#like I said. I was planning in doing a mini-review of the feature when it launched but I didn't expect to actually be this expensive...

[cnl0400]

The new dating feature... What to expect?

(Apart from disapointment, of course)

Disclaimer: I only bought this because I had a lot of Google Play points, so I could shave a looooooooooot of the total price, but my condolences to anyone who doesn't live in the US because it's a lot more expensive in another regions... Including mine, of course

Disclaimer 2: I'm not telling you what to do with your money, this Is my personal opinion. If you are planning in buying this, do whatever idc, but since a lot of people are having doubts, I felt that I might as well tell everyone what Is this about.

So yeah... Since they announced the new feature, I knew It either would cost real money, It just sounded too good to be true, but I didn't expect to cost $29.99? Almost $37 in my country currency, a total scam, really.

But to be fair to them, this Is a bundle that comes with 300 DP, and considering the price of 280 DP, it's almost like you get the ticket for "free", right?? At least that's how Solmare probably thought It would look like, but the reality Is that the common player will see this bundle and just think that this ticket cost 30 fucking dollars (just look at the comments of Twitter and the tag Right now). In my opinion, just separate the DP and the ticket, and have the bundle as an special offert If you want. Remember that selling stuff Is also about framing... Most players that were planning on buying this might not be planning on buying the DP (like myself, I don't buy DP unless it's on special offerts) so the only thing people like that will think Is that "why this ticket costs that much?"

But what you get in the actual event, you might ask? The trailer was vague as hell in my opinion, and that's an instant red flag in my radar, especially for that spicy art that came with it

For a ticket date you get:

A 1min call

A 10min storyline (not fully voiced, apart from certain lines in the las part of the storyline)

A Majolish background with the date art

The event starts with you calling you boy of preference (in this case, I choose Mammon) to invite him to a date, the call ends and you get a 10min storyline. The premise of the Mammon's date Is that MC has won tickets to Phantom Park, and then Mammon & MC get involved to a game of tag to win a price. Then couple shennigans happen, blah blah blah.

The Story Is... Not bad? I found It rather cute actually, it's romantic and at least they make It explicit that Mammon & MC aré actually dating, but again, this could very well have been in a Devilgram, it's not worth the 30 dollars Solmare expects you to pay tbh. Just tip your favorite fanfic author and call It a day

The last segment Is the one they show in the tráiler, with Mammon getting out of the shower

In this scene, some lines are voiced, and tbh, If the actual story was like this, It almost miiiight be worth It (not the full price, but at least something). But as now? Save your money people, I wouldn't really recommend It.

The only way I would recommend buying It it's If you're already planning on buying the 280 DP offert, or you have a lot of coupons/GPP so you don't pay full price lol, but If you like Lucifer (or Asmo) just do yourself a favor and buy the ASMR. At least, that's what I think

[saintvainglorious]

Fics I Enjoyed in January - DC Comics Fic Rec List Part 2

I am still neck-deep in DC fandom this month and the fics have been so so good. Unlike last time, I am too tired to write mini summaries/reviews, so I'm going to feature my favorite quote from each fic instead.

My first DC Comics fic rec list is here!

Floor Plans by @oh-mother-of-darkness (Teen & Up, 1k, 2016) “I really didn’t want to die,” he finished. “I was kind of hoping if I laid here long enough, I would remember what that felt like.”

Losing two brothers in six months takes an emotional toll.

almost right by @bitimdrake (Teen & Up, 3k, 2020) He desperately wishes that he didn’t know what Dick’s cheekbone feels like under a gauntleted fist.

Bruce sucks in a breath, hand raising to fix the cowl. Dick flinches back.

but more with love by @danishsweethearts (Teen & Up, 3k, 2022) Dick wakes up one morning, groggy from a dream that he thinks might’ve been about the circus and also about his favourite car and also about how lonely he is, and realizes that he can’t remember what his mother’s voice sounds like anymore.

O Robin, Robin, wherefore art thou Robin?

The Mechanics of a Hug by @sohotthateveryonedied (General Audiences, 4k, 2017) “You know… that crushing sense of depression? Like,” Dick chews his lip. “It’s. A physical weight. Makes it hard to breathe?” “Yeah,” Tim says, soft. He smiles, wryly. “I sort of hoped you didn’t, though.”

“So,” Tim ventures. “It's… what, a cuddle pollen?” Bruce just shrugs. “Something like that.”

No Pain, All Gain by @sohotthateveryonedied (General Audiences, 1k, 2020) Tim’s eyes go even wider. “You stole my organs?” “Technically,” Jason chimes in, “the doctors stole your organs. We just gave them permission.”

Bruce checks Tim’s IV. “Are you in any pain? Do you need more morphine?” Tim’s pupils are so wide that only the faintest ring of blue can be seen. He watches Bruce the way a five-year-old watches cartoons. “I’m all good, B-dog. All Gucci, like we cool teens say." His words are slurred almost beyond recognition, but Tim doesn’t seem to notice or care. "I could fight Superman right now.”

The Wind Sits in the Shoulder of Your Sail by @birdchildsnest (Teen & Up, 7k, 2020) “Oh my god. Bruce. I can’t even tell if you’re serious. When everybody finally eats the rich—they’re going to eat you first.”

At least, back then, Tim had barely been a teenager. He could almost forgive his own volatility. And he’d been smart enough (scared enough?) not to tell Jack that he didn’t need him. What was his excuse now? Bruce was his dad (at least, in the legal sense), but (surprise, surprise) it turned out that Tim wasn’t any better at being a son. Or Tim and Bruce still have some things to sort through after the adoption.

I Left My Conscience On Your Front Doorstep by @dustorange (Teen & Up, 21k, 2022) He doesn’t want to be loved if being loved is like this.

"I think I'm leaving," Dick whispers. "I think I'm not coming back."

bad boys bad boys (whatcha gonna do) ♫ by @drakefeathers (Teen & Up, 20k, 2014) "They live their lives thinking they can charge through the city with the right to hurt and kill and destroy as many lives as they want. And they do it all without a shred of remorse." “But—” Damian begins, brow furrowed in confusion. “Isn’t that like you?”

a Jason and Damian as Batman and Robin AU!! featuring a bunch of graffiti, a rival dynamic duo, and Cat Jason (a cat named Jason).

The Biggest Mistake by @oh-mother-of-darkness (General Audiences, 1k, 2016) “I could ground him anyway, if it would make you feel better.” “He only said it because I called him ‘a garbage can so ineffective it actually became garbage.’”

"You know what really needs to be addressed? Bruce's truly terrible treatment of Damian." -Me, on a daily basis

been a number and a name by @wynterstars (Teen & Up, 35k, 2023) “Turns out if you just say ‘spacetime’ until people’s eyes glaze over they don’t really question anything you say. Also, somehow nobody expects me to be able to actually do enough math to explain it.”

On a field trip, Robin has a close encounter with the newest super in Metropolis, only to discover the hard way that Superboy secretly works for Lex Luthor. They agree to work together on a plan to free Superboy from Luthor’s hold, but Robin isn’t sure how far he can trust him—and his developing feelings only make things more complicated.

clean it like you mean it by @wynterstars (Teen & Up, 70k, 2024) "Wait, ugh, you're not my dead dad, right? If I'm getting a dying vision of my dead dad I want a do-over because he suuuuucked."

When Gotham's crooks have to scrub down their lairs, who do they call? Jason Todd, Gotham's first and only underworld crime scene cleaning specialist. He's spent his life dodging the Bat, but after a chance encounter he saves Robin's life. Tim Drake finds himself drawn to the conflicted rogue, and soon Jason becomes Robin's street informant. But they can only stay on opposite sides of the law for so long before something breaks.

3:16 by @wufflesvetinari (Teen & Up, 70k (WIP), 2023) “Try to decouple one thing from the other. I’m proud of you, but ice cream isn’t my grand statement about whether you’ve been good or bad today. Good things are good. Happiness is precious. Sometimes you just want caramel chocolate chip.”

The knife pushes thin along Dick’s carotid artery, cupping the indent between neck and jawline—forcing him to angle his chin. The metal is warm, pulled with execution speed from under Damian’s pillow. “Okay,” Dick says quietly, tracking the intricacies of his own heartbeat—counting the space between breaths. “Guess I did need a shave.” (With faltering steps, Dick and Damian become Batman and Robin.)

wolf-king of rome by @mysterycitrus (Not Rated, 25k, 2024) “You go after Joker, but you don’t kill him, because it’s not about the Joker dying, it’s about Bruce breaking his code for you. It’s about Bruce loving you enough to change himself for the worse. It’s about your idea of grieving.”

Jason doesn’t fear Dick Grayson. Fear itself has changed shape for him, since his return from the Pit - it tastes of dirt in his mouth, of drowning, of fire and blood and laughter, more than a tangible face. Still, he’d be stupid not to be cautious. Dick liked playing on an uneven field, and would do anything to keep him off balance, so he just had to stay focused. That’s the nature of the armistice, both waiting for the other to make a move. It’s like balancing on the head of a pin.

Declensions by @dustorange (Teen & Up, 13k, 2018) “Do not tell them your name. Do as I did to survive. I lied. I have always lied. Make one up. Do not let them have you. Say your name is…is…is…Richard Grayson. Or something. They are going to steal you; do not give them anything to steal.”

“My father,” Dick says, “worked the rope. It cut him. His hands were never clean.”

Passiontide by @bigdvmnhero (Teen & Up, 5k, 2025) Despite its faults, the day had tried to be good. He felt young, like someone's son.

On the 96th day Bruce didn't call, Dick remembered their old game. Three things he knew: 1) In three months, it would be Dick's death anniversary; 2) Bruce was still missing his check-ins; 3) Here Dick was, persisting. Imagine the things I'd survive, Dick thought distantly, if I loved Bruce less. Or: Agent 37 and his various crises of faith, on Day 277 at Spyral, Day 150, and Day -0.

the time you won your town the race by @silverwhittlingknife (Teen & Up, 4k (WIP), 2022) Tim. Tim is Dick’s. Death sharpens, clarifies these things. Who will receive the body, decide on the funeral, receive condolences, make all the decisions that matter. No one has questioned it, not even Tim’s friends. There’s a terrible clarity about death. If Dick said, let’s burn everything he owned, Alfred would do it.

He doesn’t know exactly what Tim would say. But he knows what Tim would do. Tim dies. Dick doesn’t take death for an answer. A Red Robin 12 AU.

door, opening by @cowboysorceror (Mature, 70k (WIP), 2024) Dick, with the keys to every locked door Jason has ever tried to open, tucked inside the cradle of his skull; all of that, snuffed out like a candle.

It’s barely audible, but he knows what he heard. A short, four-note whistle, chirping down – E, C#, then jumping up to A, F#, a little trill on the finish. He waits a moment, head turned slightly towards the dim shapes of storage containers between him and the ramp, eyes straining against the blackness. Long, stretching seconds. There it is again. His gloved hand, prickling with cold, closes into a fist. It’s a wood thrush. A small North American songbird that doesn’t sing at night, doesn’t live in the city. He knows what it means. It means hold, steady, not yet. It means wait for me, I’m behind you.

[theuniversitychallengereview]

Conversations with Myself

UCL vs Darwin, Cambridge

I thought I had it sorted.

I was going to have all of my intros for the quarter-finals written ahead of time by using the reviews of old quarter-finals from the past eight years.

Paxman used to describe the format of this stage in very silly over-the-top ways and I was going to go through my old reviews and reference his melodramatic metaphors (Kafka-esque, Byzantine complexity etc…).

However, in my reviews from the 2018/19 series, I didn’t write anything about Paxman’s comments, which scuppers my plan somewhat.

There weren’t any from the 2017/18 series either, but last week I managed to bodge something together from my old intros. I’m going to have to do the same thing this week, and hope that there is more Paxman content to mine from the 2019/20 series for next week.

This intro, below, is from Episodes 33&34 (a double feature) of the 2018/19 series and is yet more evidence that I’ve been posting the exact same content the entire time.

I was going to start this by saying it had been a while since I’d last had to do a multi-episode post, but I just scrolled back and it was apparently only a few months ago, so I guess I can’t. I was also going to open with a bit about how, if I wanted to use this blog as an example of my writing prowess to any prospective employers, it would be like putting down as a reference your boss from that bar job where you’d fallen asleep midway through pouring a pint and caused a mini lager-flood.

Pretty sure I did have a link to this blog on my CV when I was applying for jobs. Maybe I even discussed it at the interview for the job I did get.

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But I said that last time as well, so in addition to showing up my inconsistent posting schedule I’d also be outing myself as an uninspired self-plagiarist.

I love talking about how I’m plagiarising myself.

It is obvious, both intuitively and from the brief period when I actually did manage to upload a few hours after episodes were dropping, that the only way to grow my engagement and readership is to get my blogs online in that short window immediately after the show when people are in that sweet, sweet UC headspace.

This might have worked in the olden days, but if I post a link on X these days then my post gets nerfed, so what can a blogger do?

Thats how the internet works, you move too slow and you get left behind. So why is it that I’ve allowed myself to postpone my self-imposed deadline by a week, so that I write the previous week’s blog just before the current one should be due?

Still, it would probably be better to post the link on the day of the episode, which I haven’t done for a while. Maybe I’ll try that with this post (I didn’t)

Why is it easier to distract myself from the same focus-scattering effects of Twitter and YouTube that I should be trying to counteract by getting the work done right away after a seven-day interval has passed?

Not sure what I’m trying to say here, a typically difficult-to-parse UC Review sentence, but six years later and I still lose lots of time to Twitter and YouTube.

I can’t answer those questions, but I’m trying to get the point where I can by sleeping with my phone in the other room and reading my 12 issues for £12 Economist when I wake up instead (all the podcasts were right, its like a collection of really long tweets, but without the hashtag wars).

When we moved to Scotland, I read four weeks of the Economist back to back on Press Reader and never felt like I remembered anything. It was almost as much of an addiction as Twitter, albeit one which was far easier to kick, I haven’t read a single article since.

One advantage of the fact that no one reads these anymore is that I feel less obligation to not go off on solipsistic tangents before I’ve even started (not that the obligation ever stopped me before).

/media/25033f0345d4717628937d4ef0045e65

You’re never going to stop me from going on solipsistic tangents, here’s your first starter for ten.

Darwin’s Whitaker has nineteen starters to his name from their opening two matches, but he negs the first question to put his team on minus five. UCL can’t capitalise and his teammate Willis kicks things off with Koch on the following starter. They take two bonuses on calculating devices, which add another ten points to their score.

Another for Mandel, and a hat-trick on the picture bonuses, ties the game at 35-each. Whitaker’s second of the night puts Darwin back in front, and a bonus set on film (he is doing a PhD in film) sees them take a hat-trick of their own. He takes a third, then Stewart gets in on the act with fourth floor and Darwin are flying.

No one identifies Miles Davis on the music starter, and indeed neither team even guesses a trumpet player, tricked perhaps by the fact he is playing with a mute.

UCL trail by more than a hundred points and will really need to get going if they are going to stage a comeback, but Whitaker won’t let them build any momentum, buzzing in with yet another brilliant answer of Ngũgĩ wa Thiong’o.

Willis takes her second starter by correctly adding the number of cranial nerves to the number of pairs of ribs (in humans), twelve plus twelve.

The second picture round is on film which plays right into Whitaker’s hands, and he duly takes the starter with Orson Welles and Rita Hayworth.

UCL 120–225 Darwin

A huge win for Darwin, who I thought might struggle with their over-reliance on Whitaker, he having taken 19 of their 20 starters over the first two rounds. He remained very impressive, but his teammates chipped in with three starters this time which were very useful.

If they can perform like that again they’ll be very tough to beat.

UCL will have to dust themselves off and go again — comprehensively outbuzzed in the middle portion of the match.

If you want more UC content, I’ll have another Patreon review from the 2012/13 series out later this week.

Subscribe so you don’t miss an episode.

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[agentnico]

Resident Evil: Death Island (2023) Review

Two Resident Evil projects in one year?? Well then, Capcom really is tickling my guilty pleasures recently. The Resident Evil 4 game remake was nothing short of stupendous and proved how game remakes/remasters should be handled (looking at you Rockstar Games). Now we have a new RE 3D anime release that follows the Infinite Darkness Netflix mini-series from a few years back. Hopefully a 2 for 2 for Capcom this year?...

Plot: D.S.O. agent Leon S. Kennedy is on a mission to rescue Dr. Antonio Taylor from kidnappers, when a mysterious woman thwarts his pursuit. Meanwhile, B.S.A.A. agent Chris Redfield is investigating a zombie outbreak in San Francisco, where the cause of the infection cannot be identified. The only thing the victims have in common is that they visited Alcatraz Island recently. Following that clue, Chris and his team head to the island, where a new horror awaits them.

So evidently the most significant selling point of Death Island is that it is the first proper time it teams up the five main recurring characters of the RE franchise - Chris, Jill, Claire, Rebecca, and everyone's favourite rookie cop Leon S. Kennedy (one must mention the S.). Yes, some of these characters paired up during the infamous Resident Evil 6 - though the less said about that game the better. Regardless, Death Island finally gives us the whole team united! See this as an Avengers-level team-up movie for the Resident Evil universe. In a nutshell, this is a big moment for RE fans around the world. So Capcom better not do a Marvel Phase 4 & 5 and betray their fans' trust, right??

Resident Evil: Death Island seems like a missed opportunity. It had all the pieces that could have come together to create something truly special, however, instead the final result is a bit lazy. Don't get me wrong, if you're a fan of Resident Evil, and to be fair if you are not a fan of RE then neither this movie nor review should be interesting to you as this really is a feature-length piece of fan service. As I was saying though, as an RE fan, there is plenty to enjoy. The zombies are gory and vile; the lickers are back being as horrible as ever - I am so glad I was not holding the controller this time. Seeing our heroes together was of course entertaining, with stand-outs being Jill and Leon. I don't believe we have ever seen Jill in this badass form. She kicks ass more so than she's ever done in the games, and then Leon as per usual throws around some absolutely hilarious quips and one-liners, reminding us all why he is one of the franchise's favourites. Also must give props to the animation. We've come such a far way since the first time around when we saw our pixelated heroes enter that forsaken mansion. The computer graphics are honestly really sharp and impressive, with the creature designs, and especially during the action sequences with the use of slow motion there is some serious ass-kicking on display.

That being said, Death Island is missing something very key - emotion. I say this fully aware that we love RE for the horror and the cheesiness of it all but with all our main heroes in one movie I sort of expected to care more than I did. The thing is, the animation style of Death Island is not really capable of accurately conveying real human emotion, so wherever we have the quiet moments when we are having a break from the action, the dialogue between the characters and a scene involving the main villain exposing his convoluted plan of destruction in a slow and tedious manner comes off as really dull. Also, the premise is ridiculously simple. Our heroes go to Alcatraz (some old-school Call of Duty: Black Ops - Zombies vibes going on there). They fight some monsters, kill the main monster in the end and Bob's your uncle. There's hardly anything else to it. Speaking of the final creature they battle - the heroes look cool fighting it and apparently pulling our rocket launchers (obviously) and weapons of mass destruction out of butt-fudge nowhere, but alright, I'll just assume the Merchant from Resident Evil 4 was hiding behind one of the crates selling them some rare things for a high price. However, the creature itself, though it looked cool, did not do anything? It hardly fought back, just spent most of the time moving around slowly and staring our heroes down. Why? Like this is Resident Evil for crying out loud, we want to see our heroes kick butt of course but we also want to see the monsters fight back and be massive and intimidating. But nope, this dude just slithers around a little and takes it like a pu**y.

