#is the only tag im putting

[sillystringstar]

nene would be strangling tsukasa if i could make that in sekai stories but alas

[deimostes]

thing i keep thinking about

part 2

[huidol]

Blue screen of death

[arcade-confetti]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[nicktoonsunite]

got your back

[lucabyte]

ghost

[dreamsy990]

drew some of my fav ody designs! wasnt originally meant to be also replicating the styles but thats sort of just how my brain works. except i didnt copy the lineart styles of anyone here so its DEFINITELY a bit uncanny for a couple of these (LOOKING AT YOU QINNY IM SO SORRY) but whatever

the designs featured here (from left to right) belong to: me, @gigizetz, @neal-illustrator, @irunaki, @bigidiotenergytm, @qinnyanimation, and @foopsie-daisy

[teratomatica]

you always land on all fours

[beastlyidiocy]

Feuċ, súile Dé go fuireaċ air

[crispy-critter]

nahh bro who is this 😭😭 maxwell or smth

[tzarrz]

i listen to fog lake too much

[rockwgooglyeyes]

One of the things that's so compelling to me about Eternal Sugar and Hollyberry's storyline, besides the fact that it is wlw, the juxtaposition of happiness and passion is super fascinating. It's easy to compare Eternal Sugar and Hollyberry's dynamic to Shadow Milk and Pure Vanilla because like Shadow Milk, Eternal Sugar is not trying to kill her other half, as she "only wants Hollyberry to be happy." Yet, with Shadow Milk and Pure Vanilla, Shadow Milk wished to corrupt Pure Vanilla in the same way he had been corrupted, and gain someone who fully understood him, as well as to get indirect revenge on Pure Vanilla for being chosen by the Witches instead of him. Shadow Milk did have harmful intentions when he met Pure Vanilla, whereas with Eternal Sugar and Hollyberry, Eternal Sugar has no ill intent.

It could be argued that Eternal Sugar does have ill intent, with her temper and her desire for control, the way she manipulates the people around her so that they remain within her grasp as well as subservient to her, but at the same time, she truly does view her actions as benevolent. She believes that, even if she is hurting people currently, that the ends justify the means, because as long as they stay in her Garden, they can remain happy and healthy forever. If by staying in her Garden, she continues her control over them, well that's just a happy accident!

One of her Arena Loading screen quotes is literally "Your passions will only lead to suffering..." which was such a game changer for me personally, because of the way it frames her motivation. By trapping people in her saccharine web, she is depriving them of their ability to make their own choices and ultimately get hurt, in the name of keeping them safe. Hollyberry's soul jam being passion as a variation on happiness makes a lot of sense, through that lens, because pursuing our passions makes us happy but at the very same time, passion can fizzle out suddenly, or our passions can lead us to ruin. Eternal Sugar tries to subdue the passions of her followers in order to keep them content and complacent, whereas Hollyberry is in direct opposition to that, saying that people should be allowed to go wherever the wind takes them, and her own actions embody that.

Nevertheless, the ways in which both of their soul jams are twisted by their own personal flaws is what makes it so intriguing to me. Hollyberry's "flights of passion" from her kingdom were her responding to her own restlessness, stress, and fear of stagnation, and it led her to abandoning her son and letting him grow up alone. Eternal Sugar, on the other hand, has many cookies that she cares about and yet she condescends to them and exerts control over them against their will in an effort to maintain their happiness. Eternal Sugar is very much an "ends justify the means" sort of person whereas Hollyberry lives in the moment and impulsively flits from place to place in order to keep running from her past. They both have complicated, kind of fucked up relationships with their sons, they both have devotees who follow them while remaining blind to the true flaws of the person they follow, and they both have their vices.

