#made a thread on twitter and realized I should update this crowd too

[galaxylover06]

UPDATE ON MY AU:

What's happening? Why don't I make art/talk about it anymore? What even is it? Let's go over it

Been a very long while since I addressed my long beloved "AU"

Many of my early followers began supporting me in hopes of seeing it and it's surrounding comic, but I've slowly stopped talking about it because my story was very undecided and in development.

Well not anymore, today I'm happy to share I've made some final discussions for this project.

–––––

1.) It's not an AU anymore.

Just going to get this out of the way, I can't call this an alt universe. I like the current sonic universe and how it's world works and want to build a story in that.

So now I'll be addressing it as a fancomic, that's really all it is!

2.) my VERY early followers know it's name was "Reverent Heart" however that's long changed.

The fancomic and anything related to it's story is now called "Timeless"

3.) that's all cool but what does this fancomic bring to the table?

Three things.

• 1: a mainline series with two sagas, saga one being a semi-self contained story.

If all goes well I'll move onto saga 2, with a more ambitious story consisting of two parts

• 2: a mini prequel series I'll be releasing first for comic/writing practice as well as to flesh out the comics plot

This series in particular will focus solely on Silver and my OC Rocket.

• 3: a couple miscellaneous holiday specials just for fun

4.) does Shadikal still play a significant role in the fancomic?

Yes! (and no) Shadow and Tikal are my protagonist and their relationship is important for the story and their development in it

However I don't plan to make them a couple by the end of the first saga. There will obviously be hints, ship moments, and a clear bias I like them as a couple, but overall I want to develop a proper friendship between the two first.

Thats personally how I'd view them in canon and what I'd like to write in all honesty.

5.) when will this comic ever see the light of day? Soon!

I hope to start around winter this year if scripting goes well!

That's all I can say for now, stay tuned everybody! 💫

[dropintomanga]

On the Industry, Fans, and Piracy - My Feelings on Manga Today

This year has been quite an interesting one for anyone who’s involved in manga industry happenings with regards to piracy.

As most of you may know, an infamous manga app known as Mangarock was finally shut down this year after years of proliferating as a “legit” manga-reading app on the Apple and Google Play Stores. They finally got shut down when a Western comic artist found their work being distributed on the platform. While this was good news, there has been criticism about whether there were signs of subtle prejudice towards manga (since it’s a foreign medium) as it took a Western comic to bring things to attention.

There was also the news of Mangamura, a well-known Japanese raw scan site, and how the head honcho of the site got arrested in the Philippines this year and will face consequences for his actions. (Update: 12/21/2019 - Now Mangastream and Jaimini’s Box are out of the game with regards to scanlating popular titles)

While this is good news for people who love to support the manga industries in both Japan and overseas, things are still the same. The pirates will keep coming over and over again. I wonder when enough is enough or maybe I’m just tired of hearing the same old debate on legal vs. illegal manga.

I see multiple Twitter threads from pro-industry folks on why everyone should support buying manga. I also see threads on why manga publishers suck. They’re both right if you ask me.

Lately, I’ve been thinking about how this industry vs scanlators fight is similar to what I’ve been reading about in the mental health field recently - psychiatry vs. anti-psychiatry.

Psychiatry advocates believe that taking medicine is the best way to solve mental health problems and mental illness. They realize that things can happen in the human brain that lead to something worse. However, they think a lot of issues warrant medication when it may not be the best solution.

Anti-psychiatry advocates believes that medicine isn’t the best way to solve mental health problems and mental illness. They dislike how the mental health care system treats people with mental health problems. Yet they believe that “mental illness” doesn’t exist.

So throwing it back to manga -

The manga industry believes that supporting the industry involves purchasing their books at any costs. You buy the books, you support the mangaka drawing them. Yet the system that drives the industry is terrible. As we all know from Bakuman and tales from manga professionals, the system to become a successful mangaka involves often-poor working conditions in the form of long hours, strict deadlines, and a good amount of isolation.

