#hozier <3333< /div>
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nerdjem · 1 year ago
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Talk / Hozier
"if i was orpheus i would simply not turn around" yes you would. if you were orpheus and you loved eurydice, you would. to love someone is to turn around. to love someone is to look at them. whichever version of the myth — he hears her stumble, he can't hear her at all, he thinks he's been tricked — he turns around because he loves her. that's why it's a tragedy. because he loves her enough to save her. because he loves her so much he can't save her. because he will always, always turn around. "if i was orpheus i would simply —" you wouldn't be orpheus. you wouldn't be brave enough to walk into the underworld and save the person you love. be serious
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samsblades · 9 months ago
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spamming your inbox tonight apparently but just wanted you to know that abstract (psychopomp) now makes me think of you when i listen to it bc i know how much you love it!!!
i have legitimately only listened to hozier for two days straight LMAO
omg YAY never stop actually please (when you have the time ofc) hehehe i love it!!! and omg... i'm screaming crying this is the biggest compliment in the world BUT ACTUALLY i totally think of you when i listen to in a week because no one i know loves it as much as you! on one talks about that song fr, but you do and it's the best <33
omg no i feel you there have been so many recent days where i just put his discography on repeat and that's it lol and i think that that is so true and real of us!!
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silverscreenlipstick · 1 year ago
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i hate that we keep on ignoring that francesca by hozier is not written about stolitz.
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magic-number-3 · 2 years ago
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NORTHERN ATTITUDE FEAT HOZIER!! NORTHERN ATTITUDE FEAT HOZIER!! NORTHERN ATTITUDE FEAT HOZIER!! NORTHERN ATTITUDE FEAT HOZIER !! NORTHERN ATTITUDE FEAT HOZIER !! NORTHERN ATTITUDE FEAT HOZIER !! NORTHERN ATTITUDE FEAT HOZIER !! NORTHERN ATTITUDE FEAT HOZIER !!!!!!!!!!!!!!!!!
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hozier-self-titled · 1 month ago
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youtube
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man-i-love-folklore · 9 months ago
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top 5 from unreal unearth? (including unheard and unaired)
egg's back in my asks to make me ponder! i had to take a little longer either this one, mostly bc i don't have as strong of feelings towards uu (even though i love it with my entire soul). thank you for asking!!!!
1. abstract (psychopomp). words cannot express the GUTTURAL feeling i get every time i hear this song. i literally had to train myself to not cry every time I listen to it. 100000/10, would cry again.
2. i, carrion (icarian) i am a sucker for a good greek mythology reference, and turning the story of icarus into a love song that is so tender and beautiful was such a creative idea. it's gorgeous.
3. eat your young AND de selby pt. 2 that's right, i'm bending the rules a little. i love both of these songs and couldn't in good conscience not have them in here. eat your young manages to be a bop and critique capitalism, and de selby pt. 2 is the funkiest way to descend into hell and is on track to be my most listened to song this year.
4. that you are. another sweet, beautiful ballad that literally overwhelms me with emotions! it sounds like a duet between two lovers in a disney movie (specifically it reminds me of jack and sally from nightmare before christmas).
5. all things end. everytime i hear this song all i can think is "holy shit" because, really, HOLY SHIT. what an amazing song that encompasses the hope and sadness of a relationship ending. when the choir kicks in i genuinely ascend to a higher plain of being.
honorable mentions: wildflower and barley, francesca, to someone from a warm climate, nobody's soldier, unknown/nth, and who we are!
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lesbicosmos · 1 year ago
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making a hozier lyric valentines day card is the peak of lesbianism and i have reached it
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youngpeachenthusiast · 1 year ago
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some paaart of meeee must've diiiied the first time that you called me baaaaby and some part of me caaame aliiiive the first time that you called me babyyyy
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weiwx · 2 years ago
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pyrrha no better version of me i could pretend to be tonight / for reasons wretched and divine / and lord she found me just in time / i need to be youthfully felt cause god i never felt young / she'll know me crazy soothe me daily better yet she wouldn't care / lord it'd be great to find a place we could escape sometime / every version of me dead and buried in the yard outside / we tried the world good god it wasn't for us / looking up from a cigarette she's already left / i start digging up the yard for what's left of me in our little vignette / for whatever poor soul is coming next dve
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practically-an-x-man · 1 year ago
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learned the intro to Be (Acoustic) by ear today :)
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gunpowder-tim · 2 years ago
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hi, here's a list of music I think you'd like:
Dear Arkansas Daughter by Lady Lamb
Brutus by Buttress
Every Mother Mother son ever
Songs I don't know if you'll like but I like them an ungodly amount and need more people to listen to them:
Tir na nOg lyrics by Celtic Woman
Eat Your Young cover by Reinaeiy
If you want more I have more
dear arkansas daugther is on my jonny dville playlist alrwady fucking awesome song, brutus goes hard as fuck, mother mother ofc is awesome
the other two are like good but i dont think theyre my kinda thing
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iworshipsappho · 2 years ago
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ok i really wanna get into hozier's songs except for like the 4 i listen to already... so any one have any recs????
