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polarisbibliotheque · 10 months ago

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Staying alive - Dante and his s/o

It works, you can't tell me otherwise!

Devil May Dance - Stayin' Alive, by Bee Gees

Pairing: Dante x Reader

Summary: Oh, hellish imps. One of your least favorite demons. It doesn't help that they managed to chain you to a chair at the local Disco - luckily, Dante will surely be there to save the day. And to dance.

Author's Note: I friggin' love this song, thanks so much anon for throwing this with Dante here, it works like a charm!! I almost screamed when I saw it xD My mom is a HUGE Bee Gees fan, so I listen to their songs all the time since I was born hahahaha

I've been writing this one since you guys sent me the songs, but as I mentioned before, my health got in the way as always. I'm managing my energy and a bunch of personal issues that appeared the last couple of months, so I decided to finish this one and focus on the Halloween specials of this year! Fret not, though. I'm keeping all your suggestions and I'll write them - it's just gonna take longer than I expected "^^ Also, there's a throwback here to a very special Devil May Dance, hope you guys like it!

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Well, out of all the situations you could have found yourself in, that would be your most unexpected one.

It was a stupid mistake, really. A step in a wrong place, a weaker grip on your sword, a miscalculated attack from an enemy. When you least expected, there you were, caught by a bunch of hellish imps, tied to a chair on the local Disco in town, of all places.

With the imps, well, imping around as all those annoying little creatures used to do.

They were one of your least favorite types of demons, that you had to be honest with yourself.

“You know, if you keep doing that, you’re gonna end up breaking it, stupid little thing.” You said with a sigh, head boringly held by one of your hands.

“Says the big bad devil hunter tied to a chair!” The imp taunted back, still smacking the amplifier. You could kick it into oblivion and make it fly to the next country without a plane, but with those chains you were really useless. You sighed again.

“That’s an amp, you buffoon. Its purpose is to amplify sound, if you want something to happen, you have to put some music on, jerk.” Yes, Vergil’s vocabulary got to you – then again, the best way to describe those demons was ‘buffoon’. Vergil’s colorful vocabulary did have a purpose.

“Blah blah blah – talking too much for someone in your situation!” The room exploded in a bunch of high-pitched devilish laughs and you could only roll your eyes.

“Honestly, I hope that thing breaks and electrifies you. That will serve you as a lesson, you moron.”

As if words had power, the thing immediately broke on the hellish imp hands and sent a wave of electrifying shock through its body – making it shake viciously and drop the thing immediately as it fell to the ground with the tongue sticking out of the mouth and mumbling something while unconscious. The other imps stared at you as you smiled with pride – as if you had actually done something.

“Told ya.” You perked on your chair, looking as proud as you could in that situation. Your weapons were tossed on the other side of the room – and you had already gone through the suffering of watching those buffoons playing around with your stuff until they got bored. “Keep messing around and you’ll all end up dead by stupidity.”

Suddenly, a very well-known bass line started playing – followed by a guitar, a set of lights dancing around the club and the colorful squares on the ground starting their own choreography. You raised one eyebrow, trying to understand what was going on and, really, why the Disco started functioning all of a sudden.

“WOOOHOOOOOO!!!!” Until you saw an imp at the sound booth, messing with a bunch of wires, spinning on one of the office chairs – that definitely didn’t belong to the DJ.

Well you can tell by the way I use my walk I’m a woman’s man, no time to talk Music loud and women warm, I’ve been kicked around Since I was born

Well, well, there it was. Stayin’ Alive. Quite fitting, if you had to say, given your situation. Quite ironic too – and if Destiny really was a humanoid entity, you wanted to have a serious talk to it, because why in all hells it had to be joking around with you that much?

“And now it’s alright, it’s ok, and you may look the other way…” You started muttering the lyrics, lightly tapping your foot on the colorful ground. If that song didn’t remind you of your red devil, you didn’t know what would.

Smiling to yourself, you forgot the imps for a while. You could almost see Dante at the Devil May Cry, barefoot on a lazy Saturday, dancing around the floor of the shop while you giggled at his huge desk. He had some great moves and was definitely showing off now that he had someone to dance to – you were reading, comfortably settled on his big chair, until the jukebox started playing Bee Gees and Dante couldn’t stop himself from dancing.

You didn’t last long with your book though: your red devil grabbed your hands, leading you to the center of the shop; your very own dance floor. You never really talked much about that with Dante, but you were quite certain he didn’t have many opportunities to go out dancing and have fun – even if he was the most fun-loving guy you had ever met in your life. He was a Sparda, after all, and you knew how much Dante avoided being around people so he wouldn’t put them in any sort of danger. You could almost see him dancing alone at the Devil May Cry for so many years – probably watching Saturday Night Fever on that sorry old television of his, copying Travolta’s moves and learning it all only to have fun… By himself. But now, he had a partner to share that with – and you could see in the brightness of his smile how much Dante enjoyed it.

Both of you waited a whole lifetime to start enjoying the things you had dreamed about for so long.

You snapped out of your golden memories, though, when you heard a shot and a loud sound of something falling on the ground. Furrowing your brows, you looked to the other side of the room and, lo and behold, those hellish pestering things were messing with your stuff again while prancing around to the sound of disco music.

That was something you never thought you would see in your life.

“Oi, put that down! You’ll end up breaking it!” You pointed at the imps joking around with your guns, but they only made funny faces and flipped you back as a response. You just stared at them with contempt in your face, having almost no expression but a very annoyed one. “I swear, I’m gonna hang you all by your feet when I get rid of these shackles, you fucking clowns.”

Among the laughs and the music, though, another shot rang outside the club. No one really cared about it, until the door burst open because the imps outside were yeeted in – flying through the dance floor while screaming, stamping the wall of the stage right across the club and leaving a trail of blood on it as it fell dead to the floor.

Looking at the door, you couldn’t help but shake your head and smile. Bathed in the dancing lights of the Disco, Dante strutted in – sword resting on his shoulders, arms open while his free hand held one of his guns.