So the verdict. Resident Evil: Death Island certainly has its moments of entertainment, and of course seeing these legacy characters team up is wonderful, however, the movie lacks energy. When the action is there is bloody good fun, but there are too many breaks in between where characters talk and it's no fun. And yes, the endlessly monologuing baddie is a bore and his motivations? My gosh, what a wuss.

Overall score: 5/10

[jimin-bangtan]

BTS’s Solo Chapter CONTINUED - Part 6

Even Jung Kook, (JK), who had ended the solo album releases for phase 1 of the solo period, still had more to offer.  In addition to featuring on JHope’s 2nd album song, I Wonder…, he also released a song for fans, Never Let Go (playlist), for Festa 2024. Likely due to time restraints, he wasn’t able to release the dance video that would have explained some of the lengthy lyrical skips, but that means fans can look forward to that performance when he returns. In addition, there was still more planned toward JK’s 1st album that was now extending into phase 2 of the solo period. That is somewhat understandable timewise, since he was the last to release work in 2023.  JK not only has an exhibition (called GOLDEN: The Moments) traveling to global locations, but he also had his documentary, I Am Still (playlist), being released in theaters globally, not once but twice. The 2nd release included an added singalong segment to the original footage. It really was a well-planned, extensive promotional plan, and it brought the results and achievements it was designed to do.  Of course, JK also released the travel series (Are You Sure? [playlist]) along with Jimin, which was filmed in July, September, and November of 2023. The trips occurred over three long weekends during JKs promotional period and during Jimin’s 2nd album preparations. Some people have complained that it pulled them away from their busy work, but that was the point, or at least one of the points. It gave them restful mini-vacations to relax and enjoy themselves away from the heavy lifting of doing so much work before departing for their military service. They both remarked about having the chance to create memories before taking a pause in their careers to do a restrictive, difficult obligation. I’m glad they had the chance to do it, and it looks like (and they said) they had an enjoyable time through it all.  Finally, JK launched a brand. At this time only a few merchandise items have been revealed with the cursive JK initials as the trademark, so fans will have to look forward to finding more about how this brand will be used.

As mentioned, RM released a 2nd solo album, Right Place, Wrong Person (playlist). In fact, we found out, during that clever MMM1 promotional conversation, where he and Jimin discussed their 2nd albums, that RM had delayed his enlistment to complete this project. He was previously planning to enlist on the same day as JHope. Now I understand more what he and JHope meant in JHope's enlistment day footage, when gloomy RM said, “I don’t know.” and JHope responded, “I don’t either.” It seemed RM was hoping his decision to change plans for this album was worth it, and boy, was it! RM's 2nd album stunned even BTS fans.  It was different, raw, creative, revealing, and stylistic - all the things some fans had expected from his first solo album. He still had collaborators but fewer than he had on the 1st album. He chose to operate differently and worked mostly with songs given to him, while he focused more on the lyrics and performance. RM’s first album was very good, and it was successful, but he even seemed unsatisfied with it and perhaps with its lesser achievement than he had hoped. It turns out that the 1st album also might not have expressed all the deep, gritty feelings he needed to let out. RM’s 2nd album also got more company-led promotional effort, and its achievements were also far greater than his first album. He has landed higher on charts and is being acknowledged for awards and recognition that eluded his first album, even though both are critically acclaimed. While fans did not get a documentary for RM’s first album, a very artistic, cinematic documentary (called RM: Right People, Wrong Place [playlist]) was premiered at the Busan International Film Festival for his 2nd album. We now have word that it will be released globally in December 2024. Early reviews have remarked about how very honest and raw the footage is, that shows more of who RM is and the process that went into creating the very expressive album. After RM’s album release and promotions, he also was featured on a song with previous BTS collaborator, Megan Thee Stallion, called Neva Play, where RM finally declared that BTS “paved the way” for other Asian artists. Speak that truth, RM. 

Presently, at long last, Jin has announced his 1st solo album. Happy (playlist) will be released in November 2024 along with the (hopefully) improving promotional experience. His album is said to lead listeners through his journey to find happiness. In line with the happy theme, Jin first released Super Tuna 2.0 (playlist), which was an updated, extended version of the original song and video. Although it is not included on the album, the silly, but joyful, song, about his love for tuna, was the right tone to kick off the release of an album that has happiness as its theme. Fans are excitedly looking forward to Jin’s solo debut. (By the time I posted this, Jin's pre-release song was presented. It is a fun, pop-rock song called I'll Be There. He looked and sounded great. He's off to a very good start.) To tide us over until the group comes back and until his album is released, Jin has been entertaining fans with show appearances, fashion pictures, and RunJin (playlist) episodes that are full of Jin’s madcap chaos and humor. Now that JHope is out of the military too, I can’t wait to see if (when) he and Jin will produce a subunit project as I had hoped for. There is no doubt that it would be hysterically entertaining. Since Jin’s return, he has also fully capitalized on BTS’s opportunity to have individual ambassador deals now. He hadn’t been able to engage in any business contracts until after his enlistment, and he is wasting not a moment catching up on lost time. 

Here is a list of BTS’s individual ambassadorships presently: Jin - Gucci, Alo Yoga, Fred Jewelry, and Laneige Suga - Valentino and NBA JHope - Louis Vuitton RM - Bottega Veneta Jimin - Dior and Tiffany & Co. V - Celine, Cartier, Compose Coffee, and SimInvest JK - Calvin Klein

PHASE 2 CONCLUSION

During this solo experience, we have had the pleasure of watching BTS members grow and develop as individual artists. We have seen them learn a lot from the experience, gaining knowledge that we are excited to know they can bring back to the group activities.  It’s difficult to imagine what the next chapter of BTS will look like with all that we have seen, but we’re excited to find out. Normally, Hybe and/or BigHit Music do put a lot of advanced planning into their efforts. This military situation was entirely new, and an innovative plan was certainly needed. While there were some parts that were clever and very well done, some parts of this plan unfortunately did not meet up with expectations at all. I have made my feelings clear on how the company initially managed the solo projects. Suga had said that each member was expected to manage their own solo tasks and promotions. Therefore each member chose different entities to help them accomplish their work. I explained each project in more detail in my Phase 1 solo period posts (specifically parts 2 & 3). The differing amounts of assistance given to each member, and the apparent, inequitable effort provided for promotions will sting many fans for quite a while. It caused a crack and disturbance in the fandom that will likely exist for a long while, if not forever.

JK, in honesty and in fact, did receive a much larger piece of the promotional pie, for whatever reason. Perhaps it was solely because of the group he chose to work with. Time seemed to be his only limiting factor.  I’m glad he was able to get that level of promotion. He did an awful lot in an awfully short amount of time. I only hope that going forward, all of the members receive that level of care and investment. They all were responsible for the success that built the company, they all worked extremely hard on their solo projects, and they all deserve the same level of care and attention (with reasonable adjustments) to support their individual careers. The support may not look exactly the same, but it should look like equal effort. It should not stink of neglect and have missing necessary and available items or actions that some promotions received but others did not.

It is sad to see conversations from fans and the public, in which they compare the promotions of BTS, the most successful KPop group in history, to promotions given to artists from other companies. The comments express that they are surprised about how differently BTS is supported by its own wealthy company that their hard work built.

My final, previously stated, point on promotions for now is that even if the differences in promotions were due to the members having to handle their own promotional activities and make their own choices, it was all of their first solo projects! I feel the company should have provided a better framework of guidance for the projects, including promotions, to be sure the members knew how to roll them out fully and knew what tools and information - or additional assistance - was needed to make sure they not only had quality music but also quality roll outs. It seems this would have been a company priority, especially seeing that their primary money makers would be absent for a while. It would have maximized company profits, but perhaps the goal was instead for the members to learn from the process, regardless of everything else, including peace in the fandom.

With that said, the company has seemed to have grown or at least hopefully learned a lot from the experience too, for which I’m glad. We saw changes and improvements during the solo period from phase 1 to phase 2. Perhaps the members did learn and made changes and/or the company realized the flaw in their original tactic. It was a new experience for both sides. (Sadly, we’ll never know what could have been, since you cannot get a 1st time debut back.)

BTS is a unique band in a unique situation. Where most KPop groups disband at about the 7-year mark - if they make it that long - BTS is still thriving and successful into their 11th & 12th years. The members have recently signed a rumored 10-year contract, together, in advance, with the same company, which is also uncommon. Hybe is new for a corporation’s age, and BigHit Music is still learning as they go. As Suga has said many times, BTS is experiencing things where there is no roadmap because no other group has traveled this path before them, so it is expected that the company will have some missteps as they go. I certainly didn’t expect this type of misstep, or the extent of the misstep, but learning and growing from mistakes is far more important than attempting to never make a mistake, which is unrealistic.  Provided they do course-correct and do better going forward, progress can be made and wounds can be healed. As with every step of BTS’s journey, we all will continue to watch and see - right along with them.  APoBangPo - Army forever, BTS forever

RELATED POSTS

**See my Updated BTS Solo Chapter Wishlist.** ***Refer to my BTS Official Content & Social Media Links post that is a directory of links, which leads you to all of the mentioned activities and solo work on official pages. ***

<- BTS Solo Chapter CONTINUED - Part 5 - opening post for this update

[dreawinko]

My review of The Ssum as a Mystic Messenger veteran and as someone who has been playing for a week!

In short: I know they are two different games, but I agree with a lot of people who say MM is better.

There are actually a few things I really like. I think Teo is cute visually and I like a lot of the clicky sound effects as well as the music at the title screen. I think a lot of the mini games/activities are cute in concept, but there are so many that it gets overwhelming, and it feels less like a way to pass the time and more like added responsibility (like answering emails in MM). Maybe that's just because I like to complete all aspects of a game, but I can't help but feel like there are more mini games compared to actual "Teo time." It makes me question what the game is really meant for. Additionally, it's hard to ignore the fact that you are pressured to upgrade to a subscription constantly. I don't have a subscription and I never really planned to get one, but it's frustrating to think that getting one is the only way to unlock the game's full potential.

Mystic Messenger, as @marshmallowprotection (my fav blog) has said, has a lot of the same features for free. Hourglasses are easier to come by, there is no wait time between messages, and even if you are two hours late to a chat room, you can still play it as long as the next one isn't out yet. With The Ssum, I still have the opportunity to miss a chat (like the lunch chat) even if I'm nowhere near the scheduled time of my dinner chat. These are just a few examples of the differences.

I know this game preaches realism, but it's still a game. Even if Teo is away for 5 minutes, I already feel like closing the app and doing something else (it also has to do with the fact that he is a little bland. He's still cute, but when there's no variety of characters, you kind of have to assume that the one guy can stand well on his own, but.... he can't lol). Maybe I'm the problem and my attention span is just too short, but even if someone isn't responding to me irl I still have an opportunity to keep texting?? I have to be quiet and wait for Teo to come back THAT'S SO HUMILIATING!!! Not really lol but like do you get what I'm saying it just feels like this takes away my enjoyment and at the same time it makes the game seem more unrealistic. Also, in the chat rooms, a lot of my responses to him seem weird, especially the ones that cost batteries. Like I would never say those things lol. Maybe that's just me but a lot of them also kinda say the same things just differently.

This is a shared opinion, but the microtransactions are really starting to irk me after 7 days. Twice now I've had to spend 5 batteries to see the images he's sending me in the chat. Am I just gonna have to keep doing that? It makes me feel like making it 200 days without getting a subscription or spending too much money is going to be impossible. What is the point? Why can free-play only get you so far? After being spoiled so well with MM, Cheritz is looking more and more money-hungry and it's really sad to see. Ironically, I've spent hundreds on MM, but The Ssum doesn't really have the same charm, nor does it lure me into wanting to spend money on it. MM was just the perfect ratio for free to paid content, and it never pressured you into spending large amounts of money every time you leave a chat room like The Ssum does. I really want to keep playing because I want to see where it goes, but I feel like my attention is already slipping and I don't know how much longer I can "smoothly" play it for free.

[harrypotter-imaginess]

Part 1 Here! / Part 2 Here!

A/N: maybe two more parts after this

Commission info for a Love Letter from your favorite HP character here - close 3/10/21!

You sigh as you lean your head back on the arm rest of Draco’s couch

You can see him extending a glass of wine towards you, and you take it gingerly into your hand

“I think I want to quit my job”

He doesn’t say anything, just raises an eyebrow and takes a seat in the arm chair next to the sofa you’re sprawled over like you’re at the therapists office

“Planning to coast along on your good looks?” He finally says, trying to keep his face as stern as possible.

Despite himself a smile arch’s onto the corner of his mouth

“I’m being serious!” You say, sitting up.

Draco openly laughs now, and he doesn’t stop until you throw a pillow at him.

“Well what do you expect when you say somethin’ like that out of nowhere.” He manages to say between bursts of laughter

You both have been dating for a while now, almost a year- you even brought him to a company holiday party

Life has been good

Having to hide his wizardry from you isn’t all that hard, he just had to completely reprogram the way he operates as a human being and now he’s fine

...

It’s been a little challenging

You sigh, a hand threading through your hair, eyebrows threaded together

Well now he’s a little worried, he figured you were just joking around but-

“Did something happen at work?”

Did someone say something to you- or maybe someone did something to you

Draco’s already running a list of curses in his mind by the time you sigh and shake your head

“Nothing that hasn’t been happening- not really.”

The cruciatus curse seems a little to far, maybe boils? No that’s too obvious

“It’s a nice place to work, I have it really good, it’s just-“ your eyes flicker from your glass of wine to Draco

“I always figured once I had a steady income life would be exciting yknow? And I would travel and be making memories but-“

You should be grateful, you have a good life. A comfortable job, a cozy house and-

Your eyes flicker to him, taking his impeccably handsome face, that ash blonde hair, and vibrant grey eyes

And you’ve got Draco

But even though you have all these things, you can’t help but feel like life is just passing you by, and before you know it you’ll be 80 on your death bed having done nothing at all

Draco’s quiet for a moment, picking up on the unspoken sentiment

Maybe you shouldn’t have unpacked on him like that- he’s got his own problems too after all

“Let’s go on Holiday”

Huh?

Draco picks up on your confusion and elaborates on his reasoning

“You’re just a little burned out, you need a break.”

It happened to his Dad all the time when he was a kid, he’d get caught up in all of his dark magic council meetings and his board positions and wonder if this is just life was- an endless power struggle

And that’s when his Mum would swoop in with an elegant family trip to some exotic location, and they would all come back like new people.

Right now you need someone to show you the joy in life. That it’s not just going to work for fifty years and dying

There’s a long stretch of silence between the two of you

And Draco starts to wonder if maybe his Mum had it all wrong

Maybe he should have just offered to make you his spouse, he makes enough money for the both of you- you don’t have to work if you don’t want to when you’re his

He’s internally rehearsing his proposal speech, picking out which moments he should highlight

Which is pretty hard because every moment with you feels like a highlight

“Where would we go?”

Your voice is soft, almost hesitant, but Draco doesn’t overlook the twinkle in your eye

He grins

“Anywhere you want”

You find out pretty fast that Draco is a meticulous planner- everything is carefully decided

“Alright we’ll get off the flight, and we’ll get one of those mu- I mean we’ll get a car from there so we don’t have to worry about transportation-“

Literally everything is reserved, the hotel you’re staying in the city at for the first few nights, the car you’ll be using while you’re in France, the bed and breakfast Draco found out about in a small village in the French country side, even all the restaurants you’ll be eating at

Which is totally fine, some structure isn’t a bad thing

It’s just Draco’s never struck you as someone who plans everything out

“Is everything alright darling? Is this a personality trait of yours I’m just going to have to grow to love?”

You wrap your arms around his torso from the back, your chin resting on his shoulder to glance at the travel documents he’s reviewing

“Oh I never do this when I’m traveling alone- I don’t even take a travel bag most of the time, I can just buy whatever I need when I land- one time I didn’t even take my wallet because your phone is a wallet these days.”

You raise an eyebrow, what a little rich boy

You can’t think of all the times your family packed everything they could possibly need when going on vacation so they wouldn’t have to pay for anything when they got there

“So what’s the difference this time?” You ask, has hitting the quarter of life struck him with a lightening bolt that’s transformed him into a dad now?

“Because I’m going with you”

So everything has to be perfect. You’re taking a whole two weeks off of work, he’s got to make sure you don’t regret it, and give you the best time possible

“Don’t tell me you’re planning on proposing”

You’re only joking, but the disgusted look that crosses Draco’s features makes you flinch

You know it’s probably a little early to mention marriage, it’s only been a year after all, but you would be lying if you said that didn’t hurt

“I would never propose in France (Y/N), I have taste”

That whole country is just overhyped, and Paris is way too dirty - like most cities.

But it’s where you want to go- you like art museums and fresh baked bread so here he is

Going to god damn France

But he’ll be hexed before he proposes to you in that god forsaken country

“Oh so there’s going to be a proposal?”

“Of course there is” he says off handedly, verifying that both of your passports are up to date

And then he realizes what he just admitted and feels a ruby red blush creep onto his face from his neck

“W-wait-“

He turns around to face you, face bright red, only to see you smiling like you’ve just won the lottery

And he should be hopelessly embarrassed,

he’s been trying to play it cool for the last year, to play at your pace in terms of relationship development

Only to let it slip through his fingers in a single moment

But you look so happy to know he see’s a future with you

“Alright, sounds good. Just give me a heads up a few weeks before so I can get a spa appointment to look pretty for all our pictures”

You’re joking.... kind of

You don’t put it past Draco to have a photographer follow you both around and take pictures of the whole engagement thing

Draco’s actually taking your joke quite seriously though, a dopey grin on his mouth

“I’ll give you a hint the weekend before”

That should be enough time to get all your affairs in order

It’ll also give him enough time on how to break to you that he’s a wizard and well- his parents probably hate you

You’re smiling, an embarrassed expression crossing your features as you change the topic to which places you’ll be visiting

But there’s a shadow on Draco’s face

He sighs when you leave, saying you have to go back to your house to pack-

It’s always so lonely when you’re gone

He collapses on his arm chair, twirling his wand so that there’s a glass of fire whisky in his hand

He’s going to have to tell you soon- not just about his wizardry, but also about his family

His Mum’s already got half a guess there’s something going on here - but he bets the worst she believes is that he’s dating someone beneath him, maybe a muggle born at worst

Certainly not an actual muggle

His father’s clueless as always - too busy with his council positions and appearances

His mother will be fine , she would be upset of course, but she would come around eventually

His Father would disown him

He’s fairly confident about that

The second he says he’s in love with a muggle- it’s over for him

His dad might actually curse him when he finds out he’s marrying a muggle- bringing dirty blood into their bloodline

And Draco might curse him back

Because they can say whatever they want about him, but not about you-

Nothing about you is dirty

You’re the purest, kindest, loveliest person he’s ever seen

And he still can’t believe you’re his

You shouldn’t be surprised when you find out Draco booked you both first class seats

Or when you get to the airport and see a Mercedes convertible waiting for you

Or even when you get to the hotel - which turns out to be The Ritz

The tipping point is when you find out the “room” Draco booked is actually the penthouse

“Well that was exhausting, should we take a nap before going to the Louvre?”

You’re sitting on the sofa in the living area, your head in your hands

Draco doesn’t seem to notice. He’s too busy pouring Perrier into two crystal glasses.

“Draco, love, do you remember before we went on this trip, that I insisted paying my portion- even though you said there was no need?”

