#for the record I don’t say either
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I feel like I’m always disagreeing with how people talk about “cunt” being used in Australia. Because no it’s not like some people posture online where it’s all fine and zero taboo etc.
But also if you’re telling me only the most misogynistic men use it I’m wondering how many people you know who have had manual labour jobs.
#I would 100% object much more to bitch#bitch feels much more gendered#r4l thoughts#for the record I don’t say either
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i am so bored of recycled y2k/00s concepts @ music world can you do something new and innovative instead this is all shit from the butt
#they either all do britney or xtina or anything hip-hop artists did and it never fits#because people these days don’t look the same as any of the artists back then#bc back then there were way less fillers and cosmetic procedures or 4K uhd recordings#so the ultra smoothed out ‘flawless’ faces and not to mention under-cooked music can’t match up to what it emulates#also i lived through the music of this time and saw all that on my tv already so can we pls move it along now#and i hate to say it but so many female artists try to do it (western and in kpop) and 90% of them are too untalented to do it Justice 😭#none of you are britney or bey or nelly or xtina !!!#al.txt
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y’know. something that gets overlooked often is kate’s video, and the confirmed implications of it.
whether you believe nathan assaulted kate or not, this doesn’t take away from the fact she was canonically sa’d by multiple boys at the vortex club party. there are no names given, but we know this is undoubtedly true due to the video’s existence as well as everyone talking about the contents within said video. we also know that kate was visibly out of it in the video given max’s remarks when she finds it on victoria’s computer, and that passed out girls are a common sight at vortex club parties given the unresponsive student across hayden at the end-of-the-world bash :

regardless of where you stand on nathan’s involvement, it is undoubtedly obvious that kate is a victim of sexual assault. she was drugged and then mauled by a group of boys who could probably tell something was wrong, but just didn’t care enough to check. after all, as victoria puts it, people get wasted all the time �� how are they supposed to protect or care for every which one of them? ( excuses! )
lis:1 in general has always handled sexual assault with nuance so rarely found in media. they do not make harsh lines in the sand about what ‘counts’ or not. they do not make a show of brutalizing the women on our screen via borderline fetish content like most do when discussing themes of rape. instead, there are undertones : max in lis:de, for example, treats the dark room like a sexual assault trauma specifically. she also goes through her own victim blaming by harping on how attractive she found jefferson, how much she wanted to marry him … this occurs in her nightmare as well, where max behaves as though she wanted what happened, what jefferson did to her, when we know she didn’t. obviously, max was not raped. she was not kissed or groped. but there is an underlying sexual gratification jefferson gets from framing her -- there are perverted comments whispered in her ear, she’s being posed with her purity being talked about, and she is being photographed in a vulnerable, helpless state. it just paints a picture. max comes out of it well aware that jefferson was into it, into seeing her that way, and he moved her while she was unconscious and took his sick photos and that’s enough for the trauma to settle in the sexual assault category. most people wouldn’t count it as that, but the game itself does. the dark room has always been a heavy handed look into young girls being abused and preyed on by older men. it is not shocking that it’s one big metaphor for sexual abuse as well, especially sexual abuse that is demeaned and invalidated by others, sexual abuse that isn’t believed. cue jefferson’s whole character. a man who is too perfect and beloved to suspect. a man who told kate to her face that she’s just seeking attention and likely enjoyed what happened to her. a man who got away with such remarks.
the newspapers go out of their way to claim there isn’t any evidence of sexual assault among the victims, and i believe that’s because they weren’t assaulted in the only way the public cares to look, which is penetrative sex. i could also see the article lying, as papers do, but i think it paints a more prominent picture of how weird people are about sexual assault victims and how downright demanding they are about what counts, what doesn’t, and what’s okay for victims to do or say about their own experiences. it is all rather disgusting, honestly! and i’ve always been enamored by the more complicated, unpopular takes lis:1 took with that plot. i feel like to harp on sexual trauma that genuinely isn’t confirmed and to then ignore the girls’ actual sexual assault ( jefferson, the vortex club ) does a rather huge disservice to the game’s more interesting themes. to put it plainly, it’s a major simplifying tale of the story.
#tbt.#tw sa#been thinking abt this forever tbh?? like. why does nobody actually talk about that damn video#i just find it amusing when people act like nathan decides kate’s victimhood or not. because he doesn’t.#whether he touched her or not doesnt matter — she was canonically touched at that party and recorded and MOCKED for it#multiple boys touched her. this is an undeniable fact. the boys are anonymous but they are confirmed#to act like saying that nathan didn’t assault her removes her victimhood is frankly ignorant and weird to me#he’s already a pretty shitty guy? like. we KNOW he’s done fucked up shit.#whether he touched her or not doesn’t negate the fact he drugged her at all and let that happen to begin with lol#why are some people so …. obsessed? with the fact that he supposedly sa’d her?#again. i don’t care whether you hc that he did or not. i could see either or but! some people are weirdos about it#and i think making very bold takes about kate’s victimhood is weird as fuck anyway#a.) way to prove the game’s themes right in the fact that people are so weird about sa to begin with#and how people act like dictators and actively take away victim’s voices by using big scary words to prove that their opinions are right#and everyone else’s is wrong so if you’re wrong you’re actually disgusting and don’t care about sa#and b.) some of you ONLY view kate as a victim of nathan and nothing more. or just a victim in general. and i think that’s interesting!!#anyway this isnt about any mutuals dw dw but like i’ve had this in my drafts for five days so im releasing it!!#how lis handles sa is so important to me and i hate that people dumb it down and turn it into a morality war??? so weird#but yeah <3 will try to respond to msgs later today
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ill never understand having patriotic feelings for this country. ill also never understand feeling required to love someone just cuz they’re related or gave birth to you, so maybe they’re similar
#specifying usamerica btw#maple post#this is my response to people saying ‘i dont want to leave the south its my home’#well my home is wherever i live. so. i don’t get it#for the record i live in the south#i dont give a fuck abt it#i dont give a fuck abt the north either like its just a place idk 😭😭😭
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ALSO unpopular opinion but i like these photos. i get why people don’t like em but idgaf sarah and mark are hot and they look great
#for the record i’m not a nyssa turlough shipper#i’m just saying that if i were in either of their positions i’d lose my mind#if a girl who looked like THAT grabbed me by the tie i’d pass out. i don’t even wear ties i’m femme!!!!!#anyway.
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ok last thing i’ll say on this publicly. not liking twelve because of the moffatisms/comments about clara’s body he makes is totally fair. i disagree but i understand. but to say 11 didn’t have moments like that or he didn’t comment on his companion’s bodies is blatantly untrue.
