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fearsmagazine · 4 years ago

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Screamfest Horror Film Festival Announces Initial Lineup for 21st Edition

Screamfest® Horror Film Festival, the largest and longest-running horror film festival in the United States, announced their first-wave lineup of competitive features and shorts for its 21st edition. Running October 12th through 21st at the TCL Chinese Theater, Screamfest® welcomes audiences back to the big screen for a collective experience they won’t soon forget. Tickets can be purchased here: https://screamfestla.com

The Retaliators will open Screamfest® LA on October 12th for its North American premiere with a red carpet prior to the screening. The film follows an upstanding pastor who uncovers a dark and twisted underworld as he searches for answers surrounding his daughter's brutal murder. Directed by Bridget Smith and Samuel Gonzalez Jr. and written by the Geare brothers, The Retaliators also features a high-octane original soundtrack and cameos from some of the biggest names in rock music, including Five Finger Death Punch, Tommy Lee, Papa Roach, The Hu, Ice Nine Kills, Escape The Fate, and more appear on screen. Marc Menchaca (Ozark), Michael Lombardi (Rescue Me), and Joseph Gatt (Game of Thrones) star in this horror-thriller which reveals a game of revenge played using a new set of rules.

Considered the "Sundance of Horror," Screamfest® is proud to showcase new work from independent filmmakers from across the globe. Highlights from this year’s program include the World Premieres of Father of Flies, the haunting tale of family life and the supernatural and Teddy Grennan’s Wicked Games where a long weekend at a country estate is turned into a nightmare when a group of masked intruders invades the property. Little do they know one guest has a surprise for them.

Four films will be making their North American debuts at the festival. In addition to The Retaliators, Richard Waters’s dark folk horror Bring Out The Fear traps its protagonists in an unsolvable maze where a sinister presence awaits; Clare Foley stars in the sci-fi horror The Changed where an alien presence takes possession of the hearts and minds of her city; and Isolation depicts nine tales of terror which are woven together as remote people work to survive an increasingly deadly outbreak.

US premieres at the festival include Russia’s #Blue_Whale produced by Timur Bekmambetov, which follows Dana as she works to uncover the truth behind her sister’s suicide; Argentina’s fantasy horror film Nocturna: Side A- The Great Old Man’s Night which depicts one old man’s journey to rethink his past and present and question his reality; and Kratt by Rasmus Berivoo in which children stumble upon an instruction manual to create a supernatural being.

West Coast premieres at the festival include a joint production between the US, Mexico, and Venezuela, Exorcism of God which follows an American priest working in Mexico who, due to a botched exorcism, carries a dark secret with him; hailing from Ireland, Let the Wrong One In dives into the complications of family ties when a vampire is discovered in the family; Erik Bloomquist follows twins who spend a night at a remote inn to investigate their missing father in Night at the Eagle Inn; North American distribution rights to the Argentinian The Returned (Los Que Vuelven) - which follows a woman in 1919 prays to a mythical deity to resurrect her stillborn son - were acquired in a new venture between Peter Block of A Bigger Boat and Seth Nagel, Scott Einbinder and Garrick Dion of 5X Media; What Josiah Saw explores a farmhouse haunted by the past; Alone With You stars Emily Bennett, Emma Myles, and fan-favorite Barbara Crampton in a twisted tale of memory and horror unfolding over a romantic homecoming for a distant girlfriend; and When I Consume You by Perry Blackshear where two siblings get more than they bargained for when hunting a shadowy stalker.

The festival will also feature a Special Presentation of Daniel Farrands’s Aileen Wuornos: American Boogeyman starring Peyton List and Lydia Hearst, which follows the notorious killer through a little known chapter of her life in Deland, Florida.

“After a challenging year for cinema, we are excited to return to our home at the TCL Chinese Theatre for our latest lineup of frights,'' says festival founder Rachel Belofsky. “While last year’s drive-ins allowed us to continue to celebrate horror films as a community, we have missed the magic of the traditional theatrical experience.”

Formed in August 2001 by film producer Rachel Belofsky, Screamfest Horror Film Festival is a female-run 501(c)(3) non-profit organization that gives filmmakers and screenwriters in the horror and science fiction genres a venue to have their work showcased in the film industry.

Please find the 2021 Screamfest feature line-up below:

Aileen Wuornos: American Boogeyman (US, 2021) - Special Presentation Written and Directed by Daniel Farrands Produced by Lucas Jarach, Daniel Farrands, Meadow Williams, Swen Temmel, Luke Daniels, Daniel Davila Executive Producer(s) Nicolas Chartier, Jonathan Deckter, Lydia Hearst, Alan Pao Cast Peyton List, Lydia Hearst, Tobin Bell, Nick Vallelonga, Swen Temmel, Meadow Williams, Andrew Biernat Based on a little-known chapter in the life of America's most notorious female serial killer, "Aileen Wuornos: American Boogeyman" takes place in 1976 when 21-year-old Aileen (Peyton List) arrives in Florida attempting to escape her tragic past. Soon she marries wealthy yacht club president Lewis Fell (Tobin Bell) who offers her the chance to become part of Florida's high society. Ultimately, the victimized Aileen surrenders to her murderous impulses and wreaks havoc on the peaceful seaside community of Deland, Florida.

Alone With You (US, 2021) - West Coast Premiere Directed by Emily Bennett & Josh Brooks Written by Emily Bennett & Josh Brooks Produced by Andrew D. Corkin & Theo James Cast Emily Bennett, Emma Myles (ORANGE IS THE NEW BLACK), Dora Madison (BLISS, VFX), and Barbara Crampton (RE-ANIMATOR, YOU'RE NEXT) Charlie (Emily Bennett) is setting the atmosphere in her sleek, two-story apartment in Brooklyn for a romantic homecoming for her distant girlfriend Simone (Emma Myles) who’s been away for work. There are past glimpses of visual tension between the two, so we’re led to feel that this meticulous setting of mood may be a peacemaking gesture. Enamored beyond all good sense, Charlie begins to experience a myriad of unsettling incidents, and the horrors of what has transpired are slowly revealed in the shards of Charlie’s resistant memory.

#Blue_Whale (Russia, 2021) - US Premiere Directed by Anna Zaytseva Written by Evgeniya Bogomyakova, Anna Zaytseva, Olga Klemesheva Produced by Timur Bekmambetov, Anna Shalashina, Igor Mishin Cast Anna Potebnya, Timofey Eleckii, Ekaterina Stulova, Diana Shulmina, Olga Pipchenko, Polina Vataga, Daniil Kiselev After her younger sister Julia commits suicide, troubled adolescent Dana decides to find out what led to her death. Examining her sister’s computer, Dana finds a secret chat group where adolescents are encouraged to kill themselves through a challenge called "Blue Whale". Dana’s investigation leads her ever closer to the truth, but to really discover what happened, she herself must play the deadly game. #blue_whale // #I_want_to_play_the_game is inspired by real events that happened in Russia in 2015 and 2017.

Bring Out The Fear (Ireland, 2021) - North American Premiere Written and Directed by Richard Waters Produced by Alison Scarff & Richard Waters Cast Ciara Bailey, Tad Morari, James Devlin Rosie and Dan are a couple in a doomed relationship. While taking a final walk in their favourite forest, they find it has trapped them in an unsolvable maze. The paths lead nowhere, the trees never end, the sun never sets, and a sinister presence stalks and torments them, trying to drive them insane... There is no escape. But what exactly are they hiding? This dark folk horror will leave you questioning what is real and what is malicious trickery.

The Changed (US, 2021) - North American Premiere Written and Directed by Michael Mongillo Produced by Taylor Warren and Eloise Asmuth Cast Clare Foley, Jason Alan Smith, Carlee Avers, Doug Tompos, introducing Olivia Freer, with Kathy Searle, and Tony Todd Something has taken possession of the hearts and minds of the populace. Kim (Clare Foley), Mac (Jason Alan Smith), and Jane (Carlee Avers) try to convince themselves it's paranoia, but before long the city is besieged by the changed. By the time they realize an alien intelligence has merged with their neighbor, Bill (Tony Todd), a horde of changed is amassing outside their suburban home.

Exorcism of God (US/Mexico/Venezuela, 2021) - West Coast Premiere Directed by Alejandro Hidalgo Written by Alejandro Hidalgo, Santiago Fernández Calvete Produced by Alejandro Hidalgo, Joel Seidl, Karim Kabche & Antonio Abdo Cast María Gabriela De Faría, Will Beinbrink, Joseph Marcell Peter Williams, an American priest working in Mexico, is considered a saint by many local parishioners. However, due to a botched exorcism, he carries a dark secret that's eating him alive until he gets an opportunity to face his own demon one final time.

Father of Flies (USA/UK, 2021) - World Premiere Directed by Ben Charles Edwards Written by Kirsty Bell Produced by Kirsty Bell, Phil McKenzie Cast Nicholas Tucci, Camilla Rutherford, Davi Santos, Page Ruth, Keaton Tetlow, Colleen Heidemann A haunting tale of family life. A vulnerable young boy finds his mother pushed out of the family home by a strange new woman, and he must confront the terrifying supernatural forces that seem to move in with her.

Isolation (US, 2021) - North American Premiere Directed by Larry Fessenden, Andrew Kasch, Dennie Gordon, Bobby Roe, Alix Austin & Keir Siewert, Christian Pasquariello, Alexandra Neary, Zach Passero, Adam Brown & Kyle I. Kelley Written by Larry Fessenden, Cody Goodfellow, Dennie Gordon, Zack Andrews & Bobby Roe, Kyle I. Kelley & Adam Brown, Keir Siewert, Zach Passero, Alexandrea Neary, Christian Pasquariello Produced by Nathan Crooker, James P. Gannon Cast Larry Fessenden, Dennie Gordon, Graham Denman, Damien Gerard, Bobby Roe Sunny Roe, Bodhi Roe, Adam Brown, Alix Austin, Hannah Passero Marieh Delfino, Alex Weed, Fine Belger, Hans Gurbig Woven together are nine tales of terror that follow isolated citizens from around the world as they confront their darkest fears in an attempt to survive an increasingly deadly outbreak.