Draco looks up from the Perrier. But you’re still staring at the ground

“And then when I asked why my portion was so low- you said you got a really great economy deal from a travel package.”

That was the excuse he used wasn’t it

“Well there was a discount travel package, I just didn’t book it.”

Honestly he’s not sure what his end game was here- honestly he was just hoping you would believe this was all included in the package

Your palms are pressed together, your head resting against them

Draco extends a glass of Perrier towards you

You look at it for several long seconds,

he probably got it out of the mini fridge that charges 10x mark up

“I’m paying for our next trip” you say, accepting the glass with a sigh

Draco only grins

“So there’s going to be a next trip?”

You almost snort laughing

“Are you seriously asking me that after you basically proposed to me last week?”

Ah, you’ve got him there

You smile as you tug his towards you, pressing a kiss to his mouth

“Of course there will be you dork”

He smiles as he holds you close, kissing you again

Being in Paris is really cool

You go on a tour of the catacombs

“Watch your step” Draco says, offering his arm for support

“Thanks” you hold his hand as you make your way through the dark space

And the Louvre

“Am I supposed to be feeling something right now?” He asks

You’re both looking at the Mona Lisa, and you’ve got tears in your eyes, feeling very small

You’re almost humbled being in her presence, the painting that has withstood centuries

“Yes” you sniffle, taking the handkerchief Draco’s extended towards you

“You’re a rich kid, aren’t you supposed to be super invested in art and stuff?”

He gives you a mischievous grin

“I look at you everyday don’t I”

You manage a laugh, lightly smacking him in the arm

Things are going really well, you’re both having a really good time, and then something happens-

It’s your last day in the city before you head out to the french countryside,

you and Draco decided you would spend the morning souvenir shopping before heading there in the afternoon

You’ve put in an order for some macrons for your friends and the people at work

“Do you think they’ll still be good by the time we get back home?”

It will be at least a week until you head back, and longer until you see any of your friends

“I think as long as we freeze them” Draco assures

He’ll put a charm on them for good measure

“Malfoy?”

The second Draco hears that voice he goes rigid

You see, being with you for a year has been utter bliss.

Draco’s had a good year, the best year of his entire life-

The thing is though, he got so caught up in who he was becoming-

that he completely forgot who he used to be-

Until this moment

“Weasley. Granger”

Weasley looks the same as ever, flaming red hair and a splatter of freckles across his nose and spilling onto his face

Still that tall, lean, but muscular build he had when he last saw him.

Granger looks great though, she’s got her curls framing her face, smooth dark skin glistening against a clean cut pant suit

“Lovely to see you both”

Draco seems composed

But on the inside he’s on the verge of having a panic attack

Maybe they’ll just give a wave and be on their way

Yes that’s entirely pos-

Nope. They’re walking over to you two

F*ck

“Are you going to introduce us?” You ask with a teasing smile

Oh crap, he forgot the social protocols a situation like this calls for in his panic

“R-right, (Y/N) this is Ron Weasley and Hermione Granger-“

“Actually we’re both Weasley now” Ron says with a proud grin

“- well she was Granger now she’s Weasley too, we um-“

Were sworn rivals. Mortal enemies. Fought on opposite sides of a great and tragic war.

“Went to school together”

He can honestly say that isn’t a lie.

They all did go to school together

A magic school in the mountains of Scotland, where they rode brooms and befriended magical creatures

Somehow he gets the feeling that’s not the type of experience you’re picturing though

To his surprise things are going pretty well, the conversation is mostly revolving around Paris, you and Granger seem to share a similar love for Mona Lisa

“And when you stand in front of her-“ Granger starts

“It’s like she’s judging you!” You finish

The two of you are only a moment away from embracing

Weasley looks like he couldn’t care less about Mona Lisa

And for once Draco thinks they’re in agreement

Maybe it’s because they’re from pureblood families

Because something surviving 500 years isn’t all that big of a deal to wizards

Not when the average wizard can live a few hundred years, his great grandfather even lived until the ripe old age of 652

“So are you two on Holiday?” You ask and Granger shakes her head

“No, we’re actually here for work on behalf of the Au-“

“On behalf of their museum I’m sure” Draco cuts in quickly

He was so comfortable in the fantasy  where his previously sworn enemies might become causal aquantinces that he completely forgot there were three wizards and one muggle in this conversation

“”They um-“ Draco clears his throat giving a meaningful look to Granger and Weasley before lowering his voice “they actually work for a rival museum. Managed to get an exhibit from right under me”

The lies just seem to stack on one another.

Draco’s not sure what’s worse- that he’s getting better with coming up with these lies-

“Is that why they aren’t invited to your hangouts with Blaise, Theo and Pansy”

Or that you trust him so much you wholeheartedly  believe each and every lie

“That is exactly why they’re not invited”

Some force in the universe must like him, because luckily enough that’s when your order number is called.

“Oh looks like it’s ready, I’ll see you in a bit darling” you press a kiss to his cheek before making your way towards the counter

And Draco’s so caught up in the subtle affection you’ve just shown him he’s completely forgotten all about the situation at hand until Granger clears her throat.

Ah yes, the mountain of lies he’s haphazardly built.

How could he forget

Granger looks like she’s got the gist of the situation,

Weasley on the other hand looks just as dumb as Draco remembers from school

His mouth agape

“Are they a muggle??”

Draco flinches at how loud Weasley says the word Muggle

“Yes, they are could you please keep your voice down”

He looks in your direction

Oh good it looks like you didn’t hear

He turns back to his old enemies

They both look like their mind is broken

“But your family they hate-“

“That’s my parents, that’s not me” Draco snaps quickly

But it was him, wasn’t it

All those times he tormented muggle borns at school, the dark magic artifacts he toyed with-

He looks at Granger

All the times he called her mud blood

He’s not as bad as his parents

-but he’s still not good

“Since I was there I got yours too-“

The second you’re back you can tell something is off

The tension hangs in the air like fog

Draco looks like he’s just seen a ghost, face pale and thin pink lips trembling

“What’s wrong?” You ask

Draco was a monster, that’s what’s wrong

“Nothing,” he puts on his most believable smile “we should get going or it will get dark before we get to the manse”

You nod, taking his hand in yours

It’s trembling

“It was lovely meeting you, maybe we’ll see each other again soon”

Granger who’s been awfully quiet for this whole ordeal smiles

“Yes, I hope we do”

The look Granger gives you is genuine and warm

- like she already considers you a friend

and it makes Draco feel twice as bad

It’s not like anything has really changed as you two drive through the countryside

You’re still joking like you always do,

Draco’s driving and he stops in several places on the way there so you can take polaroids in the French country scenery

But something feels...off

Like he’s just pretending to be happy

You really shouldn’t be surprised when you roll up to a large iron gate,

Draco types in the code into a keypad and they creak as they open revealing a rather impressive winding drive

At the end of which is an absolute unit of a mansion

“This isn’t a bed and breakfast is it?”

For one there’s not even a parking lot, Draco gives you a fleeting look before taking your bags out of the car.

“This is my family’s manse, we would come up here during the summer for vacation”

He was on the fence about bringing you here, but his Mum always had a rule that all dark magic artifacts would be kept away from their vacation home

His father could have free reign over the manse near London, but not here when they were on vacation

“You grew up here?” You say, taking in the fountain, the thirty windows you see in the front face alone, and the massive rose garden to the side

“Not really, we would just come here to vacation, it was really for my parents. I spent most of my time climbing up trees-“

And playing with the house elves, which his mother would later reprimand him for

It was always worse for them though

At least Father pays them a wage now, however meager it may be

“There’s no servants right now though, so it will be just us”

He says it as he leads you through the manse, passing the drawing room, a rather impressive parlor, up a long pair of winding steps into the east wing into a rather lavish room

“I hope you don’t mind staying in my old room, my parents used to use the master and that just seems... icky”

you laugh And he gives you another smile, and this time you know somethings wrong.

“We can go to the village nearby and grab dinner, or we can stay here but I doubt the pantry has-“

“Draco,” you stop him mid speech about getting dinner “What’s wrong?”

Draco does his best to smile for you

“Nothings wrong-“

“No, something is wrong” you cut him off quickly, taking his hand in both of yours

“You’ve been...sad”

that’s what it is, the emotion he’s been trying to cover up

He thought he was covering up his internal turmoil pretty well

Draco won’t lie, the fact that he’s more transparent then he thinks hurts

“Ever since we saw your old classmates at the bakery”

The way he flinches when you mention it tells you all you need to know

You feel a protective flare swell inside you

“Did something happen? Did they do something to you?“

you’re already thinking about how you need to protect you Draco from them, they work in the same industry so they’re bound to cross paths. Maybe-

“I’m the one who did something to them.”

Draco breaks you away from your thoughts

“What?”

“I-“

Draco looks into your puzzled face, and his heart squeezes

He didn’t want you to find out, not like this

Pretty soon you’ll be thrust into his history headfirst-

His hand is held in both of yours,

your eyes are so warm as they look up at him.

And all he can think is that he doesn’t deserve any of this

The truth is he didn’t want you to ever know

“I wasn’t a good person” he croaks

He knows he’s just as much a victim as the others, he’s got the scars and the death eater mark to prove it- both things he didn’t really want

It was coercion, they told him.

He grew up in an environment where he was punished for showing any original thought, his therapist had said

He’s a victim too

But that doesn’t mean it was okay for him to treat people like that- for him to call people that word-

“I was a bully, a monster, I was-”

Draco’s cut off when you pull him into a hug

Draco stumbles back when you throw yourself at him,  wrapping your arms around him

“Stop. Don’t talk about yourself like that.” You say

He doesn’t understand why until he see’s  the tears drop onto your hair

Oh, he’s crying

“Shh, it’s okay” you hum, holding him close as he sobs into your shoulder

And you two stay just like that for a long time

“I just don’t want you to think less of me” Draco murmurs, you’re both on his bed now, you’re both sitting cross legged across from each other

He looks so ashamed, it’s like he’s admitting he killed someone

In all honestly, you figured something like this might be the case.

Draco’s a rich boy, he doesn’t seem like someone who’s experienced financial struggle,

He’s  someone who experienced life with a sense of entitlement

You look at him, rim of his eyes tinged pink and swelling. The almost pitiful sniffle he lets out

But the Draco in front of you isn’t like that, not anymore at least.

His kindness is still a little rough...but it’s there

You know that, you see it every time he picks up on your mood, every time he comforts you when you have a bad day

You’ve seen it during this trip, where he catered everything so you would have a good time

You just have to make him see that now

“All of that, it’s in the past now Draco” you squeeze his hand, and he finally stops looking down and up at you

“You have a past, I do too” you give him a warm smile. “but that’s all behind us now, all that matter is where we’re going from here”

Your reassuring expression and tender words make him feel like he might cry again, but this time for a different reason

“We don’t have to talk about it, not until you’re ready” you tell him

he feels his eyes sting

“I don’t deserve your kindness”

And from another man you would think it’s a plot to earn your sympathy, but looking at Draco you know he means every word

He looks like a broken man

Like he’s haunted, worn down to the bone

So you do the only thing you can think to do, knees pressing into the mattress you hover over him. Your hands cup each side of his face, tilting it up so those brilliant grey eyes are looking at you

“You deserve every part of me my love” you murmur, peppering his face with kisses

Scattering them across his cheeks, his hairline, down his thin nose, and across his jaw

Before finally catching his lips, your mouth gently caressing his

“(Y/N)-“ your name leaves him in a breathless voice- half in want and half concerned

His hand caresses your face, stopping you as you kiss down his neck

He wants to tell you that You don’t have to do any of this just because he’s feeling emotional

But he doesn’t have to say anything, because you understand immediately, giving him a kind smile

“I’m doing it because I want you-“ you take his hand , pressing kisses to the end of his fingertips

“Do you trust me?”

And Draco, who doesn’t trust his voice, can only manage a nod

“I’m going to be good for you” you murmur against his hand, and you feel him shiver underneath you.

Draco’s made love to you countless times, felt your burning skin against his hands so many times he’s lost count.

But it’s never been like this

It’s so....

He looks at you underneath him, your eyes are warm as you look up at him, and full of so much love

It’s.....Comforting.

This time making love to you is comforting.

Your hand presses against his lower abdomen, right above the place you both are connected, and it earns an involuntary shiver from him

But you don’t stop there, your hand trails up his stomach, across his chest, fingers lightly brushing against the nape of his neck before resting on his face

The action, mixed with that warm look in your eyes, feels so tender

“You’re so pretty” You murmur, your thumb rubbing tenderly across his cheek.

Caressing his face.

“My pretty boy Draco”

And he feels emotion well up within him once more.

A tear slipping down his face as he leans down to kiss you

He doesn’t deserve this, he doesn’t deserve your love

But he’s so grateful that he has it

That he has you

“Being good for him” extends past the bedroom it seems, because the next morning he wakes up to an empty bed, his body littered with kiss marks, a hot bath drawn for him with flower petals scattered across the surface, and a note

‘Took the car to the village, will be back soon. P.S take a bath and relax until I get back, I have your favorite tea in the kettle for when you’re done.’

Draco can’t help the goofy grin that spreads across his face

“I really don’t deserve you”

You come back only fifteen minutes later, while he’s still soaking in the tub.

You walk over to him wordlessly, rubbing his shoulders as you lean against the rim of the tub.

“How are you feeling today darling?” You murmur, kissing his temple.

“Better now that you’re here.” And he means it, he loves what you’ve done for him, but it’s always so lonely when you’re gone

He takes your hand in his, looking up at you with shining grey eyes.

“Will you join me?”

You laugh, your other hand caressing his face

“I have to go get things ready for our picnic- I thought it might be nice, there’s a place the locals told me about- a hill a few kilometers away from here.”

“That can wait can’t it?” He asks, and when you make no move to undress he adds -

“please?”

He looks like a little boy, and you find yourself relenting, pulling off your sweater with a sigh

The tub is massive, probably half the size of your bedroom, so you give Draco some room, sitting on the other side of the tub

Last night was intense, for you and for him, you don’t want to overwhelm him with too much stimulation

But Draco doesn’t let you stay far away, beckoning you to him. Only satisfied when your back is pressed against his chest, his arms wrapped around your chest and stomach

“I’m sorry-“ he starts, but you silence him with a simple squeeze of his hand

“You’ve got nothing to be sorry for”

And it’s true. How many times has Draco comforted you- bringing you dinner when you pulled late nights at work, or kissed your tears away?

“It’s nice. Seeing another part of the person I love” you reassure

There’s a moment of silence before Draco opens his mouth again

“When I was in school, I-I -“

“ you don’t have to talk about it if you don’t want to” you reassure,

the two have the rest of your lives to talk about these things, there’s no rush

But Draco shake his head, and offers you a small smile

“I want to talk about it, I want you to know”

And so Draco tells you as much as he can without giving away his secret

He tells you his family comes from old money, and he internalized certain messages from that

“It’s not an excuse,” he clarifies, “but it’s part of the story too”

He tells you how he was a bully all through this childhood and into adolescence.

Even early adulthood.

How he basically tormented the people he bullied-

“Granger... I was terrible to her.” He admits, you’ve since moved away from the bath tub, and you’re sitting in the garden, drinking tea and eating scones. “I called her terrible things”

He means he called her a mudblood, the greatest insult a person can get

You’re thinking he probably called her a b*tch or a c*nt.

Honestly I’m not sure which version is worse

“Did you have a crush on her?” You ask, and Draco sputters. His cheeks blooming red

He remembers being jealous of Granger, she was always at the top of their class, and he always came in second to her.

He remembers getting lectures for it everytime he came home for the holidays

His Father always fuming how Draco  was so inept that even a ‘mudblood’ could surpass him.

And some of that did transfer to his dislike for the person

He does remember thinking she looked awfully beautiful at the Yule Ball though, in that pink dress

“She’d look better in green” he had thought and then realizing what he just thought blushed and looked towards his date.

“Maybe I did.” He admits to you, almost a decade later.

And you laugh

“I bet you were a cutie” Draco only blushes even more

What you wouldn’t give to see a teenage Draco, you wonder what it would have been like if you met him when you were younger

How different would things be?

You watch Draco flush bright red, trying to cover his embarrassment with a sip of his tea

Well, the way things turned out isn’t so bad either

You spend the rest of the trip at Draco’s family’s manor, in domestic bliss

You stand on your tip toes, trying to reach a pair of mugs on the top shelf

“Here let me get that” Draco says reaching them with ease while standing behind you

You drink tea in the garden

“Draco darling, will you pass me the preserves?”

You’re both dressed like something out a a historical drama, he’s in a suit and you’ve got on a tilted sun hat and white gloves

Playing like you’re nobility vacationing in the Parisian countryside

Which... Draco sort of actually is

.... let’s not think of that

And go on picnics on the nearby hill

“Oh no” you mumble

“What’s wrong?” Draco asks while setting down the picnic blanket

“I forgot to bring glasses for the wine” you sigh

Draco shrugs

“We’ll just drink from the bottle”

You make a face and he laughs

“What does the thought of an indirect kiss make you nervous?”

You lightly shove him with a laugh

And late nights spent in their family library

“Your family sure has a strange book collection” you say holding up a book titled ‘witchcraft in the mid-1800’s’

Draco scrambles towards you

“Y-yeah that’s probably my dad, he’s kind of interested in that occult stuff...for fun, not like, because he’s apart of a cult or anything”

Not anymore at least

“I wasn’t thinking that he was apart of a cult... but I am now” you joke

You’ve moved on, scanning the rest of  their collection, but Draco’s looking at you-

This last week has been like something out of a dream

He can’t imagine how happy he would be to have this everyday

He watches your hand brush against the spine of a book

He extends a hand over your own, stroking your ring finger

“Make sure this finger is empty for me, okay?”

[captnjacksparrow]

Okay so I know you hate the last, but could you please give us a review? I was like why is Hinata knitting a scarf on a fucking mission? Like??? Is that all she can do, make tea and knit fucking scarfs? Oh and steal Sasuke's chakra colour, his facial features, and chakra compatibility with Naruto? Oh and have no personality?

Or the genjutsu thing, or the clone jutsu, which don't make any sense? Or the dumb fucking storyline? Or Naruto's character assassination?

Like are you telling me that Naruto here, who is inept enough to mistake romantic love for his love for ramen, should he be making marriage plans with anyone when he is hardly more than a child himself?

And that thing where he says he couldn't write anyone's name???? Really Naruto, you couldn't think of anyone??? What even is this plot??

Like who the fuck thought this is a good story? This shit is what we get after Shippuden??? How much was Kishi involved? I don't think he gave it more than a passing glance. Or he would have caught the obvious glaring mistakes.

I am still mad at that film, and will be mad at it forever. They butchered my boy. 😭 Oh and there's hardly any Sasuke in it, because if they had shown Sasuke, Naruto would have left Hinata's side in a heartbeat. Also, Sasuke's design🤮.

Sorry, rant over. Now, you go. :)

Sorry to throw a bucket of cold water to your ask, Anon!!!

I have never watched that movie!!!! Nor do I have any intention to. One of my friend went under the pain of watching it and she almost got pissed off for many days after watching it. I just know the story from hearsay and it was definitely vomit inducing.

Because just like you said, they made Naruto into an Asshole which he never was.

He made mini- shadow clones at the age of 6.... And I was like, "What the fuck?".... He was not even capable of making a perfect clone until age 12, let alone Kage Bunshins...

A Jinchuriki cannot be put under Genjutsu and yet he was put under one and was guilt tripped into falling in love with the first 30 mins of the movie.

