#lambda takahashi

[hirocimacruiser]

MITSUBISHI STARION

Technology that is inextricably linked to the Lancer EX Turbo

Leading early Group A races with advanced supercharging technology

The Japanese car that fought best against Eggenberger's Volvo at the Inter TEC. Starion may have such an image. In the All Japan Touring Car Championship, he showed a perfect run from an early stage.

Stability and reliability are the keys to good results A-car that makes it to the ground safely

In the lineup of Mitsubishi Motors, the model developed in 1982 was the Starion, positioned as a high-end sports coupe that was the successor to the Galant (Lambda) and Lancer Celeste.

This model was introduced in the All Japan Touring Car Championship that began in 1985, but Mitsubishi's motorsports activities were originally focused on rally fields rather than circuit races.

This is clearly evidenced by the A53/55 Galant, the Southern Cross Rally with the AR73 Lancer, and even participation in the WRC, which began in the 1970s. Participation in the long-distance rally raid from Paris to Dakar was also seen as part of these rally activities.

However, for other manufacturers, for similar reasons, the most convincing PR activity for a market that was hungry for performance while surviving emissions regulations was motorsport. It was a result of making a decision and stepping into the circuit race at hand.

In this sense, the Mirage Cup, which started the one-make race, is probably the best example. As a category that conveys the glamorous atmosphere of racing, it was one of the races that attracted attention at the time.

On the other hand, in the touring car race of Group A vehicles, the Starion Turbo, which had a proven track record in the North American continent, was brought in. One of the reasons for this was that until then, Mitsubishi had had little to do with domestic races, and that they could not find a suitable car to participate in the newly-started Group A race.

This is also the case with Nissan's Group C cars, which used the proven mechanics of the IMSA series in the form of "reverse imports."

Well, that Stallion is equipped with a G63B type 3-valve SOHC + turbocharger engine. Mitsubishi had accumulated turbocharging technology with the Lancer EX2000 for WRC. The engine type of the Lancer EX2000 Turbo is the 4G63 type (different from the 4G63 type of 4-valve DOHC used in the Lancer Evolution series later. It is the SOHC 2-valve engine that became the prototype of this), and the basic part is Stallion's

Common with the G63B type. Looking back on these circumstances, Mitsubishi had a certain amount of experience and confidence in the basic mechanisms and content that make up the vehicle.

The first Stallion that appeared in such a background was InterTEC in 1985. After that, Akihiko Nakatani, who became the main driver of the Stallion, was combined with M. Liu and Fumio Mutoh to finish 4th overall. Considering that the 1st and 2nd place was the Volvo 240 Turbo and the 3rd place was the BMW 635CS, it was a good result, what happened to the other Japanese cars?

Then, from 1986, Kunimitsu Takahashi and Akihiko Nakatani teamed up to participate in the All Japan Touring Car Championship series on a regular basis. He finished 5th in Round 1 and 3rd in Round 2, and in Round 3 at Tsukuba, he finally won his long-awaited first victory.

At this time, the opponent was Takao Wada/Aguri Suzuki's Skyline RS Turbo, and although they conceded the series championship, they were always on even terms and won the 2nd place in the series. He had become a presence respected by other entrants.

The following year, 1987, they maintained their first-class competitiveness and got off to a great start with two consecutive wins at the opening of West Japan and West Sendai. After that, he continued to lose races due to trouble, but he managed to win the series ranking 3rd place thanks to his savings in the early stages. He has proven that he is still a first class contender.

In 1988, the Skyline fleet changed to the HR31 type, the Sierra RS500 increased, and the Supra entered the war. The SOHC system engine was already severe, and the chassis performance had reached the stage of review.

In terms of results, the 2nd place in the match against Nishi-Sendai was conspicuous, and the number of cases where other division 1 cars fell behind was increasing.

On the other hand, the wide-body GSR-VR (1987) was launched on the market during this period, and the basic performance was slightly improved, but compared to the trend of rival cars, the progress of evolution was not good. He took small strides and eventually withdrew from Group A racing in 1988.

After that, Mitsubishi's motorsports activities shifted to Group A rally cars with turbo 4WD starting with the Galant VR-4, and after the release of the Lancer Evolution series, it became a WRC top contender until it captured the world title.

Even so, in 1986, when the race began in earnest, the Stallion, whose basic design was already outdated, was able to achieve such a good track record. It's nothing but Taka.

At the 1986 Inter TEC, which was the debut race, it was exciting to see the Stallion running fast and make the Volvo team say, "What is that car?"