Kratt (Estonia, 2020) - US Premiere Written and Directed by Rasmus Merivoo Produced by Rain Rannu, Tõnu Hiielaid Cast Mari Lill, Ivo Uukkivi, Jan Uuspõld, Paul Purga, Nora Merivoo, Harri Merivoo When children are left at Grandma's without smartphones they’re bored to tears. That is until Granny finds them loads to do. She also tells them about a magical creature named KRATT that’ll do whatever its master says. When they stumble upon an instruction on how to build one they don’t hesitate. All they have to do now is to buy a soul from the devil…

Let The Wrong One In (Ireland, 2021) - West Coast Premiere Written and Directed by Conor McMahon Produced by Trisha Flood, Ruth Treacy, Julianne Forde, Michael Lavelle Cast Karl Rice, Eoin Duffy, Anthony Head, Mary Murray Let the Wrong One In follows young supermarket worker Matt, who is a little too nice for his own good. When he discovers that his older, estranged brother Deco has turned into a vampire, he's faced with a dilemma: Will he risk his own life to help his sibling, with blood being thicker than water? Or will he stake him before he spreads the infection further? The film stars upcoming Irish talent Karl Rice and Eoin Duffy, along with Buffy the Vampire Slayer icon Anthony Head, in the role of Henry; a taxi driver with a sideline in vampire hunting.

Night at the Eagle Inn (US, 2021) - West Coast Premiere Directed by Erik Bloomquist Written by Erik Bloomquist, Carson Bloomquist Produced by Erik Bloomquist, Carson Bloomquist Cast Amelia Dudley, Taylor Turner, Beau Minniear, Greg Schweers, Erik Bloomquist Fraternal twins spend a terrifying night at a remote inn to investigate the last known whereabouts of their father. As they dive deeper, the property's dark secrets ensnare them in a hellish labyrinth they must escape before dawn.

Nocturna: Side A - The Great Old Man’s Night (Argentina, 2021) - US Premiere Directed by Gonzalo Calzada Written by Gonzalo Calzada Produced by Alejandro Narváez, Javier Diaz Cast - Pepe Soriano, Marina Artigas, Lautaro Delgado Synopsis - Ulysses is a hundred-year-old man, he lives alone and is on the verge of death. The last night of his life, he will experience something that will force him to rethink his past, his present and his view about his reality.

The Retaliators (US, 2021) - North American Premiere - OPENING NIGHT Directed by Bridget Smith, Samuel Gonzalez, JR. Written by The Geare Brothers Produced by Allen Kovac, Michael Lombardi, Mike Walsh Executive Producer(s) Dan Lieblein Cast Michael Lombardi, Marc Menchaca, Joseph Gatt, Jacoby Shaddix, Katie Kelly, Abbey Hefer, Ivan Moody, Zoltan Bathory In THE RETALIATORS, an upstanding pastor uncovers a dark and twisted underworld as he searches for answers surrounding his daughter's brutal murder. A high-octane original soundtrack and cameos from some of the biggest names in rock music set the tone as this horror-thriller reveals a game of revenge played using a new set of rules. Marc Menchaca (Ozark), Michael Lombardi (Rescue Me), and Joseph Gatt (Game of Thrones) star. Five Finger Death Punch, Tommy Lee, Papa Roach, The Hu, Ice Nine Kills, Escape The Fate, and more appear onscreen and on THE RETALIATORS Original Soundtrack, coming soon via Better Noise Music.

The Returned (Los Que Vuelven) (Argentina, 2021) - West Coast Premiere Directed by Laura Casabe Written by Laura Casabe, Paolo Soria, Lisandro Colaberardino Produced by Alejandro Israel Cast Maria Soldi, Lali Gonzalez, Alberto Ajaka South America, 1919; a landowner's wife is desperate for a child of her own, having suffered through multiple miscarriages. She finds hope, however, in a seemingly outlandish plan: she'll pray to a mythical deity to resurrect her stillborn son. The plan works, but along with the child comes something else...something evil.

What Josiah Saw (US, 2021) - LA Premiere Directed by Vincent Grashaw Produced by Ran Namerode, Vincent Grashaw, Bernie Stern, Angelia Adzic Executive Producer(s) Cole Payne, Scott Haze Written by Robert Alan Dilts Cast Robert Patrick, Nick Stahl, Scott Haze, Kelli Garner, Tony Hale, Jake Weber Everyone in town knows about the haunted Graham Farm on Willow Road. You'll hear there's a bad history to it. Josiah and his youngest son, Thomas, are all that remain of this estranged family. But after experiencing terrifying visions from beyond, Josiah decides they must change their ways to right a great wrong. After being away for over two decades, Eli and Mary, Josiah's eldest children, are enticed to sell the property and reunite at the old farmhouse in hopes of closing this haunting chapter of their lives for good. Sins of the past will be paid in full.

When I Consume You (US, 2021) - West Coast Premiere Written and Directed by Perry Blackshear Produced by MacLeod Andrews, Perry Blackshear, Evan Dumouchel, Libby Ewing Cast Libby Ewing, Evan Dumouchel, MacLeod Andres, Margaret Ying Drake Siblings Daphne and Wilson Shaw practically raised one another. They’ve protected each other from everything life has thrown their way. Daphne’s professional life is soaring and she’s looking to adopt a child. Wilson is interviewing for a position at a local school, hoping to become a teacher. But Daphne has an unsettling, dangerous stalker whom she can’t seem to shake, and now threatens to destroy them both. They hunt for their tormentor through the shadowy streets of Brooklyn, honing their bodies and minds for a showdown. But this foe may prove to be more than they can handle. They will break and rebuild themselves if necessary to save each other, and protect the light they know is in this world for them... if only they can persevere.

Wicked Games (US, 2021) - World Premiere Written and Directed by Teddy Grennan Produced by Bennett Krishock, Heath Franklin, Burton Gray, Teddy Grennan, Christopher Walters Cast Christine Spang, Markus Silbiger, Michael Shenefelt, Conner Ann Waterman When Harley joins her new boyfriend for a long Halloween weekend at his country estate, they're invaded by a bank of masked freaks and forced to play a Wicked Game. To the intruders' unpleasant surprise, Harley's hard-boiled history has endowed her with a bag of tricks which give the game a surprise ending.

Standing out as one of the top tastemakers in the genre of horror, Screamfest has been a launchpad for top tier franchises and storytellers. Among the numerous films that have been discovered and/or premiered at the festival include box office hit The Wretched, Tigers Are Not Afraid, We Summons the Darkness, Pledge, The Master Cleanse, Tragedy Girls, American Mary, Paranormal Activity, 30 Days of Night, Trick ‘r Treat, and The Human Centipede.

Screamfest selects award winners at the close of the festival. Film entries are accepted in the categories of Best Feature, Directing, Cinematography, Editing, Special Effects and Musical Score. In addition, there are special categories for Best Animation, Best Short, Best Documentary and Best Student Film as well as a Screenplay competition.

Screamfest® takes the health and safety of its guests seriously and proof of vaccination or negative COVID test with a temperature check will be required for entry. Masks are required at all times while inside the venue. Hand sanitizer stations are placed throughout the theater and lobby with special cleanings in between screenings. Screamfest® will comply with all LA County regulations and policies are subject to change.

For more information or the latest news, visit screamfestla.com

#film news #movie news #festival news #screamfest #selections #lineup #2021

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tracle0 · 5 years ago

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hello hey hi and a splendid saturday to you, I come bearing a question for the wip4 gang and that question is: what is each of their most significant memories? additionally, are there any memories they would jump at the chance to get rid of? ok bye please have an excellent day \o/ (and before you yell at me I'm going to sleep now I swear)

I’m glad that when you even LOOK at me you think ‘oh sleep time’ I am Pavlov and you are my dog and this metaphor is stupid I will answer your question now

I’m gonna... assume this is uhh pre-story question because I know for a fact that at least three characters would change their answer to at least one question if it was post-story. My house, my rules.

Keaton’s most significant memory is p r o b a b l y the time when he was in year 12 (17), and he was called to the head of sixth form office. He’d been at this school since year 7 (11), and had realised he was trans in year 8 (12/13), and had then been fighting for the right to use his bathroom ever since. This had previously resulted in punishment. In year 10 (15), he made progress, being allowed to use the disabled bathroom, but he wanted the men's bathroom dammit.

Anyway, called to head of sixth form, assumed it was related to that issue. Pessimistic about the whole ordeal.

Turned out there was another student in like year 9 who had come out as trans as well, and the school had gone ‘UHHHHHHHHH LET’S DO BETTER THIS TIME’ so Keaton, being the only other trans student in this rural Norfolk school, was assigned as her... mentor??? I guess?

He was half like ‘fuck y’all’ and half like ‘I will not let this young woman go through the same shit you all put me through, I will guard her like a HAWK’. He was still not allowed to use his bathroom, but he makes her fight a little easier; she’s allowed to use her bathroom in year 10, after he left. They still meet up every now and then for coffee.

Memory to be rid of: First day on a Professional Set, he walked backwards whilst taking a tea order and fell into a bin. Terrible first impression. He still got jobs afterwards, but sometimes people will be like ‘oh yeah I’ve heard of you you’re the bin guy’ and he wants to punch them.

This is getting long already I’m gonna put the rest under a cut

I know you’re here for Mika so I’ll go to them, most significant memory: probably his first pride? He didn’t intend to go to pride, but he was in the city on the day of pride and just walked past all these rainbows and flags and people being so open and proud and themselves. He was maybe fifteen, and had been having those fun Gender Feels that you try and hide at age fifteen, because you’re only fifteen and most people tell you you’re not old enough to know anything about yourself, yknow?

Someone gave him a flyer at one point, and when he got back to his Ultra Christian Household, he hid it and would read through it some nights. When he had it memorised, he started to explore more about queerness online. He’s the guy who can tell you all about LGBT history due to this research. This was only done in the city on the library computers, where his trail couldn’t be tracked. It gave him some sort of start for labels, some sort of safe space, some sort of New Approach to everything he’d been feeling.

Memory to be rid of: last day in Ultra Christian School. He was raised Catholic and went to Catholic school and it wasn’t awful until he was about fourteen, at which point he started to grow his hair. They told him to cut it constantly. He was punished for it. He kept the hair.

It got bad but it wasn’t until he was about seventeen that it really buckled; first real notable psychotic episode. He told people, they were convinced it was some sort of possession, convinced he’d sinned, convinced of all these horrible things about him and drove him out until he could ‘act normally’ again. He did not go back.

In all honesty, the second he turned 18, he took his savings from various dead grandparents and a part-time job, bought a second-hand (maybe third-hand) camper-van and left home.

He goes back for Christmas only.

