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ramonathinks · 1 month

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HIGHEST BIDDER.

summary: tired of your virginity, you decide to auction it off — but you weren’t thinking it would be leader of the notorious group, onychinus who offers the most money of $10,000,000.

cw// 18+ virginity loss, soft sex, small plot but not really, pet names, slight? knife play, oral, she/her pronouns, choking, finger sucking, praise, dumbification, degradation, slight fingering, corruption kink( if you squint), female guided masturbation (? kinda? idk!), squirting, attempt at aftercare, the twins have a cameo. wc: 5.3k

tagging: @lvminy @kissxcore @sunasbon @preciousamethyst (hope it’s okay to tag you guys 🥹🫶🏾) @satorubi

You could only assume it was Luke or Kieran who had told Sylus where you were and perhaps what you were up to. Or maybe it was that damn crow, who insisted you stayed inside. But really, it didn’t matter who said anything because Sylus was grabbing you before a single hand flew up.

“10 million.” His voice was sharp — a hint of anger, annoyance and frustration on him, it oozed off his body and with the dazzling ruby eyes of him staring everyone down… they got the hint that he was throwing around. He was pissed. Too pissed to hear what anyone else had to say. Power rolled off of him in waves everyday but it was obvious that this day, and this girl and this place was provoking him.

The auctioneer's lips trembled in his presence. “T-ten million going at once.” He awkwardly scanned the room, not a cough of a mumble was heard. “Going twice.” Breads of sweat gathered around his forehead and he swallowed. “Sold!” He exclaimed, nodding his head rapidly in Slyus’ direction, guiding the both of you towards a secluded area.

He scoffed and tightened his grip on your body, it took him little to no effort to hand over his card and in a few seconds the transaction was completed; a portion for them and the bigger sum of the money going to you. His eyes narrowed as he glared at you briefly.

You couldn’t help but feel like the stupidest person ever and perhaps at this moment… you were. Being stuck inside and with nowhere to go most days because of the claims of dangers awaiting you, it was tiring. Plus, you had urges, like anyone else – womanly and carnal urges, desires and fantasies. You couldn’t help yourself when Luke mentioned it in passing and Kieran slapped him on the head telling him to shut up about it; it was simply interesting and something Linkon City would’ve never allowed.

You hated the silence. “Are…are you mad at me?” Walking out of the pale building and to the dark cold outside, moving close to his motorcycle. Looking around you think about how the tenebrific ambience that’s casted over this place, it really wasn’t the same as where you grew up, time moves differently here, almost.

“You went into the N109 Zone alone, potentially putting yourself in danger and you want to know if I’m mad at you?” He speaks with a hard tone, his touch scorching hot against your arm, his touch addicting. “Of all the times to be reckless…” He does a heavy sigh, followed by pinching the bridge of his nose.

He’s handing you a helmet and putting his own, sitting down and waiting for your arms to wrap around his waist before he drives off. The wind rushes through you swiftly and no matter how many times you’re on his motorcycle, you can’t help but to feel fear course through every fiber of your body.

Time always seemed to move faster when you were with him and it moved especially fast being on his motorcycle, he drove dangerously and it always led to you clinging more closer to him than you realized.

Upon making it back, you jumped off the motorcycle and handed him the helmet, shaking your hair to make sure it looked halfway decent.

Stepping back inside of the Headquarters of Onychinus, Luke popped his head around the corner and you mustered up the angriest glare that you could make him cower away. You could hear him and Kieran chattering about something. “No use in being mad at them, you brought this on to yourself.” Sylus told you, ushering you into his room.

You just sighed, sitting with your legs crossed on a singular chair that was near a small table in the room. The air felt more tense and uncomfortable than the other times you were here and you couldn’t help but to think of how for once you wished that Mephisto was here so that you wouldn’t be alone with him, not with this temper he clearly had. “Listen Sylus, it was a stupid thing and I know that—”

Lightening wasn’t as quick as him when he grabbed the sides of your face and kissed you. Nothing with him was ever warm and inviting, always hard and even a bit mean but luckily not forceful. His tongue licked at your lips and you complied with no hesitation. His tongue felt hot against your own, it sent flames up your body and you could feel everything in the pit of your stomach and to your throat. When he pulled away, he looked at you and from the way he smirked… you knew you looked out of it. Your eyes alone felt heavy and your knees were wobbling, too weak to stand. With your eyes on his, you watched the dazzling red become harder to look away from.

