#jglenn

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An international assessment of how to govern the potential transition from Artificial Narrow Intelligence (ANI) to potential Artificial General Intelligence (AGI) is needed.

[changeagentexpress]

#jglenn #changeagent #renaissanceman #scoliosis #Arkansas #empowerment #speaker #motivation #unclejoe #blue #goodguy #superior #people #portrait #wear #veil #reclining #music #bestsong #son #athlete #daylight #intellect #cap #ailment #intelligence #jewelry #kickingback #longday #untilnexttime https://www.instagram.com/p/BxfxwMUHCXS/?igshid=p6fbzupnxvrz

[gystink]

Call for Entry: Utah Division of Arts & Museums Public Art Program (Western US artists only)

Utah DABC Salt Lake City & Foothill Utah Division of Arts & Museums Public Art Program 617 E. South Temple Salt Lake City, UT 84101 APPLY NOW Contact Email: jglenn@utah.gov Call Type: Public Art Eligibility: Regional State: Utah Entry Deadline: 6/7/21

REQUIREMENTS: Media Images - Minimum: 1, Maximum: 10 Video - Minimum: 0, Maximum: 1 Total Media - Minimum: 1, Maximum: 10

View Site Details

Call for interested artists, residing in the western US, to create site specific artwork or propose appropriate existing artwork for two Utah Department of Alcoholic Beverage Control facilities in Salt Lake City, Utah. COMMITTEE STATEMENT The Utah Department of Alcoholic Beverage Control (UDABC) is relocating and constructing these new stores in Salt Lake City to improve access and service for their customers. As part of this effort the UDABC has made a commitment to include public art and contemporary architecture. It is the intention of the Art Committee to commission new artworks or purchase existing art. This public artwork may draw inspiration from or derive context from the community of Salt Lake City and the surrounding community and/or the services offered by DABC, the architecture, and/or the magnificent Utah landscape. For the Downtown Project, the Committee has identified three interior and one exterior possible sites for an artist’s contribution. They are identified on the plan GN 221 with purple shading. For the Foothill Project, the Committee has identified two exterior and one interior as possible sites indicated on plans GN 195 and GN 196 with red cloud marking. Any proposal for the exterior court yard must accommodate visit access and egress. ​ Please note any proposed existing work must include the full costs to cover presentation to the committee, shipping, engineering, assembly, installation, and any structural alterations that may be necessary to install the work. For those artists submitting qualifications only, these details will be required for the finalist presentation. THE UTAH DEPARTMENT OF ALCOHOLIC BEVERAGE CONTROL http://www.abc.utah.gov/index.html The Department of Alcoholic Beverage Control has been in existence since 1935. The Utah State Legislature created the department by statute and charged it with the responsibility of conducting, licensing and regulating the sale of alcoholic beverages in a manner and at prices which reasonably satisfy the public demand and protect the public interest, including the rights of citizens who do not wish to be involved with alcoholic beverages. The legislature also mandated that the department be operated as a public business using sound management principles and practices. Two years earlier, the ratification of the Twenty First Amendment not only ended national prohibition, but it also gave individual states the right to choose their own system of controlling and distributing alcoholic beverages. The Utah legislature at that time believed that the state, rather than private enterprise, should control sales. The purpose of control is to make liquor available to those adults who choose to drink responsibly - but not to promote the sale of liquor. By keeping liquor out of the private marketplace, no economic incentives are created to maximize sales, open more liquor stores or sell to underage persons. Instead, all policy incentives to promote moderation and to enforce existing liquor laws is enhanced. SALT LAKE CITY, UTAH The land now known as Utah was first inhabited by the ancient Pueblo people, sometimes referred to as the Anasazi. Later, the Ute Tribe, which the state is named for, settled in the area centered around the Provo Valley. Other Native American peoples like the Shoshone, Navajo, Paiute, and Goshute also called the area home. Spanish Franciscan Missionary Silvestre Velez de Escalante explored Utah reaching as far north as Utah Valley, approximately 50 miles south of Salt Lake City. The area was first surveyed by US Army Officer John C. Fremont in 1843. Emigration Canyon, which opens onto Foothill and Downtown Salt Lake City was the main path of explorers, migrants and others into Salt Lake for many years. Salt Lake City was founded on July 24, 1847, by a group of Mormon pioneers. (Mormons are members of the Church of Jesus Christ of Latter-day Saints.) In 1869, the transcontinental railroad was completed by the driving of the Golden Spike at Promontory Summit, some 80 miles northwest of Salt Lake City, Utah. Salt Lake City is the capital and most populous city of Utah, as well as the seat of Salt Lake County, the most populous county in Utah. With an estimated population of 200,567 in 2019. The city is the core of the Salt Lake City metropolitan area, which has a population of 1,222,540 (2018 estimate). Salt Lake City downtown offers restaurants, watering holes, urban adventures, art, music, and after-dusk fun. The city is set at the base of towering peaks. Residents and visitors attend open-air concerts on summer nights, farmer’s markets, art galleries, performing arts venues or a Utah Jazz NBA game. Foothill Drive is the most eastern north to south thoroughfare on the east bench of Salt Lake City. The Drive runs between the University of Utah and Interstate 80 and is populated by businesses, hotel and shopping centers. BUDGET The Downtown SLC project budget is up to $64,000. The Foothill Boulevard SLC project budget is up to $23,600. Each of these project budgets are to include all related expenses of these Public Art commissions or purchase including (but not limited to) artist fees, fabrication, framing insurance, shipping, travel, installation, documentation, etc. ELIGIBILITY This project is open to resident American and legal resident artists / artist teams residing in the immediate Western United States to include: Utah (Utah artists are strongly encouraged to apply), Arizona, California, Colorado, Idaho, Montana, Nevada, New Mexico, Oregon, Washington, and Wyoming. Art selection committee members and immediate families, board members and employees of Jacoby Architects or Utah Division of Arts and Museums are not eligible for this project. This online application process will prompt you for all necessary documents and information. Utah Arts & Museums will not be responsible for applications delayed or lost. The DABC Art Selection Committee reserves the right to withhold the award of a commission or re-release the call for entries. SELECTION PROCESS AND SCHEDULE The DABC Selection Committee will review artist’s qualifications and/or proposals from which a short list of semi-finalists will be selected. Semi-finalists will be asked to send or present a full proposal to the committee on August 12, 2021 to include budget and time-line. The finalist honorarium will be applied toward the commission amount for the artist(s) awarded the commission or purchase. Final selection(s) will be made from the semi-finalists. June 7, 2021 - Deadline June 23, 2021 - Committee reviews applications August 12, 2021 - Finalist presentations July, 2022 - Foothill Project substantial completion October, 2022 - Salt Lake City substantial completion ART SELECTION COMMITTEE Nancy Rivera - Visual Arts Coordinator - Utah Arts & Museums Cori Price - DABC Cade Meier - DABC Joe Jacoby - Architects - Jacoby Architects Matthias Mueller - State of Utah Facilities Construction and Management If you have any questions about this or other projects information is available at: https://artsandmuseums.utah.gov/publicart/ or contact: Tory Guilfoyle at 801 245 7270 or tguilfoyle@utah.gov Jim Glenn at 801-245-7271 or e-mail at: jglenn@utah.gov