Mooooving on, Lynne! Who I do not talk about enough; she’s also part of the documentary squad, and actually the reason the whole squad exists. Producer and director, she’s very cool okcoolthanks

Most significant memory: That one time she was thirteen and her parents had officially declared their divorce. She was living with her dad and it was really, really weird and she was not enjoying it. Divorce is a big deal to some families, and this family was one of them, and she was really unsure about her entire future.

Cue Mika, young and mostly obedient, kicking down the door (not literally) and kidnapping her (again, not literally) to come pick blackberries with him (very literally). They stayed out until the sun went down in early Autumn. She forgot about the divorce for a small amount of time. They ended the day eating fish and chips straight from the paper whilst sitting in a tree and talking about nothing important at all.

They made jam out of the blackberries the next day. It was gross. Both of them refused to admit it was gross.

Memory to be rid of: She went camping one time with friends from school. Lynne is Muslim and so did not go to Catholic school with Mika, they just lived near each other, and so school friends went ‘hey we’re going camping you should come’ she did come.

It was a mess. They were fifteen and determined to drink, and English peer pressure to drink is weird, so she did take some drink but didn’t drink it. Someone threw up on her tent and blamed it on her. No-one bought any food or water, the only thing she was able to drink was lemonade bought for mixing and that had ants in it within two hours.

She woke up first and left them all there, then walked home because she was meant to be lift-sharing. It took an hour and a half. She preferred that to being in the car.

That group wasn’t her only group of friends, but it was her main group, so things were awkward for a while.

Moving on from Documentary Squad, Percival! Percy Percival who I wish I could call Percy because it’s so much easier to write.

Significant memory: winning an art contest when he was like. Eleven. Really living the high-life, ol’ Percival. It was a city-wide contest, with various age categories. He was part of the 11-18 clump, which put him at a disadvantage, but he still won. As a reward, his art was replicated on a mural in one of the shopping malls in town, and he got some fancy vouchers for a fancy art shop in the city.

Winning the art contest made him go ‘oh wait I’m actually good at this thing I really like doing I should learn how to do that more’ and you could barely pry him away from his sketchbook from that point on.

Those vouchers were stored away until he was 14 and doing art GCSE, at which point he bought a nice sketchbook and oil paints. He’s now very good at oil painting. I hate him for being good at oil painting. Oil painting SUCKS.

Memory to be rid of: I’m torn between three and they’re all similar so I’ll go for all of them.

#1 - losing an eye to Abby’s experiments. You read the lil short story I think (I know I checked just now) - she’s a very kind and loving sister who sometimes moves his body parts around. One time, he lost an eye and went blind for a few weeks. He had nightmares about it for months. It was very painful.

#2 - losing a finger. To Abby’s experiments. It was the middle finger on his left hand and it didn’t go back into place quickly enough - now it’s always numb and discoloured. Good news is he’s right-handed and not a musician so no worries about losing dexterity on that hand.

#3 - losing two ribs. To Abby’s experiments. There’s a very clear trend here. She wanted to try moving things she couldn’t see around. She moved two ribs away. She decided it was more dangerous to put them back. Now they just have two of Percival’s ribs lying around.

¯\_(ツ)_/¯

On that note, final person, this is very long. Abby! She’s fun. Most significant memory;

okay the word ‘significant’ has caught me off-guard several times cause like wow how do you figure out significant memories for people. I don’t have just one, yknow? But I think I know one for her.

She’s the eldest out of her and Percival and, for a while, people wanted her to set an example for him, which she tried to do, but she wasn’t good at what people wanted her to be good at. She’s good with people. She’s good at very specific parts of biology. She’s good at psychology. She’s not good at school and tests.

So, when Percival started to beat the standards she set for him, her parents almost... egged competition on. Played favourites, compared the two siblings. Nobody really noticed what she could do, they only cared about what she struggled with. And the parents were rarely around to help out with what she was struggled with. So she struggled on and tried to keep her head high.

Cue a family wedding, she was snooping around the snack table at the reception and overheard her parents talking about her. And how they were almost disappointed in her. How they were annoyed that she couldn’t be more like Percival, honestly, what did they do wrong?

She got bitter. She pretends she doesn’t care but she’s bitter, and with no parents around to lash out at, she lashes out at Percival, who isn’t even aware. Good times. Not good times. Significant times.

Memory to be rid of: Honestly? Probably hearing her parents talking about her at the family wedding. It stings.

A n y w a y this was extremely long I like going into detail with short stories, if you read this far then thank you I appreciate it I will give you a feather from my feather collection. Probably a swan feather. I have a lot of swan feathers.

#wip4 #keaton #mika #lynne #percival #abby #all five of them wowza #'hey trade are you doing sts should you answer the other questions in your inbox'#I should but I won't I'm going to sleep soon but thank you for asking #this was fun! thank you logan this was helpful and fun and now I know more stuff about the characters

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maximummusesarch · 5 years ago

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🔥🔥🔥🔥🔥🔥🔥🔥

Send me a “ 🔥 “ for an unpopular opinion.

James Tynion IV’s Batman run isn’t good. “His Dark Designs” was the best of his arcs so far, but even then it wasn’t that good. “Joker War” might be a serious contender for the worst Batman crossover event, which is saying a lot considering “Robin War” also existed. And the Post-Joker War status quo just feels the Post-NML canon without anything that made the Post-NML canon worth exploration. The nicest thing I can say about it is that Clownhunter is cool, and I like seeing more of Grifter.

Arkham Origins had the worst story out of all the Arkham Games, and I’m including Arkham Origins: Blackgate in that list. The best story content in that game was the Initiation DLC.

Michael Keaton’s Batman > Christian Bale’s Batman. Sorry not sorry for spitting that hot fact.

The point of X-Men: Schism wasn’t “Cyclops was right” or “Wolverine was right” or anything like that. Both sides had valid points. Wolverine was right in wanting to give the new generation of X-Men something resembling a normal childhood, where they can be kids without worrying about what the world thinks about them. But Cyclops also had a point that Mutants are an endangered species at this point, so they need to be prepared to defend themselves because they are coming into a world which fears and hates them. They’re both right but they’re both also wrong.

The Hulk was 100% in the right in World War Hulk. The Illuminati essentially sentenced him to life in solitary confinement without even asking if that’s what he wanted, because they must have known the answer would have been no. By all accounts, the Hulk was justified to beat the living shit out of them, sans Xavier and Namor (who didn’t even vote on the topic and voted against, respectively)

Marvel needs to pump the Symbiote Breaks for a long time. It’s annoying when I look at solicitations and know that some of my favorite books are going to be interrupted to tie into “King in Black”. Say what you will about DC and Death Metal, but at least the only ongoing being interrupted by Death Metal is Justice League, which has been nothing but fill in stories since Snyder left the book.

Revenge of the Sith is the best Star Wars film in general.

Console exclusive content for multi-platform games is a thing of the past and deserves to die off.

#Out of comic books ||OOC||#laughter-in-white #Stuck on monitor duty ||QUEUE||

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icemankazansky · 6 years ago

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Batman Forever Makes Men Very Uncomfortable

I wrote an essay about how men hate Val Kilmer’s Batman because he’s a female gaze object.

When I was in grad school working towards my MFA in writing, I wrote an essay on Val Kilmer’s portrayal of Bruce Wayne/Batman in 1995’s Batman Forever. My thesis was that Val wasn’t the best Batman in cinematic history, but he was certainly the best Bruce Wayne. The professor had specified no guidelines for our choice of topic, and because in my other classes I was either writing lengthy, dry-as-melba-toast explorations on hermeneutics or painfully introspective memoirs on the worst things that have ever happened to me, I decided to do something ridiculous and fun for this assignment. I thought that no one would object to my subject matter, which was a problem I was finding in critiques on my personal essays on mental illness.

I was wrong.

Most of the critiques on my BatVal essay went the way I anticipated: people found it amusing and occasionally edifying. Then, a dissenter. One of the male students taking this class as an elective outside his major responded with vitriol. He went on a diatribe not about my craft or any of my arguments, but my basic premise. I didn’t commit his outburst to memory, but I do remember him saying, “Val Kilmer ruined the franchise for a decade.”

My initial reaction, honestly, was, “U mad, bro?” but since then, I have witnessed many men respond in a similar way to the mere mention of BatVal. I am not an avid DC fan, but I did do enough research into the matter to know that the tonal change from Michael Keaton’s Batman films to Val’s turn under the cowl had nothing to do with Val Kilmer, who signed on without reading the script, because he was on location when someone called and offered him the part, and the obvious answer for any of us is, “Hell yes, I will be Batman.” Warner Brothers decided they wanted to make the movies more family-friendly because they felt they could make a lot more money in merchandising if the films weren’t as dark as the Burton pictures. (They were right, though it turns out this philosophy went a little too far with the next installment, which starred George Clooney as the caped crusader and picked up the most Golden Raspberry nominations of 1997, with eleven total. If anything derailed the franchise, I’d think it was the picture that was so bad they didn’t even bother making any more sequels to sell toys with, but what do I know?) When I thought about why guys don’t like Val Kilmer’s Batman, I assumed it was because they preferred Christian Bale’s growly, uber-dark portrayal, which, you know, to each their own, but personally I’m with Liz Lemon on this: “Maybe things men like are boring to women. Football, motorcycles, steak restaurants, really dark superhero movies: these are things that suck.”

Recently, though, I rewatched Batman Forever, and I have a new theory. The reason men respond so viscerally and so negatively to Val Kilmer’s Batman is because he is shown through the female gaze, and men get very, very uncomfortable seeing their superheroes that way.

Let’s break it down.

You are probably familiar with the term male gaze. Feminist author Laura Mulvey coined this term in 1975 in the essay, “Visual Pleasure and Narrative Cinema.” If you went to art school, film school, or have a major with “fem” in the title, you've read it. If you haven’t read it, the basic premise is that (now, most; at the time, nearly all) cinema is given to us through a heterosexual male perspective, even down to the way the camera moves over the actors. Women in films are presented as objects of male desire, both for the male characters in the film, and for the film’s audience. It’s easy to recognize, though it’s so prevalent that you may not realize what you’re looking at. Every time a camera pans slowly up an actress’s body, lingering like a lover’s touch, this is the male gaze in action. Every time you’re watching a movie and notice that, even though she’s the one speaking, the camera is not centered on the actress’s mouth, but on her chest, that is the male gaze in action.