The voices came strong and with a clear message: “fuck him… fulfill your desires…” they spoke to you and you both loved and hated the throbbing sensation that followed. You wanted to remind yourself that he was an enemy… it was too hard to do when he looked like he did and with a voice as deep and rich, it was almost unbearable. Yes, he was an enemy but you couldn’t lie to yourself; you knew the real reason you went to the auction was to make him jealous. You don’t know what it is about him that makes you react the way it does but it burns inside of you and to your very core.

When the light from his eye dimmed and with rapid blinks you were back and felt more stable. “Your little mind always tells me more than your lips do. If you wanted me… I would’ve given you all of me with no hesitation.” It sounded like a promise and it swayed you, you leaned into his arms. “I can try to be gentle.” He whispered close to you, his eyes flickering from your eyes to your lips.

“Sylus,” His name trembles out of your lips. “I want you to touch me. I want you to make me…” You squeezed your thighs together. “I want you to make me feel good.” You felt too vulnerable in his presence but the truth slipped from your lips so fast as if you were forced to.

He looked as if something took over him, desire deep in his ruby eyes and you couldn’t look away from him, too turned on. “Take your clothes off.” His husky voice said above you. He didn’t move, just watched you shuffle your clothes off until you were in nothing but your panties; when you moved to take those off, it was then that he stopped you. “I’ll handle the rest.” He assured you before he laid you down — your head on his soft black pillows and your body rigid.

You don’t know where the knife came from until it’s rubbing up your calf and moving its way up to your underwear, the cool metal piercing your skin just barely. Your breathing labored and measured, trying not to show your fear but it was failing you. “Stay still, I would hate to nick your pretty skin.” The knife tickled your thighs when he finally snipped open the front that held your secret possession.

He groaned at the sight, audible and bit his lips to contain himself more. You wanted to cover yourself but when your legs moved even a tiny bit to hide, he spread them wider and the cool breezes from around the room slapped across your feverish cunt. There was a smile so deep on his lips as he spread your lips open for him to see. “You ever touched down here?” The way he said it, as if you were all innocent, he narrowed his eyes when you nodded yes. “Show me.”

“H-huh?” You stuttered out. “I can’t just…”

“Just show me what you normally do… when you’re all alone… in your room…under the covers.” He says it slowly, letting you absorb every word he says.

You’re bare and can feel just how comfortable his comforter set was. Your cunt wet and inviting but his eyes stay on yours, which makes it harder for you to breathe. “I just kinda just do…” Clumsily you spread your lips and simply slid your fingers around yourself, barely focusing on your clit but already overwhelmed. “But I can’t make myself cum, ‘m too sensitive.” His eyes transfixed on your fingers and pussy as you work yourself, your face contorting between pleasure and something else before you stop, heavily breathing.

“Oh? No wonder you’re so unsatisfied, you don’t know your own body. Good thing I’m here to help.” He’s closer, sitting at the end of the bed yet so close to you. He spreads your legs and you can see a glimpse of excitement dancing in his eyes. He inspects you – stroking up your legs and inching his way up and down your thighs, ignoring how with every touch your breath hitches and your toes curl. “I haven’t even touched you that much and you’re already a mess.” He spreads you; opens you up and closes your folds again completely immersed in the gushy noises that follows.

“This,” Sylus says, spreading your sticky lips apart and his breathing getting heavier. “This is your pretty little clit.” He taps the bud with the rough pads of his fingers. “She sits right here behind these lips.” His fingers are lighting a fire and trailing it around your body. “Open these up again… and this,” you gasp, his fingers sitting right in the spot you never touch. “This twitching little hole? That’s where I’m going to fill you up.” He chuckles humorously, circling the hole and gathering the leaking wetness there, your hips rising on their own accord before he pulls away.

“Now, your turn.”