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[changeagentexpress]

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[changeagentexpress]

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[gystink]

Call for Entry: Utah Division of Arts & Museums Public Art Program (Western US artists only)

Utah DABC Salt Lake City & Foothill Utah Division of Arts & Museums Public Art Program 617 E. South Temple Salt Lake City, UT 84101 APPLY NOW Contact Email: jglenn@utah.gov Call Type: Public Art Eligibility: Regional State: Utah Entry Deadline: 6/7/21

REQUIREMENTS: Media Images - Minimum: 1, Maximum: 10 Video - Minimum: 0, Maximum: 1 Total Media - Minimum: 1, Maximum: 10

View Site Details

Call for interested artists, residing in the western US, to create site specific artwork or propose appropriate existing artwork for two Utah Department of Alcoholic Beverage Control facilities in Salt Lake City, Utah. COMMITTEE STATEMENT The Utah Department of Alcoholic Beverage Control (UDABC) is relocating and constructing these new stores in Salt Lake City to improve access and service for their customers. As part of this effort the UDABC has made a commitment to include public art and contemporary architecture. It is the intention of the Art Committee to commission new artworks or purchase existing art. This public artwork may draw inspiration from or derive context from the community of Salt Lake City and the surrounding community and/or the services offered by DABC, the architecture, and/or the magnificent Utah landscape. For the Downtown Project, the Committee has identified three interior and one exterior possible sites for an artist’s contribution. They are identified on the plan GN 221 with purple shading. For the Foothill Project, the Committee has identified two exterior and one interior as possible sites indicated on plans GN 195 and GN 196 with red cloud marking. Any proposal for the exterior court yard must accommodate visit access and egress. ​ Please note any proposed existing work must include the full costs to cover presentation to the committee, shipping, engineering, assembly, installation, and any structural alterations that may be necessary to install the work. For those artists submitting qualifications only, these details will be required for the finalist presentation. THE UTAH DEPARTMENT OF ALCOHOLIC BEVERAGE CONTROL http://www.abc.utah.gov/index.html The Department of Alcoholic Beverage Control has been in existence since 1935. The Utah State Legislature created the department by statute and charged it with the responsibility of conducting, licensing and regulating the sale of alcoholic beverages in a manner and at prices which reasonably satisfy the public demand and protect the public interest, including the rights of citizens who do not wish to be involved with alcoholic beverages. The legislature also mandated that the department be operated as a public business using sound management principles and practices. Two years earlier, the ratification of the Twenty First Amendment not only ended national prohibition, but it also gave individual states the right to choose their own system of controlling and distributing alcoholic beverages. The Utah legislature at that time believed that the state, rather than private enterprise, should control sales. The purpose of control is to make liquor available to those adults who choose to drink responsibly - but not to promote the sale of liquor. By keeping liquor out of the private marketplace, no economic incentives are created to maximize sales, open more liquor stores or sell to underage persons. Instead, all policy incentives to promote moderation and to enforce existing liquor laws is enhanced. SALT LAKE CITY, UTAH The land now known as Utah was first inhabited by the ancient Pueblo people, sometimes referred to as the Anasazi. Later, the Ute Tribe, which the state is named for, settled in the area centered around the Provo Valley. Other Native American peoples like the Shoshone, Navajo, Paiute, and Goshute also called the area home. Spanish Franciscan Missionary Silvestre Velez de Escalante explored Utah reaching as far north as Utah Valley, approximately 50 miles