#ifan dafydd

[doctorwhommm]

would you 🥺 please draw anwen (gwens daughter) as a teenager 🥺🥺 i love her to bits

*boomer voice* is this what kids look like these days?

her and her little brother hunt aliens and solve mysteries bc they look up to their mum and were raised on stories of uncle jack, uncle owen, uncle ianto and aunty tosh !! but since they don’t live in cardiff the most mysterious things they investigate are like ‘what happened to mrs smith’s missing cat’ (gwen is very glad of this)

[trevlad-sounds]

1-Evil Needle-Lucky Lady

2-Ifan Dafydd-No Good

3-Kratos Himself-For Me

4-Smith & Mudd-Bonus Track- Sci Fi

5-ALEK FIN-Glitch

6-Bill Laswell-Exodus

7-Wojciech Golczewski-MONO:03

8-Maston-Scenic

9-Pip-Eye-Oakhill Avenue

10-Boards of Canada-Olson (Wrm remix)

11-SOFTWARE-Byte-By-Byte

12-Demdike Stare-Caged in Stammheim

13-Swansither-The Crossing

14-Felbm-Birkach

15-Polypores-Information At Your Fingertips

[ariesmusingz]

૮ ˶ᵔ ᵕ ᵔ˶ ა ╱ WELSH NAMES MASTERLIST ( below the cut is #293 welsh first names. they are a mixture of feminine, masculine and neutral names, but please use as you see fit. please like / reblog if you found useful. )

feminine ;

addien

aderyn

adwen

aelwen

aeres

aerfen

aerona

aeronwen

aethwy

afanen

amser

anchoret

angharad

annwyl

anwen

aranrhod

arianrhod

arianwen

arlais

awen

awena

bethan

bethwyn

betrys

blodwedd

blodwen

blodwyn

braith

branwen

briallen

bronwen

bronwyn

brynn

buddug

caraf

cari

caron

carys

catrin

ceinwen

ceridewn

cerys

delyth

dilys

eilir

eira

eirlys

eirwen

eleri

eluned

enfys

enid

ffan

ffion

gaenor

gaynor

gladys

glain

glenda

glenys

glynis

glynnis

guenevere

guinevak

guinevere

gwawr

gwen

gwendolyn

gwenhwyfar

gwenifer

gwenllian

gwennan

gwenno

gwaldus

gwylan

gwyneria

gwyneth

haf

hafwen

heulwen

igraine

iorwen

kiah

lleucu

llinos

llywelya

lowri

lunet

mabli

maybn

madrona

madwen

mair

mairwen

mared

marged

medi

megan

meghan

melangell

menna

mererid

merlyn

morgana

morgause

morwen

myfanwy

nia

non

olwen

owena

raewyn

rhian

rhianna

rhiannon

rhianu

rhonda

rhoswen

seren

sian

sioned

siriol

sulwyn

talaith

tanwen

tegan

teleri

telyn

terrwyn

masculine ;

adda

aeron

aled

alun

andras

aneirin

arawn

arthur

baeddan

bedivere

bedwyr

berwyn

bevan

beynon

bleddyn

bowen

bran

broderick

brychan

brynmor

cadell

cadfael

cadfan

cadogan

caradoc

carwyn

ceron

cledwyn

collen

dafydd

dai

derwyn

dewey

dewi

dillan

dillon

dilwyn

eirwyn

elisedd

emrys

ercwlff

euros

gaerwn

gareth

geraint

gerallt

gethin

griffin

grittith

gruffudd

grugwyn

guto

gwalchmai

gwaltney

gwern

gwil

gwilym

gwydion

gwyn

hedd

heddwyn

howell

hywel

ianto

idwal

ieuan

ifan

ifor

illtyd

ioan

iolo

iorwerth

islwyn

kynan

lleu

llewellyn

lloyd

llyr

llywelyn

mabon

macsen

maddock

madoc

madog

meilyr

merewyn

meriadoc

mervin

mervyn

meurig

mihangel

mordred

myrddid

nye

owain

pasgen

peredur

powell

pritchard

pryderi

pwyll

rhodri

rhun

rhydian

rhys

romney

siarl

taffy

talan

taliesin

taran

trefor

tremain

trevelian

tudor

twm

urian

vaughn

yestin

ynyr

neutral ;

afon

avalon

avon

bricen

cadewyn

cadwalader

caerwyn

cai

cambrie

cariad

celyn

ceri

colwyn

crwys

dwyn

dylan

ebrill

eirian

elwyn

emlyn

evan

gaiwan

garan

glyn

glynn

gryffon

llar

meredith

morgan

mostyn

nesta

ninian

parry

pembroke

pugh

ragle

reese

rhoslyn

rice

sianai

tristan

uther

wynn

wynne

[omegaremix]

Omega Radio for June 5, 2021; #266.