“But I—” You’re close to tears, wetness gathered at your lash line daring to fall. “I can’t, I don’t think I can do it like you.” You hated how needy you sounded and how clingy you were being.

“I hardly did anything. Just simple touches, to show you where everything was. Pleasure points that you should follow. Did you want more? Did you like how I touched you, little one?” You couldn’t help but to gasp at the nickname, it filled your body with more wetness and he watched it leak down to his sheets.

Your insides continue to flutter at the name and your face feels hot. “This is what you paid for right? Might as well get your fill from it.” You try to sound bold and intimidating but his demeanor just softens at your attempt.

“As you wish.” He bends down and cups your cheek before placing a delicate kiss on your lips and you can’t help but to squeal a bit at the warmth that his lips bring you. His fingers brush your face before he moves his mouth down to your neck, licking a stripe before sucking on your skin. You can feel his lips curling into a smile at every noise you make. “I could do this all day… but where’s the fun in that? I’m sure you’ll make even better noises when I touch here.” Cupping the palm of his hand and gently slapping it against your core, your back arches and a whiny moan slips out.

“See? So much better.” You hate the smug look on his face, his red eyes radiant in the dim room staring you down makes you self conscious and ready to hide yourself from him. “I’m going to put my fingers right here,” His breath tickling your core. “Then my tongue, okay?”

You just nod…unable to speak, he watches your face and holds his fingers up to your lips.“Put 'em in your mouth for me, get' em all wet…” Your tongue slides between them, saliva spilling out of the corners of your mouth. “Good girl,” he patted your head, ruffling your hair and you couldn’t help the feeling that took over you. Your mind was everywhere yet nowhere, just him… that was all your mind could think of and be consumed with. The praise had your body on a different kind of high.

He uses those same cool wet fingers to open you wider. Slowly dipping inside of you, circling your center and easing inside, making you tighten up. “Don’t clench, just relax. It’ll only hurt more if you do that.” You take a few deep breaths, allowing your chest to fill up and expand before a release. He spreads your lips and he just looks. There’s a hum on his lips before he kisses your clit; full tongue running across the sensitive area. Your back lifts and arches off the bed but putting his hand on your lower stomach – he forces you to take it. There’s a look in his eyes that’s daring you to disobey him and it makes your tummy flutter.

He puts his full tongue against your clit and you try not to move but your body trembles. His fingers draw circles around your thighs, inching closer to your slit. It makes you realize that he was simply distracting you to alleviate the slight pain from when his fingers actually slipped inside. When they did, you gasped aloud. “Sly–us… please.” Your legs threatened to close but you forced yourself to keep them open and it took a lot out of you.

“Good girl.” He muttered, obviously appreciating your efforts. “So tight…” He tries to move his finger but you only flinch and groan, which makes him use two fingers from his opposite hand to rub lazy circles against your clit. That alongside your breathing helps your body relax and brings a lot of ease to you, opening yourself up. He slowly strokes your insides, taking his time to drag it forward and back, slipping it out before bringing it back inside. You can’t help but notice how eyes flicker from your lower half to your face occasionally but you don’t say anything. “Deep breath.” He tells you before he slips another finger in beside the other.

You whine when he moves them both inside of you, your body rocking against his fingers with a circular motion of your hips. He opens them up before closing them again, you grip the sheets. He felt so deep inside of you with just his fingers… the real thing would be different – longer and thicker – you didn’t know if you were ready. “You’re overthinking aren't you? Just focus on how you’re feeling right now.” His eyes are on yours, his fingers curling inside of you so deliciously that you forget to breathe. When he takes them out, you feel incredibly empty, your hole clenching for more. You're huffing and shaking when you look his way again, he’s opening and closing the two fingers that were inside of you; playing with the slick that was there before he sucks them off. He slips them back inside, sliding them on your inner walls and pressing upwards – the pads of his fingers rubbing circles inside of your soft insides; which makes you squeeze his fingers tight. Rubbing your clit again to soothe you, he slowly curves them as he slips them out – you gasp at the feeling.