The female gaze is a related, but not strictly analogous, term. A lot of men mistake the female gaze as being any time a male actor is shirtless onscreen, etc., thinking it’s a direct correlation to male gaze, just centered on men. The trouble is, what women see in a narrative, what they want to see, is seldom rooted in the idea of treating the male body as a sexual object. There are a whole lot of reasons why, but it basically boils down to two things. Number one: women are biologically and socially wired differently than men. Number two: society still prioritizes heterosexual men. In a million ways, from healthcare legislation to the ads you walk by in the supermarket, we are told that women’s bodies are objects. It’s no wonder that the male gaze exists, because everything society is telling us is that the purpose of women is to be used to gratify men. There is no existing correlation for women re: male bodies. Male bodies are just parts of men. Unlike women’s bodies, they belong to no one but the men themselves. So when you’re watching a movie with a beefy, shirtless actor, they’re not there because of the female gaze. They’re there because of the male gaze. They look like that because that is how men want to see their heroes.

My favorite example of this comes from a Tumblr post about the male gaze in superhero comics. The point starts about the ridiculous, anatomy-defying, uber-sexual way female characters are drawn by male artists. The discussion is quickly derailed by a male fan who points to muscled, flexing illustrations of Batman and He-Man to prove that male characters are also drawn in hyper-sexualized ways to titillate female readers. User pmastamonkmonk reminds them that these, too, are part of the male gaze, and in order to differentiate the male gaze from the female, the best way is to look at publications specifically geared toward each demographic. The example they pick is Hugh Jackman. They show two magazine covers: one of the male-directed Muscle & Fitness, and one on the female-directed Good Housekeeping.

On the men's magazine cover, Jackman is shirtless, flexing, looking mean and sweaty and like one of those bully whippets with the genetic defect that codes for twice as much muscle mass as it should have. On the women's magazine, he’s smiling. His hair is bouncy and wavy, he is wearing a blue sweater, hands on his hips. He looks for all the world like he’s happy and well-rested, and he probably has a pot roast in the oven.

Val Kilmer’s Bruce Wayne is Batman in a sweater with a pot roast in the oven.

Honestly, I’m not entirely sure how this happened. Usually when we talk about the female gaze in cinema, we are talking about films directed by women, but Batman Forever was directed by Joel Schumacher, who is a man. The director of photography is also a man, as well as three of the four people with writing credits. Is the source of female gaze BatVal the fourth writer, Janet Scott Batchler? If so, I think we all owe her a debt, but since I cannot prove it, I’m not going to send her a muffin basket just yet.

Here’s what I mean.

First I want to talk about the general character design of Val’s Bruce Wayne. First of all, he’s blond, which I know is not a big deal, but in 1995, Val Kilmer’s Batman was the only superhero I had ever seen who had light coloring. It’s styled in a way that is dangerously close to the cut sported by every ’90s teen heartthrob from Jonathan Taylor Thomas to Rider Strong. The part’s different and it’s a little more adult, but there is no escaping the fact that this is a cute haircut. The costuming is also really soft for what we’re used to seeing from a male superhero. It was the ’90s, which contributes a little, but all his suits are cut loose, and the man wears a black turtleneck in like fifty percent of his scenes. It’s not a Steve Jobs black turtleneck, either. This is a sitting by the fire in a ski chalet in Vail turtleneck. It is loose and plush. It might be made of cashmere, and if you look at it too long, you can kind of feel the hand of it between your fingers, which is not something anyone has ever said about anything Wolverine was wearing.

The character of this Bruce Wayne, even this Batman, is also unusual for the male superheroes we’re used to seeing. He is not hyper aggressive, not uber male. Val’s Batman is low-key stalked by Dr. Chase Meridian, who is not only a woman, but is Nicole Kidman playing a female doctor who wears lingerie in half her scenes. When Batman is speaking to her, he calls her doctor, and he looks her in the eye. When Bruce Wayne is interacting with Dr. Meridian, he is similarly respectful, but on the rare occasion he does something hyper-masculine that wouldn’t be out of place coming from the male gaze superheroes we’re used to, he gets flustered. Embarrassed. Apologizes. He hears what he thinks is an attack going on behind her office door, and he runs into save her, breaking the door off its hinges in the process. When it turns out Dr. Meridian was just working out with a punching bag, he immediately looks sheepish and apologizes, putting the door back where he found it and looking supremely embarrassed.

There’s a shoe-horned line at the end of the scene where he tells her, “I’m going to have to get you out of those clothes...” She gives him a look. “...and into a black dress…” which, given the delivery of the line and everything else we’ve seen from this Bruce Wayne, is easy to read as trying for smooth flirting and missing by a mile, then regrouping awkwardly. He is so respectful of her boundaries that it’s almost wild, given what we’ve seen from male protagonists in the twenty-four years since the film was released. He asks her on a date; she says no, she’s met someone else, and he says, “lucky guy” and then drops it. When they are on a date later, he sees she’s been profiling Batman, and he takes a step back, asking her if she’s sure she isn’t so interested in Batman that she really wants to see him, which is insane because he is Batman, but it’s also incredibly chivalrous.

Val Kilmer’s Bruce Wayne is also shown as a really solid, decent guy. Unlike Christian Bale’s vain, clueless playboy, Val Kilmer’s Bruce Wayne is shown as a responsible, charitable man capable of running a Fortune 500 company and helping rehabilitate orphans. He also actively discourages Dick Grayson from violence and indulging in his revenge fantasies. Do you know how many action movies are about men indulging in their revenge fantasies and then murdering everyone? A lot. It’s practically its own genre. And Val Kilmer’s Bruce Wayne tells Dick “Two-Face Murdered My Whole Family” Grayson that violence will destroy him, and he should just be a normal kid and go to college.

So, BatVal: Respects women. Good provider. Good father figure. Dude’s even going to therapy to deal with his Bat Issues.

This is the female gaze.

There’s also a very literal female gaze moment in the film that I cannot recall seeing anywhere else in mass market film. Towards the end, when Batman is suiting up, there is a gratuitous closeup of his ass in the Bat Suit.

I’ve seen similar treatment of women in suiting up montages—I remember watching Guardians of the Galaxy for the first time and thinking, during “Cherry Bomb,” why the fuck am I looking at Gamora’s ass right now? They didn’t show us anyone else’s ass—but usually if the camera treats a man like that, it’s for the sake of humor, and that does not seem to be the case here. Sure, there are sexy, panning shots of men in movies. Some of them, we’ve discussed, are actually the male body viewed through the male gaze, describing the masculine definition of the male ideal. In some cases, I can say the intent is definitely to tantalize the female viewer—I’m thinking romantic “chick flicks” here—but you know what? Almost always when this happens, the camera lingers on the man’s face. Pans down slowly, giving a good view of his arms, his chest, maybe even his stomach, with a teasing look above the hips to remind the audience, hell yeah, this is a man and he’s got a penis down there … and then it’s over. I have never seen the camera pay any sort of attention to a man’s ass when it wasn’t (a) for comedy’s sake, or (b) a gay movie. And this. Batman Forever, a mainstream superhero movie from the ’90s.

So not only is BatVal seen through the female gaze in all the ways we expect when we use that term, but he’s also shown in a way usually reserved for women in film. And I think all of that makes a lot of heterosexual male viewers very uncomfortable. It isn’t just that this isn’t how they’re used to seeing their heroes. It’s that this isn’t how they’re used to seeing themselves. It’s that this isn’t how they’re used to seeing the world. They’re used to viewing their media through a male filter, and when that doesn’t happen, it’s confusing. Disorienting. Possibly scary. So I understand the visceral reaction I got out of the guy who hated my essay. And I understand why a lot of guys cast aspersions on this movie and Val Kilmer’s portrayal. It isn’t that they prefer Christopher Nolan’s movies. It’s that Batman Forever scared the shit out of them by reminding them that there exist viewpoints outside their own. By suggesting, if just for the fifteen seconds or so Schumacher’s camera lingers on that rubber-clad ass, that it’s possible for people to see them the way they see women. It’s uncomfortable, and they’re not used to discomfort. I get it. Embrace it, boys, if only for Batman Forever’s two hour run time. The rest of us have been uncomfortable our whole lives.

#batman forever #meta #val kilmer #batman #bruce wayne

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The Best Movies on Netflix in India [February 2020]

In its efforts to win Oscars and please its 167 million members, Netflix has been pouring billions into movies recently, including projects from or featuring the likes of Dwayne Johnson, Martin Scorsese, and Michael Bay. One of those — The Irishman — racked up 10 nominations for the streaming service at the 2020 Oscars, though it failed to come away with a single prize. Netflix has also expanded its film efforts in India in the past year, announcing projects from the likes of Shah Rukh Khan and Karan Johar. For now though, the strength of its catalogue is still the acquisitions. With over 3,500 movies, Netflix offers more choices than any other platform in India. To pick the best movies on Netflix, we relied on Rotten Tomatoes, Metacritic, and IMDb ratings to create a shortlist. The last of them was preferred for Indian films given the shortfalls of reviews aggregators in that department. Additionally, we used our own editorial judgement to add or remove a few. This list will be updated once every few months if there are any worthy additions or if some movies are removed from the service, so bookmark this page and keep checking in. Here are the best films currently available on Netflix in India, sorted alphabetically. 12 Monkeys (1995) Inspired by the 1962 French short La Jetée, a prisoner (Bruce Willis) is sent back in time to learn more about the virus that wiped out nearly all of humanity. Terry Gilliam directs. 12 Years A Slave (2013) Duped into slavery on the account of a job, Steve McQueen's adaptation of a free New York black man's (Chiwetel Ejiofor) 19th-century memoir is an incredible true story, and an important watch. 2001: A Space Odyssey (1968) In Stanley Kubrick's highly-influential sci-fi film, humanity charts a course for Jupiter with the sentient computer HAL 9000, to understand the discovery of a black monolith affecting human evolution. It's less plot, and more a visual and aural experience.