“Ey, you guys started the party without me?” He stopped after taking a few steps in, illuminated by the twinkling lights on the floor and the ceiling – that cocky smile plastered on his lips.

Oh, you loved that man. So much. How couldn’t you?

“Wouldn’t call this a party when I can’t dance.” You showed him your foot chained to the chair – and you could see in those sky-blue eyes, a sort of compassion mixed with love and a little bit of pity; crowned by his endeared but still convinced smile.

“No worries, babe, your man’s here to help you.” With a wink, Dante skillfully glided through the dance floor, shooting some imps on the way. They tried to block the man, but he swept the floor with the demons with a swift move from his sword, back to his shoulder with a flowy movement. “Got the wings of Heaven on my shoes, I’m a dancin’ man and I just can’t lose!”

You had to laugh at how happy Dante looked while gliding his feet on the colorful squares on the ground, spinning around to hit a couple more imps who tried to get to him. Facing you, Dante winked one more time, now keeping his sword on place and dual wielding Ebony and Ivory.

One step to the right, a shot at a flying imp. One step to the left, a shot at another devil who tried to run towards him. Keeping the groove, Dante spun again doing his old trick of shooting around the club and hitting multiple enemies at once – you ducked and covered your head, still laughing at his antics. Spinning his guns in his hands, Dante coordinated his steps, the beat of the song and the shots being fired.

Ah – shot – ah – shot – ah – shot – ah – shot – stayin’ alive, stayin’ alive – and a little pause for a choreography as he faced you, as if Dante was putting on a show for you only.

“Woohoo, get ‘em, cowboy!” You had to. Dante usually had fun while fighting, but not like he was having today – it’s not like it was a difficult or life-threatening fight, so he could afford being a lot more playful and goofy.

And you had to love goofy Dante.

A couple more shots, and the imps surrounding him were all but stunned, laying on the floor while recovering for the next round. So, Dante did what he did best.

“Stayin’ aliiiiiiiiiiiiiveeeeeeee…” Singing out loud, shaking his hips, and pointing around only to finish the phrase pointing at you.

And of course, he had to be even more over the top. As the demons got up from the floor – helping each other, fighting each other, trying to stand and walk a straight line – Dante started to walk towards you in the rhythm of the song, shaking his hips with every step only to accentuate even more every beat, as if he was a cowboy who had just laced you and now was approaching his bounty.

“Pffffft, you’re ridiculously campy, cowboy…” You couldn’t help but slightly flush, hiding your face on the hand you previously leaned on while completely bored. Well, you couldn’t say you were bored anymore.

“Guilty of all charges, sheriff!” As he approached, one imp tried to get him from behind only to be kicked on the face and thrown into oblivion by Dante’s strength in the process – those sky-blue eyes never left you, though, as well as the playful smile on his lips. “You can arrest me and throw away the key!”

“Hmmm, I might keep these chains then. Maybe I can tie you to our bed when we get home.” You had to tease him back, or it wouldn’t be you and Dante. You saw a sparkle of both fun and desire inside his eyes, as Dante let out a delighted laugh – and kicked another demon on the face.

“Ha! Now that…!” And he had to let the choreography down for a couple of seconds to turn around and shot a few more demons – spinning his dual guns in his hands before doing so, and once more to put them back into their place – but quickly turning back to you; resting one of his hands on the back of your chair, leaning down so his eyes would be leveled to yours. “Is somethin’ I’d love to try, sheriff. You can tie me up and love me any day, sugar.”

You would’ve quipped back if Dante hadn’t used his free hand to cup the back of your neck and pull you into a quite loving kiss – given the situation you found yourselves into. The demons were still trying to get back in shape, now that some of them had run away and some others were still insisting on keeping the Disco to themselves, but with Dante around… You didn’t have to care about demons that much.

“First, let’s cut you lose, shall we?” He still had that playful tone in his voice as he let go of your lips, but as Dante kneeled on the floor to see the shackles, his eyes turned to you with nothing but care in them. “Be careful, Imma cut it down, ok?”

You nodded with certainty and kept your feet together, straining the chains as much as you could so Dante could easily cut it with his sword and not fear hurting you in the process.

“And… You’re set free, babe.” Of course, he had to use that sultry tone he always did whenever he decided to use Lucifer or Faust while sparring with you.

And you would’ve paid more attention to that, if it wasn’t for your sheer and rather intense joy of being cut from those chains.

“Ah, freedom, at last!” You got up in a jump, making him laugh with how happy you were. “Now! Who’s the first one I’m gonna hang from the ceiling, huh?!” You had your hands on your hips, staring at the imps with such a deranged fire some of them actually screamed in terror and tumbled away, flying for their lives through the smashed door.

“Will ya look at that!” Dante clapped while laughing, watching as only a few demons remained to try to stand their ground. “I’ve never seen you scaring so many demons at once!”

“See? I’m learning!” You proudly strutted towards your gear on the other side of the room, mirroring the little show Dante put on for you before. He just stood there, hands on his hips, gladly watching you dance. “Gotta thank Vergil for being such a great example!”

“Oh, bet he’s gonna love hearing that!” With a laugh, Dante punched an imp who tried to get him by surprise – now flying away to hit another couple of demons who inadvertently tried to follow. “But hey, keep on shakin’ those hips like that, hot stuff, I might have to one up ya.”

You let out a mischievous giggle in response, now feeling even more motivated to let yourself loose on the dance floor. While checking your guns – making sure they were in one piece, all bullets where they should be, no damages – you kept moving to the rhythm, singing the lyrics you knew so well.

Dante crossed his arms, gladly watching the show you were putting on – now casually hooking your guns to your holsters and moving to check on your sword. The imps gathered together, blabbering around like screeching minions, preparing a supposedly devastating attack with all their forces combined to bring both of you down – but Dante couldn’t care less. He had a delighted smile on his lips, arms still crossed and tapping one of his feet on the floor to the beat of the song, barely holding himself still.