He grips your hips and forces you to slide down, his breath knocking the wind out of you when you feel it right by your slit. Your fingers tightly gripping the duvet in anticipation, awaiting his tongue. You gasp when his tongue circles over the hole, nudging there just a bit before he licks up a wet trail; moving back to your clit. He plants a small kiss on the pink throbbing bud, then another before he takes it in his mouth and sucks. His tongue moving around in shapes you can’t make out until you feel the hard S he craves in with his mouth, his head rocking against your legs. When the Y comes, he’s peeling back the hood of your clit and flicking the initial inside rapidly. He slides his face down before he finishes, he pulls your sticky lips apart and dives inside. The tip of his tongue sliding back and forth achingly and painfully slow, his head shaking to the sides when he licks upwards, curving his tongue to hit a particular spongy spot that makes your thighs shake. Your fingers now dig through his silvery hair, pulling when he does a harsh lick against your core. “Taste so good…” He mumbles, rolling your clit between his tongue.

The obscene noises that you hear comes from his mouth feasting on you – slurping, sucking and even the noises of his own groans. Groans that were akin to a dying man giving his last prayer, his groans were drowning out the sounds of your own moans. “I can’t take it–” Slushing sloppy noises are what drowns out your moans and pleads. “Sylus please…” You can feel your own wetness under your bottom and embarrassment floods through you, and at the right time his nose bumps into your clit and you grind into it more with a huff; nothing but useless babbling coming out of your mouth. Another lick causes your toes to curl and your body to twist and coil when a leaking orgasm passes through you; which doesn’t stop him from sucking everything that you have to offer.

His hair now disheveled from you tugging and pulling on it — his face sopping wet from your juices and you can’t help but look away from him, he sits completely upwards. “Look at me.” Your eyes back on his, biting your lip before you looked down at the bulge in his pants – it looked so big and your mouth ran dry. It was an accident and unconscious thing but you licked your lips while staring and before you knew it, he was speaking again. “You look really interested in pleasing me.” His brow is arched and his voice low. “This is going to be fun.” He said more to himself than you, standing and unzipping his pants.

You were still completely naked yet he was clothed – almost fully – just his cock sitting out of his pants standing hard and proud against his stomach. This sight before you made you remember who was in power and just how much power you lacked. But wordlessly, you got on your knees. “You want it? Want my cock? ‘Can see how you’re panting for it.” He was truly condescending and knew how to put you in your place, but the way he made you cum made you see nothing but starlight and you wanted to please him.“Come and take what you want sweetie, take what you need.” You stared – 7 and a half inches of a tanned cock and two firm balls blocked your view of everything else – the tip leaking with white sticky precum dripping down. You trace your tongue up the sides, licking up anything you can to get the taste of him before you kiss the head; then you open your mouth around him and let your teeth run against the sides before you suck him in.

“Watch your teeth, kitten.” His nose scrunched up and he closed his eyes, his shoulders growing relaxed, you take what you can’t fit in your mouth in your hand and give it a few gentle strokes. “And be careful around the— thehead.” He says when your tongue runs a circle around the tip and one wet suck. His face relaxes for a second and you can’t help but to look him over. You knew he was good looking but right now with pleasure all over him, he looks a thousand times better.

The heaviness in your mouth felt so foreign but you welcomed it, the masculine salty taste that followed when you bobbled your head back and the way your cheeks puffed out because of him; it felt good. Your saliva dripped on the floor beneath you, your technique sloppy but when Sylus gripped the back of your head, you felt like you were on cloud nine. He gently guided you, pulling you forward and back – letting your mouth take him as deep as you can, before he pulled you back off. He inches himself inside, you suck and swallow around him, hearing him groan above you sent your body into a frenzy. You choke a bit but he keeps a steady pace to train your mouth again, muffled moans erupt from you when he moves your head again, hitting a deeper spot almost reaching the back of your throat.

“Such a good girl…” He cooed and a whine slipped through your lips, his praise making your thighs clench together. When he finally pulled you off, strings of spit broke off from your mouth and his dick. “I’m going to come inside of you.” He tells you, but you can barely register what he’s saying too far gone on your high of being used. You’re smiling a dopey grin and he squeezes the sides of your face to make you look at him, your glossy eyes in a permanent daze. “That was only the beginning, are you sure you can handle the rest?”

