#it was so validating to read!!

[jq37]

You gotta hand it to Fig. All of the Bad Kids were given foils this season and they got to decide how much they wanted to engage with that part of the plot. Gorgug only interacted with Mary Ann in passing despite them both being on the Owlbears. Fabian noped out of chatting up Ivy once she crossed a line with Mazey. Riz was so busy that he truly had no time to engage with Kipperlilly even though she's obsessed with him. Kristen interacted a bit with Buddy but spent way more time verbally sparring with Kipperlilly. And Adaine was somewhat interested in Oisin but never overtly acted on it.

But Fig?

She's in Ruben's WALLS. She's in his DREAMS. She's faking her alter emo's death. She's got the Fantasy FBI after her. She's SO SO tiny. No one is doing it like Fig's doing it.

[lucabyte]

even dogs pass the mirror test

[chloesimaginationthings]

There's doomed yuri... in my FNAF ruin?

[thriftdyke]

it really does bother me how no one can seem to answer the question “what even is romantic attraction, really.” like some people are like “it’s who you wanna kiss and cuddle <3” and I’m like ok well kisses and cuddles can be either sexual or platonic depending on context. “It’s who you feel passion/desire/arousal for” well that just sounds like sexual attraction which you can have without even knowing somebody so I fail to see how that’s romantic. “It’s who you want to go on dates with” I go on dates with friends all the time plus “date” is a social construct anyway there’s really no innate difference between a date and hanging out. “it’s who you have deep feelings for” great news for you that can be literally any type of relationship. my friend told me she defined it as “who you wanna give roses to” and I’m like do u hear urself??? like the more I talk to people the more I’m convinced romance and romantic attraction is an elaborate socially fabricated illusion that has no real defining characteristics. and like there’s nothing Wrong with it being a constuct but why people are so attached to defending the supremacy of it is something I cannot for the life of me figure out

[chapollynh]

I finished DS9 and here's my first offering to the fandom.

The show is just SO GOOD!! I wanna talk about it so bad, so I will spam the tags quite a bit... My bad. Also, the people who said Bashir would get better - you were right, he became a lot more fun! Plus he's got a teddy bear, that's peak character right there.

[knightingale]

The "Sansa reminds Sandor of his sister" motive that some people try to hitch to his character really just flies in the face of his actual attachments to her, doesn't it? Sansa reminds Sandor of himself. He sees the little boy who used to love knights in this girl who's been swept up by the same romanticism. He sees his abuser in her abusers, the much larger knight(s) beating on the helpless child. He sees how she is betrayed by every level of authority that should have saved her and remembers his father's neglect and Tywin and Robert's apathy for Gregor's crimes. He's protective of Sansa because he was Sansa.

And GRRM's design, that one of the strongest warriors in the series, a fearsome and cynical 6'8" guy who's "muscled like a bull" and has the face of death itself, sees himself in this soft and effeminate teen girl, and empathizes with her because he was an abuse victim too, is INFINITELY more compelling than "Oh yeah I bet she just reminds him of his sister," who he's never mentioned and who we know literally nothing about. Way to unnecessarily water down a character, you couldn't have ignored the black and white text more efficiently if you tried.

[exastriscass]

Re: people being confused/upset about Vi becoming an enforcer (even though that has always been a main point of the show - how a kid from the lanes becomes an enforcer)

I saw someone say something along the lines of “Ekko is the character y’all think Vi is” and I think that hit the nail right on the head.

Ekko has been fighting for his home for years. He has a strong sense of justice and ideals for a better Zaun. I’m actually really excited to see him interacting more with Heimerdinger because I think their conversations will be interesting.

Vi on the other hand is a horribly broken character. She went from having a home and a family - a place of belonging - to experiencing a huge trauma and loss. Then right as the loss happened he was kidnapped and sent to a prison where she was isolated. By the time she is freed she no longer recognizes her home, her friends, or her own sister. And as she tries to re-find her place in her old life she realizes that that place doesn’t exist anymore. So of course she is going to follow the path of the person that cared about her (Caitlyn healing her) and made space for her (Caitlyn standing up for her to her family and to the council).