3 Idiots (2009) In this satire of the Indian education system's social pressures, two friends recount their college days and how their third long-lost musketeer (Aamir Khan) inspired them to think creatively and independently in a heavily-conformist world. Co-written and directed by Rajkumar Hirani, who stands accused in the #MeToo movement. 50/50 (2011) Inspired by a true story, a 27-year-old radio journalist (Joseph Gordon-Levitt) is diagnosed with spinal cancer and learns the value of friendship and love as he battles the rare disease. Aamir (2008) Adapted from the 2006 Filipino film Cavite, a young Muslim NRI doctor (Rajeev Khandelwal) returning from the UK to India is forced to comply with terrorists' demands to carry out a bombing in Mumbai after they threaten his family. American History X (1998) In a film that's more relevant today than when it was made, a neo-Nazi white supremacist (Edward Norton), who served three years in prison for voluntary manslaughter, tries to prevent his younger brother from going down the same path. American Hustle (2013) In the late 1970s, two con artists (Christian Bale and Amy Adams) are forced to work for an FBI agent (Bradley Cooper) and set up a sting operation that plans to bring down several corrupt politicians and members of the Mafia. Jennifer Lawrence, Jeremy Renner star alongside. Andaz Apna Apna (1994) Two slackers (Aamir Khan and Salman Khan) who belong to middle-class families vie for the affections of an heiress, and inadvertently become her protectors from a local gangster in Rajkumar Santoshi's cult comedy favourite. Andhadhun (2018) Inspired by the French short film L'Accordeur, this black comedy thriller is the story of a piano player (Ayushman Khurrana) who pretends to be visually-impaired and is caught in a web of twists and lies after he walks into a murder scene. Tabu, Radhika Apte star alongside. Apollo 13 (1995) Ron Howard dramatises the aborted Apollo 13 mission that put the astronauts in jeopardy after an on-board explosion ate up all the oxygen and forced NASA to abort and get the men home safely. Argo (2012) Ben Affleck directs and stars in this film about a CIA agent posing as a Hollywood producer scouting for location in Iran, in order to rescue six Americans during the US hostage crisis of 1979. Article 15 (2019) Ayushmann Khurrana plays a cop in this exploration of casteism, religious discrimination, and the current socio-political situation in India, which tracks a missing persons' case involving three teenage girls of a small village. A hard-hitting, well-made movie, though ironically, it was criticised for being casteist itself, and providing an outsider's perspective. The Avengers (2012) Earth's mightiest heroes — including Iron Man, Captain America, Thor, and the Hulk — come together in this groundbreaking Marvel team-up from writer-director Joss Whedon to stop Thor's adopted brother Loki (Tom Hiddleston) and his alien army from subjugating mankind.

The Aviator (2004) With Leonardo DiCaprio as Howard Hughes and Cate Blanchett as Katharine Hepburn, Martin Scorsese dives into the life of the aviation pioneer and film producer, who grapples with severe OCD while his fame grows. Awakenings (1990) Robin Williams and Robert De Niro lead the cast of this drama based on a 1973 memoir of the same name, about a doctor (Williams) who discovers the beneficial effects of a drug on catatonic patients, thereby gifting them a new lease on life. Barfi! (2012) Set in the 1970s amidst the hills of Darjeeling, writer-director Anurag Basu tells the tale of three people (Ranbir Kapoor, Priyanka Chopra, and Ileana D'Cruz) as they learn to love while battling the notions held by society. Beasts of No Nation (2015) With civil war raging across a fictional African nation, this Netflix Original focuses on a young boy who's trained as a child soldier by a fierce warlord (Idris Elba), and the effects it has on him. Before Sunrise (1995) In the first chapter of Richard Linklater's long-drawn-out trilogy, two idealistic twentysomethings, an American man (Ethan Hawke) and a French woman (Julie Delpy), spend the night together walking around in the Austrian capital of Vienna. The Big Lebowski (1998) A guy known as The Dude (Jeff Bridges) seeks payback for his ruined carpet after he's mistaken for a millionaire with the same name in this crime comedy from the Coen brothers. Less about the plot and more about a way of living. The Big Short (2015) Starring Christian Bale, Steve Carell, Ryan Gosling and Brad Pitt, a look at Wall Street's penchant for self-profit in a vicious loop that caused the 2007–08 global financial meltdown. Birdman (2014) Alejandro G. Iñárritu won three Oscars including Best Picture for this tale of a washed-up superhero actor (Michael Keaton) who struggles to revive his career with a Broadway play. Known for appearing as if it was shot in a single take, it also starred Edward Norton, Zach Galifianakis, and Emma Stone. Blade Runner (1982) One of the most influential cyberpunk films ever made is about a burnt-out cop (Harrison Ford) who reluctantly agrees to hunt down a group of fugitive “replicants”, synthetic humans with a limited life-span who aren't allowed to live on Earth. Blue Valentine (2010) Ryan Gosling and Michelle Williams lead this drama that shifts between time periods to depict a couple's courtship and how their marriage fell apart. Das Boot (1981) One of the most authentic war movies ever made chronicles the life of a German submarine crew during World War II, as they go through long stretches of boredom and periods of intense conflict, while trying to maintain morale in a capsule 10 feet by 150 feet hundreds of metres under the surface. The Bourne trilogy (2002-07) Technically not a trilogy, but the first three chapters — Identity, Supremacy, and Ultimatum — starring Matt Damon in the lead as the titular CIA assassin suffering from amnesia were so good that they changed the longest-running spy franchise of all-time: James Bond.

The Breadwinner (2017) This animated film follows a 11-year-old girl living under Taliban rule in Afghanistan, who disguises herself as a boy to provide for her family after the father is taken away without reason. Uses wonderfully-drawn vignettes to stress on the importance of storytelling. Bulbul Can Sing (2019) Three teenagers battle patriarchy and the moral police as they explore their sexual identities in Rima Das's National Award-winning drama — and pay for it dearly. Das writes, directs, shoots, edits, and handles costumes. C/o Kancharapalem (2018) Set in the eponymous Andhra Pradesh town, this Telugu film spans four love stories across religion, caste, and age — from a schoolboy to a middle-aged unmarried man. A debut for writer-director Venkatesh Maha, featuing a cast mostly made up of non-professional actors. Capernaum (2018) In the award-winning, highest-grossing Arabic film of all time, a 12-year-old from the slums of Beirut recounts his life leading up to a five-year sentence he's handed for stabbing someone, and in turn, his decision to sue his parents for child neglect. Captain Phillips (2013) The true story of a Somali pirate hijacking of a US cargo ship and its captain (Tom Hanks) being taken hostage, which spawns a rescue effort from the US Navy. The Bourne Ultimatum's Paul Greengrass directs. Cast Away (2000) After his plane crash-lands in the Pacific, a FedEx employee (Tom Hanks) wakes up on a deserted island and must use everything at his disposal and transform himself physically to survive living alone. Castle in the Sky (1986) In the first film officially under the Studio Ghibli banner, a young boy and a girl protect a magic crystal from pirates and military agents, while on the search for a legendary floating castle. Hayao Miyazaki writes and directs. Chupke Chupke (1975) Hrishikesh Mukherjee's remake of the Bengali film Chhadmabeshi, in which a newly-wedded husband (Dharmendra) decides to play pranks on his wife's (Sharmila Tagore) supposedly smart brother-in-law. Amitabh and Jaya Bachchan also star. A Clockwork Orange (1971) Set in a near-future dystopian Britain, writer-director Stanley Kubrick adapts Anthony Burgess' novel of the same name, commenting on juvenile delinquency through the eyes of a small gang leader who enjoys "a bit of the old ultra-violence". Close Encounters of the Third Kind (1977) Steven Spielberg's slow-paced sci-fi pic — which spent several years in development, being rewritten over and over — is about an everyday blue-collar guy (Richard Dreyfuss) whose humdrum life turns upside down after an encounter with an unidentified flying object (UFO).

Cold War (2018) Jumping either side of the Iron Curtain through the late 1940s to the 1960s, Oscar-winner Paweł Pawlikowski depicts the story of two star-crossed lovers, as they deal with Stalinism, rejection, jealousy, change, time — and their own temperaments. Company (2002) Inspired the real-life relationship between Dawood Ibrahim and Chhota Rajan, director Ram Gopal Varma offers a look at how a henchman (Vivek Oberoi) climbs up the mobster ladder and befriends the boss (Ajay Devgn), before they fall out. Dallas Buyers Club (2013) Refusing to accept a death sentence from his doctor after being diagnosed with AIDS in the 1980s, the true story of an electrician and hustler (Matthew McConaughey) who smuggles banned medications from abroad. Dangal (2016) The extraordinary true story of amateur wrestler Mahavir Singh Phogat (Aamir Khan) who trains his two daughters to become India's first world-class female wrestlers, who went on to win gold medals at the Commonwealth Games. The Dark Knight (2008) In the second part of Christopher Nolan's Dark Knight trilogy, regarded as the greatest comic book movie ever, Batman (Christian Bale) faces a villain, the Joker (Heath Ledger), he doesn't understand, and must go through hell to save Gotham and its people. Dev.D (2009) Anurag Kashyap offers a modern-day reimagining of Sarat Chandra Chattopadhyay's Bengali romance classic Devdas, in which a man (Abhay Deol), having broken up with his childhood sweetheart, finds refuge in alcohol and drugs, before falling for a prostitute (Kalki Koechlin). Dheepan (2015) Winner of Cannes' top prize, three Sri Lankan refugees — including a Tamil Tiger soldier — pretend to be a family to gain asylum in France, where they soon realise that life isn't very different in the rough neighbourhoods. Dil Chahta Hai (2001) Farhan Akhtar's directorial debut about three inseparable childhood friends whose wildly different approach to relationships creates a strain on their friendship remains a cult favourite. Aamir Khan, Saif Ali Khan, and Preity Zinta star. Django Unchained (2012) Written and directed by Quentin Tarantino, a German bounty hunter (Christoph Waltz) helps a freed slave (Jamie Foxx) rescue his wife from a charming but cruel plantation owner (Leonardo DiCaprio). Drive (2011) A stuntman moonlighting as a getaway driver (Ryan Gosling) grows fond of his neighbour and her young son, and then takes part in a botched heist to protect them from the debt-ridden husband.