Just hearing this two scenes which completely contradicts the Canon material shows how shitty the movie is...

As far as I know he wasn't involved in the The Last movie much. Not as much as he did for the Road to the Ninja movie (RTN) . For RTN, he exclusively drew Menma and a one shot manga of 32 pages.

This is what Kishimoto says about the Last movie.

“でも別に二人の恋愛話に僕はあまり思い入れがなくて（笑）、その話を描くつもりはなかったんです。” - Kishimoto

“But I didn’t really have any devotion about the love story of the two-Naruto and Hinata (laughs)-. I didn’t plan to write this story.” - Kishimoto

Also:

“So the idea of a [NH] love story wasn’t my idea at the start, however Pierrot staff suggested the movie to revolve around it (hence the final product being the way it is).” - Kishimoto

[[I took this out from another post]]

The only movie Kishimoto was completely involved by taking over writing the entire screenplay and considers the "Pinnacle of my Career" is Boruto - The Naruto movie.

That's why that movie was good and consistent without any OOC.

And Hence I cannot write a review for the Last movie. Sorry, Anon.

[popculturebuffet]

Ducktales: The Treasure of the Lost Lamp Movie Reviewcap! (Patreon Stretch Goal)

Hello all you happy people! And we have a special review today for two reasons. The first is that this is my second patreon stretch goal review, having hit the 15 dollar goal back in march thanks to my wonderful friend Emma, the same patreon whose responsible for the Green Eggs and Ham Reviews,  who helped me hit the 15 dollar goal.  As a result you fine people are getting three movie reviews each based on a Disney Afternoon Movie with Treasure of the Lost Lamp today, a goofy movie at the end of the motnh for  a weeklong tribute to my favorite dogmandadguy.  Extremley was going to be part of it but the length of this review convinced me otherwise, but I will be doing it this summer so keep an ear out. If you want to help me hit my next stretch goals do yourselve a favor and zip on over to my patreon YOU CAN FIND MY PATREON HERE. My next stretch goal at “OH Look 20 Dollars” would give everyone patreon and not, a monthly review of Darkwing Duck as decided by my patrons, reviews of BOTH season 2 mini series from Ducktales 87, introducing Fenton to the world and blighting it with Bubba before the 2017 series fixed him, and as a brucey bonus added last month a review of Danny Phantom the Ultimate Enemy. And if that wasn’t enough if you help me get to the goal after that at 25 unlocks another trilogy of disney film reviews, this time for the proud family and recess movie and the best kim possible movie, and dcom period, so the drama as well as Bryan Lee O’ Malley’s two stand alone graphic novels, lost at sea and seconds for you Scottaholics in the audience.

The other reason now the shilling’s done. is that the plan WAS to review this back to back with Treasure of The Found Lamp, to the point the orginal review had a whole thing about that, why it was delayed etc... but now that review’s been scrapped all together as something sudden and wonderful happened. After just kinda giving up someone came through with a translation of Della’s first apperance so presumibly i’ll be doing that as part of the build up to mother’s day, and since I still want ot do maternal instincts too, and already had to let the Floyd Gottfredson birthday special slide away as well... it had to go as I want to leave the only open space on the schedule for the lovely person who found the story for me. But this review is still done, i’m very proud of it so join me under the cut won’t you?

Behind The Scenes: Before I get into it i’d just like to note this article from SyFy Wire. It , along with articles I found via wikipedia citations, was an invaluable resource. 

The film was an experiment: It was an experiment to see if one of their tv properties could bring in theatrical money, to see if a movie made on a cheaper budget and still rake in decent money, to see if a film could be made being outsourced to several diffrent places, and to see what one of those places, their recently aquiried french stuido, could handle this kind of work. 

The film, if succesful would be the first of Disney’s MovieToons line, a series of films based on their shows. As you can tell by the fact only this movie and Goof Troop happened and the Movie Toons label wasn’t applied to that one it very much failed. While the film was warmly recevied by people who liked the show general audiences didn’t turn out for it. As a result the MovieToons label was scrapped, future projects with it were canceled.. but the stellar work put in by the french stuidio lead to it perserviering for several more decades and lead to them working on the Goofy Movie, which we’ll get to later this month but needless to say was a MUCH bigger hit with a much bigger budget. 

As for why the film failed... I have two theories. THe first is that parents were stupid back then and didn’t want to pay to see something on the big screen they could see on tv’s. This is a stupid mentality to me as generally a movie of a tv show puts in a ton of extra effort and usually goes bigger and dosen’t go home. It’s a likely theory given most liscened films of the era didn’t do quite well, with all three hasbro films tanking. And look I get Transformers the Movie is cheesy and killed a lot of people’s childhood toys, but damn if it ain’t aweosme.. and also something I need to cover at some point. Thankfully this died out by later in the 90′s with Rugrats getting a hugely succesful if flawed film, a better sequel and a third one that was also a crossover with the wild thornberries. 

And even now in 2020 we’re getting the Loud House and Rise of the TMNT movies sometimes this summer, we were SUPPOSED to have gotten the bobs burgers movie this summer but arne’t because Disney is being a dick about it.

And we got a phineas and ferb movie last year. With this trend hopefully thsi means we’ll get a Ducktales 2017 movie at some point since season 4 left a huge sequel hook laying right there to grab for a feature film.  One final note: The film was conceptually thought up as a 5 part serial like “Treasure of the Golden Suns”, “Catch as Cash Can”, “SuperDucktales” and “Time is Money, something that DOES show as the movie weirdly has act breaks. In a feature film. Yup. 

The Guest Cast:

I won’t go into the full cast since I’ve sung Alan Young and Russi Taylor’s praises PLENTY on this blog before, and I plan to go into Beakly and Launchpad’s actors when they show up in the pilot movie. But i’d be remiss if i didn’t talk about our three guest actors for our three new parts. 

First up is Merlock voiced by legend and if I had a hall of fame, hall of famer Christopher Lloyd.. I need to get me one of those. Lloyd is of course known for playing Doc Brown in back to the future but has done countless other films, voicework, and other good stuff. Among his MASSIVE filmography includes The Back to the Future Trilogy (Already mentioned it but it bears repeating), Star Trek III, Who Framed Roger Rabbit as the pants destroyingly terrifying Judge Doom, The Addams Family duology as fester, a role rip torn would ironcially play for the animated series made to captalize on said movie, Hey Arnold! The Movie, The Oogieloves in The Big Ballon Adventure (Look everybody needs money sometimes okay?), and Art of the Deal: The Movie, which was not, thankfully an ego filating nightmare made by trump himself but a film made by funny or die parodying his terrible book and having Llloyd return as Doc Brown. TV Wise he’s known for Taxi, Back to the Future the Animated Series, Cyberchase and he most recently popped up on Big City Greens. How I missed that ep I.. do know as I haven’t watched season 2. Gonna fix that later this month. Lloyd is utterly awesome, a great guy and thankfully still alive at the time of this writing, so I was happy to have him here. 

Less familiar to me but still known is Rip Taylor, a comedian known for his flamboyant unique way of speech and his marvelous mustache. He showed up in things occasionally and always seemed like the nicest guy and his passing in late 2019 truly is sad. He does a terrific job here but more on that in a moment. 

Finally we have Richard Libertini, a comedian I never really saw in anything besides this who according to IMDB was most famous for his ablility to do a foreign accent. I REALLY hope all of them aren’t as horribly racist as this one. We’ll.. get to that in a sec as it’s time for the plot!

A Treasure Uncovered:

We open our film gorgeously. The animation is great in the film, having some rough edges I chalk up to the film’s hectic production, the studio being new at working at disney properties, and the film not being meant for HD. That being said a few rough spots here and there aside.. the film looks ungodly gorgeous. Like most theatrical films based on a cartoon it takes an already great style and makes it look great. It feels like a more fluid evolution of the cartoons look and it’s a shame we didn’t get more movies in this style for both this show and others, ESPECIALLY Darkwing Duck. Can you imagine a Darkwing Duck movie with this lush animation? Hopefully we’ll get one eventually. 

So our heroes are going to somewhere in the Middle East. That’s.. that’s all wikipedia gives me and all the film gives me. As usual Scrooge is after treasure in this case the Treasure of Collie Baba, the greatest thief there ever was based obviously off Ali Baba from 1001 nights and that one Beastie Boys song. 

It’s here we find the WORST thing about the film, the thing that makes this a hard one to watch depsite otherwise being pretty good, and that makes my skin crawl knowing i’m a white man and a BUNCH of white guys, Ducktales series creator who did the voice casting for this character, the writers who wrote him, the direector disney them fucking selves who thought this was okay. 

The film has some horrible steroytping. It starts with a bunch of backgorund guys surronding Scrooge, with crooked teeth and steotypical voices. This on it’s own is odious. 

It somehow gets worse. Then we meet one of our antagonists. We meet Dijon. 

This Fucking Guy 

Djon is horribly offensive reminding me of other such luminaries in being ungodly offensive yet somehow getting put to film as Jar Jar Binks (With all respeect to his poor actor Ahmed Best, this is not his fault), Rob Schinder as a Sterotypically asian preist, Skids and Mudflap, Rob Schinder as a sterotypically mexican bandit, The Whitewashed cast of The Last Airbender, and Rob Schinder as a stereotypically asian preist. What i’m saying is Djon is an AWFUL, horribly offensive character.. and that Rob Schinder should be shot up into space, not to watch cheesy movies, he’s not funny enough for that, but instead to be sent to a satlitie that’s liveable, but also filled to the brim with spring loaded boxing gloves. Just tons of boxing gloves that feel like getting punched by a heavewight boxer all hidden... they could hit his legs, his face, his nuts, his face and his nuts, the point is he’s in constnat pain unless he moves carefully. 

And lest you think i’m exaggerating for starters this is his design. 

It just screams “vaugely but sterotpyically middle eastern” along with cowardly. The fact he’s also a literal rat is just the icing on the cake made of broken glass, shrapnel and broken DVD’s of Transformers; Revenge of the Fallen. They say if you eat a reveng eof the fallen dvd John Tutoro appears at the foot of your bed and watches you while you sleep.. and by they I mean me. It was a bad bet. I got rid of him with some insese and a bribe of five dollars. 

Oh but that’s just design.. when he talks it’s MUCH worse. His voice is like if they took Apu from the simpsons and said “This but MORE offensive”, and his perosnality is WORSE. He’s a thief.. and not in the endearing loveable rogue way but he’s a pick pocket and a running “Gag’ is that he’ll often grab eveyrthing within reahc. As the deisgn shows he’s a coward running at every opportunity. Oh and to top it all off he’s the willing servant of the white coded, given all ducks in this series are white coded and voiced bby white actors, big bad. And the actor is naturally VERY white to make this cocktail of offensivness so complete that if Disney ever got rid of this film I GUARANTEE the republcian party would be running in with accusations of cancel culture gone amok and never shutting up about this like they did the muppets. Which for the record THEY DIDN’T CANCEL THEM, YOUR POINT IS ILLEGITMATE, THEY JUST WANTED TO BE SENSTIVE YOU GHOULS. 

I do have a reason for bringing up Disney’s content warnings... most damming of all given just how DEEPLY uncomfortbale this character is.. there isn’t one for this movie. I double checked: There isn’t even wanring notes on the website. It’s just.. on there. And given just how ghastly a sterotype Djon is.. that’s not right. Seriously they DID put them on certain episodes of the show, theyk now this sort of thing is wrong and they done wrong.. but for NO reason they haven’t done so for a film released 31 years ago. Around the same time as the series and just offensive as that show at it’s worst if not more so. This is flatly inexcusable.. par for the course for Disney’s incompetence but still horribly furstrating, disgusting and shameful.. which has been the theme of the last three days really. I expect better because when it comes to putting that warning label on this stuff, they usually are better. First the scheduling mixup and now this. You already do a handful of things wrong Disney why add this to the list?!

It’s just draining not only to run into another Disney Fuckup after a weekend of dealing with one of their worst in recent memory, but just to watch Djon. To see this horrible caractrure saunter onto the screen and go on with his harmful schtick, to see that THIS is what Ducktales 87 reduced non white people to more often than not.  It’s remarkable just how throughly and awesomely Frank and Matt completely and totally reversed this. Instead of horrible sterotypes in the reboot, we got TONS of loveable people of color, an endearing latino hero, a smart african american buisness woman who takes no shit but is still a consumate professional, and an egyptian HERO with an intresting story and a strong moral code instead of this horrible reminder that racisim in media was such an afterthought not ONE person brought this up during the scyfy wire stuff or in any inteview i’ve seen. No one cared. Djon was POPULAR enough that he got three episode sin the series. THREE FUCKING EPISODES. This film could be GOOD.. but it’s just so bogged down EVERY FUCKING TIME this artists interpreitation of what Tucker Carlson sees when he looks at a middle eastern person I had to pause to compose myself and had to take a break writing this review to avoid tyiping this in all caps and using the phrase YOU RACIST MOTHERFUCKERS every other sentence. And again i’m white, I get this is second hand offensiveness.. I do... but it dosen’t mean I can’t be offended other white people were so callous about other cultures behaviors this happened.

And what makes me feel worse.. is that I just sorta... never thought about white people voicing non white characters. Things like this I noticed sure, I realize now part of the reason I didn’t like this movie the first time I saw it was this alex jones version of a looney tune, but I do feel shame for not noticing or caring long before this. Sure I loved it when a character of color got played by a person of color.. but I didn’t realize just how deep that problem was and how LONG it went on for before the outcry post george floyd and the call to action lead to most shows still going course correcting. It’s why stuff like this extra botehrs me: because THIS was just as okay at the time. No one blinked twice about this and odds are the creators involved still haven’t. And that.. that’s just terrible and it hurts to think about and  I still have most of the movie to go.  

The Pyramid of Peril:

So we do get a gorgeous unvewling scene of a box Scrooge found out about from Collie Baba’s horde that should lead them to the treasure. This scene reminds me of Indina Jones.. and I bring this up because the poster was specifically made to mimick an indinia jones poster, to the point of getting drew struzan to do it. THe creator of Ducktales objected..l but I do not get WHY. While I”m not sure if he had yet, Speilberg flat out admits the Carl Barks comics were an inspiration for Indina Jones, with the iconic bolder chase coming from a similar scene in one of Barks Stories. Gotta cover that too. So yeah I don’t get not wanting an indina jones style poster when both were inspiried by the same work and it’s just simple logic and it looks so neat. Thank you. 

Scrooge finds seemingly just clothes.. and a map. Jeff Dunham’s Most Racist Puppet reports to his master, Merlock. Merlock is a.. meh villian. Christopher Lloyd does try.. but Lock is your standard evil overlord wants to take over the world type. He dosen’t have much depth, or personality and only his style saves him from dragging the film down along with Dana Carvey’s most racist disguise in master of disguise. He does have a deent shape shifting gimick and being played by Christopher Lloyd means he’s acted TREMENDOUSLY. Alan Young was apparently in awe watching him work and that’s wonderful to hear. The guy did his best. Weirdly Merlock would show up in tons of other works, mostly video games.. but even weirder he NEVER showed up in ducktales 2017. Both Djon and Gene would, Djon thankfully renamed we’ll get to all of that tommorow thank god. I need it after this. But Frank has outright said they didn’t use Merlock because there simply wasn’t anything they could do with him they couldn’t dow ith magica. My likely guess is the might of found a way to revamp him EVENTUALLY, it’s not like radical revamps weren’t there thing come on, they just had way more stories with Magica and didnd’t get around to it before the show was canceled. Just make him some sort of evil god or something. it’s what I might do. There’s a lot of angles with him. Though I would’ve still gotten christopher lloyd back. I mean most of the recasting is good but he’s still alive and deserved a better shot at things. 

So Merlock sends Djonn to go with scrooge as his guide to find the treasure, as there’s something of imense power within it. And I gotta ask WHY does Merlock need a minon. No really. This isn’t a situation like reboot magica where he’s trapped in another realm. He can shapeshift into any animal. We only see him use falcon, rat, cockroach and bear but theoritically he can become anything and bear alone is still a LOT. Why does he need this sterotype even other sterytopes ar eashamed of? The film dosen’t NEED Djonn. Just let Christopher Lloyd monologue and leave this post 911 propogranda cartoon at home. 

So our heroes nad rejected jar jar prototype head into the desert, and seemingly find nothing before finding a small pyramid all while Merlock follows desecretley as a mighty hawk. 

Scrooge makes the boys and Djon dig... because they clearly forgot the “work hard” part of his ethos. 

Our heroes unveil the pyramid... and while Merlock SAYS he searched the desert and I get it’s hard to see thourgh all of that.. the dude is immortal, had decades to search and had Mickey Rooney there on standby to force him to go comb the desert. I have an artist rendering of that hang on

So our heroes enter the pyramid and it goes.. really how you’d expect: there’s a bunch of traps our brave explorers have to pass, the boys minintpret a juinor woodchuck saying about loosing your marbles to mean using the ones they actually have which geninely comes in handy as they trip the traps and Rob SChinder as a carrot stumbles into one. Also launchpad is wearing a hawaiin shirt and shades. This has no baring on the plot, but it does bring the movie up a notch in my book and I question why the reboot never used this outfit. Then again they also never properly used Donald’s Quack Pack Outfit (Which bad show or not, is objectively awesome), or his Quack Shot Indiana Jones Riff Outfit, so  it’s not like there isn’t a presdecnt for not giving a character a cool costume change from a previous medium. I really should do a top 12 missed opportunities list for the 2017 cartoon.. the ideas for stuff are really piling up. 

OUr heroes eventually find the treasure which has insidiously clever security the more I think about it: at first I thought it had none, just a pit with some... scorpions? I mean their supposed to be but they look like they crawled out of the same stygian hole in the sky Doofus crawled out of. And if your asking me “wait which Doofus” the answer is both. Both these abominations crawled out of a stygian hole in the sky.

But the treasure is on a platform surrounded by scoprions with the only way out being the trap filled way they came in. Unless someone comes in with a full team and a bunch of lootin sacks, they aren’t getting out with EVERYTHING. They can steal SOME of the treasure but there’s no way to get any signifigant portion... and the team thing itself is an issue, something Collie defintely predicted being a thief himself: while some thieves can work well as a team, hence why we have four oceans movies 3/4 damn good, and for the record 12 is the bad one, 8 is how you do a soft reboot and a female led reboot right, a good chunk of professional crooks will turn on each other or try and swinldle... and tha’ts dangerous in a trap filled temple but hey some criminals ain’t so smart.  If they all were Rudy Gulliani wouldn’t have two razzies for preparing to pull his pants down, and have waved his phone around on tv like a dare for future adminstrations to arrest the shit out of him would he? 

But Scrooge has his family so they get loading. But not before Webby finds the lamp. Not knowing about it Scrooge has no intrest in it, but Webby does. We also get a really simple but hilarious gag where SCrooge dickers over the idea for a second.. before Webby picks up a Jeweled tiara to possibly take instead. The best gags to me are often the ones that just let the character’s perosnalities take the lead and bounce off each other. It’s why when I reviewed the four lilo and stitch crossovers recently I harped on character interaction as their biggest weakness: it’s what MAKES a good work for me. It’s why my faviorite comics and shows often follow a loveable group of disfunctional misfits. I like a group of big personalities who despite in theory should NOT be able to work making it work anyway. And it’s honeslty what’s made Scrooge last so long: Scrooge on his OWN is awesome.. but iwth the boys, donald, and in the case of this series and the reivival Webby and Launchpad, with people to bounce off of who he contrasts heavily with, from Launchapd’s buffonery to Webby’s inehrent sweetness in both versions, to the boys genuine honesty and sense of adventure.... it makes him truly stand out. He’s a great character on his own, don’t get me wrong.. but it’s the people around him that give him chances to show WHY. A good character on it’s own is fine and dandy.. a good character with other good characters around them is where it gets truly special. 