Acidliner: “Purple Flowers For The Funeral”

Inner Glow: “What Doth Life”

Yameneko: “Lily’s Dream Fountain”

Samba: “Kami”

Ivy Lab: “Limousine”

Bank Of England: “Chaos Rain”

Sully: “Trust”

Ifan Dafydd: “No Good”

E.B.U.: “Falling” (O$VMV$M RMX)

Flying Lotus: “Tea Leaf Dancers”

Actress: “Lost”

Free Love: “Everyone (Magic)”

Genghis Tron: “Board Up The House” (Tim Hecker RMX)

Daniel Avery & Allesandro Cortini: “Sun”

The Bug: “You” (f. Dis Fig)

Fis: “Her Third Eye (Drum Rain)”

Andy Stott: “New Romantic”

Acre: “Trial 6″

Skee Mask: “Routine”

Jay Glass Dubs: “Compound Dub (Bokeh)”

Samiyam: “This L”

Mr. Incognito: “Macho Man”

Tapes: “Tape V” + “Old Pan Sound”

Blanck Mass: ”Starstuff”

The Black Dog: “Terminal EMA”

First summer deluxe Omega; all electronics volume.

[movienized-com]

Mr Bates vs. The Post Office

Mr Bates vs. The Post Office (Mini-Serie 2024) #TobyJones #MonicaDolan #JulieHesmondhalgh #WillMellor #AmyNuttall #SusanBrown Mehr auf:

Mini-Serie Jahr: 2024 (Januar) Genre: Biografie / Drama / History Hauptrollen: Toby Jones, Monica Dolan, Julie Hesmondhalgh, Will Mellor, Amy Nuttall, Susan Brown, Ifan Huw Dafydd, Conor Mullen, Shaun Dooley, Ian Hart, Katherine Kelly, Alex Jennings, Krupa Pattani … Serienbeschreibung: Eine der größten Justizirrtümer in der britischen Rechtsgeschichte, bei der Hunderte unschuldiger Postmeister…

[sxyx]

i love b side 1

[themocd]

Welsh producer Ifan Dafydd recently released a hauntingly beautiful track titled "Crazy" taking the original Patsy Cline song and reworking the vocals into a complex vortex of swirling loops and delicate trance-like ripples. Brilliantly accomplished, Ifan Dafydd literally set my soul ablaze with his masterful interpretation of this romantic classic. Posted by: MsGem Photo by Llion Gethin

[beatspermike]

Ifan Dafydd - Crazy

[isingletonmajortwo2022]

The Mabinogion:

The Mabinogion is a collection of tales from two medieval manuscripts: The White Book of Rhydderch and The Red Book of Hergest. First fully translated from Middle Welsh into English and Welsh by Lady Charlotte Guest in the mid 19th century. The Mabinogion is a series of eleven (sometimes twelve tales depending on which translation you read), often divided into four groups.

The title of the collection, The Mabinogion, is a grammatical error - Lady Charlotte Guest used the term Mabinogion as a plural and the name kind of stuck. Derived from the word Mabinogi coming from the welsh word Mab, meaning boy or youth - this became Mabinogi, meaning tales of youth/boyhood or tales for boys, but it is agreed that Mabinogi as a term in the manuscripts is more likely to mean Tale. (Though the first four branches are the only tales in the Mabinogion that refer to themselves as Mabinogi.)

The tales mix folklore, myth, historical retellings and Arthurian legends, often concerning magical beings, Annwn or the Otherworld in English and Welsh Royalty. There is no single author of the manuscripts, though it is agreed that the first four branches are written by the same author. The manuscripts originated from around 1100-1400; this dating explains the widely different writing styles and references - each tale references aspects of medieval life and the generally agreed upon morals and ethics of the time. In addition to this, the dates of the stories themselves differ wildly. The first four branches and the Tale Lludd and Llefelys predate Christianity as they contain references to the Celtic ‘pagan’ religion in Wales before Christianity, and The Dream of Mascen Wledig is believed to originate from around AD 383. All of the stories in the Mabinogion predate the manuscripts and come from oral traditions/storytelling - the manuscripts are some of the only written evidence we have of these stories.

