#just because his Charlie isn’t identical to the version you created in your head doesn’t make it bad

[chibipandaao3]

Adaptations

I keep seeing people complain about visual adaptations not being “just like the book,” and while I do understand the frustration — how could any of them be a perfect match for the source material.

Certain aspects HAVE to change when transforming a novel into a live action adaptation (or even an animated one in most cases). Why?

For one, novels typically focus on a single character (or several) closely. It offers insight into their personality, thought process, motivations, etc. without (keyword) showing or saying anything. Characters in books don’t have to say or do anything for readers to get this information because books fill in those gaps.

In contrast, a visual representation HAS to show/tell in some fashion. And as a result, some things are just never going to make it to the screen.

Second, not everything in the source material is necessary to tell the story. I know this is often the hardest thing to accept, but it’s true. Readers tend to have more patience because they are living with characters much more closely (ie. back to point one).

This can work in both ways mind you — for example, most people I know prefer Katniss in the films than in the books. Why? Because you know more about her inner workings in the books.

Thirdly the actors. While they are (obviously) playing a character, those characters inevitably take on attributes of the actor themselves. Why? Because actors make choices and those choices might be based on what they think a character might do, or how they might react, but at the end of the day those decisions are still coming from the actor (and okayed by the director in most cases)

Win punches Team in the novel after he saves him — Boun said he wouldn’t. Why? Because 1) he wasn’t going to pretend to hit Prem and 2) because the Win he’s created would never punch Team.

And none of the above includes the original writer (who often spurs on changes to their live adaptation, making fixes they wished they’d done), the screen writer and editors (who have to make something that’s 300-800 pages into 10-13 episode - or worse… a 3hr movie), nor the director (who has to wrangle everything through both their and the creator’s vision)

Why do I bring all this up?

Because a lot of people continue to complain that “Book Babe would never do that!” “Book Charlie was so much better!!” “Book Thup would never be caught DEAD wearing a graphic T!”

And look, you can not like changes (see my multiple rants about Between Us for reference) but you can’t expect these shows to be word for word reenactments of the novels. That’s impossible, unrealistic, and (frankly) boring as shit.

(If I come back and look at this later and there’s a massive typo again because of auto correct I’m taking an extra long lunch…)

[agusvedder]

I DON’T CARE if this doesn’t get any notes. I need to vent.

My name is Agustina, I’m 27 years old. I’m a nonbinary, queer, latinx person, parent of a 4 year old, non-verbal authistic child. I suffer from depression and anxiety.

I’m 9 thousand kilometers away from the woman I love.

I’m not a victim. I am a minority. And there’s nothing wrong with that.

I started watching Supernatural in 2015, you know, being a stay-at-home parent, who dropped her career and her job to live the first years of their child, there wasn’t much I could do in my free time but to watch a show. I caught a few episodes of season 11 on tv and then I decided to start from zero. I always acknowledged how problematic it was in terms of representation, but always saw small threads of light filtering in the message it sent, recognizing how its writers were trying to shed a little light, creating a jenga tower of storylines and new characters, only to be thrown away by poor, useless deaths and the erasure of said characters.

Since my first run on season 1 I related to Dean. I saw myself on him. (I will never be as brave and cool as him tho, never ever, but his personality traits, some of his family issues, his self worth issues, his loneliness, his unaddressed childhood trauma, his growth in a circle of violence, his reticence to address his feelings until he explodes?... Yeah. There are days where my girlfriend makes fun of me saying “Ok Dean”). I kept looking up to Dean in his geekiness, in his way he always put his life on the line to protect the people he loves and put them always first… even in the supernatural side of the storyline, he still was profoundly human and abnegated to the people in his life. Also because I’m deeply in love with Castiel but that’s another subject. Thanks to this show, I’ve found people in my own country who now I recognize as my family beyond SPN, who helped me accept myself the way I am, who are always there for me. My found family, my chosen family. Because family don’t end in blood, because family cares about you, not only for what you can do for them, because that’s what all of us have in common, and why this show resonated as strongly as it did for us. That’s why we found each other and ourselves in the process, in a circle of love, support, non-judgement and willingness to find a family in ourselves when our own blood relatives ignored us, abused us, refused to recognize us. We’ve found love and family. I’ve found the woman with whom I wanna spend the rest of my life with because of this show.