Merlock naturally bursts in and in a VERY Black Heron move needlesly outs what micheal bay sees when he closes his eyes as a bad guy... no really he grabs the guy with his talons as he captures the treasure and reveals he’s a bad guy. I don’t even get why keep Djonn alive. He’s done all Merlock possibly could’ve needed and Merlock is ruthless... this makes no sense and only happens because they need Djonn for later in the plot.

Our heroes barely escape, rafting out on the platform itself in a thrilling sequence.. but it’s the one right after that catches my attention. Scrooge utterly defeated, having searched for this treasure for forty years and unresponsive to everyone else. The anmation, coupled with the incomprable Alan young’s acting makes this the highlight of the film for me. Beneath the armor of wealth and skill.. is only a poor old man who just lost something he’s been chasing after most of his life. Scrooge tries his hardest not to be vunerable and both shows and the original comics all use that so when he truly is devistated like this, and i’ts belivible since this treasure is a personal goal of his and as someone who has had things that they seek out specifically, loosing them always hurts. It hurts to ALMOST reach a goal only to have it crumble out under you

But while this alone is good.. what’s next makes it great. Webby sweetly offers up the lamp. Scrooge turns it down, and her genuine gesture reinvgorates him and reminds us of who he is “I’ll find it if it takes another 40 years”> Scrooge may be bitter, mean and selfish a lot of the time.. but deep down, he’s a good man and one who will not give up, and a momentary setback can only stop him so long as long as he has his family to remind him of who he truly is.. and what’s truly important. It’s genuinely sweet and to me is also a reminder of why 87 Webby is a good character: Shes’ not perfect, her main personality trait is often Girl Sterotype”.. but she’s a genuinely sweet small child with a huge heart. It’s telling that while 17′ Webby is almost completely diffren,t and far better, that heart remains her biggest strength. Sure her reboot self could kill a man nad no one would ever find the body, but it’s her heart and empathy that makes that possible and makes her Webby.  That inherent loving nature is what makes Webby webby wether she’s a toddler having a tea party or a tween getting ready to intergoate a guy with a meat tenderizer while saying ‘Cute girl stuff”. 

Gene Genie Let’s Himself Go:

It’s a few days later and this is the point where it REALLY becomes obvious this was written as a bunch of episodes. Though to the film’s credit while it does ake this feel like a compliation movie as a result... it dosen’t hamper the film’s quality, condiment from Rush Limbaghs’ hot dog stand does that just fine, but once you notice it it’s impossible to unotice it. Weirdly though it seems chunked up into four episodes rather than the usual five, likely cutting down an episode, though I can’t see where they cut out material frankly if they did and i’ts just as likely they woudl’ve had to make one to fill in the space.

So Scrooge is in a mood, being grumpy with his secretary Mrs. Featherly, quackfaster in all but name, and having to be sent home. So while Duckworth goes to fetch him Webby polishes her treasure at long last readying for a tea party, something the boys roundly reject because their sexist little twits and swo were the writers or executies who assumed all little boys act the same. It’s easily my biggest pet peeve with the series as a whole: anytime this crops up with the boys it turns them into the worst dicks imaginable. It’s telling this, being mean about her wantin ga tea party with her surrogate brothersi s TAME. Normally they’ll say she can’t do things because she’s a girl or mock her hobies outright instead of just be mildly dickish. And while she dosen’t look much younger Webby is VERY CLEARLY, in this series anyway, supposed to be say 5 or 6 to the boys 8-10. 7 at most. SHe’s a small child and while it is realistic for older kids to bully younger ones, it’s not fun to watch. It’s why I get annoyed at all the big sibling bully characters.. some work, but most aren’t fun to watch because there’s nothing funny or intresting about it. It’s the same deal here. 

Thankfully that quickly goes away as the lamp moves when Webby rubs it and does so again to prove it did move. Huey finishes it and we’re introduced to Gene, the best part of the film.  Gene is a Genie and he takes a second to dart around before messing with the appliances in the kitchen, as he was last around during the time 1001 Nights Came About. Cleverly though, and so we thankfully don’t have 80 dozen fishout of water jokes that have already been done before. As you can probably guess i’m not a huge fan of time travel fish out of water stuff. Now from another dimensoin or planet, i’m on board with with Star Vs, Steven Universe and Sym-Bionic Titan being great examples of this, as is the comic resident alien. (Despite having the wonderous Alan Tuduk the show sounds way more mean spirited and misses the entire point of the comic as given by the author in the credits, i.e. that the alien is supposed to NOT be a threat and just be gently waiting for a ride) The inverse is also good with Amphbia and owl house, taking a human and plopping them into our world. But time travel stuff just usually runs the same beats of “look at the shiny thing” and what not. The only time i’ve sene something SIMILAR work is with thor where their society is SIMILAR to vikings time but still it’s own thing.. it also gave us a classic gag in..

So yeah i’m glad they dropped this and instead had a clever way around it: Gene reads the encylopedia at the mansion. Granted it’s Scrooge so I don’t know how current it is and given this came out in 1990 thus HOW racist it is. It’s not a questoin of IF it was, but how much.

But having caught up the kids confront him with the fact he has to grant wishes. This lamp runs on what I now realize are Aladdin rules: Whoever currently holds the Lamp is the Genie’s master, they only get three wishes, and that dosen’t reset if it changes hands. The only big diffrence from the usual is Gene dosen’t have to TELL them about the wishes like Genie did, and Gene very begrudginly agrees to it. He also seem’s phsyically pained when doing so. 

So since all 12 know about him, each of the kids gets a wish though it seems unfair with HDL. Their one person, they shoudln’t get 9 wishes just because their brain is spread out over three bodies. 

This film continues the weird simliarties to Aladdin by attaching rules though they instead come up as a result of our heroes talking rather than the Genie just flat out tleling them: both share the “you can’t wish for more wishes” thing, a common rule in these stories and usually only broken nowadays as a clever twist as the rule is SO common place, not having it is a twist. But it is there for a reason: to limit the sheer power of a reality warping wish. The wishes can also only go so far. In a nice line, when Huey, Dewey or Louie suggests wishing for peace one earth, Gene says “No pipe dreams’ He can’t bend people or reality on THAT scale. He can bend reality as we find out, but it’s smaller scales like turning someone’s possesions over ot someone else, warping the bin into a castle, or bringing inanitamte objects to limited life. Still HUGE feats worth of a genie, so Gene’s power isn’t so nerfed it’s unusuable, but it does explain why his evil pervious ownder Merlock, more ont hat in a bit too, didn’t just wish to have eternal dominon over the earth or something. Gene can do just about anything but he can’t change the world on a fundemental level. 

And I do LIKE having rules in wished based stories like this, I chalk it up to growing up with Fairly Odd Parents... though they eventually went too far in the oppsoitie direction, pulling rules out of their ass to suit the episode, instead of simply having some very standard, very understandable rules that still pose challenges but don’t outright cheat so the episode can happen. 

So Webby does her first wish.. and wishes for a Baby Elephant, something Gene is against as he prefers they keep the wishes small: otherwise he gets found out, and the fight over him begins. So one of the boys wishes him away. Or Webby does. Point is it’s gone though not before Beakly sees it and Scrooge smells something is up. Our heroes try to hide gene, but gene thankfully simply dresses up like a modern kid and thus is able to pass as a friend of there staying for the night. 

So with the rules established and what not the kids find a clever solution: they simply go a ways away from the mansion into the woods, far enough from town to avoid any suspcion, and same iwth the mansion and just wish for all kinds of stuff: a giant bunch of ice cream toys, standard kid wish fufillment but it’s nice... in part because the kids treat Gene like one of them. Wihle they STARTED asking him about the wishes, this starts the bonding process. Soon he will be part of the hive mind.. SOON. 

Until then though after using another wish to make scrooge not mad at them for coming home late and missing dinner, that night we find out Gene’s backstory.... and it’s an utter tearjerker. As it turns out Merlock wants him back because he’s Gene’s former master and as you’d guess.. it was NOT a happy existnace, used contstnatly to do horrible things with no power to stop himself. Pompeii and Atlantis were both directly Merlock’s fault and it was only Collie Baba stealing the lamp that put an end to his hell. He also answers the two obvious questions botht he audeiince and the boys have: How the hell is Merlock still alive and shoudln’t he be out of wishes then? The first is simple. Unlike pretty much every DBZ Villian whose WANTED to do so, Merlock wished for immortality first chance he got, taking the Zamasu route instead and thus leaving him free. 

As for the wishes thing it turns out his amulet, in adition to shapeshifting, also gives him extra wishes becuase fuck it. 

But the boys sweetly offer to protect him. 

The next day, Apu’s Cousin let’s Merlock know the maps in the mansion and Merlock has him help sneak in with Merlock taking rat form. This backfires as Mrs. Beakley notices the form and chases after him with a broom

Meanwhile Webby has her tea party with Gene after he and the boys played cops and robbers earlier, and he’s bored.. though nicely not because it’s a girly thing, but because the stuffed animals aren’t alive and she naively has him fix that. This leads to 

Which sadly is jsut scrooge vs a duck toy but admit it, you want that movie for Disney Plus yesterday. Call Charles Band Disney. CALL CHARLES BAND! 

Whelp Scrooge Still Sucks:

Scrooge takes for a turn for the obnoxious in the next part, but i’ts fine by me as it’s part of the plot. Naturally this reinactment of Cult of Chucky has lead to Scrooge finding out about the Genie. To his credit, Scrooge is tactical about his wishes. As said by the Duck himself “I could wish for a diamond, no the world’s biggest dimaond, no ten world’s biggest diamond, no a diamond mind, no the MINING INDUSTRY!”

The sheer power this gives him is TERRIFYING, both because of his status.. and because unlike the kids who all wished for simple kid stuff and used up their wishes quickly, he both gets how much he can do with this and could conquer the world economy if he truly wanted to. 

The obnoxious part comes in as he treats Gene as not a person, figuring he’s just there and forces him into the lamp despite the kids protests after Gene grants his first wish: Collie Baba’s treasure. It also dosen’t feel like the wishing nor him using the lamp to get the tresure back goes against his hard work ethos: for the former while he is getting all this magically, he’s still having ot use his wits to get the most out of it, and he did earn the lamp itself square. For the latter, he already earned the treasure square too and had it stolen. He’s onlyg etting back what’s by all rights HIS. Granted he plans on giving most of it up for a tax break but still it’s his by right. 

However the reason his assholery works is twofold: first it’s Scrooge. While he’s not a TERRIBLE person, in the comcis and this cartoon he isn’t a GOOD person either. He DOES have a good heart and will usually do the right thing, but his first instnct is always to get more money and to be a cantakerous old bastard to eveyrone and everything. While he’s subtly grew out of “I hate eveyrone and everyone hates me” as his guiding principal, it’s still his defualt reaction to most situations. But he first relents by letting Gene attend the party, part of why the Collie Baba thing stung so bad was that he’s told the historical society he’d get the treasure for years only to come back empty handed, if shrunken. But he still manages to have a good time while Asok and Merlock infiltrate.. well I’mRunningOutofINsultingNIcknamesCanYouTell steals the silverware. Yes... that.. that really happens. 

Look we’re almost done, i’m almost free of this racist mummies curse. Let’s continue. Gene sees melock and freaks and drags SCrooge with him and while at First Scrooge is cranky...

No but now I want a Donkey Kong Country crossover too dammmit. And to talk about those games. Another thing for the list. But Scrooge is righ tot be a bit surly...

Okay now your just pushing it. As Gene whisked him away without telling him anything other than vauge worries... but then he gets a full idea of why Gene’s so terrified when Merlock shapeshifts into a bear and starts breaking the door down. Eh, could be worse. 

Gene shrinks them to escape and Merlock leaves thinking they fled but leaves Skids Minus Mudflap to go look for them. Scrooge sneaks out but bumps into a cart running from the photo you see when you look up stereotype on google. I mean I assume.. let’s try it. 

Huh you know I HOPED but I never expected... 

So Google Proving My Point plans to give his lamp to the master because of his weird Torgo-Esque obession with helping a man who clearly wants to murder him but takes his sweet time doing so because plot, and Gene figuring this COULDN’T POSSIBLY go as bad as Melock getting him urges the dummy to keep him and make his own wishes.

This goes about as well as you’d expect....

Wiped Out With A Wish:

Scrooge returns home to find Watto has wished to take his poessions, fortune, everything and Scrooge gets thrown in jail for breaking into his own house. We get two great moments back to back. The first is Scrooge lamenting loosing his fortune in jail, and realizing the sheer power and risk of the lamp, especially since he worked hard to earn it, every bit of it.. and Sam Wilson’s 70′s Backstory came in and took it all in an instant. 

The second is Scrooge’s family coming for him, including Launchpad , Beakly and Webby obviously and bailing him out. Though Beakly is UNGOLDLY annoying in this scene, sobbing hysterically and adding nothing and it’s not nearly as funny as the  film thinks. Turns out Goliath getting buried wrapped in chains threw them out. 

Scrooge takes a bit to rebound from all this.. but eventually realizes something: he knows the security of the bin inside and out. He had it put in after all. So it’d be easy enough to break in. So they gotta break in to break out the lamp, undo this nightmare, and END THIS MOVIE. Seriously this review has taken two days  as is I do NOT want to miss my invincible review. 

So they break into the bin, and it’s a tightly paced Scene, scrooge going in one way while the kids go the other and we even get a nice callback as the marbels come in handy to get past one of the traps. It’s just a good scene. it’s only real flaw is that Launchapd just sorta disappears as does Duckworth despite the fact their in a plane, and the bin later gets turned into a floating castle. Kinda a plot hole to not have Launchpad crash in to save htem just saying. 

Scrooge eventually does get to Djonn, whose been ignoring the imminent threat of Merlock while Gene sweats it out... and this backfires horribly as Merlock hitched a ride as a roach (Though there was a hilarious scene of him getting fried constnatly by lasers when Louie went through a laser hallway, as while Louie had the directions, it dind’t take into account passengers on your head. 

So Merlock remanifests in full gets the Lamp and unleashes his wrath on Tin Tin in the Congo and turns him into a wild pig. 

Not you sweetie. He then forces Gene to turn the castle into a fortress and float it back to his home in parts unknown. It’s a DAMN cool scene with impressive and horrifiing animation as the bin melts and crumbles into thte castle and the kids barely make it up the stares as they shift and disolve. Really top notch stuff.

Scrooge stands up to Merlock... and this naturally goes poorlyw ith Gene begging Merlock not to respond.. and Merlock having him blow scrooge off the top of the forgtess storm eagle style, though scrooge understands. And this is the true reason why scrooge being a dick didn’t bother me so much. Because it helps create a great contrast between him and Merlock. Both thought of Gene as a tool rather than a person.. but Scrooge grew to realize he was wrong and what he was dealing with wasn’t some magical goodies creator.. but a child forced to constantly grant wishes, in sheer agony to do so no less, likely so sick of it because again and again and again people used him as a slave to get what they wanted and to hell with what Gene wanted. He realized he was terrible for making this poor boy into his slave simply because that’s his job. In contrast Merlock could give no shits and is a malevolent monster who glefully uses Gene despite the pain the wishes put him through and his protests. It’s why Gene is the best part.. he’s  athroughly likeable, throughly inncoent character with tons of personality and a truly tragic and horrifying backstory and Rip Taylor acts the hell out of every scene with the guy. 

Thankfully the marbles come in handy one last time and Huey, Dewey or Louie snipes the lamp away and a struggle for it insues between Scrooge and Merloc mid air. it’s fucking awesome.. and it get sbetter in how scroogewins. He simply gets rid of Merlock’s amulet, taking it then throwing it. Grante dhe COULD’EVE used it for unimited wishes.. but it was too risky to do that and as we’ll see in the ending , Scrooge realized the Lamp was too powerful to keep around for much longer and too much of a tempting target for his rogues.. not that we see them this movie as the crew wanted it to bea ccesaible and thus kept hte cast to the main cast from season 1 and just made new vilians and a new supporting character, but still. 

He does use his second wish though to undue the damage Merlock had done and the bin and clan mcduck are returned to duckburg in good condition.

Time for our ending, which is genuinely and wholly touching. With the lamp too dangerous to use Scrooge considers just sending it to the earth’s core, which horrifies the kids as it’d mean Gene would be trapped there forever... if the molten lava iddn’t just outright destory the lamp and probably kill him. But Scrooge.. isn’t the bastard he likes to potray himself as. Instead he makes Gene into a real boy. He gives the poor kid HIS wish, which designrates the lamp and undoes all the spells... so Merlock is PROBABLY dead but he does return for some games so maybe not? 

And so we end on two things: Gene happily playing cops and robbers with the boys finally free.. and Birth of A Nation grabbing all the loot he can in his patns and running off. Ha ha ha thank god i’m done with this prick. And no I will not be looking at his ducktales episodes unless I have to. 

Final Thoughts:

This movie is OKAY. It has a solid plot, gene is a wonderful chacter, the animatoin is pretty prettay pretty good, and the voice acting as usual is excellent, with Rip Taylor being the standout. 

But as my paragraphs of rage shoud’ve made Clear Djonn is just BAD. Easily the worst character i’ve encountered in my year of reviewing and some of the worst writing i’ve ran into. And that writing includes a goblin man voyerstically forcing two teenagers to make out, making jokes about santa renaming himself Clem the sceneafter he tearfully confessed to letting the elves and ms. claus die, accidental transphobia via the u-men, and Bryan Lee O malley thinking we needed more than one volume of Julie Powers being around.  This was disgusting, even by 1990 standards and especially by 2021 standards and it drags the film down considerably. Without it the film is okay.. with it the film is just VERY hard to watch any time he pops up.  He made getting through the movie a nightmare and while I pause a lot becaue it’s a bad habbit I did so more simply because as I said earlier in the review I could not stand him. 

It makes it a hard film to recommend. If you can stomach the racisim, then it might be worth it, but be aware of what your putting up with going in. But if you can’t.. there’s no shame in that, it’s carbombya levels of bad. Which yes was a real fictoinal country. It was so bad Casey Casem quit transformers over it. True story. So yeah, it’s an okay film, on par with the series at it’s best for the most part.. but Djonn just spoils it for me. 

If you liked this review, like it, share it around that sort of thing and if you want MORE disney movie reviews, in addiiton to the goofy movie one later this month, if you help me hit my 25 dollar stretch goal on patroen.com/popculturebuffet, i’ll do reviews of the Recess, Proud Family and Kim Possible MOvies (Well so the drama anyway), so help me out would you and i’ll see you at the next rainbow.

[daresplaining]

A Few Thoughts About the Current Run

    I feel like I ought to say a few things about my feelings on Zdarsky’s run, as of right now (August 2020, pre-Annual-- that may be important). I haven’t said much about this run, and I should admit that I actually stopped reading it for a while. At a certain point, I realized I was dreading the release of each preview, and took that as a sign that maybe I should take a break and just re-read some back issues instead. This is, above all, supposed to be fun; I never, ever want reading DD to feel like a chore.  