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a-vibing-potato · 3 hours ago
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Listening to "In the Woods Somewhere" by Hozier (because it's in the LT's playlist and I want to get into the vibe of Bridgewater for probably listening to some tonight now that I FINALLY have off work for three days and also just because I'm curious what the songs are like) and I love the entire song, it fits the vibes AND storyline of Bridgewater so well but specifically the lines:
"What caused the wound? How large the teeth?" is SO cool after listening to the episode where Jeremy, Vipin, and Thomas are all looking at the mutilated cattle and basically say these exact things, theorizing about what could have done this and what kind of teeth could have ripped into the hearts of the cattle like that, etc. I just think it's neat :)
Also just like, obviously the fact that the woods are such an important setting to the story and so much happens there, I feel like there's a lot of lines that could allude to/be interpreted as talking about Celeste and her sacrifice with talking about a woman's voice and "saving a life" whether that be Celeste's sacrifice or Thomas' life or even Alden's life.
So yeah I know this song is in the LT's playlist but I know next to nothing about her (my only experience with her is when Jeremy first meets her outside the farm and talks to her for the first time) but I just think the song gives big Bridgewater vibes in general.
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satocidal · 3 months ago
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Me to you after reading dirty gods and dirtier prayers
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😭your @/satocidal dickriding is in fact absolutely insane or whatever that anon said lol
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mixtapedoh · 10 months ago
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just found evidence of my friends thinking kindly of me in a moment where i was not actively trying to win their affection. suddenly i have an immeasurable amount of warmth in my heart.
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pencil-n-pen · 4 months ago
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I WANT AN INNOCENT LOVE
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.☘︎ ݁˖
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alexandria! rick grimes x fawn! fem! reader
masterlist | kofi
summary: you’re a new addition to alexandria. Rick’s just looking out for his group. That’s the only reason he finds himself drawn to you. Nothing else.
cw: LEGAL age gap (it is big, i imagine reader in her early 20s) canon typical depictions of violence, Rick is kinda mean to reader at first, Rick kind of struggles with the age gap a little, dom! Rick, slight possessive rick
tags/tropes: shy and skittish reader, she’s not used to dealing with people but she’s not helpless, honestly she’s just a sweet and soft person who became what everyone becomes in the apocalypse, hurt/comfort, insecurity, touch-starved reader a bit, YEARNING, no saviors or whisperers just Rick and everyone living happily in alexandria. Daryl is also here and he’s kind of like ur uncle bc i love daryl and i say so
a/n: i have nothing to say other than this is so insanely self indulgent it’s not even funny. nobody asked for this but writing it has kept me sane while i’m couch ridden. everything is terrible rn but rick grimes <3333
songs i listened to while writing: We'll Never Have Sex by Leith Ross, Work Song by Hozier (Rick's theme song) you were mine by Esha Tewari, Do I Wanna Know- Hozier's Cover, Somethin' Stupid by Nancy & Frank Cinatra, Lover, You Should've Come Over by Jeff Buckley (i'm so not normal about that entire album) Under Your Spell by Snow Strippers, Little Bit by Lykke Li (the original not the remix)
title taken from Under Your Spell by Snow Strippers
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₊ ⊹❀
You were just a little thing when you showed up at the gates.
All wide-eyed and skittish at the tree-line, clothes hanging awkwardly off your frame. Scuffed and dirty, when Rick goes up to the tower to scout you out.
You don’t quite come close enough for anyone to get any kind of information on you. Name, age, where you’ve been, what you’re doing at the gates.
These are all questions Rick, as leader, needs answers to.
If he could just convince you to get close enough.
Under different circumstances, he’d just let you do whatever it is you’re planning on doing, but the lurking is starting to make people uneasy. And he figured he ought to do something to ease their concerns. Easiest way is to either get you inside the walls or find answers to those questions.
You’re real good at staying out of reach, though. And you never stay in one place for long. By the time two weeks have gone by, you’ve made it around the entire length of the walls. Just to end up right where you started: the gates.
It’s just past the crack of dawn- dew is still lingering on the plants and grass and the sun’s rays have yet to actually provide warmth. Rick is up, making his rounds and checking in when one of the guards on rotation lets him know that you’re at the gates. Only time you’ve ever been that close.
So they’re opened, and you amble in— light-footed and unsure. Honestly, you remind him a bit of Daryl with your obvious hesitance to be in the company of other people and clear inclination towards nature. But where Daryl is hard edges and reclusiveness, you’re… softer.
A small group of people —curious onlookers, mostly— forms behind Rick as he saunters towards you, and he watches the moment you see the reality of your decision and begin to regret it.
He comes to a stop a few feet away from you, letting the silence hang in the air for a bit.
He finally takes you in with his own two eyes, without the aid of the binoculars, and he examines. Catalogs the nervous twitch of your hands and scuffs and scrapes he can see on the visible scraps of skin. Eyes the way you worry your lip between your teeth and can’t decide if you’re going to keep staring at him or look away- your mind clearly torn between vigilance and submission.
“You finish your tour of Alexandria?” He asks dryly.
You blink up at him, eyes wide. “Are you the leader of this safe-zone?”
He nods. “Sure am.”
