#flexible LED displays

[muenled]

Understand how LED displays work and their applications?

1. What Is an LED Display? An LED display, or Light Emitting Diode display, is a sophisticated flat panel display technology that utilizes arrays of LEDs (Light Emitting Diodes) to render video and image content. Unlike traditional display technologies, LED displays leverage the inherent brightness and efficiency of LEDs to produce vivid and clear images. This makes them exceptionally…

[eagerledblog]

A Comprehensive Guide to Flexible LED Displays and LED Display Modules for Advanced Businesses

Flexible LED displays are a cutting-edge development in visual innovation, combining the benefits of LED displays with the flexibility of Flexible materials. Not at all like conventional, inflexible LED displays, Flexible LED screens are built with bendable, lightweight components, permitting them to form around bended surfaces or be moulded into special shapes. This adaptability offers unparalleled flexibility, making them perfect for a assortment of applications, from indoor publicizing and open establishments to immersive excitement and engineering plans. These displays can be wrapped around columns, utilized as inventive backdrops, or executed in applications where routine LED screens would be impractical.

A typical Flexible LED display comprises of a cluster of LED displays modules, which are the foundational components that shape the display. LED display modules are person boards that house LED pixels, controlled and modified to make pictures or video. Each module is composed of a circuit board implanted with various LED diodes, which emanate light when electrically fortified. By orchestrating these modules in particular arrangements, engineers can make displays of different sizes and resolutions. These modules come in different pixel pitches (the remove between each pixel), affecting the display’s determination and seeing clarity. Littler pixel pitches surrender higher determination pictures, appropriate for close-view applications, whereas bigger pitches are perfect for bigger displays seen from a distance.

Advantage of Flexible LED displays

The primary advantage of Flexible LED displays is their capacity to be customized and moulded without compromising picture quality. This capability is especially valuable for non-standard establishments, like circular screens or wavy displays. Moreover, Flexible LED displays can be both front- and rear-maintained, meaning they can be adjusted from either side. This support adaptability is vital for establishments in limited spaces.

Flexible LED Display Modules

Flexible LED display modules are moreover planned for solidness. They are made from high-quality, weather-resistant materials that can withstand changing natural conditions, counting extraordinary temperatures and stickiness. This vigour is particularly important for open air establishments, where introduction to the components can influence display life span and execution. In expansion to versatility, Flexible LED displays are exceedingly energy-efficient, giving striking brightness with lower control utilization than conventional lighting options.

Conclusion In conclusion, Flexible LED displays and LED modules are revolutionizing how visual substance is display in energetic situations. By advertising a mix of adaptability, strength, and vitality effectiveness, they give businesses and makers with modern conceivable outcomes in substance introduction, clearing the way for more immersive and locks in gathering of people encounters. Whether utilized in stadiums, concert scenes, or open craftsmanship establishments, Flexible LED innovation speaks to an effective apparatus for advancement in the world of visual display.

[linsn-led]

Break the curve. Bend the light.

Traditional screens are flat—and predictable. But the world isn’t.

Flexible LED display modules give creators the power to break out of the box—literally.

Curve content around pillars. Create seamless arcs across ceilings. Wrap light around the shapes that define your space. No bezels, no compromises.

Whether you're designing an immersive retail experience, a futuristic stage backdrop, or a sculptural digital installation, flexibility means freedom.

At Linsn LED, our Flexible LED Display Modules are ultra-thin, lightweight, and easy to install—even on curved or irregular surfaces. Magnetic modules make maintenance fast. Pixel options let you choose clarity that matches your vision.

The display no longer has to be flat. Your imagination shouldn’t be either.

[pixelvisionuae]

Flexible LED Display Prices Dropping Fast – Here’s Why and What It M eans for You

What Are Flexible LED Displays?

Imagine wrapping a high-definition screen around a pillar or curving it around a stage — that’s the power of flexible LED display. Unlike their rigid cousins, these displays are thin, lightweight, and bendable. They’re made using soft PCB materials and LED chips that can flex without breaking, making them perfect for creative applications.

Read Also:- The Ultimate Guide to Choosing the Perfect Scrolling LED Display for Any Need

Where Are They Used?

From futuristic store displays to immersive event setups and even wearable tech, flexible LED screens are popping up everywhere. Retail, entertainment, sports, transportation, architecture—you name it. If a space can be curved or twisted, a flexible LED display can light it up.

Current Market Trends in LED Display Technology

Global Demand Surge

We’re living in a visual age. Digital signage is no longer a luxury; it’s a necessity. That global demand for more eye-catching, dynamic content has lit a fire under LED display innovation.