That’s the power of this story. I know my small circle is not the only one who lived this, who continues to live it.

I can talk about this forever, but there’s something I wanna talk about specifically here. When the ending aired.. what I felt was… like a bucket of cold water was thrown over my head. You know when your parents come home, or call you and give you the devastating news that someone you love died? that exact feeling. The adrenaline, the heartbreak, the feeling of loss. 

The whole season 15 and 15 years of storyline were completely overturned. The misogyny the writers tried so hard to erase, it was there again, in a faceless woman who was supposed to represent the person a lead chose to spend the rest of his life with, reduced to a lilac dress, a blurry face and a uterus. We never seen acknowledged the existence of Eileen Leahy, Sam Winchester’s romantic interest since season 11, his perfect partner whose disability wasn’t an obstacle for her to be a badass hunter. (BUT COVID!! <- No. Eileen Leahy appeared in two episodes this season without Shoshannah being on set: Last Holiday and Despair. If they wanted to include her, they would have. They didn’t because they don’t give a FUCK). Sam Winchester is an academic, a witch, a leader, a powerful hunter, a kind human being, and the ending that was given to him was living an unfulfilled life, dying at a ridiculous young age, having a son only to replace his dead brother? It was sad. Sammy deserved better. He always did.

My beloved Dean Winchester, who I love so deeply, who taught me a lot about myself, about life, love, family, about *ejem* VICIOUS CIRCLES and the power of breaking free from them, of learning to embrace one’s self, our real tastes, our real identity, to come out of a shadow of being reduced to someone’s caretaker instead of having an identity of our own, to spend life loving family the healthy amount.. well, he was killed in a ridiculous way, on a milk run of a hunt.  After being eager and ready to kill himself so many times. After all he’s been through, after saying he’s good with who he is, after considering retirement, after standing up to his dad, saying he already has a family, ready to cut the “I’m Okay” bullshit, address his feelings, his trauma, don’t letting those define him. He deserved better. He always wanted a family, he always wanted to break free from the version of himself he was created to be, “daddy’s blunt little instrument” (For fuck’s sake, he even said it in the same show 10’ before dying, man. If we don’t keep living, the sacrifice the people who died for us did, was for nothing). Are you telling me this man really would refuse his brother to call an ambulance? Refused his brother to get the first aid kit even knowing it was more serious than his brother thought? He was ready to live. He CHOSE life, and at the end his choice was stripped away from him. He clearly was a bisexual man and they never explored it.

Cas. The misfit. The fish outside of the water. Ambiguous gender and sexuality. Finally makes a homosexual declaration of love after all he’s been through. After being brainwashed, used, suicidal, isolated. After telling Sam and Dean he loved them more than once, that they meant everything for him. After confessing he’s been in love with Dean since he pulled him out of hell…. Was erased from the story. Erased, literally. Two emotionless mentions aren’t enough for a 12 year old family member who pulled both brothers out of hell, who died for them more than once, who until 2 seasons ago he didn’t even feel like he belonged there ‘cause he was never told he was loved. No one ever told him “I love you” back. Not Jack, not Sam, not Dean, not Mary. No one. Ever. And still, he died for love. And with his death, he was erased from the finale, being that the first finale Castiel wasn’t in since his appearance on the show. He deserved better. 

All roads lead to Rome and you know what we got at the end of that road? a bottomless pit of NOTHING. The building up towards a different end isn’t just in s15. It’s been there for years and years. And if you watch the show, you see it at plain sight.