And the thing about Vi is that she isn’t idealistic in the way Ekko and even Caitlyn is. She has never indicated she wants things to be different for the better - only that she wants things to go back to how they were. She doesn’t want Jinx, she wants Powder. She doesn’t want the Zaun Silco has made, but she talks about how it was better under Vander (which still wasn’t ideal). She doesn’t have an idea for the future because she’s still stuck trying to regain the past - that is the broken aspect of her character and at the end of S1 she fully realizes there is no going back. That it is all truly gone. The one thing she has left to fall back on is her role of protector, which Caitlyn now needs.

What is going to be interesting in S2 is more the reactions to Vi’s involvement as an enforcer - from all sides. But they have done a great job of setting everything up and if it’s coming as a surprise to you then maybe you’ve been idealizing Vi as a character she’s not. Ekko is right there, is fucking phenomenal, and will never join the enforcers.

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[keferon]

Chapters 46 and 47 were…….oh my god

[bi4bisamjess]

Travis Martinez: Masculinity and Control in Yellowjackets

sorry for the pretentious title. i need to talk about travis for a second. i have a consistent mythos in my head about who he is as a character that i forget people don't have. yes i am embarrassed. incredibly long meta under the cut.

First and foremost, I think it is so important to remember that this guy is a LOSER. He's never been to a school dance. He got made fun of and given a cruel nickname in the 7th grade that has stuck with him all throughout high school. He hates his dad, or at least has complex feelings about him. He's never had sex. He is so insecure that it is laughable.

We can only assume that Travis's dad shaped some of his perceptions of what it means to be a man. In the pilot, we have Coach Martinez honestly, if not cruelly, tell Jackie her worth is in her influence and that she is not particularly skilled at soccer. Coach Martinez's office has several pictures of his family, yet seems distant from his wife and Travis when they leave for nationals. We can see Travis's complex relationship with masculinity (misogyny with Nat's perceived sexual history, stoicism, and aggression to mask emotional distress), and can only assume that a stoic, critical, and distant father is one of the reasons for this. But we could also discuss 90s masculinity and cultural influence as well.

Travis was not (obviously written to be) athletically skilled as a kid, and is not mentioned to be on a sports team. He had a spinal fusion at 13, presumably due to some chronic health issue like scoliosis. His father invests time into the Yellowjackets team, and we see Ben describe them in flashbacks as monsters, so clearly there is some sort of reverence Coach Martinez has for ruthlessness and success. In the original script of episode 4 (I think), we see Travis described as a "sensitive kid trying hard not to be" (or something along those lines), and I can certainly see resentment building between Travis and the Yellowjackets as they represent everything his dad wanted him to be-- athletically skilled, successful, and cut throat. He is resistant to receiving help, outright lashes out in order to maintain this fragile identity as masculine and independent.

He has an interesting sibling relationship with Javi where he is simultaneously trying to force his own thoughts of their father onto him ("Dad was a dick") and protect him from the reality/brutality of their situation (does not tell Javi he dug up the body for the ring). Coach Martinez gives Javi gum for the flight, a gesture of care, and seemingly does not extend the same to Travis. We see Javi as innocent, naive, and artistic. He is presumably unaware of the marital problems in their family, while Travis is. Where Travis resents the Yellowjackets for the attention they receive from his father, he resents Javi because he is supported emotionally and allowed to be soft.

He values honesty, and the audience can see this in seasons one and two– Nat obscuring her relationship with Bobby Farleigh is the initial reason why they break up in 1x7, Nat planting Javi’s shorts is similarly a big point of contention. He is quick to project his own insecurities onto other people, namely Nat-- any skill or sexual experience she has is an attack on his worth as a man. He consistently sabotages his relationship with her by lashing out, not because Nat is doing anything wrong, but because he is afraid of being perceived as not good enough.