You begin fiddling with your fingers absentmindedly. The small motion draws his attention back to your hands, where me notices bandaids practically covering the entire surface of your skin. He files the information away in his head for later.
“Are you currently accepting new members?”
He can’t help but crack a smile at your question. The way you phrase it and your nervous demeanor remind him so much of the times before the dead started walking— you look like a college student looking for a job, not somebody trying to find refuge here, after the end of the world.
“Depends,” He rests his hands on his hips, and he notes the way your eyes dart to the gun at his side before back up to him, “You got any skills to offer? You alone? Or do you got a group waitin’ for you?”
Your lip is raw from where you release it from your teeth.
“I’m really good at mending. I’m a proficient hunter. I can hold my own in a fight. And I’m alone.”
At the admittance of your lack of company, you shift back a few steps, a subtle re-distribution of weight.
Ain’t been socialized a whole bunch, Rick thinks to himself. He’s willing to bet you either don’t have a lot of positive experiences with large groups of people or you just plain ain’t been around em’ much.
He hums. “You killed anybody?”
“Walkers or live?”
“Either.”
You shift your shoulders. He’s starting to wonder just how many nervous actions you have.
“I don’t think anybody lives alone who hasn’t killed walkers.”
“And the living?”
You don’t move, but your eyes look to the ground, not at him.
Shame. Fear.
“Twice.”
“How come?”
“They wanted my supplies. Wanted me dead. I decided I didn’t want to die.”
He looks you over again. You really are a cute little thing. He thinks, absentmindedly in the back of his head, that something like you shouldn’t have bloody, bandaid covered hands. Shouldn’t have a kill count.
But he dismisses the thought. The end of the world leaves no room for those unwilling to do what’s necessary.
He dips his head. “We’ll get you settled in,” He jerks his head to the some of the guys behind him. “They’ll get you sorted out. Get along, now.”
You slink past him, distance carefully measured as you go.
Your eyes don’t quite leave him, though. There’s a moment- either you pause or his mind slows. Maybe a bit of both. But the air stills, and your gaze locks on him for the first time since he saw you, nestled in that tree line. The memory is clear and vivid- the sun shining through the trees, dappling you in shades of amber and grey. And then he’s here, and you’re looking up at him, eyelashes fluttering, and the sun has risen just enough that it casts a similar glow, the only difference now he can see up close just how the light catches on your face, just how he knows your features would look so different, so much softer if you were cleaned, if someone minded the cuts and scrapes.
And then you step away, and he snaps out of his reverie. He blinks a few times at your retreating form, shakes his head, and then busy’s himself with other work. There’s always something to be done.
But no matter how hard he tries, he can’t get the image of you gazing up at him, bathed in the early morning sun out of his mind.
A few days pass, and Rick sees little of you. He’s almost positive it’s on purpose. The few times he does see you, you look scared. And then, generally, you manage to make some sort of fleet-footed escape. The repeated spotting and fleeing reminds him of the time he accompanied Daryl on a hunt and startled a doe.
He can’t quite figure out why you’re afraid of him, though. He remembers being fairly decent to you when you arrived, and tried coaxing you towards the gates politely before you’d shown up on your own.
The sight of your scared expression ends up stuck fast in his head, usually super-imposed over the image of you on that morning at the gates. Two different versions of you, neither making any sort of sense.
He decides that it’s probably best that he stick away, if he scares you. You’ll settle, your ruffled feathers’ll smooth.
And he’ll stop thinking about you.
Neither do you settle or does he stop thinking about you.
He watches you from a distance, careful. You just… don’t relax. Ever. You creep away from every possible opportunity to connect with others like it might grow jaws and bite- you shrink back or freeze. Like you think if you play dead, if you don’t move, they’ll leave you alone.
He’s wondering what you hoped to accomplish by seeking refuge in Alexandria if this is how you act. You’re going to have a bad go of things if this is your plan. Or maybe you plain haven’t even thought that far.
He snags Daryl’s arm as he passes by.
“Wha—“
“The new girl,” Is all Rick says, still watching you remarkably avoid everyone who passes you. “She’s real skittish.”
Daryl follows his eyeline, finding you easy enough.
“Mm. She ain’t settlin’?”
“No.”
Daryl just hums again. “Well, she ain’t got nobody, does she?”
“So?”
The hunter shrugs. “Can’t relax. Ain’t got nobody to watch her back, take a watch. She’ll settle. Might take her a bit of time.”
Rick huffs. “She’s afraid of me.”
“No she ain’t,” Daryl snorts, “And since when does Rick Grimes care whether other people like him well enough?”
Rick doesn’t respond, just keeps watching you.
Daryl follows Rick’s gaze, then breathes out a low sigh.
“She is a pretty little thing, ain’t she?”
“That is not what this is about.”
Daryl levels him with a look. “Sure it’s not.“
“She’s half my age. I could damn well be her father.”
“But ya ain’t.”
“That isn’t the point.”
“Then what is the point, Rick?” Daryl sighs again, crossing his arms. “Either do something about it or move on. You got too many people dependin’ on ya for you to be eyeing up flighty young girls.”
Rick rolls his shoulders. “You make me out to be such a creep.”