 

Sam Winchester hurried to die to reunite with his brother in heaven EVEN WHEN HE SPENT 30 MORE YEARS WITH A WIFE AND A KID he only wanted to die to go back to his brother? it’s insane, it’s ridiculous. That’s not what the show has been about for seasons now. SEASONS. The road was paved towards a healthy brotherly bond, each brother living their future the way they wanted, finally breaking free from the curse John dropped on Dean that Sam’s destiny was in his hands. No no. What was that? Did it ever happen? Was it a fever dream? They really destroyed everything in 38 minutes of the finale? 

Stupid. 

Representation is important, stories are important. They change lives. You know how it changed mine? After I saw Jonathan Van Ness coming out as non-binary, I started to realize how I never called myself "a woman, a girl" or anything like that, how my "female presenting" aesthetic changes drastically depending on how I feel when I wake up  how I always called myself a "person", no gender involved. I realized I was a non-binary person even after becoming a parent. Thanks to Jonathan Van Ness. Thanks to seeing a person like her being unapologetically herself. 

Representation matters. 

It matters. 

It helped my mom understand me when I was 13 and had a girlfriend. It helped my dad educate himself about trans identities. It helped my sister understand about her demisexuality. It helps break circles of ignorance and stereotypes. It helps people process what these characters wanna tell, and realize they're human beings above it all. We suffer, we laugh, we grieve. We love. We exist. 

Supernatural missed a chance to be a historical show in terms of representation. And it breaks my heart.  I cant believe they decided to erase Dean's sexuality, to erase Castiel after saying loud and proud he's in love with a man, to erase Eileen whose disability only was a disadvantage when they KILLED HER in the most ableistic way in s11, to never show Charlie and her girlfriend again, that they decided to make God bisexual AND a villain, thay they decided to turn the only regular non-binary character of color into the villain too (Billie).

I'm still grieving.

This is why "a stupid show" is so important for me, and for lot of people like me. Cause representation can change lives. Stories can change lives. It certainly changed mine, and I'm not the only one. 

Don't let anyone tell you you're just a butthurt fan because you're suffering this ending. Every one of us have a story and this is mine. All of us are valid, our feelings are valid. And we'll get through this eventually

[magicdepressive-blog]

Meet The Harveys

NWI native and Chicago resident Charlie Evans wants to introduce you to his one man band The Harveys, whose debut album, after over a year in the making, is nearing the completion stage. As Evans labors through the finishing touches of the LP and prepares it for public release, he sits down with me to talk about the project and tells us what we can expect from his esoteric alter-ego.

HW: You're getting ready to release your first LP; a collection of songs you're putting out under the name The Harveys. But essentially The Harveys is just you. What made you decide to release music as a fictional collective rather than under your own name?

CE: The Harveys isn't a real band right now, so the idea that it can be locked into only one thing doesn't appeal to me since I don't have to fight other people to have it be whatever it needs to be. I’ve never been comfortable with the idea of existing as a solo act. I feel like the idea of the Harveys started as a crutch of being afraid to do this on my own. For whatever reason, the idea of having a fictional band made it seem like a more viable project in my head, and more approachable as something to present out to the world.

HW: But you're not literally the only player on the record. Who else appears on the album, and in what capacity?

CE:  One song is an old one that was written as a group by Patrick Biancardi, Sam Evans, and myself....

HW: Right...that's Werewolf Teacher, isn't it? That's a great song and I remember you telling me that it has its origins in your time as a member of (now defunct Region band) Greenstone.

CE: Greenstone was a great time as a band, and helped form a lot of the stuff that I wrote and created on this album. When I began working on recording I wanted to get an old song down that we had never had the chance to properly record. It was a great point to learn how to use recording software and to test the viability of the fictional band project. A lot of the music I wrote afterwards feels similar in some ways to what we were working on with that project, but definitely is a different animal. Not writing in collaboration with other people or having to compromise things is both a blessing and a curse.

