#instrumentation amp

[simdertalia]

🎵 ACNH Music Stuff Set - Part 1 🎵

My lovely patrons wanted to have this set split into 2 parts so that some of it could be posted today, so here it is!

Sims 4, base game compatible (Piano is functional & requires City Living, as it uses the keyboard as its base). 48 items 💗

Always suggested: bb.objects ON, it makes placing items much easier. For further placement tweaking, check out the TOOL mod.

Set contains: -Amp (large, medium & practice sizes, functional music players, can be stacked) | 8 swatches each | 1202 poly each -Analog Reel 1 & 2 | 3 swatches each | 372 & 714 poly -Book Stand | 4 swatches | 1176 poly -Cello | 3 swatches | 1205 poly -Clarinet | 1 swatch | 1078 poly -Clarinet on Stand | 1 swatch | 1200 poly -Drum Set | 10 swatches | 2398 poly -Effects Rack | 10 swatches | 1222 poly -Floor Monitor (functional music player, can be stacked) | 1 swatch | 1191 poly -Guitar Bag | 5 swatches | 412 poly -Headphones | 11 swatches | 1172 poly -Headphones (wireless) | 11 swatches | 866 poly -Marimba | 1 swatch | 2352 poly -Metronome 1 & 2 (clicker out and in) | 5 swatches | 1168 poly -Mix Master Table Decluttered | 10 swatches | 314 poly -Ocarina | 2 swatches | 514 poly -Pan Flute | 1 swatch | 1042 poly -PA System for Floor (functional music player) | 1 swatch | 826 poly -Pedal Board | 3 swatches for body, 3 swatches with "light on" 6 swatches total | 1202 poly -Percussion Mallet | 1 swatch | 258 poly -Phonograph (functional music player) | 2 swatches | 1092 poly -Piano Bench Seat (is a chair) | 10 swatches | 1214 poly -Piano: Upright (functional, requires City Living) | 2 swatches | 2176 poly -Portable Record Player (functional music player) | 7 swatches | 1217 poly -Record Box | 16 swatches | 1146 poly -Sampler | 8 swatches | 820 poly -Sax: Alto & Tenor (2 items) | 1 swatch each | 1062 poly -Sax: Alto & Tenor on Stand | 1 swatch each | 1184 poly -Sign Dueling Pianos | 6 swatches | 222 poly -Snare Drum | 4 swatches | 706 poly -Snare Drum on Stand | 4 swatches | 1202 poly each -Stool (seat) | 4 swatches | 1072 poly -Tambourine (table & wall decor, 2 items) | 1 swatch each | 602 poly -Thumb Piano | 5 swatches | 1190 poly -Timpani | 4 swatches | 2394 poly -Timpani Single 1 | 4 swatches | 1270 poly -Timpani Single 2 | 4 swatches | 1124 poly -Tools | 2 swatches | 1200 poly -Trumpet | 2 swatches | 1094 poly -Trumpet on Stand | 2 swatches | 1192 poly -Wooden Fish | 3 swatches | 942 poly

Type “acnh music" into the search query in build mode to find quickly. You can always find items like this, just begin typing  the title and it will appear.

As always, please let me know if you have any issues!

📁 Download all or pick & choose (SFS, No Ads): HERE

📁 Alt Mega Download (still no ads): HERE

📁 Download on Patreon

Will be public on June 1st, 2024 💗Midnight CET

Happy Simming! ✨ Some of my sets are early access. If you like my work, please consider supporting me (all support helps me with managing my chronic pain/illness):

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Thank you for reblogging ❤️ ❤️ ❤️

@sssvitlanz  @maxismatchccworld @mmoutfitters  @coffee-cc-finds  @itsjessicaccfinds  @gamommypeach  @stargazer-sims-finds  @khelga68  @suricringe  @vaporwavesims  @mystictrance15 @moonglitchccfinds @xlost-in-wonderlandx @jbthedisabledvet

Other Instrument Downloads & Related: -Theramin -Gong & Bamboo Drum -Ukulele -Harp -Festivale Drum -Pipe Organ -Street Organ -PA System on Stand -Radios

-Music Tag

The rest of my CC

[military-newsboys]

Ice: How do you manage never to get mud on your clothes?

Mav: I'm pure at heart. It repels the dirt.

