#http://www.baldessari.org/

[killyridols]

double play: feelings by john baldessari, 2012, 5-color screenprint, 14 × 13.5 inches

[mantuir3]

John Baldessari

[durruti23]

John Baldessari - The Overlap Series: Jogger (With Cosmic Event) (2000-01)

http://www.baldessari.org

[studioimagebz]

John Baldessari, The Spectator is Compelled ..., 1967-68

http://www.baldessari.org/unique

[williswillkillus]

John Baldessari, 1931-2020.

http://www.baldessari.org/bio

[childhoodimagination]

The Duress Series: Person Climbing Exterior Wall of Tall Building / Person on Ledge of Tall Building / Person on Girders of Unfinished Tall Building, 2003

http://www.baldessari.org/unique/ln4m7jg0vxzwjx4ukmu80y8jcjxhdj

[santistebanmoreno]

BALDESSARI, JOHN

http://www.baldessari.org

John Anthony Baldessari ​ fue un artista estadounidense que se inició como pintor para luego evolucionar incorporando textos y fotografías. Usó el vídeo y diseñó instalaciones que forman parte de sus representaciones.

Nacimiento: 17 de junio de 1931, National City, California, Estados Unidos

Fallecimiento: 2 de enero de 2020, Venice, Los Ángeles, California, Estados Unidos

Fissures (Orange) and Ribbons (Orange, Blue): With Multiple Figures (Red, Green, Yellow), Plus Single Figure (Yellow) in Harness (Violet) and Balloons (Violet, Red, Yellow, Grey), 2004

The Duress Series: Person Climbing Exterior Wall of Tall Building / Person on Ledge of Tall Building / Person on Girders of Unfinished Tall Building, 2003

The Overlap Series: Jogger (With Cosmic Event), 2000-2001

Two Persons, Two Hands, Telephone (with Window), 199

Frames and Ribbon, 1988

[martalosada]

JOHN BALDESSARI, EEUU,1931

http://www.baldessari.org

The Duress Series: Person Climbing Exterior Wall of Tall Building / Person on Ledge of Tall Building / Person on Girders of Unfinished Tall Building, 2003. Digital photographic print with acrylic on Sintra. 60 x 180 inches

Tips for Artists Who Want to Sell, 1966-68. Acrylic on canvas. 

68 x 56.6 inches

Kiss / Panic, 1984

Full-on dead., 2015

Fissures (Orange) and Ribbons (Orange, Blue): With Multiple Figures (Red, Green, Yellow), Plus Single Figure (Yellow) in Harness (Violet) and Balloons (Violet, Red, Yellow, Grey), 2004

The Spectator is Compelled..., 1966-68

Movie Scripts / Art: Hang in there., 2014

Tom's Hand Grips The Steering, Wheel…, 2015

[artistsididntknowbefore]

John Baldessari

John Baldessari provides a commentary on many current issues by ‘editing’ photographs with paint in order to convey his point. As a leader of the American Conceptual Art Movement, he mixes the mediums to turn familiar scenes into something completely new and abstract. He has had a long and successful career as an innovative artist and helps build up future artists through his teaching!

http://www.baldessari.org/

[artcolla]

 Ο John Baldessari

εργαζόταν με εικόνες που ήδη προϋπήρχαν και τις τακτοποιούσε ξανά με τέτοιο τρόπο ώστε να προτείνει μια αφήγηση, χρησιμοποιώντας τα διάφορα μέσα για να τις διαστρεβλώσει. Έκοβε και κολλούσε τις εικόνες χωρίς συσχετισμό και απέκλειε πρόσωπα και αντικείμενα βάζοντάς τους χρωματιστές κουκκίδες. 

Και όλα αυτά για να αναρωτηθεί και αυτός και οι θεατές πως και τι επικοινωνεί η εικόνα.