#say what you will about 12. but he did not describe clara as ‘a mystery wrapped in an enigma wrapped in a skirt thats just a bit too tight’#literally just the ‘’HELLO? HUMAN RESOURCES??’’ meme.#doctor who#delia.txt#for the record i don’t like those moments either!!#they just don’t ruin the character for me completely.#and it’s CRAZY to me to say those moments ruined twelve for you but 11 is your favorite
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in honor of the tpot short with the failed debuters (assumedly) being announced soon heres my tierlist of all the tpot debuters most favorite to least

tags for longer opinions :3
#i dont really hate any of them and avocado is just down there because I kind of enjoy everyone else more . The only I feel like . Any kind+#+of Real negativity at all to are nonexisty and 9ball#nonexisty because fuck off and 9ball because that’s just 8ball but different gimmick . And 8ball is already not the best imo#tpot#happy taggy got in bc they n winner were my favorites . I have my reaction to taggy getting in recorded I love taggy a lot#what can I say im a :3 girl#i like leek because it’s a plant also they put a hatsune miku ref in the episode with the flip phone triple baka#pda is a device which is always awesome forever and it looks like theyr gonna have a role in the short which is :DDDDDD#onigiri is fun because it’s a fun romaji . it would also be funny if they called em jelly donut . but onigiri is cool they look like+#+a rocky clone Maybe or if they’re just mute hey I Really Like Mute Characters So Win. cause I Think they were the only one who didn’t+#+speak in the episode . Don’t take my word for it I haven’t watched tpot 1 in a while lol (I think boom mic didn’t speak either actually)#boom mic; clapboard; and camera I speak as 3 together . Theyre super awesome and it would be fun to see if they have a dynamic . Cuase+#+theyre like . All movie equipment . Idk I remember long back ago i roleplayed em they mean a lot to me#i like tha vhsy a little more because reminds me of that freak from TAOT who i just adore . Also novel rectangular thing also kind of prett#tape friend looks like a menace and I like characters that are menaces I think them and six could be friends#sink I just like the design of lol . also I like the song kitchen sink by tøp#salt lamp is cool because I like salt lamps and they’re pretty colors both on and off#shopping cart is silly . I like wheeled characters#blender is an appliance I like how they did the asset#discy’s prettyyyy colored#battery is small and cute they also might be the mute character idr I haven’t seen them talk personally . Feel free to correct me if any+#+info I say here is wrong btw#Snare drum is small and cool and I like how they look#Anchor is also I like how they look also listen to anchor by caize#shell is like emo and a good shape#rubber spatula; scissors; tax guy I forget their name; and shampoo I think have good designs#avocado im so sorry I just like everyone else more than u im not the biggest fan ever of things like donut mouth#and I already explained the last 2 awesome 👍
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wait hold on rent lowering shots
if you support soul or wtv the forsaken dev who’s getting massacred rn goes by get the fuck off my page pls . i don’t fw ppl who said the R slur after promising to never say it again. Thanks 🩷
#idgaf if ur neurodivergent either btw. An autistic person called me the r slur every day for months im allowed to not fuck with it.#if you fw the game still idc bc i do too!!!#like just don’t support someone who says slurs please it’s not that hard(the usage)#41:26 in the recorded youtube livestream#plus in discord stage but my friend wasn’t recording sooo :/#disclaimer i don’t wish ill will on soul or anythign and truly wish the best but its just genuinely a bother to me#yeah#update i fw the game heavy i just hope soul like stop saying it
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THE WHITEWASHING OF MAMAN BRIGITTE
Why it is problematic to portray Maman Brigitte (Grann Brijitte) as a white woman
Companion piece to: https://the-girl-who-didnt-smile.tumblr.com/post/761617414938148864/baron-samedi-vs-papa-guede
Disclaimer: I have no ancestral ties to Haiti. I am half White and not Black. The following is merely an opinion piece, which I have attempted to support with evidence.
If you have ever attempted to research New Orleans Voodoo, you’ve probably encountered descriptions of Maman Brigitte like so:
In Voodoo, Ma'man Brigit (Grann Brigitte, Manman, Manman Brigit, Manman Brijit) is the mother of cemeteries, the loa of money and death, and the wife of Baron Samedi. She may be related to the "triple" Celtic goddess of poetry, smithcraft, and healing, Brigid/St. Brigit, as her name is Irish in origin. She is usually depicted as a white woman.
The above is inaccurate.
Traditionally, Haitian artists depict Maman Brigitte as a Black woman, where she is not white, biracial, or lighter skinned than Baron Samedi.

Baron Samedi, Grande Brigitte, and Guede Nibo, as portrayed by Andre Pierre.

Grann Brijitte, as portrayed by Amina Simeon.

Baron Samedi and Maman Brigitte, as portrayed by Gerard Paul.

Grann Brijit, as portrayed by Roudy Azor.

Grann Brijit, as portrayed by Salnave Philippe-Auguste.
In Mythologie Vodou Vol. 2 (1950), Milo Marcelin includes a two-page description of Maman Brigitte (Grande Brijitte). The first paragraph of this section reads as follows:
Grande Brijitte, femme de Baron-Samedi et mère des Guédé, est une négresse très vieille —c’est pourquoi on l’appelle grande (grand' mère). Elle est identifiée à Sainte Brigitte, patronne de l’Irlande; elle a pour reposoir un «cirouellier» (spondias purpurea L.) ou un figuier maudit marron (clusia rosea Jacq.) et, parfois, dans les cimetières, un amoncellement de pierres la représente. Ses jours sont le lundi et vendredi, sa couleur, le noir.
English Translation:
Grande Brijitte, wife of Baron-Samedi and mother of the Gede, is a very old Black woman – this is why she is called “grande” (grandmother). She is identified with Saint Brigid, patron saint of Ireland; she has as her resting place a “cironelle” (spondias purpurea L.) or an autograph tree (clusia rosea Jacq.) and, sometimes, in the cemeteries, a pile of black stones represents her. Her days are Monday and Friday, her color, black.
The full excerpt from Mythologie Vodou, Vol. II is found on pages 177-178, and included at the bottom of this article, in APPENDIX A.
Where does the notion of a white Maman Brigitte come from?
In “Gran Brijit: Haitian Vodou Guardian of the Cemetery” (2010), Kerry Noonan proposes a theory that Gran Brijit is derived from the Irish Saint Brigitte. Initially, I described this article as a “helpful overview”; I no longer agree with this statement. While Noonan’s article does contain some helpful information, many of the connections she makes are poorly argued—including connections to Saint Brigitte, the orisa Oya, and Sheela na gig.
Noonan asserts that Maman Brigitte is identified with Saint Brigitte because of the influence of “Irish settlers and sailors and Breton priests". In one of the most objectionable sections of this article, Noonan characterizes the “Irish settlers” as “indentured servants”.
As indentured servants, Irish and Scottish people were sent to territories under the control of the British Empire. The British West Indies did not include present-day Haiti. Presumably, Noonan is referring to fugitive indentured servants, called “ingleses”. In “Irish Indentured Servants, Papists and Colonists in Spanish Colonial Puerto Rico” (2007), Jorge L. Chinea claims that “Puerto Rico, Hispaniola and Cuba became popular destinations for the fugitives.” Chinea also describes how the Spanish repeatedly denied the Irish authorization to settle in Hispaniola during the late 1600s: “In this instance, their potential infringement on the Spanish American trade in a colony already heavily involved in contraband was a major reason for turning them down.”
Nowhere does Noonan mention the influence of Irish slave owners.
"The many Haitians and West Indians who trace their ancestry back to Africans transported on Irish-owned slave ships are living proof that the Irish have not always been the victims of history."
– Joe O’Shea (2012) “The Irish have not always been the victims of history”:
In “Irishness, Whiteness, Blackness, and Slavery in the Early Modern World” (2022), Jane Ohlmeyer describes how the Irish contributed to “one of the harshest systems of servitude in western history” during the 18th century:
“Of the 550 families involved in the French slave trade, seventeen had Irish surnames. One of the most successful Irish slavers was Antoine Walsh, the son of an Irish merchant who had settled in France in the later seventeenth century and married Marie O’Sheil/Shiell, whose grandfather had settled in France. Over the course of his career Walsh made forty slaving trips from Nantes and shipped more than 12,000 enslaved Africans. With his profits Walsh purchased a plantation for himself in the French colony of Saint-Domingue (modern day Haiti), which supplied up to seventy percent of all of the sugar sent to France.”
It may be due to the presence of these slave owners that Haitian women with the name “Brigitte” appear in the historical record.

Pictured: François Mackandal, whose wife was named Brigitte
Rather than Saint Brigitte or the Celtic goddess Brigid, a likelier candidate for the origin of Maman Brigitte is the wife of the famous Haitian maroon leader François Mackandal, who was named Brigitte Mackandal.
This theory was proposed by Crystal Nicole Eddins’ (2022) Rituals, Runaways, and the Haitian Revolution:
“Mackandal’s wife, Brigitte, may have transitioned into the world of the lwa as Maman Brigitte, who has authority over cemeteries.” (p. 122)
SOURCE: Eddins, Crystal Nicole. Rituals, Runaways, and the Haitian Revolution: Collective Action in the African Diaspora. United Kingdom, Cambridge University Press, 2022. https://doi.org/10.1017/9781009256148 Retrieved from: https://www.cambridge.org/core/books/rituals-runaways-and-the-haitian-revolution/2FCBF92A767FD8DE3615602F589C326E#overview
John D. Garrigus mentions Brigitte Mackandal in A Secret among the Blacks (2023), describing her in the following terms:
“...Brigitte, described as Makandal’s wife and a ritual leader in her own right, claimed that a makandal bundle “consulted by its servant” could reveal the location of “an escaped slave, who had stolen something that was missing, the poisoner, and other [things]...” (p. 78)
SOURCE: Garrigus, John D.. A Secret Among the Blacks: Slave Resistance Before the Haitian Revolution. United States, Harvard University Press, 2023. https://www.hup.harvard.edu/books/9780674272828
Garrigus refers to three primary sources that mention Brigitte Mackandal:
1. Sébastien Jacques Courtin’s (1758) “Mémoire Sommaire Sur Les Prétendus Pratiques Magiques et Empoisonnements…”
2. Charles Fournier de la Chapelle (1758) “Mémoire pour servir à l’information des procés contre les négres devins, sorciers et empoisonneurs”
3. Michel-René Hilliard d’Auberteuil, “Considérations sur l’état présent de la colonie française de Saint-Domingue” (Paris: Grangé, 1776), 1:137.
