#intro pages
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divine-draws · 8 months ago
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more forgotten falls!!! this time stan and ford!
mabel + mason
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nenoname · 7 months ago
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hunting down a specific image but finding miscellaneous storyboards/some cut panels from the stan comic story instead
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noodles-and-tea · 9 months ago
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Last part whoo!!!
PART 1 / PART 2 / PART 3 / PART 4
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habken · 4 months ago
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my boys
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rooniearts · 2 months ago
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Ok maybe i missed something, i see why people are mad at sonic after what he already pulled, but what did mighty do? 😭
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DW, you didn't miss something! Mighty really didn't do anything all that wrong here, unfortunately for him he just kind of ended up as collateral :') The worst he does is just dodge talking about Sonic's previous actions.
Only specifically Pitaya is mad at him. She's just really mad about the whole situation, and Mighty's a great scapegoat for those feelings. In her view, she isn't really surprised Sonic would pull a stunt like that, but she expected better of Mighty.
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meyhew · 3 months ago
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a reformat of that giant massive aftg extra content doc (plus the rainbow crate chapters) bc i wanted to restructure it in an easier, more digestible way. it's broken down by sections and subsections with an interactive table of contents. enjoy <3
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purplepixel · 4 months ago
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Raph Reference sheet from TMNP (my rise/pokemon au)
This'll be subject to change, but as of now, here's his updated design!
Weapon | Pokemon (coming soon!)
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asmeninas · 23 days ago
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DAREDEVIL (2015-2018) - 1x01 - Into the Ring
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starryeyed-seer · 7 months ago
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me: I'm not a bat
Mr pages: (stuffing novels under its robe): I must abscond
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haleigh-sloth · 6 months ago
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"freed him from his grudge against his older brother"
bitch WHAT NO IT DIDN'T
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pinipig · 2 months ago
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releasing my fav whore officially into the world yay! his one goal in life is to make everyone into catpeople too
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nenoname · 2 months ago
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cooking compilation (but does cutting up a raw cycloptopus and wrapping a bit of seaweed around it count as cooking...)
although as much as i want to bully researcher!ford for going "yes i will eat anomalies", the reminder that stan's backup plan when running out of his apocalypse stockpile of brown meat was eating gnomes.....
anyway the implied collabs of mabel and stan making ducktective themed cookies together and the mystery twins + candy and grenda making the pizza cake and cake pizza is super cute
+ dipper's evil rock sandwich
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ghostpajamas · 10 months ago
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guys i dont think my fascination with hanks drag king- i mean villain sona is ironic anymore
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heroesriseandfall · 8 months ago
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Introduction to Batman: A Lonely Place of Dying, April 1990
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Introduction by Dennis O'Neil for Batman: A Lonely Place of Dying (1990 collected edition)
Transcription below the cut/readmore.
INTRODUCTION by DENNIS O'NEIL
Robin was gone. We needed a new Boy Wonder. There had been two previous Robins. The original first appeared less than a year after a new costumed hero called Batman made his debut in DETECTIVE COMICS #27, to instant success. Some time within the next eleven months, his creators, artist Bob Kane and his writer-collaborator Bill Finger, decided to give their dark, obsessed hero a kind of surrogate son, Robin, who was hailed on the cover of DETECTIVE #36 as “the sensational character-find of 1940—Robin, The Boy Wonder.” Over the next 40 years, Batman’s fortunes varied: always, however, Robin was at Batman’s side.
He served a couple of functions. If Batman were real (and it may shock some of our more avid readers to learn he isn’t), and if he were the grim, obsessed loner he is often portrayed as, Robin, with some help from Batman's faithful butler Alfred, would keep him sane; a man whose every waking hour is focused on the grimmest aspects of society, who is unable to release the effects of seeing his parents murdered, whose life is an amalgam of sudden violence and lonely vigilance, would soon skew into a nasty insanity if he did not have someone to care for, someone to maintain a link with common humanity. But Batman is, of course, not real. (My apologies to avid readers.) He isn’t exactly a fictional character—more on that shortly—but he does not and could not exist as a living, breathing human being. That doesn’t make Robin any less useful: he serves the same functions in the Batman stories as Watson served in the Sherlock Holmes canon and the gravedigger serves in Hamlet: like Holmes’s faithful doctor, Robin is a sounding board, a person with whom the hero can have dialogues and thus let the reader know how brilliantly he’s handling matters and like the gravedigger, he occasionally provides a bright note in an otherwise relentlessly morose narrative.
Which is why I was a trifle uneasy when we—the editorial staff of DC Comics—decided to let our audience decide whether he would live or die. It came to be known in our offices as the “telephone stunt.” We had a character, Robin, the readers didn’t seem terribly fond of. This wasn’t the original Robin, the “character-find of 1940”; that Robin was Dick Grayson and he had graduated from sidekick to bona fide hero who fronted a group of evil-fighting adolescents, The Teen Titans. In 1983, it was decreed that Robin should grow up and assume a crime-fighting identity of his own—become his own man, as befitted the leader of the mighty Titans. He left Batman’s world to assume the name, costume, and persona of Nightwing. Gerry Conway and Don Newton replaced him with a second Robin, Jason Todd, whose biography was virtually identical to that of Dick Grayson. Why not? Gerry and Don were not trying to innovate, they were simply filling a void. The assignment they were given was simple: Provide another Robin. Quickly and with as little fuss as possible.