Scanlators believe they are doing the manga industry a favor in providing free exposure to titles that would go undiscovered by fans. More often than not, scanlators do what they do without any care for profit. However, they tend to go a bit extreme with regards to translating certain text. Some scanlators also become a bit too egotistical for their own good and end up causing ridiculous drama among other scanlation groups over material they are technically stealing.

Tying this back all together with all regards to comparing psychiatry vs. anti-psychiatry and industry vs scanlators, there’s a third party being affected that’s ignored in both debates.

For the 1st war (psychiatry vs. anti-psychiatry), there’s not enough focus on the seriously mentally ill. The seriously mentally ill are the community suffering the most right now and present a great deal of harm to themselves and others. A 3rd party group that addresses them would utilize certain views and rejects certain views from the psychiatry and anti-psychiatry movements to help the seriously mentally ill. They are often forgotten as a lot of money goes to those whose mental health issues aren’t as bad on both sides. 

For the 2nd war (scanlations vs. legal manga), you can argue that there’s a huge crowd of fans that are willing to pay for manga as long as you give them almost everything on one platform a la Steam/Netflix at a very low price. That platform also needs to be easily accessible with little-to-no regional restrictions. There are so many fans in certain parts of the world that can’t purchase manga due to lack of access to bookstores/libraries or availability of them. I’ll put this in caps in case people don’t get it - THE WHOLE WORLD IS NOT THE UNITED STATES OR ANY OTHER NOTABLE AND PROLIFIC COUNTRY. I sometimes think certain fans that are able to buy manga forget how lucky they are.

A side note: While a huge step forward for legit digital manga, Viz’s Shonen Jump isn’t enough because not everyone likes shonen. All the other subscription services are fine, but everything’s kind of fragmented a bit compared to how Crunchyroll has almost everything anime-related (though they are going through a big streaming war that’s causing fragmentation as well).  Though to be honest, I think the scanlation community and the manga industry have to band together on one thing I think both sides can all agree on - it’s the relative value of manga compared to other forms of media in general.

To explain, I watched a video feature on the mangaka Shinichi Sakamoto, creator of Innocent and Innocent Rouge. Sakamoto goes into a discussion about manga’s value that really got me thinking. He talks about how manga is treated as “disposable” and how he tries to make his works worth keeping and remembering.

In the end of the video, Sakamoto says: “I feel manga is something that is read, then thrown away. For example, people would read a manga during their work commute and throw it away once they finish reading it. Or they would read a manga at a restaurant during lunch break. Then they would close it once the food is served and forget about it. I thought at first, manga was something that was read then thrown away. However recently, since I started to adopt my current style, I now want to make something that stays close to readers. Something that remains. It’s what currently motivates me to draw manga.

I ask myself what to do in order to make something that stays for a long time, using themes or opinions that they stay engraved in the minds of readers without being forgotten. I keep this in mind in order to leave something behind. It is what motivates me.”

The quality of manga made in Japan isn’t the best. The paper is comparable to toilet paper. If you ever browsed through a manga magazine in person, it feels like going through a super-thick newspaper. Compare that to overseas volumes of manga and it’s a world of difference. I’ll admit that publishers like Viz Media, Kodansha Comics, and Yen Press do a great job in making their printed manga high-quality albeit at a higher cost to fans.

Yet I realized that there’s a larger number of manga fans who don’t care about quality as long as what they want is accessible and cheap. That’s a big reason why scanlations have exploded and will continue to do so. Convenience is something that a lot of outside forces now push onto everyone. I frankly love print books, but I wonder what if the price of printed manga volumes reaches a certain point that makes me go “Yeah, I don’t think I can buy printed manga anymore.”

In the end of the day, even if you make it look pretty as hell and close to a luxury product, manga is still a “throw-away” item with little relative value to a lot of fans thanks to how it’s originally conceived in Japan combined with how internet culture takes advantage of what the meaning of “free stuff” is. Not everyone will find a sense of belonging with manga the same way that fans do.