I have attempted to transcribe excerpts from these historical texts, which can be viewed here: https://archiveofourown.org/works/54861145/chapters/156619222
Commenting further on Brigitte Mackandal, Eddins writes:
“Women like Brigitte Mackandal and Marie Catherine Kingué demonstrated the “radical implications of black women’s spiritual politics” by embracing acts of “woman-centered preservation,” such as poison, healing, and midwifery, that fundamentally opposed racial capitalist exploitation of black women’s bodies.” (p. 144)
SOURCE: Eddins, Crystal Nicole. Rituals, Runaways, and the Haitian Revolution: Collective Action in the African Diaspora. United Kingdom, Cambridge University Press, 2022. https://doi.org/10.1017/9781009256148 Retrieved from: https://www.cambridge.org/core/books/rituals-runaways-and-the-haitian-revolution/2FCBF92A767FD8DE3615602F589C326E#overview
Even if there is no connection between Maman Brigitte and Brigitte Mackandal, these documents demonstrate that there existed Haitian women from this time period with the name “Brigitte”. These women might have been named after Saint Brigitte because there were a number of slave owners of Irish descent, such as Antoine Walsh, and possibly from the Celtic province of France (Brittany). The Gede rite, to which Maman Brigitte belongs, contains the spirits of Haitian ancestors. This would explain why Maman Brigitte is not a white woman, but an old Black woman–she is an important ancestral spirit of a Haitian woman named “Brigitte” who lived several hundred years ago.
Of the Haitian women named “Brigitte”, Brigitte Mackandal is a strong candidate due to her leadership role and historical importance. François Mackandal is a very important figure from Haitian history, described as the precursor to the Haitian Revolution. As Brigitte Mackandal seems to have also been a leader among the slaves, it is plausible that her spirit became the lwa Maman Brigitte.
In Haitian Vodou, Catholic Saints can come to be identified with important ancestral spirits, like so:
“KB: Tell me everyone who "walks with Dantò," everyone who you have here on your altar with Dantò.”
“ML: You have St. Rose of Lima; she is a Petwo. You have St. Philomène. She is Petwo. She is a lwa too, Manbo Philomise. You see St. Andrew? You see Sacred Heart–who walks with Simbi? And then you have St. Jude. He is a Legba Petwo, too.”
“Spirits who have been important to one of the ancestors occupy a dual role in Vodou, one in which they are treated as both spirits and ancestors. So when Mama Lola serves St. Philomène, she also honors the spirit of her mother, Philomise, a well-known healer in Port-au-Prince. It is because of this that the altars can be seen as repositories of family history, or, more literally, as repositories of the family itself.”
SOURCE: Lola, Mama & Brown, Karen McCarthy. "The Altar Room: A Dialogue." In Cosentino, Donald. Sacred Arts of Haitian Vodou. United States, UCLA Fowler Museum of Cultural History, 1995. p. 229-230. Retrieved from: https://archive.org/details/sacredartsofhait0000unse/page/228/mode/2up?
Maman Brigitte probably came to be identified with Saint Brigitte because of the Breton priests that were sent to Catholicize Haiti.
In “Rev. John J. Burke, the National Catholic Welfare Conference, and the American Occupation of Haiti” (2014) Donald J. Slawson describes how Roman Catholicism was brought to Haiti:
“The concordat between the Vatican and Haiti dated to 1860. From the time of Haitian independence in 1804 until that year, the condition of the Catholic Church in that country was deplorable…As early as 1834, Rome and Port-au-Prince had entered into negotiations to regularize the status of the Church in Haiti. President Fabre Geffrard finally achieved that goal…Given the nation’s colonial and cultural ties with France, the bishops and clergy came from Brittany.”
Noonan describes the importance of Saint Brigid to Breton priests: "Catholics in both Ireland and Brittany are devoted to the Irish St. Brigit of Kildare, and many churches are dedicated to her in both areas."
According to Sidney Mintz & Michel-Rolph Trouillot's "The Social History of Haitian Vodou", many features of modern Vodou took shape in the century that followed the Haitian Revolution. During this time period, Roman Catholics were sent to Haiti for the purpose of religious imperialism. They were openly hostile toward vodouisants, and sought to destroy African-based traditions.
This attitude persisted into the 20th century, as described by Melville Herskovits in Life in a Haitian valley (1964):
“The attitude of the Church toward vodun is one of intransigent hostility. The anger with which the priest preached his sermon on the Sunday morning following a vodun dance held close enough to town so that the sound of the drums, plainly audible, "disturbed" him the night long, clearly indicates how deeply the priests of the Church resent the worship of the African gods. In Mirebalais they tell how, at the instance of the Church, vodun rites were unmercifully suppressed by the Americans during the occupation, to whom it was represented as a potential focus for revolt. In the place huge bonfires were made of vodun drums painted and "dressed" in elaborate manner. Everything found in the humforts and the private houses of worship was confiscated, and the "thunder stones," necklaces of the devotees, and other sacred objects that would not burn were thrown into the Artibonite River. Today the Church takes full advantage of its status as the only recognized religious organization in Haiti to dictate the official position of government toward vodun.”
Long story short, it is most likely that the important ancestral lwa Maman Brigitte originates in a Haitian woman who was named “Brigitte” – possibly, Brigitte Mackandal.
The narrative that connects Maman Brigitte to indentured servants is a fiction invented by white people.

Pictured: Mambo Racine
“Maman Brigitte, the Mother of the Gedes” is a Google Groups conversation on alt.religion.orisha, dated Jun 16, 2001 - Jun 19, 2001. In this conversation, which may have only involved white people, there is an exchange between Mambo Racine and Kenaz Filan (at the time, named Kevin Filan).
The full conversation is included in APPENDIX B. The top post is the most relevant one:
Maman Brigitte is a manifestation of the Celtic Goddess Brigid. During the formative period of Haitian Vodou, many Scottish people were deported from Scotland to the Antilles because of the Stuart wars, and those Scots were the most traditionalist, the least Christianized. They were the ones who brought Brigid to Haiti.
During this time, blacks outnumbered whites about 4000 to one. This is a literal fact. So it is unlikely that those few whites could prevent Africans from having drum dances - it seems to me more likely that an uneasy truce obtained, you know, the whites said in effect, "Do your work and I will leave you alone."
At that time the whites most likely to participate in drum dances were of course the poor whites, not the few French elite whites. And among them, the most likely people to participate were the women - just the folks most likely to have preserved the service of Brigid.
(Before I go any further let me suggest that anyone who hasn't read Jayelle's "White Women in Vodou" do so!)
Now, the first woman buried in any cemetary is by definition Brigid, and the first man buried in any cemetary is by definition Baron. Of course when those drum-dancing poor Scottish women died they were buried in the same earth as Africans, and the agglomerative, pragmatic nature of Vodou as it developed would of course naturally incorporate Brigid, and metamorphose her into Maman Brigitte.
Now, to make Gede lwa, Maman Brigitte and Baron La Croix take souls from "under the water" and rebaptize them. That is why all Gede lwa have the last name La Croix, because their father is Baron La Croix. This is a real birth, out of the waters, Baron and Brigitte are not "adoptive parents", they are as much parents as any parent can be.
For more information on the travels of one Gede lwa, see "Biography of a Lwa" under the Special Topics heading on The VODOU Page. And for more information on ancestral lwa in general, see Vodou Lesson 2 under the Vodou Lesson heading on The VODOU Page.
Peace and love,
Bon Mambo Racine Sans Bout Sa Te La Daginen
"Se bon ki ra" - Good is rare Haitian Proverb
The VODOU Page - http://members.aol.com/racine125/index.html
It goes without saying, this is not well-researched.
This is how Maman Brigitte became something of a “patron saint” for white people involving themselves in Vodou, at the expense of Black women.
It feels childish that I even have to say this, but I don’t want anyone to send this woman hate. I don’t think it is fair to rake someone over the coals for saying something stupid over 20 years ago. Additionally, it would be unfair to pin the blame on this one person, as she is not necessarily the originator and it was clearly a group of people who believed this. Rather, it is important to learn from past mistakes by examining the cause and effect.
This false narrative didn’t stay confined to a small group of people. It spread into publications, which are now sitting in libraries and websites all over the internet.