The Four Branches of the Mabinogi: Pwyll Pendefig Dyfed/Pwyll, Prince of Dyfed Branwen ferch Llyr/Branwen, the daughter of Llyr Manawydan fab Llyr/Manawyddan, the Son of Llyr Math fab Mathonwy/Math, Son of Mathonwy.

The Three Romances: Owain/Larlles y Ffynnon/Owain or The Lady of the Fountain/Well Peredur fab Efrog/Peredur, son of Efrawg Geraint fab Erbin/ Geraint ac Enid/ Geraint, son of Erbin or Geraint and Enid

Native Tales (mix of folklore and retelling of history): Breuddwyd Macsen Wledig/The Dream of Maxen/Macsen Wledig Lludd a Llefelys/ Lludd and Llefelys Hanes Taliesin/ The Tale of Taliesin

Arthurian Legend: Culhwch ac Olwen/ Culhwuch or Kilhwch and Olwen/ The Twrch Trwyth Breuddwyd Rhonabwy/The Dream of Rhonabwy

The Mabinogion - English translation by Lady Charlotte Guest 1840 - Illustrations by Alan Lee 1982 The Mabinogion - Translated by Sioned Davies Y Mabinogion - Dafydd a Rhiannon Ifans https://www.library.wales/discover/digital-gallery/manuscripts/the-middle-ages/white-book-of-rhydderch#?c=&m=&s=&cv=&xywh=-359%2C0%2C4797%2C4079

[queerwelsh]

Haia! I'm a non-welsh speaker writing about a welsh speaking nonbinary character. I want to say they are the child of another character. Is there a gender-neutral equivalent of 'ferch/ap'? Could I use plentyn? Diolch!

Haia, diolch am y cwestiwn! (Hi, thanks for the question!) If you want to say it in their name, like the names Dafydd ap Gwilym or Marged ferch Ifan (as examples) then there probably had not ever been a gender-neutral version of that. Though, you are writing fiction and could possibly create one, like plentyn. If you mean outside of a name, then plentyn probably would work yes. Interestingly, there are some variations of ap/ferch, like Marged ferch Ifan's name was also written as Marged uch Ifan and Marged ach Ifan. So maybe there is space to create a gender neutral one also but they're quite old fashioned names now, though a minority of Welsh speakers do still use! There is also of course the patriarchal nature of those names - they are son of, daughter of (or child of) their father, but there could also of course be space for someone to change that too. I hope that helps at all!

[invisibleicewands]

His beard bloomed and his hair sprang forth, like a riot of corkscrews, during lockdown. Now Michael Sheen sweeps on to the National Theatre’s Olivier stage in the manner of an Old Testament prophet descending from Mount Snowdon – or must we call it Yr Wyddfa?

Sheen is best known as a great mimic who played Chris Tarrant in last year’s TV series about the Who Wants To Be A Millionaire coughing scandal, Quiz, and Tony Blair in the 2006 film The Queen opposite Helen Mirren – plus David Frost in Peter Morgan’s play and film Frost/Nixon and Brian Clough in the The Damned United movie.

Here though he takes on the role of the narrator in Lyndsey Turner’s bittersweet revival of Dylan Thomas’s verse drama written for radio in 1954 – re-imagined here in a care home. [...]

Looking pallid and paunchy in his creased shirt and saggy trousers, Sheen takes the role of the story’s narrator, made famous by Richard Burton. Only here, Sheen relates the tale not to the audience but to his father, whose memories have been robbed by Alzheimer’s.Inebriated by the whisky he keeps hidden in his jacket, Sheen stumbles eagerly through the verse as if making it up as he goes along – painting pictures of people (and their dreams) in the Carmarthenshire port that lies ‘fast, and slow, asleep’. [...] The care home setting does feel cheerless at first, but it’s a clever way of focusing the rambling yarn. And furniture on casters – including a shop counter, steaming stove and kitchen table, set with multiple cloths to denote different homes – add a sense of magic and playfulness.Nor could you wish for a more loquacious, richer narrator than hirsute, woody-voiced Sheen, who looks like he’s been training outside an off-licence. I just wish it had been bookended with silence rather than someone else’s words. DailyMail

