#i was about to say nothing

[beaft]

me when someone abruptly asks me if i want to go and do something fun together but the fun thing wasn't part of my daily plan:

[egophiliac]

missed the mark by (looks at calendar) uhhh. hm. but I really wanted to do something for the 5th anniversary! happy five years to these idiots 🎉

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[martyfive]

i wanna love tomorrow, but i love what’s left

[mikashida]

guys being dudes

[suiheisen]

“if you could pick up another language, what would it be?”

“i’d go russian. i’d love to know what geno says or has said over the years… i’d love to know 🥰 i just want to know (giggles) 🥰”

[reinbouxsworld]

twisted wonderland × kimetsu no yaiba (au!)

based on this post here.

I this this on a a japanese song only playlist and a wave of hiperfixation. So heres the context: Yuno (Yuu) and Leona were newly married and lived on his family’s land. On the night after the Town Below festival, Yuno returned home to find not only her husband’s family dead but also her younger brother, Grimm. Leona was the only one still alive, but as she tried to lead him down the mountain, she discovered that he was no longer human.

Silver, a demon slayer, confronted Leona. However, after witnessing him protect Yuno, he chose to spare the newly turned demon’s life, and send the couple to his master, Lilia.

Vil and Rook are the Tamayo and Yuuchiro of this universe. Vil lived more than 300 years only on serving face and hate, nonetheless showed kindness by helping Yuno and Leona after their encounter with the Demon King.

Ace and deuce are both slayers, one ranking above yuu. The three met during a mission, and the two decided to stick by her side from that point on.

[zorangezest]

thanks for listening

[corkinavoid]

DPxDC Side Quest

"Okay, we're sitting here doing nothing for twenty minutes already," Tim crumbles the burger wrapper in his hands, absentmindedly trying to shape it into a sphere just because he needs to keep his hands busy. "Care to spill why are we here?"

"We ain't doing nothing," Jason doesn't even look up at him — isn't that a surprise — instead leaning back in his seat. He doesn't take his eyes off the window. Tim hates sitting by the windows in BatBurgers, it always makes him feel like a fish inside the aquarium.

"That's exactly the point," he debates if he should throw his misshapen missile at his brother. Not like it will get any more sphere-like, anyway.

Jason rolls his eyes and spares Tim a quick glance, "No, I meant, we are not doing nothing. We're waiting."

"Waiting for what, the second coming of Jesus Christ?" Tim succumbs to his heart's deepest desires and throws the wrapper at Jason. It hits him right in the forehead, score for Tim. And yet, the man still doesn't rise the the bait; instead, the motherfucker laughs. It's quiet and breathless and short, but it's still a laugh.

"Close enough. Has anyone ever told you you're the most funny when you don't intend to be, Timberly?" Jason smirks at him, and Tim really wishes he's had something else to throw at him. But at this point, his options are only the table and chairs, seeing that he's already wasted the wrapper, and he doesn't want to cause an actual commotion. Yet.

So he leans back, mirroring Jason's position, and crosses his arms on his chest. "I'll take it as a compliment," it's a weak retort, but he doesn't have the energy to come up with anything better. The recent murder case, one involving a sorry excuse of a cult, an out-of-town drug dealer and, by some crazy twist of events, three nuns from Missouri, has been driving him nuts for the past week, sue him.

He so regrets asking Jason for help right now. It's not even the matter of his dignity — it's just that Jason is not helping, and most likely, doing it on purpose.

"Please, do," the unhelpful asshole gives him his grand permission, turning back to the window. But, a second later, his whole face lights up like Christmas came early, and he sits up, "Oh, there he is!"

In the next moment, the door to BatBurger slams open, and in steps... a guy.

Black hair, blue eyes, lanky, slim build — makes sense why Jason never mentioned him before, Bruce would have flipped his shit at the sight of an unadopted Bat-bait.

Worn denim jacket with rolled up sleeves, black t-shirt underneath, loose pants and sneakers — nothing out of the ordinary, really.

Except the guy has a fucking crowbar that he carries on his shoulder, and both the tool and his hands all the way up to his elbows are drenched in something dark red and wet. Tim would say it's blood, but then, would the guy really be showing up here covered in blood?

