#john el-jor

[meangirlsenjoyer]

i love them so much oh my gosh

Angourie Rice, Avantika, Bebe Wood, John El-Jor and Reneé Rapp via johneljor on Instagram, 04/24/2023.

[jetslay]

Dark Knights of Steel by Yasmine Putri.

[morgangalaxy43]

I love that gay people existed in the medieval times

[vertigoartgore]

1986's The Man of Steel Vol.1 #1-6 covers by cover artist John Byrne. Source Source

[superfamilyweek]

Superfam Members

Since there seem to have been some confusion as to which characters are included in the Superfamily as far as this week is concerned, we decided to clear things up a bit. So here is a list including all the characters for which we will accept submissions for (note: this means that your fanwork has to include at least one of those characters. You can also include whatever other characters you want, as long as one of the following characters is the central focus):

Clark Kent

Lois Lane

Ma and Pa Kent

Jimmy Olsen

Kara Zor-El

Kon El/Conner Kent

Mae Kent/Matrix

Linda Danvers

Karen Starr/Paige Stetler

Superpets (krypto, streaky, etc)

Natasha Irons

John Henry Irons

Lana Lang

Jon Kent

Chris Kent

Otho Ra

Osul Ra

Cir El

Mon El

Jor El and Lara Lor-Van

Other canon Earth versons of Superman/Supergirl/etc (see: Calvin Ellis, Val Zod, etc)

Other characters such as Lucy Lane or Perry White, as well as other superfam love interests (Lori Lemaris, Jay Nakamura, Brainiac 5, etc) and reformed villains (Lex Luthor, Bizzaro, Silver Banshee, etc) are considered a supporting cast, and thus submissions about them will only be reblogged if they include one of the characters from the above list as well.

[artblooger19moon]

My Adventures with Superman

Season 1 : June 4 - June 24 2024

Season 2 : July 18 - July 22 2024

[wanderingmind867]

If you haven't before, read the Superman Adventures #30 and #31. It feels like a dcau version of those weird old imaginary stories silver age dc used to do. Superman ends up in an alternative dimension where his parents survived, and his mom went insane and became a supervillian. Now Lex Luthor, Superman from the main universe, Jor-El and most of Superman's rogues gallery (metallo, bizarro, parasite, etc) end up earth's last hope. I kind of love this story. I'm fascinated by superman's mom becoming a genocidal maniac. And it's amazing to see the good side of Lex Luthor, leader of earth's resistance force. The best line? "You're not the first kryptonian i've stared down, professor va-kox, and you won't be the last. Do your worst!" That is...an incredibly impressive line. Lex Luthor can be a hero when he needs to be. On this alternative world, he's revered as a saint amongst the people of metropolis. Because he really is a good guy.

[midnightechoes]

Okay, so My Adventures With Superman was everything I hoped it would be and more! Clark is a fun, charming, earnest himbo. Lois is a driven, confident reporter with a knack for finding a story and not really thinking of the trouble it'll get her into. And Jimmie is an eager conspiracy theorist who's ready to uncover the truth with his friends.

I honestly love this version of the main trio. They're funny, energetic, and lively and they go together well. And most of the background characters are fun so far. Perry is fantastic as their perpetually tired and fed up with their bs boss. This Ma Kent is FANTASTIC. And this version of Livewire is an interesting (and hot) take on the character.

And I love how immediately into each other Lois and Clark are. Their obvious crushes on each other is refreshing and done really well, leading to a lot of cute moments just in the first two episodes.

So okay, when I watched this, my first thought, after just "holy shit this is great!" was that WOW, for a completely straight show, it just kind of feels gay. Like, it has a very queer vibe to it. Somehow, despite Lois and Clark being a het relationship it kind of feels sapphic as hell in the way it's done. And I'm sorry, but this version of Livewire was designed for lesbians:

So I looked at the credits, and yep, it made sense.

The show was developed by Jake Wyatt, who worked in the animation department for the Duck Tales reboot and Steven Universe. Josie Campbell is the co-producer, who was a writer and story editor on She-Ra and the Princesses of Power. The first episode was directed by Jen Bennett, who directed 17 SPOP episodes, including Princess Prom, Promise, and Save the Cat. And the second episode was directed by Diana Huh, who was a co-director and storyboard artist on SPOP, and a storyboard artist on the Duck Tales Reboot, Infinity Train, and DC Superhero Girls.