HW: Who are some of the other people who pitched in to help make this LP?

CE: Alex Akers contributed trumpet to I Sit Differently at the Piano. I met Alex while I was working for New Oberpfalz brewery, and we struck up conversation pretty naturally. I had completed about half of the the track, adding in the vocal snippet and guitar, but I felt that guitar all the way through would be frankly boring. I basically asked Alex if he wanted to add trumpet to a weird track that I had made and sent it over. About a week later he sent me his layered tracks and it was amazing! My primary instrument is the electric guitar, so it's always really awesome to work with other instrumentalists that can bring a completely different feel to a track. That song wouldn't work without Alex's contribution. Jake Egli plays the keyboards on The Somnambulist and helped me mix and master the record along with production work.

I'm definitely open to the idea of adding a more collaborative element to The Harveys. I would love to be able to flesh it out into a full band setting. I think a lot of these songs would translate pretty well to a live setting, and there's lots of song ideas in reserve. There's always ego involved in adding other people to a band, but I enjoy the collaborative aspect of writing music a lot. Sometimes it's okay to come in with an idea and see how it gets morphed into something completely new, original, and different that way.

HW: Having grown up as an aspiring musician in NWI and now living in Chicago, can you compare the two locales where musical heritage is concerned?

CE: I would say that both have a lot in common with each other, with Chicago getting the edge of diversity simply through pure numbers. Not unlike most other suburbs of Chicago, NWI filters a lot of its musical identity from Chicago, which I think is great. The Chicagoland area has an abundance of amazing music that doesn't always get the attention it deserves on the national stage.

HW: You recorded this LP at home on your computer. Were there any technical limitations that you encountered while making the record that, had you been in a studio, you might not have had to deal with?

CE: I think the biggest hurdle for doing all recording on my own is that my ear wasn't as trained, especially in the beginning, at what was good and what was bad. I improved rapidly, but especially early on I think that having a 2nd set of ears to hear everything is very helpful.

HW: Why did you decide to release a physical LP and how do you plan to market it? What streaming formats will you be utilizing?

CE: I love the idea and the ritual of vinyl...placing the vinyl on the turntable, setting it to the right speed, and letting the needle hit the record. There’s an art to creating a track list and an album that flows correctly from side to side. I think the best records still work with that duality; breaking it down into two shorter playlists and making sure those statements stand on their own and complement each other. That being said, I think the songs stand on their own, so I don’t mind pushing it to streaming as well where the majority of people (myself included) discover their music. I’m planning on releasing The Harveys on all major streaming services. The LP version of the album will be funded through a Kickstarter.

What I like about the idea of a vinyl release and giving yourself those limitations is that it really forces you to look at how songs flow as a cohesive unit. Balancing the amount of time you can put on a side along with making sure that each track is keeping the listener along for the ride is so important. Additionally, the 2 side nature of vinyl makes you look at it as a mini suite for each side. My process was mostly trying to balance all of these things to make the strongest single unit of an album. Sifting through all the songs I had written to put together what I feel is a cohesive album was a bit difficult at first, there’s definitely enough material left off to have an extra EP in the future or work towards another album. For me, I think the unifying threads that make this album stand as a whole are some of the themes touched on like growing up and the somewhat lonely existence that adulthood can be. There’s plenty of humor on the record, though, as well, which I feel is always needed. I don’t trust people who are too serious about everything. There's a lot of genre exploration that I wasn't able to make work cohesively on this record that could definitely fit in better on a slightly different project. I would love to create a great medley style suite, ala Abbey Road. I'd love to do something soaring, epic, and heartfelt like that.

HW: There are very few recording artists who so confidently pull off such a varied palette as what you've proven capable of on this LP; some that come to mind as exceptions are Ween and Captain Beefheart and Zappa and Guided By Voices. Were any of those artists a lighthouse for you while you were crafting these songs?