[broareweabouttoviberightnow]

back to my band au bullshit I just KNOW Mark Jennings to the Dallas, Curly, Tim band was the Vince to the Motley Crue Tim n Curly fucked with him cause he was a real good front man n Dallas FUCKIN HATED HIS ASS those bitches fought on stage at LEAST once a gig

alt with posters cause I couldn't decide if I liked it or not ajsnsns ( @damthosefandoms n @kalied0skull cause ik we were chattin about this au 🙂‍↕️)

[chewyhanniebug]

STRAWBERRY CAKE - ASEA 2025

[mr-s3lf-d3structed]

I'm so One-With-Music that when I pull out you hear an insanely loud bang-pop because you haven't turned me off yet

[stone-cold-groove]

Page detail from the 1969 Fender Guitars & Amplifiers catalog.

[guitarhq]

Joe Bonamassa: The Modern Torchbearer of the Blues

Joe Bonamassa is one of the most respected guitar players of the modern era, often described as a virtuoso who bridges the gap between blues tradition and rock innovation.

With a career that spans more than three decades, Bonamassa has not only revived interest in blues music but has also redefined what it means to be a blues artist in the 21st century. From child prodigy to internationally acclaimed performer, his journey is one marked by relentless dedication, exceptional talent, and a deep love for the music that shaped him.

Early Life and Musical Roots

Born on May 8, 1977, in New Hartford, New York, Joe Bonamassa grew up in a musical household. His father, a guitar dealer, introduced him to a wide variety of classic blues records at an early age. Bonamassa was exposed to artists like Muddy Waters, B.B. King, Eric Clapton, and Jeff Beck — names that would become foundational influences in his own style. By the age of four, he had already started playing guitar, and by the age of twelve, he was opening for B.B. King on tour.

This early exposure to both music and the industry was critical in shaping Bonamassa’s identity as a musician. Unlike many child prodigies who fade into obscurity, Bonamassa continued to grow, refining his skills and expanding his musical vocabulary as he matured.

Rise to Prominence

In the mid-1990s, Bonamassa formed the band Bloodline with the sons of other famous musicians — including Miles Davis and Robby Krieger. While the band achieved modest success, it was clear that Bonamassa was destined for a solo career. His debut solo album, A New Day Yesterday (2000), featured a mix of original songs and covers of classic rock and blues numbers. Produced by Tom Dowd — a legendary figure in music production — the album marked the beginning of Bonamassa’s journey as a solo blues-rock artist.

From that point forward, Bonamassa released a steady stream of albums, both studio and live, that showcased his virtuosic playing and deep respect for blues traditions. Records like Blues Deluxe (2003), You & Me (2006), and The Ballad of John Henry (2009) further solidified his place in the modern blues pantheon.

A Relentless Work Ethic

One of the most remarkable aspects of Bonamassa’s career is his tireless work ethic. He tours almost constantly, often playing over 200 shows a year, and is known for his high-energy live performances. His live albums and DVDs — such as Live from the Royal Albert Hall (2009) — have become fan favorites, offering not just a showcase of his guitar skills but also his command of the stage.

Bonamassa has also been incredibly prolific in the studio, releasing new material nearly every year. His 2011 album Dust Bowl blended blues, rock, and country influences in a way that showed his growing confidence as both a guitarist and a songwriter. Later albums like Different Shades of Blue (2014) and Redemption (2018) have continued to receive critical acclaim and commercial success.

Master of Guitar Tone and Technique

What sets Joe Bonamassa apart from many other guitarists is his extraordinary sense of tone and technique. His playing style combines the fluid, expressive phrasing of blues legends with the aggressive attack of rock guitar heroes. Bonamassa’s use of vintage gear, especially Gibson Les Paul guitars and Marshall amplifiers, contributes to his signature sound — warm, powerful, and always emotionally resonant.

He’s also a connoisseur of gear, owning an extensive collection of guitars and amplifiers that includes rare and vintage models. This obsession with tone isn’t just about prestige — it reflects a genuine love for the craftsmanship and history of the instruments he plays.

Collaborations and Projects

In addition to his solo work, Bonamassa has collaborated with a wide range of artists. One of his most successful collaborations has been with singer Beth Hart. Together, they’ve released several albums, including Don’t Explain (2011) and Black Coffee (2018), which highlight a powerful synergy between Bonamassa’s guitar work and Hart’s soulful vocals.

He’s also a member of the blues-rock supergroup Black Country Communion, alongside Glenn Hughes (Deep Purple), Jason Bonham (son of Led Zeppelin’s John Bonham), and Derek Sherinian. The band has released multiple albums that blend classic rock power with blues sensibility.