My point is that there are a number of SPOP alum working on this show and it shows because somehow, someway, this silly little (so far) completely het show about one of the oldest superheroes and America's boy scout, feels fresh and gay as hell.

And who knows, maybe there'll actually be some queer content down the line. I mean, Kara is supposed to show up at some point. 😏 A girl can dream, can't she?*

My Adventures With Superman feel fun, fresh, and very anime-inspired and I 100% recommend checking it out. It airs on Adult Swim and HBO Max, and the first episode is free to watch on Adult Swim's Youtube page.

Also, I want you all to know that I worked really hard to make this a decently coherent post and not just a lot of squealing about how great this show is and how adorable fucking Clark and Lois are.

*For real, if, against all odds, this show was somehow the show that pulled off Supercorp, I would LOSE. MY. MIND. I know, there is a 0.0002% chance of that happening, but again, a girl can DrEaM!

[jor-elsemissary]

Its a server to talk about Smallville's Lionel Luthor, the Luthors or just Smallville in general.

Rules

We don't hate on any of the characters. You don't like a character fine, but we don't allow bashing of characters. You want to bash a character, make your own server.

We don't allow hate on any members for liking a character or ship. Take your Reylo attitude somewhere else.

Must be 18+ to view and participate in Level 3. No illegal shit.

Behave. Even if you are not an adult, you are in public and will behave. Disruptive and cruel behavior will be an automatic mute the first time and a ban the second time.

Rules will be amended as things happen.

Channels will be added as needed.

Don't make me send Dominic after you.

[lonelywretchjervistetch]

The Superman Logs: MAWS Season 2 - Episodes 1 - 3

Well, hey, it's me again! My Legion of Super-Heroes DCU essay series has been more difficult than expected to put together (for a whole buncha reasons, I won't get into it), but I also haven't written much on this blog in a while. So, may as well get back into the swing of things, which I've been planning to do regardless. Just needed an excuse, and oh look! My Adventures with Superman just released their long awaited second season! And hell, better now than ever!

Since three episodes have released, with some new characters introduced, I may as well jump in. I'll also say that, from now on, I'll be posting actual character retrospectives and concepts on here, in a style similar to what I've done before, but looking at my headcanon versions of characters, as well as already existent versions and adaptations of characters. Spoilers ahead, by the way. Not gonna go crazy with spoilers, but they'll be there, so, you've been warned! And so, without further ado...

Episode 2.1: More Things on Heaven and Earth

This episode focuses on some of the fallout from the first season, but most importantly gives us and Clark a few answers about his origins. It also throws a pretty major change to Clark's origin our way, but I won't get ahead of myself. The purpose of this post is to look at these episodes from a fan's eye (or an overly picky nerd's eye, but whatever) and inspect them for what happened, and what may be coming. And I have a theory here, so hang tight with me.

As I said, amongst the smaller revelations about Jimmy's quickly decaying fortune and Task Force X discovering Kryptonite (fuck), and the normal shojo stuff between Clark and Lois that is genuinely cute, one of the first big things we get is Clark and Jor-El finally having a conversation. And I gotta say...I really like this version of Jor-El.

Now, I've done a retrospective on Clark's parents before, in my DCCU essay series that you're more than welcome to check out, but at the time of writing that essay, I hadn't yet seen MAWS' version of Jor-El. And I hope we get to see more of Krypton in this universe as well, because I appreciate what they've done so far! We've gone back to the origin of Krypton as a conquering empire, destroying itself by war and inner conflict. Classic, nice. Jor-El, once again a voice of calm scientific reason amidst the chaos, sees fit to send his son to another world as the planet of Krypton is being destroyed. Again, classic stuff. But this version of Jor-El is different from most for one reason: he seems more caring than most.

Don't get me wrong, we've seen kinder versions of Jor-El in adaptations and original source material (although recent comics have COMPLETELY fucked his character into straight-up villainy; thanks a lot, Brian Michael Bendis, GODDAMN IT). And most versions of the character want and support Kal-El being a hero to the down-trodden. But the vast majority of them are a bit cold and clinical from beyond the grave. Obviously, part of that is the fact that the Jor-El that interacts with Clark is basically always a computerized duplication of his personality, but still. We rarely ever get a Jor-El that expressed emotion towards his son, or even acts like...well, like a father.