Travis’s arc throughout the show is interesting, especially because the audience sees Travis in season one obsessed with control of his own image, honesty, and power. By season two, he is willing to give in to spirituality-- in winter, he opens up to Lottie's "Wiccan bullshit", seeing ritual and belief as rejecting his own ego in a productive way. I have seen a good amount of people talk about how Travis's passivity in the second and third season is his way of protecting himself from the rest of the team, especially following his assault and almost murder in 1x9, but I think there is a little more nuance than just this. There is still an element of Travis seeking control within the routine of Lottie's spirituality. He cannot find Javi following the events of doomcoming, cannot find food in the winter months, cannot protect Shauna from the risk of childbirth, so he submits himself to drinking the tea Lottie prepares, praying, and ritual self harm.

Following Javi's death, we see Travis completely submit. He consumes his brother’s body not only to survive, but also to spiritually keep Javi with him. He eats Javi’s heart as a display of devotion, reverence, and attachment. His acceptance of Nat’s leadership comes from similar motivations, and this marks his almost complete relinquishment of autonomy within the group.

By season three, he is no longer hunting. He is completely detached from the team, past Lottie, Akilah, and the wilderness itself. He spends his time tripping on shrooms to “listen” when Lottie no longer can. It makes a lot of sense why fan opinion has gotten more positive– Travis this season is so passive that he becomes pathetic, both to the audience and the characters. Van, Tai, and Lottie each try to protect him, Akilah provides him with comfort. The rest of the group does not punish Travis for his lack of contribution as they did Jackie– they largely ignore him. And once his two main acts of autonomy (escaping with Kodiak, killing Lottie) fail, there is nothing left. He does not participate in the final hunt of Mari, and the group allows him to get drunk or high with no consequence. It is only when Travis is in Shauna's way that she cares about his lack of participation. The writers have officially connected the proud, aggressive season one Travis to what we know of him in the adult timeline– an isolated addict. He dies doing exactly what he did in the woods: trying to submit himself to meaning, to something bigger than himself, and dying for it.

[egophiliac]

A-anime?

you know, sometimes I forget that Twst is actually an isekai that starts with the protagonist getting run over by an inexplicable horse-drawn carriage. and every time I'm reminded is a delight because that's AMAZING.

also. look. okay. there's a lot of very fun stuff in the trailer but I am obsessed with that Crowley surprised pikachu face. me when I spend all my keys and gems literally hours before they announce overblot SSRs and drop the anime trailer:

[daipeanutsaiban]

tgaa fan comic ft. my oc mycroft, set some time after 1-5 (shortly after susato's return to britain),, i learned a lot making this, and i'm excited to share more comics in the future!! ^^

special thanks to my best friend jamie who came up with iris's nickname for mycroft (which, ironically, is similar to yujin's)!!

also i haven't drawn ryunosuke in so long and it's him choking on his own spit lmao

and now for some silly extras:

[realfruittaste]

I love when people say “what if you’re wrong about byler” like no baby if we don’t get byler endgame it just means the duffer brothers are wrong. I’ll always remain right no matter what

[whotookcheesuschrist]

"My companion flushed up with pleasure at my words, and the earnest way in which I uttered them. I had already observed that he was as sensitive to flattery on the score of his art as any girl could be to her beauty."

An actual image of Sherlock Holmes

[afterthelambs]

i adore Maruki as a character because he's simultaneously the most relatable depressing character that will make you cry with empathy, and the goofiest wettest cat loser in the game like what do you mean youre a licensed therapist and your first response to trauma is to brainwash a girl, project ur relationship issues onto a 17 yr old boy, and then rule the world in a golden leotard? bro went from 0 to 100 so fast??? anyway he's like 30% of the reason why p5r works as well as it does

[silverlining-ships]

hey, you. your selfship is valid. it doesn't matter whether it's super fleshed out, or just an idea in your head. it doesn't matter whether the source material is popular or niche. the only thing that matters is that your f/o loves you to death and would do anything for you.