#light cycle

[apricotstop]

Doodles I did while watching the first half of Tron: Uprising (also kinda for class)

[pulpsandcomics2]

Light Cycle

[tr1ck5]

Day 18: drive

[pedroam-bang]

Tron: Legacy (2010)

[photowalkmyworld]

9 Dec 24

A little light and imagination

[jasonraish]

Sold out officially licensed poster for the 1982 classic film Tron, done with Bottleneck Gallery, Eyeland UK, and Pulse Gallery. 36x24" silk screened edition size of 150 originals and 75 foil variants. That's Tron, he fights for the users.

[smelt-starverse]

reposting an old digibash I did of the Studio Series Bumblebee Movie Arcee in the style of a Lightcycle from the Tron series, in three distinct flavors:

Regular (based on the standard blue biolights)

Pink (based on her Combiner Hunters deco)

And Orange (based on both the enemy Lightcycles in Legacy and Flamewar)

[dorin-naga]

Tron Cycle, Tran Cycle

[pseudonode]

[captainpirateface]

[demonsee2]

4K 60 FPS HDR 5.1 | Tron Legacy Open Matte (2010) • HDR-X Video Converte...

[pedroam-bang]

Tron: Ares (2025)

[kitasnotebook]

the soundtrack of The Grid: daft punk's contribution to TRON:LEGACY

What would a movie be without music? There are many soundtracks that are considered iconic, one of the many being TRON:LEGACY soundtrack. Despite the complaints that TRON:LEGACY had been one long Daft Punk soundtrack it cannot be denied that the soundtrack composed by Daft Punk did not benefit the movie and elevate the movie experience. Daft punk’s contribution to the soundtrack of TRON:LEGACY was massive…or maybe it was just that big of a contribution to me. 

Daft Punk’s combination of their signature electronic sound with orchestral arrangements created a soundtrack that was both otherworldly and emotionally resonant. In order to achieve this success the duo collaborated with composer Joseph Trapenese together they created a score that enhanced the digital and human themes of the film.

The electronic sounds contributed by Daft Punk evoke the mechanical, futuristic and digital feeling of The Grid, which fully immerses the audience into the world of TRON:LEGACY, for example, ‘Derezzed’ captures the electronic energy and action of the Light Cycle battles. The orchestral sections, contributed by Joseph Trapanese, in ‘ Son Of Flynn’ and ‘Overture’ emphasises the emotional weight of events that take place in the movie. The fusion of strings and bass with electronic beats mirrors the tension between the Digital and humanity, which is one of the core themes of the film. The combination of these two styles enhances many emotional moments of the film, ‘Adagio for TRON’ uses somber strings layered over subtle electronic undertones to highlight the loneliness and sacrifice of Kevin Flynn.

The integration of Daft Punk and Joseph Trapenese sound not only amplified the film’s visual impact but also the added layers of thematic depth. The soundtrack created a sonic landscape that was not only innovative but also emotionally engaging, elevating the film beyond a typical sci-fi experience into an immersive journey that resonated with audiences long after credits rolled. 

 Daft Punk’s work on TRON:LEGACY inspired many composers and filmmakers to experiment with electronic elements in their soundtracks, specifically in genres such as science fiction and action. Films such as ‘Drive’ and  ‘Blade Runner 2049’ featured electronic soundtracks that were heavily influenced by Daft Punk’s work. Daft Punk’s ability to craft a soundtrack that was futuristic but at the same time emotionally resonant set a new standard for modern film scores. The success and influence of the TRON:LEGACY soundtrack demonstrated a broad appeal for electronic music in cinema which then encouraged studios to take creative risks. 

Daft Punk’s revolutionary work on the TRON:LEGACY soundtrack not only elevated the film's narrative and visual experience but also left a lasting impact on the evolution of film scores. Daft Punk’s contribution to the film, as mentioned many times before, enhanced the emotion of the moment and what the characters were feeling in that moment. Some may say that TRON:LEGACY was a glorified Daft Punk music video…and maybe it was, but it cannot be discredited from how it totally elevated the movie experience by evoking feelings through music. I cannot imagine anyone being able to do the same thing for the TRON:LEGACY film.

all my love,

kita 🤍

this could be very niche idk...i just like tron and daft punk a lot. and i dont care if people say its a glorified daft punk music video like yes but it MY glorified daft punk music video

[kids-worldfun]

How To Grow Cannabis - The Complete Guide For Beginners

Cannabis farming, which used to be something of an exclusive hobby, has grown into a multi-billion-dollar industry, but the truth is this industry is no longer a preserve for the experts. Changing laws and growing interest in growing cannabis indoors have made more people give it a shot at home. Of course, the process can be quite intimidating for beginners with little or no knowledge about the…