CE: All those bands and artists are huge influences, Ween in particular. Reading and getting into Ween was a huge part of what made me finally get off my butt and start making music again. The independent spirit that drove each of these artists to create despite not necessarily having the big push of a label was a huge inspiration. Learning about Ween using a drum machine and writing silly songs and just generally not caring what other people thought of them was a liberating idea, and also made my excuses for why I wasn’t doing anything seem like just that: excuses.

HW: Speaking of tracks that DIDN'T make the record, Feed Me, Human is one of your standout songs and I feel like it exists in a world of its own stylistically; some kind of avant garde heavy metal oddity...definitely something I haven't heard before. Is metal a big part of your musical tastes, and if so what can you tell me about this track? It sort of skirts a strange territory that's both playful and sinister.

CE: I love metal! Metal as a genre is so tongue in cheek, and I love that about it. I never trust any metal band that takes themselves 100% seriously. I remember reading a story that Adam Jones from Tool told about how when he met Buzz Osbourne from the Melvins he told him that Boris was his favorite song and was a foundation for a lot of how he built his songwriting and sound, and Buzz responded something along the lines of, "Thanks, it's about my cat." Metal is so great because it can occupy both territories of sinister and silly.

HW: Let's focus on what did make the album. Metropolitan Malaise is unabashed power pop exuberance; Hydration is Key is a blissed out, psychedelic signal from another galaxy. You cover Big Star's 1972 acoustic masterpiece 13, and then there's the aforementioned I Sit Differently at the Piano; four minutes of Badalementi-esque guitar and trumpet noodling atop which sits a bizarre sampling of an interview with a mental patient from the early 60s. The Funkalator struts and swaggers with ballsy, bell bottomed moxie, and Werewolf Teacher is textbook singer-songwriter gold. And that's just HALF the album. But maybe the standout track here is The Somnambulist, a disarming number that begins with a tribal, measured acoustic bounce before exploding into a veritable roman candle of life-affirming guitar-fueled adrenaline.

CE: I'm particularly proud of The Somnambulist. It has the most overdubs of any track, and took me the longest to assemble out of any of them. I'm particularly proud of my vocal performance, which incubated in my head for a pretty long time, and took even longer to build up the ability to properly sing. It's the classic rock track I always wanted to write.

HW: What's your writing process like? What do you find is the most challenging part of the formula?

CE: Wake up, make some coffee pick up my guitar and start playing something...pulling up Garageband and a virtual drummer and see if I can get anything useful out of it. Record it, and see if there’s enough there to develop. Sometimes there's something good there for a full song, sometimes there isn't. I built a lot of songs on the fly, and would do multiple takes of things to see what worked or didn’t work. Having a good feedback network of people to send songs to certainly helped as well to guide the directions that were working and not working in the music. I think the most challenging thing for me with this project was not really working with other musicians to create. If I wanted to finish the song, it was on me!  

HW: I really appreciate you taking the time to offer a little insight into what we can expect from The Harveys. I really think you've assembled a great collection of songs and I'm really looking forward to the vinyl.

CE: I think the biggest thing I’m hoping to offer is a bit of a blast of nostalgia that isn’t hopefully too derivative. Power pop and dad rock have reached the level of being uncool, but I still love making it. I’m hoping that I can bring some uncool music to people and hopefully get them to dig into the same things I love too.  I was talking with Jake while we were mixing and mastering and we both said waiting for lightning to strike will involve you mostly waiting. It’ll happen, and does happen, but you have to work at it no matter what.

-End-

The debut LP from The Harveys will be available soon pending a Kickstarter. Please stay tuned to Charlie's Facebook page for more info and show your support for this gifted musician. You can stream the unmixed demo of Metropolitan Malaise on Bandcamp here:

https://theharveysarentreal.bandcamp.com/track/metropolitan-malaise

Album art by Grace Calderone, 2019. Bar photos by Harvey Woodlawn, 2018.

