTTYD shot for shot then I'd watch the original" then don't. Watch the live action? What do you want me to say?? Everybody complains when a live action is too different from the original, now y'all are complaining that it's too similar? Idk about you all but I much prefer a live action that's faithful to the original instead of wildly veering off course to the point where it muddies the message of the original film (sideeyes Lilo & Stitch). I guess there's no way to make everyone happy with these huh

[elsmaster]

Going through all of Anders' party banter for fic-writing-purposes, and

Anders, baby, they had you locked up in solitary FOR A YEAR. That is not, in fact, fortunate. That does, in fact, count as torture.

(Also: oh how I miss the horrifying, straight-to-the-point dialogue from DA2)

[amatres]

rhaena having her story to be reworked into taking over nettles story is just sansa being given jeyne's story instead of letting her have her vale storyline 2.0 bc no writer seems to value that these characters strengths are being political and soft power focused and instead just want to give them the hard girlboss story line because that is more exciting to them

[vaguely-concerned]

rookanis really is like... first base is you walking through the haunted ruins of my mind to find me in an act of breathtaking psychological intimacy with added tam lin undertones. second base is baked goods (cautious erotic connotations). third base is deicide. THEN we kiss. also second deicide of course once you pop it's hard to stop

[local-diavolo-anon]

i'm back!

ok so 2/3 days ago i found this youtube video where op turned Springtrap (or well, William Afton) into a fully build DnD character, and if i say so myself: things got out of hand fast

so here is my take on DnD Springtrap and specifically on that build (adding more infos under the cut for who is interested, i suggest to watch the video first)

starting with saying that unless you're playing in a scifi setting, this build is either not for you or to be modified, since in later levels spells are heavily centered around technomagic and electronic devices; personally when i will play him i will probably tinker around with the chosen spells and cantrips to make him less violently niche and/or more versatile

which kinda saddens me because it takes away not little of the characterization but, given most dnd stories take place in a medieval fantasy or high fantasy setting, a cantrip like On/Off or a spell like Remote Access are NOT particularly useful; so i will go for more psychic damage or necromancy oriented abilities, maybe i might take more than just 4 levels in artificier as well (especially given that again, all of those warlock spells at later levels are all technology oriented) but i need to see what those offer

however it is a kinda tank-y build given that with a shield on you can get up to a 27 of Ac, so even with low damage and not much hp you would not struggle too much to stay alive, and i like that!

as for the character himself, i put too much effort into my interpretation not to share it, so if anyone wants to play this guy as well, i fabricated a possible backstory that might come useful:

The character goes by the name "Dave Miller" (or whatever variant you want to use), and was originally a human artificier who created constructs for a living, mainly with the goal of offering aid to who needed it for whatever reason.

There however he ran into an issue, that being that a robot need a power source, and his own heart and lungs could not sustain a whole robot by themselves.

After losing part of his family to some kind of accident he became terrified of death, so with age he started replacing his own body parts with machinery to delay his last days (which made him a cyborg), until the point where he was very very close to become just a robot.

(This part may or may not involve a pact with a deity of death, this entirely depends on how you want to play him but it would make sense since the build is an artificier/warlock hybrid)

Through particular and very much not illegal experiments tied to necromancy he discovered that the life force of a living being could be shared, and used as a form of fuel. (possibly: age lived of the creature used= amount of extra months you get)

Here comes the second problem: this only worked with intelligent creatures, and more specifically, it worked best with creatures of your own race, which meant that he either went around murdering people or he found another solution. Non same-race creatures worked as well but not as good and there were not easy to find in the middle of a city and with a shop tied to your name.

And here is where and WHY he'd join a party of adventurers: after some time, his reserves or fuel were running VERY thin, and running into a group of adventurers was a god sent because by joining their party he essentially got a free pass to kill whoever he wanted, and reduce them to a dried raisin after sucking some life force out of them. Doing so you learn that the mowe powerful the creature is, the more energy it produces as well.

Your goal, that you as the player are following, when role-ing your character? essentially slay whatever powerful BBEG your Dm throws at you and suck all of that juicy fuel out of them, so that you can return to your little shop in the middle of the capital and return to create and sell whatever weird construct, doll, or robot comes to your mind for another few decades undisturbed.

And this is it. I think this might be a good backstory that could fit pretty much any setting you want to play this guy into, be it classic dnd or some scifi futuristic thing.

of course you don't NEED to use this one line per line, make up your own without looking back if you don't like it lol, dnd is the "make up shit and have fun" game after all!

Edit: also no his outfit makes no sense, i just went with vibes and decided a tanktop dress shirt, a twin tailed gilet and suspenders OVER said gilet was a good choice.

[abyssal-ilk]

the wrongful villainization of anders after dragon age 2 is directly linked to vivienne's writing as being a staunchly pro-circle character in dragon age inquisition. btw. and i think we must keep this in mind when we talk about her. dragon age inquisition pulled back HARD when it came to the mage/templar war in an effort to completely villainize what anders had done, ensure that no one could find him sympathetic, and tried to 'both sides' the conflict in attempting to present it as more gray and ended up failing in this attempt, at least imo. this centrist, toothless turn in writing that so blatantly points the finger at the mages reflects highly in vivienne's own characterization. and we must keep this in mind when talking about her beliefs and politics.

[cybershock24601]

Continuing with the Rook Ingellvar is terrible at flirting idea because I think once Lucanis realizes that all the creepy stuff Rook's been doing is her idea of flirting he goes from feeling threatened to thinking it's very sweet and romantic. It's practically like a switch gets flipped with him and sure he still finds a lot of weird to say the least, he's really touched by the genuine love, care, and affection behind every one of Rook's strange flirtations.

Anyways, in the brief time Rook and Lucanis are separated post canon with Lucanis forced to go back to Treviso to do First Talon stuff and Rook sorting out the fallout of everything that happened as well as her position within the Mourn Watch, Rook starts sending bouquets of flowers with very romantic meanings to Lucanis as a sweet gesture to remind him she's always thinking of him. However, seeing as the flower language in Nevarra is almost the exact opposite of Antiva, everyone keeps thinking someone is sending death threats to the First Talon. Lucanis didn't even know that Rook was sending them until she asked if he'd liked them in one of her letters because the servants just tossed them assuming they were some sort of veiled threat.

Once that issue gets sorted out and Lucanis starts actually receiving his flowers from Rook, he places them in a vase on his desk in his office so he when he's losing his mind doing paperwork he can look at them and be reminded of Rook. Everyone else who sees them and doesn't know they're from Lucanis' goth nevarran gf just assume that it the First Talon is flaunting his confidence in his skills by so proudly displaying a death threat or that perhaps it's some sort of veiled threat directed towards those that go to meet with the Demon of Vyrantium.

Throw in the fact that Lucanis probably also keeps the skull Rook gifted to him on his desk too and he starts developing an even more terrifying reputation. Especially once people find out that the carved and bejeweled skull (Rook engraved the eye/feather motif from Lucanis' default outfit on it and inlaid it with amethysts - she'd have sprung for purple sapphires had she the coin for it but she's no Dellamorte(yet)) belonged to Zara Renata. And that his favorite rapier and dagger are also made with Zara's bones.