Dunkirk (2017) Christopher Nolan's first historical war movie chronicles the evacuation of Allied soldiers from the French beaches of Dunkirk in World War II, using his love for non-linear storytelling by depicting three fronts — land, sea, and air — in time-shifted ways. The Edge of Seventeen (2016) In this coming-of-age comedy, the life of an awkward young woman (Hailee Steinfeld) gets more complex after her older brother starts dating her best friend, though she finds solace in an unexpected friendship and a teacher-slash-mentor (Woody Harrelson). End of Watch (2012) Before he made a terrible sci-fi remake of his own film, writer-director David Ayer took a near-documentarian lens to the day-to-day police work of two partners (Jake Gyllenhaal and Michael Peña) in South Los Angeles, involving their friendship and dealings with criminal elements. Eternal Sunshine of the Spotless Mind (2004) An estranged couple (Jim Carrey and Kate Winslet) begin a new relationship unaware they dated previously, having erased each other from their memories, in what stands as writer Charlie Kaufman's defining work. The Exorcist (1973) One of the greatest horror films of all time, that has left a lasting influence on the genre and beyond, is about the demonic possession of a 12-year-old girl and her mother's attempts to save her with the help of two priests who perform exorcisms. The Florida Project (2017) Set in the shadow of Disney World, a precocious six-year-old girl (Brooklynn Prince) makes the most of her summer with her ragtag playmates, while her rebellious mother tries to make ends meet with the spectre of homelessness always hanging over them. Willem Dafoe stars alongside. Ferris Bueller's Day Off (1986) In John Hughes' now-classic teen picture, a high schooler fakes being sick to spend the day with his girlfriend and his best friend, while his principal is determined to spy on him. Fruitvale Station (2013) Black Panther writer-director Ryan Coogler's first feature offered a look at the real-life events of a young California man's (Michael B. Jordan) death in a police shooting in 2008. Winner of two awards at Sundance Film Festival. Full Metal Jacket (1987) Stanley Kubrick follows a US marine nicknamed Joker from his days as a new recruit under the command of a ruthless sergeant, to his posting as a war correspondent in South Vietnam, while observing the effects of the war on his fellow soldiers.

Ghostbusters (1984) A bunch of eccentric paranormal enthusiasts start a ghost-catching business in New York, and then stumble upon a plot to wreak havoc by summoning ghosts. Gave birth to one of the most iconic song lyrics in history. Gol Maal (1979) A chartered accountant (Amol Palekar), with a knack for singing and acting, falls deep down the rabbit hole after lying to his boss that he has a twin, in this Hrishikesh Mukherjee comedy. Gone Girl (2014) Based on Gillian Flynn's best-selling novel and directed by David Fincher, a confounded husband (Ben Affleck) becomes the primary suspect in the sudden mystery disappearance of his wife (Rosamund Pike). GoodFellas (1990) Considered as one of the best gangster films of all time, it brought Martin Scorsese and Robert De Niro together for the sixth time. Based on Nicholas Pilegg's 1985 non-fiction book Wiseguy, it tells the rise and fall story of mob associate Henry Hill, his friends and family between 1955 and 1980. Gravity (2013) Two US astronauts, a first-timer (Sandra Bullock) and another on his final mission (George Clooney), are stranded in space after their shuttle is destroyed, and then must battle debris and challenging conditions to return home. Guardians of the Galaxy (2014) A bunch of intergalactic misfits, which includes a talking racoon and tree, come together to form a ragtag team in this Marvel adventure that needs no prior knowledge. Guru (2007) Mani Ratnam wrote and directed this rags-to-riches story of a ruthless and ambitious businessman (Abhishek Bachchan) who doesn't let anything stand in his way as he turns into India's biggest tycoon. Loosely inspired by the life of Dhirubhai Ambani. Haider (2014) Vishal Bhardwaj's Shakespearean trilogy concluded with this modern-day adaptation of Hamlet, that is also based on Basharat Peer's 1990s-Kashmir memoir Curfewed Night. Follows a young man (Shahid Kapoor) who returns home to investigate his father's disappearance and finds himself embroiled in the ongoing violent insurgency. Her (2013) A lonely man (Joaquin Phoenix) falls in love with an intelligent computer operating system (Scarlett Johansson), who enriches his life and learns from him, in Spike Jonze's masterpiece. Hot Fuzz (2007) A top London cop (Simon Pegg, also co-writer) is transferred to a sleepy English village for being the lone overachiever in a squad of slackers. A blend of relationship comedy and a genre cop movie. Edgar Wright directs. Hugo (2011) In 1930s Paris, a boy who lives alone in the walls of a train station tries to figure out the mystery involving his late father and his most treasured possession, an automaton, that needs a key to function. Martin Scorsese directs.

The Hunger Games: Catching Fire (2013) In the best of four movies, Jennifer Lawrence's Katniss Everdeen is forced to participate in a special edition of the Hunger Games, a competition where individuals fight to the death, featuring the winners of all previous competitions. I, Daniel Blake (2016) After a heart attack that leaves him unable to work, a widowed carpenter is forced to fight an obtuse British welfare system, while developing a strong bond with a single mother who has two children. Winner of the Palme d'Or. I Lost My Body (2019) In this animated Cannes winner, a severed hand escapes from a lab and scrambles through Paris to get back to his body, while recounting its past life that involved moving to France after an accident and falling in love. In This Corner of the World (2016) Set in Hiroshima during World War II, an 18-year-old woman agrees to marry a man she barely knows in this animated Japanese film, and then must learn to cope with life's daily struggles and find a way to push through as the war rages on around her. Indiana Jones and the Raiders of the Lost Ark (1981) Directed by Steven Spielberg off a story by George Lucas, an eponymous archaeologist (Harrison Ford) travels the world and battles a group of Nazis while looking for a mysterious artefact, in what is now often considered as one of the greatest films of all-time. Infernal Affairs (2002) Martin Scorsese's Oscar-winning The Departed is a remake of this original Hong Kongian film, in which a police officer is working undercover in a Triad, while a Triad member is secretly working for the police. Both have the same objective: find the mole. Into the Wild (2007) Based on Jon Krakauer's nonfiction book, Sean Penn goes behind the camera to direct the story of a top student and athlete who gives up all possessions and savings to charity, and hitchhikes across America to live in the Alaskan wilderness. Iqbal (2005) In writer-director Nagesh Kukunoor's National Award-winning film, a hearing- and speech-impaired farm boy (Shreyas Talpade) pursues his passion for becoming a cricketer for the national squad, with the help of a washed-up ex-coach (Naseeruddin Shah). The Irishman (2019) Based on Charles Brandt's 2004 book “I Heard You Paint Houses”, Martin Scorsese offers an indulgent, overlong look at the life of a truck driver (Robert De Niro) who becomes a hitman working for the Bufalino crime family and labour union leader Jimmy Hoffa (Al Pacino).

John Wick (2014) In the first part of what is now a series, a former hitman (Keanu Reeves) exits retirement to find and kill those that stole his car and killed his dog. Less story, more action, with the filmmakers drawing on anime, Hong Kong action cinema, Spaghetti Westerns, and French crime dramas. Jurassic Park (1993) It might be over 25 years old at this point but watching the very first Jurassic film from Steven Spielberg — based on Michael Crichton's novel, which he co-adapted — is a great way to remind yourself why the new series, Jurassic World, has no idea why it's doing. Kahaani (2012) A pregnant woman (Vidya Balan) travels from London to Kolkata to search for her missing husband in writer-director Sujoy Ghosh's National Award-winning mystery thriller, battling sexism and a cover-up along the way. Khosla Ka Ghosla! (2006) After a powerful property dealer (Boman Irani) holds a middle-class, middle-aged man's (Anupam Kher) newly-purchased property to ransom, his son and his son's friends devise a plot to dupe the swindling squatter and pay him back with his own money. Dibakar Banerjee's directorial debut. Kiki's Delivery Service (1989) A coming-of-age story of the young titular witch, who opens an air delivery business, helps a bakery's pregnant owner in exchange for accommodation, and befriends a geeky boy during her year of self-discovery. Hayao Miyazaki writes and directs. Lady Bird (2017) Greta Gerwig's directorial debut is a coming-of-age story of a high school senior (Saoirse Ronan) and her turbulent relationship with her mother (Laurie Metcalf), all while she figures out who she wants to be through friendships and short relationships. Lagaan (2001) Set in Victorian India, a village farmer (Aamir Khan) stakes everyone's future on a game of cricket with the well-equipped British, in exchange for a tax reprieve for three years. The Little Prince (2015) Antoine de Saint-Exupery's 1943 novella is given the animation treatment, in which an elderly pilot (Jeff Bridges) recounts his encounters with a young boy who claimed to be an extra-terrestrial prince to his neighbour, a young girl. Rachel McAdams, James Franco, and Marion Cotillard also voice. A Little Princess (1995) Alfonso Cuarón directs this tale of a young girl who is forced to become a servant by the headmistress at her New York boarding school, after her wealthy aristocratic father is presumed dead in World War I. The Lord of the Rings trilogy (2001-2003) Peter Jackson brought J.R.R. Tolkien's expansive Middle-Earth to life in these three three-hour epics, which charts the journey of a meek hobbit (Elijah Wood) and his various companions, as they try to stop the Dark Lord Sauron by destroying the source of his power, the One Ring.

Loveless (2017) A Cannes winner about the social ills of life in modern Russia, told through the eyes of two separated parents who are drawn back together after their 12-year-old child goes missing. From award-winning director Andrey Zvyagintsev. The Lunchbox (2013) An unlikely mistake by Mumbai's famously efficient lunchbox carrier system results in an unusual friendship between a young housewife (Nimrat Kaur) and an older widower (Irrfan Khan) about to retire from his job. Lupin the Third: Castle of Cagliostro (1979) In legendary Japanese director Hayao Miyazaki's feature debut, a dashing master thief enlists the help of a long-time nemesis in the police and a fellow thief to rescue a princess from an evil count, and put an end to his counterfeit money operation. Marriage Story (2019) Scarlett Johansson and Adam Driver play an entertainment industry couple going through a divorce, which pulls them — and their young son — from New York to Los Angeles, the two different hometowns of the protagonists. Mary Poppins (1964) Based on P.L. Travers' book series of the same name, a disciplined father hires a loving woman (Julie Andrews) — who he doesn't know is capable of magic — to be the nanny for his two mischievous children. Won five Oscars, including best actress for the debutant Andrews. Masaan (2015) Neeraj Ghaywan ventures into the heartland of India to explore the life of four people in his directorial debut, all of whom must battle issues of caste, culture and norms. Winner of a National Award and the FIPRESCI Prize at Cannes. Million Dollar Baby (2004) An overlooked, veteran boxing trainer (Clint Eastwood, who also directs) reluctantly agrees to train a former waitress (Hilary Swank) to help achieve her dreams, which leads to a close father-daughter bond that will forever change their lives. Mission: Impossible – Rogue Nation (2015) With the organisation he works for disbanded and his country after him, Ethan Hunt (Tom Cruise) races against time to prove the existence of the schemers pulling the strings in this fifth chapter. Introduced Rebecca Ferguson to the franchise. Monty Python and the Holy Grail (1975) The legendary British comedy troupe mix their talents with the tale of King Arthur and his knights, as they look for the Holy Grail and encounter a series of horrors. A contender for the best comedy of all-time.