Hollyberry is constantly running and Eternal Sugar never moves. Hollyberry changes easily to fit whichever role is necessary for the situation while Eternal Sugar is unwilling and unable to change. It's almost like unstoppable force meet immovable object, and their polarity is what's so striking to me. Even as Hollyberry runs away from her problems, she does not allow herself to want things or get close to people, for fear of getting hurt. She may be passionate but she has, as Pavlova Cookie says, a cold and empty heart. That's why what Eternal Sugar says to her is groundbreaking because no one has given Hollyberry permission before, but here, she's can take time and it's not about everyone else, it's about her. Yet, the fact that Eternal Sugar is worried about everyone but herself is a great example of the similarities between them, as they both prioritize others above themselves and ignore their own emotions for the sake of other people. They are inherently so different and so similar, literally different shades of the same color, Hollyberry with her warm undertones and Eternal Sugar with her cool ones.

With Dark Cacao and Mystic Flour, they clash because of the fact that they are both unwilling to compromise on their ideals and willing to do whatever it takes to maintain their position. With Shadow Milk and Pure Vanilla, they clash because of Pure Vanilla's unwillingness to entertain Shadow Milk's tricks at a certain point, instead seeing through them and cutting through the bullshit to confront the person behind the mask, something that Shadow Milk is extremely uncomfortable with. Burning Spice and Golden Cheese clash because of Burning Spice's lack of care for his own people and Golden Cheese's possessiveness over her hoard, her kingdom, and her unwillingness to sacrifice that. Burning Spice is too free of burdens, to the point that he has no attachments, and Golden Cheese has so many attachments that they both empower her and bog her down.

The diversity through which the juxtaposition between the Beasts and their Heroes is shown truly is impressive because of both the overlap between different duos and the fact that each duo has something unique to just them. Every duo has shared traits between the two members, and every one has similarities between the Beast and the Hero but the ways in which the level of similarity compared to the level of difference changes throughout the depictions is very cool to me because of the way that it shows how people who are similar can clash over the littlest things, and how people who are so different can come together and unite under one banner.

[ohio-thestate]

reblog this post and see what happens

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 6

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 4] [Pt. 5]

[tobyisave]

Reason #48234872 Kiibo should've lived: so Maki can have someone to recreate a normal human adolescence with while Himiko and Shuichi go into a state of depressed hibernation for the next half decade...

Honestly I never even thought of this pairing until I started drawing this months ago, but I think they would have an interesting dynamic postcanon. It's hard for them to relate to each other at first — Maki has seen way too much and Kiibo has seen like 0 things in his life ever — but they've both been dehumanized, made to believe they're dangerous,* and barred from participating in "the real world" for most of their lives. And because of that they just want something that is, to use Maki's words, "as vanilla as possible."

Also, they're both autistic straight men and I want to see the hijinks that ensue when you put two of those in the same room.

*Obviously we see Maki being viewed as dangerous by herself and others; I can't even tell anymore if it's obvious that Kiibo shares that experience to some degree or if I'm just too deep in my own Kiibo lore... But here's 2 thoughts on why I think that's something they canonically share:

They both hurt someone close to them in their backstories, and that weighs on them enough that both of their Harmonious Heart events are about wondering if that person would hold it against them. Also for reasons I won't elaborate on here, I'm pretty sure Kiibo at least subconsciously views himself as a danger to others due to the environment he grew up in after Iidabashi was injured. I mean imagine having an emergency stop button permanently installed on your body "just in case."

Despite everyone's backstories being fictional, Kiibo and Maki have still killed one real person each --- Kiibo killed Tsumugi (and endangered everyone else), and Maki effectively killed Kokichi/Kaito ('effectively' just as in it could create the kind of "I killed a guy" guilt that is relevant to this discussion. I'm not going to even comment on the actual causality of that entire situation). Even if you don't count that, Kiibo being the only person with a body count is an interesting reversal given he's a pacifist and seems to have the most rigid moral code of the cast (something I also think was a precaution of sorts).

(+ Credit: Background of page 6 is traced from this random photo of an ice rink lobby. I made up the background of page 7 and that's why you can't tell what the hell anything actually is.)

[sicc-nasti]

Rapunzel type tower situation but the tower is a giant mimic and hunts in the way a pitcher plant does. Yes, fair knight. Climb up this conveniently long hair, follow the sweet smell, pull yourself up and over the window sill and fall in to the far below.