Recall the description I included at the beginning:
In Voodoo, Ma'man Brigit (Grann Brigitte, Manman, Manman Brigit, Manman Brijit) is the mother of cemeteries, the loa of money and death, and the wife of Baron Samedi. She may be related to the "triple" Celtic goddess of poetry, smithcraft, and healing, Brigid/St. Brigit, as her name is Irish in origin. She is usually depicted as a white woman.
This is an excerpt from Denise Alvarado’s (2009) The Voodoo Hoodoo Spellbook. This is one of several popular books that mischaracterizes Maman Brigitte in this manner. Artists, authors, and other creators read these books, which informs their character designs.
See how Maman Brigitte is typically portrayed in popular media:




This is not the fault of this actress, at all. American Gods was actually praised for its portrayal of African spiritualities! At least, by some people… There could be intense internet discourse about how bad this portrayal was, which I am not privy to because I don’t use Twitter…
I genuinely think the creative team behind American Gods (and possibly Smite…I wouldn’t know because I don’t play…) made a serious attempt to research New Orleans Voodoo. It is not because they didn’t care or try to research this topic; rather, it speaks to how widespread and deep-rooted this problem is.
This matters because it contributes to colorism and racism against women. All across popular media, dark-skinned Black women are denigrated and erased, which impacts how people see and treat Black women in real life. Whenever they do appear, they are often stereotyped and/or excessively criticized by audiences, who can’t be normal around a “twofer minority”. This pattern has been the norm for most of human history. It went uncriticized until very recently, and continues into the present day.
More to the point, the lwa are sacred to Vodouisants of Haitian heritage. Haiti Vodou is embedded in the history of Haiti – the first nation to permanently ban slavery. This was won through a bloody Revolution, which is why the lwa are these warrior-like spirits of justice. The whitewashing of religious figures is disgraceful–especially the lwa of Haiti.
There are regional differences in Haitian Vodou, which is why accounts from different, credible sources can vary. Unfortunately, this is used as an excuse to invent falsehoods about the lwa. It is inaccurate to describe Maman Brigitte as a mere manifestation of the European saint or goddess. Instead of viewing her as European or African in origin, Maman Brigitte is best described as a lwa that is uniquely indigenous to Haiti–probably, the spirit of an important Haitian ancestor who was named “Brigitte”.
Haitian Vodou is a part of Haitian national heritage, and the lwa are ancestral to the Haitian people. We should respect the depiction of Maman Brigitte as she is portrayed by Haitians.
She is not this:

But this:

CITATION LIST:
Alvarado, Denise. Voodoo hoodoo spellbook. Weiser Books, 2011: p. 34.
Chinea, Jorge L. "Irish Indentured Servants, Papists and Colonists in Spanish Colonial Puerto Rico, ca. 1650-1800." Irish Migration Studies in Latin America 5.3 (2007): pp. 171-81. https://www.irlandeses.org/0711.pdf#page=35
Desmangles, Leslie Gerald. “African Interpretations of the Christian Cross in Vodun.” Sociological Analysis, vol. 38, no. 1, 1977, pp. 13–24. JSTOR, https://doi.org/10.2307/3709833. Accessed 9 Sept. 2024.
Hebblethwaite, Benjamin. A Transatlantic History of Haitian Vodou: Rasin Figuier, Rasin Bwa Kayiman, and the Rada and Gede Rites. United States, University Press of Mississippi, 2021. p. 204
Herskovits, Melville J.. Life in a Haitian Valley. United States, Octagon Books, 1964: pp. 289-290. https://archive.org/details/lifeinhaitianval0000hers/page/288/mode/2up
Marcelin, Milo. "Mythologie vodou (Rite Arada), Volume II." Pétionville: Éditions Canapé Vert (1950). pp. 177-178
Mintz, Sidney & Trouillot, Michel-Rolph. “The Social History of Haitian Vodou”. In Cosentino, Donald. Sacred Arts of Haitian Vodou. United States, UCLA Fowler Museum of Cultural History, 1995: pp. 123-147. https://ghettobiennale.org/files/Trouillot_Mintz_LOW.pdf
Noonan, Kerry. “Gran Brijit: Haitian Vodou Guardian of the Cemetery.” In Goddesses in World Culture: Volume 3, Australia and the Americas, edited by Patricia Monoghan, 123-133. Denver, Colorado: Praeger, 2011
Ohlmeyer, Jane. “Irishness, Whiteness, Blackness, and Slavery in the Early Modern World.” American Journal of Irish Studies, vol. 17, 2022, pp. 5–38. JSTOR, https://www.jstor.org/stable/27290673. Accessed 9 Sept. 2024.
Slawson, Douglas J. “Rev. John J. Burke, the National Catholic Welfare Conference, and the American Occupation of Haiti (1915-34).” The Catholic Historical Review, vol. 100, no. 3, 2014, pp. 514–54. JSTOR, http://www.jstor.org/stable/43898675. Accessed 9 Sept. 2024.
APPENDIX A: FULL EXCERPT FROM MILO MARCELIN’S (1950) MYTHOLOGIE VODOU VOL. 2:
GRANDE BRIJITTE
Grande Brijitte, femme de Baron-Samedi et mère des Guédé, est une négresse très vieille —c’est pourquoi on l’appelle grande (grand' mère). Elle est identifiée à Sainte Brigitte, patronne de l’Irlande; elle a pour reposoir un «cirouellier» (spondias purpurea L.) ou un figuier maudit marron (clusia rosea Jacq.) et, parfois, dans les cimetières, un amoncellement de pierres la représente. Ses jours sont le lundi et vendredi, sa couleur, le noir.
Grande Brijitte est aussi puissante que son mari. Parfois elle préside au cimetière. Si la première personne enterrée dans un cimetière nouvellement construit est un homme, on dit qu'il est Baron-Samedi et il est le maître de ce cimetière; si c’est une femme, elle est Grande Brijitte et elle est maîtresse de ce cimetière.
Les cas de possessions de Grande Brijitte sont fort rares. Quand elle possède une personne, celle-ci est comme morte. On lui bande la mâchoire avec un foulard noir, on lui met du coton aux oreilles et aux narines, on la couvre d'un drap blanc, on l'asperge de clairin (rhum blanc) et on chante:
Ou dit Manman Brijitte couché,
L’ap’ dômi!
Ou dit Manman Brijitte couché,
L’ap’ dômi!
Lô-r la réveillé,
Dèniè hounsi dô-bas!
D'leau lan gé Manman Brijitte!
Lô-r la réveillé
Dèniè hounsi dô-bas!
Tu dis que Maman Brijitte est couchée,— Et qu'elle dort! — Tu dis que Maman Brijitte est couchée, — Et qu'elle dort! — Quand elle se réveillera,— Toutes les hounsis (serviteurs du temple) seront dos bas! — Il y a de l'eau dans les yeux de Maman Brijitte! — Lors-qu’elle se réveillera, — Toutes les hounsis seront dos bas!
Grande Brijitte ne parle jamais. Quand elle se retire de son cheval (de sa possédée), on chante parfois cette chanson:
Manman Brijitte alé
Guingue, gongue!
Manman Brijitte alé
Guingue, gongue!
Manman Brijitte est partie – Guingue, gongue (tintement de la cloche: le glas funèbre!) – Maman Brijitte est partie – Guingue, gongue!
Parfois Grande Brijitte et Baron-Samedi apparaissent ensemble. On revêt ce dernier d'un linceul, on lui met aussi du coton aux oreilles et aux narines. Il s'assied sur le lit où est étendue sa femme. Lui non plus ne parle pas, ne boit pas, ne fume pas. On les veille alors, comme on fait pour les morts.
Une invocation à Grande Brijitte:
Brave, oh!
Alé rhélé Manzè Brijitte pou mouin!
M’ prall’ Thomazeau!
M’ pa gaingnin Manman,
Qui pou palé pou mouin!
M’ pa gaingnin Papa,
Qui pou palé pou mouin!
Brave, oh!
Alé rhélé Manzè Brijitte pou mouin!
M’ prall’ Thomazeau!
Brave (Guédé), oh! — Va appeler Mam'zelle Brigitte pour moi! — Je vais à Thomazeau (ville du Département de l’Ouest)! — Je n’ai pas de Maman, — Pour prendre ma défense! — Je n’ai pas de Papa, — Pour prendre ma défense! — Brave, oh!— Va chercher Mam’zelle Brijitte pour moi! — Je vais à Thomazeau!
Le menu rite du repas de Grande Brijitte est composé de patates, de bananes (plantain), du hareng-sel et de la morue boucanés, du maïs et des pistaches grillés, du gros-sirop (sirop de canne à sucre). On lui offre du clairin (rhum blanc) et en sacrifice, des poules noires.