[...] On the circular stage of the reconfigured, socially distanced Olivier auditorium, Brown’s character patiently sets about starting up the day’s routine with the residents drifting in to sit and talk and stare into space. But the temperature climbs with the unexpected arrival of Mr. Jenkins’ son Owain (Michael Sheen), whose short-fuse exasperation turns swiftly to anger when his father cannot or will not communicate with him. Calmed by the staff, he and his father begin looking at an old family photograph album and Thomas’s original text takes over, now presented as a portrait of the village of Mr. Jenkins’ not-quite-forgotten past. [...] Whenever it is staged — it was last seen at the National 25 years ago — the chief problem is the lack of momentum. Characters’ (in)actions lack consequences, which makes it hard to engage with them except on a momentary basis. Owen and Turner’s new frame seeks to address that directly by making Sheen’s character not an inert, impartial observer but a man desperate to tell the story to and with his father in order to connect, to awaken his father’s distracted mind. Previously neutral descriptions are thus charged up, which intermittently animates proceedings. [...] The ultimate moment of connection between father and son is affecting but the production’s dangerous proximity to unearned sentimentality is also visible. And in the foregoing hour and three-quarter running time (with no interval), the sustained inertia grows wearing. There’s welcome tenderness aplenty but, when it comes to storytelling, there’s too much telling and, alas, too little story. Variety

                                                                                                                             Michael Sheen is terrific in Dylan Thomas’s linguistic tour de force, which remains undimmed by the years [...] The whole home thing is a nice enough idea that ambles on agreeably… but it’s a thrill when the play proper starts: it feels like the air suddenly fizzes and crackles when Sheen’s narrator introduces us to Llareggub on one ‘starless and Bible-black’ night. Ultimately, the care home business feels minor and diversionary, a framework to (kind of) explain why the poem is being performed. But it doesn’t really have a payoff or purpose beyond the performance of the poem itself. I'm not sure anyone really needs my opinion on I ‘Under Milk Wood’ as Thomas wrote it. But for what it’s worth I think it’s brilliant – time hasn’t dimmed it, his language remains bracingly wild, elemental and weird. And this is a very good, detailed performance of it – Sheen is impassioned and urgent, like he’s electrified by the surging flanguage; the cast of mostly older actors tend to get more playful roles, and seem to be having terrific fun. [...] You bought your tickets to see Michael Sheen doing ‘Under Milk Wood’ and you’ve got Michael Sheen doing ‘Under Milk Wood’ – nobody’s going to feel disappointed. Time Out

[...] Sheen – shaggy, bearded and full of humanity – leads as the narrator but this is really an ensemble show, animated with amusing turns by Siân Phillips, Cleo Sylvestre and Ifan Huw Dafydd among others. It comes with an inventive framing device (additional material is written by Siân Owen) in which Sheen plays the son of Richard Jenkins (Karl Johnson), who is losing his bearings when he is visited by Jenkins Junior in his nursing home. [...] While this is a charming production that bewitches, it begs the question of why a drama that is so consciously retreating into the past is revived now, and how it speaks to our pandemic landscape. Thomas draws a picture of a place steeped in stasis and saturated in nostalgia. Time has stood still here, as Thomas makes clear in the symbolism of the village clock’s frozen hands, and it arguably represents his yearning for a bygone world after the second world war. This production seems entirely conscious of its retreat into the past and it resembles a lost world that is both comforting and jarring after the horrors of the pandemic. The Guardian

To hear Michael Sheen deliver Under Milk Wood feels akin to witnessing Gielgud's Hamlet or Rylance's Rooster Byron. It is nothing short of theatrically seminal.As hoped, the poetry is magnificent. He orchestrates Dylan Thomas's posthumously performed masterpiece as a maestro conductor, all waving hands and syncopated rhythm. There are times when his words seem to literally hang in the air, leaving the socially distanced Olivier audience hypnotised. I could listen to him say "Now behind the eyes and secrets of the dreamers in the streets rocked to sleep by the sea…" on loop forever. [...] The concept doesn't always feel completely cohesive - it seems strange that everyone so willingly joins the performance when Sheen's character is so cold and skittish with them initially - but Lyndsey Turner's beautifully choreographed in-the-round production is convincing enough to override such niggles.The metanarrative also has the noticeable effect of causing Sheen to speak as if he is conjuring Dylan's words on the spot. This lends both an immediacy to the language and also a purpose to its rich imagery - after all, here is a man desperately trying to paint pictures in his father's addled imagination. Under Milk Wood is in some sense a victim of its own familiarity, and Turner's staging lends a much-needed freshness over reverence. [...] Whatsonstage