[slashwithaknife]

symbolic C.P. COMPANY - silver magazine

[multiwatered]

Lambda Takahashi x Flagstuff for Beauty & Youth United Arrows

Lamda Takahashi is a fairly popular stylist in Japan who has done styling for magazines like Grind and brands like Neon Sign. The trademark elements of his style include oversized sleeves, loose pants (especially jeans), flat/curved brim hats and graphic tees. He’s very into the modern high fashion streetwear stuff and definitely onboard the Vetements hype train. I’m not a huge fan of everything he’s done but he occasionally has a good eye for stuff.

[lnolikenoother-blog]

Piczo shoots for the recent issue of Grind magazine with stylist Lambda Takahashi.

[interludepress]

Now Available: The Spotlight Series Digital Boxed Set by Lilah Suzanne

“Hollywood style meets Nashville charm in this sweet, sexy fling turned romance.” —Publishers Weekly on Broken Records

Just in time for your summer TBR List!  Lilah Suzanne’s sweet and sexy series about finding love in unexpected places when a Nashville superstar falls for a Hollywood stylist—THE SPOTLIGHT SERIES.

The Spotlight Series Boxed Set is the complete series with exclusive new “B-sides,” short stories featuring popular characters from the Spotlight Series universe—all available at a discounted series price of $8.99 at your favorite digital retailers.

Included in the set:

BROKEN RECORDS: Los Angeles-based stylist Nico Takahashi loves his job—or at least, he used to. Feeling fed up and exhausted from the cutthroat, gossip-fueled business of Hollywood, Nico daydreams about packing it all in and leaving for good. So when Grady Dawson—sexy country music star and rumored playboy—asks Nico to style him, Nico is reluctant. But after styling a career-changing photo shoot, Nico follows Grady to Nashville where he finds it increasingly difficult to resist Grady’s charms. Can Nico make his peace with show business and all its trappings, or will Grady’s public persona get in their way of their private attraction to each other?

BURNING TRACKS: Gwen Pasternak’s got it all. Or so it seems… In the sequel to RT Book Reviews’ Top Pick Broken Records, Gwen’s life looks perfect: She has a job she loves as stylist to the stars; a beautiful wife, Flora; and a house in the heart of Nashville. But the more she works alongside country music’s dynamic princess Clementine Campbell, the less Gwen is certain of her commitment to a life of domestic bliss. Meanwhile, her business partner Nico Takahashi is happily settled down with reformed bad-boy musician Grady Dawson. But when Nico questions the permanence of their relationship, Grady retreats into some dangerous old habits. Will Gwen ruin the life she’s built with Flora for something new and exhilarating? Can Grady be convinced of Nico’s devotion before it’s too late? Burning Tracks is a story of tough choices, taking risks, and the pressures of living life in the spotlight.

BLENDED NOTES: Grady Dawson’s future looks bright. He’s at the top of his country music career, has a close-knit group of friends who have become his Nashville family, and has found solid ground in his personal life as he plans his intimate, private wedding with Nico, his stylist-turned-lover, turned love of his life. It seems Grady has finally left his difficult childhood and tumultuous youth behind. That is, until his past shows up on his doorstep, news of his upcoming nuptials is leaked to the media, and his record company levels demands that challenge his integrity as an artist and as a person. The foundation of Grady’s new life begins to crumble, and fast. Will he be forced to make the ultimate choice between a private life with Nico and the public demands of his career?

Spotlight B-Sides: Spencer

Spotlight B-Sides: Clementine

Available at the IP Web Store, Amazon, Apple, Barnes & Noble, and Kobo.

Add it to your Goodreads TBR shelf at: https://www.goodreads.com/book/show/45991745-spotlight-series-boxed-set

About the author

Lilah Suzanne is a queer author of bestselling and award-winning romantic fiction. Their 2018 novel Jilted was named a finalist for a Lambda Literary Award and a Foreword INDIES Award, and won a Bisexual Book Award for romantic fiction. Their critically acclaimed Spotlight series included the Amazon #1 bestseller Broken Records, along with Burning Tracks and Blended Notes. Lilah also authored the romantic comedy Spice, the novellas Pivot & Slip and After the Sunset, and the short story Halfway Home, from the holiday anthology If the Fates Allow. A writer from a young age, Lilah resides in North Carolina and mostly enjoys staying indoors, though sometimes ventures out for concerts, museum visits, and quiet walks in the woods.