APPENDIX B: “Maman Brigitte, the Mother of the Gedes”
Racine125
Jun 16, 2001, 4:37:00 PM
to
Maman Brigitte is a manifestation of the Celtic Goddess Brigid. During the
formative period of Haitian Vodou, many Scottish people were deported from
Scotland to the Antilles because of the Stuart wars, and those Scots were the
most traditionalist, the least Christianized. They were the ones who brought
Brigid to Haiti.
During this time, blacks outnumbered whites about 4000 to one. This is a literal fact. So it is unlikely that those few whites could prevent Africans from having drum dances - it seems to me more likely that an uneasy truce obtained, you know, the whites said in effect, "Do your work and I will leave you alone."
At that time the whites most likely to participate in drum dances were of course the poor whites, not the few French elite whites. And among them, the most likely people to participate were the women - just the folks most likely to have preserved the service of Brigid.
(Before I go any further let me suggest that anyone who hasn't read Jayelle's "White Women in Vodou" do so!)
Now, the first woman buried in any cemetary is by definition Brigid, and the first man buried in any cemetary is by definition Baron. Of course when those drum-dancing poor Scottish women died they were buried in the same earth as Africans, and the agglomerative, pragmatic nature of Vodou as it developed would of course naturally incorporate Brigid, and metamorphose her into Maman Brigitte.
Now, to make Gede lwa, Maman Brigitte and Baron La Croix take souls from "under the water" and rebaptize them. That is why all Gede lwa have the last name La Croix, because their father is Baron La Croix. This is a real birth, out of the waters, Baron and Brigitte are not "adoptive parents", they are as much parents as any parent can be.
For more information on the travels of one Gede lwa, see "Biography of a Lwa" under the Special Topics heading on The VODOU Page. And for more information on ancestral lwa in general, see Vodou Lesson 2 under the Vodou Lesson heading on The VODOU Page.
Peace and love,
Bon Mambo Racine Sans Bout Sa Te La Daginen
"Se bon ki ra" - Good is rare Haitian Proverb
The VODOU Page - http://members.aol.com/racine125/index.html
Kevin Filan
Jun 17, 2001, 3:43:50 PM
to
Thanks for a fascinating essay on Maman Brigitte. While I can't comment
on her place in Haitian Vodou, I do have some knowledge of Scots and
British history, as well as a bit of experience doing scholarly
research. While I think you make a couple of questionable assertions,
you also have raised some interesting points.
Racine125 wrote: > > Maman Brigitte is a manifestation of the Celtic Goddess Brigid. During the > formative period of Haitian Vodou, many Scottish people were deported from > Scotland to the Antilles because of the Stuart wars, and those Scots were the > most traditionalist, the least Christianized. They were the ones who brought > Brigid to Haiti.
http://www.learner.org/biographyofamerica/prog13/feature/index_text.html
Tells us the first African slaves in the New World arrived in Hispaniola in 1501... and the first slave rebellion in Hispaniola was in 1522. By that time Scotland had been Christian for over a thousand years. While Neopagans love to speculate about isolated villages practicing "the Olde Pagan Customs" well into the 20th century, I've yet to see any evidence of same. I certainly doubt VERY strongly that there were any Scotsmen of that time, no matter how isolated a little town they came from, who would have considered themselves "Brigid worshippers." I'm even inclined to think that by the time of the Stuart Wars poor White indentured servants were largely becoming a thing of the past, as the Slave routes became well-established and the full horror of that machinery was coming into operation. There were certainly Catholic Scots who got the heck outta Dodge during the Stuart Wars: many of them wound up in Catholic France or some of the French colonies. But I'm not sure that they came to St. Dominique as indentured servants.
Here's an excerpt from http://www.scotlandspast.com/religion.htm which shows that Christianity was well established in Scotland by the 8th century: the whole site, BTW, is fascinating and well worth a read.
* * * * *
The first named missionary to Scotland is Ninian who is referred to in an aside by Bede while discussing the conversion of the Picts in his Ecclesiastical History of the English People written in 731 AD. In this aside he says 'The southern Picts, who live on this side of the mountains, are said to have abandoned the errors of idolatry long before this date and accepted the true Faith through the preaching of Bishop Ninian, a most reverend and holy man of British race, who had been regularly instructed in the mysteries of the Christian Faith in Rome. Ninian's own Episcopal see, named after Saint Martin and famous for its stately church, is now held by the English, and it is here that his body and those of many saints lie at rest. The place belongs to the province of Bernicia and is commonly known as Candida Casa, the White House, because he built the church of stone, which was unusual among the Britons.' Ninian is also dealt with in Miracula Nyniae Episcopi which also mentions a king called Tudwal, historians have used the above evidence to date Ninian to the 5th century, about the same time as Patrick. There have been many suggestions that Ninian operated much further north than Galloway and dedications to him can be found as far north as Fife and even into Angus. Although the term missionary has been used here it is likely that Christianity of some kind already existed and that Ninian, Columba and the other early saints were not missionaries in the modern sense.
* * * * * *
That being said, there certainly were indentured White servants in Haiti during the earliest days of its colonization. From http://208.154.71.60/bcom/eb/article/6/0,5716,108616+21,00.html
* * * * *
As the English, French, Dutch, and, to a lesser extent, the Danes colonized the smaller West Indian islands, these became plantation settlements, largely cultivated by blacks. Before the latter arrived in great numbers, the bulk of manual labour, especially in the English islands, was performed by poor whites. Some were indentured, or contract, servants; some were redemptioners who agreed to pay ship captains their passage fees within a stated time or be sold to bidders; others were convicts. Some were kidnapped, with the tacit approval of the English authorities, in keeping with the mercantilist policy that advocated getting rid of the unemployed and vagrants. Black slavery eventually surpassed white servitude in the West Indies.
* * * * *
By the time of the Code Noir, there was some effort made to distinguish between Blacks, mulattos, and Whites: I suspect by that time most of the ancestors of the early indentured Whites were considered mulatto at best. Some of the worst buccaneers of the time were headquartered on the Island of Tortuga, an isle populated by creoles, escaped indentured servants, escaped slaves and other "lawless riffraff." So there was definitely mingling of the races and mingling of the cultures.
> During this time, blacks outnumbered whites about 4000 to one. This is a > literal fact.
I was under the impression it was more like 20 to one, but if you could cite some source which says otherwise I'd certainly be open to correction.
> So it is unlikely that those few whites could prevent Africans > from having drum dances - it seems to me more likely that an uneasy truce > obtained, you know, the whites said in effect, "Do your work and I will leave > you alone."
It generally appears that slave owners were, if anything, *hostile* to attempts to convert their slaves. They didn't want to deal with the responsibility of teaching these savages, never mind giving them time off to go to church. While they punished anything which smacked of rebellion with truly horrendous savagery, they of course weren't able to stop every drum dance or religious service.
> At that time the whites most likely to participate in drum dances were of > course the poor whites, not the few French elite whites. And among them, the > most likely people to participate were the women - just the folks most likely > to have preserved the service of Brigid.
This involves a whole bunch of assumptions, some of which may not be true. I think the assumption that the service of Brigid was preserved is a dubious one at best. (I'm also not sure that Brigid was particularly popular in Scotland: I was of the impression that she was more favored in Ireland). And were White women regularly participating in erotically-charged (at least in the popular White imagination of the time) drumming rituals? While the Code Noir allowed intermarriage, there were certainly social taboos against this, particularly against White woman sleeping with Black men.
> (Before I go any further let me suggest that anyone who hasn't read Jayelle's > "White Women in Vodou" do so!)
An excellent and moving piece which describes what Maman Brigitte means to Jayelle and how she has integrated Maman Brigitte into her own life. I have no interest in "debunking" Jayelle's personal mythology, or in "disproving" her belief that her Maman Brigitte is related to the Celtic Brigitte. Jayelle seems like a very nice and very intelligent person: if her service of Brigitte does good things for her, then I wish her well. I can respect the opinions of a devout, sincere Moslem, without believing that the Koran is the direct word of God and that Mohammed is the seal of the prophets.