A charismatic Michael Sheen is part showman, part shaman in this staging of Dylan Thomas’s 1954 radio play, conjuring a Welsh town into lyrical, beguiling life with mostly older actors on a bare stage. Lyndsey Turner’s production marks a triumphant reopening for the National’s Olivier Theatre, where the audience now sits on all sides, a configuration that lends itself to simple production values and a deeper communion between actors and onlookers.It begins oddly, though, in the middle-distant past with Sheen as an angry, wild-bearded writer visiting his demented father (Karl Johnson, heartbreaking) in a care home. Thomas’s poetry is the only way to reach the old man, and his fellow residents are duly summoned to incarnate the townsfolk of the author’s fictional Llareggub (“bugger all” backwards). It’s an awkward framing device with a serious point: to stress the importance of community and memory, and salute the talents and rich lives of elder generations. But what a lovely, bittersweet spell this show casts. Sheen, like Richard Burton and Anthony Hopkins, grew up in Port Talbot, an hour from Laugharne where Thomas lived and partially wrote the play. He has the contours of the language and the landscape in his head, and an orator’s relish for Thomas’s evocative phrasing. We first see Llareggub asleep, “starless and bible black” and meet its inhabitants in their dreams. [...] Eveningstandard

[rainbowcapers]

Spotify’s algorithms have, over past few months, finally learnt two very important details. 1) I like my music queer. 2) I like my music Welsh. There is apparently not a great amount of crossover (I ABSOLUTELY WANT SUGGESTIONS IF I’M WRONG), but I’m happy enough that the Shuffle of the “Massive listen to whatever” list is heavily favouring queer and Welsh songs. It is unreasonable how happy it makes me, not sure I deserve it tbh. :)

[vmfx]

Ω WUSB Summer 2021 #6.

A collection of songs played on Omega, 90.1 FM WUSB featuring Fis, Acre, Skee Mask, Tapes, Ifan Dafydd and more.

June 5, 2021 (#267).  

[musicblogwales]

Video Premiere: ‘BOI’ release ‘Cael Chdi Nol’ single via Recordiau Crwn

Brand new Welsh quintet ‘BOI’ have recently announced the release of their highly anticipated Welsh language debut album ‘Coron O Chwinc’ via Recordiau Crwn on Friday 25th of June 2021.

Their debut single ‘Cael Chdi Nol’, which translates to ‘Have You Back’ will be released digitally on the 30th of April, and is a heavy octane guitar-driven wall of sound, that is served with a uber-confident delivery. ‘BOI’ look very comfortable on stage as their ace new video for ‘Cael Chdi Nol’ depicts, and we will all look forward to hopefully catching them live once safe to do so. 

'BOI' create a big, melodic, unapologetically drum and guitar driven sound, with lyrics and melodies that explore the big issues of our times and the human state. These 10 songs off “Coron O Chwinc” were recorded in various spaces around Wales, and were then mixed in the capable hands of Dafydd Ieuan (Super Furry Animals) 

Band Members/Aelodau'r Band

Keyboards/Allweddellau - Osian Gwynedd Lead Vocals/Canwr - Rhodri Siôn  Guitar/Gitâr - Ifan Emlyn  Bass/Gitâr Fas - Heledd Mair Watkins  Drums/Drymiau - Dafydd Owen  

Osian Gwynedd and Rhodri Siôn were members of Beganifs/Big Leaves for 15 years and more, and recorded several albums and EPs under various labels, with their hits including Seithenyn, Meillionen, Cwcwll and many more. The group gained huge success in Wales during the 1990 and 2000s and performed throughout the UK and further afield with bands such as Catatonia and Super Furry Animals. Their English-language single Racing Birds was Single of the Week on Mark and Lard’s Radio 1 show

BOI Online: https://twitter.com/BOIblahblah https://www.facebook.com/BOImuzik https://boitiwns.bandcamp.com/ https://www.instagram.com/blahdblahboi/

[mysoftboybensolo]

Freddy Carter bts of 15 Days with Sharon Morgan and Ifan Huw Dafydd (x)

[godsfavoritesongs]

Olion (Ifan Dafydd Remix)