[mutantsalon]

Queer California: Untold Stories April 13–August 11, 2019 at the Oakland Museum of California Image: Brown Rainbow Eclipse Explosion, 2017, Young Joon Kwak. Photo: Ruben Diaz @pingpongpaw , courtesy @commonwealthandcouncil Work by artists and collaborators including Absolute Empress III Shirley, Chloe Aftel, Laura Aguilar, Tina Valentin Aguirre, D-L Alvarez, Steven Arnold, Gilbert Baker, Lisa Ben, Andrea Bowers, Kaucyila Brooke, Ginger Brooks-Takahashi, Craig Calderwood, Pat Campano, Monica Canilao, Tammy Rae Carland, Cassils, Jerome Caja, Willy Chavarria, Kate Clark, Torreya Cummings, Amanda Curreri, Cyclona, Cecil Davis, Reed Erickson, Rhys Ernst, Edie Fake, Eve Fowler, William P. Gaddis Jr., Clay Geerdes, Rick Gerharter, James Gobel, Nicki Green, James Gruber, Barbara Hammer, Mick Hicks, William E. Jones, Lenn Keller, Joseph Richard Kapps, Young Joon Kwak, Vero Majano, DJ Brown Amy (Amy Martinez), Jaguar Mary, Helen Nestor, Yetunde Olagbaju, Kari Orvik, Frances Reid, Augie Robles, Peaches, Grace Rosario Perkins, Marlon Riggs, Nica Ross, Julio Salgado, Helen “Sanders” Sandoz, Jose Sarria, Patrick Staff, Chuck Stallard, Eric A. Stanley, A.L. Steiner, Elizabeth Stevens, Sylvester, Tina Takemoto, Xara Thustra, Wu Tsang, Chris E. Vargas, Lex Vaughn, Travis Y., and Cathy Zheutlin. Additional participants include L. Frank, Joseph Byron Jones, Miss Major, Toshio Meronek, Deborah A. Miranda, Donovan Nation, Kenny Ray Ramos, Kanyon Sayers-Roods, Kayla Strickland, and Karen Vigneault. Contributing archives include The American Philosophical Society; The Archives of the Archdiocese of San Francisco (AASF); Bay Area Lesbian Archives; California State Archives; The Collections of the Kinsey Institute, Indiana University; The Digital Transgender Archive; The Gay, Lesbian, Bisexual, and Transgender Historical Society; Lambda Archives; The Lesbian Herstory Archives; ONE National Gay & Lesbian Archives at the USC Libraries; San Francisco Public Library; James C. Hormel LGBTQIA Center; The UCLA Chicano Studies Research Center; and Willard Library. Curated by Christina Linden @hotcorners (at Oakland Museum of California) https://www.instagram.com/p/BviSLVrl1Lf/?utm_source=ig_tumblr_share&igshid=nb5az71pdl0l

[enharmonictavernofficial]

#EnharmonicTAVERN21FW “The stage" 「舞台」という意味の他に、「段階」という意味も持っている”Stage”。 レイヤードを楽しみ、男女や年齢を問わず楽しむことができるコレクション。 今季のインスピレーションは昆虫の捕食シーンを捉えた 1 枚の写真。 写真に収まる昆虫の捕食シーンは、 命の奪い合いにも関わらず、みている者に美しささえ、与えつける。 生と死の死闘が繰り広げられる”Stage”(舞台)で魅せる美しさ。 相反する美から生まれる違和感を楽しみ、 枠に囚われずファッションを表現する。 理想を意志し、革命を目論む同志達の着る服を提案しつづける Enharmonic TAVERN だからこそ提案できる、2021-22 A/W Collection ”The Stage”。 今回のコレクションでは、そんな相反する美を洋服に落とし込む。 土臭くて男臭いミリタリ ーと、エレガントの掛け合わせ。 前から見るとミリタリーディティールが散りばめられたルックは、 後ろから見るとエレガントな印象のプリーツのレイヤードに。美しくも毒々しい花柄は、シャツの表地 にはもちろん、コートの裏地にも使われる。服のディティールを美しく映し出し、時に男らしく、時に女性らしく、その境界線を曖昧にする。 コレクションルックでも”Stage”(段階)を表現。 ステージに上がる前のダンサーの、気持ちや身なりを表現。 ”Stage”(舞台)に上がる直前のリラックスした姿、リハーサル直前の高揚感、そして本番の華やかさ。 ”Stage”(舞台)にあがる役者の”Stage”(段階)を追ったストーリーが展開される。 Design: Yoichi Tada @tadayoichi.jp Model: Kieron @kieronharper Press: Shinichiro Yamada @shin1551 Movie: Yu Okamoto @okmtyuu Directed by Lambda Takahashi @tkhslmd #Thestage #EnharmonicTAVERN (Tokyo 東京, Japan) https://www.instagram.com/p/CO-MxOtjEWB/?igshid=1bppsfblh7tjb