He guessed his lifetime of bad luck was to compensate for the one moment in his life where you appeared – out of nowhere, in the middle of a job, covered in demon blood and spite. That was the luckiest Dante had ever been and he could see that happening as all the luck he never really had.

Who could’ve guessed that after all that hell that he called his existence you out of all people would find him – and see him? Someone with a heart of gold, a soul of steel, a spirit like fire and kindness like water; who would challenge him but also complement him in all the perfect ways Dante could have never imagined.

Watching you dancing while strapping your sword on your back like he always did, turning around to wink at him and shake your hips from side to side to the beat of the song, raising your arms above your head and closing your eyes while smiling… You were better than any dream. You were his partner, his sheriff, his lover. He only wished he could’ve had an entire lifetime with you in it.

“Hoo, is it me or it’s gettin’ hotter in here, babe…?” With those words from his lips, you opened your eyes once more, trying to read what he was about to do when Dante took his sword from its holster and left it on a table.

“Dante…!” You immediately widened your eyes as he started stripping off his coat while making the most obnoxious and campy stripping dance you could have ever seen.

“What…?” Of course, being the man he was, Dante feigned innocence. You just pointed back at him – blushing like the first layers of Hell, but with a radiant smile on your lips. Honestly, he lived just to see that sight every time you decided to grace him with it. Dante would never tire to see you smile so genuinely.

“There are hellish imps here, red devil. Have some decorum.” Again. Vergil’s vocabulary had its purpose – and when it came to his twin brother, you had to admit colorful words were the best you could do to try to voice some of your exasperated feelings.

“Oh, you thinkin’ I’m gonna take it all off?” Dante pointed at himself with his free hand, his coat hanging on the other hand. He let out a hearty laugh right after. “Ha! You are gonna have to work for that, sheriff!”

You had to fall into a fit of laughter as Dante started spinning his coat on the air only to throw it away dramatically, going back to his best Saturday Night Fever dance. You didn’t know if you wanted to melt through the floor into oblivion from embarrassment or if you wanted to get into the challenge. Therefore, laughing was the only choice available, really.

You had to note, though, that the embarrassment only came from having an audience – you could still hear the imps arguing and wondered if they would end up killing each other in disagreement – because if you were both alone at the Devil May Cry… Dante would have the dance-off of a lifetime after that taunt.

“Whether you’re a brother or whether you’re a mother, you’re stayin’ alive, stayin’ alive!” You decided, even if feeling a little awkward, to mirror Dante’s dancing – pointing at him while singing, finally strutting towards your red devil.

You had your whole life to kill demons – dancing with your lover, though, was a lot more important in your book.

“Feel the city breakin’ and everybody shakin’, and we’re stayin’ alive, stayin’ alive!” Dante pointed back at you, ready to meet you in the middle. Those lyrics, though, they were quite fitting to both of you – with everything you had to go through on a daily basis, somehow, you always remained alive. Together.

There was some kind of poetry in that. At least in Dante’s point of view.

As the famous riff sang its lyrics, you finally reached each other, starting a perfectly synchronized choreography you both invented during a boring afternoon at the shop – which ended up being not so boring after all. With you dancing while perfectly mirroring him, Dante couldn’t help but have the brightest and most delighted smile on his lips – his face lighting up like the sun, barely noticing he was laughing from enjoying that moment.

The most mirroring he ever got was from a shadow doppelganger at the Temen-ni-gru – and that thing was hell bent on killing him with his own powers and tricks. Now dancing? That was a first. Something he had only seen on movies like Footloose or Grease, something he thought he would only have in the realm of daydreams. Oh, how he loved turning those into reality with you.

“Ready…” Of course, you both were very much aware you weren’t alone - the imps weren't as subtle as they thought they were. Your lives were made mostly of stolen moments like that, but it was something you would never complain about. Better to have those moments than to have nothing at all – and the imps were about to steal it away from you. Looking into those sky-blue eyes, you saw Dante’s typical spark and his smart smile on his lips, winking at you as soon as he understood what your eyes were saying. “NOW! ATTACK!”

“I’m stayin’ alive!” You and Dante sang out loud – if you could call that kind of shouting singing – as you spun on the colorful floor, taking one of your guns from your holsters. You ended up with your backs to each other, your arm by his arm, pointing the guns at the demons at the same time. “Let’s rock!”

The imps expected everything but the rain of bullets. They planned a massive attack, all of them at the same time, and still you and Dante made their forces seem like nothing but a wave of hungry mosquitoes during summer – and that because you were each holding only one of your guns.

They could barely get near you before realizing they wouldn’t be able to make it in one piece. The attack was a failure and the best option they had – for those left alive anyway – was to run. You and Dante kept shooting, hitting bullseye with every quick shot. They first screamed as a battle roar, but now they screeched in terror, fleeing from every broken door and window of the Disco – until there were only you and the red devil left.

“Well, guess we showed ‘em a lesson.” You sighed, relief washing down your spine while you put your gun back into its holster. Dante did the same, but you barely waited for him to look back to you. “Thanks for the rescue, cowboy. It was worthy of Bonnie Tyler’s Holding Out For a Hero.”

“Ah, don’t mention it…” But you cut his dismissive words short with a kiss.

It was intended to be a quick kiss – the types of kisses you would always use to shut him up whenever Dante started self-deprecating or playing down how much he was worth – but soon you wanted more. Stepping closer to him, you didn’t let his lips go, resting your hands on his chest while Dante, even if surprised at first, immediately laid his on your hips. The song was still going, and you both still had the fire to keep dancing, but you could take a few moments to enjoy that kiss with more heart than you intended at first.

You had every intention, though, to keep it going for as long as you could – Dante’s lips were too wonderful to be half-appreciated – but as Stayin’ Alive found its last chords, another song seamlessly started to let its golden beats and delightful guitar color the place with new rhythms and notes. Apparently, the DJ imp had figured out how to keep the whole collection of disco songs playing – and you couldn’t complain about that.

“Hey…” You parted the kiss abruptly, mirroring Dante’s smile from also recognizing the song. “It’s our song, cowboy!”