south of Salt Lake City. The area was first surveyed by US Army Officer John C. Fremont in 1843. Emigration Canyon, which opens onto Foothill and Downtown Salt Lake City was the main path of explorers, migrants and others into Salt Lake for many years. Salt Lake City was founded on July 24, 1847, by a group of Mormon pioneers. (Mormons are members of the Church of Jesus Christ of Latter-day Saints.) In 1869, the transcontinental railroad was completed by the driving of the Golden Spike at Promontory Summit, some 80 miles northwest of Salt Lake City, Utah. Salt Lake City is the capital and most populous city of Utah, as well as the seat of Salt Lake County, the most populous county in Utah. With an estimated population of 200,567 in 2019. The city is the core of the Salt Lake City metropolitan area, which has a population of 1,222,540 (2018 estimate). Salt Lake City downtown offers restaurants, watering holes, urban adventures, art, music, and after-dusk fun. The city is set at the base of towering peaks. Residents and visitors attend open-air concerts on summer nights, farmer’s markets, art galleries, performing arts venues or a Utah Jazz NBA game. Foothill Drive is the most eastern north to south thoroughfare on the east bench of Salt Lake City. The Drive runs between the University of Utah and Interstate 80 and is populated by businesses, hotel and shopping centers. BUDGET The Downtown SLC project budget is up to $64,000. The Foothill Boulevard SLC project budget is up to $23,600. Each of these project budgets are to include all related expenses of these Public Art commissions or purchase including (but not limited to) artist fees, fabrication, framing insurance, shipping, travel, installation, documentation, etc. ELIGIBILITY This project is open to resident American and legal resident artists / artist teams residing in the immediate Western United States to include: Utah (Utah artists are strongly encouraged to apply), Arizona, California, Colorado, Idaho, Montana, Nevada, New Mexico, Oregon, Washington, and Wyoming. Art selection committee members and immediate families, board members and employees of Jacoby Architects or Utah Division of Arts and Museums are not eligible for this project. This online application process will prompt you for all necessary documents and information. Utah Arts & Museums will not be responsible for applications delayed or lost. The DABC Art Selection Committee reserves the right to withhold the award of a commission or re-release the call for entries. SELECTION PROCESS AND SCHEDULE The DABC Selection Committee will review artist’s qualifications and/or proposals from which a short list of semi-finalists will be selected. Semi-finalists will be asked to send or present a full proposal to the committee on August 12, 2021 to include budget and time-line. The finalist honorarium will be applied toward the commission amount for the artist(s) awarded the commission or purchase. Final selection(s) will be made from the semi-finalists. June 7, 2021 - Deadline June 23, 2021 - Committee reviews applications August 12, 2021 - Finalist presentations July, 2022 - Foothill Project substantial completion October, 2022 - Salt Lake City substantial completion ART SELECTION COMMITTEE Nancy Rivera - Visual Arts Coordinator - Utah Arts & Museums Cori Price - DABC Cade Meier - DABC Joe Jacoby - Architects - Jacoby Architects Matthias Mueller - State of Utah Facilities Construction and Management If you have any questions about this or other projects information is available at: https://artsandmuseums.utah.gov/publicart/ or contact: Tory Guilfoyle at 801 245 7270 or tguilfoyle@utah.gov Jim Glenn at 801-245-7271 or e-mail at: jglenn@utah.gov

apply

[gystink]

Call for Entry: Utah Division of Arts & Museums Public Art Program (Western US artists only)

Utah DABC Salt Lake City & Foothill Utah Division of Arts & Museums Public Art Program 617 E. South Temple Salt Lake City, UT 84101 APPLY NOW Contact Email: jglenn@utah.gov Call Type: Public Art Eligibility: Regional State: Utah Entry Deadline: 6/7/21

REQUIREMENTS: Media Images - Minimum: 1, Maximum: 10 Video - Minimum: 0, Maximum: 1 Total Media - Minimum: 1, Maximum: 10

