#evanmichael
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So uhhh. I am a Michael/Evan stan now. No context just announcing my next layer of hell
#mlandersen0#everymanhybrid#mla0#emh#i need to make a shipname for it for a tag#uhhhh#evmichael? michevan? evichael? evmich?#i think i might like evmich#nah fuck it im just calling it ->#evanmichael
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I ship Evan and Michael somewhat and some people think that makes me ship Patbit as well but then I tap my big button that says NUMBER ONE PATBIT HATER. I think Evan and Michael could be interesting as two people who can somewhat relate to each other on some grounds of like. Lack of control within their own body and waking up with things having happened that they didn’t know were going to happen. I also think it would be a funny extra layer to beef between Patrick and Habit.
oooooo actually not a bad take. also LMAO the beef would be fucking hilarious. i hate patbit but i truly have never considered evanmichael before. i can see it
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Lot’s of talk about what to do, pitfalls and bad actors. What about...”Not to do?”
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Infinite Mark Wahlberg Evan Michaels Black Bomber Leather Jacket
https://rockstarjackets.com/product/infinite-mark-wahlberg-evan-michaels-black-leather-jacket
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[Playlist] Evan Michael's Top 10 Percussive Tools By: Deep House Amsterdam - Deep House London NYC’s Evan Michael has just joined the long list of Hudd Traxx Producers after previously releasing on the iconic Drumpoet Community label. With this fine addition to the Hudd Traxx catalogue before they celebrate their 60th release, Evan Michael has put together 10 of his most percussive... http://www.deephouseamsterdam.com/london/playlist-evan-michael-hudd-traxx-percussive-tools/ #DrumpoetCommunity, #EvanMichael, #HuddTraxx, #Playlist, #Rainmaker
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Funny how they can become terms of endearment. Happy birthday, @evanmichael! http://ift.tt/2jcSt06
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PPSSSTTT
At 12am you all better be flooding my home skillz Evan's Tumblr and/or Facebook about his big 16th birthday :) He's a lovely, amazing, talented musician and person... SO GO :D
http://evanmichael.tumblr.com ;D
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Premiere: Evan Michael - Auxilio (Original Mix) By: Deep House Amsterdam - Deep House Amsterdam Cin Cin, the label from Fort Romeau and Ali Tillett, presents its 9th release with a dual package comig from Marco Passarani and Evan Michael. First up, fresh from a storming solo release on Numbers and one half of esteemed production duo Tiger & Woods, Marco Passarani delivers two acidic... http://www.deephouseamsterdam.com/premiere-evan-michael-auxilio-original-mix/ #AliTillett, #CinCin, #EvanMichael, #Exclusive, #FortRomeau, #MarcoPassarini, #Premiere, #TigerWoods
#ali tillett#Cin Cin#Evan Michael#exclusive#fort romeau#Marco Passarini#premiere#Tiger & Woods#Premiere
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via Brooklyn Bass: http://brooklynbass.net/023-brooklyn-bass-evan-michael-march-2013-podcast/ Spring is just around the corner and things are really starting to shape up in New York City...Brooklyn especially. From the copious amount of new clubs opening in the North, secret warehouse spaces in the East, or goings-on back in the city, it's been quite the flurry. That's not all though, Red Bull Music Academy is invading our area come May, and they've already tested the waters with several exciting NYC Boiler Rooms. Our Brooklyn Bass parties are also getting crazier by the moment with an upcoming April 12th event at Cameo Gallery hosting EGYPTRIXX (Night Slugs), as well as my 'BODY TALK' series with Nooka Jones (Percussion Lab) continuing this Friday at Le Bain at The Standard with Justin Vandervolgen (Golf Channel Records). >>> http://www.residentadvisor.net/event.aspx?458455 >>> http://www.residentadvisor.net/event.aspx?456770 I've taken a moment to mix together tracks I've really been feeling over the winter and into the new year. From Pitto's pounding "Richklap" release on WOLFSKUIL Records to Envoy's jacking techno classic "Sea Wall," it's an hour of tunes that visits contemporary Disco and House and chops in minimal gems of the past. Evan Michael March 2013 Podcast 1. Razor-N-Tape - Never Give You Up (DEEP&DISCO Dub) 2. James Dexter - Forward 3. Pitto - Richklap 4. Niko Schwind, Lil Magdalene - We Are The Future 5. Terrence Parker - Love's Got Me High (Marc Romboy's Systematic Soul Dub) 6. Paperclip People - Throw 7. FCL - It's You (San Soda's Panorama Bar Acca Version) 8. Santos - Newyorkese 9. Envoy - Sea Wall 10. Ronan Portela, Ariel Rodz - La Ensenada 11. Ben Pearce - What I Might Do (Bonar Bradberry Remix) 12. Marlow, Comixxx, Knixx - This Is It 13. Be - All the Thrills 14. Justin Vandervolgen - Edit Channel XXX
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Q + A with Valentin Stip, 6/21 nascent. 003 w/ Justin Miller, Evan Michael @ CAMEO

Valentin Stip is a Franco-American, classically-trained pianist and electronic musician. He debuted on Clown & Sunset in the spring of 2011 with his EP Anytime Will Do. Valentin Stip has just released his debut long player Sigh on Nicolas Jaar’s subscription based Other People imprint to extremely positive reception. Germany’s Musik Express made it an Album of the Week, DJ Broadcast interview him as Artist of the Week, and Quip called Sigh a “mind-transforming experience in its ambient-electronic genre”. After a summer tour of New York, London and Berlin, Valentin is now based in Brooklyn. He is a founding member of the Montreal based Booma Collective, a collaborative project and record label. We sat down with Mr. Stip ahead of his DJ performance at Cameo for nascent. 003 to ask a few questions…
- You moved to NYC from Paris at an early age. What prompted this move?