“Mhm. I’m sure.” Your voice is trembling and hoarse as you speak. You wanted to feel him cum inside of your throat but maybe you were being too greedy, your body swayed. He lifted you up from the floor, your knees burning. You lay there, your eyes droopy as you wait for him, all you hear is movement and a zipper before he returns to you.

“You belong to me, got it?” His hand wrapped around your throat. “Your body is mine to please, to fuck with… to do whatever I want with. And I don’t plan on letting you forget it.” His voice is hard and mean again, his jaw tense as he stares in your eyes.

“I knowww.” A whimper mixed with a whine comes from your throat. He doesn’t say anything, just sighs. Your body trembles and you sniffle, it makes him cradle your hand in his hands.

“You’re shaking, are you that scared?” He asks you gently, as if you’re a flower who needs tending to. Your eyes wide but say nothing. He laced your fingers together, his hands covering the both of yours in an iron grip. “It’s okay kitten, I won’t hurt you.”

You yelp upon feeling a cool sensation hit your lower half, him rubbing it more inside. He’s hovering over you, his beautiful face watching over yours as he slides his cock over your pussy, not daring to push it inside. He just moves his hips well enough that you’re gasping every time, his tip bumps your clit and you bite your lip, your nails ready to pierce his back. You lean into his touch and he kisses your jaw, trailing them down and gently nibbling at your collarbone, sucking on the skin. “Relax,” He says, playing with your wet folds, he starts to play with your clit again and you shiver. “I’ll be gentle.” Did Sylus truly know the meaning of the word? You’re wailing when he slides just the head in, barely. Easing a small bit of his tip in and fucking you just a tiny bit.

Then you feel him nudging more inside of you – his head thick and the squelching noises of him moving in make you tense up, but he whispers in your hair to calm you down and then you’re sucking him in. Your voice is gurgly when more of him slides in, a new found warmth inside of you. “Still so tight…” A strained groan fell from his lips, you reached from him with tears in your eyes. Sylus didn’t move, he rubbed your hair but stayed there then he did a tiny jerk of his hips, the stretch makes you sob, but you know that he’s only barely inside of you and that there was more to come. He tells you to take a deep breath and you listen, not wanting to be in any more pain; he slips more of it inside, a thumb on your clit. He presses his thumb and does small circles around it – strangled sounds come out of your lips – he still hasn't moved.

You look at him, you put his face in your hands and look in his eyes, telling him just how ready you are for this. He’s working his cock in slowly, inch by inch but he looks like he's scared to overwhelm you. When his pelvis meets yours you gasp…your hips buckle when he completely bottoms out, a sigh dying on your lips and tears free falling… it didn’t hurt as much as you expected it to but the pain still lingered. Your eyes rolling back and you squeal, your fingers holding tightly against him. “Oh…oh… Sylus.” Panting – your eyes probably filled with hearts — as you look at him, lovingly. The stringing stretch subsides when he does a small thrust, not too deep but enough to make you feel good. He pulls back and pushes himself back inside, watching your expression as you take him.

He’s being as gentle as he can, you notice. His hips thrusting soft, just nudging the soft spots inside of you. He pushes inside of you again, the first painless thrust and you both moan. Your belly tenses when he speeds up and the noises of wet skin slapping makes your body heat up. He’s rocking his hips against yours, circling his hips clockwise in a way that makes you shudder. You can feel him throbbing and pulsing inside of you, he fucks you a bit harder than before. The sound of his balls slapping against you is all you can hear – his strokes getting deeper as he slows down, you look down and see the strings of wetness coating his cock as he stuffs you full of it again. “God, feels so good inside of you.” His mouth slightly agape.

A small squirt of wetness spills out of you as he thrusts inside, some of it under your bodies and some of it splashing upwards as he digs deeper inside of you. You’re squirming and squirting, eyes crossing over when you hear him say: “Marking your territory, kitten?” It only makes you gush more, squeezing around him. You can feel his deep chuckles as it vibrates from his chest to yours – he’s always mocking you but right now you could care less —the way your body feels has you ready to bend to his whim. “This little kitten and these sharp claws…” he hisses when you press your nails deeper into his skin, you dig them down his back. The long drag of his cock felt amazing against your walls, a small sharp thrust inside has you both grunting.“Clenching around me so hard.” He kisses the top part of your head and you relish in how caring he’s been, you almost forgot how any of this started.