The other man claps him on the shoulder. “Then stop acting like one.”
He attempts to take Daryl’s advice to heart. It’s an annoying truth that Daryl always knows exactly what Rick needs to hear. Not necessarily what he wants to hear, but what needs to be said.
And he is being creepy. He shakes his head as he walks away. Watching you, thinking about you. He can’t. That’s— you’re too young to be thinking any kind of thing like that.
No matter how there’s this half second, before you look scared, where you almost look relieved. No matter how he wants to personally take care of the bumps and scrapes on your face, wants to take off the bandaids and examine what’s beneath them.
Daryl was right. He needs to focus. Carl, Judith, everyone- they need him.
You’ll be fine. He’ll be fine.
You’ve gone missing.
Rick has been doing his best to heed Daryl’s advice— he stopped looking for you in the crowds, stopped trying to figure you out, stopped watching you from afar. He even made a fairly decent attempt to stop thinking about you. Not that the effort proves especially fruitful, but he tried, damnit.
All of those efforts go straight out the window when Daryl tells him that no one’s seen you since yesterday.
It takes him two seconds to grab his gun and follow Daryl out the door.
He barely remembers to tell Carl where he’s going, which scares him, because he doesn’t quite understand what’s been so invasive to his mind and day-to-day activities about you. Your eyes, the soft curve of your cheek, how you might feel in his hands.
They cloud his judgment. Make him do stupid reckless things like search Alexandria high and low for any sign of you.
He doesn’t find any. He searches the place you’re staying— nothing. Only sign of life is the unmade bed and bandaid wrappers in the trashcan by the bed.
He sighs deep and low as he stands over your bed. “Think she had enough? High-tailed it?”
Daryl leans against the doorway. “Nah. She likes it here well enough. She ain’t stupid enough to leave a good thing like this.”
He raises an eyebrow. “You’ve spoken to her?”
Daryl shrugs. “Few times. She don’t like talkin’ too much, but I think she figures her and I similar.”
“She wrong?”
He scratches his beard. “A little. She fears situations and people the way a prey animal does. S’ why she’s a runner.”
Rick mulls Daryl’s words over as they scan the rest of the place but, of course, find nothing. There are no signs that you, specifically, live here. Nothing personal. Just the unmade bed and the bandaid wrappers in the trashcan.
The pair of them turn the entirety of Alexandria over in a matter of hours. He’s just about to call it quits, either wait for you to come back or send out a search in the morning when Daryl comes back over, telling him you’re at the gates.
As in, outside of them.
Opposite of how things went when you first showed up at the gates, people clear a path as he stalks towards you. They give the pair of you a nice, wide bubble. Even Daryl stays a few feet behind him.
The first thing he notices is that you’re covered in blood. From the way you’re holding yourself, most of it isn’t your own. There’s a backpack slung over your shoulder, but it’s not your usual one.
You won’t meet his eyes.
He stops an arms length away from you. “Where the hell were you?”
You shift backwards, away from him ever so slightly. “Scavenging.”
“Mhm, interestin’,” He says, rubbing his jaw, “Because the last scavenging party was yesterday. And you came back with everybody, so I’ll ask again. Where were you.”
Your eyes flick up from the ground for a moment, eying the people that have gathered to stare. He watches you mentally count them all, then attempt to put more distance between yourself and everybody else. Emphasis on attempt, because the second you take a step back, you stumble, wincing before righting yourself and going right back to scanning the crowd.
He works his jaw, anger and annoyance simmering just under the surface of his skin. He’s not going to get anything out of you here.
He grabs your wrist and turns, set in the direction of the medics.
He drags you along behind him, ignoring the little huffs or sharp intakes of pain when you walk a little too hard or too fast on your bad ankle.
You trip a few times as you go, and when you almost take Rick down with you, he sighs, pausing and turning.
The expression you give him is full of fear. He realizes, in the moment, that you might not remember where the medics are, so as far as you know, he’s angry at you and dragging you to a secluded area.
Guilt strikes him hard and fast, right in his chest.
Damn.
It’s too early to feel guilty about the random girl he allowed into Alexandria. Frightened eyes and shy nature aside.
He shakes his head once. “We’re going to see a doctor. Here, put your arm around me.”
He has to lower himself a little for you to drape your arm across the back of his neck. Your fingertips brush his shoulder, and he can feel the way you’re shaking.
It’s slow going from then on, with Rick acting as your crutches.
“Where were you? And don’t bullshit me.”
“Scavenging.”
“Seriously?”
“Yes,” You nudge the backpack still strapped to your back. “I was… looking for something. I can’t look for it with the others.”
“What the hell is it that you can’t look for it with the others?”
“A body.”
Your response hangs in the air, thick and heavy.
“…Family or friend?”
“Friend. Haven’t found her yet.”
Something clicks into place in his mental file about you. He feels like he just gained a new piece of the puzzle.
He readjusts your weight over his shoulder, tucking you a little closer and steadfastly pretending he doesn’t hear the little gasp you let out at the contact. Whether it was from pain or surprise, he can’t let himself think about it.
“Don’t go out by yourself. If you need to look, take Daryl with you.”
You sag a bit into him. “Okay.”