View Site Details

Call for interested artists, residing in the western US, to create site specific artwork or propose appropriate existing artwork for two Utah Department of Alcoholic Beverage Control facilities in Salt Lake City, Utah. COMMITTEE STATEMENT The Utah Department of Alcoholic Beverage Control (UDABC) is relocating and constructing these new stores in Salt Lake City to improve access and service for their customers. As part of this effort the UDABC has made a commitment to include public art and contemporary architecture. It is the intention of the Art Committee to commission new artworks or purchase existing art. This public artwork may draw inspiration from or derive context from the community of Salt Lake City and the surrounding community and/or the services offered by DABC, the architecture, and/or the magnificent Utah landscape. For the Downtown Project, the Committee has identified three interior and one exterior possible sites for an artist’s contribution. They are identified on the plan GN 221 with purple shading. For the Foothill Project, the Committee has identified two exterior and one interior as possible sites indicated on plans GN 195 and GN 196 with red cloud marking. Any proposal for the exterior court yard must accommodate visit access and egress. ​ Please note any proposed existing work must include the full costs to cover presentation to the committee, shipping, engineering, assembly, installation, and any structural alterations that may be necessary to install the work. For those artists submitting qualifications only, these details will be required for the finalist presentation. THE UTAH DEPARTMENT OF ALCOHOLIC BEVERAGE CONTROL http://www.abc.utah.gov/index.html The Department of Alcoholic Beverage Control has been in existence since 1935. The Utah State Legislature created the department by statute and charged it with the responsibility of conducting, licensing and regulating the sale of alcoholic beverages in a manner and at prices which reasonably satisfy the public demand and protect the public interest, including the rights of citizens who do not wish to be involved with alcoholic beverages. The legislature also mandated that the department be operated as a public business using sound management principles and practices. Two years earlier, the ratification of the Twenty First Amendment not only ended national prohibition, but it also gave individual states the right to choose their own system of controlling and distributing alcoholic beverages. The Utah legislature at that time believed that the state, rather than private enterprise, should control sales. The purpose of control is to make liquor available to those adults who choose to drink responsibly - but not to promote the sale of liquor. By keeping liquor out of the private marketplace, no economic incentives are created to maximize sales, open more liquor stores or sell to underage persons. Instead, all policy incentives to promote moderation and to enforce existing liquor laws is enhanced. SALT LAKE CITY, UTAH The land now known as Utah was first inhabited by the ancient Pueblo people, sometimes referred to as the Anasazi. Later, the Ute Tribe, which the state is named for, settled in the area centered around the Provo Valley. Other Native American peoples like the Shoshone, Navajo, Paiute, and Goshute also called the area home. Spanish Franciscan Missionary Silvestre Velez de Escalante explored Utah reaching as far north as Utah Valley, approximately 50 miles south of Salt Lake City. The area was first surveyed by US Army Officer John C. Fremont in 1843. Emigration Canyon, which opens onto Foothill and Downtown Salt Lake City was the main path of explorers, migrants and others into Salt Lake for many years. Salt Lake City was founded on July 24, 1847, by a group of Mormon pioneers. (Mormons are members of the Church of Jesus Christ of Latter-day Saints.) In 1869, the transcontinental railroad was completed by the driving of the Golden Spike at Promontory Summit, some 80 miles northwest of Salt Lake City, Utah. Salt Lake City is the capital and most populous city of Utah, as well as the seat of Salt Lake County, the most populous county in Utah. With an estimated population of 200,567 in 2019. The city is the core of the Salt Lake City metropolitan area, which has a population of 1,222,540 (2018 estimate). Salt Lake City downtown offers restaurants, watering holes, urban adventures, art, music, and after-dusk fun. The city is set at the base of towering peaks. Residents and visitors attend open-air concerts on summer nights, farmer’s markets, art galleries, performing arts venues or a Utah Jazz NBA game. Foothill Drive is the most eastern north to south thoroughfare on the east bench of Salt Lake City. The Drive runs between the University of Utah and Interstate 80 and is populated by businesses, hotel and shopping centers. BUDGET The Downtown SLC project budget is up to $64,000. The Foothill Boulevard SLC project budget is up to $23,600. Each of these project budgets are to include all related expenses of these Public Art commissions or purchase including (but not limited to) artist fees, fabrication, framing insurance, shipping, travel, installation, documentation, etc. ELIGIBILITY This project is open to resident American and legal resident artists / artist teams residing in the immediate Western United States to include: Utah (Utah artists are strongly encouraged to apply), Arizona, California, Colorado, Idaho, Montana, Nevada, New Mexico, Oregon, Washington, and Wyoming. Art selection committee members and immediate families, board members and employees of Jacoby Architects or Utah Division of Arts and Museums are not eligible for this project. This online application process will prompt you for all necessary documents and information. Utah Arts & Museums will not be responsible for applications delayed or lost. The DABC Art Selection Committee reserves the right to withhold the award of a commission or re-release the call for entries. SELECTION PROCESS AND SCHEDULE The DABC Selection Committee will review artist’s qualifications and/or proposals from which a short list of semi-finalists will be selected. Semi-finalists will be asked to send or present a full proposal to the committee on August 12, 2021 to include budget and time-line. The finalist honorarium will be applied toward the commission amount for the artist(s) awarded the commission or purchase. Final selection(s) will be made from the semi-finalists. June 7, 2021 - Deadline June 23, 2021 - Committee reviews applications August 12, 2021 - Finalist presentations July, 2022 - Foothill Project substantial completion October, 2022 - Salt Lake City substantial completion ART SELECTION COMMITTEE Nancy Rivera - Visual Arts Coordinator - Utah Arts & Museums Cori Price - DABC Cade Meier - DABC Joe Jacoby - Architects - Jacoby Architects Matthias Mueller - State of Utah Facilities Construction and Management If you have any questions about this or other projects information is available at: https://artsandmuseums.utah.gov/publicart/ or contact: Tory Guilfoyle at 801 245 7270 or tguilfoyle@utah.gov Jim Glenn at 801-245-7271 or e-mail at: jglenn@utah.gov

apply

[gystink]

Call for Proposals: Dixie State University Science - Engineering & Technology - Utah Public Art

Dixie State University Science - Engineering & Technology - Utah Public Art Utah Public Art Program 300 S. Rio Grande Salt Lake City, UT 84101 APPLY NOW Contact Email: jglenn@utah.gov Call Type: Unspecified Eligibility: Unspecified State: Utah Entry Deadline: 4/24/20 Days remaining to deadline: 47

REQUIREMENTS: Media Images - Minimum: 1, Maximum: 10 Audio - Minimum: 0, Maximum: 6 Video - Minimum: 0, Maximum: 6 Total Media - Minimum: 1, Maximum: 10