Innovation and R&D Impact

With tech giants pouring resources into R&D, LED tech has taken massive leaps in performance, efficiency, and, yes—flexibility. Each innovation reduces production costs and improves quality, which is great news for your wallet.

Why Flexible LED Display Prices Are Dropping

Technological Advancements

As manufacturing tech improves, flexible LED panels are becoming easier and cheaper to produce. Better automation, smarter machinery, and upgraded materials have all streamlined the production process.

Economies of Scale

With skyrocketing demand, manufacturers are pumping out more units than ever. And just like buying in bulk at Costco, more volume = lower cost per unit.

Increased Manufacturing Competition

Competition is fierce in the LED market. Chinese, Korean, and American companies are all vying for dominance, and that race is driving prices down for end users.

Reduced Material Costs

With more sustainable and cost-efficient materials now being used—like PET-based substrates and newer chip tech—manufacturers are slashing prices without cutting corners.

Government Incentives and Policies

Many governments are offering subsidies and tax breaks for green and smart tech, which includes LED displays. These incentives make it cheaper for manufacturers to produce and sell at reduced prices.

Impact on the Consumer and Business Markets

More Affordable for Small Businesses

What used to cost tens of thousands is now within reach for local shops and mid-sized event planners. This democratization of tech is leveling the playing field in advertising and promotion.

Entry for DIY and Hobbyist Markets

Want a custom LED wall for your gaming setup or a digital art display at home? You can now find kits that don’t cost an arm and a leg.

Increased Usage in Advertising and Events

Lower prices mean more widespread use in concerts, festivals, and public installations. You’ll start seeing flexible LED displays where you least expect them—on buses, pop-up stores, even fashion shows.

Benefits of Buying Now

High Value for Lower Investment

With prices dropping but quality on the rise, you’re getting a killer deal. The tech has matured, but it’s still early enough to stand out with it.

Early Adoption Advantages

Businesses that jump in now can grab attention with futuristic designs that others haven’t caught onto yet. You get the “wow” factor before it becomes mainstream.

Long-Term ROI Potential

Flexible LEDs are energy-efficient, durable, and low-maintenance. That means lower costs over time and better returns on your upfront investment.

How to Choose the Right Flexible LED Display

Indoor vs Outdoor Use

Outdoor displays need to be weatherproof and brighter. Indoor screens can focus more on resolution and color accuracy.

Pixel Pitch and Resolution

Smaller pixel pitch = higher resolution. For close-up viewing (like retail displays), go for a tighter pitch. For large-scale outdoor screens, you can go bigger.

Durability and Bend Radius

Check the product’s bend radius and flexibility rating. Not all “flexible” LEDs bend the same way—some are better suited for curves, others for folds.

Size and Installation Flexibility

Make sure the screen fits your space and installation needs. Some models are modular and can be rearranged as needed.

Future Outlook of the Flexible LED Market

Continued Price Decline

The trend is only going one way: down. As tech continues to improve, expect even lower prices in the next few years.

Growth of Transparent and 3D Displays

Next-gen flexible LEDs will include transparent displays you can see through and 3D holographic visuals. We’re just scratching the surface here.

Integration with Smart Technology

Think motion-triggered visuals, IoT integration, and real-time data feeds. Flexible displays are on the path to becoming interactive and intelligent.

Final Thoughts

The flexible LED display revolution is here—and it’s more affordable than ever. With prices falling rapidly thanks to advancements in tech, competition, and demand, now is the perfect time to jump in. Whether you’re a business looking to wow customers or a creative looking to bring your vision to life, flexible LEDs are your canvas. And with this tech only set to grow, early adopters stand to gain the most.

FAQs

1. Are flexible LED displays suitable for outdoor use?

Yes, as long as they’re designed for outdoor environments. Look for waterproofing, brightness levels, and temperature resistance in the specs.

2. What’s the difference between flexible and traditional LED displays?

Flexible LEDs can bend and twist, allowing for curved and creative installations. Traditional LEDs are rigid and best for flat surfaces.

3. How long do flexible LED displays last?

On average, they last around 50,000 to 100,000 hours, depending on usage and environment—just like traditional LED panels.

4. Can flexible LEDs be customized for unique shapes?

Absolutely. Many vendors offer custom sizes and shapes tailored for your installation space, from cylinders to waves.