[tinkdw]

14x06: Toxic Love v Healthy Love

14x06 watching notes.

This episode we see our Cas stand-in (Jack) team up with Dean and ask him to explain what love is, with Dean explaining that he very much does know the difference between healthy romantic love and toxic romantic love (exposed this episode with the zombie boyfriend “don’t leave me, it’s better you be dead and stuck with me than leave to live your life” storyline which I’m sure has no correlation to Dean and Cas coming up where they may be separated but let each other go, I’m side eyeing you 14x08). With Yockey emphasising that the lesson he himself exposed last season of sibling toxic love (the witch sisters) has also been learned as Dean and Sam exhibit perfectly healthy, open, communicative sibling love. 

And I mean...  mirrors...if we get any more mirrors Dabb’s going to have to open up a funhouse on set.

- So the episode opens with a Cas visual reminder with Harper wearing a beige coat before she changes after that job of “remember Cas in this episode” is done into her *warning sign* red clothing. Beige trenchcoats in Vancouver are clearly in limited supply after SPN has decided to dress everyone in one for the Cas effect. Get yours now.

- “Mary and Bobby’s" well, that didn’t take long to be an established thing.

- To Jack nothing tastes right without his powers whereas to Cas nothing tastes right with his powers >....>

My theory as a firm endgame human!cas meta writer with the later addition that Jack is a mirror exposition of each of TFW’s arcs that Jack gets his power back because he wants and chooses it as a part of his identity and Cas decides to be human in opposition because of his own choices and identity feels like it’s being fed here. Excellent.

- Sam smiling at the fidget spinner gives me feels of a positive goof nature

- Jack feels guilty for not killing Michael while Dean feels guilty for enabling Michael and I have feels about them understanding each others’ guilt and not pushing each other to get over it but just being supportive.

- Sam and Dean COMMUNICATING! MARK THE CALENDAR! Dean knows Sam won’t be particularly happy about him taking Jack hunting but he doesn’t hide it, he calls Sam and lets him know. Sam in turn doesn’t forbid it but shows he is not happy with it. COMMUNICATION. Taking into account each others’ judgement but not stifling each other. I’m living. This is what I was saying about the toxic sibling relationship v healthy sibling relationship in my opener. Steve clearly has big feels about this just as we do and wow he’s done an amazing job at firstly highlighting it with mirrors and metaphors then slamming it home with text... side eyes all the current metaphors and mirrors being highlighted for *other themes*.

More under the cut...

- Lol @ the barn behind Dean in the diner while Jack fills in the Cas visual gap.

- Wait did they even explain where was Cas is?! Nope. Yockey didn’t even bother cos he knows how stupid anything will sound lmao. *Cas is *throws dart** is about right here lbr.

- Chuck Berry as Dean and Jack’s pseudos. I love it.

- DEAN TURNING THE COCK AWAY WHILE TALKING ABOUT SEX I CANNOT. WHERE ARE THE GIFSETS?! I NEED GIFSETS! I WILL REBLOG ALL THE GIFSETS! it literally goes from talking about courting, dating and specifically sex and dean gets awkward and turns away the cock. I MEAN. This ain’t even SUBTLE.

- Are we supposed to see the two women they interview as a couple, I’m not sure. 

- Charlie’s story is A. sad AF B. Political AF. C. Super thematic to the show. She worked at Richard Enterprises as a nice callback to show Yockey knows his canon on OG Charlie, then her story is full of fanfic tropes an ultimately death. Now, I hate kill your gays as much as anyone but I don’t think this is what Steve’s doing here, he literally can’t have her gf alive here. Now could Charlie go off to find her in this world? That would be brilliant.