View Site Details

Dixie State University in partnership with the Utah Division of Facilities Construction and Management and the Utah Division of Arts & Museum Public Art Program is requesting artist or artist team qualifications for the creation of site-specific artwork(s) for the Dixie State University Science, Technology and Engineering Building in St. George, Utah. DEADLINE FOR MATERIALS: April 24, 2020 DIXIE UNIVERSITY - SCIENCE, TECHNOLOGY AND ENGINEERING  The College of Science, Engineering, and Technology offers Bachelor's degrees, Associate of Arts or Science degrees and Associate degrees in Applied Science. A Dixie State University education provides experience through undergraduate research while preparing students for their career.  Courses offered in the Science, Engineering and Technology departments are well planned and designed to give students the best education possible. Classes and laboratories are designed to stimulate and increase students’ desire to learn and succeed. This new building will enable the university to expand its academic offerings in computer, electrical and mechanical engineering along with biology, chemistry, physics, geology, physiology and genetic counseling. Graduates in these programs will go on to fill regional health care and technology workforce shortages. Additionally, the facility will allow Dixie State to create technology, engineering and biotech pipeline programs with Intermountain Healthcare, the University of Utah and local tech industry partners. ARCHITECTURAL DESIGN Standing five stories high and consisting of 122,000 square feet of classrooms, laboratories and support spaces, the new Science, Technology & Engineering Building at Dixie State University will help meet the ever increasing demand for state-of-the-art science and engineering facilities required by so many of the majors offered by the university.  Disciplines that will be taught in this building include Physics, Chemistry, Biology, Genetics, Geo Sciences, Prototyping, Thermofluids, Mechatronics and Computer Sciences, to name a few.  From the beginning of the project, the various departments belonging to this building have expressed excitement to cohabitate and a desire for increased cross-disciplinary collaboration. One key architectural response to this desire for collaboration was inspired by an oasis within a desert.  In a harsh desert environment, an oasis provides shelter, resources, and comfort sought out by all walks of life.  An oasis brings many unlikely life forms together to a place of cohabitation where all can enjoy the amenities that the oasis has to offer.  Strategically placed throughout the SET building are many shared “oasis” spaces for both students and faculty of all disciplines to enjoy, including a café, a variety of study areas, public roof-top terraces, and student and faculty break rooms.  In the main student study areas on each floor these “oases” are marked by a slat-wood ceiling design intended to evoke the feeling of being under a canopy of trees. The spaces where light peaks through tree branches in a canopy was geometricized and represented as voided triangles with carefully selected light fixtures to create an ambiance different from other areas of the building.  These main student study areas are located along the main pathway through the building creating a common ground for all disciplines to study, recharge, meet, and interact. The location of this building and its relationship to campus also promotes interaction.  The SET Building sits at the extreme south end of its site and engages with the a main student thoroughfare, providing views into some of the building’s most interactive labs as well as a featured view into the mechanical room which will highlight the beauty of the intricate mechanical design required to make the science and engineering labs function.  Two tiered classrooms above span across the student thoroughfare and reach out towards the fountain.  On the north side of the building is an engineering yard just outside of the prototyping and project labs where engineering students can wheel out large projects to work in the open air.  The engineering yard also provides an open space outside for students to showcase their work to the public on certain occasions such as the Dixie Design Days event. The exterior building materials were selected from a color palette to be “of the desert”.  The base of the building is clad in Glass Fiber Reinforced Concrete (GFRC) panels, which becomes a visual plinth that the building rests upon.  A glass curtain wall system populates the north and south facades, allowing for daylighting into the science labs and views out across campus and to the desert landscape beyond.  The south curtainwall is equipped with sunshades to mitigate glare and solar heat gain. The east and west facades are clad with Copper metal panels which are expected to patina to a rich dark brown color in Southern Utah’s arid environment. Copper’s thermal, conductive, geological, chemical and microbial properties seem to give this metal a special relevance and meaning to each discipline in this building, making this building material particularly appropriate for a building that celebrates different forms of knowledge coming together to spark innovation and collaboration. COMMITTEE STATEMENT The Selection Committee asks that interested artist consider: Active Learning / Active Life is the vision for Dixie State University and informs this facility design as well as the learning and teaching in the College of Science, Technology and Engineering. The College is creating a space to design and make. The intent is impact and less as spectator or lecture. This building will be a dense “beehive” of activity with “do space” for students and faculty working in “maker spaces.” The aim is innovation, collaboration and inspiration. The science themed and rich materiality of the building design provides many opportunities for the integration of an artist’s interpretation into the architecture and site.  