He glances down at you from the corner of his eye. You’re… pliant. You’d agreed quickly, and showed absolutely no fight or unwillingness when he, admittedly, manhandled you. You’d followed dutifully behind him and then simply allowed him to position your arms the way he wanted them.
There’s another little parasite that burrows into his brain right there. Right as he’s got you in his grip.
He slows to a stop, a little question forming in his head. He slips the arm that had been wrapped around your waist away, instead curls his fingers across your chin and jaw. He tilts your head up, looks down at your face, searching it for… something.
He meets no resistance. You only stare up at him, doe eyes blinking. He tilts your head to the left, then to right, and still, nothing.
Huh.
He lets go, and you shudder, a full body shiver. And he thinks, in this moment, that he could do whatever he wanted, and you might let him. He could break you, like this.
It’s a very dangerous thing, he decides. Because he doesn’t want to break you. He doesn’t want to hurt you. He wants to peel back the bandaids and see what’s under them. He wants to scrub the dirt from your face and give you soft clothes —his clothes— not those tattered rags that hang off your body.
You might let him do whatever he wants, but you’re the one who holds this power over him. You’re the one who made him sick— filled his head and clouded his judgement and made him the kind of man he never used to be.
But he can’t say any of that. Can’t even act on it. Not with someone young enough to be his daughter. He has a daughter for Christ’s sake. And a son.
So he just wraps his arm back around your waist and helps you to the medics.
“Rick,” Daryl says one afternoon, leaned on the post on the porch, “You’re drivin’ me crazy, here.”
“I’m not sure how I’m supposed to help with that.”
“The fawn.”
He raises an eyebrow. “The fawn?”
“You know. That nervous little thing you keep pretendin’ you don’t want in your bed.”
“Daryl.”
The man just keeps fiddling with his crossbow. “What?”
“I can’t just— she’s half my age.”
“So you’ve said.”
“I got kids to think about, and—“
“Carl don’t give a shit and Judith is ten. Only thing she’s concerned about is sneakin’ sweets.”
He entertains the notion in his head, thinks about what pursuing you might be like.
Something occurs to him.
“She ever get close to you?”
“No,” Daryl huffs, always knowing exactly what Rick means, “Keeps about an arm’s distance away. No matter what. She’s been inchin’ closer recently, but not by much.”
His hand on your face, moving it this way and that without any resistance at all, your body pliant in his grip—
“Hm,” Is all Rick says, crossing his arms.
“Why fawn?”
Daryl shrugs. “Looks like one. Kinda acts like one, around you.”
“No she doesn’t.”
Daryl levels him with a look. “Yes, she does. And based on the way you’ve been actin’, you like it.”
He opens his mouth to refute the point because no, he doesn’t like it, he just constantly thinks about how far he could take it, what you would let him do, if he could make you his.
And then he thinks ‘oh.’ Maybe he does like it.
He drops his hands to his hips. “What exactly am I supposed to do, then?”
“I don’t know. Ain’t my area of expertise.”
“You’re the one who knows her better, said I was drivin’ you crazy.”
“So? I don’t know jack shit about romance, Rick.”
“Well, you keep calling her a fawn. How different can it be?”
Very different, his mind supplies. You know that.
Now it’s Daryl’s turn to sigh. “Don’t overwhelm her. She’s a nervous little thing, but she likes you. Once she figures out you ain’t gonna hurt her, she’ll latch on.”
“That’s specific. You deal with fawns a lot?”
He snorts. “No. I’m fuckin’ guessin’ here.”
The two men fall into silence, Daryl fiddling or cleaning his bow— Rick ain’t paying that much attention to him.
He’s thinking about you. You, you, you. Your eyes and your face and your hands and the figure you carefully keep hidden under layers of clothing, even under the hot Virginia sun.
Fawn, he thinks to himself.
Fitting.
He doesn’t make a plan or something stupid like that. He just thinks. And then he decides.
“You’re really coming with us?” Glenn asks, pack slung over his shoulder.
“Yep,” Rick says, holstering his gun, “Goin’ stir crazy in there. Just needa get out for a bit.”
You’re quiet as you get your things in order, but the group doesn’t bat an eye. They’re used to your silence, it seems.
You can’t seem to tear your eyes away from him, though. You look away every time you think he’s looking at you, but he’s good at looking at you out of the corner of his eye, so he sees it.
Throughout the run, you hover near him, never quite going out of range of his field of vision. He’s impressed by how quietly and efficiently you work- you spot things even he wouldn’t have. All the while watching for walkers, and of course, subtly eyeing Rick.
Despite being the leader, he heads up the back and watches for stragglers. He didn’t really come out cause he was stir-crazy, anyway.
He came out for you. He wanted to watch you work, wanted to do it with you.
To your credit, you work well with the others. You’re a woman of few words with them, but you help where you can and stay civil. Even if you don’t quite get close to any of them.
Except Rick.
As they’re scavenging an abandoned house, a few walkers shuffle out from the trees. Not enough to be a problem— the group outnumbers them easy. But you’re all busy getting supplies and he’s trying to keep an eye out, so he takes them out, one by one.