But this Jor-El simulation? In a short period of time, he gives advice to his son about his love life, he tells his son about his origin story without dicking him around constantly (lookin' at you, Smallville), helps his son as best as he can from the grave, and expresses how proud he is, while addressing him by his Earth name! And most importantly, he does something I have NEVER seen a version of Jor-El do in any of his incarnations.

He...hugs Clark. Maybe that sounds like the exact opposite of a big deal, but it kind of is. This is somebody who Clark can miss. Somebody who, were he to live, Clark could've had real connections with. Somebody who is...well...a dad. And come on, have you ever seen a version of Kal-El who feels like a caring dad? Not a father, a dad. Somebody you can talk to, somebody who can give you fatherly advice, somebody who would give you the world if they could, and is proud of you and your accomplishments. A dad. Sure, an idealized version of one, but still. It's something I've never seen in Jor-El, and I honestly love this version of the character. Hopefully, we get to see more. Especially because of the...OTHER big revelation to happen in this episode. But BEFORE getting to that, I wanna touch on the smaller-but-important stuff.

The crashed Kryptonian ship from last season becomes the classic Fortress of Solitude in this episode! Now, I've barely talked about the Fortress of Solitude, but it's one of the most classic of superhero headquarters in comics. Usually composed of either ice or crystal, and on one of the two poles (Antarctica, in this case), this is typically a Kryptonian repository of knowledge for Clark to visit. There's a bit of a trend that says the more alien Superman is, the more he spends time in the Fortress. That is to say, it's a symbol of his Kryptonian heritage, and he uses it as his knowledge of the past increases.

Now, based on the events of this episode, the usage of the Fortress is something yet to be seen. Jor-El, who's traditionally the guardian of the place, appears to be gone for the time being. He may come back yet, though, especially as we see if the effects of the Kryptonite are long-lasting. In either case, this floating temple of ice is here to stay for the time being, and we'll see if this version proves as useful and seminal to the Superman story as others have. Oh, and for the record, by favorite version of the Fortress is from Smallville, but this has my favorite design for the Fortress thus far, from the outside.

But Jor-El isn't the only thing in this Fortress during the episode. Task Force X shows up with a new member, whom I can't find in GOF form outside of this one above. But yeah, this is also a comic book character, a little-known Rebirth-era one named Damage AKA Ethan Avery. Now frankly, Damage is...a choice to use, especially considering that he was an attempt at a popular character that nobody's really bit into, and is also basically DCs version of the Hulk. MAWS decided to tone down his appearance significantly, but he's presumably kept his army origins, and added Kryptonian technology to augment himself here. Arguably, there were other characters that could've filled this role, but I do get the feeling that we're not quite done with Damage yet. We'll see what becomes of him in the future.

That said, we also get a far more interesting character reveal in the form of Hank Henshaw, an employee of STAR Labs (who also makes their first appearance in this series), former classmate of Lois Lane, budding astronaut, and potentially the future Cyborg Superman! Which is...kind of a big deal, especially considering that I have a hunch that Damage may turn into this series' version of Doomsday. Oh, did I not mention that? Pet theory, and I don't want it to happen, but we'll see. We'll see. In any case, are we hinting at a Death of Superman arc down the line? It'd be too soon for it now, but who knows how far this series is going to go? But continuing with the villain talk...

We get yet another glimpse of those familiar three circles, and confirmation that this technology is indeed Brainiac! Looks like we're taking from the Superman: The Animated Series version of this character, making Brainiac affiliated with Krypton and Kryptonian technology before the fall of the planet, as well as getting hints from last season that Brainiac is involved with the current remaining vestiges of the empire and their conquering forces. And that reminds me...there is one more little hint that we've gotten about something. And I have a hunch about it.

So, the other big villain revealed in the end of last season was a bruiser in a Kryptonian battle suit, speaking with Brainiac. The symbol on their chest was roughly Z-shaped, leading most people (me included) to assume that this was classic Kryptonian villain General Dru-Zod. But, uh...another likely suspect just reared their head. One who may have been raised by Brainiac technology their entire life up until now, in the tradition of the Kryptonian conquerors of old. One who has a last name starting with Z. And I think you know where I'm going with this. Because, in this episode, we (and Clark) found out about...