    That said, I am now caught up and feel ready to begin untangling exactly why this run is so distasteful to me. I’ve been fortunate to have other DD fans to chat with about this, which has helped me to pinpoint what my problems are... because on paper, this run seems like something I’d enjoy. Matt accidentally kills a guy; that’s always fun. Marco Checchetto is great. The story explores Daredevil’s relationship with the citizens of Hell’s Kitchen, which I love. Foggy helps Matt with an action-y Daredevil thing; that’s awesome. There are some very cool fights. Elektra is in it. Stilt-Man is (briefly) in it. It has all the trappings of an interesting narrative. But there is a giant hole in the middle of this run, and that hole is Matt Murdock-shaped and impossible to ignore.     

    I read Daredevil comics for a lot of things (anyone who’s been following me for the past few years might think I read Daredevil comics for Mike Murdock, and you may have a point there) but first and foremost, I read them for Matt. There is a lot that makes a good DD story great-- historically, the comic has featured great supporting casts, and that’s another problem with this run that I’ll get back to in a minute-- but Matt is always the anchor. One of the greatest strengths in Daredevil comes from the fact that the protagonist is such a compelling character. You are interested in what he’s doing. You want to follow his story. You enjoy being inside his head. I’m not saying that you can’t write a good Matt-free Daredevil story-- you definitely can. But if Matt is present and written poorly, the whole story will collapse around him, and that’s been my experience with Zdarsky’s run. Part of the reason I’ve taken so long to write this post is because I’ve been trying to figure out if my complaint comes from my own personal taste-- which is not a basis on which I can critique this comic-- or whether the problem is inherent in the work itself. Having discussed it with other people, I feel comfortable saying that I think the problem is in the writing. 

    Zdarsky’s Matt feels profoundly unfamiliar to me, and that in itself isn’t necessarily a problem, but I don’t find this new version of my favorite superhero interesting. I actually find him a little repellant. If this run had been my introduction to Daredevil, I would’ve said “Nope” and read something else. Matt is a character with depth. He is intensely multifaceted. His relationship to superheroing is complicated, his views on justice and morality are rich and often contradictory. Zdarsky somehow missed all of that and has crafted a one-dimensional character with a blatantly black-and-white sense of morality. Matt’s reaction to accidentally killing someone seems to be to decide that all superheroes are bad-- something I complained about at the beginning of the run and which, unfortunately, only grew more annoying as the story progressed. Zdarsky’s Matt is painfully self-righteous, to a degree that makes him extremely unlikeable (at least to me). And yes, Matt has been written as unlikeable before. I actually love when Matt behaves badly; I find that fascinating from a narrative perspective. But I’ve realized that the key reason that has been effective in the past is because the story has never condoned that behavior. When Matt was emotionally abusive toward Heather Glenn, Frank Miller went out of his way to show us-- via the side characters, via blatant expressions of Heather’s pain-- that Matt was in the wrong. When Matt was a jerk in Bendis’ and Brubaker’s runs, when he drove his friends away, when he acted irrationally and harmfully, the narrative commented on that jerkiness and irrationality. 

    But Zdarsky does not do that in his run. He presents Matt’s irrational and jerkish behavior without comment or nuance, as if it’s a perfectly normal, reasonable way for Matt to act under the circumstances, and I have been surprised to realize how distasteful I find that, and how bad it makes Matt look. There’s a difference between having a character who is comfortably flawed-- whose behavior you’re supposed to occasionally question-- and a character who is just unpleasant and unlikeable, seemingly by accident. In the most recent issue (#21), Matt has an extremely upsetting interaction with Spider-Man, one of his oldest friends, and Matt is positioned as heroic for behaving this way, and it made me feel a little ill, because there’s no textual examination or questioning of this behavior. It’s just Matt, pushing people away, being Angsty(TM) and Gritty(TM) and lone wolf-y just because, in a way that is grating and unpleasant and completely lacks nuance. 

    The other major element of Zdarsky’s characterization of Matt is religion. I’ve mentioned before (as have other DD fans before me) that Matt is not generally written as religious, and it’s a strange phenomenon that this characterization has appeared in multiple adaptations (the movie and the Netflix show) while having very little actual presence in the source material. But it was a key theme in the Netflix show, and while hopefully that influence will disappear from the comics as more time passes, we are still in a honeymoon phase wherein MCU elements are still popping up in the 616 universe. It’s clear that Zdarsky really liked the show, and Soule as well; I’m certainly not letting Soule off the hook here, because the idea of Matt being devoutly Christian showed up his run first. But there, you could get away from it if it wasn’t your thing (which, for me, it’s not). Soule had whole story arcs that didn’t mention it. But Zdarsky has made it 75% of Matt’s personality. When he isn’t fighting or sleeping with someone in this run, Matt is angsting about God. 

    I hesitate to complain about this because it’s Zdarsky’s right as a DD writer to change the protagonist however he likes. It’s frustrating, yes, but not actually a sign of bad writing per se. Plus, not everyone is me. Many people-- probably including many people who were fans of the Netflix show and are entering the comics via that connection (which seems to be the target audience for this run)-- may be religious and may connect to MCU/Zdarsky Matt in that way. And that’s wonderful. I want to be very clear: it’s not the religiousness itself that I’m complaining about. My complaint is this: if you’re going to drastically alter a character, you need to back it up. You need to dig into it, make that new personality element feel powerful and real, and integrate it into the character’s pre-existing personality. And if you’re going to base the entirety of that character’s emotional journey on that new trait, you need to work to make sure it’s accessible to your readership. I, as a non-religious person, have no sense of why Matt is so upset about God. I have no frame of reference for his pain, either from my own experiences or from previous Daredevil continuity, and Zdarsky does nothing to develop or explore the basis of Matt’s faith, and so it all just falls flat. I feel alienated by this run. I see an angsty, self-righteous, prickly jerk ranting about needing to do God’s will, and then I put the issue down and read some She-Hulk instead. If Zdarsky (or Soule-- again, he could have done this too) had made an effort to actually explore and explain Matt’s feelings about his religion, rather than lazily shoving that characterization in there and assuming readers will just accept it, it wouldn’t bother me nearly as much as it has. 

    Also, I feel I have to mention; this is a fantasy universe. Matt went to Hell and yelled at Mephisto in Nocenti’s run, and it was awesome. Maybe this is just me, but if you’re going to bring in religion, at least have some fun with it! Bookend Nocenti’s run: Matt goes to Heaven, runs into God, and she gives him some free therapy and a souvenir t-shirt (or, I don’t know, something). To give Zdarsky credit, he did at least hint at that sort of thing in Matt’s conversation with Reed Richards in #9. 

    I'm going to cut this post short, because I really don’t enjoy writing negative reviews. I’d much rather post about things I love, and over the next few weeks I do plan to highlight aspects of this run that I’ve enjoyed. But I’ll end by saying that the weaknesses in Matt’s characterization could have been mitigated by a great supporting cast. Having prominent secondary protagonists would have provided outside perspectives on Matt’s behavior and given the reader other characters to root for when he got too out-of-hand. They would have drawn out the human elements in Matt’s character and helped give him that nuance he so desperately needs. But this run, just like Soule’s before it, is woefully underpopulated. Foggy’s presence is extremely weak and his appearances far too infrequent. Apart from brief cameos in MacKay’s Man Without Fear mini, Kirsten McDuffie and Sam Chung have both vanished, and I’m worried that Kirsten might have joined Milla Donovan in the limbo of still-living-but-permanently-benched ex-love interests. The women in this run are all either villains or people for Matt to sleep with (I was pumped about Elektra’s return and the idea of her training Matt, but her characterization was disappointing (I may write a separate post about this), and Mindy Libris could have been really compelling as a moral person trying to survive life in a crime family, but instead she was just a one-note, underdeveloped victim for Matt to lust after). To Zdarsky’s credit, he has clearly been trying to give the Kingpin a humanizing story arc, but even that I haven’t found compelling enough to want to keep reading (though that could just be me). Cole North was intriguing at first, but he ended up feeling more like a concept than an actual person. And none of these characters engage with Matt on a human, emotional level, which is what a good supporting cast needs to do. I commented early-on that this run felt like all flash and no bang (Is that a term? It is now.) and I think I still stand by that-- it’s all bombastic plot concepts and big ideas without any of the actual development or nuance necessary to make them work. There is nothing in this run that has pulled me in and held my interest; in the absence of a Matt I can connect to, I need something, and so far I haven’t found it. 

    I could go on, but I think I’ve made my point. This run was nominated for an Eisner for best ongoing series, so apparently someone likes it, but it has become clear that-- so far, anyway-- it’s just not right for me.  

[sailorfailures]

ColourPop is dropping a Sailor Moon collab on Feb 20th and I have some Opinions

It’s the moment Sailor Moon makeup geeks have been waiting for - ColourPop cosmetics, noted for their affordable and colourful official pop culture makeup collaborations, has announced a Sailor Moon collaboration containing an eyeshadow palette, two liquid lipsticks, two lip glosses, two blushes, and two body glitters. Most likely this collab is being timed with the 25th Anniversary of Sailor Moon’s debut in North America to contrast with Japanese cosmetics from brands like Creer Beaute and Shiseido, which were released for the Japanese 25th anniversary.

Source: ColourPopCo on Twitter

After my initial excitement about the long-awaited collaboration died down, I was left with a somewhat disappointing realisation... this entire collab, over a total of nine products, was not about Sailor Moon: The Show... it was about Sailor Moon, the character.

When I imagine a makeup collection for Sailor Moon I immediately picture the rainbow of colours represented across the whole Sailor squad, or at least the OG Sailor Team five. But almost everything in the collab is quite warm, and either pink or neutral/natural. Exceedingly neutral/natural, in fact. One look at the names for all the product colours - “Shining Moon”, “Twilight Flash”, “Bun Head”, “Usagi” - make it clear that the products are intended to reflect Sailor Moon and Sailor Moon only.

The packaging itself is... interesting. I can appreciate that they were trying something new with the eyeshadow and blush cases, as they are all topped with different holographic pictures - not (just) the shiny kind of holo, but the old school kind that flips between two different images, all exclusively featuring Usagi and sometimes Luna. You can see the effect in action in this video review by TrendMood. Good concept but slightly awkward execution. I think they would’ve benefited from some kind of static frame around the images so that it didn’t look like I’d just hot glued a pog to my pencil case. The rest of the packaging features the same old redrawn clipart from every other piece of anniversary merch, so, yawn, though the prismatic elements are nice. The body glitter pots are cute, featuring Usagi’s first transformation brooch to mirror the round shape of the pots, but ColourPop’s “gliterally obsessed” branding seems out of place. I know that’s the name of their glitter gel series but maybe it could’ve been swapped out just this once.

(Screencap from above video by TrendMood)

The lip sticks/glosses are by far the most disappointing. Apart from the cardboard boxes they come in, the only branding visible on the tubes themselves is the series logo and a nondescript crescent moon pattern on the caps. Don’t get me wrong, I’m a big fan of subtle packaging. I don’t really want Sailor Moon’s face plastered all over a lipstick either; but I’ve also never been a fan of using random moons/hearts/stars as a stand-in for something more relevant to the show when that imagery is so generic and disconnected from the series. Why not little graphics of the Silver Crystal? If they’d thrown some rabbits, bows, and/or roses into the pattern then the combination would read more as “Sailor Moon” than moons on their own. (That said, splitting them into “Moonlight” for the liquid lips and “Daylight” for the lighter glosses with transformed vs. non-transformed? Brilliant. Genius. The perfect blend of nostalgic and practical.)

(Screencap from above video by TrendMood)

Here’s a photo of the palette taken from Temptalia’s website with everything but the shadows desaturated, so you can read the colours more clearly without being influenced by the packaging:

At first I wasn’t sure what this colour story was trying to tell me. I definitely understand going for a more neutral/“everyday” palette over something more glam, since the characters themselves are generally fresh-faced, but the AMOUNT of neutral shades here seem out of place for such a bright series. Tuxedo Rose and Love (the two pinks in the middle of the bottom row) are so similar for such a limited palette. Twilight Flash (top, second from the left) feels out of place; oddly saturated and just a bit too warm to play nicely with many of the other colours. Mare Serenitatis (the coppery-looking one) stood out as unusual but is actually more of a wine/plum under all the glitter, which is much more appropriate and reminds me of Sailor Moon’s transformation.

The more I looked at this palette, and the more I saw of reviewer's looks using it, the more I slowly realised that this palette wasn’t really evoking the character of Usagi herself, but rather the nostalgic, hazy, pink-washed aesthetic of the entire 90s Sailor Moon animation.

The dreamy not-quite-pastel quality of the 90s anime (half conscious design choice, half convention of the time) has received a lot of modern attention and praise. It makes sense that the palette feels like it’s being viewed through a rose-tinted filter when the entire show felt that way, or is at least remembered that way. It wouldn’t surprise me if ColourPop literally based some swatches on recurring colours picked from screenshots.

That being said... Does that make it a good choice for a makeup collab? Is this what Sailor Moon fans want and will buy? Is it versatile enough to warrant a purchase for non-diehard fans? Is it actually what casual fans, who might buy something like this out of pure nostalgia, are actually nostalgic for? Just because I see what ColourPop was going for, does it automatically translate to the most appropriate choice?

Ultimately, my judgement on that comes down to whether this is ColourPop’s only Sailor Moon collab. If this is them testing the waters to see if they can branch out into releasing products focused on the other girls, like a blue/silver mini palette for Sailor Mercury, a green/pink mini palette for Sailor Jupiter, etc. then I’m all for it. When perceived as a palette that represents the show itself, and not any specific character - not even Usagi, despite what all of the swatch names suggest - it really shines. But that’s not really ColourPop’s MO. Most of their pop culture collections are released in one big shining burst of products and then... nothing. And there are quite a few different products here.

I’d also be remiss not to point out that there are lots of indie Sailor Moon-inspired makeup collections already on the market, which makes sense for an almost-30-year-old series that literally repeats the words “make-up!” nearly every episode. Maybe ColourPop felt like they would be stepping on fandom toes or running the risk of copycat accusations if they strayed too close to any of the 2,348 red Sailor Mars-inspired eyeshadows online, though I assume they’d have the legal upper hand. In that respect, I do appreciate that this is a unique approach to a concept that has been nearly driven into the ground.

But ColourPop is not an indie brand and there are some benefits that come with that. They are generally more accessible, sometimes more affordable, can usually ship to more places in less time at a lower cost to the buyer, and can afford much larger runs that will sell out less quickly (though don’t be fooled, this collab will almost certainly start to sell out shortly after its launch). For many fans, especially younger fans, this is probably their only feasible option for Sailor Moon makeup. And some fans prefer the stamp of authenticity from an “official” collaboration, even if indie collections are often, well, better. So I think there’s an impetus for ColourPop to release a less specialised collection that’s reminiscent of more characters.

If this really is the only Sailor Moon collab ColourPop is planning to release, then the packaging, in my opinion, is an odd choice. I don’t know why they decided to focus exclusively on Usagi herself; if the colour story is meant to represent the entire series, then why not either have all the girls on the front in a rosey colour scheme, OR have none of them and focus on one of the cityscapes that clearly inspired the palette? I feel like there are lots of fans who aren’t necessarily fond of Usagi herself who may be put off by the overwhelming focus on her.

Overall: The lip sticks are nice but not super exciting, but I like what I can see of the lipglosses. The subtle glitter is very Sailor Moon. I love the Moonlight/Daylight concept but wish it were reflected on the actual tubes. The body glitters (Moonlight Legend, Moon Prism Power) are exciting and interesting, by far the most experimental part of the collab. The shape and colour choices for the glitters are very “Sailor Moon” and I can see them getting some use on the festival scene. The blushes also seem cute but a tad overpowering for the otherwise understated vibe of the rest of the collab, like the liquid lipsticks, and I love the Luna stamp in the blushes but would be sad to actually use them and see it get worn away. And while I like the gauzy backdrop-inspired looks people are making out of the palette, I feel like it’s extremely limited in the number of unique looks you could actually pull off.

So, in the end... am I going to be buying any of these? Hell, probably, if they’re not totally sold out by the time I get to them. My initial roller coaster of OMG COLOURPOP SAILOR MOON!!!! excitement dropped into “that’s it?” disappointment but has now leveled out at a respectable buzz of interest. I could see myself wearing most of these products, and the collector in me wants at least a piece of the collab for posterity. I just really hope that this isn’t the end of ColourPop’s involvement in Sailor Moon and that we might see some future products tailored specifically to the other girls, so that my collection isn’t just Usagi’s face staring back at me.

[fatesdeepdive]

Entry 36: Chucking Infants into Pocket Dimensions

Before we go on to Conquest, I’m going to do the Birthright Paralogues. They all fit into a theme, in case you couldn’t tell, one that will cause three-four Supports per update to be centered on a new character.

So, between entries 20 and 21, Corrin and Kaze got married. That unlocked two new Paralogues. Now, for no reason in particular, let’s talk about how Paralogues worked in Fire Emblem Awakening. Halfway through Awakening, you learn that Marth, the mysterious masked swordsman who has been helping you out throughout the game, is actually a future version of Chrom’s daughter Lucina, who traveled back in time to stop her father’s murder. After the time travel sub plot is introduced, you can begin unlocking Paralogues by having the Shepherds marry one another. In each Paralogue, you meet one of Lucina’s companions, also a child of one of the Shepherds. In Awakening, the name and personality of the child was determined by the mother, but the father determined their stats, giving which units you pair up meaning. Now, the time travel children storyline wasn’t perfect, few things in Awakening were, but it at least made sense in the game. Awakening’s story revolved around two things: time travel and the bonds between units. And the child units fit in with that story and those themes, as well as giving important gameplay ramifications to the dating sim elements. Now that I’m done talking about the Fire Emblem game that heavily, heavily inspired the direction of Fates, let’s play the Paralogue that unlocks when Corrin gets married.

Paralogue 2: Dragon Blood

The chapter begins by showing us Kana, a mini version of Corrin with Kaze’s hair color, who talks about how his mother is going to visit today. Kana is attacked by spooky ghost men and Corrin, his mother, runs in to save him.

So, Corrin is a mother now. How, you might ask, considering the fact that she and Kaze got married mid-battle yesterday? Well, it’s simple. As the narration that played when Corrin and Kaze got married stated, Corrin and Kaze chucked their infant son into a pocket dimension immediately after he was born. And, because time flows differently in the pocket dimensions, he’s like twelve now. They also must have left Corrin there for nine months, unless pregnancies happen overnight in this world.

Now, this raises a few questions. Why weren’t these pocket dimensions ever mentioned or used in the story of Birthright? Why didn’t Corrin and Kaze stay with Kana to raise him? Who thought this was a good idea? And, sadly, none of these questions will ever be answered.

Kana transforms into a Feral Dragon and the battle begins. This battle features the gang picking off enemies in a large field. There are Dragon Veins to raise and lower the river levels, which may have made the map interesting, but I didn’t use them. Kana is a green unit during this chapter, but spent it stationary at the top of the map. On turn eight, two capturable bosses, a pair of idiot berserkers named Lloyd and Llewyn showed up; I captured one of them and killed the other.

Corrin gives Kana a dragonstone, Kana whines until Corrin takes him with her, and the chapter ends without me ever being given a reason to care about Kana.

Now, let’s go back to what I said about Awakening. In Awakening, the child characters worked because they were tied into the story. In this game, they’re tacked on in the laziest, most nonsensical way. I get why they exist, Awakening was a success and this game tried to replicate everything it did, but it just doesn’t work. In Awakening, the player has a reason to collect the children, to reassemble Lucina’s lost team. But, without that reason or any story significance, I am left apathetic at best and annoyed at worst towards these units. It especially hurts that this chapter gave me little characterization for Kana beyond “cute child soldier”.