5. Are flexible LED displays hard to install?

Not really. Many come in modular designs and lightweight panels, making setup easier than you’d think. Some even have magnetic mounts or Velcro systems.

[eagerled]

Is A Sending Card Always Necessary on the LED Screen?

LED displays are now very well-known and widely used with audiences engaging on big screens in stadiums, billboards, and sometimes, street art. But, there appears to be a myriad of parts that are clustered together for it to work in unison. One of these components which is the sending card has in the past been crucial in the running of the LED screen. However, with advancements in technology, the question arises is a sending card always necessary?

The Sending Card: A Crucial “Translator”

In most LED displays, the sending cards act as a bridge between the content source (like a computer) and the LED screen itself. It receives the video signal (HDMI, DIV, etc.) and translates it into a format the screen can understand. This involves processing the data, splitting it into individual pixel information, and synchronizing the output to ensure a clear and cohesive image on the screen.

Advantages of Streamlining the System

Companies like Kystar, a leading innovator in LED technology, are pursuing the boundaries by developing systems that can potentially eliminate the need for dedicated sending cards. Through advancements in computer processing power and software optimization, these systems can handle the conversion task directly within the computer itself. This can offer several advantages:

SimplifiedSetup: Eliminating the sending card reduces one component in the system, streamlining the setup process for users.

CostReduction: By removing the need for a separate hardware component, the overall cost of the LED display system can potentially decrease.

EnhancedFlexibility: Integrating the sending function into the computer allows for greater flexibility in terms of content management and display options.

When is a Sending Card Still Relevent?

While the potential to bypass sending cards exists, their role remains valuable in certain scenarios.  Here is when a sending card might still be the preferred choice:

ComplexDisplays: For intricate LED setups with high-resolution screens or multiple connected panels, a dedicated sending card can offer better processing power and ensure smooth, synchronized visuals.

LegacySystems: For existing LED displays that rely on older technology, a sending card might be necessary for proper compatibility and functioning.

Advancedfeatures: Some sending cards offer advanced features like scaling, colour correction, and scheduling functionalities, which might not be readily available through a computer alone.

At Eager LED, we offer a comprehensive range of LED display solutions, including options with and without dedicated sending cards. Our knowledgeable team can help you enhance your specific needs and recommend the optimal configuration for your project.

[ledvideo]

LED electronic display cleaning guide

LED electronic display is widely used in advertising, information release and other fields with its high definition and vivid colors. However, the cleaning and maintenance of the display is essential to maintain its performance and extend its service life. This article will explore the key points to pay attention to when cleaning LED electronic display.

Cleaning before installation

The importance of cleaning: Cleaning before installation is an important step to ensure the performance of the display, which can avoid display problems caused by dust and impurities. Use special board washing water: It is recommended to use special board washing water for cleaning to ensure the cleaning effect. Cleaning method: Sprinkle the board washing water on the LED module, use a brush to clean it, and add flux if necessary to improve the cleaning effect. Take you to understand the LED display soft module in 5 minutes. Merchant cleaning service: The cleaning work before installation should be completed by the merchant to ensure that the display is in the best condition before delivery. Here are 7 common ways to install LED display.

Regular cleaning after installation and use

Cleaning frequency: Clean regularly according to the frequency of use to avoid the display screen from affecting the display effect due to dirt accumulation.

Use a professional cleaning kit: Purchase a special cleaning kit, including electrolyte and high-purity distilled water, to ensure that the cleaning process does not damage the display screen.

Cleaning interval: The cleaning interval should be determined according to the use environment and frequency of the display screen, and clean it in time to maintain the clarity of the display screen.

Precautions when cleaning

Avoid using corrosive cleaners: Do not use corrosive cleaners that may damage the display screen.

Gentle operation: Avoid physical damage to the display screen during the cleaning process, and use soft cloth and tools.

Professional guidance: If you are not familiar with the cleaning process, you should proceed under the guidance of a professional, or directly seek professional cleaning services.

Conclusion

Cleaning of LED electronic display screens is a key link in maintaining its performance and extending its service life. By following the correct cleaning steps and precautions, you can ensure that the display screen always maintains the best display effect. Regular cleaning not only enhances the visual experience, but also protects your investment.

Thank you for watching. I hope we can solve your problems. Sostron is a professional LED display manufacturer. We provide all kinds of displays, display leasing and display solutions around the world. If you want to know: Installation points of stage LED display project. Please click read.