It really isn’t a huge thing for him, couple walkers ain’t really a big deal, but you notice.
Your eyes are trained on him, clothes now dirty with blood and gore.
He tilts his head, then makes his way over to you.
“You, um,” You say as he gets closer, voice a little hoarse, “Are you alright?”
He runs a hand through his hair. “I’m fine. It’ll take more than a few walkers to take me out.”
You blink. “Oh.”
He snorts a little laugh. “You ain’t too good at this whole conversation thing, huh?”
You flush, looking away. “Sorry. I’m just not… used to having them.”
You look up at him, earnest. “But I’ve been practicing!”
Oh, lord have mercy over his poor soul. You’ve done a full 180– turned from being afraid of him to very obviously wanting his approval.
“That’s good, that’s good. Who you been practicin’ with?”
“Daryl.”
“Now, that ain’t no good.”
You frown, shifting in place. “It’s not?”
“Well, it’s good that you’re tryin’,” He amends, “But Daryl ain’t good for conversation practicin’. He’s a little too much like you. Much too inclined to just sit in silence.”
“Oh.”
You pause, taking your lip between your teeth and mulling something over in your head.
“Would you, um.” You look up at him, clearly nervous.
And he can’t help himself really, from leaning down into your space a bit, a low “Hmm?” humming from his chest.
Your reaction is instant. This close, he can see the exact moment a flush crawls across your face, to even the tips of your ears.
And he’d suspected, you know, based on your behavior with him. But this— cold hard evidence that he makes you nervous. That you want him on you.
It’s cute. Real cute.
You steel yourself against your own nervousness, and he wants to coo at you.
“Would you practice with me?”
He leans back against the post, slides his hands into his pockets. “Course. Ain’t much to it.”
You smile. It’s small, a quiet sort of thing, but it’s there. He made you smile.
You gesture to the house behind you. “I’m. Gonna go back to scavenging. Um. Thanks.”
You turn on your heel, fleeing back into the house. He watches you go, something settling right into place in his chest.
You stick a little closer to him for the rest of the run.
After that day, you begin seeking him out. You don’t approach him right away, preferring to to trail behind him for a little bit before finally making a move.
The move being a quiet: “Hi, Rick.”
Today’s no different, other than it being a little later when you do find him. He’s taking a little stroll around, as is his usual. It… settles him, to see everything alright with his own two eyes.
Settles him even more when he hears the quiet patter of your footsteps behind him.
He chuckles. “Afternoon, darlin’.”
Your foot steps speed up, fall into step somewhat beside him. “Hi, Rick.”
“Hi,” He says, smile tugging at his lips. “How was your day?”
You clasp your hands behind your back as you walk. “Good. Weren’t many walkers on today’s run. I got something for Judith.”
“Oh? Let’s see it, then.”
You take something out of your pocket and hold it out to him.
It’s a pocket knife. One of those multi-tool ones.
And it’s pink.
“I know it’s a cliche, the girls knife being pink, and she is only ten, but I saw it and I thought of her, and—“
“It’s perfect,” He interrupts before you can start spiraling. “She’s gonna love it.”
You deflate almost instantly. “Oh, good. I wasn’t sure.”
You walk for a few minutes before remembering the point of you coming up to him.
“Um. How was your day?”
He huffs a little, too fond to be upset. “Fairly decent. Ain’t got too much going on now.”
“That’s… good?”
He shrugs. “Just a little borin’. How’s that ankle of yours?”
This is usually how your conversations go. A few easy, back and forth questions. Easing you into talking to people, keeping conversations going. You’ve slowly gotten more confident. You talk a little longer, voice sounds a little more expressive.
“Fine.” You say, a little too quickly.
He narrows his eyes. “Really? No pain at all?”
It’s the looking away that sells it. You never look at him when you’re lying. Can’t stand to.
“No. It’s fine.”
He kicks his foot out a little, the toe of his boot just barely catching your ankle.
It’s a little more effective than he wanted. You let out a little yelp of pain and stumble forward, ankle almost immediately buckling.
He darts forward, catching you under the stomach with one arm.
You hang there a little, arms dangling.
“Fine, huh?” He hefts you up, so you’re back to standing upright, though now, visibly favoring your ankle. “So what’d the doctor tell you when I dropped you off?”
“Rest, ice, compression, and elevation.”
“And which of those four have you been ignorin’?”
“…”
“Hey,” He says, tapping the side of your jaw with two fingers. “Don’t lie to me.”
“All of them,” You wince, “I just didn’t want to be useless. I can walk on it fine. You haven’t even noticed until now!”
Your voice goes a little high at the end, a little desperate.
He thinks about how animals that are lower on the food rung don’t show pain. A deer will break a leg and keep walking until it drops, till it slows too much and something picks it off.
But you ain’t an animal, and nothing’s gonna pick you off.
“That’s true,” He says, “But that don’t make it right. You’re just prolonging the healing process.”
You look down. “…You were mad. I didn’t want to make you more upset by being useless.”
Ah. So that’s what it’s all about.
His approval, once again.
“I’d rather have you useless for a week than useless forever because you didn’t rest properly,” He ignores the hypocrisy of it, the fact that he’s ignored medical advice more times than he can count.