Clark has a surviving cousin, Kara Zor-El. Yeah. I realize that she's a part of the House of El, and their naming conventions mean that the girls take the name on their father, BUT...last name starting with Z. Just saying, I think the bruiser in the armor very well COULD be Kara Zor-El, wearing a new crest, rather than that of the House of El. We know for a fact that Supergirl appears in this series, but who's to say she starts as an ally of Clark's? Especially considering that she has no actually familial memories of him. Which reminds me!

That's a hell of a change, huh? No older cousin turned younger cousin this time; Kara and Clark are the same age! Who knows, maybe we will get time-dilation or suspended-animation shenanigans, because we still haven't been introduced to the idea of the Phantom Zone or such folderol in this universe, but as it stands now, Clark and Kara are age contemporaries! A very different take that I'm not sure we've ever actually seen before in media adaptations of Supergirl. And this Kara hasn't been raised by her parents AT ALL, as far as we know. Meaning, we're going to see a VERY different version of this character. Exciting!

There was some other stuff seen here too, like more Cat Grant, and the hinting at another major antagonist that I'll talk about with the next episode, but still, this was a good amount of set-up for what's to come! With that in mind, time for episode 2!

Episode 2.2: Adventures with My Girlfriend

OK, before I bring up anything about this episode, I have only one real comment: a REAL Superman villain, baby! WHOO! Up until now, we've had pretty bastardized versions of Superman villains, for the most part. Mr. Mxyzptlk was even a drastically different version of the character, while still being faithful to the original. But no, we now have the best adaptation of a major Superman villain in this series in the form of Joseph Martin, AKA Atomic Skull! And damn, this dude is a bruiser, and a great looking one at that!

There are a few versions of Atomic Skull, with a few different identities, but the Joseph Martin is the most iconic in terms of appearance and ability. In the comics, he's the second Atomic Skull, and a human college student whose metahuman genes are activated via a Parasite-related explosion, triggering an absorption and generation of radiation, as well as a mental break that makes him think he's a character from one of his favorite movies. Comics are weird. Anyway, Martin's continued to be a foil of Superman's, mostly acting as a mook or powerful obstacle, rather than a mastermind of plotter of any kind. It's still awesome to see the character, and this is a somewhat faithful version of him as a result. Hell, him working for another organization that gave him these powers is sort of a reference to the first Atomic Skull (whom some of you would recognize from Young Justice), Albert Michaels, who worked for STAR Labs until joining up with a terrorist group that wanted to take out Superman.

And of course, we get yet another villain FINALLY confirming his appearance: Lex Luthor. Yeah, a lot of us figured this out last season, and it's nice to see him FINALLY making his fully red-headed appearance. Interesting...very interesting. And he's partnered up with Checkmate and Amanda Waller, a winning combination when it comes to villains. This is, of course, not the first time this has happened in media, comics and otherwise. The two famously teamed up when Lex became president for a minute there, and had an incredible joining of forces in Justice League Unlimited. So, not an unprecedented combo by any means!

Other than this, we get confirmation of Amanda's pure villainy (even worse than a lot of other versions, scarily enough), the rivals to her position in Checkmate, Clark and Lois' first argument, Clark getting the Beacon that'll help find Kara, and the official hiring of the Newsboy Legion working under Jimmy Olsen alongside Steve Lombard for Flamebird! Lots of stuff, not to mention setting up tensions between Clark and Sam Lane. But not much else for me to report on here. SO, moving on to episode 3!

Episode 2.3: Fullmetal Scientist

Hoo boy, THIS is a hell of an episode when it comes to references! We start off with a literal bang with the scientist that Superman saves, Silas Stone! You may know this guy better because of his son, who's referenced briefly as being 9 or 10. This is, of course, Victor Stone, AKA Cyborg! If this series gets a future lasting into the Teen Titans era, we have a contender for a member! Only time will tell, but this is a neat name drop! Plus, who knows where Silas is gonna go from here...

Then, right after that (and a cameo of The Flying Newsroom, a Daily Planet helicopter in the comics reduced to a toy helicopter owned by Flip), we meet AmerTek Industries, CEO Thomas Weston, and the most important character spotlight in this one...

Vicki Vale is back! OK, obviously, not the most important character in this episode, but lemme milk this a little. Vicki (who is VERY tall, by the way, holy SHIT) made her appearance as sort of a heel at the end of last season, and has now apparently become a rival for the Daily Planet this season, reporting for the Gotham Gazette. I can't wait for this to inevitably lead us to our Gotham cameos, which may hopefully include you-know-who, but her rivalry with Lois here is pretty fun, and sets up some new conflicts down the line for our central couple!