You held Dante’s hand, pulling him even further into the dance floor, while he let his head hang back with a laugh at the words he never thought he would hear in that damned life of his. Stepping closer to you, he spun you around only to catch you in his arms, dancing together the same way you used to dance at the Devil May Cry – you both giggling and singing to each other.

“Do you remember? The 21st night of September?” Oh, yes. September. The song that wrapped you both in golden dreams and shiny days – the song Dante would always run to you to have you in his arms while singing, the one you would always search his hands to hold while dancing. The one Dante never thought he would be able to have with someone else.

Dante couldn’t have another entire lifetime with you, but he could have that one – and even better than that: you could have that song together. Your song.

He could get used to the sound of that alright.

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mooseyspooky · 1 year ago

Text

Songs Moz says he wrote about Johnny:

-Angel, Angel Down We Go Together

Meanwhile, all the songs that I think are actually about Johnny, or in some way referring to him:

-Hand In Glove (1983)

-No, it's not like any other love. This one is different, because it's us.

-So, hand in glove I stake my claim. I'll fight to the last breath. If they dare touch a hair on your head, I'll fight to the last breath. For the good life is out there somewhere. So stay on my arm, you little charmer, but I know my luck too well. Yes, I know my luck too well. And I'll probably never see you again.

-Reel Around The Fountain (1983)

-Fifteen minutes with you. Well, I wouldn't say no. Oh, people said that you were virtually dead, and they were so wrong.

-I dreamt about you last night, and I fell out of bed twice. You can pin and mount me like a butterfly, but, "Take me to the haven of your bed" was something that you never said. Two lumps, please. You're the bee's knees but so am I.

-What Difference Does It Make? (1982)

-All men have secrets and here is mine. So let it be known. For we have been through hell and high tide. I think I can rely on you, and yet you start to recoil. Heavy words are so lightly thrown, but still I'd leap in front of a flying bullet for you.

-But now you know the truth about me. You won't see me anymore. Well, I'm still fond of you.

-But I'm still fond of you. Oh, my sacred one.

-Miserable Lie (Linder/Johnny) (1982)

-I know I need hardly say how much I love your casual way. Oh, but please put your tongue away. A little higher and we're well away. The dark nights are drawing in, and your humor is as black as them. I look at yours, you laugh at mine, and "love" is just a miserable lie. You have destroyed my flower-like life. Not once - twice. You have corrupt my innocent mind. Not once - twice.

-This Charming Man (1983)

-When in this charming car. This charming man.

-Why pamper life's complexity when the leather runs smooth on the passenger seat?

-This man said, "It's gruesome that someone so handsome should care."

-These Things Take Time (1982)

-Mine eyes have seen the glory of the sacred wunderkind.

-But I can't believe that you'd ever care, and this is why you will never care.

-I'm spellbound, but a woman divides, and the hills are alive with celibate cries. But you know where you came from, you know where you're going, and you know where you belong. You said I was ill and you were not wrong.

-The alcoholic afternoons when we sat in your room - they meant more to me than any than any living thing on earth. It had more worth than any living thing on earth. Vivid and in your prime. You will leave me behind.

-Handsome Devil (1982)

-You ask me the time, but I sense something more. And I would like to give what I think you're asking for.

-You handsome devil. Oh, you handsome devil. Let me get my hands on your mammary glands, and let me get your head on the conjugal bed.

-I crack the whip, and you skip, but you deserve it. And when we're in your scholarly room, who will swallow whom?

-Please Please Please Let Me Get What I Want (1984)

-So for once in my life let me get what I want. Lord knows it would be the last time.

-I Want The One I Can't Have (1984)

-On the day that your mentality decides to try to catch up with your biology - come 'round. 'Cause I want the one I can't have, and it's driving me mad. It's all over, all over, all over my face.

-And if you ever need self-validation just meet me in the alley by the railway-station. It's all over my face.

-That Joke Isn't Funny Anymore (1984)

-Park the car at the side of the road. You should know time's tide will smother you - and I will too. When you laugh about people who feel so very lonely their only desire is to die - well, I'm afraid it doesn't make me smile.

-It was dark as I drove the point home, and on cold leather seats - well, it suddenly struck me. I just might die with a smile on my face after all.

-Well I Wonder (1983/1984)

-Do you hear me when you sleep? I hoarsely cry.

-Do you see me when we pass? I half-die.

-Please keep me in mind.

-I Know It's Over (1985)

-I know it's over - still I cling. I don't know where else I can go.

-Sad veiled bride, please be happy. Handsome groom, give her room. Loud, loutish lover, treat her kindly. Though she needs you more than she loves you.

-I know it's over, and it never really began, but in my heart it was so real. And you even spoke to me, and said: "If you're so funny then why are you on your own tonight? And if you're so clever then why are you on your own tonight? If you're so very entertaining then why are you on your own tonight? If you're so very good-looking why do you sleep alone tonight?"

-Love is natural and real, but not for you, my love. Not tonight, my love. Love is natural and real, but not for such as you and I, my love.

-Never Had No One Ever (1985)

-Now I'm outside your house - I'm alone. And I'm outside your house. I hate to intrude.

-The Boy with the Thorn in His Side (1985)

-How can they look into my eyes, and still they don't believe me? How can they hear me say those words - still they don't believe me? And if they don't believe me now will they ever believe me?

-How can they see the love in our eyes, and still they don't believe us? And after all this time they don't want to believe us. And if they don't believe us now will they ever believe us?

-There Is a Light That Never Goes Out (1985)

-Driving in your car. I never, never want to go home. Because I haven't got one anymore.

-Driving in your car. Please don't drop me home.

-And if a double-decker bus crashes into us - to die by your side is such a heavenly way to die. And if a ten ton truck kills the both of us - to die by your side...well, the pleasure, the privilege is mine.

-Take me out tonight. Take me anywhere, I don't care. And in the darkened underpass I thought, "Oh God, my chance has come at last." But then a strange fear gripped me, and I just couldn't ask.