“I really am fine, mostly,” You say meekly, “It’s stopped hurting when I walk. It’s just a little unstable.”
“I still want you taking it easy for a little, you hear me?”
You nod.
“Nah,” He moves, standing in front of you, more than a little in your personal space, “I wanna hear you say it. Use your words.”
It’s a little test of sorts. To see how you’ll respond. What you’ll say. If you’ll listen.
You swallow, eyelashes fluttering. “I hear you. I understand.”
“What are you gonna do?”
“Take it easy.”
“That’s right,” You’ve been nice and obedient, so he figures you deserve a little reward. “Good girl.”
He hears your sharp intake of breath, watches your eyes get a little glassy.
Aw, that’s all you wanted. Just wanted to be someone’s good girl.
His good girl.
He nods towards your place. “Get along, now. Do I have to walk you to your door?”
“No,” you shake your head. “I’ll go. I will. Uh— bye.”
He watches you scamper away, gait a little uneven, hands clenched at your sides.
I can get used to this.
It becomes a little thing, after that.
When you’re not busy with your own responsibilities, you’re usually with him. Either right beside him, or trailing a few feet behind. Your company is quiet and calm, like waves from a lake lapping gently at the shore.
You also begin to settle in with the rest of the group. You’re still more inclined to be near Rick or, if he’s not available, Daryl, but once you become comfortable talking with people, Maggie and Glenn are quickly added to your slowly growing roster of safe people.
Judith has loved you ever since she found out that you’re the one who gave her the most beloved pink pocket knife, and enjoys babbling and talking your ear off about nothing the way that ten year olds do.
Carl grows to appreciate your presence too, finding solace in the fact that you don’t feel the need to fill silence with conversation.
You still act different when Rick is around, though. Especially when it’s just the two of you.
With everybody else, you’re subtly but very strictly independent- despite growing close with the group, you still maintain a slight distance with most of them, and prefer doing things yourself, by yourself. Old habits die hard, he supposes.
But when you’re alone, just Rick and you, those hard edges soften, and your little personal bubble pops. He’s steadily growing obsessed with the change.
He’d be lying if he said he didn’t enjoy it. Having such a cute little thing follow him around, hanging off his words. Most days, it’s all he can do not to throw you over his shoulder and carry you to bed.
And then one day, he does. Kind of.
It must be the middle of the night, but the second he hears the knock at his door, he’s wide awake.
He hushes both Carl and Judith back to bed, then creeps to the front door with his hand on his gun. He has never, in his entire life, been awoken in the middle of the night to good news.
When he opens the door he sees you. And Daryl, but he’s really focused on you. You’ve got tears streaming down your face, you’re wearing a strange combination of sleep clothes and the clothes he’s seen you wear to do runs. Your boots are on, but not tied.
“Wha—“
“Caught her sneaking towards the gates, all shaken up. Figured it’d be wiser to take her here then back to her place.”
Daryl pats your head once. “Don’t do anythin’ stupid.”
Then Daryl’s gone, and you’re standing on Rick’s porch, still crying.
“Alright, come here now.”
He barely manages to get the door closed before you fall into him, face pressed to his chest and hands grasping the front of his shirt.
He hesitates for just a moment before wrapping his arms around you.
“Shh, shh. You’re alright, you’re alright now.”
He presses one hand to the nape of your neck, keeping you tucked close as you crack, just a little bit, nearly silent tears staining his shirt and tremors wracking your body.
Eventually, he guides you over to the couch, situates himself before helping you into a more comfortable position. He wraps your arms around his neck, your legs draped across his lap and the couch.
He keeps one hand pressed to your neck, the other rubbing slow circles on your back.
He presses his cheek to the crown of your head, breathing in deep and slow, a curl of satisfaction rising in his chest when you unconsciously mimic his breathing, silent sobs slowing, tremors fading.
Once you’ve calmed down enough, he speaks.
“What’s got you so worked up, huh? What happened sweetheart?”
The pet name slips out of his mouth unbidden, but honestly, he wouldn’t take it back.
“Nightmare,” You sniffle. “Daryl was gone and it was my fault and you hated me.”
“Well, none of that happened now, did it?”
You shake your head.
“No, that’s right. Daryl’s just fine, and I ain’t upset with you. You’re alright.”
You take in a few shaky, shuddering breaths.
He shifts, readjusting and tucking you closer to him. “Now, how come you didn’t come to me? Daryl said you were headin’ to the gates.”
You go a little rigid. “Didn’t think I was allowed. Didn’t want to wake you up for something stupid.”
“Oh, none of that now,” He nudges you away a little, taking your face in his hands. He needs eye-contact while he says this, “You need something, you come to me. I don’t care what it is, I don’t care what time it is. You come to me, you understand?”
You nod, lip wobbling a bit. “I understand.”
He thumbs your cheekbone. “Good. Now come on. Let’s get you back to bed.”
In the morning, the kids are a little surprised to see your rumpled form at the kitchen table, but both recover fairly quickly. Judith especially, who rejoices at the prospect of someone other than Carl or her father whom she can hold hostage with inane, ten year old questions.