Monty Python's Life of Brian (1979) Satire so cutting that it was banned for years in the UK and elsewhere, Life of Brian saw Monty Python turning their eyes on more long-form storytelling. The Life of Brian is the story of a young Jewish man born on the same day and next door to Jesus Christ, who gets mistaken for the messiah. Mudbound (2017) A Netflix Original, this World War II drama is set in rural Mississippi, and follows two veterans – one white and one black – who return home, and must deal with problems of racism in addition to PTSD. Munna Bhai M.B.B.S. (2003) After his parents find out he has been pretending to be a doctor, a good-natured Mumbai underworld don (Sanjay Dutt) tries to redeem himself by enrolling in a medical college, where his compassion brushes up against the authoritarian dean (Boman Irani). Co-written and directed by Rajkumar Hirani, who stands accused in the #MeToo movement. My Neighbor Totoro (1988) Set in post-war rural Japan, a heart-warming tale of a professor's two young daughters who have adventures with friendly forest sprits. Hayao Miyazaki writes and directs. Mystic River (2003) Three childhood friends reunite after a brutal murder, in which the victim is one's (Sean Penn) daughter, another (Kevin Bacon) is the case detective, and the third (Tim Robbins) is suspected by both. Clint Eastwood directs. Nightcrawler (2014) Jake Gyllenhaal plays a freelance video journalist with no ethics or morals who will do anything to get the best footage of violent crimes that local news stations love. A feature directorial debut for screenwriter Dan Gilroy. Ocean's Eleven (2001) In this first of Steven Soderbergh's trilogy, which features an ensemble cast including George Clooney, Brad Pitt, and Matt Damon, Danny Ocean (Clooney) and his eleven associates plan to rob three Las Vegas casinos at the same time. Okja (2017) Part environment parable and part skewer of corporatisation, this underappreciated Netflix Original by Bong Joon-ho tells its story of a young Korean girl and her best friend – a giant pet pig – while effortlessly crossing genres. On Body and Soul (2017) A shy, introverted man and a woman who work at a Hungarian slaughterhouse discover they share the same dreams after an incident, and then try to make them come true.

Only Yesterday (1991) A Studio Ghibli production about a 27-year-old career-driven Tokyo woman who reminisces about her childhood on her way to the countryside to see her sister's family. Isao Takahata writes and directs. Paan Singh Tomar (2012) A true story of the eponymous soldier and athlete (Irrfan Khan) who won gold at the National Games, and later turned into a dacoit to resolve a land dispute. Won top honours for film and actor (Khan) at National Awards. Pan's Labyrinth (2006) In Guillermo del Toro's fantastical version of Spain five years after the civil war, Ofelia – a young stepdaughter of a cruel army officer – is told she is the reincarnated version of an underworld princess but must complete three tasks to prove herself. The Perks of Being a Wallflower (2012) Emma Watson stars in this coming-of-age comedy based on the novel of the same name by Stephen Chbosky, who also wrote and directed the film. Watson plays one of two seniors who guide a nervous freshman. Phantom Thread (2017) Set in the glamourous couture world of 1950s post-war London, the life of a renowned dressmaker (Daniel Day-Lewis), who is used to women coming and going through his tailored life, unravels after he falls in love with a young, strong-willed waitress. Pink (2016) A lawyer (Amitabh Bachchan) comes out of retirement to help three women (Taapsee Pannu, Kirti Kulhari, and Andrea Tariang) clear their names in a crime involving a politician's nephew (Angad Bedi). Won a National Award. PK (2014) A satirical comedy-drama that probes religious dogmas and superstitions, through the lens of an alien (Aamir Khan) who is stranded on Earth after he loses his personal communicator and befriends a TV journalist (Anushka Sharma) as he attempts to retrieve it. Porco Rosso (1992) Transformed into an anthropomorphic pig by an unusual curse, an Italian World War I ace fighter veteran now works as a freelance bounty hunter in 1930s Adriatic Sea in the Mediterranean. Hayao Miyazaki writes and directs. Queen (2013) A 24-year-old shy woman (Kangana Ranaut) sets off on her honeymoon alone to Europe after her fiancé calls off the wedding a day prior. There, freed from the traditional trappings and with the help of new friends, she gains a newfound perspective on life. Director Vikas Bahl stands accused in the #MeToo movement.

Rang De Basanti (2006) Aamir Khan leads the ensemble cast of this award-winning film that focuses on four young New Delhi men who turn into revolutionary heroes themselves while playacting as five Indian freedom fighters from the 1920s for a docudrama. Ratatouille (2007) An anthropomorphic rat (Patton Oswalt) who longs to be a chef tries to achieve his dream by making an alliance with a young garbage boy at a Parisian restaurant. From Pixar. Rebecca (1940) Alfred Hitchcock's first American film is based on Daphne du Maurier's 1938 novel of the same name, about a naïve, young woman who marries an aristocratic widower and then struggles under the intimidating reputation of his first wife, who died under mysterious circumstances. The Remains of the Day (1993) Made by the duo of Ismail Merchant and James Ivory, this based-on-a-book film is about a dedicated and loyal butler (Anthony Hopkins), who gave much of his life — and missed out on a lot — serving a British lord who turns out to be a Nazi sympathiser. Reservoir Dogs (1992) After a simply jewellery heist goes wrong in Quentin Tarantino's feature-length debut, six criminals – Tim Roth, Steve Buscemi, and Michael Madsen are a few of the actors – who don't know each other's identity start to suspect each other of being a police informant. The Revenant (2015) Leonardo DiCaprio and director Alejandro G. Iñárritu won Oscars for their work on this semi-biographical Western film set in the 1820s, which tells the story of frontiersman Hugh Glass and his quest for survival and justice amidst severe winters. Roma (2018) Alfonso Cuarón revisits his childhood in the eponymous Mexico City neighbourhood, during the political turmoil of the 1970s, through the eyes of a middle-class family's live-in maid, who takes care of the house and four children, while balancing the complications of her own personal life. Sairat (2016) In a tiny village in the Indian state of Maharashtra, a fisherman's son and a local politician's daughter fall in love, which sends ripples across the society because their families belong to different castes. Currently the highest-grossing Marathi-language film of all time. Scarface (1983) Al Pacino delivers one of his best performances as a Cuban refugee who arrives in 1980s Miami with nothing, rises the ranks to become a powerful drug kingpin, and then falls due to his ego, his paranoia, and a growing list of enemies. Se7en (1995) In this dark, gripping thriller from David Fincher, two detectives – one new (Brad Pitt) and one about to retire (Morgan Freeman) – hunt a serial killer (Kevin Spacey) who uses the seven deadly sins as his motives. Secret Superstar (2017) Though frequently melodramatic, this coming-of-age story – produced by Aamir Khan and wife Kiran Rao – of a Muslim girl from Vadodara who dreams of being a singer dealt with important social issues and broke several box office records during its theatrical run.

Sense and Sensibility (1995) Jane Austen's famous work is brought to life by director Ang Lee, about three sisters who are forced to seek financial security through marriage after the death of their wealthy father leaves them poor by the rules of inheritance. The Shining (1980) Stephen King's popular novel gets the film treatment from Stanley Kubrick, about a father who loses his sanity in an isolated hotel the family is staying at for the winter, while his psychic son sees horrific forebodings from the past and the future. Shoplifters (2018) Winner of the top prize at Cannes, the story of a group of poverty-stricken outsiders scraping together an under-the-radar living in Tokyo, whose life is upended after they take in a new, young member. Hirokazu Kore-eda writes, directs, and edits. Shrek (2001) A half-parody of fairy tales, Shrek is about an eponymous ogre who agrees to help an evil lord get a queen in exchange for the deed to his swamp, filled with enough jokes for the adults and a simple plot children. A Silent Voice: The Movie (2016) Based on the manga of the same name, a coming-of-age story of a school bully who tries to make amends with a hearing-impaired girl he tormented back in the day, after the tables are turned on him. Silver Linings Playbook (2012) Two people (Jennifer Lawrence and Bradley Cooper) with pain and suffering in their past begin a road to recovery while training together for a dance competition, in what becomes an unlikely love story. The Sixth Sense (1999) In writer-director M. Night Shyamalan's best film to date, a child psychologist (Bruce Willis) tries to help a young boy (Haley Joel Osment) who can see and talk to the dead. Snowpiercer (2013) Chris Evans stars in this sci-fi from Bong Joon-ho, which takes place in a future ravaged by an experiment, where the survivors live on a train that continuously circles the globe and has led to a punishing new class system. The Social Network (2010) The tale of Facebook co-founder Mark Zuckerberg gets a slight fictional spin, as it explores how the young engineer was sued by twin brothers who claimed he stole their idea, and sold lies to his co-founder and squeezed him out.

Soni (2019) A short-tempered young policewoman and her cool-headed female boss must contend with ingrained misogyny in their daily lives and even at work, where it impacts their coordinated attempts to tackle the rise of crimes against women in Delhi. Spartacus (1960) After failing to land the title role in Ben-Hur, Kirk Douglas optioned a book with a similar theme, about a slave who led a revolt — known retrospectively as the Third Servile War — against the mighty Roman Empire. Won four Oscars and was named as one of the best historical epics. The Stranger (1946) A war crimes investigator hunts a high-ranking Nazi fugitive (Orson Welles, also director) hiding in the US state of Connecticut, who is also duping his naïve new wife. Super Deluxe (2019) An inter-linked anthology of four stories, involving an unfaithful wife, a transgender woman, a bunch of teenagers, which deal in sex, stigma, and spirituality. Runs at nearly three hours. Swades (2004) Shah Rukh Khan stars a successful NASA scientist in this based on a true story drama, who returns home to India to take his nanny to the US, rediscovers his roots and connects with the local village community in the process. Taare Zameen Par (2007) Sent to boarding school against his will, a dyslexic eight-year-old is helped by an unconventional art teacher (Aamir Khan) to overcome his disability and discover his true potential. Talvar (2015) Meghna Gulzar and Vishal Bhardwaj combine forces to tell the story of the 2008 Noida double murder case, in which a teenage girl and the family's hired servant were killed, and the inept police bungled the investigation. Uses the Rashomon effect for a three-pronged take. Tangerine (2015) Shot entirely on iPhones, a transgender female sex worker vows revenge on her boyfriend-pimp who cheated on her while she was in jail. Tangled (2010) Locked up by her overly protective mother, a young long-haired girl finally gets her wish to escape into the world outside thanks to a good-hearted thief, and discovers her true self.