As for Amertek, I should talk about Thomas Weston and the...other cameo made in this episode. Weston is straight out of the comics, as the CEO of AmerTek Industries, a weapons manufacturer based in Baltimore and Washington D.C.. They're important to the comics of one character in particular, who I'll obviously get to, but I want to mention the OTHER thing introduced in this episode...considering how...upset it makes me. Because once again, this series completely RUINS a major Superman villain by turning them purely technological. And if you've read my previous essays, in which I develop a cinematic universe Superman, as well as my desired villains...you'll know why I'm upset.

LOOK HOW THEY MASSACRED MY BOY

Seriously? THIS is Metallo in this universe? God...DAMN IT! Look, I can already tell that Lex is going to use Kryptonite to stabilize the power core in the chest, giving us a Kryptonite beam that fires from their chest like the REAL Metallo, but GODDAMNIT AGAIN! The point of Metallo is that he's humanity corrupted! He's not JUST a goddamn ROBOT! Seriously? This was a slam dunk character for this show; should've been an easy one! But...I dunno, maybe the real version of the character will appear. I just...really hope that this isn't it. But that said, Metallo is sadly not the real highlight of this episode. Still...dammit. Dammit dammit dammit.

One of the other highlights of this episode, before I forget to bring it up, is the extension of Superman's bioelectric field as one of his powers. This is a recent comic book expansion, which has been hinted at as a possibility since the '90s. Basically, Superman generates a bioelectric field of invulnerability which, with enough focus or external energy input, he can extend past his bodily boundaries and around others. It's the reason bullets bounce off his suit without rupturing the fabric itself; they're actually bouncing off his microscopic bioelectric field. Comic books, what can I tell ya? Anyway, it's a very anime power, which is this series vibe, and I can't help but think he'll figure out how to focus that into some kind of energy blast by the end of the season. Time will tell!

But the REAL big feature of this episode is, of course, John Henry Irons, AKA Steel, one of the most prominent supporting characters in the Superman family. His role is extremely important to the Superman mythos, and this is already a fantastic version of the character. It also does something with him I rarely see with the character, and makes him TALLER than Superman, considerably so! He's also a bigger guy, and as a bigger black man myself (well, not vertically), I appreciate the representation quite a bit!

Of course, even though we get to see him in the suit with the hammer, it's obviously soured when Lex Luthor and Checkmate buy Amertek and the Steel suit, as well as all the Metallos. Like I said, Lex'll stabilize the Metallo units with Kryptonite, but it's NOT THE GODDAMN SAME, NOW IS IT? In any case, what we're likely to get is John creating his own Steel suit, closer to the classic suit we usually see in comics and adaptations. I may actually do a full retrospective of Steel, since he is one of my favorite characters. I feel like I'm short-changing him here, but understand, Steel is one of the best supporting characters in DC, who became a major hero in his own right. Hell, his niece Natasha Irons, who's also name dropped in this episode, is a major hero herself! With her and Victor Stone confirmed to exist in this universe, I can't help but think that we're setting up something special in the future.

With all of that said, that's the summary for these three episodes. I'm actually a bit inspired to do some character retrospectives now, but please let me know if you have any requests for retrospectives. Thank you to the (probably 3 max) people who read this essay, and I'll probably see you after the next three episodes! Unless, of course, something massive happens that requires my prompt response after episode 4 or 5. Honestly, we'll see what happens! In any case, see you later!

See also:

[wildcmbcrsupdates]

Angourie Rice, Auliʻi Cravalho, Avantika, Bebe Wood and Reneé Rapp via angourierice on Instagram, 04/26/2023.

[jetslay]

Superman's world by Chris Weston.

[greyeisacreativecolor]

Supermans parental relationships have always been fascinating to me. I love how firmly the Kent's are his parents who loved and raised him, and truly led him to being the man he is. And when he gains access to his father through the fortress, Jor-El doesn't replace PA, he's just a second paternal figure for Clark to rely on. I do wish Lara got more page time, but I can see how four parents can be hard to write.

[vertigoartgore]

1988's Superman Vol.2 #18 cover by cover artist Mike Mignola.

[cantsayidont]

June 1988. 1988 was an extremely ugly year at DC, marked by gratuitous brutality on nearly every front. Not content with his vile take on Krypton in the WORLD OF KRYPTON miniseries (which could be summarized as "sci-fi blood libel"), John Byrne took the time to explain unequivocally that the ugly nativist implications of MAN OF STEEL were no accident.