“What’s my name?” His voice thick with a bit of annoyance, it was clear that he didn’t forget how any of this started. You felt full, lifting your hips trying to meet his thrust, his cock hitting spongy parts inside of you that made you see nothing but bright colors.

“Sy-Sylus!” Your eyes rolling back in your skull and your mouth in a permanent ‘o’ shape as he’s inside of you, pure bliss in the form of the gentle thrusting of his body into yours.

“Who do you belong to?” His teeth clenched and he’s squeezing your waist hard, staring at you… his ruby red eyes glowing in the dim room. His pace picking up faster, squelching plopping noises from the two of you grew louder.

“Youuuu. Sylus.” You admit, puffy pussy sucking him inside. “I belong to you.” He touches your stomach, gazing at it as he fucks himself inside of you.

“Who does this pussy belong to?” His hand on your throat. Grinding his pelvis against yours, your clit pulsing against him. He stops and slides out before he jerks back in, gripping your thighs.

“Sylus!” You’re breathing hard and feel him twitching inside of you when you say his name again.

“And you tried to give it away.” He slapped your cunt and you jolted, a small squirt coming out of you.

“I’m sorry.” Your voice is muffled and tears fall; you feel so good and you can’t believe you made the stupid decision in the first place when you could’ve asked him to do this… to make you feel this good. Closing your eyes, you focus on the feeling. He’s stretching you out, squeezing your ass in both of his hands to further spread your body open for his pleasure.

“Eyes on me. Keep looking at me. Look at me while I touch you. Look at me when I make you cum.” Your eyes still closed and he sighs. “Look at me or I’ll stop.” He gives a sloppy wet thrust pumping his cock inside of you.

That simple statement made your eyes snap open, “Sylus please…please don’t stop!” There’s a tremor in your voice and the bed creaks at the same time; your wet walls swallowing him deeper inside. “Please fill me up. I need it.” You’re babbling and the curve of his cock hits a new spot inside of you, the tip grazing your cervix just slightly… just enough to make you feel good and to gasp around him.

It felt like he was going to devour you.

And you craved it.

So you let him.

It was one last thrust that was your undoing as you both cum, your back arched and your body feeling completely boneless, wetness slipping out of you as he pulled away. Your body shaking, he kisses you and pulls you close to his bare chest. As you’re drifting to sleep you hear him whisper in the sweetest voice, “I truly do adore you.”

But maybe you dreamt it.

When you wake, your body is covered in sweat and a heavy arm has you caged in. There’s a dull ache between your thighs and you feel wetness there too, you shiver. You slide from behind the arm and attempt to stand. “Fuck.” You mutter, looking for your clothes or for any clothes. You mentally slap yourself upon remembering that Sylus cut your panties as you rummage through his closet. You pull out a folded plain dress and slip it on, making your way out of his bedroom. You close the door gently so that he can stay asleep and you walk towards the main hall.

“Sounds like Boss really taught you a lesson.” You heard snickering and with a slight limp to your walk, you moved over to slap Luke’s arm.

“Looks like it too.” Kieran said, making you hit him too. “It’s not like we didn’t hear it, you two were so loud that Mephisto left and I swear before he left that he tried to cover his ears. I would’ve done it too, if I thought it would drown off the ‘Sylus don’t stop’ you kept moanin.” Mimicking your voice made you kick him in the shin, which he yelped at.

“Both of you just hush. I-I’m leaving.” You make your way for the door as they trail behind you.

“So this is you attempting to sneak off?” Luke snorts, you know he’s rolling his eyes behind the mask.

“Yeah right, boss really isn’t letting you leave now.” Kieran chuckles.

“They’re right, you know.” For a split second your body is lifted in the air and slammed against the front of a hard naked chest and for possibly the millionth time today, your body felt hot all over. “You really won’t be leaving my side now.”

But you already knew that.

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thankskenpenders · 3 months

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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