Kana

Kana, Corrin’s child. Their gender is always the opposite of Corrins; because Kana actually has different Supports based on gender, I shall use the names Mana and Fana instead. Design wise, they where Corrin’s outfit, but with a blue scarf that looks like a collar. Both forms of Kana have terrible haircuts for different reasons. Kana’s personal skill, Draconic Heir, heals them if they have a dragonstone equipped; this makes Kana more dragonstone based than Corrin, who has an overpowered sword. My main problem with Kana is their personality, or lack there of. Kana is characterized as...cute. Cute and needy. Which is both boring, and again, kinda messed up. Worse, like Corrin, the game seemingly forgets their animalistic dragon form after this chapter, which is a waste.

Now, let’s talk about how child Supports work. All children have one Support with their father (or mother in Shigure and Mana’s case) and one with their mother. Because their mother is not set, the mother conversation is vague and rewritten with slight variations. I am not going to read the same Support ten times for each child, and will instead just read the Corrin version.

Support Fana/Corrin

C: Corrin finds Kana carrying boxes so she can earn money. Corrin asks what Kana needs money for and Kanna refuses to tell.

B: Kana buys Corrin a ring as a gift.

A: Corrin gives Kana a ring as a gift.

Review: I already didn’t like Kana and damn did this Support not help things.

Support: Kana/Mother

Odd thing I need to note about this one; Fana has a unique Support with Corrin but Mana just has the generic mother Support. It’s weird. I assume during planning the writers were told to have each child have one Support with Corrin, one with their mother, and one with their father, resulting in a Corrin Support that could only be used for one Kana. Still, it’s odd.

C: Kana picks their mother flowers. Their mother likes them, but explains to Kana that picking flowers kills them. Something Kana did realize, because child soldier.

B: Kana shows their mother pretty flowers.

A: The mother shows Kana the collection of flowers they've picked over time.

Review: The problem with Kana is that Kana is just cute. No other personality traits beyond “child”. This Support is fine, but it’s also dull and doesn’t make Kana a deeper character. Also, Corrin being a parent is weird because Corrin’s whole personality centers on them being naive, but Corrin as a parent acts calm and responsible.

Support: Mana/Father

C: Mana complains about Corrin always treating him like a child, when he wants to help her out more. His father tells him the thing he does to make Corrin happy. Kana suggests they have a contest on who can do the most things for Corrin.

B: Mana ties with his father in the contest.

A: Corrin tells Mana to stop doing chores and play with his friends who I haven't recruited yet. His father explains that Corrin just wants him to enjoy his childhood while he can. Mana insists his father relax to.

Review: I switched between Silas, Kaze, and Jakob while reading this one and had no problem following it, which goes to show that parents have all the personality of tofu in these ones. That said, Corrin wanting Mana to have a happy childhood is nice. Perhaps an attempt by her to ensure he doesn’t have a lonely upbringing like she did.

Mana and Shigure, Azura’s son, can also have a sibling Support. Not with each other, I mean, with other children.

Support: Kana/Sibling

C: Mana and his sibling start patrolling the camp.

B: Mana and his sibling continue patrolling the camp.

A: Mana asks his sibling to teach him to be stronger.

Review: I fell asleep while reading this one, causing this update to be a day late.

Now that I think about it, Man isn’t twins with his sibling. Mana is explicitly called younger in the B-Rank. Which means Corrin was pregnant for like two years between battles. Azura too, for Shigure to have siblings. Also, why were the kids placed in different Outrealms? Wouldn’t it make more sense to keep all of them, or at the very least the royal siblings and cousins, together?

Wait a minute. Did I just get through an entire update without a bad S-Rank Support? Is this what happiness feels like?

[96thdayofrage]

A half-century after its premiere, Melvin Van Peebles’s musical “Ain’t Supposed to Die a Natural Death” is heading back to Broadway.

The producer Lia Vollack said Tuesday that she is putting together a revival with the collaboration of the creator’s son, Mario Van Peebles, and under the direction of Kenny Leon. Vollack said she expects to present the revival on Broadway next year.

The musical, which began a nine-month run on Broadway in 1971, is constructed as a series of monologues, often vivid and confrontational, about Black life in a low-income neighborhood. Nominated for seven Tony Awards (but winning none), the show seems to anticipate both the confessional and personal style of musicals that followed, and the poetic spoken-word sounds of rap and hip-hop.

Melvin Van Peebles wrote the show’s book, music and lyrics. Bill Duke and Garrett Morris were in the original cast, and Phylicia Rashad was a standby.

Leon has long been enamored of the musical, which he performed in while a student at Clark Atlanta University.

“It was so visceral, and so strong, and so powerful,” he said. “It gives voice to people who we normally don’t hear on a Broadway stage, and if we do hear them, we don’t hear their truth, we just hear their suffering.”

Leon said the renewed focus on diversity and equity following a series of deaths of Black Americans in encounters with police catalyzed the production.

“Right after everything that happened last year, I talked with Lia, and she said, ‘What do you want to do?’” Leon recalled. “I said, ‘I would love to do “Ain’t Supposed to Die a Natural Death” — I think it’s my life’s calling to do that play,’ and she said, ‘Let’s do it.’”

Leon said the challenge facing his production would be “How do you marry the ’70s to the post-George Floyd moment in an artistic way?” He added, “Nothing about it is going to feel like a museum piece. My goal is to make the audience feel as if the play is new.”

Perhaps best known as a film director, Melvin Van Peebles also wrote plays, novels, music and journalism. Mario Van Peebles, an actor who is being billed as the revival’s creative producer, said in an interview that he considers the musical (which he saw on Broadway when he was 14) his father’s best work.

“It was a transformational experience — I saw people of all colors coming in, some who had never been to a theater before, and many who had, and some laughed, and some cried, and some applauded, but everyone was somehow changed,” he said.

Mario Van Peebles said that throughout his life, people have told him that “Ain’t Supposed to Die a Natural Death” was ahead of its time, and that he has been eager to revive it while his father, who is now 88, is still alive.

“Americans now have better tools to understand each other than we did before,” he said. “In a way, America has caught up, and the language and the tools that were once inner-city are now part of our culture.”

The New York Times, for one, gave the original production a mixed review.

“Whites can only treat ‘Ain’t Supposed to Die a Natural Death’ as a journey to a foreign country,” the critic Clive Barnes wrote, “and on those terms I think it has the power to shock and excite.” (The paper summed up the show this way in a sub-headline: “Blacks Move Through Gantlet of the Slum.”)

The show has occasionally been revisited over the years; in New York, there was an Off Broadway production in 2006, when a New York Times critic wrote, “the series of vignettes explodes like a round of mini-riots.”

With racial equity much discussed in the theater industry recently, “Ain’t Supposed to Die a Natural Death” becomes the seventh new production with a Black writer announced for Broadway when it reopens.

The others are a revival of “Trouble in Mind” by Alice Childress; a Michael Jackson biomusical called “MJ” with a book by Lynn Nottage; and the plays “Lackawanna Blues” by Ruben Santiago-Hudson, “Skeleton Crew” by Dominique Morisseau, and “Thoughts of a Colored Man” by Keenan Scott II, as well as an untitled play by Nottage.

Denzel Washington has told The Daily Mail that he expects a revival of August Wilson’s “The Piano Lesson” to reach Broadway next year featuring his son John David Washington alongside Samuel L. Jackson and Danielle Brooks and directed by LaTanya Richardson Jackson. The producer Scott Rudin, who has the stage rights to “The Piano Lesson,” has declined to confirm the report.

[lakkimi]

[TRANS] RollingStone Japan magazine interview - “FTISLAND’s Lee Jaejin’s story, a new challenge ‘the moment before I enlist, it is now’“

FTISLAND offers band-style music that is rare in the K-POP world. On October 9 (note: 2019), Lee Jaejin, the bassist of the band, has released his first solo album. Before he goes to enlist, he had made the determination to himself, “if you are going to go solo, now is the time”. Jaejin who was visiting Japan at the time had made the time to visit RollingStone Japan for an interview.

Korea is the number one idol powerhouse in the world. In the midst of the massive survival competition in the K-POP world, where there are more than 300 idol groups, donning intense hairstyle, makeup, and costume, and boasting unparalleled synchronized group dance, it is very rare to see a group of youths that are still faithful to the authentic pop and rock style and moving forward with it, drawing a line of difference between them and the others in the industry. This group is FTISLAND. As the group is marking their 10th year since they made their major debut (in Japan), this time, we will be featuring Lee Jaejin, the band’s bassist who has been by Lee Hongki’s side on stage. Unlike his lovely face and delicate appearance, this central pillar of FTISLAND is dropping a bold sound that is hard to imagine through his solo album, Scene 27. He had answered to the interview with RollingStone candidly in fluent Japanese without any need of the use of interpreter.  

―Following FTISLAND’s Lee Hongki to debut as a solo, is it something that you wanted for yourself?

Actually, since a few years ago, I have received offers from the agency, “Do you want to try out going solo?”, but I had wanted to focus on FTISLAND, so I had only been gathering ideas. However, Hongki-niisan will enlist in September, and in line with that, FTISLAND will go on a break, and I will follow niisan to enlist too. As soon as I complete the military service, I intend to focus on FTISLAND  again, so I thought, “if I want to do a solo, it is now”. I thought to myself that I might not get another opportunity to move one step forward for myself if I don’t take the chance to go solo now, so I got back to the agency, “I will work hard, let’s do this!”.  

―It feels like, your long-held wish has finally come true.  

That’s right. However, in the beginning, I didn’t have any vision as to what kind of music that I wanted to do for my solo... I don’t like the way that it sounds like an excuse, but we were really busy, so I didn’t have any time for it! (laughs) I have just written a lot of songs and done a lot of comebacks with them, gone to a lot of tv shows, and done a lot of live concerts in Korea, Japan, and around the world. I didn’t really have any time to think of the songs that I would want for myself. However, this time around, I have received a lot of help from the agency, I was able to make it somehow (claps to himself proudly).

―How do you want to express yourself the most as?

For me, I had always felt like I would describe myself the most for my FTISLAND-ness. After all, I have dedicated all of my youth for FTISLAND. I would propose melody and lyrics that I made from my point of view, and these ideas would collide with the other members’ (Lee Hongki (Vo.), Song Seunghyun (Gt.), Choi Minhwan (Dr.)) as they have strong personalities. That’s why, I thought, if I want to honestly express myself as a soloist, I would have to do the opposite method, making it “Lee Jaejin’s uniqueness as seen by other people”. I tried to extract how is Lee Jaejin seen by other people, from people who inspired me - the members, fans, family, staffs, seniors and juniors from the same agency, friends, colleagues, and people that are precious to me, and from these people, their impressions of me and advises to me are reflected in my music.

―So it was a reversed method, it is surprisingly quite out of the box. 

It’s because I have always expressed how I view things through FTISLAND already. Through my solo work, I actually get to have an opportunity to show another side of me, and I thought it would be interesting to show a mix of the Lee Jaejin that other people think of and the Lee Jaejin that I think of. That’s why, from my way of singing to the way the songs were recorded in the studio, I made it different than how I would usually do it.

―Is there any impression that other people have told of you that you found “eh, that’s unexpected!”?  It was when people told me that I produce high pitch voice easily.

―It’s because the audience always listened to your live singing attentively.

No, it’s not like that! (laughs) My role (in FTISLAND) is to harmonize with Hongki-niisan’s voice, so that it sounds nice to hear; however, if I sing using the same way that I did for FTISLAND for my solo release, it would sound strange. I’m still retaining my ability to control my voice easily. It turned out that all of the songs that I had picked for my solo album had higher pitch than my usual voice, so I thought it could only be done with adding in more breath and warmth than usual to my singing. It was really hard when I did the recording. Particularly, when I recorded for Love Like The Films, the key was lowered and raised several times, that we had to repeat the recording for 3 or 4 times, and the entire recording process took about a total of 6 days. 

―In the “Love Like The Films”, Hongki is credited under vocal directing.

Frankly speaking, image that I have of Hongki-niisan is “the bad person who never practices”. Of course, he is an excellent singer, he also does a great job as the band’s frontman, however, as fellow team members, I wished he would practice more. However, after he helped me with vocal direction this time around, I would like to review that. (laughs)

―Ah I see. (laughs)

For me, as a main vocal, I still need to find something that can stand out and be my point of attraction. I haven’t really calculated the way that I sing in the way that “if I sing a song this way, it will be delivered to the audience also in a certain way”, so I thought that Hongki-niisan who has had a long career as a vocalist would know more about it, so I asked him to watch over the recording. Lately, niisan is working hard practicing and he also has a musical coming up, he just has been really busy so I didn’t have the heart to ask him to do it at first. But our agency then said that “Hongki will give (vocal) direction to Jaejin”, so it was sorted out that way.

―So, that’s how he came in!

That’s true. In reality, the moment that he heard the song, he told me “This is Jaejin that is singing, but it sounds somewhat not right”. “This song is putting together the ideas that everyone suggested Jaejin should do” but “in this part, you sang this too softly, you should give more power to it, so the audience can still hear it clearly” or “in this part, your pitch should be more straightforward” - all kinds of possibilities that I wasn’t even thinking of. Hongki-niisan is very knowledgeable in techniques on how to “sound good”, he taught me these in great details.  

―As expected of the vocalist who has carried FTISLAND on his back. With just one added detail, the way that a song could be expressed could increase greatly.

That’s why, we were able to complete the recording of the song with satisfaction, I felt really grateful that Hongki-niisan was willing to help. When we asked him “please also look at the recordings of the other songs”, he replied “I don’t want to, it’s too bothersome”. (lol)

―Ah, that’s what happened.

It was unfortunate that he was able to only look at the title song, however, niisan was really busy that he didn’t even have any time to sleep. FTISLAND also was working on the preparation of our encore concert at that time, so it couldn’t be helped. 

―Then, Scene.27 is packed with all of the efforts poured into it.

Thank you. I hope the message could be delivered well.

―Other than that, are there comments on the album that you found refreshing?

I heard things like “R&B suits you well” or “you can take on Jazz if you work just a bit harder”.

―The voice that has a bit of huskiness in it, it is Jaejin’s voice charm.

I appreciate any feedback. I have prepared myself to accept any feedback, whatever it is, so I actually would be grateful if the listeners could give me a lot of them. Actually, in this album, I wanted to focus only on the vocal and let go of my bass. 

―And as a result, it purely shows Jaejin as a vocalist.

Please indulge in thinking of this as someone completely different, not the Jaejin from FTISLAND. I am challenging myself to take this opportunity to present myself as an entirely rookie solo artist. I also am planning to hold a mini live this coming October with band style performance, so please look forward to my vocals. 

―Your agency junior, N.Flying is also starring in the MV. As they played with so much fun there, the MV also turned out to be full of energy.

These guys were actually busy too, but for me, they deliberately made the efforts to empty out their schedules, practiced and filmed with me - “we will help niisan with everything!” and somewhat I felt “ah, this is the weight of being an older brother”. 

―You guys really have a good relationship.

I can only reply with “Me too, I will work hard!”, and paid them back through my (bass) performance. Actually, this is the first time that I felt such a proper give and take relationship with my juniors. I supported N.Flying by helping out in their live concerts, and this time, they came to help me instead. This made me feel such a brotherly relationship with them, that lately, I thought of how cute these guys are.

―In fact, you have been seniors-juniors for a long time in your agency, but “lately”?

Yes, lately. Originally, I am the kind of person to not really think of any other relationships other than with the FTISLAND members.  

I usually listened to anyone who asked me for counseling or just to share their worries, but I don’t usually feel that “we are one team at heart” with my juniors.  Honestly, in the past, I used to not to be too fond of N.Flying (smiles), I thought that they didn’t really put in enough efforts and seemed to be still too premature.  For me, I am solely the bassist of FTISLAND, and my team is solely FTISLAND - if we put it in the extreme, “I am only the bassist to FTISLAND”. However, lately, these guys have worked so hard and have grown rapidly too. I have come to “If it’s N.Flying, I can play for them too”. Now, they are such a team of cute juniors in my eyes. I’m not that great of a senior either, but now, I want to share with them and have talks on things that I have knowledge on or things that I can give them advise on.

―Why did you choose bass in the beginning?

I only realized recently, but I was an introverted kid when I was in elementary school. I didn’t have any friends, so when I entered middle school, I wanted to brighten up my image. I had started to have friends then, and they asked me, “do you want to make a band together?”. I didn’t have any experience with any musical instruments back then, so I only replied, “Sure, what should I do?”, and they said, “Drum and guitar are hard, so you’re bass”, and so, that’s how I started bass. Compared to guitar, it only has 4 strings, and I could just start by producing the “dung, dung, dung, dung” sound riding the rhythm, it was easy. It was also popular with the girls. 

―Most of bands indeed start with “I want to be popular!”.

For me, it is the case (laughs). However, it is for sure that it was how my life began. My sister is an actress, and she used to be under the agency that I am in now. She told me, “I think my agency is setting up a band, do you want to give it a try?” - she recommended me to an audition, luck was on my side, and I managed to debut. 

―You debuted in 2007, in the midst of the heyday of idol teams that sing and dance, why did FTISLAND aspire to be a “rockband” back then?

Actually, in the beginning, the aim was a multiplayer kind of band that can play a lot of genres. However, if we look at the world, there are a lot of rock bands particularly that are charming. The more that I immersed myself in a new genre, and the more that I practiced, I was captured even more by the rock genre, and swore to myself, “Let’s become a rock band!”, and here we are now. I am crazily in love with the kind of power that only rock holds, and the feeling of catharsis that one gets when they perform. I feel the pride of this band called FTISLAND that possesses the charm to suit not only upbeat rock music, but also are good at pop ballads, and any types of music.

―So, what types of bass that you like?

Currently, I’m mainly using SPECTOR, LAKLAND, and Fodera. However, when I am discharged later, I want to buy Fender.

―Are there any differences between doing activities in Korea and in Japan?

Honestly, I think FTISLAND can best demonstrate 1000% of their charms in Japan. In Japan, we really feel that we can play comfortably and with a peace of mind. As stages and sets in Korea are centered around idols and hiphop, there isn’t many place where we can perform as a band properly, so honestly, we have had a hard time because of this. There is also the case where we don’t have much choice but to give up the (musical) direction that we want. So, when we want to perform properly to the audience in Korea, we got our PAs, sound directors, concert managers, and staffs that we trust in Japan to come to help. Doing major debut in Japan and actively promoting there is highly regarded in Korea. The home of the rock genre is the US, and so I don’t know if it’s a country thing, but the staffs there (in Korea) seem to just have “Going my way”-like mindset to them. There have been instances where it was hard when we tried to request something when we had performances. For example, when we asked them “please slightly raise the volume of the kick drum in our ear monitors, and please make the bass sound harder” or something like that, they would reply “Is that necessary?” or the like. They did follow our request, but I guess if we think about it, those who think that these kinds of exchanges are what rock is all about and those who enjoy these, thinking that these are merely differences in culture and way of thinking, are those that are winning.(smiles) 

―I love that you are looking at it positively (smiles). Now, what are your dreams for the future? 

If I get to be a bit richer, I dream of building a nice livehouse in Korea. It will be an ideal place, where performers can perform properly, and audience can listen to music properly as well.

―In a RollingStone Japan interview too before, Hongki also said that he wanted to build a music studio.

