#just scraping the image limit; blame the cool spray paint XDDD

[twilightknight17]

Last night on P5T: We start the DLC at last, jet-set into a twister of nonsense, find mice instead of squids, and I freak out a bit over Satanael~

If you want to skip me ranting about the Velvet Room, scroll down to the big bold text. XD

Look at him. He’s beautiful. And he knows megidolaon!

But my Quest for Satanael, I feel, has exposed another flaw in this game. It’s not a problem if you’re just playing straight through, but if you’re my dumb ass and you want to finish the compendium/obtain Satanael/forge the best weapons, it starts to become an issue.

Fusion is expensive if you’re pulling things out of the compendium. You need personas of specific levels to fuse the weapons, and obviously the best weapons are very high level personas, which won’t drop during battle. Special fusions like Lucifer, Chi You, and Satanael have five or six components each. The cost can be mitigated some by using personas obtained during fights, but in that case, you lose skill options if you’re trying to pass on a specific one via fusion chain. (I can’t imagine trying to get a specific skill on a high-level persona in this game. Ugh. At least megidolaon was a base skill on one of Satanael’s ingredients.)

Which brings us to the actual issue: there’s… no good way to get money in this game.

Money is purely obtained from winning battles. There are no bits and bobs to sell, no money from releasing unneeded personas, nothing. Which means that if you are trying to raise enough money to pay for your multitude of weapons and high-level persons, you are going to be replaying prior battles.

A Lot.

The battles in the final kingdom give around 10K yen, from what I can tell. That can be boosted to around 18K if all three party members have a sub-persona with the “Easy Money” skill. In comparison, personas like Michael and Lucifer (components of Satanael), cost somewhere in the 20-25K range to call from the compendium. You need Michael to make Lucifer in the first place, so you’re going to have to summon him from the compendium at least once.

I don’t know if I did something wrong or inefficiently or what, but I spent the whole game feeling like I barely had enough money for the things I wanted. New weapons often broke the bank, and I wasn’t always using Easy Money because I wanted to actually take specific skills or personas into battle. By the time I was trying to get Satanael, I was basically grinding the same mission multiple times in a row because I knew I could finish it in the least number of turns. It's a little disheartening after unlocking all the endgame bonuses and tricks in Royal and racking up hundreds of thousands of yen in one go to spend on fusion.

That’s not even counting the fusion accidents. The first time I went to fuse Satan (also a component of Satanael), the forge exploded. That probably should have been my cue to start save-scumming, but I didn’t. I assumed that special fusions were immune to fusion accidents. They are not. I placed all of Satanael’s components in the forge and it exploded, wasting least 30K yen.

In hindsight, I probably could have loaded the autosave. But I honestly forgot that the autosave was happening. I always saved manually when I stopped and didn’t worry about anything else. But that’s not the point.

The point is that Satanael should not have been able to explode. X’D

(Side note: fusing Lucifer got a special animation. It’s the only one so far. Why just him???)

But yeah. My compendium still isn’t done, and I’m not even close to the best weapons. I kind of want to take them into merciless mode for NG+, so that means going back and grinding more. But not right now. Right now, we’re off to Spray Paint Land.

It’s time for DLC!

We begin this chilly November late afternoon/evening/whatever with more Quality Morgana Faces.

It has to be November, because Goro’s on the team at this point. Plain and simple. There’s literally only like a 3-week period this can take place in. Akira receives a text from Sumi that says she wants him to meet her in a nearby alley. I guess she was on her way to the cafe. But Morgana says that he knows when to mind his own business, and to call if Akira needs anything.

Call what phone, Mona? Are you gonna answer the cafe phone? Just admit you wanna nap.

Wait. Wait. Morgana. Wake up. The plot is happening. Wake up!

Well, I suppose that means Goro isn’t the artist. He wouldn't have had time while all the Okumura stuff was happening. All these sad mice, tho. Very strange. And isn’t Guernica the artist from Ib? I went on a classic RPGMaker horror kick a few weeks back. I’d watched Angels of Death a while ago and really liked it, and so I watched playthroughs of Ib and Mad Father for the first time. Ib was good, Mad Father was… mediocre, I think.

...oh. That’s Guertena. Neeeeeeevermind.

So, Sumi wants to show you a mural of Arsène being eaten by a giant rat. Which is… not what I was expecting the mural of Akira’s persona to look like. As they puzzle over how the hell a picture of Arsène ended up in a random alley in Yongen, Goro also shows up, ready to investigate.

…...I swear to god, Atlus, why is he the only one who you won’t call by his first name? Also, how is he here to investigate? How did he know about a random mural in the backstreets when everyone is busy paying attention to the giant one on the security building?

He asks if Sumi and Akira had anything to do with this mural, then laughs at Sumi when she gets all flustered by the question. They speculate on the artist’s motives for a bit, since Guernica’s identity is unknown, and then Akira hears a voice calling for the Phantom Thieves from inside the wall.