That being said: I think one of the big problems facing Neopagan theology today is flabby scholarship. "Authorities" pull assertions out of their posteriors without any kind of evidence: other "authorities" then point to these assertions as "proof." I saw a recent claim, for instance, that the "Black Madonna" found throughout Europe is really a survival of Isis and Horus worship. I didn't see any evidence backing that claim up -- just a bald-faced assertion. I could just as easily claim the Black Madonna was a survival of Parvati holding the Infant Krishna, or of the infant Guatama being held by his Mother. I'm sure that I could find a "Mother holding a Child" figure in the art of just about EVERY culture: does that prove that the Black Madonna is a survival of Inuit rule over Europe, or that Europe was once occupied by South Sea Islanders? Speculation is one thing: so long as you clearly say "This is what I believe," or "This is one possible explanation," I'm not inclined to complain. But once you and others start presenting your speculation as Historical Fact, you can run into all kinds of problems.
> Now, the first woman buried in any cemetary is by definition Brigid, and the > first man buried in any cemetary is by definition Baron. Of course when those > drum-dancing poor Scottish women died they were buried in the same earth as > Africans, and the agglomerative, pragmatic nature of Vodou as it developed > would of course naturally incorporate Brigid, and metamorphose her into Maman > Brigitte.
You're assuming a lot here again. I'm not saying that you're wrong, but I'd like to see some scholarship regarding the ethnic makeup of indentured servants in Haiti, the interactions between indentured servants and African slaves, and the religious beliefs of indentured White servants in Haiti. As I said before, there certainly were intermarriages and interrelationships between poor Whites (particularly escaped indentured servants) and African slaves. And if you can point me in the direction of evidence that Brigid-worship survived in Scotland as late as the 17th century, I would be greatly appreciative.
Peace Kevin Filan
-- Now in the graveyard of my secrets there's a hope buried beneath All this talk of peace and righteousness as left me weary beyond belief And there's this unwanted mistress in my bed late at night She says "I know you're a criminal -- you been on death row all your life."
- Bill Mallonee
Racine125
Jun 17, 2001, 4:34:43 PM
to
In article <[email protected]>, Kevin Filan
<[email protected]> writes:
>..the first African slaves in the New World arrived in Hispaniola >in 1501... and the first slave rebellion in Hispaniola was in 1522....
I don't mean that Scottish deportees were in Haiti from the beginning of the slave trade! The Stuart wars took place later, in the mid-1700's, which is in plenty of time to contribute to the formation of the contemporary Vodou religion. Not only that, but Scottish people were being deported to the West Indies including Haiti long before the Stuart wars - that is where all those Jamaicans get names like Fitzwilliam and Fitzroy, and that is why there are Haitians named Bailly.
> I certainly doubt VERY strongly that there were any Scotsmen >of that time, no matter how isolated a little town they came from, who >would have considered themselves "Brigid worshippers."
Oh, I don't doubt it for a moment, I bet Scots*women* kept Brigid alive in their hearts - that is no different from the modern Haitians in the north of Haiti who are hereditary Muslims! Documents written by Christians claiming that the "Picts are Christianized" mean as much to me as modern documents written by Christians in Haiti claiming that the majority of Haitians have renounced Vodou.
The population statistics I quoted are from historical documents of the time, it's on the 'Net in a few places, I will look and see if I can find them again.
There is no doubt that Brigitte is a manifestation of Brigid, although we may go rooting around a bit to decide exactly how and when. Like Bob Marley said, "Half the story has never been told."
Kevin Filan
Jun 18, 2001, 11:58:10 PM
to
In article <[email protected]>, Racine125 says...
>
>In article <[email protected]>, Kevin Filan
><[email protected]> writes:
>
>>..the first African slaves in the New World arrived in Hispaniola
>>in 1501... and the first slave rebellion in Hispaniola was in 1522....
>
>I don't mean that Scottish deportees were in Haiti from the
>beginning of the slave trade! The Stuart wars took place later,
>in the mid-1700's, which is in plenty of time to contribute to
>the formation of the contemporary Vodou religion. Not only
>that, but Scottish people were being deported to the West
>Indies including Haiti long before the Stuart wars - that is where
>all those Jamaicans get names like Fitzwilliam and Fitzroy, and
>that is why there are Haitians named Bailly.
I don't think you were seeing a lot of indentured servitude in St. Dominique by the 1750s. At that stage in the game they were mostly using the "labor camp" model: buy slaves, work them to death, repeat as necessary. For the most part the farms were divided into massive plantations where indentured servants would be working as overseers at best. It's highly unlikely that any overseers were hanging out at African drum dances ... in fact, I'd say the overseers would have been among the first killed when the rebellion started.
I think a more promising approach might be to compare some of the folk beliefs of the early French settlers, particularly any settlers from the Breton area, and compare them with the beliefs and rituals found in Haiti today around Maman Brigitte. For that I'd look no later than the early 18th century, before the Code Noir and before the disenfranchisement of the Mulattos. At that period you would have had a prosperous Creole culture where you might have seen that kind of interaction between Whites and Blacks and their belief systems. Later you get much more a "state of siege" and an effort to keep the systems separate. (You can still see the psychological effects of this among Haiti's mulatto elite). And then, during and after the Revolution, the Whites who weren't killed out got the heck out of Dodge: after that time there wasn't enough of a white presence, IMO, to have that kind of an impact on the development of Vodou.
I just picked up W.Y. Evans-Wentz's 1911 book *The Fairy-Faith in Celtic Countries.* While he engages in a fair bit of psychical and theosophical speculation, he also did a goodly amount of field work in the British Isles and in Breton. He was also a disciple of the great American philosopher William James: I can definitely see the influence of *Varieties of Religious Experience* in the preconceptions he brings to the table when compiling his data. From what I've read so far, the book is fascinating and thought-provoking, although you may want to keep a salt shaker handy when reading.
http://www.sacred-texts.com/neu/celt/ffcc/ has an online edition of this book.
One thing I've noted is that Bretons strongly identify the Fae folk with the spirits of the dead, arguably more so than other Celtic peoples. If this is true (and, again, I've not done the research to verify all of Evans-Wentz's claims), then it might be an explanation of how a goddess frequently assoicated with the Fairy Kingdom became the Queen of the Dead.
When are Maman Brigitte and the Baron first mentioned in print? I know that the scholarship on Vodou is woefully thin, but in present day Vodou these are two of the most popular and well-known Lwa. If we could get some idea as to how long Brigitte has been served, perhaps we'd get some better clue as to her origins.
>> I certainly doubt VERY strongly that there were any Scotsmen >>of that time, no matter how isolated a little town they came from, who >>would have considered themselves "Brigid worshippers." > >Oh, I don't doubt it for a moment, I bet Scots*women* kept >Brigid alive in their hearts - that is no different from the modern >Haitians in the north of Haiti who are hereditary Muslims!
The broker who got us our apartment was a Lebanese Haitian: I've gathered there is also a Syrian population in Haiti as well. Are these the Muslims of whom you speak?
I would expect that most of the peasants from France, Scotland, England and Ireland would have considered themselves Catholics. They might pay homage to "saints" like Brigid in ways which reflected the pre-Christian worship of Brigid... but they would likely consider this Catholic. While I am open to the possibility -- and would love to see it, actually -- I have not yet seen any evidence of widespread survival of pre-Christian religion in Europe, particularly a pre-Christian survival which recognized itself as such. I suspect the situation resembled African-American Hoodoo: lots of bits and pieces from an earlier structure, but lacking major amounts of the underlying philosophy of that structure and incorporating many Christian ideas.
>Documents written by Christians claiming that the "Picts are >Christianized" mean as much to me as modern documents >written by Christians in Haiti claiming that the majority of >Haitians have renounced Vodou.
What those documents prove is that there was a pretty established Christian community in Scotland as early as the 8th century. It doesn't prove that the pre-Christian customs had died out entirely ... indeed, if Evans-Wentz's field research was at all accurate, many of them survived as late as the 19th and early 20th century. What it means is that we can expect these pre-Christian myths to have incorporated a good deal of Christian mythology by the time St. Dominique was being colonized.
>The population statistics I quoted are from historical documents >of the time, it's on the 'Net in a few places, I will look and see >if I can find them again. > >There is no doubt that Brigitte is a manifestation of Brigid, although >we may go rooting around a bit to decide exactly how and when. >Like Bob Marley said, "Half the story has never been told."
I'm not saying that you're wrong here, although I think you may be pointing a bit in the wrong direction. I'm definitely interested in hearing more about why Maman Brigitte "comes from England" and for how long this identification has been made. Do you know any other Maman Brigitte songs? Looking at those lyrics might help to uncover other clues as to Brigitte's origin.
I know we have a few people on here with some knowledge of Celtic culture and mythology. Any recommendations for good books on the subject which avoid the Standard Newage Pitfalls?