There are certain folks that support purchasing manga that say things like “Wages need to be raised because they’ve stagnated” and when it comes to fans reading manga on an illegal site, their views sound like “You should buy no matter what” and/or “Just don’t buy.” I know there are those who will point to manga sales and they still aren’t exactly affordable to some fans. 20%-33% off titles with a high price point to begin with may not feel like a significant discount to someone who may not be a hardcore manga collector. Maybe it’s better to say, “You know what? Let’s just smash capitalism for ruining everyone’s lives” or better yet, “Let’s promote wage growth so that manga fans can actually purchase manga and manga artists can survive.”  

For now, let’s all be like Sakamoto and promote how valuable manga can be because appreciating the arts makes people better human beings than learning how to make a “efficient” website/software program look good for someone whose end goal is usually profit. The arts is what keeps people from turning into robots. Yes, this sounds like I’m saying “Let’s have the manga pirates keep doing what they’re doing then.” What I’m suggesting is that everyone from the top down (government, etc.) has to take charge in promotion of anything related to the arts (which manga and comics in general are a part of), not just the regular folks, as they appear to be all on-board the "let’s mindlessly consume/produce everything with ruthless efficiency” train.

I feel sympathetic towards anyone who works with on the American side of manga publishing (or anything that’s based in Japan) because Japan’s mentality on promoting their works overseas is awful. The Japanese want a level of control in how they want to be perceived outside of their own country. Compare that to a country like Korea (where K-Pop is now featured on major American TV networks), you can see how bad Japan is promoting their own brand of pop culture to the world. If you want an example, just look up Nintendo’s history of taking down anything overseas that looks to violate their principles of promoting their games.

I realize that I’m sounding like this Japanese manga creator who criticized publishers for how they handle piracy. Well, I dislike how manga publishers or professionals involved with the manga industry will shame fans for reading scanlations/raws. Almost everyone that reads scans/raws tends to be a fan of manga in general. A lot of them may not be unaware of the nature of scans (especially fans who meet mangaka in person and tell them they read them online). And even if they were aware, have you noticed how wages have stagnated for a lot of people across the world versus inflation?

Plus, how often do shame tactics work on people? They’re just as effective as most diversity training workshops hoping to change people’s bias on visible differences (spoiler alert: not very well). They never change anyone’s minds at all due to being short-term solutions that ignore the shamer’s role in perpetuating the problem. I realize changing minds takes a long time and requires a LOT of nuance (AKA not good for making immediate money), so it’s easy to focus on quick and fast.\

I also don’t like how scanlators disrespect localization efforts at times. I don’t like seeing multiple instances of swear words when most Japanese (or people in general) don’t talk like that in real life. Yes, some localization efforts are full of cringe. Appealing to a bigger array of new readers is important to having an industry thrive. Having just loyal customers isn’t enough.

Loyalty can only go so far. So many people don’t care about brands and/or will switch whenever it’s convenient to do so. There’s always a psychological disconnect between community and profit. That’s why you try to get as many new consumers as possible so they can become great word-of-mouth spokespeople for your stuff. Given how a good number of anime/manga fans stop consuming either medium after a certain age, replenishment of fans is an absolute necessity. I wish scanlators who frown at legit translators who bust their asses off to make manga accessible to a wider audience realize this.

There’s a final thing I want to address regarding the whole debate about scans and it was something I noticed at Anime NYC this year. So this year, Artists’ Alley and the Exhibit Hall were put right near each other on the same floor. In years past, they were separated via different floors or on different sections far away from one another in the same floor. I had a troubling thought and reading one convention recap reinforced it.

It’s the fact that Artists’ Alley is almost always fan works and the close proximity this time clashes with the Exhibit Hall vendors’ sale of official merchandise. There are anime industry members who dislike an arrangement like this with good reason. Bootlegs are a problem in an industry largely associated with piracy. Yet fans LOVE Artists’ Alley. Anime cons can’t just gut them to please industry folks. Supporting the fan artists at Artists’ Alley is a win-win for fans and con organizers. 

Also, some of the artists at Artists’ Alley I spoke to all read scanlations in some way, shape or form when discussing certain series. I have no damn desire to play moral police with those artists because I know they are lovable and messy people. Just enforce the golden rule - don’t be a dick in a public setting even if you have a good reason to because you will never change anyone’s views that way. 