-Stretch Out and Wait (1985)

-All the lies that you make up...what's at the back of your mind? Your face I can see, and it's desperately kind - but what's at the back of your mind?

-Amid concrete and clay, and general decay, nature must still find a way. So ignore all the codes of the day. Let your juvenile impulses sway...God, how sex implores you to let yourself lose yourself.

-Stretch out and wait. Let your puny body lie down. As we lie, you say...stretch out and...

-Shakespeare's Sister (1985)

-But I'm going to meet the one I love. So, please don't stand in my way, because I'm going to meet the one I love.

-I can smile about it now, but at the time it was terrible.

-Sweet and Tender Hooligan (1986)

-He said that he'd never, never do it again, and of course he won't - not until the next time.

-Would you look into those motherly eyes? I love you for you, my love, you, my love.

-Is It Really So Strange? (1986)

-And I can't help the way I feel. You can kick me, and you can punch me, and you can break my face, but you won't change the way I feel. 'Cause I love you.

-Is it really so strange? I say no, you say yes - and you will change your mind.

-London (1986)

-Smoke lingers 'round your fingers. Train a-heave on to Euston. Do you think you've made the right decision this time?

-You left your girlfriend on the platform with this really ragged notion that you'll return, but she knows that when he goes, he really goes. And do you think you've made the right decision this time?

-Ask (1986)

-So if there's something you'd like to try...Ask me, I won't say no, how could I?

-Because if it's not love then it's the bomb...that will bring us together.

-Nature is a language, can't you read?

-I Started Something I Couldn't Finish (1987)

-The lanes were silent. There was nothing, no one, nothing around for miles. I doused our friendly venture with a hard-faced, three-word gesture.

-I started something, I forced you to a zone - and you were clearly never meant to go. Hair brushed and parted, typical me...I started something, and now I'm not too sure.

-I grabbed you by guilded beams. That's what tradition means. And I doused another venture with a gesture that was absolutely vile.

-Stop Me If You Think You've Heard This One Before (1987)

-Nothing's changed. I still love you, oh, I still love you...only slightly, only slightly less than I used to, my love.

-Who said I'd lied to her? Who said I'd lied, because I never...

-Last Night I Dreamt That Somebody Loved Me (1987)

-Last night I dreamt that somebody loved me. No hope, no harm. Just another false alarm.

-Last night I felt real arms around me. No hope, no harm. Just another false alarm.

-I Won't Share You (1987)

-I won't share you, no. I won't share you. With the drive and ambition. The zeal I feel, this is my time.

-Life tends to come and go. That's okay...as long as you know.

-I'll see you somewhere. I'll see you sometime, darling.

-I Keep Mine Hidden (1987)

-Hate, love and war force emotions to the fore, but not for me of course, of course. I keep mine hidden.

-But it's so easy for you...because you let yours flail into public view.

-The lies are so easy for you, because you let yours slide into public view.

-Alsatian Cousin (1987)

-Were you and he lovers? And would you say so if you were?

-A note upon his desk. "P.S. Bring Me Home And Have Me!" Leather elbows on a tweed coat -is that the best you can do? So came his reply: "But on the desk is where I want you."

-Angel, Angel Down We Go Together (1987)

-Note: I personally believe that this song is Johnny speaking to Morrissey shortly after the breakup.

-Angel, angel. Don't take your life tonight. I know they take, and that they take in turn. And they give you nothing real for yourself in return, but when they've used you and they've broken you, and wasted all your money, and cast your shell aside - and when they've bought you and they've sold you, and they've billed you for the pleasure, and they've made your parents cry. I will be here, oh, believe me. I will be here, believe me. Angel, don't take your life. Some people have got no pride. They do not understand the urgency of life. But I love you more than life.

-Late Night, Maudlin Street (1987)

-Note: In a similar vein, I think this is Morrissey's side of the conversation from Angel, Angel Down We Go Together. It is the very next song on the album (Viva Hate). This song is a mix of movie quotes, description of movie scenes, and (more or less) spoken word pieces. Those spoken word pieces I think are Moz' response to Johnny in Angel, Angel. 'Don't take your life, tonight.' 'I took strange pills, but I never meant to hurt you,' ect.

-Love at first sight. May sound trite, but it's true, you know. I could list the details of everything you ever wore, or said, or how you stood that day.

-Truly I do love you. Oh, truly I do love you.

-When I sleep with that picture of you framed beside my bed...Oh, it's childish and it's silly, but I think it's you in my room by the bed. Yes, I told you it was silly, and I know I took strange pills, but I never meant to hurt you. Oh, truly I love you.

-The last bus I missed to Maudlin Street. So, he drove me home in the van, complaining, "Women only like me for my mind..."

-And so we crept through the park. No, I cannot steal a pair of jeans off a clothesline for you...but you without clothes. Oh, I could not keep a straight face. Me, without clothes? Well, a nation turns its back and gags.

-Oh, truly I do love you...wherever you are.

-Suedehead (1987)

-Why do you come here? And why, why do you hang around? I'm so sorry...Why do you come here when you know it makes things hard for me? ...Why do you telephone? And why send me silly notes? I'm so sorry.

-You had to sneak into my room just to read my diary. "It was just to see, just to see." All the things you knew I'd written about you. Oh, so many illustrations. But I'm so very sickened. I am so sickened now...Oh, it was a good lay, good lay.

-Break Up the Family (1987)

-The strange logic in your clumsiest line - it stayed emblazoned on my mind. You say, break up the family, and let's begin to live our lives.

-Yes, you found love, but you weren't at peace with your life. Home late, full of hate. Despise the ties that bind.

-I Don't Mind If You Forget Me (1987)

-I don't mind - I don't mind if you forget me.

-So now you send me your hardened 'regards' when once you'd send me 'Love.' Sincerely I must tell you your mild 'best wishes' - they make me suspicious.

-The pressure to change, to move on was strange, and very strong. So this is why I tell you - I really do understand. Bye bye.

-Rejection is one thing, but rejection from a fool is cruel.