But you never quite shake that haunted look in your eyes. Like there was something else— something more in that nightmare, something that dug its little claws in and stuck fast.
It’s all he can do but pray it doesn’t last.
It becomes an unspoken thing that wherever Rick is, you’re nearby. Kind of like a little puppy, following him about and hoping for a treat.
He indulges you, because he can’t really help himself in the face of those eyes.
He also knows it’s the easiest way to get you to smile, which he’s been trying to bring about more, since the nightmare. You’ve shaken that haunted expression for the most part, but every now and then, it’ll come back, if just for a few moments.
You’ve been absent most of the day today, off on a run, and he wishes it didn’t get under his skin so much to not have his favorite girl right there behind him.
You’re his stress relief, and you don’t even know it. Don’t even do anything really, just kind of linger about with your adorable little face and occasionally help with your cute little hands. He’s hopelessly obsessed.
You’re smiling when you get back, bee-lining straight for him.
“Well, well,” He says, resting his hands on his hips, “What do we have here?”
“I got you something,” You say, practically vibrating with excitement, slinging your backpack off and rifling through it.
“Oh, something for me? Can’t wait to see it.”
You pull an honest to god polaroid camera out of your bag.
“You said once that you wished you had pictures of your kids to carry with you, and I found this, and it still works, and it still has film in it. I checked.”
You thrust it out to him, and he extracts it carefully from your hands, holding it with an almost reverence.
A camera. A working film camera.
You shuffle in place, and he realizes he’s been staring at it in silence for more than a few minutes. “…Do you like it?”
“I love it,” He says honestly, voice just a little scratchy, because he doesn’t understand how someone can survive the zombie apocalypse, and still end up so damn kind, and so damn sweet. “I’m so touched, sweetheart.”
You beam up at him. If you had a tail, you’d be wagging it. He’s never understood cuteness aggression until this very moment. He just can’t. He wants to squeeze you as hard as he can or just punch a wall or some stupid shit.
God, he’s pushing forty, he needs to get this under control.
“I was really excited when I found it. Tara took a picture of me to test it.”
You pull out a little polaroid picture, film developed, and he takes that with reverence too. In the picture, you’re smiling, that same soft, little smile you do when you’re really happy about something and don’t know how to express it. Your hands show two peace signs, a knife clutched in one.
That’s my girl, he thinks.
“Might just have to keep this,” He says, dumb smile on his face.
“Really?”
“Really. You know, it’s good luck to keep a picture of a pretty girl with you.”
“Pretty?” You squeak, flushing. It’s so easy to make you flustered. He loves it.
“Mhm,” He says, tucking the photo into one of the compartments on his belt, keeping it safe. “Real pretty, I’d say.”
“Oh.” You say, more than a little breathless. “Um.”
Oh, your poor little brain.
“You need a minute?” He snorts.
“Maybe?”
He chuckles, patting the top of your head. “Oh, you’ll be fine. Better get used to it.”
“You’re pretty too,” You blurt, then your eyes widen comically. “No, wait, I meant—“
He laughs, a real, actual laugh. “Me, a grown ass man- pretty. That’s a good one.”
You bury your face in your hands, a tiny little whine escaping your throat.
“Aw, come on, now. Don’t be embarrassed. I’m very flattered you think I’m pretty.”
“S’ not what I meant.” You mumble.
“No?” He says, prying your hands off your face. “What’d you mean, then?”
You look away, unable to meet his eyes.
“You’re… handsome.” You whisper the last part, barely loud enough for him to hear.
“Aw, what’d I do to deserve a young thing like you thinking an old man like me is handsome?”
You mumble something again, a little too quiet for him to hear.
“…afe.”
He leans down. “What was that, now?”
“You’re safe.”
Oh.
That’s… not the answer he was expecting.
But he likes it.
Rick is a leader. A protector.
And you need him.
“I make you feel safe?” He hums, resisting the urge to step closer to you because you’re very much out in the open and he knows how you feel about wide open spaces, especially when there’s people in them. He’s torturing you enough as it is. “That why you linger around me, huh?”
Feeling bolder at his interest, you nod.
“You make me feel like… something special. Protected.”
Yes.
He’s always known that he needs to be needed. That he’s the kind of man who requires being a leader, taking care of what’s his, protecting.
To have verbal confirmation that he’s made you feel safe, protected, it’s.
Well it’s a lot more than he can unpack in front of the gates.
“Pretty little thing like you needs protectin’.”
You frown.
“Not because you’re incapable,” He amends, hands raised, “But because I rather like doing it.”
You lean closer, and he follows, heat rising—
“Please, save us all the pain of havin’ to watch, Rick.”
He grins, nose brushing yours, then steps back.
“Maybe stop creepin’ around, Daryl.” He calls to the other man, who just shrugs, ambling on by.
But Daryl does have a point. He doesn’t want an audience. You’re not that kind of girl.
Instead, he reaches down, snakes an arm around your waist and leads you away from the open space, towards his house instead.
“Come on, sweetheart. Think you’d rather be somewhere quiet for what I’m about to do.”
The heat radiating from your body and the shiver he feels under his palm is all the confirmation he needs.
His little fawn, finally his.
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