On the second thought, it's Gotham. He definitely would.

The guy looks around and wrinkles his nose slightly when he spots Jason. Then, he makes his way towards their table, the crowbar still on his shoulders.

"'Sup," he greets Jason, and as he stops right in front of the table, Tim sees that it's not only his hands that are stained with red. There are splatters of it on his face and neck as well.

"You've got something on your cheek," Jason gestures to his own face, trying to show where said 'something' is. The guy throws him a deadpan look and then licks it off without second thought.

His tongue is a lot longer than it should be. Tim takes a deep breath, looking between the bloody dude and Jason. He really hopes that his face is expressive enough for the latter to read the 'what the actual fuck' through his eyes alone.

"Okay, just so you're aware, an absolutely marvelous kind of high school reunion had to be put on pause because you called," the guy starts, wiping one of his hands on his jacket. "So, like, explain your fuck-up situation to me in ten words."

Jason, the absolute traitor, looks to Tim. The guy follows him, raising an eyebrow expectantly.

Okay, ten words. He can totally do that.

"A sacrificial pentagram of dead nuns high on mystery cocaine," Tim says after a moment, looking the guy straight in the eyes.

He blinks. Then, he tilts his head sideways, like he's not sure if he heard Tim right. Tim just keeps staring at him — that was precisely ten words, and he is definitely not chickening out of this little-shit-superiority contest.

"O-kay," the guy finally says, slow and begrudgingly respectful, "I'm eighty seven percent certain this is about to be the highlight of my week." He gestures for Jason to move over and drops the bloody crowbar on the table before sitting just opposite to Tim.

"Spill."

[poorly-drawn-mdzs]

Just your average male living space.

[First] Prev <–-> Next

[inkskinned]

i. when i was 19 and in a very hetero relationship, i fell in love with Andrea Gibson.

ii. we were poor so i was going to community college and also working a full-time job. i was miserable. the nicest thing that happened to me during that time was that someone bought me a free coffee. i had been sobbing in the corner of the library. she said you look like you needed help. i was so sad at the time that i was looking for "the sign". almost like a mantra, i'd say things like if there's a nice sunset, i won't kill myself tomorrow.

iii. you know, in all that time, i never wanted anything. the idea of desire was so foreign to me that i couldn't conceptualize a favorite color. what is want in the voidspace?

iv. andrea was the first, is the thing. i found their work on button poetry. i watched a poem once and then twice and then sat back and thought to myself - what i had been writing was not poetry, it was reaction. what andrea was writing was poetry. i knew it had to be, because it burst inside of me. i looked down and a hole had torn open. there was nothing for it. i put my hands inside the wound and started to pull.

v. it was slam poetry and then pretentious poetry and then esoteric poetry and then the black mountain poets and then tender buttons and then back to slam again and then back to the classics and theory and the academic shit and then finally thank-god understanding started dawning and then upwards into contemporaries and inwards into why aren't i writing something real and then realizing i never understood anything then crying about three syllables that don't sound right and then sunning myself outside of the emily dickinson house and then back to slam and back to the roots of it and backwards into -

vi. and the joy! holy fuck i wish i could tell you about it. on the back of ink came life. it was community and safety and pushing limits. it was saying oh yeah no i'm gay and oh shit i'm nonbinary. it was a cliche; life like a map just exploding. because i knew - i had my thing. wherever i went, so too would come writing.

vii. on saturday i reached 7,700 poems on here. i made myself a gin and tonic to celebrate. i have been writing seriously, almost-every-day, sometimes multiple times a day - for over 10 years. i started this, became this - because i saw someone stand on stage and say something i knew to be poetry.

viii. andrea died today, july 14th, 2025, at the age of 49.

ix. i will never have the words for what they gave me.

[technically-human]

... Well, would you look at that.

[1-jar-of-stars]

yall are mad about all the people in twelve knowing each other when twelve is canonically the smallest district and all of them WOULD be the same age if they were alive. lol. lmao even

[beaunydoorin]

caitvi + hands (That Scene™ edition)

[bellaciao-ciao-ciao]

[tarteggs]

in a better and more musical universe maybe