- Did dean just call sam Thelma lol

- So Jack says he has no understanding of romance despite seeing Dean and Cas doing “googly eyes” each other to death and saying he knows this means someone loves you. 

x

So Jack is the one who doesn’t know as the Destiel romance GA stand in where they figure it out but so does he so they don’t feel stupid as there’s someone on screen who’s like oooooooh I see now! So Sam can have the role of “I knew all along I just didn’t want to force you out of your comfort zone or get involved in things that don’t concern me” just as he did with Mary/Bobby last episode and which explains all his “strictly into Dick” “maybe you’re overcompensating” “because it’s Cas” lines from previously. Brilliant. Please continue.

- “Old man” good cop bad cop with sass. Jack, I love you.

- Jack doing all the OG Hunter tricks I love it. Again Yockey telling us he knows canon and knows what he’s fucking doing. Good lad.

- Sam: “people need people, we’re social animals”. Yockey and Dabb laying down what BS it is that Sam and Dean want to be alone just the two of them nearly every episode now is just the best. Sam wants people around him, now imo he’s not necessarily telling Charlie she should stay a hunter, just that it would be a real shame for her to ostracise herself on top of a mountain with wifi all alone. He gets that, he gets the escapism after all the trauma but he wants to help her and thinks she would be better off surrounded by others, my family and friends and he’s offering this to her and well, he knows this is what helps from his own experience. He’s living this change and seeing the benefits for himself. Just. So much yes.

- I also love that Charlie’s personality is part similar to ours but also part totally different because she’s not the same. Good, thank you Yockey. She’s not a replacement for our Charlie. No matter how hard Bucklemming may try and think they “fixed” her original death. She ain’t our Charlie and they haven’t fixed it. We are grateful to have some semblance of her but you are not forgiven for your complete lack of credibility, writing skills and total problematic behaviour regarding both her and all the other things you’ve done just by giving us an AU version of Charlie. 

- So Harper is evil, quelle surprise. She exposes a codependent and unhealthily toxic relationship where she preferred to kill her boyfriend and tie him to her, having him literally kill and eat others rather than just let him go and live his life. So, I will write a separate post about this because I think it is the theme of the episode but this heavily reminds me of Yockey’s witch sisters being a dark Sam and Dean mirror of toxic sibling love last seasons, emphasising their choice to be toxic or healthy, with them now exhibiting all the healthy and rejecting the toxic behaviours. 

So who is Harper and her boyfriend a dark romantic love mirror of now then with them potentially soon to choose a healthy route instead in direct opposition and one of them letting the other go, hmmmm I wonder...

x  Just getting this gif out again cos well I’m sorry but Cas wasn’t even in this episode or last or last last yet he’s all over them with not just human!Cas stuff here but also all the Destiel like wow... it’s impressive tbh.

- Meanwhile Dean is dishing out healthy relationship advice. Again this feels relevant to Cas’ recent admittal to Nick that he had to “eat” someone to live in a way ie possess Jimmy for his body. This feels even more like a metaphor for his giving up his grace and exposing Cas again as not this but having his own body now created by Chuck just as everyone else does. Just in case people want to continue to use this argument against him and Destiel with the necrophilia rubbish which is already totally disproved but again rears its head in a “clearly this is not the same as that” way with actual dark mirror necrophiliac toxic love going on.

- Okay so we have more blatant overt textualised metaphors with the word “metaphor” in the text with Charlie v the big fly. They really are hammering home the concept of “pay attention to metaphors and mirrors people” this season. Wowzers.

- Next week’s promo also gives us another mirror with Jack driving the impala and telling Dean “it’s like I’m you!” “no it isn’t”. Honestly, is this a memo that they have to do this every episode because I approve. Knock that memo home.

- I would also like to point out as @margarittet reminded me, the queer story in this episode (Charlie x her girlfriend) is beautiful and positive though tragic due to outside circumstances and the heterosexual story is toxic and gross with codependency, necrophilia and murder by Harper’s own choice. This isn’t to say it’s anti hetero it’s just making a point that it doesn’t matter who you love it’s what you do with it and who you are that counts.

And isn’t that a beautiful way to end this.