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[eagerledscreen]

EagerLED High-Quality Soft Flexible LED Screen Module | Indoor Flexible LED Display Module Panel

EagerLED flexible led module screen display adopts the latest advanced SMT technology. The ultra-thin flexible led screen is not only thin, ultra-soft, and lightweight, but also has no splicing gaps on the surface, making it ultra-flexible. The silicone frame, silicone mask, and strong magnet design make the flexible screen have good quality.

[zeroloop]

Illumina il tuo spazio con la Striscia LED Flessibile Programmabile

XAXVSTS Insegna Luminoso LED Flessibile Programmabile | 45 X 12 cm | LED Display Personalizzabile USB 5V Auto Camion | Controllo via App Bluetooth e Telecomando per Negozio e Pubblicità Se stai cercando di dare un tocco luminoso e personalizzato al tuo ambiente, la striscia LED flessibile programmabile potrebbe essere la soluzione che fa al caso tuo. In questa recensione, esploreremo le…

[neon11seo]

Neon11 | Flex Board Solutions Flexible Signage for Every Need

Neon11's Flex Board solutions provide customizable, dynamic signage for various needs ensuring long lasting visibility and durability, with sizes, shapes & designs

[muenled]

What are the characteristics and application directions of exploring DIP and SMD outdoor mesh LED screens?

Introduction In the era of rapidly developing digital media, the visual communication of urban spaces is undergoing profound transformation. Traditional outdoor advertising formats—such as lightboxes, monopole billboards, bridge banners, and tri-vision displays—struggle to meet the dual demands of expressive power and communication efficiency from new-generation users. In contrast, outdoor mesh…

[eagerledblog]

Transforming Worship Spaces with Church LED Displays and Flexible LED Screens

In a time where innovation upgrades each perspective of communication, churches are progressively turning to computerized arrangements to interface more profoundly with their assemblies. Among the most successful instruments are church LED displays and flexible LED screens, which together offer energetic visual communication, advanced aesthetics, and an immersive revere experience.

Church LED display are revolutionizing how churches convey messages, share sacred writings, and lock in admirers. Not at all like conventional projectors or printed pennants, LED displays offer unmatched brightness, clarity, and unwavering quality. Whether it's a little chapel or an expansive cathedral, LED displays guarantee that each situate has a clear see of sermons, melody verses, declarations, and recordings. These displays are particularly valuable in advanced revere administrations where visual narrating and mixed media substance play a crucial part in keeping the assembly engaged.

What sets church LED displays separated is their capacity to work consistently in both indoor and outdoor situations. Indoor displays upgrade haven contributes with high-resolution visuals, whereas outdoor screens can be utilized for occasions, celebrations, and community outreach — guaranteeing that the church’s message comes to both participants and passersby.

Complementing this are Flexible LED screens, a cutting-edge development that permits churches to plan inventive and bended show setups without compromising picture quality. These screens can wrap around columns, frame circular backdrops, or be coordinates into interesting organize plans. Their lightweight and bendable development makes them perfect for churches looking for a advanced and imaginative approach to advanced communication.

Flexible LED screens are especially successful in making captivating organize backdrops that synchronize with adore topics, regular occasions, or visitor speakers. They can show moving illustrations, sacred writings, live nourishes, and more — all in shocking detail and dynamic color.

Both church LED displays and flexible LED screens are simple to keep up, energy-efficient, and able of farther substance administration. This makes them a viable and future-ready venture for churches pointing to modernize their adore encounter and upgrade community engagement.

In conclusion, church LED displays and flexible LED screens are not fair show devices — they are transformative innovations that bring confidence, inventiveness, and communication together. By receiving these cutting edge arrangements, churches can rouse their assemblages with effective visuals that make each benefit more important and paramount.

[gojoest]

this was supposed to be a ramble post but i went on and on ;-; i might fw this idea some more in the future! tried to be as eloquent as possible but failed

royal au, crown prince!gojo satoru, f!reader (she/her), you reject him but that ain’t stopping the king to be from pursuing you, wc: 1.5k

crown prince gojo satoru, predictably, was the most desired man in the kingdom.

along with his royal heritage — the simple fact of being the next in line to the throne — his highness was undeniably a well-favored, handsome man that no other could hold a candle to. naturally, ladies would often throw themselves at him — some charmed by power, others harboring genuine feelings. he could see through them all and he would politely, and sometimes not so — depending on the intention — would turn them down.

his highness found no thrill in the concept of love. he saw no challenge in it and in someone dolling up for him and speaking to him of all the things that he, supposedly, wanted to hear. he deemed it boring. thus, he’d often sneak out of the castle (jumping off his balcony, unharmed) when the ladies arrived to visit him. other times he’d send the servants to deliver the unfortunate (and very much untrue) news of his highness being sick and needing rest to recuperate his strength. he truly could not be bothered while there were other things that piqued his interest more.