[kylegoodmanuca-blog]

Japanese men’s fashion magazine GRIND will be opening a pop-up museum called KICKS MUSEUM in Daikanyama, Tokyo on May 10-14. The museum will feature a wide variety of original sneaker models designed by Japanese artists Daisuke Arasaki, Inozuka Keita, Yohei Usami, Lambda Takahashi, Takayuki Tanaka, Masataka Hattori and Ryuta Yamada. In addition to this, the five-day exhibit will also have a variety of limited edition merchandise from Japanese designer AKEEM THE DREAM and special shoe cleaning services from Jason Markk. KICKS MUSEUM has become a tradition in Tokyo, with street fashion magazine Ollie running the show last year.

[hirstory]

Queer California: Untold Stories 

April 13 – August 11, 2019

Oakland Museum of California

Work by artists and collaborators including Absolute Empress III Shirley, Chloe Aftel, Laura Aguilar, Tina Valentin Aguirre, D-L Alvarez, Steven Arnold, Gilbert Baker, Lisa Ben, Andrea Bowers, Kaucyila Brooke, Ginger Brooks-Takahashi, Craig Calderwood, Pat Campano, Monica Canilao, Tammy Rae Carland, Cassils, Jerome Caja, Willy Chavarria, Kate Clark, Torreya Cummings, Amanda Curreri, Cyclona, Cecil Davis, Reed Erickson, Rhys Ernst, Edie Fake, Eve Fowler, William P. Gaddis Jr., Clay Geerdes, Rick Gerharter, James Gobel, Nicki Green, James Gruber, Barbara Hammer, Mick Hicks, William E. Jones, Lenn Keller, Joseph Richard Kapps, Young Joon Kwak, Vero Majano, DJ Brown Amy (Amy Martinez), Jaguar Mary, Helen Nestor, Yetunde Olagbaju, Kari Orvik, Frances Reid, Augie Robles, Peaches, Grace Rosario Perkins, Marlon Riggs, Nica Ross, Julio Salgado, Helen “Sanders” Sandoz, Jose Sarria, Patrick Staff, Chuck Stallard, Eric A. Stanley, A.L. Steiner, Elizabeth Stevens, Sylvester, Tina Takemoto, Xara Thustra, Wu Tsang, Chris E. Vargas/MOTHA, Lex Vaughn, Travis Y., and Cathy Zheutlin. 

Additional participants include L. Frank, Joseph Byron Jones, Miss Major, Toshio Meronek, Deborah A. Miranda, Donovan Nation, Kenny Ray Ramos, Kanyon Sayers-Roods, Kayla Strickland, and Karen Vigneault. 

Contributing archives include The American Philosophical Society; The Archives of the Archdiocese of San Francisco (AASF); Bay Area Lesbian Archives; California State Archives; The Collections of the Kinsey Institute, Indiana University; The Digital Transgender Archive; The Gay, Lesbian, Bisexual, and Transgender Historical Society; Lambda Archives; The Lesbian Herstory Archives; ONE National Gay & Lesbian Archives at the USC Libraries; San Francisco Public Library; James C. Hormel LGBTQIA Center; The UCLA Chicano Studies Research Center; and Willard Library.

[spacettf]

Running Chicken Nebula - Narrowband and colour by Simon W Via Flickr: Following on from my earlier LRGB image here - www.flickr.com/photos/48232585@N00/32423172953/ This image combines narrowband data with LRGB. The narrowband data comprises 15 minute exposures using the ASI1600 mono-cooled astro camera, total exposures comprising: 22 of Hydrogen-Alpha (3nm astrodon filters) 18 of Sulphur II (3nm astrodons); and 14 of Oxygen III (3nm astrodons) This is a lovely nebula in our southern skies, also known as Lambda Centauri or IC2944. Taken with my Takahashi E-130D telescope and Software Bisque MyT astronomical mount, using Theskyx for equipment control and plate solving. All exposures set at gain 75 and exposed at -20c.

[r0wdyism]

Y-3 SS17 editorial by GRIND MAGAZINE

Photo: PICZO Styling: LAMBDA TAKAHASHI Hair: TOMOMI ROPPONGI Coordination: AYAKO IIJIMA

[vm4vm0]

Pigalle - PIGALLE WEDDING - S/S 2017 from PIGALLE PARIS on Vimeo.

