#joe massot

[gatutor]

Jane Birkin "Wonderwall" 1968, de Joe Massot.

[wetgeliscasualinterval]

Jane Birkin in "Wonderwall" (1968) dir. Joe Massot

[phantomladyoverparis]

Reflections on Love (1966), dir. Joe Massot

[lovelybeautifulsleep]

Jane Birkin in Wonderwall (Joe Massot 1968)

[sukipotier]

Suki Potier and Iain Quarrier in Wonderwall (1968)

[harrisonarchive]

Rest in peace, Jane Birkin.

Pictured here with George, Ringo, Maureen, and Pattie in Cannes on May 17, 1968; photos by by Koh Hasebe/Shinko Music/Getty Images, The Associated Press, Farabola/Bridgeman Images, and REPORTERS ASSOCIES/Gamma-Rapho via Getty Images.

“I remember the mystery that was around George Harrison. I wouldn’t have asked him a question. I wouldn’t have added because of… feeling he… he was onto something else.” - Jane Birkin, Living In The Material World (2011)

“[Director Joe Massot] asked me if I would do the music, but I told him I didn’t write music for films. Then he said that whatever I gave him, he would use. That sounded pretty simple, and I thought, ‘I’ll give them an Indian music anthology, and who knows, maybe a few hippies will get turned on to Indian music.’ […] Ringo came with me to the [Wonderwall] premiere in Cannes. (I know this because they’ve put out a CD and I’ve read Derek’s liner notes. I didn’t remember it until I saw the photos of us with a rather nice young lady called Jane Birkin who was in the movie.)” - George Harrison, The Beatles Anthology (2000) (x)

[ouibo-repris]

[letterboxd-loggd]

Wonderwall (1968) Joe Massot

July 7th 2023

[miriam-heddy]

Not-So-Butch-Cassidy and the Sonny Kid: Zachariah (1971)

If you’re in the mood for some retro queer subtextual loveliness with an anti-toxic-masculinity message, watch this film trailer and then run and get yourself a copy of Zachariah (1971), starring a very pretty Don Johnson and a very pretty John Rubinstein being very pretty together, on horses. It’s a slasher chick’s wet dream.

ETA: https://www.bbc.com/culture/article/20220302-zachariah-the-1971-western-that-celebrated-male-intimacy

[illustraction]

WONDERWALL (1968) - JANE BIRKIN: A VISUAL HOMMAGE (Part 8/10)

By 1968 JANE BIRKIN was a famous figure of the Swingin' Sixties, a staple of Mod era London. She was cast as the model Penny Lane in this psychedelic fantasy movie, mainly remembered because Beatles' George Harrison composed the soundtrack

The movie was a flop but gained later acclaim when it was re-released in the mid 90's particularly in Japan where this unique poster originates from

Director: Joe Massot

Actors: Jane Birkin

Goodbye Jane (1946-2023)

All our JANE BIRKIN POSTERS ARE HERE

If you like this entry, check the other 9 parts of this week’s Blog as well as our Blog Archives

All our NEW POSTERS are here

All our ON SALE posters are here

The poster above courtesy of ILLUSTRACTION GALLERY

[capspiration]

Wonderwall (1968)

[wetgeliscasualinterval]

Jane Birkin

‘Wonderwall’ (1968) dir. Joe Massot

[phantomladyoverparis]

Reflections on Love (1966), dir. Joe Massot

[teledyn]

(via (6) Dream Scene - YouTube)

[mtonino]

Wonderwall (1968) Joe Massot

Wonderwall (1968)

[harrisonarchive]

Wonderwall Music was released on November 1, 1968. Photo by Astrid Kirchherr. “[Joe Massot] asked me if I would do the music, but I told him I didn’t write music for films. Then he said that whatever I gave him, he would use. That sounded pretty simple, and I thought: ‘I’ll give them an Indian music anthology, and who knows, maybe a few hippies will get turned on to Indian music.’” - George Harrison, The Beatles Anthology “I had a regular wind-up stopwatch and I watched the film to 'spot-in’ the music with the watch. I wrote the timings down in my book, then I’d go to Abbey Road, make up a piece, record it and when we’d sync it up at Twickenham it always worked.” - George Harrison, Wonderwall Music 1992 liner notes “He said ‘Oh by the way, I need a cover or an inner sleeve for my next LP’ and he said ‘I would like you to take it.’ […] Then he offered to build me a studio in London to take pictures and asked me if I could think it over. I was so unsure about me being a photographer, because of The Beatles boom, and I was thinking ‘Am I really good or am I just a Beatles photographer?’ So I just gave him a call and said ‘No, I don’t want to,’ and the only thing he answered was ‘Well you are my little fool.’” - Astrid Kirchherr, Astrid Kirchherr: A Retrospective (x)