the battlefield, he admired it.

he grew up as — what others considered — a problematic child. ditching etiquette lessons to go into the forest and climb the trees, hunt animals and pick up branches to practice swordsmanship by himself. other times he’d simply act up in inappropriate ways, purposely so, that would inevitably bring punishment upon him, resulting in him being locked in his room to reflect on the unfitting of a royal behavior he displayed that day.

yet, nobody knew how agile and flexible he was, that he had learned how to climb and land safely after jumping from dangerous heights.

hence why, to this day, his highness uses his balcony as an exit when faced with unwanted guests. and to this day, nobody knows to where the crown prince has perished when the noble ladies line up in the castle to meet him.

truly, a problematic man.

his father, the king, was not having it. he thought, maybe, if he were to actually send his son the battlefield in order for him to come face to face with the harsh truth of it, that it was not as the fairy tales told so, that it was bloody, merciless and brutal, filled with death and decaying corpses — he would, maybe, come to his senses.

but, unfortunately so, that did not do it.

so far, everything was going the way the crown prince had desired — he had learned, early on, how to manipulate his environment to get what he wanted, through mischief. he had become a self-taught knight by his own means. he had caused enough havoc in order to be sent away to the most desired of places he wanted to be. the battlefield.

he conquered lands. each time he returned to the royal capital, he brought victory.

the neighboring countries were growing wary, avoiding conflicts and easily agreeing and bowing to the demands of the kingdom in order to prevent wars from breaking. the army’s strength, led by none other than the crown prince gojo satoru, was unheard of.

soon, the entire world knew of it. the clashes and conflicts seized. nobody dared oppose the kingdom anymore.

the prince returned to the capital, back to his boring days.

the days once filled with dull etiquette and history lessons were now replaced with the constant nagging to review a list of candidates in order to pick a bride to be the next crown princess.

it was a bothersome activity. his only challenge now was finding new excuses every day to avoid it.

but alas, there was only as much he could do to run away from his royal responsibilities of continuing the bloodline.

it was after the king had threatened to have the head of his right arm in combat and best friend, the glorious knight geto suguru, that the crown prince caved and considered looking at the portraits of the candidates presented to him.

in front of him were a list of the big families and the portraits of their daughters sent in.

“say, suguru”, satoru lifts a curious brow. “the lady of this house”, he points at the paper, “i can’t see her portrait”

suguru chuckles. “i am afraid, she did not send in one”

the prince scrunches up his nose. thinking. “i don’t understand?”

suguru, covering his mouth, tries to hold his laugh back. “she did not send in a portrait”

“did she forget?”

“i don’t think so”

“then? why?”, satoru stares. clueless.

suguru, with his entire willpower, is earnestly trying to fight the laughter climbing up his throat. the crown prince might be his best friend, but he didn’t really know how this man would react when faced with rejection for the first time in his life.

“in my humble knowledge”, he clears his throat before continuing, “when a lady refuses to send in a portrait to the royal palace, it only means she is politely withdrawing from the list of the candidates, your highness”

silence.

and then, a stretch — of lips, into a smile. a smile of disbelief. one that resembles the smile he shows when faced with a challenge on the battlefield that his audacious opponents throw at him.

“is she rejecting me?”

“i am afraid so”

intriguing. it’s been too long since he felt that kind of thrill, and to think he’d experience it while flipping through mere portraits of his wife-to-be’s. perhaps, he should’ve listened to his father sooner, huh?

he chuckles to himself. “good. i want her”

from that day on, the crown prince, who was once apathetic and uninterested in banquets held by the nobles, attended every one of them that was rumored to have you as a guest.

sadly, you rarely showed up. during the times you were present, you obviated his approach in a crafty and tactful manner.

he started sending you gifts — luxury gems and stones, hairpins, foreign cloths and dresses that were considered hard to obtain even by the big noble families. you sent them all back to the royal palace.

but unfortunately to you and very fortunately to the crown prince, this uncourteous gesture of yours intrigued him even further. he already had a hunch from your previous encounters, that you were not one to be bound by etiquettes of high society nor were you one to be easily blinded by opulence. but just in case, he wanted to test you. he wanted to see more of your deviant nature.

yet, he almost felt defeated, ashamed of taking you so lightly — as if tarnishing and trampling on your character — every time upon seeing the gifts delivered back to him in the same state that he had sent them, unpacked. not even touched out of curiosity. spotless as they were — as a sign of unambiguous rejection.

maybe, he shouldn’t have acted so carelessly with you.

it was during a banquet hosted by the royal palace in honor of the visiting diplomats from the neighboring countries when satoru finally got the chance to strike a more private conversation with you.

eyes glued to you all night, watching as you danced and socialized with other nobles, he was waiting for the right moment to approach you.

and just as you happened to leave the ballroom and walk toward the balcony to catch some fresh air, he excused himself and followed behind you.