In this issue, illustrated by Mike Mignola and Karl Kesel, Superman returns to Krypton with the help of Hawkman and Hawkwoman, and finds that it's now a planet-shaped mass of highly radioactive Kryptonite debris. Determined to search for "some trace, some artifact remaining of the race that bred me," Superman borrows a Thanagarian battlesuit and ventures out into the debris field, where the overwhelming radiation causes him to hallucinate an alternate reality where Jor-El found a way for the people of Krypton to survive their world's destruction and emigrate to Earth. This fantasy is narrated in the first person by Jor-El (in the form of excerpts from an imaginary journal), presenting a horrifying, frankly fascistic vision of malevolent immigrants, evil mothers, and populist genocide.

If you've read MAN OF STEEL, much less WORLD OF KRYPTON, it will not surprise you to learn that Superman's fantasy of Kryptonian survival and emigration very quickly turns ugly. As Jor-El's imaginary journal narrates:

In pop culture, the alien invasion story typically represents the fear of the violence of settler colonialism coming home to roost in the imperial core, and you could hardly ask for a more textbook example than this: The refugees from Krypton begin (re)building their own civilization over inhabited human cities, while relegating humans to reservations or concentration camps. Such a fantasy also fuels the delusion of self-indigenization, where settlers appropriatively define themselves as indigenous to the lands they or their ancestors have stolen. This is of course primarily a white fantasy; while the post-reboot Superman books did introduce a few Black and Latino characters, note that there's not a single person of color visible among the humans being interned. Note also that Byrne takes the opportunity to restate the fascistic thesis presented in MAN OF STEEL — that Kryptonian culture is corrupt because Kryptonians have "lived all their lives in isolation, denying their physical beings" in favor of technology and modernity.

That's not all, though. For one, you'll notice that Jor-El also describes as suspect the decision of some of his fellow immigrants "to live apart … to keep themselves aloof from the citizenry of our adopted world"; he acknowledges that the settler colonialism is worse, but he regards cultural self-isolation as inherently bad in its own right. Also, note that the Kryptonians rename Metropolis "New Kandor." As Byrne was most certainly aware, in pre-Crisis Superman lore, Kandor was the former capital of Krypton, stolen and shrunk by Brainiac and later recovered by Superman, who kept the bottled city in his Fortress of Solitude until he was able to find a way to permanently enlarge it. Kandor was, fairly explicitly, a Kryptonian ghetto: a closed Kryptonian community with rigidly defined borders, delimited both physically and by a set of complicated rules about who could enter or leave (and how), within which Kryptonian culture continued more or less as it had for centuries. What Byrne is saying here is that such (literally) ghettoized communities are intrinsically suspicious — that the inability or unwillingness to assimilate is categorically indicative of malign intent. The only virtuous decision for an immigrant or refugee, then, is to choose total and unconditional assimilation, as Superman does at the end of MAN OF STEEL and Jor-El subsequently does here:

Moreover, it's not enough for Jor-El to simply choose to become an Earthman (and implicitly an American); he must also "stand against [his] own race." As the fantasy continues, Jor-El creates synthetic Kryptonite and kills thousands of Kryptonians, forcing many of the survivors to flee into space. Since all of this is a hallucination in Superman's head, the version of Jor-El here represents Superman essentially imagining himself in his father's place, but in case that wasn't clear enough:

Jor-El does not, so far as we're shown, actually don the Superman costume, but he has expressly taken on that role, which in this case means becoming an explicitly genocidal populist champion. This is not hyperbole: Jor-El "rallies the people" against the evil Kryptonian elite as he carries out "the slaughter of a race."

The final conversation between Jor-El and Lara in the first issue of MAN OF STEEL had painted Lara in a rather negative light; while Jor-El is valorized for his rejection of Kryptonian values, Lara recoils from a vision of the "savage" people of Earth and hopes that their son will show them "proper Kryptonian ways." The unsavory connotations of that conversation (to which Superman could not possibly have been privy) play out even more explicitly in the climax of this fantasy:

In short, Lara becomes the ultimate embodiment of almost everything bad about Byrne's reimagined Krypton. This plays almost like a throwback to the pop psychology of the 1950s and early 1960s (when Byrne was a child), which held that the maternal role had to be carefully regulated, since over-mothering could be just as psychologically damaging as maternal neglect. Perhaps the ultimate satirical exponent of that philosophy in pop culture terms is THE MANCHURIAN CANDIDATE, but it was a common piece of conventional wisdom, expressed here without irony. Lara's final act of villainy is the corruption of Kal-El himself, since in this fantasy, Jor-El has not been able to "save" their son from Kryptonian degeneracy. (Note also that Byrne restates once again his revisionist contention that Kal-El was conceived on Krypton, but actually born on Earth.)

