#i got bored so here we are

[egophiliac]

don't think I'm not still obsessing over 7-12

[rebouks]

Car Poses

A bumper pack of mostly mix n' match poses to hopefully make those dreaded car scenes a little more bearable 🚗💨

40 Poses (+2 all in one poses)

Unisex

Teleporter in the middle of a car

DOWNLOAD: PATREON; FREE | SFS

If you appreciate my poses, please consider donating to my Ko-fi ☕🌿

[katabay]

fifteen men on a dead man's chest, it's time for: pirates!

there's an idea here, and the idea is slowly turning into a story, and in march I've got some one shot comics about pirates I want to post! ideally, in march. hopefully in march. there's a lot of stuff to figure out, drawing wise. I spent an amount of time I won't mention researching the history of leg prosthetics & vintage leg prosthetic designs for basilica, and I haven't even figured out tall ships. which is. well. it's pirates, what are pirates without tall ships

[sgtpeppers]

That was... wonderful... to just hear it done for real, after... what? Four years of thinking about it? Wondering whether it would work, wondering if I'd written bits too fast, or too slow, or... to actually sort of... hear it done by real, professional people and the singers. It's... there isn't a word for it, actually.

Standing Stone, by Paul McCartney

Royal Albert Hall Performance (x)

Making Of Documentary (x)

Standing Stone is a 74 minute long classical piece of music, which Paul worked on for four years. It premiered at the Royal Albert Hall on 14 October 1997 with the London Symphony Orchestra and London Symphony Chorus, conducted by Lawrence Foster.

After his success with his first classical piece, The Liverpool Oratorio, Paul was commissioned to create some music to celebrate EMI's centenary. He came up with the idea of exploring "the way a Celtic man might have wondered about the origins of life and the mystery of human existence" and tied this in the with standing stones which to him symbolised something mystical and long lasting.

Photos by Linda McCartney, included on the album.

Paul wrote a poem to assist in getting the story he was trying to convey straight in his head, and it was printed in the booklet of the album. However, Paul wanted the music to work without the listener necessarily knowing the story, for the music to speak for itself, and so wanted to create a piece that "relies entirely on colours and effects drawn from orchestral and choral forces".

He also created two paintings to go alongside it:

I really recommend watching the documentary, Paul is absolutely delightful throughout the whole thing. It's the first time he'd used a computer and software to help him compose and he seems so excited to talk about it (and he has a Wallace & Gromit mouse mat!).

What's also interesting is how the rest of the team spoke about him. They all make a point that this was Paul's creation, and although David Matthews, John Harle, and Richard Rodney Bennet were brought in to assist with the composition, they all talk about Paul's talent, hard work, and the freshness of approach he brought. (The words 'benevolent dictator' may get used at some point, but they also speak of his kindness and generosity.)

It amazes me that someone with no formal music training could make a leap for pop/rock to classical. Composing for an entire 80 piece orchestra and 120 member choir is a completely different skillset to writing a song for the radio (and I'm not saying that's a lesser thing to be able to do, just different). The fact Paul was not only willing to take on the challenge and push himself, but created something so magical speaks to the sheer creative force that he is.

[venigni]

I don't like when people call the protagonist of Lies of P "Carlo" because I feel like it simultaneously erases the person Carlo was and the person P becomes.

[im-kinno-hello]

and if i made a comic about them making a blog for the weird demon dog they found in the woods just because they are being brainwashed by it and it told them they need to spread the word of what word they don’t even fucking know?

[luminlunii]

I'm figuring out how to draw them in my actual style now lol

Ko-fi | Patreon

[livelovecaliforniadreams]

Chenford Crumbs Per Episode:  Episode 7x3 Out of Pocket

[dantevhell]

I am starting to understand rujinu appeal (again)(after a very good autistic yapping session with my bestie who is brain rotting over rujinu) but I still ship them in a very specific way that only makes sense to me I fear

[heyyesimtrash-whatofit]

The Brightest Minds in England or some shit like that idk

[front-facing-pokemon]

[egophiliac]

I loved your drawing(and I love your style in general) with Leia in your recent post! If/when you have time can we see more of her in your style? I get so happy whenever I actually see people mention/talk about her and she’s not just forgotten because we didn’t get to see much of her. 😭

thank you! 💙💙💙 Leia/Leah/Lea/whatever is fascinating to me. she is the ultimate unknown. what was she like? how involved (or even aware of any details of the invasion) was she? Silver's basically a physical carbon copy of his biodad, so what did he get from her? like, I understand why the two of them kind of have to stay as these super vague and mysterious figures -- the whole point of them is that their story ended 400+ years ago and they're not really relevant anymore (and. well. the more that gets explained about them, the less that can just kinda be handwaved as "oh the politics were Very Messy") (we can sit here and theorize all day but let us acknowledge that, ultimately, canon gave us almost nothing about them post-Meleanor and we'd just be making things up). I do still wonder about her though! RIP Lea, we never knew you and we probably never will.

actually you know what, as long as we're here, I think I WILL go ahead and just make some stuff up about what Silver might've inherited from her instead.

[welcometogrouchland]

I'm going to be so real I do not understand tim & steph shippers who feel that Steph dating Tim again would save her character. You can make an argument that giving Tim a more compelling love interest would be beneficial for him! And you can at least make an argument that the fujo mischaracterization of Steph would stop. However she'd still, inevitably, be treated as a prop character/extension for someone more popular 😭 it also wouldn't make her appear in more books! Tim doesn't have many frequent appearances at the moment either! You can just say you like the couple and want them back together without acting like you have some kind of moral stance

[napping-sapphic]

Living is crazy because sometimes you know someone and feel absolutely completely normal about them and then you look back and just KNOW that if you spoke to them now you’d fall like crazy in love in a split second

[itissadbutitsmy-artblog]

i have some thoughts about familiars

took us a while to come up with one for larry

[malwarechips]

some dinosaurs, anyone? (carnotaurus, suchomimus, dilophosaur)