“don’t tell me you’re already bored and want to leave, my lady?”

you turn around, visibly unfazed by his presence.

“good evening, your highness”, you politely greet, bobbing a curtsy to him. “although it is not to my liking, i wouldn’t call such a fancy banquet objectively boring. i was merely getting some fresh air after dancing”

there she goes again with that witty tongue of hers, he chuckles. “i see. you find it subjectively boring, if i may assume?”

“you may and that wouldn’t be far from the truth”

he lets out another chuckle, wiping a hand across his face as if at a loss of words. you truly are one intriguing woman.

“i will be very frank with you, my lady”, he speaks. “i think, i might’ve fallen for you”

you remain unamused, not even a single feature on your face flinching at his very confession.

“love is not something you think, but rather something you feel, your highness. curiosity, on the other hand, might pick at your brain and make you think and ponder”

he chuckles. “they’re not mutually exclusive, i believe. can’t love start from curiosity?”

you crack a soft smile. “perhaps”

“may i assume this is you giving me permission to pursue you further?”

“excuse my impertinence, your highness, but — do you have a thing for getting rejected?”, you tilt your head, an impish grin on your lips. “how long are you going to keep this up for?”

he steps closer, “i promise i’ll stop”, taking your hand into his and courteously going down on one knee before kissing it — “when you stop rejecting me, my lady”

[sirfrogsworth]

In this scene, they are in the middle of the woods under a canopy of trees. They show the sky and there is no moon.

The light has absolutely no motivation.

Motivated lighting is a philosophy where all of the light sources on screen have a logical source. The light from a smartphone on someone's face. A lamp next to the couch. Sterile overhead office lights.

Often filmmakers will still use their own custom light sources, but they will simulate these things to give the impression the light has motivation.

Compare this to when all they really had were bright spotlights and insensitive film. An indoor scene just couldn't have this warm and cozy feel. And the light was just blasted in from everywhere.

Black and white helped a lot. You could still get dramatic effect despite things needing to be overlit. Or you could play with contrast ratios and shadow.

All the stuff you need to see was very bright and exposed well onto film and all the stuff you didn't was very dark.

But there was no graduation in between. It was hard to be subtle.

And when television and movies went color, this black and white contrast advantage was lost.

You can see EVERYTHING. And look at those sharp shadows. Everyone is just being blasted in the face with lights.

This sitcom lighting persisted long past when it was necessary. It became part of the sitcom language.

I think M*A*S*H was one of the first shows to subvert the overlit sitcom aesthetic. They began to play with lighting that had more motivation.

But aesthetic standards are hard to kill. And despite the heavy influence of M*A*S*H, sitcoms persisted all the way into the Friends era.

Her lamp isn't even on. Everything is just lit by God.

I don't think you will see a living room or kitchen scene lit like this very much from here on out.

People are getting used to lighting making more logical sense.

With the advent of LED lighting that can be any size, shape, and brightness, as well as cameras that can interpret very dark images, modern shows can now use bright and dark as narrative tools.

I think Severance does this well, and still keeps everything properly motivated.

But this newfound flexibility has created new problems. If you can film dark things, how dark is too dark? And how do you make sure the audience can see all of the important visual information?

The two worst examples of unmotivated lighting are always space helmets and cars.

It's a conceit. You gotta see the faces so these things are usually forgiven.

But the biggest debate in the realm of unmotivated lighting is night scenes. People have lots of opinions on how best to use light in the dark.

This is because following a motivated lighting philosophy can be especially tricky. Particularly if your setting is a secluded area without any artificial light sources.

Many cinematographers will try to give some sense of moonlight. But moonlight is very hard to replicate, so the effect usually ends up looking pretty fake.

This scene during a blackout in Die Hard 4 looks like they took the brightest light they had, mounted it as high as possible and said, "Fuck it, that's moon-ish."

If the DP is hardcore into motivated lighting, they just make the screen really really dark, like the Long Night battle in Game of Thrones.