"The first time I got dressed elegantly was for the wedding of my parents when I was 7 years old. I was very touched by the party, the champagne, the outfits, the mood... I had been looking forward to enjoying it as well ! In love with an angel, tonight is a celebration of what we all appreciate the most in the world : free love. This feeling I do my best to feed all the time motivated me to create a collection around the theme of a wedding. More comfortable in the creation and technically, this eleventh collection is an interpretation of how I see my witnesses. I wish you all a good time.

We're in heaven, with love

Stephane"

Directed by dixhuit, music by Gaël Rakotondrabe

Many thanks to my mother Doushka, Adrien Haddad and Thibault Dollet, Kentaro San, les ateliers, the Pigalle team, all the models and agencies, le traiteur l'Etoile du Liban, Thomas Subreville, Christophe Victoor, Marissa Seraphin my love, Lambda Takahashi and his team, Jun Nakamura and his team, Gaël Rakotondrabe and his band, all the worldwide family for the love, Freddy, Jerôme, my family from Pain O choKolat, our partner Nike, as well as RETROSUPERFUTURE and Shiseido

[etabetapr]

@scognamiglio13 @roar_roarguns roar/roarguns SS 2018 PHOTO/ YUJI FUKUHARA STYLING/ Lambda Takahashi @tkhslmd HAIR/MAKE @taro6078 MODEL/ ROBERTS @image_models RING/ @scognamigliogioielli13 #roarguns #lambdatakahashi #18ss #green #scognamigliogioielli13 #siver #italy #madeinitaly #etabetapr_fashion_jewelry #etabetapr #mtpisani_etabetapr @mtpisani_etabetapr (presso Milan, Italy)

[jculture-en]

GRIND Magazine to Open Sneaker Art Exhibit

#Figureskate #DaisukeTakahashi [hypebeast.com]The museum will feature a wide variety of original sneaker models designed by Japanese artists Daisuke Arasaki, Inozuka Keita, Yohei Usami, Lambda Takahashi, Takayuki Tanaka, Masataka Hattori and Ryuta Yamada. In addition to this, the five-day exhibit will …

[figureskate-en]

GRIND Magazine to Open Sneaker Art Exhibit

#Figureskate #DaisukeTakahashi [hypebeast.com]The museum will feature a wide variety of original sneaker models designed by Japanese artists Daisuke Arasaki, Inozuka Keita, Yohei Usami, Lambda Takahashi, Takayuki Tanaka, Masataka Hattori and Ryuta Yamada. In addition to this, the five-day exhibit will ...

[enharmonictavernofficial]

#EnharmonicTAVERN21FW “The stage" 「舞台」という意味の他に、「段階」という意味も持っている”Stage”。 レイヤードを楽しみ、男女や年齢を問わず楽しむことができるコレクション。 今季のインスピレーションは昆虫の捕食シーンを捉えた 1 枚の写真。 写真に収まる昆虫の捕食シーンは、 命の奪い合いにも関わらず、みている者に美しささえ、与えつける。 生と死の死闘が繰り広げられる”Stage”(舞台)で魅せる美しさ。 相反する美から生まれる違和感を楽しみ、 枠に囚われずファッションを表現する。 理想を意志し、革命を目論む同志達の着る服を提案しつづける Enharmonic TAVERN だからこそ提案できる、2021-22 A/W Collection ”The Stage”。 今回のコレクションでは、そんな相反する美を洋服に落とし込む。 土臭くて男臭いミリタリ ーと、エレガントの掛け合わせ。 前から見るとミリタリーディティールが散りばめられたルックは、 後ろから見るとエレガントな印象のプリーツのレイヤードに。美しくも毒々しい花柄は、シャツの表地 にはもちろん、コートの裏地にも使われる。服のディティールを美しく映し出し、時に男らしく、時に女性らしく、その境界線を曖昧にする。 コレクションルックでも”Stage”(段階)を表現。 ステージに上がる前のダンサーの、気持ちや身なりを表現。 ”Stage”(舞台)に上がる直前のリラックスした姿、リハーサル直前の高揚感、そして本番の華やかさ。 ”Stage”(舞台)にあがる役者の”Stage”(段階)を追ったストーリーが展開される。 Design: Yoichi Tada @tadayoichi.jp Model: Kieron @kieronharper Press: Shinichiro Yamada @shin1551 Movie: Yu Okamoto @okmtyuu Directed by Lambda Takahashi @tkhslmd #Thestage #EnharmonicTAVEN (Tokyo 東京, Japan) https://www.instagram.com/p/CO477DZDMhE/?igshid=r183xaefx9h5