>Peace and love, > >Bon Mambo Racine Sans Bout Sa Te La Daginen > >"Se bon ki ra" - Good is rare > Haitian Proverb > >The VODOU Page - http://members.aol.com/racine125/index.html
Peace Kevin Filan
"My country, right or wrong," is a thing that no patriot would think of
saying expect in a desperate case. It is like saying, "My mother,
drunk or sober." - G.K. Chesterton
Other
Jun 19, 2001, 6:05:57 AM
to
<snip>
> There is no doubt that Brigitte is a manifestation of Brigid, although
> we may go rooting around a bit to decide exactly how and when.
> Like Bob Marley said, "Half the story has never been told."
>
Don't forget that there is a Catholic Saint, St. Bridget who is clearly a
Christianized version of the Goddess Brigid.
-- Troy
"Self, I could do bad pencil drawings of Mr. Spock!"-Robin Wood
Racine125
Jun 19, 2001, 9:16:10 AM
to
In article <[email protected]>, Kevin
Filan<[email protected]> writes:
>I don't think you were seeing a lot of indentured servitude in St. Dominique >by >the 1750s. At that stage in the game they were mostly using the "labor camp" >model: buy slaves, work them to death, repeat as necessary.
They who? Think again, Kevin - wealthy French plantation owners did not soil their shoes going down to the cane fields or the indigo patch or whatever. That work was done by poor whites and some "trusted blacks" usually Kongo men because they were considered by whites the most likely to betray their own people.
>It's highly unlikely that any overseers >were >hanging out at African drum dances ...
To the contrary - where else would they hang out? The fancy whites wouldn't have anything to do with them. I want to stress again and again the incredibly high numerical disparity between blacks and whites, it wasn't like the USA, whites were few and far between, and they had to have an "understanding" with blacks who outnumbered them vastly (By the way the source of that population data is online somewhere and I will keep trying to find it and give it to you). And also remember that the most likely participants were the women! These were not refined, constrained Frenchwomen, these were rough, lower class independant Celtic women accustomed to taking responsibility for themselves. Now, faced with a choice between some boring white guy and some big handsome Ashanti or Ibo, I know who I would rather hang out with! LOL!
> in fact, I'd say the overseers would >have >been among the first killed when the rebellion started.
No, that came later - in the beginning there were groups of blacks who protected whites whom they felt had done their best to protect blacks, sometimes even to the point of battling for them, getting them out of the country... it was Dessalines who brought on that mentality that led to pregnant white women being split open and their fetuses pulled out for the purposes of general amusement, that kind of thing. In fact at one point he promised a large group of white women and children safe passage back to France, and then when they assembled, he had his men cut them to pieces with swords because he "wouldn't waste the bullets".
>I think a more promising approach might be to compare some of the folk >beliefs >of the early French settlers, particularly any settlers from the Breton area, >and compare them with the beliefs and rituals found in Haiti today around >Maman >Brigitte.
That might have been a part of it too! But you know, the Vodou song which refers to the geographical origins of Maman Brigitte says that "Maman Brigitte, li soti nan anglete", anglete being properly "England" but by extension the British Isles.
>One thing I've noted is that Bretons strongly identify the Fae folk with the >spirits of the dead, arguably more so than other Celtic peoples. If this is >true (and, again, I've not done the research to verify all of Evans-Wentz's >claims), then it might be an explanation of how a goddess frequently >assoicated >with the Fairy Kingdom became the Queen of the Dead.
Brigid was identified with the dead in her own country, and with healing and smithcraft too.
>>Oh, I don't doubt it for a moment, I bet Scots*women* kept >>Brigid alive in their hearts - that is no different from the modern >>Haitians in the north of Haiti who are hereditary Muslims! > >The broker who got us our apartment was a Lebanese Haitian: I've gathered >there >is also a Syrian population in Haiti as well. Are these the Muslims of whom >you >speak?
No, I am talking about black people in the north of Haiti whose ancestors were Muslims when they came over from Africa. Their contemporary descendants remain Muslims until present, and the anthropologists are having a field day with them! LOL!
>>Documents written by Christians claiming that the "Picts are >>Christianized" mean as much to me as modern documents >>written by Christians in Haiti claiming that the majority of >>Haitians have renounced Vodou. > >What those documents prove is that there was a pretty established Christian >community in Scotland as early as the 8th century. It doesn't prove that the >pre-Christian customs had died out entirely ... indeed, if Evans-Wentz's >field >research was at all accurate, many of them survived as late as the 19th and >early 20th century.
So there.
>I'm not saying that you're wrong here, although I think you may be pointing a >bit in the wrong direction. I'm definitely interested in hearing more about >why >Maman Brigitte "comes from England" and for how long this identification has >been made. Do you know any other Maman Brigitte songs? Looking at those >lyrics >might help to uncover other clues as to Brigitte's origin.
Of course I know more songs for Maman Brigitte, but none of them say anything about her origin.
Kathy Latzoni
Jun 19, 2001, 10:10:50 AM
to
In article <[email protected]>, Racine125 says...
>
>In article <[email protected]>, Kevin
>Filan<[email protected]> writes:
>
>>I don't think you were seeing a lot of indentured servitude in St. Dominique
>>by
>>the 1750s. At that stage in the game they were mostly using the "labor camp"
>>model: buy slaves, work them to death, repeat as necessary.
>
>They who? Think again, Kevin - wealthy French plantation owners
>did not soil their shoes going down to the cane fields or the indigo
>patch or whatever. That work was done by poor whites and some
>"trusted blacks" usually Kongo men because they were considered
>by whites the most likely to betray their own people.
Hmm. Why were the Kongo [as opposed to Africans of other origins] considered the "most likely to betray their own people"? <:/
I'd be interested in seeing your sources for this information...
>Brigid was identified with the dead in her own country, and with healing >and smithcraft too. >
In my own [somewhat casual] studies of Brigid, I have heard her identified with all of these things as well -- but again, this has mostly come from pagan or women's-spirituality books and websites, which often don't give many academic citations, or statistics, to back up the assertions they make. [Yes, I'm familiar with the quote about "lies, damned lies and statistics" ;) ... but that would at least provide some primary research for us to evaluate.]
Your own reading has probably been more extensive than mine: are you able to give us some more "hard facts" to support these conclusions here?
KL
Racine125
Jun 19, 2001, 11:31:52 AM
to
In article <[email protected]>, Kathy
Latzoni<[email protected]> writes:
>Hmm. Why were the Kongo [as opposed to Africans of other origins] considered >the >"most likely to betray their own people"? <:/ > >I'd be interested in seeing your sources for this information...
Oh dear, another bibliography search, huh? There are actually quite a few references to the "execrable Congos" and how other ethnic groups scorned them because they would sell out incipient rebellions, all sorts of stuff.
There are echoes of this kind of thing in current Haitian parlance too - for instance "owsa" (Hausa) means "pickpocket", and apparently Hausas had a reputation for being lightfingered in Africa as well.
I am getting on the plane very shortly and won't be able to look it up for you but the references abound, it won't be hard for you to find.
#commentary#maman brigitte (hazbin hotel)#there’s little evidence for this so I leave it out of the main body: In Voodoo: An African American Religion (2024) Anderson briefly notes#that the ‘Mama You’ of New Orleans Voodoo might be Maman Brigitte. emphasis on 'might'. there’s so little record of ‘Mama You’ it’s hard to#say and probably wrong but it would be interesting if it was true...#To my knowledge the earliest recorded list of the lwa can be found#in Duverneau Trouillot’s (1885) Esquisse ethnographique: le vaudoun#Another useful text might be Benjamin Hebblethwaite’s (2021) A Transatlantic History of Haitian Vodou#I don’t have access to either text but they could pertain to the history and origins of Maman Brigitte (Grann Brijitte)
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I just realised 2/3 of you haven’t heard my voice before
#dora daily#it’s only Hal meto and rie here HAHA but ONE DAY I WILL VOICE RECORD I just don’t know what to say in it 😭#whenever I open voice record usually I just forget how to speak and I blank out 😭#okay back to work as I cry my eyes out I’m so sick of thissssss#pray for me everyone 😔🙏#ACTUALLY I HAVENT HEARD 2/3 of your voices either LOL
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Ah yes, Magnificent Century, or as I like to call it – “Why the fuck are the most likely Ukrainian girl and the Crimean Tatar woman speaking Russian to each other, what were the writers smoking???”