The really really dark option bugs a lot of people.

Froggie Tangent about Dark Scenes:

I originally thought people needed to adjust their display settings. But then I realized not everyone watches content in a darkened room like a vampire. But if you find a show or movie is too dark, turning off any room lights will help a lot. Watching it in HDR will also help. And watching it on an OLED will help even more.

Scenes this dark are mostly a fad. DPs are experimenting with the possibilities of new technology. But sometimes they forget not everyone has that technology yet. And they forget some people watch stuff on their phones in a room full of sunlight.

Eventually the fad will fade, we will all adopt better screens, and the darkness will land somehwere between "I can't see shit" and "it would never be that bright in real life."

[End of tangent]

In the olden days, since film wasn't sensitive enough to do scenes in the dark, almost everything needed to have unmotivated lighting just to make sure their film wasn't a grainy mess. And as a culture, we sort of got used to that style. They'd mess with the contrast ratios to give the feeling of night, but if you think about where the light is coming from too hard, it won't make any sense. They took a Broadway theater approach to lighting and so a lot of movies felt like they were on a soundstage.

The 1961 West Side Story is a good example.

They've got a spot light hitting them, but not the building behind them. I guess that could be an overhead street light. But street lights are meant to flood the area like an ever expanding donut of light. A spotlight is like a directly projected cone of light. It is perfectly pointed at the side of their face and not coming from above.

She has some magical purple light coming from... somewhere.

And then they are in an area under a bridge, far away from any lights, but they've got soft fill light with a bright rim coming from the right.

Speilberg's version has much more motivated light.

This one is a bit of a cheat, some very bright source off in the distance. But it feels more plausible to the brain and gives a better sense of darkness. It feels like some kind of industrial lighting. Or a security light at a junkyard.

Here he straight up shows you where the light is coming from. And his preference for anamorphic lenses.

And here he uses bright train lights to create silhouettes. This is clever because it allows everything to be very dark but everyone is still legible in the scene.

I'm torn. Because I study light. And so I am very aware of how shows and movies are lighting things. And unmotivated lighting sticks out in my brain. Like when I watch someone miming playing the guitar. Or using a camera improperly. When you know too much about something, inaccurate onscreen depictions just drive you nuts.

There are some techniques being experimented with to make night scenes more legible while maintaining lighting realism. I think the most promising is the infrared day-for-night process used in Nope.

But maybe it doesn't need to be solved. Maybe DPs should just light the night even if it doesn't always make sense. Maybe general audiences just do not care and I am a big nerd who should be ignored.

[pixelvisionuae]

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[eagerled]

Why the Novastar VX16s LED Video Processor is an Industry Favorite?

The Novastar VX16s has quickly become a preferred choice for LED video processor needs. With its advanced features and best performance, this powerful LED video processor has become a favorite among those in the industry. But what makes this all-in-one controller stand out in a crowded market?

In this blog, we will know the reason why the VX16s is an industry favorite.

All-in-one Convenience

The VX16s combines video processing, video control, and LED screen configuration into a single unit. This simplifies setups, saves space, and smooths workflows. No more juggling multiple components-the VX16s handle it all.

Powerful processing for high-resolution displays

The VX16x Novastar video processor boasts ultra HD 4K                x2K @ 60Hz image processing and sending capabilities. This translates to stunning visuals on even the most demanding high-resolution LED walls.

Unmatched Pixel Capacity

With 16 Ethernet output ports, the VX16s can handle a massive 10.4 million pixels. This makes it ideal for large-scale LED video walls, ensuring smooth playback and crisp visuals across the entire display.

Smooth Integration and Richer Effects

The VX16s works smoothly with Novastar’s V-can video control software. This powerful combination unlocks richer image mosaic effects and simplifies operation. Create stunning visuals with more creative freedom.

Versatile Applications

The VX16s’ capabilities extend to various applications. From stage control systems and conferences to high-end rental and fine-pitch displays, the VX16s deliver the power and control needed for exceptional results. If you are looking for a powerful, all-in-one LED video processor solution, The VX16s Novastar video processor is a compelling choice. Eager LED can help you to find the best LED processor. Contact our LED specialist today to discuss your project and explore the possibilities.

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MG 1/100 Gjallarhorn Arianrhod Fleet Unit No. 21 Gundam Frame ASW-G-XX "Gundam Vidar"

It's done!! After completing the frame last week, adding all of the surface armour and acessories went quite smoothly. I'd already weathered and prepped everything, but even then I had to move quite quickly to get it done during the build meet I was at.