-I Know Very Well How I Got My Name (1987)

-A child in a curious phase. A man with sullen ways. I know very well how I got my name. You think you were my first love. You think you were my first love, but you're wrong. You were the only one. Who's come and gone.

-Treat Me Like a Human Being (1987)

-It's hard, but try...for once, just for once...Leave all your hate behind you. It's still all so strange and obscene for you to look and see one who is real and who feels life.

-Three words could change my life. So once, just for once...let the night pass with ease, son. Treat me like a human being. I'd like to know how this feels.

-Three words could change my life, yet you treat me like you never care.

-Happy Lovers at Last United (1988)

-Happy lovers, back together, and I do feel proud. Happy lovers, reunited, and I do feel proud now. I'm not the type to boast as you know, though it was me who brought them back together. He is so kind, and she is so clever, but they don't want me now, hanging around.

-I rang to her to explain of how he really wants to see you again. I said more or less the same thing to him too, which wasn't true. And now they walk, hand in hand, all is planned, by the silent glance I believe, that only lovers share. And I'm proud to have done something good for once. And she is so kind, and he's so clever, but they don't need me now, hanging around.

-Will Never Marry (1988)

-For whether you stay, or you stray, an inbuilt guilt that catches up with you - and as it comes around to your place at 5 a.m., wakes you up, and it laughs in your face.

-He Knows I'd Love to See Him (1989)

-He knows, he knows, or...I think he does. 'Cause when I lived in the arse of the world...he knows, he knows. He knows I'd love to see him happy, or as close as is allowed.

-Oh, my name still conjures up deadly deeds, and a bad taste in the mouth.

-He doesn't know...

-Yes, I Am Blind (1989)

-Love's young dream. I'm the one who shocked you. I'm the one who stopped you, 'cause in my sorry way I love you.

-Love's young dream...aren't you sorry for what you've done? Well, you're not the only one, and in my sorry way I love you.

-Yes, I am blind, but I do see evil people prosper over the likes of you and me always.

-Oh Phoney (1989)

-May this lovely letter reach its destination...if only. Question one is why do you pretend that you like me? Oh Phoney. See how the outside contradicts what's inside.

-Who can make Hitler seem like a bus conductor? You do, oh Phoney you do. You sing a lovely song to a scale, and the words spell out my name. Oh Phoney. But then you kick me down below, 'cause you know it won't show. How could you?

-King Leer (Linder?/Johnny) (1990)

-Your boyfriend, he went down on one knee...Well, could it be he's only got one knee?

-Your boyfriend, he has the gift of the gab, or, could it be...the gift of the grab?

-Your boyfriend, he has displayed to me more than just a real hint of cruelty.

-Found Found Found (Peter Hogg?/Johnny) (1990)

-Found, found, found...someone who's worth it in this murkiness. Someone who's never seeming to be scheming...(Oh, but if I'd never found)...I do believe that the more you give your love, and I do believe that the more you give your trust...the more you're bound to lose. (Oh, but if I'd never found)...Somebody who wants to be who wants to be with me...all the time.

-The Loop (1990)

-I just want to say I haven't been away. I'm still right here, where I always was. So one day, if you're bored by all means call. Because you can do...but only if you want to. I just want to say I haven't been away. I am still right here, where I always was. So one day, when you're bored by all means call. Because you can do...but you might not get through.

-My Love Life (1991)

-Come on to my house. Come on and do something new. I know you love one person so why can't you love two? (Note: Moz once changed this line to "I know you love one person, but why don't you love two?")

-Give a little something...give a little something to my love life.

-I know you love one person so why don't you love two, love? Love two (Note: Moz once changed this line to "I know you love one person, but why can't you love two?")

-Seasick, Yet Still Docked (1992)

-Wish I knew the way to reach the one I love. There is no way. Wish I had the charm to attract the one I love, but you see, I've got no charm.

-Tonight I've consumed much more than I can hold. Oh, this is very clear to you. And you can tell I have never really loved. You can tell by the way I sleep all day, and all of my life no one gave me anything...My love is as sharp as a needle in your eye. You must be such a fool to pass me by.

-I Know It's Gonna Happen Someday (1992)

-My love, wherever you are, whatever you are - don't lose faith. I know it's gonna happen someday to you. Please wait...

-You say that the day just never arrives, and it's never seemed so far away. Still, I know it's gonna happen someday to you.

-Tomorrow (1992)

-All I ask of you is one thing that you never do - would you put your arms around me? I won't tell anyone. Tomorrow...does it have to come?

-And what must come before. Oh, the pain in my arms. Oh, the pain in my legs. Oh, my shiftless body. Tomorrow. It's surely nearer now. You don't think I'll make it. I never said I wanted to - well, did I?

-All I ask of you is would you tell me that you love me. Tell me, tell me that you love me. Ah, I know you don't mean it.

-I'd Love To (1993)

-Again I lay awake, and I cried because of waste. I'd love to, but only with you...Oh, time is gonna wipe us out. There, I've said it loud and clear so that you will hear. There's no one in view. Just you...and time will never wipe you out. Now I've had enough. I've had more than could be my rightful share of nights I can't bear. How can it be fair? Time must wipe them out. So, again, I lay awake in a trance. Oh, I just want my chance, but only with you...that's all...

-Spring-Heeled Jim (1993)

-Spring-heeled Jim lives to love. Now kissing with his mouth full, and his eyes on some other fool. So many women - his head should be spinning. Ah, but no!

-Spring-heeled Jim slurs the words: "There's no need to be so knowing. Take life at five times your average speed, like I do."

-Billy Budd (1993)

-Say, Billy Budd. So you think that you should? Everyone's laughing! Since I took up with you. Things have been bad. Yeah, but now it's twelve years on. Now it's twelve years on. Yes, and I took up with you.

-Yes, and it's all because of us. Oh, and what was in our eyes...I said, Billy Budd I would happily lose both of my legs...I would lose both of my legs if it meant you could be free.