In 1986, Max Allan Collins inherited the Batman writing assignment and told his editor he had an idea for an improved Jason Todd. Make him a street kid, Collins said. Make his parents criminals. Have him and Batman on opposite sides at first. Sounded fine to the editor and, since DC was in the middle of a vast, company-wide overhaul of storylines anyway, Collins was told to go ahead. I was the editor; I did the telling. And I’d do it again, today. Collins’s Robin was dramatic, did have story potential. But readers didn’t take to him. I don't know now, and will probably never know why. Jason was accepted as long as he was a Dick Grayson clone, but when he acquired a distinct and, Collins and I still believe, more interesting backstory, their affection cooled. Maybe we—me and the writers who followed Collins—should have worked harder at making Jason likeable. Or maybe, I guessed, on some subconscious level our most loyal readers felt Jason was a usurper. For whatever reason, Jason was not the favorite Dick had been. He wasn’t hated, exactly, but he wasn’t loved, either. Should we write him out of the continuity? It didn’t seem like a bad idea, and when we thought of the experiment that became the telephone stunt, Jason seemed the perfect subject for it. The mechanics were pretty simple: we put Jason in an explosion and gave the readers two telephone numbers they could call, the first to vote that Jason would survive the blast, the second to vote that he wouldn't.
It was successful—oh my, yes. We expected to generate some interest, but not the amount or intensity we got. As soon as the final vote was tallied—5271 for Jasons survival, a deciding 5343 against—the calls began. For most of three days, I talked to journalists, disc jockeys, television reporters. We got a lot of compliments. They ranged from a critic’s liking our stunt to the participatory drama of avant garde theater to the brilliant comedy team of Penn and Teller expressing mock envy that we beat them to “the kill-your-partner-900-number scam.” But then came the backlash, ugly and, to me at least, totally unexpected: one reporter claimed that the whole event had been rigged—that, in fact, we had decided on Jason’s demise ahead of time and staged an elaborate charade; a teary grandmother said that her grandchildren loved Jason and now we’d killed him; several colleagues accused us of turning our magazines into a “Roman circus.” Cynical was a word used. And exploitive. Sleazy. Dishonorable. Wait a minute, I wanted to reply. Jason Todd is just a phantom, a figment of several imaginations. No real kid died. No real anything died. It’s all just stories—
I would have been wrong. Batman, and Superman, and Wonder Woman and their supporting casts are quite a bit more than “just stories” if, by “stories,” we mean ephemeral amusements. They’ve been in continuous magazine publication for a half-century, and they’ve been in movies, and television shows, and in novels, and on cereal boxes and T-shirts and underwear and candy bars and yo-yos and games—thousands of ventures. For fifty years. Fifty years! Although the circulation of our magazines is relatively modest, these characters have been so enduring, so pervasive, they have permeated our collective consciousness. Everybody recognizes them. They are our post-industrial folklore and, as such, they mean much more to people than a few minutes’ idle amusement. They’re part of the psychic family. The public and apparently callous slaying of one of their number was, to some, a vicious attack on the special part of their souls that needs awe, magic, heroism.
We had promised to abide by the telephone poll, and we would. But within a few days, it became apparent that we’d have to begin growing another Robin. We had forgotten that Batman exists outside the pages of our comics, is not the exclusive property of DC’s editorial staff; because he is both popular and imperishable, hundreds of others have some legitimate interest in him (not the least of whom are the readers who, for one reason or another, had missed the voting.) Our medium may have kept him alive, but others have added immeasurably to his success. When we began hearing from them, the consensus was that a Batman without a Robin wasn't quite a Batman. I wasn’t surprised. Nor did I disagree, particularly. So our problem became: how to create Robin III without generating the hostility that plagued poor Jason. Dick Grayson was the answer. If, as we thought, readers felt Jason had somehow usurped Dick’s place, then we should link the new Robin to Dick—give Robin III his predecessor’s stamp of approval. One writer had done almost all of the Dick Grayson material DC had published for a decade: Marv Wolfman, co-creator (with George Pérez) of the New Teen Titans. That made Mary the first, and really only, choice to undertake the task of giving Batman a new helper. And if we were using Marv, why not have some of the story happen in the pages of THE NEW TITANS, which he was already writing, and thus be able to take advantage of the very considerable talents of Marv's collaborator on the Titans, George Pérez? George volunteered to co-plot the story with Mary and do layouts on the TITANS episodes, and editor Mike Carlin enlisted Tom Grummett and Bob McLeod to complete George's graphics work. I asked the regular BATMAN artists, Jim Aparo and Mike DeCarlo, to handle the BATMAN issues. Finally, we chose a name for Robin III—Tim Drake—and, after a couple of editorial conferences, six gifted gentlemen retired to do what they do best.