The Vidar is a disguised and revamped Gundam Kimaris Trooper, incorporating new technology and armour onto the ancient Kimaris frame, including a 3rd Ahab Reactor (done in a really nice trans-pink), knee thrusters, and these really nice rapier sheaths on the skirt armour.

Being a modern Master Grade kit, it comes colour separated from the get go, with a complete inner frame that peaks through the multi-layered armour plates. The Iron Blooded Orphans MGs in particular seem to show off a lot of the inner frame, so I'm happy I took the extra time to weather and detail it, although a lot of the frame marking stickers did get covered completely.

The colours chosen for the kit are really nice, especially the almost lavender blue that makes up the majority of the armour panels and contrasts really well with the bright pink marking stickers. I had a lot of fun with these - there are far fewer than on a RG kit, and they're nice and big so they're easy to apply. I even added a few extras, including the Bauduin family crest on the shoulder and cockpit. There's also some really nice shiny gold and chrome pieces for the frame.

There wasn't much for me to do in terms of further detail, apart from panel lining. I used both a liquid enamel liner as well as felt tip to touch up any mistakes. For some of the black armour panel pieces, I also experimented using a light grey liner, to give them some extra contrast, as black can tend to get lost and look like it isn't there at all. I've seen people do this on aircraft and it usually looks quite good, and I think it gave a few of the armour pieces a really nice worn metallic effect.

I also painted the little pilot figure and added some weathering. For the armour panels, I tried adding some drybrushing to the edges before assembly, helping to accentuate the seams between panels. I tried out a new weathering technique too using a chrome paint marker on a few of the sharp edges, and spreading out the self-leveling paint using a q-tip. This added some super shiny worn edges that catch the light and add a bit of textural variation over the matte finish.

A neat feature of this kit are the eyes and rear camera. They're moulded as a single hidden trans-pink piece that's also UV reactive, so you can make them light up both by shining UV or blue light on them, as well as placing a light source behind the head. Unfortunately there's no room in the head for an LED, although you could probably hollow it out to fit one in, and hide the battery in the backpack.

This kit is super poseable, with nicely designed joints that aren't difficult to move but are decently stiff and can hold themselves in place. Apparently the hips have been redesigned from the original MG Barbatos, although I still found them a little looser than I would've liked.

There's a decent number of gimmicks for this kit, as well as weapons and option parts. The feet include the fold-out "Hunter's Edge", which is partially missing on the HG version.

There's a few gimmicks included on the side-skirt/sheaths. There's two small verniers that swing outwards, and a little extra joint piece to let you move the skirt around for more flexible poses. The sheaths include 6 replaceable blades for the rapier, as well as the handle, and you can recreate the "reloading" action by sliding the entire sheath down, which actually pulls out a single blade attached to the handle.

There are also 2 extra "detached" blades, representing used blades that have been deposited as explosives in another mobile suit (although there's not really anything to attach them to for display, until Bandai releases more MG IBO kits).

One of the coolest parts of this kit are the twin pistols hidden in the front skirt. The holster gimmick can be a little finnicky when replacing the pistols, but they're held there securely when in place. The pistols themselves are nicely recreated, and you can even rack the slide of each one!

Finally, there's the large 110mm rifle. This has little tabs that slot in to a few holes on either side of the skirt, and an aiming camera in trans-pink that even has a foil sticker behind it to make it stand out. The rifle was always the funniest aspect of this suit to me, as it's clearly IBO's homage to the RX-78-2 beam rifle, and yet it's used by a suit that shows up as a transitional form in like 3 episodes and it gets fired once.

It's still undeniably one of the coolest parts of the kit, and it even has a removable magazine, although the part lacks a catch and so can be removed a little too easily. I wish it had had an actuating bolt as well, although it didn't really have one in the show.

Alongside all the weapons are a few hand options for holding the weapons. The hands are rather nicely done, with only a single hand that needs to be built, alongside a single moveable thumb. Instead, you switch out the fingers, between a pre-posed left and right pistol grip, open fist, closed fist, or open hand. This was much more preferable to working with the poseable hands I've seen on other MG kits. I still have sour memories of the fiddly poseable hands from the RG kits. The removable fingers also make it easier to swap out weapons for posing, and there's a little slot in each hand that clips into the weapons to hold them securely.

Overall, the MG Vidar was an excellent introduction to proper MG kits, and I'm really tempted to pick up the upcoming MG Barbatos Lupus in August.