[ulkaralakbarova]

When brilliant video game maker Flynn hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world…and becomes part of the very game he is designing. In his mission through cyberspace, Flynn matches wits with a maniacal Master Control Program and teams up with Tron, a security measure created to bring balance to the digital environment. Credits: TheMovieDb. Film Cast: Kevin Flynn / Clu: Jeff Bridges Alan Bradley / Tron: Bruce Boxleitner Ed Dillinger / Sark / Voice of Master Control Program: David Warner Lora / Yori: Cindy Morgan Dr. Walter Gibbs / Dumont: Barnard Hughes Ram/Popcorn Co-Worker: Dan Shor Crom: Peter Jurasik Peter / Sark’s Lieutenant: Tony Stephano Warrior #1: Craig Chudy Warrior #2: Vince Deadrick Jr. Expert Disc Warrior: Sam Schatz Conscript #2: Michael Dudikoff Head Guard: Jackson Bostwick Film Crew: Original Music Composer: Wendy Carlos Visual Effects Design Consultant: Steven Lisberger Producer: Harrison Ellenshaw Producer: Donald Kushner Executive Producer: Ron Miller Director of Photography: Bruce Logan Editor: Jeff Gourson Casting: Pam Polifroni Production Design: Syd Mead Production Design: Dean Mitzner Art Direction: John B. Mansbridge Art Direction: Al Roelofs Set Decoration: Roger M. Shook Costume Design: Rosanna Norton Conceptual Design: Jean Giraud Stunts: Ross Reynolds Story: Bonnie MacBird Costume Design: Elois Jenssen Stunts: Glenn R. Wilder Stunts: Larry Holt Stunts: Charlie Picerni Stunts: Gary Epper Stunts: Walter Scott Stunt Coordinator: Richard E. Butler Production Sound Mixer: James LaRue Sound Re-Recording Mixer: Lee Minkler Costumer: Lorry Richter Costumer: Nedra Rosemond-Watt Visual Effects: Chris Wedge Visual Effects: John Beach Visual Effects: Tom Bisogno Visual Effects: Nancy Hunter Campi Visual Development: Larry Elin Digital Compositor: Liza Moon Visual Effects Camera: John Aardal Systems Administrators & Support: Richard ‘Dr.’ Baily Visual Effects Camera: Don Baker Visual Effects: William Dungan Jr. Digital Compositor: Art Durinski Visual Effects Camera: Kris Gregg Visual Effects Camera: Patric Kenly Digital Supervisor: Jeffrey Kleiser Systems Administrators & Support: Bill Kovacs Animation: Donald Leich Visual Effects: Larry Malone Systems Administrators & Support: Tim McGovern Visual Effects: Malcolm McMillan Animation: Gene Miller Visual Effects Supervisor: Kenny Mirman Visual Effects: Craig Reynolds Systems Administrators & Support: Frank Vitz Production Coordinator: Lynn Wilkinson Camera Supervisor: Christopher Dusendschon Technical Supervisor: John Hughes Visual Effects Camera: Peg Hunter Animation: Barry Cook Storyboard Artist: Bill Kroyer Storyboard Designer: Jerry Rees Animation: Darrell Rooney Animation: John T. Van Vliet Pre-Visualization Supervisor: Roger Allers Storyboard Artist: Andrew Gaskill Conceptual Design: Chris Lane Conceptual Design: Peter Mueller Concept Artist: John Norton Art Designer: John Alvin Concept Artist: Michael Peraza Jr. Art Designer: Drew Struzan Movie Reviews: r96sk: An acquired taste. For me, someone who has no knowledge of computer programming and the sort, it’s a very slow, tedious and boring watch. ‘Tron’, unfortunately, didn’t take my interest whatsoever. Not helped by the poor special effects (they get a pass due to it being an 1982 release; though I’m not convinced it’s good either way) and forgettable cast performances, it’s not a premise that’s easy to get into if you have no prior understanding of coding etc. There is some intrigue in there, but not nearly enough to satisfy my viewing pleasure – it felt like a much longer run time than 96 minutes, that’s for sure. All cool if you love this, but I very much didn’t. Hopefully the 2010 sequel gives the concept a major boost. CinemaSerf: I saw this again yesterday – it’s 40 years old! I didn’t see it at the time, I was one of those kids who hadn’t the slightest interest in “Space Invaders” nor did I ever have an Atari, but I do recall the fuss that was being made about Disney’s first foray into the wor...