I moved there when I was ten because my father had been transferred there through his job.
- Classical Piano seems to serve as a centerpiece in your music. Which Classical pieces or composers have influenced your tastes growing up?
I studied classical piano seriously from the age of 12 or 13 and I was very drawn to romantic sonorities, and how harmony can express emotions. Beethoven and Rachmaninoff were the first ones that struck me, but then I discovered Chopin and Liszt who also amazed me. From there I could make a long list, but I guess those were the “pillars” of my appreciation for classical music.
- What is your current studio set up like?
I do not presently work with a specific studio setup. I have always been quite a nomad with production and I’ll sometimes make a lot of music sitting in the most unusual places. For example, I worked on a lot of the album in the cafe of the busiest library of my school in Montréal. I liked having to create a little bubble to work in.
- What does a typical day’s session consist of?
I oscillate between jamming with my friends, mixing and listening to records, reading, making music and playing piano. There never is a precise order, but I try to do all of these things during the day.
- Do you often share ideas with any of the artists on Other People?
Yes. I studied philosophy, so I have a tendency to ramble on about metaphysical things. Thankfully all of my friends happily follow me in these endless conversations, hehe…
- There seems to be a lot of field-recorded sounds at play in your latest LP, ‘Sigh.’ What were a few of these recorded parts? Does it take a while to find what you need from these recordings?
I find a lot of the field recordings on internet sound banks. I always look for something specific, like a character (say the wind, or a street) and I assemble them to create sceneries. I will also just record myself walking in my apartment or making movements so as to make the floor crackle and then add it to a track for percussion. It’s usually pretty intuitive and spontaneous though.
- ‘Sigh’ has been sequenced as a continuous piece of music. Was each song initially written to follow another? Was there a general theme at play from the beginning or did it develop over time? Were there any sonic avenues unfulfilled in this album that you’ll be exploring next?
Each song was made separately. But towards the end of the whole process I started having a wider vision of what I wanted to do, so if I felt a track was not fitting or that one was missing, I would make a track with that gap or replacement specifically in mind. I’ve been exploring more rhythmical ways lately so I have no idea where this will take me next
- What is your record digging process like? Are there shops in Montréal that you frequent? Which elements do you look for in music to be played on the dance floor?
I just look for things that resonate inside of me. It goes through all kinds of genres but I just have a special feeling when I hear a track that I really like. On the dance floor I try to recreate that feeling through association of different tracks or by letting the music do its magic. For the stores, I have moved to New York now, where I go to halcyon and A1 to find new records. I also spend a lot of time online looking for stuff that might not be readily available.
- Any plans for the rest of the summer?
I am not yet sure what I’ll be doing this summer but I’ll be around in New York and in Europe maybe
I will probably be doing more mixing.
Get tickets: http://ticketf.ly/1rL0mHz [nascent.] → 003 ’coming into existence’ – Valentin Stip (Other People) w/ Justin Miller // Evan Michael
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MICHAEL, EVAN Acid Anonymous 12" DRUMPOET COMMUNITY DPC 054EP
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DO YOU KNOW HOW DIFFICULT IT IS TO NOT ORDER ALL OF THE AIRSOFT NOW THAT I HAVE MY TAX RETURN?!
VERY.
VERY FUCKING DIFFICULT.
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