The Selection Committee is open to artist suggested sites, both interior and exterior, but has identified areas that would likely not be ideal sites for public art: west side exterior, stairwells, glass / windows, or north portion of student lounge. The southern exterior sidewalk / plaza is a fire lane and cannot be obstructed. Lastly, the windows into the laboratories facing the plaza are designed to allowing viewing into and out of the labs and should be considered for any proposals involving those areas. The attached plans and elevations have been marked with some of the potential sites as identified by the Committee understanding that artists may see other opportunities / sites. DIXIE STATE UNIVERSITY Dixie State University is a public comprehensive university dedicated to rigorous learning and the enrichment of the professional and personal lives of its students and community by providing opportunities that engage the unique Southern Utah environment and resources. Dr. Richard B. Williams, President of Dixie University writes, “As a regional state university, we promote our campus-wide culture of learning by providing our students with rigorous instruction and personalized attention delivered by a talented roster of highly trained and educated faculty. We are proud to offer nearly 60 undergraduate programs and 44 highly sought after bachelor degree programs. As part of our mission, Dixie State has also maintained its role as a community college in providing several educational and vocational opportunities to our students. We embrace and celebrate a culture of values and we take pride in fostering a spirit of service, citizenship, diversity, ethics and collaboration – all of which are hallmarks of a true university.” ST. GEORGE / WASHINGTON COUNTY, UTAH   St. George is the county seat of Washington County, Utah. It is located in the southwestern part of the state near the Arizona and Nevada borders. The city lies in the northeasternmost part of the Mojave Desert, adjacent to the Pine Valley Mountains near the convergence of three distinct geological areas: the Mojave Desert, Colorado Plateau, and Great Basin. The city is 118 miles (190 km) northeast of Las Vegas and 300 miles (480 km) south-southwest of Salt Lake City. The St. George area is well known for its natural environment and proximity to several state and national parks. As of the 2018 U.S Census estimates, the city had a population of 87,178, and the St. George metropolitan area had an estimated population of 171,700.  St. George is the seventh-largest city in Utah and most populous city in the state outside of the Wasatch Front. St. George was identified as the fastest growing metropolitan area in the U.S. in 2018. St. George ranked most secure and best place to live in the United States in 2006, and was rated among the top 10 best small cities in the country for business and careers by Forbes. The Virgin River Anasazi were St. George’s earliest residents, inhabiting the area from approximately 200 B.C. to 1200 A.D. They left behind rock art and ruins of their dwellings. The reason for their departure is unknown to this day. The Paiute tribe arrived between 1100 and 1200 A.D., utilizing the area as a hunting ground for deer, rabbits and other animals. The Paiutes also grew crops along the riverbeds, including corn, wheat and melons. In 1776, the Dominguez-Escalante Party became the first recorded European-Americans to visit the area. Fur trappers and government survey parties followed. St. George became the county seat of Washington County in 1863. In 1911, to commemorate the 50th anniversary of St. George’s settling, the Dixie Stake Academy building was constructed. The LDS Church operated the academy until 1933, when it became a two-year college within Utah’s higher education system. The new Dixie College campus opened in the southeastern corner of the city in the 1960’s.  (courtesy visitstgeorge.com and Wikipedia.org) BUDGET $340,000 is available for all related expenses of this Public Art commission(s) including (but not limited to) artist fees, fabrication, insurance, shipping, travel, installation, documentation, etc. ELIGIBILITY Resident US citizen or legal resident artists / artist teams are eligible to apply for this project. Utah artists are strongly encouraged to apply.  Art Selection Committee members, staff and Board of Utah Arts & Museums, and VCBO Architects are not eligible to apply for this commission.   SUBMISSION INTRUCTIONS  Register at https://www.callforentry.org/ and follow the directions for registration and submitting material for this Public Art Request for Qualifications     REQUIRED APPLICATOIN MATERIALS  1. Letter of Interest: Briefly describe your interest in this project and how your work may relate. If you have a concept in mind you may include that information. 5000 Maximum Character Limit 2. Visual support materials: Visual representations of your work in up to ten still images and/or up to six moving image files – for total of 10 samples maximum. (jpg files under 5MB –Video files: MOV, MP4, WMV, 3GP, AVI, ASF, MPG, M2T, MKV, M2TS under 100 MB - Audio files: AIFF, WAV, XMF, MP3 under 10 MB 3. CV/Resume: Upload up to three pages. Faxed or e-mailed applications cannot be accepted. The Art Selection Committee reserves the right to withhold the award of a commission or re-release the call for entries.   DEADLINE Complete applications packages must be submitted on or before April 24, 2020 by 11:59 pm (MST) via CaFE. SELECTION PROCESS AND SCHEDULE The Selection Committee will review all preliminary material properly submitted.  Finalists will be selected from the first phase of applicants and asked to present a working proposal to the Selection Committee on July 16, 2020. Contacts and as much information as possible will be provided to the finalists to assist in research and development of a proposal. An honorarium will be offered to the finalists to help defray the costs associated with development of a proposal and travel. This honorarium will be applied toward the commission amount for the artist(s) awarded the commission. Final selection(s) will be made from the finalists interviewed.  Schedule: February 2020 - Release RFQ April 24, 2020 - Deadline for receipt of preliminary materials May 14, 2020 - Committee Review  July 16, 2020 – Finalists presentations May 15, 2021 – Substantial completion of the project ARTIST SELECTION COMMITTEE  Clint Bunnell - State of Utah, Division of Facilities Construction & Management Shane Christensen - Dixie State University (DSU,) Assistant Professor of Art Tyler Froelich - VCBO Architecture  Paul Morris - DSU, Vice President of Administrative Affairs Eric Pedersen - DSU, Dean of College of Science, Engineering & Technology Richard Williams - DSU, President If you have any questions about this or other projects, information is available at: publicart.utah.gov  Or contact:  Jim Glenn at 801-245-7271 or jglenn@utah.gov All images courtesy VCBO Architects and Dixie State University