The result seemed worthy of being collected between one set of covers, to be read as a graphic novel. We decided to do that and you’re holding the result. I hope you enjoy it. But please don’t think it’s the end of the Robin III saga. Dick Grayson’s lasted 50 years, after all, and Tim Drake does have his blessing.
Dennis O’Neil
April 1990
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singemall-stayallnight · 3 months ago
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Led Zeppelin performing at the Carousel Theatre in Framingham, Massachusetts, 21 August 1969. | Source: sixstr stories
"What Is and What Should Never Be" was played live for the first time during this show.
Robert introduced "You Shook Me" by saying, "Anybody in here ever been shook?"…little response from the audience…"My, there must be a lot of virgins in here tonight!"
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huellitaa · 4 months ago
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୭ 🎀🐈‍⬛🧁 about bee...
hiii! my name is bee ♡ and i'm a teenage disaster living in england with a rly rly big heart and rly rly big dreams . i really really really love things like fashion, philosophy, psychology, self growth, writing, poetry, journalism, girly things, music, blogging, websurfing, pinterest boarding, playlist making, crafting, decorating,,,, i could go on!!! ♡ 💭🫶🏼🩷
i really love to think and to speak and to sing (even if i'm not very good at it) and to try and to fail and to get back up again and learn from my mistakes and come back better and more beautiful than before. some random notes about me are that i play drums, guitar, and keyboard, i have obsessive compulsive disorder and segmental heterochromia, and i also have not slept a night without a plushie since i was born . i also love my friends and my family with all my heart ♡
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── my interests ✧˚. ᵎᵎ 👛🐈‍⬛.⋆。‧
♡ self improvement as a whole ♡ anything 2 do with sanrio! ♡ gyaru fashion and styles ♡ tomorrow x together ♡ ♡ my little pony ♡ ♡ fashion journalism ♡ 2000's girly kpop like kara, girls generation, wonder girls, etc. ♡ music of any genre & musical history ♡ writing long and complex documents to hide in my google drive ♡
♡ ashnikko, pierce the veil, kali uchis, the marías, millionares, pinkpantheress, ive, avril lavigne, 6arelyhuman, mariah carey, gwen stefani, tommy february6, paramore, jazmin bean, wave to earth, nicole dollanganger, nessa barrett, elita
♡ death note, nana, madoka magica, jujutsu kaisen, louis theroux documentaries, bratz 2005, monster high, gilmore girls, gossip girl, inside job ♡
♡ draculaura, l lawliet, georgina sparks, pinkie pie, my melody, madoka kaname ♡ ♡ working on my many projects ♡ ♡ full metal alchemist (brotherhood) ♡
♡ shushucherry, vivienne westwood, angelic pretty, ma*rs, juicy couture ♡ florence & the machine ♡ ♡ lord of the rings (movies, books, & games; shadow of mordor)
♡ any type of magazine (irl or digital)
♡ old gothic literature (particularly h.p. lovecraft and bram stoker's dracula!!!!!! ♡) ♡ decorating, painting and creating
♡ ada lovelace & marilyn monroe ♡ ♡ the witcher (games, books and series) ♡ music journalism ♡
talk 2 me about any of these and i'll love you forever .i'm so serious
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── my hobbies ✧˚. ᵎᵎ 🧁🐧.⋆。‧
♡ websurfing ♡ girlblogging ♡ painting
♡ dancing ♡ coding ♡ decorating
♡ singing ♡ video games
♡ scrapbooking ♡ studying and learning ♡ playing instruments ♡ wandering the lines between morality's many faces ♡ pondering the lost and the forgotten
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── my signatures ✧˚. ᵎᵎ 🧸🩰.⋆。‧
♡ heart dotted i's ♡ lalaloopsies ♡ (un)fashionably late ♡ cutesy hairclips ♡ black cat emojis ♡ frilled ribbons ♡ paint smudges ♡ handdrawn penguins ♡ lots of keychains
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── my favourites ✧˚. ᵎᵎ 🫶🏼🎀.⋆。‧
(in no particular order ,, i love all of u guys!!!!!!!!!!!!!♡)
♡ @raym0ri my gorgeous gorgeous girlfriend,, my beautiful wife with their beautiful artworks and beautiful whimsy
♡ @sillyeveline my siamese twin and my bestest best firned ever !!!!!!!!!! (1/2) gorgeous goth girl best friend and misa irl
♡ @ngtvcr33p my bestest best best friend ever!!!!!!!!!! (2/2) silly hannibal enjoyer and #1 trashy teen boy. also the bunny ever
♡ @jiraipill cal's wife, american in denial and a very sily farm angel .we love her
♡ all my beautiful mutuals!!!!!!11 i love u guys so much♡
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