This made me laugh very hard for inside joke reasons, but Goro assures Sumi that there is no way that there is a person trapped in that wall.

But the mural starts to glow, Arsène disappears, and everything and all of us start getting sucked into the rat’s mouth. And I love and appreciate Sumi dearly, but… none of us are safe here, and you have had your persona for like a month. I should be protecting you.

Joker arrives in a spray-paint covered cityscape, and I already love this place. Holy shit the colors. We’re immediately thrown into a battle, and shooting the little dudes throws paint all over the ground around them. Hehehe. It’s like we’re in Splatoon or something.

...oh. I was joking. But we ARE in Splatoon!

When you’re standing on the enemy’s color, you can’t do anything. No attacks or skills. So there’s definitely an element of strategizing here. I really like it, even if I did die on my first attempt because I was figuring out how it all worked.

……Lavenza, I appreciate the classic literature, but you’re scaring me just a little. XDDDD

Anyway, Joker gets surrounded, the other two jump in to save him, and we get a minor pointing Spiderman meme of “wait, you have powers?” It’s also a little silly because Sumi’s idle stance is a constant pose. Your arms are gonna hurt.

Sumi clarifies to Goro what happened in the Palace when she awakened, and he’s just glad she can fight, even if she’s not formally a Phantom Thief. He clarifies that he is only sort of kind of a Phantom Thief for reasons that would take too long to go into.

...my dear, that is every situation involving these two.

But no, this is completely unrealistic. Goro would have at least a question or two about a random Palace that just spawned somewhere. If this game doesn’t imply that he asked something before January…….

They hear screaming, and a have their first encounter with a non-hostile denizen of this world, who collapses in Sumi’s arms, begs for help, and explodes into paint, leaving Sumi concerned and traumatized. X’D

Goro reminds her that these are cognitions, not even bothering to hide how confident he is in his knowledge about the metaverse, and the trio follows the continuing screams to a mouse massacre.

A crazed woman with a parrot is just gunning down vast amounts of cute mouse people. Paint is going everywhere. It’s insane. Even Goro is put off by the sight.

Meanwhile, Sumi refuses to stand for this and just goes right up to confront the problem.

The bird’s name is Jerri, and I had to message Po in the middle of this, because I was having a crisis.

I can’t unsee it. Help.

Anyway, this is Guernica, and she wants to paint the walls with our blood!

Fortunately, everyone is rescued by a mysterious hole opening up under us, and we meet our savior.

Well… one of us is.

This is Luca, and she’s so happy to see us, because she wants us to help Guernica. Apparently, she was different before Jerri showed up. She felt a kinship with the Phantom Thieves and their quest against corruption. Now, she has strange powers to "peer into people's hearts", and her art can… basically cause a variation of a psychotic breakdown.

Apparently her mental state is fucked because someone stole her Treasure (the first piece of art she ever made) and broke it into pieces. The memo section says, "She was driven to carnage by the theft of her heart's core, prompting her to go on killing sprees in the Metaverse." Which has some WILD implications that I doubt the game is gonna touch on. X’’’’D

Luka also takes us to see this world’s version of the Arsène mural, which is… gruesome? Like, there’s bones sticking out.

Apparently this art was Guernica’s last cry for help before she snapped completely. And she knows what Akira’s persona looked like because of that power to “peek into people’s hearts”. It’s a bit wobbly, but we’ll go with that for now.

Guernica’s “first statement” is in three pieces, so we’re off to retrieve the first one. And I love Luca already.

Jerri wants us to hand over Luca. I might have considered it if she didn’t call me a mop. She claims she’ll send us right home, but that sounds like bullshit.

Also, shoutout to Goro for using his “real” voice here. Time to get dangerous~

It’s nice to hear, because I actually find myself missing abrasive, snarky third-sem Goro compared to the Detective Prince.

This whole thing is such a wild vibe of Splatoon, TWEWY, and Jet Set Radio. The music is fun, the aesthetics are top-notch, and so far the levels have had that extra level of challenge of working with the paint mechanics. It’s really great.

Luka’s ability is creating “manholes” to warp from place to place, and Goro is quickly getting tired of having to jump down them. XD

Our hideout is basically down in the sewers. Luca fished new weapons out of the trash for us, and there’s no Velvet Room, so I guess we’re stuck with whatever sub-personas drop during the battle stages.

We get to have a fun conversation about bouldering, and I caught Goro blinking in the picture, but he actually looks genuinely surprised that you’d want to come try his hobby.

I love the mental image of the three of them going rock-climbing together.

And then, tragically, the Switch ran out of battery. But I’m loving it so far! This is a fun side-story, even if I am a little skeptical of how they’re going to justify everything when they get back to the real world. I’d need to go watch the beginning of January again, but I’d swear there was explicit dialogue that neither of them knew the other had powers beforehand.

Oh well. A thought for another day. Right now, we wonder what kind of disguised god named itself “Jerri”. XDDD