[gystink]

Call for Proposals: Dixie State University Science - Engineering & Technology - Utah Public Art

Dixie State University Science - Engineering & Technology - Utah Public Art Utah Public Art Program 300 S. Rio Grande Salt Lake City, UT 84101 APPLY NOW Contact Email: jglenn@utah.gov Call Type: Unspecified Eligibility: Unspecified State: Utah Entry Deadline: 4/24/20 Days remaining to deadline: 47

REQUIREMENTS: Media Images - Minimum: 1, Maximum: 10 Audio - Minimum: 0, Maximum: 6 Video - Minimum: 0, Maximum: 6 Total Media - Minimum: 1, Maximum: 10

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Dixie State University in partnership with the Utah Division of Facilities Construction and Management and the Utah Division of Arts & Museum Public Art Program is requesting artist or artist team qualifications for the creation of site-specific artwork(s) for the Dixie State University Science, Technology and Engineering Building in St. George, Utah. DEADLINE FOR MATERIALS: April 24, 2020 DIXIE UNIVERSITY - SCIENCE, TECHNOLOGY AND ENGINEERING  The College of Science, Engineering, and Technology offers Bachelor's degrees, Associate of Arts or Science degrees and Associate degrees in Applied Science. A Dixie State University education provides experience through undergraduate research while preparing students for their career.  Courses offered in the Science, Engineering and Technology departments are well planned and designed to give students the best education possible. Classes and laboratories are designed to stimulate and increase students’ desire to learn and succeed. This new building will enable the university to expand its academic offerings in computer, electrical and mechanical engineering along with biology, chemistry, physics, geology, physiology and genetic counseling. Graduates in these programs will go on to fill regional health care and technology workforce shortages. Additionally, the facility will allow Dixie State to create technology, engineering and biotech pipeline programs with Intermountain Healthcare, the University of Utah and local tech industry partners. ARCHITECTURAL DESIGN Standing five stories high and consisting of 122,000 square feet of classrooms, laboratories and support spaces, the new Science, Technology & Engineering Building at Dixie State University will help meet the ever increasing demand for state-of-the-art science and engineering facilities required by so many of the majors offered by the university.  Disciplines that will be taught in this building include Physics, Chemistry, Biology, Genetics, Geo Sciences, Prototyping, Thermofluids, Mechatronics and Computer Sciences, to name a few.  From the beginning of the project, the various departments belonging to this building have expressed excitement to cohabitate and a desire for increased cross-disciplinary collaboration. One key architectural response to this desire for collaboration was inspired by an oasis within a desert.  In a harsh desert environment, an oasis provides shelter, resources, and comfort sought out by all walks of life.  An oasis brings many unlikely life forms together to a place of cohabitation where all can enjoy the amenities that the oasis has to offer.  Strategically placed throughout the SET building are many shared “oasis” spaces for both students and faculty of all disciplines to enjoy, including a café, a variety of study areas, public roof-top terraces, and student and faculty break rooms.  In the main student study areas on each floor these “oases” are marked by a slat-wood ceiling design intended to evoke the feeling of being under a canopy of trees. The spaces where light peaks through tree branches in a canopy was geometricized and represented as voided triangles with carefully selected light fixtures to create an ambiance different from other areas of the building.  These main student study areas are located along the main pathway through the building creating a common ground for all disciplines to study, recharge, meet, and interact. The location of this building and its relationship to campus also promotes interaction.  The SET Building sits at the extreme south end of its site and engages with the a main student thoroughfare, providing views into some of the building’s most interactive labs as well as a featured view into the mechanical room which will highlight the beauty of the intricate mechanical design required to make the science and engineering labs function.  Two tiered classrooms above span across the student thoroughfare and reach out towards the fountain.  On the north side of the building is an engineering yard just outside of the prototyping and project labs where engineering students can wheel out large projects to work in the open air.  The engineering yard also provides an open space outside for students to showcase their work to the public on certain occasions such as the Dixie Design Days event. The exterior building materials were selected from a color palette to be “of the desert”.  The base of the building is clad in Glass Fiber Reinforced Concrete (GFRC) panels, which becomes a visual plinth that the building rests upon.  A glass curtain wall system populates the north and south facades, allowing for daylighting into the science labs and views out across campus and to the desert landscape beyond.  The south curtainwall is equipped with sunshades to mitigate glare and solar heat gain. The east and west facades are clad with Copper metal panels which are expected to patina to a rich dark brown color in Southern Utah’s arid environment. Copper’s thermal, conductive, geological, chemical and microbial properties seem to give this metal a special relevance and meaning to each discipline in this building, making this building material particularly appropriate for a building that celebrates different forms of knowledge coming together to spark innovation and collaboration. COMMITTEE STATEMENT The Selection Committee asks that interested artist consider: Active Learning / Active Life is the vision for Dixie State University and informs this facility design as well as the learning and teaching in the College of Science, Technology and Engineering. The College is creating a space to design and make. The intent is impact and less as spectator or lecture. This building will be a dense “beehive” of activity with “do space” for students and faculty working in “maker spaces.” The aim is innovation, collaboration and inspiration. The science themed and rich materiality of the building design provides many opportunities for the integration of an artist’s interpretation into the architecture and site.  