Through his independent label, J&R Adventures, Bonamassa has taken control of his own musical output, giving him the freedom to explore diverse projects and help promote other blues artists.

Keeping the Blues Alive

Bonamassa’s impact goes beyond his own music. In 2011, he founded the Keeping the Blues Alive Foundation, a nonprofit organization dedicated to preserving the rich legacy of blues music. The foundation funds music education programs, provides instruments to schools, and helps support young musicians. Bonamassa is passionate about ensuring the future of blues music, and his foundation reflects that commitment.

Legacy and Influence

While blues music may not dominate the mainstream the way it once did, Joe Bonamassa has played a crucial role in keeping it alive and relevant. He’s introduced a new generation of listeners to the power and emotion of the blues, all while remaining faithful to the genre’s roots. His ability to innovate within a traditional framework has earned him respect not just from fans, but from fellow musicians across genres.

In many ways, Bonamassa is a modern ambassador for the blues. He’s not simply mimicking the past; he’s building on it, adding his own voice to the long conversation that is blues music. With each album, tour, and performance, he reinforces the idea that the blues is not a museum piece but a living, breathing form of expression.

Joe Bonamassa’s story is one of talent, perseverance, and deep respect for musical heritage. From a precocious young guitarist opening for B.B. King to a global ambassador for blues music, Bonamassa has earned his place among the greats. His technical mastery, artistic vision, and commitment to keeping the blues alive make him a singular figure in today’s music scene.

As long as he continues to play, write, and perform, the blues will never fade. Joe Bonamassa is proof that the genre still has stories to tell — and he’s one of its finest storytellers.

[lacavernamx]

Psicodelia, funk y distopía en los lanzamientos más potentes del mes - https://wp.me/p4pCgM-8va

Desde Suiza, Francia, Alemania y Estados Unidos emergen cuatro artistas que están redefiniendo los géneros indie, psicodélico e industrial con propuestas intensas, emotivas y profundas. Meagher, Flat Mart, löwenzahnhonig y Nordstahl lanzan sencillos que exploran desde la melancolía íntima hasta el caos existencial, consolidando una nueva ola de talento en sus respectivas escenas.

[tikuo2007]

『ワウで顔が動く人』Les Paul Studio

20250407

[tempered-grace]

guess who just learned how to place a violin bridge 👍

[some-greatreward]

shoudl i save for a digital piano or an electric guitar...

[renerox]

SATANIC PANIC! - 31 Tunes Proving That Devil's In The Music!

. Hello friends and surfers all over the globe. As you know it’s very hot these days especially in Mediterranean region, and in Belgrade today will be 40C, so it’s hot as hell, vinyl is almost melting 😉 Speaking of hell, here’s a brand new compilation made by my good friend Sergio (Mr. Fuzzter) from Spain, and it's dedicated to Mr. Devil and Satanic themed tunes from various genres as swing, blues,…

[stone-cold-groove]

Page detail from the 1969 Fender Guitars & Amplifiers catalog.

[daughterofsarenrae]

man i should move my music set up into the office instead of my bedroom

[dollarstoreartsupplies]

okay okay okay so in trying to come up with a headcanon for what instrument Pete would play if he needed to (clarinet) I've come to a very important youngest-sibling-of-poor-parents conclusion:

it isn't what instrument peter would want to learn to play (listen, I know it's clarinet, but in a world where it isn't) because those are expensive and I don't think pete is musically driven enough to really bother putting a lot of effort into convincing his parents to buy him an instrument or saving up for one on his own,,,,,,,,, no.

whatever instrument pete would know how to play is whatever ted would buy because he was convinced knowing how to play an instrument would make girls think he was hot

and then (very important note: this is coming from a bass player myself) the only answer to what a pathetic, kind of gross guy with very little perception of what women would find hot who probably heard one time on twitter that guys playing acoustic guitars were cringey would buy and promptly never practice (leading to his little brother stealing it and teaching it to himself when he was bored and under stimulated) is absolutely bass guitar

[bmpmp3]

i do think its kinda funny when i see someone in the year of our lord 2024 talk about vocal synth music like its all gone downhill since like 2010 because like dont get me wrong i love a good niconicodouga-ass 2008 ass vocaloid joint BUT also like. the past couple years have had the most fascinatingly creative and expressive uses of vocal synthesizers ive ever heard in my life DJFSKHJDFS dont write it all off just yet!!