#BEFORE ANYBODY COMES AT ME#DO NOT use this post to debate hürrem’s nationality. please#most people agree she was from an area which is modern day ukraine. can we please leave it at that#also yes they were speaking Russian in that scene. not Ukrainian like I’ve seen some people say#trust me I know and can tell the difference between the two. it’s Russian#okay? okay#now that that’s out of the way#what is this. the 1500s or the Soviet Union??#for the record at this point in the show timeline there’s still another 32 years until Ivan the terrible conquers Kazan#a.k.a the Tatar capital#and ukraine was not a part of Russia at that point either#though I cannot tell you exactly who it belonged to bc I erased most of what I learned in history after my exam#but the point is#there is a very. very small chance that both of the would have known Russian#especially fluently#I feel like I’m swinging at a wasp’s nest by making this post so again#please don’t start any discourse#I am just trying to make a joke about the Taylan brothers failing both history and geography#alright?#okay good#Nia rewatches MC#magnificent century#muhteşem yüzyıl#hürrem sultan#valide sultan
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Manufactured SEEDs
Basically, the concept is that SEEDs once served as a “positive” force meant to permanently remove or separate negative emotions that were deemed unnecessary.
(I wish I could elaborate but I don’t really know how) (I wanted the idea that “SEEDs” have always existed or something unique to Fragaria Memories without being inspired to anything if that makes sense?)
Assuming that SEEDs existed during the time of Legendary Red, what if “Legendary Red” made the SEEDs but backfired and twisted the story that they saved the world of Fragaria from the SEEDs.
Maybe the SEEDs couldn’t be completely destroyed for whatever arbitrary reason, and the Strawberry King took responsibility to guard the last remnant of existing SEEDs left from this world of Fragaria?
Eldritt’s purpose is to keep the origin of SEEDs and the truth of Legendary Red a secret.
<- But at the same time, what good is keeping the truth hidden(?)) “To keep the world idyllic”(?) (How would revealing the truth about Legendary Red and the SEEDs affect the world?
(Maybe we can connect this to time loop theory(?)) (Do you think Halritt wants to keep the world happy by all means necessary) (and time loop is his only answer)
Do you think their existence evolved during their entrapment by the Strawberry King? They’re indiscriminately trying to feed from negative emotions because of this insatiable hunger they had for who knows how long?
How did they escape? Why did the Strawberry King disappear?
Lovers to the same lies— Protectors to sanctity, memories to sanity Red-splattered puddles dye into black I, the shadow to which you belong … strangers to the flesh. Fumbled darkness, the pitch-black mold. A stiff neck … Unable to turn. (Clocks unfortunately twist … A head rolls down.)
Edlritt - “What only needs to be known is that…” Eldritt - “We both want the SEEDs eliminated.” “So, Merold, as long as the motivation exists—we will both be quiet.” Eldritt - “Is this clear enough for you?"
#fragmem#time to ramble in the tags again haha...#holostarsEN lore is crazy but basically the world “elysium” exists as a solution/digital world in the pursuit of peace and perfection#abandoned humanity and “record corruption” is basically a terrible disease that leads to death if i remember correctly(?)#and “corruption beasts” are similar to SEEDs but don’t remove memory#if i remember correctly the people are either “players” or “NPCs”#we live in a digital world digimon digimon#honestly i kinda forgot mid-thought about what i wanted to elaborate on but i think it was the theory that knights earn their forms and nam#i think i wanted to connect it to the possibility of what could be the lore of fragaria memories’s world#like maybe it is a digital world?#i like the idea that world was dying but was saved by the strawberry king and the lords#what if magic was only made as a countermeasure against SEEDs?#Merold - “To destroy the sin within you I will thoroughly humiliate and reveal the truth one by one.”#Merold - “So I’ll keep playing Halritt.” “A smile just like this! Where nothing seems out of place.”#“SEEDs are the original sin” will always be stuck in my head#to eliminate negativity is to embrace death#maybe that is the purpose of a SEED?#to become pitch black or free from color because nothing exists within a void(?)#i wrote to myself once that i wanted merold to have his the holy grail of eris moment#merold - “kirikikirikuku” (eldritt awakens)#its such a good story… im too much of a sucker to villainess stories…#my dark timeline is that halritt tries to create a peaceful world to prevent the SEEDs but this backfires and halritt becomes a tyrant#i want him to die by merold’s hand like a sick joke instead of a SEED#the people you tried to protect now fear or hate you#Merold - “You’re a small man who is bounded by his appearance.”#Eldritt - “Oh but Merold—Aren’t you also the same if we apply it you?”#Merold - “And who’s to say I’m spared from my own words?”#Merold - “An executioner is not exempt to his own blade.” “I intend to do worse to you and the same to myself.”
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i don’t know how to describe this problem into a google search without sounding crazy but i have this issue with my pre lab videos for chem. they’re partially screen recorded slideshow and partially videos of someone doing a demonstration. every single video has had an issue where it buffers CONSTANTLY during the demonstration parts but ONLY during those. like to the point where i’m waiting so long i forget what they’re saying. and it’s not like the video isn’t loaded in! it’ll be loaded like a minute ahead and still buffer every two seconds! i ONLY have this problem with these videos and nothing else. it’s not the video quality, it’s not my internet connection, it’s not the speed, WHAT THE HELL IS GOING ON
#rhyn rambles#genuinely it makes them so unbearable to watch i don’t get it#i’ve never had a problem like this with anything before#is this some kind of rendering fuck up that’s happened to every video?#it’s not like they’re playing the video and screen recording it either#it’s on my end#i don’t know wtf the problem is#i wish i could say ‘thank god this is my last lab’ but of course i still have to do 102 next term
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So one of my ex’s who was a republican when we broke up a super long time ago and ceased contacting each other now goes by it/it’s and is nonbinary openly. 👀
#I love how it’s like everyone I date either becomes not cis or their closest partner does or is questioning for both or either#I have a t4t track record at this point#I was tempted to message it but I don’t want to seem like a creep yknow???#also it ghosted & lied to me all#those years ago too but ppl change and I wouldn’t go in wanting a relationship like we had or even something close I guess I’d just wanna#say hi and hope things are going good???#instagram recommends old contacts sometimes it’s really weird actually but yeah idk I just don’t wanna come off as creepy#I’m happy for it though if it’s in a better place yknow?#mine#op
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okay so maybe it was a little groundbreaking. maybe it’s slightly iconic. shut the fuck up.
#i STILL think the ending was stupid - for the record#(UNLESS we consider the ending as not a resolution but a further extension of the horror… but that’s clearly not the intention so 🙄)#but like. yeah no. it’s really good.#it actually did something that appealed to me. :/#hate to say it…#and it’s not like this is the first time this has happened either… it’s really not surprising#but also like. :/ i want to be madder#unfortunately i am Not Immune to [redacted]#it’s funny because everyone is clunky in their own unique way#and i KNOW i would find his clunkiness charming except that he pisses me off - so i don’t#but this time i ALMOST saw it#i think i would have actually really enjoyed it except for the ending#but - as it is - i am still Thinking About It after several weeks - so it Got Me on some level#am now writing a little mini fic about it as a companion to an art piece i will probably never draw#and yet i can picture vividly in my mind#so uh… that’s where we stand on that i guess#it’s NOT about the mimesis but also it is Because I Say So :))#also i’m not sure that it was actually groundbreaking - but it does have a couple shots that absolutely fuck - so that works for me
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Could it be? Am I actually getting somewhere? Who knows
#keese draws#oc art#oc#spent maybe too much time making new brushes to keep moral up but it worked well so no regrets#and dare I say. I actually kind of like how they look in the second image#I’m definitely switching back to drawing their eyes more rectangular that’s raiden babey#I mainly changed it because choice already has the rectangular eye going on but eh. they’re different enough#as in they both have other distinguishing features in their eyes#tbh. not sure when I started caring abt them all having distinct eyes but I do now ig#also I’m still deciding if I cast the blue eyed curse on them but either way I’m digging the light eyes for them#they’re still a bit pink for my liking but they don’t feel as obnoxiously pink#for the record I fucked around with giving them purple too but just trust me that it didn’t work#but yeah the big thing I’m unsatisfied with is once again their outfit#buttttt I might be willing to let it slide. mainly because I genuinely don’t have any ideas.#but still I feel like I’m in need of just like One more vision to get to a design I’m happy with#the vision just isn’t coming yet and I’m trying not to force it#now that I’m happier with the rest of their design tho I might do some more outfit swaps#not that it’ll likely help much but the last time I did it helped me realize some stuff I wasn’t happy with in how I was drawing them
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