I know some issues have to be made public, but go through proper channels first since I don’t want to see someone being labeled a mood killer without proper context in places that are supposed to be safe for fans.

Another thing - I have friends (both ‘20s and ‘30s) who work full-time jobs that read manga in not-so-legal sites. Some of them I’m very close with. I’m not ending friendships with them over the fact they may consume media differently. The one thing I can say is that even the best of the best will have questionable beliefs/do questionable things and all you can do is figure out what’s really important to you - their actions or the consequences of their actions. Don’t expect the people you idolize will think the same way you do in every thought you have. Everyone has their own closet of behaviors and thoughts that will always irk others.

So for anyone who’s confused on whose side I’m on, I’m on neither. I know the truth is a lot more complicated than what most people will tell me. I do want manga to thrive more overseas. It’s just that outside of Japan, regardless if you pay for or pirate a manga, there’s no appreciation for lifelong reading. Reading is treated as a pain than pleasure in the Western part of the world. Many anime fans are only tempted to read a manga because of how cool an anime adaptation of a certain series is or just from buzz. 

More than anything, I feel like there should be a bigger effort in promoting a sense of lifelong reading. I sometimes get jokes from corporate folks that I like to read and it’s depressing since libraries are always threatened by budget cuts. Reading books (fiction & non-fiction) has helped me processed a lot of things for my mental health. We got to do a better job in emphasizing that reading can be for fun and not just for achievement. Still, buy whatever manga you can for the artist’s sake if you really like the works (not for the publisher’s due to how I feel about capitalism sometimes). If you still want to read or prefer scans, then that’s your thing. You know, I’m glad I’m not really a pro-industry person and a pro-fan. I live in both worlds and feel like I have a balanced understanding of how people act in certain situations versus how they behave normally. I make a joke now that if anyone who works in marketing wants to really understand what their customers are like, they should go to a DMV (Department of Motor Vehicles) and see the misery there.

I guess you can say I blame Japan more than anything as I do buy what I can from the American side of things. I know the hard-working folks in the U.S. manga publishing business probably get frustrated with Japanese bureaucracy to a certain degree at times. 

Next year will be the start of a new decade after a decade of slow then fast growth in all things anime and manga. Things are going to get better and worse for anime and manga. Maybe once Luffy finally gets the One Piece treasure will manga piracy be severely hampered by then. I have some doubts because this is all reliant on what Japan will do as manga is here to stay in overseas markets. I know more Japanese manga editors have been traveling overseas to understand what’s going on outside of Japan. That’s a good start. So I just hope that the final chapter over here involves cultivating a joyful love of reading because I feel technology has to really pick up on that.

When reading really matters to everyone and takes some precedence over video in the minds of people, maybe we can see some meaningful progress in a battle where we might be fighting the wrong side(s) and/or missing a bigger part of the picture.

Regardless, it’s a fascinating and fun time to be a manga fan. I’m glad to have met many people who love and read manga regardless of how they consume it. Those experiences have provided so much value for me.

Manga may be considered “trash” in many ways, but to loosely quote a certain popular Naruto ninja, it’s at least better than giving up on the true joys of life.

Addendum (12/21/2019) - Two days after this post was made, two of the biggest manga scanlation groups on the net, Mangastream and Jaimini’s Box, decided to stop translating all Weekly Shonen Jump titles. I’m indifferent about either platform going away (or completely gone as Jaimini’s Box is still doing titles from other manga magazines). The one thing I will say is that Mangastream took advantage of the growing push for convenience in the minds of people over the last decade. I think about how much tech companies have abused “convenience” to generate unintended division and in some ways, Mangastream was like a tech company when they saw their ego being stroked by the large fanbase they were getting.

Photo Source: The Japan Times For one of my favorite takes on scanlations, read “Why Do Scanlations Persist?” from What Is Manga? There’s also this podcast from GeekNights about manga distribution in the United States which added some fuel to this post.