-Hold On to Your Friends (1993)

-A bond of trust has been abused. Something of value may be lost. Give up your job. Squander your cash - be rash. Just hold on to your friends. There are more than enough to fight and oppose. Why waste good time fighting the people you like? Who will fall defending your name?

-But now you only call me when you're feeling depressed. When you feel happy I'm so far from your mind. My patience is stretched. My loyalty vexed.

-Be mad, be rash. Smoke and explode. Sell all of your clothes. Just bear in mind: Oh, there just might come a time when you need some friends.

-Speedway (1993) (Johnny/Issues with the NME)

-And when you slam down the hammer can you see it in your heart? All of the rumors...keeping me grounded. I never said, I never said that they were completely unfounded.

-So when you slam down the hammer can you see it in your heart? Can you delve so low? And when you're standing on my fingers can you see it in your heart? And when you try to break my spirit it won't work, because there's nothing left to break...anymore.

-You won't sleep until the earth that wants me finally has me. Oh you've done it now. You won't rest. Until the hearse that becomes me finally takes me...And you won't smile until my loving mouth is shut good and proper. Forever.

-And all those lies, written lies, twisted lies. Well, they weren't lies. They weren't lies...I never said...I could have mentioned your name. I could have dragged you in. Guilt by implication. By association. I've always been true to you in my own strange way. I've always been true to you in my own sick way. I'll always stay true to you.

-You Must Please Remember (1994)

-A small boy, big ideas. You must please remember. A long road, with no turn-off. Oh, you must remember. Caught in your headlights like a frightened animal. You must remember. Someone cries twice nightly. Of course, I do remember. Someone cries, and you think quite rightly so, but you refuse to remember.

-Low-lights and long nights. I try hard to not remember. And you - too beautiful. I can't look. I've done so very many stupid things. It's too late.

-Honey, You Know Where To Find Me (1994)

-Honey, I'm not gonna cry for the things that never occurred. So do not remind me. Happy to be as I was in the first place. Honey you know where to find me...Kicking away from the mundane everyday. The envy is beyond me. I'm not gonna pine for the things that can never be mine. Do not expect me to. I'm happy to be who I was in the first place.

-Whatever Happens I Love You (1994)

-Names, secret names, but never in my favour. But when all is said and done - it's you I love. Cold loving prose. We stole each other's clothes, but when all is said and done - it's you I love. Yes, yes, yes, oh, yes. (Note: Moz often sings this as 'we wore each other's clothes')

-Fights for rights. Everyone's oh so quick with advice, and when they've all said their piece - it's still you I love. Now just like then...yes, yes. No, yes, yes, yes, yes, yes.

-You Should Have Been Nice to Me (Jake?/Johnny) (1994/1995)

-You could have told me at the right time. You could have introduced me proudly. Never need to have to kiss me. Never need to ever touch me, but you should have been nice to me. It would have been so easy. And on the moments when I was down you could have been there. You could have once just spoke in favor. You'd never need to ever touch me. But you should have been nice to me...It wouldn't cost you money. And on the moments when I fell down - not for you to say, oh, I told you so. You could have waited...

-Trouble Loves Me (1996/1997)

-Trouble loves me. Trouble needs me. Two things more than you do, or would attempt to. So, console me. Otherwise, hold me. Just when it seems like everything's evened out, and the balance seems serene...

-Trouble loves me. Walks beside me. To chide me. Not to guide me. It's still much more than you'll do.

-Go to waste in the wrong arms. Still running 'round. Trouble loves me. Seeks and finds me. To charlatanize me, which is only as it should be. Oh, please fulfill me. Otherwise, kill me.

-Then at midnight I can't get you out of my head. A disenchanted taste...still running 'round.

-Heir Apparent (1996/1997)

-It's all changed. You were there. Departing, starting a trek I had once took. With that "no-one's gonna stop me when I feel this way" look.

-You think it's so easy, I tell you - it isn't. But you may change minds with your winning smile.

-So I tried to make my way back to the station. You were still there, gleaming and leaving. Wide-eyed and awestruck, saying "How can anybody hate me if I love them first off?"

-Heir apparent. You say that you want it, I'm sure that you'll get it. They'll seduce your heart, and then they'll slap your arse.

-The Edges Are No Longer Parallel (1997)

-All of the things you said...so meaningful. They are all so suddenly meaningless. And the looks you gave...so meaningful. They are all so suddenly meaningless.

-My only mistake is I keep hoping...

-I Like You (Jake/Johnny) (2000-2002)

-Something in you caused me to take a new tact with you. You were going through something I had just about scraped through. Why do you think I let you get away with the things you say to me? Could it be I like you? It's so shameful of me - I like you. No one I ever knew or have spoken to resembles you. This is good or bad all depending on my general mood.

-Magistrates who spend their lives hiding their mistakes - they look at you and I, and envy makes them cry. Envy makes them cry. Forces of containment. They shove their fat faces into mine. You and I just smile, because we're thinking the same line.

-You're not right in the head, and nor am I, and this is why...you're not right in the head, and nor am I, and this is why...this is why I like you.

-Let Me Kiss You (Jake?/Johnny?) (2000-2002)

-There's a place in the sun for anyone who has the will to chase one. And I think I've found mine...so close your eyes. And think of someone you physically admire, and let me kiss you.

-Say, would you let me cry, on your shoulder. I've heard that you'll will try anything twice. (Note: Moz often sings this as 'you'll try anyone twice')

-But then you open your eyes, and you see someone that you physically despise. But my heart is open. My heart is open to you.

-Friday Mourning (2004)

-For years, I warned you. Through tears, I told you.

-This dawn raid soon put paid to all the things I'd whispered to you at night time. And I will never stand naked in front of you, or if I do, it won't be for a long time. Look once to me, look once to me - then look away. Look once to me, then look away.

-The Never-Played Symphonies (2004)

-I can't see those who tried to love me, or those who felt they understood me. And I can't see those who very patiently put up with me. All I can see are the never-laid, or the never played symphonies.

-You were one, you meant to be one. And you jumped into my face and laughed and kissed me on the cheek. And then were gone forever. Not quite.