While Jor-El is not wearing a Superman costume in these pages, he is wearing a costume of sorts, an outfit that evokes both Doc Savage and Hugo Danner, the hero of Philip Wylie's influential 1930 novel GLADIATOR, two pre-Superman supermen of the 1930s. Around the same time this issue was published, Roy Thomas was integrating GLADIATOR (which had entered the public domain) into DC continuity in YOUNG ALL-STARS, whose central character Arn "Iron" Munro was Hugo Danner's son. (Munro's usual outfit was a black T-shirt over white trousers, the inverse of what Jor-El wears here.)

Jor-El's scream of anguish marks Superman's return to consciousness, so the fantasy ends at this point, and the Hawks help Superman return to their ship. Superman then provides the following summation of what we've just seen:

Since Superman's fantasy was a hallucination induced by radiation poisoning, one could potentially shrug off its ugliness as just a bad dream, but Superman rejects that, saying, "I'm afraid my vision was accurate," at least in its moral and political implications.

Of course, the principal authorial intent here is to reject and dismiss the Superman continuity Byrne had recently erased, in particular the previous Kryptonian diaspora, but the thesis of this story is perfectly consistent with mainstream American, Canadian, and European attitudes on immigration: Any immigrants or refugees must assimilate, promptly and completely, and those who don't, for whatever reason, represent a dire threat to the polity that must be met with expulsion or annihilation. If the number and/or nature of the immigrants does not allow for prompt assimilation, lethal violence — up to and including genocide — is not only appropriate, but a moral imperative for the survival of the imperial state and/or the "white race" [sic]. There are many people in the real world who expressly believe that, so it's not necessarily surprising to see it expressed so bluntly in a Superman comic, but it is very ugly.

This story was unfortunately not the end of it, so far as Byrne and Superman were concerned. While the fantasy sequence here amounts to Superman picturing himself as his father, the heroically genocidal champion of an imagined reality, it is still just a fantasy, even within the context of the superhero comic narrative. It therefore leaves unanswered (at least for Byrne) the question of whether Superman would actually be willing to commit murder and/or genocide to protect the Earth from others of his kind.

Since Byrne had taken pains to ensure that there were no other living Kryptonians — the only other was the Superboy of the Pocket Universe created to reconcile MAN OF STEEL with the Legion of Super-Heroes, who was already dead — he was obliged to invent some for the purpose. About three months after this issue appeared, Byrne's final storyline (in SUPERMAN #21, ADVENTURES OF SUPERMAN #444, and SUPERMAN #22) introduced three facsimiles of pre-Crisis Phantom Zone villains in the Pocket Universe, whom Superman finally executes after they have completely depopulated the Pocket Universe's Earth (also conveniently ensuring that that world couldn't be used to provide any kind of end runs around post-Crisis continuity, and giving Byrne the opportunity to grind his heel on the earlier Superman mythos one more time).

With that story, the reactionary throughline Byrne had begun in MAN OF STEEL was complete, establishing not only that Superman was now a true-blue, American-born native hero, but also that he was willing to kill other Kryptonian survivors to defend his adoptive white Gentile American culture. "Yikes" doesn't begin to cover it, I'm afraid.

[paladin-of-nerd-fandom65]

Welp might as well say it here if only for sh**s and giggles

Son Goku = Clark Kent aka Superman

Son Chi-Chi = Lois Lane

Son Gohan = Conner Kent aka Superboy Red and Christopher Kent aka Nightwing Phantom

Son Goten = Jon Samuel Kent aka Superboy Blue

Also also

Piccolo = John Henry Irons aka Steel (though maybe add Dick as well in the case of Chris)

Krillin = Jimmy Olsen

Raditz = Mon-El (?)

Bardock = Jor El

Gine = Lara Lor-Van

Grandpa Gohan = Martha and Pa Kent