That would be nice! However, for Hongki-niisan, even if he does build a music studio, I think all that he does there will be just play games. He would say something like “You guys, do your best!” and leave the trivial or bothersome things to us, and when he feels like he is in the mood, he would say “This is nice” when he does vocal recording. However, songs that are made in such lively atmosphere will end up pretty rock, so I guess everyone would enjoy such songs anyway.(laughs)  

~~

Disclaimer: Translated by Lu. This translation is based on the Japanese - Korean translation credited to fprit. Due to the indirect translation, inaccuracies are likely and possible, but I will also refer to the original article here to do double checks whenever needed.  

And enjoy Jaejin’s Scene.27 album here ;)  

[calliecat93]

Well didn’t get this done before Chapter Five came out, but I’m still MUCH more caught up than I had been. Good thing they’re going on a six week break here soon since that’ll not only let me catch my barrings... but let my soul have a break, GOOD GOD THESE PAST TWO CHAPTERS HIT HARD!As far this specific chapter goes... boy I did not expect me to shock me as much as it did. So w\let’s not waste anymore time and jump right into it.

Overview

Robyn is recalling a story about Joanna in prison, but neither Jaques or Qrow are all that into. But she does manage to get Qrow to finally smile, as well as notice him still holding Clover’s badge. She apologizes for what happened, which lets Qrow vent about the entire fiasco and how for the first time in so long, it felt like he had made a connection without having to fear his Semblance ruining it. Robyn... actually understands, herself having been ostracized due to her lie detecting Semblance making people fear her revealing their secrets. Harriet and Marrow enter, throwing Watts ack into his cell. Harriet doesn’t believe Qrow declaring his innocence, even when Robyn offers to use her Semblance. Robyn also calls Harriet out on essentially blaming others and not caring about the truth since it’s easier for her to not accept her own blame. Before Harriet can act, Marrow stops her and the speedster storms off/

Back in the tundra, JYR are still giving chase to The Hound, Jaune even launching Ren at it. It doesn’t work and The Hound even calls for backup, summoning more Grimm. It leads to a giant chase sequence, including a new song that IDT has a title yet, but it is dark as Hell. The chase ends with two of the bikes being destroyed, Yang and Jaune almost falling over a cliff until Ren uses his grappling features to save them, and the three are forced to watch as The Hound escapes with Oscar in it’s clutches. Back up in Atlas, RWBNM have gone to, surprisingly, the Schnee Manor to lay low and tend to Nora. Whitley is less than pleased, especially with what Weiss did not even 24 hours ago in-show, but Weiss makes it clear that they’re not leaving and she sends him to his room. As Weiss and May tend to Nora, Blake sees Ruby worried about the others. She suggests that Ruby can still call Yang... but there’s one problem, Ruby already did.

JYR are out of signal range, forcing them to make their way back to Mantle on-foot. During the trek however, Ren’s closed up attitude is flaring up, which eventually causes Yang to get on his case. Ren i9s frustrated due to not just losing Oscar, but everything that has happened. Losing the Relics, Ironwood’s betrayal, the current Grimm attack with Salem just outside the doorstep. Even with yang pointing out their accomplishments and admitting that they have made mistakes but still pulled through, Ren’s anger flares as he points out that they are WAY in over their heads. Jaune tries to calm them both down, but Ren continues to point to how Ruby is leading them despite still being a kid, he himself is an orphan form the middle of nowhere, and the biggest shock is him getting after Jaune for forging his way into Beacon. This shocks everyone, even Ren himself, but Jaune simply says that he’s getting out of the cold and walks on. Yang asks if Ren just wats to push everyone away before following, leaving Ren shocked and upset.

Meanwhile... oh boy, this scene. Oscar wakes up and standing right across from him is Salem. She addresses Ozma and how long it’s been since she’s seen him and... yeah it’s pretty unsettling. Oscar tries to act like Oz, but Salem sees right through it and tries to get Oscar to give her answers. He genuinely doesn’t know where the Beacon Relic is, so Salem tries to get the password to the Lamp out. When he tries to use the ‘out of questions’ ploy... Salem uses her magic to... magically torture him... yeah it’s... rough. Oscar still doesn’t talk, so Salem brings out Hazel... you know, the guy who hayes Oz probably more than anyone and has sworn to kill him? Yeah...

Cinder meets with Salem, taken back by The Hound which Salem calls an experiment. Cinder again tries to convince her to let her go after Penny, but Salem again orders her to stay put. Cinder agrees... well, verbally anyways. But she knows that the heroes are likely going to still try and launch Amity, so sh decides to go for the Maiden Power anyways. Neo is less than thrilled with this plan, but Cinder has another person willing to help her: Emerald.

Back in the tundra, JYR have found shelter for the night and Jaune admits that Ren is correct about how he cheated his way into Beacon. But he’s since realized that he was above his mistake and tries to convince Ren to not push them out, knowing fully well how all that it does is hurt you more. If it did any good, Ren doesn’t show it as he goes to sit outside. Yang has found a part to fix the bike and also assures Jaune that she knows that he worked hard to get to where he is now. She starts working on the part before asking Jaune if ‘she’ thinks any less of her. Jaune, assuming that she means Ruby, assures her that they’re sisters and will be fine... but Yang was talking about a certain cat girl. Our episode ends here... but not before showing us the ice nearby beginning to crack... thanks a lot CRWBY!

Review

Like I said in the intro, I didn’t expect this chapter to shock me like it did. Did I expect intensity? Of course, especially after the last chapter? Did I expect what we got? Nope, but it was perfect!

Let’s talk about Ren first. Ever since last volume, it’s been clear that he’s been unraveling. He wasn’t engaging in Nora’s antics anymore, was more closed up than usual, seemed in agreement with Ironwood at one point, and of course his mini-breakdown in the finale Not even Nora and him kissing helped, heck considering what happened after it only seemed to make him worse. Even now he’s at serious odds with Nora for the first time since childhood, something that is clearly bothering him despite him keeping it to the chest. He’s trying to keep his focus on his duty, but with everything going more and more wrong, the facade is not only shattering, but the cracks are causing him to push those close to him away.

His argument with Yang was a tense moment. I like it though. Not only for more unique character dynamics, but out of every character Yang will lay it out as it is. If Ren’s going to have an attitude problem, then she will call it out and not give a damn about the reason why. Since Nora can’t get though to him, the harsher approach is kind of the only thing left. Ren’s breakdown was hard to watch... and he is right to an extent. They are in over their heads. Their decision, even if the right one morally, is creating more problems and endanger more lives. Ruby is still a kid and she’s placed far too much on herself. I think he is underestimating himself and the others about not being ready, but his concerns are completely understandable and he has some good, if harsh, points.

But then he brings up Jaune cheating his way into beacon. Yeah, been a while since that came up, huh? I actually gasped when that came up. While Ren clearly didn’t mean for that to come out, the fact that he did when pointing out that they’re way over their heads does display at least some doubts he has about his leader. JNR have grown close over the past few volumes, Ren and Nora essentially considering Jaune family by the time of Volume 6. So hearing this was hard, especially since all that Jaune was doing was trying to calm him and Yang down.

I do, however, like how Jaune reacted. Back in the early volumes, he likely would have taken it as a blow to his confidence and gotten huffy about it. Now? While the blow clearly stung, he keeps himself in check and keeps focus on finding shelter. Then once there, he outright admits that Ren’s right and tries to comfort him. He tries to advise him on opening up and how closing yourself off doesn’t help. Considering that he tried this both in V1 when we found out how he cheated and after Pyrrha died and only getting better when he allowed others to help, he absolutely knows how Ren feels. But the fat that he handled this so maturely and tried to help his friend instead of get angsty about it shows how much he’s grown. It’s really nice to see.

Now let’s talk about Weiss and Whitley. So this got some... mixed reception. Some were upset about Weiss pointing her weapon and Whitley and her general harsh behavior towards him this chapter. Now I do understand the first part since I was similarly annoyed at Yang for threatening Qrow in Volume Six when all that he was trying to do was be reasonable about the Lamp. It was likely too harsh, but in farness Weis sis not only trying to help save the kingdom, but one of her teammates is in critical condition and she has no time for Whitley to be angry at her. The Manor is the safest place at the moment, and she needs to get Nora care now. Not saying it’s a justification, but it isn’t her being mean for the sake of it either.

But even so... guys I’m sorry, but do you seriously expect Weiss to suddenly forgive and coddle Whitley this soon? After years of him belittling her and rubbing his success in her face while she was punished, not to mention seeming more concerned about the family reputation than the current conflict? I’m sorry , but it’s not that simple. Yes, Whitley is also a victim who was manipulated and groomed by his father and unlike Weiss, he was never able to get a proper support system or have any family to help like how Weiss had Winter. I do feel bad for him, and I do think that Weiss will take her mother’s words form the last volume and will help Whitley later in the volume. But they’ve both hurt each other. Whitley by treating Weiss badly, and Weiss not giving him support like she was given. They’re both victims AND hurt each other. Some try to paint it as one is problematic and the other is an innocent child, and that’s simply untrue. They’re only going to realize that if and when they talk out their problems with each other out, it’s just a matter of when it’ll be. It takes time to mend these kinds of things, sadly.

Next is the villains scene... ho boy. So I’m gonna wait on Cinder for the next chapter, but her ignoring Salem in favor of power isn’t a shock at all. No, let’s discuss Oscar. Just... this poor, poor kid. He’s trying to be brave, but seeing him get tortured and especially the screaming?! Aaron Dismuke, why do this to me you jerk?! I do admire him for trying it imitate Oz and keep his composure, but it was just so... brutal to watch. Salem doing it so calmly and being perfectly willing to wait for the answers since she can just make Oscar suffer is... well, evil. And don’t think I missed her with the shadow versions of her daughters. Some say that humanizes her, but since she remorsefully tortured a child and sicked an emotionally unstable brute to physically harm him without a care in the world... no. It didn’t excuse Ironwood, and it sure as Hell isn’t excusing Salem. Tis just makes her all the more terrifying.

Okay... last thing is that scene at the end. The Bumblebee implication scene. So... I won’t lie it did annoy me at first. Before anyone says anything, it was NOT because of hating the ship or anything stupid like that. I’m not a huge Bumblebee fan, but anyone who keeps saying there’s nothing there at this point is living in denial. It’s happening people and since at least Volume 6, I think they’ve been doing it pretty well. My issue is mainly just because... we’ve had plenty of Bumblebee content. Volume 7 had them together in pretty much every scene, and I just don’t like having a pair of characters limited like that. I had the same issue with Renora, especially in Volumes 1-3, and with shipping in general. The main reason though is that I want there to be some more focus on Ruby and Yang because I feel like it’s been a long time and that there is a genuine conflict between them that can bring some interesting things for both. I’m not saying they need to be at each other’s throats, but siblings DO argue and no, it doesn’t always get easily resolved and I am speaking form experience here. To be fair it could happen later and Ruby herself hasn’t been pondering on it that much either. Heck Blake seemed more concerned about it than either of them have. But I would like to see more than just the one pair that I’ve already seen focused on plenty of times because it’s limiting. That’s just a personal thing though and I’ve always enjoyed sibling stuff more than romance, so yeah just a me thing.

That being said, those saying that Yang doesn’t care about Ruby need to calm down. No, that is NO the case. Did we forget Yang trying to console a broke Ruby despite her own grief just last volume? Mere hours ago in-show at that? Despite what I said above and while she’s clearly concerned after Ruby’s recent choices, Yang still loves and ultimately trusts her sister. She never said that she didn’t think that Ruby would fail or was wasting her time, she just felt like Mantle needed them more and the consequences to trying were too much. Heck this is a spoiler, but considering her reaction in the next chapter, it only reinforces that belief. At least with Blake, this is the first time they’ve willingly split apart and Yang clearly still has some abandonment issues and concerns. Plus... yeah, it’s natural when you have feelings for someone to worry if they made a bad choice that may make them doubt them. Blake won’t, but it’s understandable. Heck, Blake was clearly concerned about Yang when trying to get Ruby to call. I think she was trying to comfort Ruby as well with the suggestion, but it was still pretty evident... also Ruby and Blake interaction, yay! Still yeah guys, let’s just... chill a little bit and see what more comes of anything.

Okay, got that out of my system, and I apologize if it came across wrong. Whatever annoyance I had I’m over anyways, especially after the recent chapter. Anyways, the chapter had so much good. Plus we not only had a badass chase sequence, but a new song! Again, IDK the title, but it was another banger for sure. The opening scene with row and Robyn bonding and Robyn calling out Harriet was great. Marrow’s subtle expressions showing how not okay he is, and I’m seriously hoping that he may be the one to free the others. It would be a really good move for his character in him deciding that being lawful doesn’t equal the right thing, and making it right especially considering his interaction with Robyn last volume. The animation was good with the backgrounds looking fantastic, the pacing has been on fire, and of course that ominous ending. God they’re trying to keep us on edge, and I love it!

Chapter Stats

Favorite Character: Lie Ren Favorite Scene: Ren losing it in the tundra Least Favorite Scene: Probably the wrong term, but seeing Oscar be tortured while well done was hard. Favorite Voice Actor: Neath Oum (Ren Favorite Animation: JYR chasing The Hound Rating: 9.9/10

Final Thoughts

This was fantastic, especially in the character department. I haven’t been this shocked in a good while. It hurt no doubt, but the writing and voice performances were so well done. Seriously, this is probably Neath’s best performance to date. Add in the great animation, the tone being on point, and the set-ups with the Schnee Manor and cracking ice and the fact that this is only Chapter Four is crazy. But it’s only going to get crazier people... oh so, so much crazier. Only one review to go until I’m back to being caught up... my poor heart XD

[miniaturestarlightsandwich]

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By Glendale2x

New framework seems to have performance issues

This version of ABP for the new Safari framework unfortuantely seems to kill performance on my computers. Maybe it’s partially related to them being a bit older (one is a Mid 2011 Mini, the other is a 2012 iMac), but with ABP enabled I can’t even open a new tab/window and type a URL into the bar and expect Safari to accept the input without having to hold down the return key until it goes or wait a minute after opening a new tab or window. I also noticed that using Twitter was jumpy and lagged even with simple typing, it felt like all the dynamic content it relies on was just struggling to be processed through whatever framework Apple is forcing. Hopefully the devloper can figure out the performance issues because it’s really, really bad now.

By Ramblin'Rose

why isn’t this working?

I have ABP and it wasn’t perfect but worked fairly well for my needs. Recently, it simply disappeared. (I see someone else said that could be from the latest iOS update, but I don’t have that on my desktop yet). When I tried to reinstall, it showed me two boxes to check. The way I read it, if you checked the box that said you wanted the icon visible in the toolbar, it would be able to read sensitive information of all kinds on any page. What good is an app of any kind that allows for that?! As it was, with only the one box checked, it only blocked very few ads, and I was still getting requests from sites to be whitelisted without being able to fnd any way to do it. I’ve got all kinds of garage showing up on my Facebook page, and you guys have ruined what was a reasonable product. WHY?

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Almost didn’t download the new version based on the recent reviews, however after looking at the other apps here that claim to be ad blockers I didn’t’t see too many alternatives. I decided to go ahead and get the new version and so far its pretty much the same as the old version, lots of ads blocked. I’m happy, just make sure you go through the simple set-up.

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After much research, I understand the issue with Apple changing the rules on the devs so they had to build this app from scratch. Works well for me so far, except for one annoying problem. I use Yahoo mail and it's not hiding the ad that appears in the top line of the inbox even with unchecking the Acceptable Ads box, which is super annoying. I know the devs are watching these reviews, so if someone can point me to an extension or something that will fix that, I'd appreciate it. Was using AdGuard and it fixed that problem, but that app behaves like spyware and is constantly running in the background even after you close Safari.

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QR-Code Maker Freeware v.1.0.0Use QR-Code Studio to create QR codes for free. An assistant simplifies the creation of QR codes for mobile tagging, social media and more. The generated QR-Codes are available immediately as BMP, GIF, JPG, PNG and TIFF graphic file.

Freeware Advanced Audio Coder v.2.2.7FAAC is an Advanced Audio Coder (MPEG2-AAC, MPEG4-AAC). The goal of FAAC is to explore the possibilities of AAC and exceed the quality of the currently best MP3 ...

Zhang Hong's Freeware v.1.0[1] English-Portuguese-Chinese Dictionary [2] Japanese-English-Chinese Dictionary [3] MP3 Sponge [4] JPG Sponge [5] RedDays [6] RadSensor [7] descriptions and updates: ...

Mimosa Scheduling Software Freeware v.6.5.8Mimosa is a scheduling and event planning software application for use to create timetables in any kind of school and university of varying type and size. It is also used to schedule conferences and work-shifts in business and industry environments.

Flash Banner Maker for Mac v.1.00With AnvSoft Flash Banner Maker for Mac, you can easily create gorgeous flash banners in SWF format and html file for flash intros or for building website. You can add any image backgroud from your hard drive and choose from the 50+ animation effects for.

BiblePlayer for iPod v.1.1Take God’s Word to Go! Do you need to have a daily dose of bible scriptures? Or maybe you need a bible reading plan? Now you can read and listen to the King James version of the Bible on your iPod with this new freeware program. Bibleplayer ...

Mach-O OSAX v.0.1Mach-O OSAX is a scripting addition for CodeWarrior which provides different samples. The package is completly freeware and the source code is ...

QuickCart v.2.2QuickCart 2.2 is regarded as a flexible and handy program which is designed to run your own web shop. Freeware and easy to use e-commerce solution is designed to run Your own web shop. As a database it uses files structure so that the SQL database is ...

Flippagemaker PDF to Flash (SWF) for Mac v.1.0.0Flippagemaker Free PDF to Flash (SWF) for Mac is freeware for Mac users to convert pdf to swf flash video. Create Macromedia Flash (SWF) file from Adobe PDF file for embedding into web page easily.

DVDSmith Movie Backup v.1.0.0DVDSmith Movie Backup is DVD Decrypter, DVD copying Freeware to backup, clone or copy DVD movie to computer as DVD folder and removes all the protections (CSS, RC, RCE, APS, UOPs and Sony ARccOS) while copying.

Hubblescreensavermac v.1.0'Hubble Space Telescope (Mac) free screensaver containing 99 high quality NASA-ESA space images. Screensaver designed by the Creative Department, an award winning advertising and interactive agency based in Cincinnati. Fully functional freeware.' ...

MediaHuman Audio Converter MAC v.1.8MediaHuman Audio Converter is a freeware for Mac OS X. It can help you in case you need to convert your music in WMA, AAC, WAV, FLAC, OGG or Apple Loseless format. This program was designed to simplify as much as possible the process of conversion.

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Zoiper Webphone ZOIPER webphone is fully-compliant with Internet Explorer,

1000apps NetVibes Widget Avec ce Widget vous pourrez rechercher des logiciels ,

Vivaldi for MacOS The Vivaldi browser lets you be in control of how your

QR-Code Maker Freeware Use QR-Code Studio to create QR codes for free. An assistant

Flash Banner Maker for Mac With AnvSoft Flash Banner Maker for Mac, you can easily

PC Protect Your PC First screensaver application protecting your PC from

Flippagemaker PDF to Flash (SWF) for Mac Flippagemaker Free PDF to Flash (SWF) for Mac is freeware

DVDSmith Movie Backup DVDSmith Movie Backup is DVD Decrypter, DVD copying

Maiar Browser Maiar is an extremely fast and privacy-friendly browser for

BiblePlayer for iPod Take God’s Word to Go! Do you need to have a daily

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