Thithi (2016) In this award-winning Kannada-language film, set in a remote village in the state of Karnataka, three generations of men reflect on the death of their locally-famous, bad-tempered 101-year-old patriarch. Made with a cast of non-professional actors. The Town (2010) While a group of lifelong Boston friends plan a major final heist at Fenway Park, one of them (Ben Affleck) falls in love with the hostage from an earlier robbery, complicating matters. Train to Busan (2016) Stuck on a blood-drenched bullet train ride across Korea, a father and his daughter must fight their way through a countrywide zombie outbreak to make it to the only city that's safe. Tu Hai Mera Sunday (2016) Five thirty-something friends struggle to find a place in Mumbai where they can play football in peace in this light-hearted rom-com tale, which explores gender divides and social mores along the way. The Two Popes (2019) Inspired by real life, the tale of friendship that formed between Pope Benedict XVI (Anthony Hopkins) and Cardinal Jorge Mario Bergoglio (Jonathan Pryce), the future Pope Francis, after the latter approached the former regarding his concerns with the direction of the Catholic Church. Udaan (2010) Vikramaditya Motwane made his directorial debut with this coming-of-age story of a teenager who is expelled from boarding school and returns home to the industrial town of Jamshedpur, where he must work at his oppressive father's factory. Udta Punjab (2016) With the eponymous Indian state's drug crisis as the backdrop, this black comedy crime film depicts the interwoven lives of a junior policeman (Diljit Dosanjh), an activist doctor (Kareena Kapoor), a migrant worker (Alia Bhatt), and a rock star (Shahid Kapoor). Uncut Gems (2019) A charismatic, New York-based Jewish jeweller and a gambling addict (Adam Sandler) ends up in over his head in this taut thriller, struggling to keep a lid on his family, desires, business, and enemies. The Untouchables (1987) With mobster Al Capone (Robert De Niro) making use of the rampant corruption during the Prohibition period in the US, federal agent Eliot Ness (Kevin Costner) hand picks a team to expose his business and bring him to justice. Brian De Palma directs. Up in the Air (2009) A corporate downsizing expert (George Clooney) who loves living out of a suitcase finds his lifestyle threatened due to a potential love interest (Vera Farmiga) and an ambitious new hire (Anna Kendrick).

Vertigo (1958) Topping Citizen Kane in the latest Sight & Sound poll of greatest films of all time, Alfred Hitchcock's thriller about a detective afraid of heights who falls for an old friend's wife while investigating her strange activities continued his tradition of turning audiences into voyeurs. Village Rockstars (2017) A young Assamese girl of a widow pines to own a guitar and start her own rock band, but societal norms routinely get in the way. Rima Das writes, directs, shoots, edits, and handles costumes. Visaranai (2015) Winner of three National Awards and based on M. Chandrakumar's novel Lock Up, the story of four Tamil laborers who are framed and tortured by politically-motivated cops in the neighbouring state of Andhra Pradesh. Vetrimaaran writes and directs. A Wednesday! (2008) Neeraj Pandey's film is set between 2 pm and 6 pm on a Wednesday, naturally, when a common man (Naseeruddin Shah) threatens to detonate five bombs in Mumbai unless four terrorists accused in the 2006 Mumbai train bombings case are released. Wonder Woman (2017) After a pilot crashes and informs them about an ongoing World War, an Amazonian princess (Gal Gadot) leaves her secluded life to enter the world of men and stop what she believes to be the return of Amazons' nemesis. Wreck-It Ralph (2012) This Disney animated film tells the story of a video game villain who sets out to fulfil his dream of becoming a hero but ends up bringing havoc to the entire arcade where he lives. Zero Dark Thirty (2012) The decade-long international manhunt for Osama bin Laden is the focus of this thriller from Kathryn Bigelow, dramatised as and when needed to keep a CIA intelligence analyst (Jessica Chastain) at the centre of the story. Zindagi Na Milegi Dobara (2011) Hrithik Roshan, Farhan Akhtar, and Abhay Deol star as three childhood friends who set off on a bachelor trip across Spain, which becomes an opportunity to heal past wounds, combat their worst fears, and fall in love with life. Zodiac (2007) David Fincher signed on Jake Gyllenhaal, Mark Ruffalo, and Robert Downey Jr. to depict a cartoonist's (Gyllenhaal) obsession with figuring out the identity of the Zodiac Killer in the 1960s–70s. Zombieland (2009) A student looking for his parents (Jesse Eisenberg), a man looking for a favourite snack, and two con artist sisters join forces and take an extended road trip across a zombie-filled America, while they all search for a zombie-free sanctuary. Read the full article

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weremarkable · 6 years ago

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Armie's tune on the cmbyn sequel has changed but nothing really changed? It's all still up in the air like it has always been!

Armie Hammer has done sun-soaked gay romance ("Call Me By Your Name"), offbeat social satire ("Sorry to Bother You") and feminist legal drama ("On the Basis of Sex"). But with "Hotel Mumbai" (in theaters Friday in New York and Los Angeles, expands nationwide March 29), the actor takes on one of his most grueling roles yet, playing an American tourist in India who tries to protect his family when their hotel comes under siege by Pakistani terrorists.

The real-life attacks that inspired the film lasted four days in 2008, killing 174 people. The thriller's release is sadly timely: 50 people died last week in a gunman's massacre at two mosques in New Zealand, where the movie has been pulled from theaters by its distributor.

Hammer, 32, chats about "Mumbai," his hesitation around a planned "Call Me" sequel, and whether he's the next Batman.

Armie Hammer: I'd 'jump' at Batman, but 'you can only say yes to projects you're offered'

Patrick Ryan USA TODAY

Published 10:01 AM EDT Mar 20, 2019

Hammer, 32, chats about "Mumbai," his hesitation around a planned "Call Me" sequel, and whether he's the next Batman.

Armie Hammer stars as “David” in director Anthony Maras’ HOTEL MUMBAI, a Bleecker Street release. Credit: Kerry Monteen / Bleecker Street

KERRY MONTEEN/BLEECKER STREET

Question: This film arrives in theaters a week after the Christchurch mosque attacks in New Zealand. Does it resonate any differently with you in light of that event?

Armie Hammer: The film always felt pertinent and now, unfortunately, it's even more prescient. It's the unfortunate reality of the world we live in, that this kind of thing happens. Whether it be a Pakistani group that’s against India or a radical white supremacist who’s against Muslims, it’s all emblematic of the same problem we have of (miseducation) and bad ideas. It’s about damn time that we as a society and as people just stop all this (expletive). We should just stop (expletive) shooting each other.

Q: Despite the challenging subject matter, why should people see this movie?

Hammer: The thing that should encourage people to see this is exactly what's going on now with Christchurch. We hear there's a shooting in New Zealand and everyone goes, "Oh, man, that really sucks," and then the next headline that pops up on their phone is something dumb Donald Trump said or the amount of money Beto O'Rourke was able to raise, and we move past it really quickly. But if you watch this movie, which gives a first-person perspective on exactly how atrocious an attack like this is, it forces you to emotionally sit inside an event like this.

Q: You had an opportunity to speak to survivors of the Mumbai attacks but chose not to. Why was that?

Hammer: Out of respect for these people, there was no need to pull them back into what they went through. This is one of the first terror attacks that actually played out in real time (on TV). So we had news coverage, clippings, first-person memoirs, all that stuff. The director (Anthony Maras) really approached it with a documentarian dedication, and had thousands of pages of research material for us.

Q: Did you get to do any sightseeing while you were shooting in Australia and India?

Hammer: Shooting in Adelaide was great, because it's the wine capital of Australia. At the end of shooting these really difficult days, we'd get to have amazing wine. And then when we shot in India, several of us went and explored Mumbai, and had multiple adventure days. We made sure to decompress as much as we could, because the days were long and tough. But at the end of the day, we were shooting a movie and the director would call “cut," so it was very different from the experience of people who actually went through it.

Armie Hammer: I'd 'jump' at Batman, but 'you can only say yes to projects you're offered'

Patrick Ryan USA TODAY

Published 10:01 AM EDT Mar 20, 2019

Hammer, 32, chats about "Mumbai," his hesitation around a planned "Call Me" sequel, and whether he's the next Batman.

Armie Hammer stars as “David” in director Anthony Maras’ HOTEL MUMBAI, a Bleecker Street release. Credit: Kerry Monteen / Bleecker Street

KERRY MONTEEN/BLEECKER STREET

Question: This film arrives in theaters a week after the Christchurch mosque attacks in New Zealand. Does it resonate any differently with you in light of that event?

Q: Despite the challenging subject matter, why should people see this movie?

Armie Hammer walks the "Hotel Mumbai" red carpet in New York on Sunday.

CHARLES SYKES/INVISION/AP

Q: You had an opportunity to speak to survivors of the Mumbai attacks but chose not to. Why was that?

Q: Did you get to do any sightseeing while you were shooting in Australia and India?

Q: You've said that Luca Guadagnino's "Call Me By Your Name" sequel is still years away. Ideally, would you like to revisit the characters Elio (Timothee Chalamet) and Oliver (Hammer) every decade or so, kind of like Richard Linklater's "Before" movie trilogy?

Hammer: I'd love to revisit working with Luca and Timmy and everyone else that was involved more than I would necessarily love to revisit the material. The reaction to that movie and the emotional connection that people felt to it is really strong, and that's a beautiful thing. That being said, the first one really struck a chord, so maybe it’s best not to revisit it, I don't know. Then again, "The Godfather 2" is better than "The Godfather." But that's also the only example I can think of a sequel being on par with the first one.

Q: Do fans still give you peaches (a fruit that figures into the film's infamous sex scene)?

Hammer: (Laughs.) Yeah, every now and then I’ll get a peach and it’s still very funny.

Q: You also shot down rumors that you were offered the lead in Matt Reeves' upcoming "The Batman." Would you like to play the character, if given the chance?

Q: Of all the great actors to don the Batman cowl, do you have a favorite take on the character?

Hammer: Yeah, that’s the problem: I’ve never been approached, but if I was, I would jump at the opportunity. You can only say “no” or “yes” to projects you’re offered.

Hammer: They're all such different animals, which is great. Michael Keaton was obviously my first Batman, but the Christian Bale version was also absolutely incredible. But no one will top the Batman nipples that George Clooney had. (See above lol)

USA today ▶

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