Πηγή: http://www.baldessari.org/unique

Ανώνυμο κολάζ

Μήπως το κολάζ είναι απρόσωπο; Σε ποιον ανήκουν τα έργα, τα οποία επαναχρησιμοποιούνται; Σε αυτόν που τα δημιούργησε ή σε αυτόν που τα ��αναδημιούργησε. Σε ποιον κατοχυρώνονται τα πνευματικά δικαιώματα ενός κολάζ; 

Το κολάζ είναι ιδιοκτησία πολλών και άλλων τόσων. Τα έργα περνάνε από χέρι σε χέρι και μοιράζονται. Γράφω αυτό το βιβλίο γιατί έχω διαβάσει άλλα τόσα. Φτιάχνω αυτό το κολάζ γιατί έχω συλλέξει εικόνες και ιδέες άλλων τόσων. Γιατί υπήρξαν άνθρωποι πριν από εμένα που ασχολήθηκαν και γιατί θα υπάρξουν και άλλοι μετά που θα καταπιαστούν με αυτό που κάνω και θα το εξελίξουν παραπέρα. Το προσωπικό στίγμα του καλλιτέχνη οφείλει να αποκόβεται από τη φιλοδοξία του και από την εικόνα των άλλων γι΄αυτόν. Το στίγμα του καλλιτέχνη οφείλει να είναι διάφανο και ανοιχτό, έτοιμο να προσπεραστεί για να πάμε παρακάτω και όχι να ασφυκτιά σε παιχνίδια εντυπώσεων και φιλόδοξες microκλίμακες. Ίσως καμιά φορά τα πρόσωπα να πρέπει να σβηστούν και να μιλήσουν τα έργα. Η εργασία. Η προσπάθεια. Η κατάθεση αυτών που μας διατρέχουν. 

[shi1662ethz]

http://www.baldessari.org/bio

[mirzart]

Baldessari, John

Artist Webpage/References: http://www.baldessari.org/ https://en.wikipedia.org/wiki/John_Baldessari

[thatsallsocks]

<3 JOHN BALDESSARI

FOOT AND STOCKING (WITH BIG TOE EXPOSED)

Screenprint in colors with fabric and paper collage, 2010, signed in pencil, dated and numbered 15/45, on museum board, with the blindstamp of the publisher, Gemini G.E.L., Los Angeles, and with their inkstamp on the verso, framed sheet: 50 by 33 in. (127 by 83.8 cm.) frame: 58 5/8  by 40 5/8  in. (149 by 103.3 cm.)

John Baldessari is internationally acclaimed and acknowledged as an innovator of Conceptual Art. These dramatic, large-scale (50 x 33 inches) prints are a continuation of Baldessari’s exploration of isolated body parts, unconventional in the realm of fine art. Through careful manipulation of scale and perspective, Baldessari has created a delightful and intriguing presentation of an otherwise banal subject, and has titled each to correspond with his studio staff-member’s name, as if they were portraits. Much like his successful previous Noses & Ears series, Baldessari surprises with a juxtaposition of photography and bold sampling of color-blocking. With Foot and Stocking (With Big Toe Exposed), the viewer is equally seduced by the exposed toenail as by the larger ominous form that has been concealed.

The six bold and colorful prints recently published by the Los Angeles-based artists’ workshop, Gemini G.E.L. will be on view at Gemini G.E.L. at Joni Moisant Weyl from October 7th to November 6th. In addition, selections from this series will be presented November 3-7 at the IFPDA Print Fair. Furthermore, the New York debut of Baldessari's Foot and Stocking series is will coincide with the opening of Pure Beauty at the Metropolitan Museum of Art, the first major U.S. exhibition in twenty years to survey over five decades of Baldessari's work.

http://www.baldessari.org/

[researchbybruna]

JOHN BALDESSARI

http://www.baldessari.org/unique

[childhoodimagination]

Concerning Diachronic/Synchronic Time: Above, On, Under (with Mermaid), 1976

http://www.baldessari.org/unique/0t3779mjg9uv4ucz1o3kz7p86rg5ma