-You were one, you knew you were one. And you slid right through my fingers. No, not literally, but metaphorically. And now you're all I see as the light fades.

-I Am Two People (2004)

-I love you. It's murder. I am two people. One you know, but don't like. The other one you don't know, but you don't want to.

-I love you. It's pointless. In my soul if I live or die this life.

-I have two faces. One of which you know. The other one, for your sake, I never would show. It's just because I love you. I cannot bear to be around you, and if only one or the other of us would drop down dead.

-You Have Killed Me (2005)

-Pasolini is me. 'Accattone' you'll be. I entered nothing and nothing entered me 'til you came with the key. And you did your best, but as I live and breathe - you have killed me.

-And there is no point saying this again - there is no point saying this again, but I forgive you, I forgive you. Always I do forgive you.

-Life is a Pigsty (2005)

-And once again I turn to you. Once again, I do. I turn to you.

-Life is a pigsty. And if you don't know this then what do you know? Every second of my life I only live for you. And you can shoot me, and you can throw me off a train. I still maintain...

-I can't reach you. I can't reach you. I can't reach you anymore. Can you please stop time? Can you stop the pain? I feel too cold. And now I feel too warm again. Can you stop this pain? Can you stop this pain? Even now in the final hour of my life I'm falling in love again...again.

-I Just Want to See the Boy Happy (2005)

-I want to see the boy happy with some hope in his pale eyes. Is that too much to ask?

-I want to see the boy happy with his arms around his first love. Is that too much to ask? Before I die I have one final dream. For my own life I don't care anything. And I just want to...I want to see this boy happy. Why is this such a bad thing?

-To Me You Are A Work of Art (Jake?/Johnny?) (2005)

-I see the world. It makes me puke. But then I look at you and know that somewhere there's a someone who can soothe me.

-To me you are a work of art. And I would give you my heart - that's if I had one.

-Black Cloud (2007)

-The one I love is standing near. The one I love is everywhere. I can woo you. I can amuse you, but there is nothing I can do to make you mine. Black cloud, black cloud. The one I love roosts in the mind. Can snap this spell, or increase hell. I can chase you, and I can catch you, but there is nothing I can do to make you mine.

-I play the game of favorites now. I can, I must. I will, I do. I can please you, or I can freeze you out, but there is nothing I can do to make you mine. Black cloud, black cloud, black cloud...I can choke myself to please you, and I can sink much lower than usual. But there's nothing I can do to make you mine.

-Sorry Doesn't Help (2007)

-Sorries pour out of you. All wide-eyed simple smiles. Certain to see you through like a QC full of fake humility. You say: "Oh, please forgive..." You say: "Oh, live and let live..." But sorry doesn't help us, and sorry will not save us, and sorry will not bring my teen years back to me any time soon. Forced back, it springs right out. Seasoned, you have no doubts. You lied about the lies that you told - which is the full extent of what being you is all about.

-Sorry will not bring my love into my arms as far as I know...

-Sorry is just a word you find so easy to say...So you say it anyway. Sorry doesn't help us. Sorry won't protect us. Sorry won't undo all the good gone wrong, my love.

-I'm Ok By Myself (2007)

-Now this might surprise you, but I find I'm ok by myself. And I don't need you, or your morality to save me.

-Now this might disturb you, but I find I'm ok by myself, and I don't need you or your benevolence to make sense.

-After all these years I find I'm ok by myself. And I don't need you, or your homespun philosophy. No, no, no, no...This might make you throw up in your bed: I'm ok by myself! And I don't need you, and I never have, I never have.

-Forgive Someone (2010-2014)

-Use a weapon of words, or a fight with your fists. But can you forgive someone? Stand your ground and persist, and be the last one to blink - but can you forgive someone? And if you do...I'll run to you. Betray you? With a word? I would slit my own throat first of all, I will. The black peat of the hills...when I was still ill. See this mess and forgive someone, and then recall if you can...how all this even began.

-Our truth will die with me. Our truth will die with me...Shorts and supports and faulty shower heads. At track and field we dreamt of our beds. In the bleachers you sit with your legs spread, smiling: "Here's one thing you'll never have." Our truth will die with me.

-Home is a Question Mark (written 2003, released 2017)

-I hug the land but nothing more, because I haven't met you. I've wined and I've dined with every bogus music mogul. No sign of you.

-I have been brave. Deep in every shaven cave. None were you.

-If I ever find home...if I get there, would you meet me? Wrap your legs around my face just to greet me.

-My Love, I'd Do Anything for You (possibly?) (2017)

-My love, I'd do anything for you. Society's hell. You need me just like I need you.

-You know me well. My love, I'd do anything for you.

-We all go our own ways, separately in the same direction, and here am I every night of my life always missing someone. I'd like to be rotted out just before I become aware of the pain. The more I wish in my heart for someone less likely they come.

-Never Again Will I Be A Twin (2017) (Possibly?)

-Never again will I be a twin. The operation went well, but the patient died. Never again will there be a smile to wipe off my face once it's too much. In a twin-like realm, in the plastic arts of falling in love, what a joke that was. What a joke that was.

-Darling, I Hug A Pillow (2020)

-Darling, I hug a pillow in absence of you. Darling, I hug a pillow to replace your face. Loving you is a trauma no one else should face, or sit still for. Why can't you give me some physical love?

-Darling, you will cry for me in the years to come. In the hope of a moment that cannot return...thankfully. Why can't you bring figs all pulpy and moist? Roasted in passion and salty in voice? No longer keeping a secret of your secret place.

Youtube Playlist

#And some songs I just can't pin down #Like I'm still not sure on You're Gonna Need Someone On Your Side #Or Dear God Please Help Me #Anyways #Moz out here like I will make my obsession with this man my whole career #This man will be turning on a radio for 40 years and still be hearing songs about himself #What a vibe #And then just think about songs we have titles of but no final lyric #The song titled Angie #Or the song titled I Don't Want Us to Finish #How much has this man written about his boyfriend #And then the entirety of List of the Lost #Good gosh #Marrissey

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