The Selection Committee is open to artist suggested sites, both interior and exterior, but has identified areas that would likely not be ideal sites for public art: west side exterior, stairwells, glass / windows, or north portion of student lounge. The southern exterior sidewalk / plaza is a fire lane and cannot be obstructed. Lastly, the windows into the laboratories facing the plaza are designed to allowing viewing into and out of the labs and should be considered for any proposals involving those areas. The attached plans and elevations have been marked with some of the potential sites as identified by the Committee understanding that artists may see other opportunities / sites. DIXIE STATE UNIVERSITY Dixie State University is a public comprehensive university dedicated to rigorous learning and the enrichment of the professional and personal lives of its students and community by providing opportunities that engage the unique Southern Utah environment and resources. Dr. Richard B. Williams, President of Dixie University writes, “As a regional state university, we promote our campus-wide culture of learning by providing our students with rigorous instruction and personalized attention delivered by a talented roster of highly trained and educated faculty. We are proud to offer nearly 60 undergraduate programs and 44 highly sought after bachelor degree programs. As part of our mission, Dixie State has also maintained its role as a community college in providing several educational and vocational opportunities to our students. We embrace and celebrate a culture of values and we take pride in fostering a spirit of service, citizenship, diversity, ethics and collaboration – all of which are hallmarks of a true university.” ST. GEORGE / WASHINGTON COUNTY, UTAH   St. George is the county seat of Washington County, Utah. It is located in the southwestern part of the state near the Arizona and Nevada borders. The city lies in the northeasternmost part of the Mojave Desert, adjacent to the Pine Valley Mountains near the convergence of three distinct geological areas: the Mojave Desert, Colorado Plateau, and Great Basin. The city is 118 miles (190 km) northeast of Las Vegas and 300 miles (480 km) south-southwest of Salt Lake City. The St. George area is well known for its natural environment and proximity to several state and national parks. As of the 2018 U.S Census estimates, the city had a population of 87,178, and the St. George metropolitan area had an estimated population of 171,700.  St. George is the seventh-largest city in Utah and most populous city in the state outside of the Wasatch Front. St. George was identified as the fastest growing metropolitan area in the U.S. in 2018. St. George ranked most secure and best place to live in the United States in 2006, and was rated among the top 10 best small cities in the country for business and careers by Forbes. The Virgin River Anasazi were St. George’s earliest residents, inhabiting the area from approximately 200 B.C. to 1200 A.D. They left behind rock art and ruins of their dwellings. The reason for their departure is unknown to this day. The Paiute tribe arrived between 1100 and 1200 A.D., utilizing the area as a hunting ground for deer, rabbits and other animals. The Paiutes also grew crops along the riverbeds, including corn, wheat and melons. In 1776, the Dominguez-Escalante Party became the first recorded European-Americans to visit the area. Fur trappers and government survey parties followed. St. George became the county seat of Washington County in 1863. In 1911, to commemorate the 50th anniversary of St. George’s settling, the Dixie Stake Academy building was constructed. The LDS Church operated the academy until 1933, when it became a two-year college within Utah’s higher education system. The new Dixie College campus opened in the southeastern corner of the city in the 1960’s.  (courtesy visitstgeorge.com and Wikipedia.org) BUDGET $340,000 is available for all related expenses of this Public Art commission(s) including (but not limited to) artist fees, fabrication, insurance, shipping, travel, installation, documentation, etc. ELIGIBILITY Resident US citizen or legal resident artists / artist teams are eligible to apply for this project. Utah artists are strongly encouraged to apply.  Art Selection Committee members, staff and Board of Utah Arts & Museums, and VCBO Architects are not eligible to apply for this commission.   SUBMISSION INTRUCTIONS  Register at https://www.callforentry.org/ and follow the directions for registration and submitting material for this Public Art Request for Qualifications     REQUIRED APPLICATOIN MATERIALS  1. Letter of Interest: Briefly describe your interest in this project and how your work may relate. If you have a concept in mind you may include that information. 5000 Maximum Character Limit 2. Visual support materials: Visual representations of your work in up to ten still images and/or up to six moving image files – for total of 10 samples maximum. (jpg files under 5MB –Video files: MOV, MP4, WMV, 3GP, AVI, ASF, MPG, M2T, MKV, M2TS under 100 MB - Audio files: AIFF, WAV, XMF, MP3 under 10 MB 3. CV/Resume: Upload up to three pages. Faxed or e-mailed applications cannot be accepted. The Art Selection Committee reserves the right to withhold the award of a commission or re-release the call for entries.   DEADLINE Complete applications packages must be submitted on or before April 24, 2020 by 11:59 pm (MST) via CaFE. SELECTION PROCESS AND SCHEDULE The Selection Committee will review all preliminary material properly submitted.  Finalists will be selected from the first phase of applicants and asked to present a working proposal to the Selection Committee on July 16, 2020. Contacts and as much information as possible will be provided to the finalists to assist in research and development of a proposal. An honorarium will be offered to the finalists to help defray the costs associated with development of a proposal and travel. This honorarium will be applied toward the commission amount for the artist(s) awarded the commission. Final selection(s) will be made from the finalists interviewed.  Schedule: February 2020 - Release RFQ April 24, 2020 - Deadline for receipt of preliminary materials May 14, 2020 - Committee Review  July 16, 2020 – Finalists presentations May 15, 2021 – Substantial completion of the project ARTIST SELECTION COMMITTEE  Clint Bunnell - State of Utah, Division of Facilities Construction & Management Shane Christensen - Dixie State University (DSU,) Assistant Professor of Art Tyler Froelich - VCBO Architecture  Paul Morris - DSU, Vice President of Administrative Affairs Eric Pedersen - DSU, Dean of College of Science, Engineering & Technology Richard Williams - DSU, President If you have any questions about this or other projects, information is available at: publicart.utah.gov  Or contact:  Jim Glenn at 801-245-7271 or jglenn@utah.gov All images courtesy VCBO Architects and Dixie State University

[jaymcvey22]

#JGlenn

[jaymcvey22]

😡 " If She says go I ain't askin' questions I'm packing up my stuff and I'm on the next plane, no brainer baby I consider her a blessing So I follow Her lead and whatever she says " 😡 Got That Hood Love For My @jsullivanmusic 😡😙😊 #GodFirst #JGlenn #promua #jazminesullivan #TheRealityShowTour #HairStylist

[jaymcvey22]

Woke Up Feeling Beautiful About Life And Myself. At The End Of The Day If Im The Only One In My Corner, Im Ok With That. Everything Happens For A Reason And When Its All Said And Done , I Love Me. #GodFirst #JGlenn

[jaymcvey22]

🌎B A M A ! Born And Raised #MontgomeryAlabama #JGlenn #Beyonce #FormationTour