#mani's textdumps

[mmani-e]

Funny headcanon of mine is that Mukuro folds immediately about Junko's plan after getting exactly one (1) friend. Like she goes from broken down yandere to

Like halfway into the year and she completely rats her sister out over something entirely insignificant. Like she's hanging out with her classmates in Akihabara and one of them buys her a shawarma wrap and she just starts ugly crying about the true meaning of friendship and her sister's evil plan in the middle of the street in front of her clueless classmates and, like, two turkish dudes in yellowing aprons on a wednesday afternoon.

[omegalomania]

as of like around noon-ish today it looks like someone went BACK into the site and removed all the Wilder songs lmao. all of patrick's solo catalogue (soul punk, deep blue love, etc.) in addition to pete's features and songs that they co-wrote for other bands (the cab, blink-182) are now gone, along with demos and obscure cuts like the llamania songs, star 67, we don't take hits, and so on. all the evening out tracks have been removed but bonus tracks such as snitches and talkers and songs from eps like b-side and pax am days are still there.

they also removed the repeat of flu game and most of the covers with the exception of beat it, we didn't start the fire, and ghostbusters. also fixed the "thnks fr th mmrs" weirdness. mysteriously, bnd1 tracks "alpha dog," "growing up," and "from now on we are enemies" seem to have disappeared as well, though the bonus tracks from bnd2 remain. this is especially weird because beat it (which is included on bnd1) is still there. it's one of the few covers that survived in fact.

all told, this cuts down the list of songs from 187 to around 121

the probably-a-hoax "i got nothing but you got something" song has unsurprisingly vanished. did they grab a textdump of writing credits from a fan wiki somewhere. WHO assembled this list. i have so many questions. this is so funny

(also the underlining just straight up didnt work in the original post and i cannot seem to fix it. it wont save. sorry about that!)

so im sure everyones fully well aware of the magic 8 ball site fob is using to promote a contest to win some tickets to see them in nashville. the little 8ball widget theyve got in browser is also modeled on the physical 8ball that they had in the vip merch packages for tourdust's first leg, which is cool! but of particular note is the way that, to fill out the contest form, you have to pick your favorite fall out boy songs. and the sheer breadth of what is allowed is...interesting? it's not cohesive by any means, but it is really wild the selection of songs they have here because not all of them are fob songs. in fact, quite a few of them aren't.

i went directly to the source code and got a full list of all possible songs that you could input (which you can check for yourself by right-clicking and selecting "view source"). i'm going to list them here for archival purposes, with a few notes/explanations cause some of these are WILD.

there are 187 songs total listed.

bolded songs indicate songs that are demos or never received an official release

italicized songs are songs by other bands

underlined songs indicate songs that are covers

songs with an asterisk beside them (*) indicate they are from patrick's solo catalogue. two asterisks (**) are for pete's.

additional commentary by me will be [in brackets]

20 Dollar Nose Bleed 27 7 Minutes in Heaven (Atavan Halen) 7-9 Legendary A Little Less Sixteen Candles, a Little More "Touch Me" A Nice Myth [one of the earliest fall out boy demos, found on their first ep, and only the casette version at that] Allie* Alone Together Alpha Dog America's Suitehearts American Beauty/American Psycho (song) American Made Art of Keeping Up Disappearances As Long as I Know I'm Getting Paid* Austin, We Have a Problem Baby Annihilation Bad Side of 25* Bang the Doldrums Beat It Big Hype* Bishops Knife Trick Bob Dylan Bounce [this is a song that came out on then-Decaydance labelmates The Cab's debut record, Whisper War, which patrick produced. he has writing credit and also is credited with background vocals (and also shows up in the music video)] Caffeine Cold Calm Before the Storm Centuries Champagne for My Real Friends, Real Pain for My Sham Friends Champion Check Your Phone** Chicago is So Two Years Ago Church City in a Garden Coast (It's Gonna Get Better)* Coffee's for Closers Cryptozoology* Cute Girls* Cyanide** [this is a nothing,nowhere song that pete did some spoken word parts and backing vocals on] Dance Miserable* Dance, Dance Dead on Arrival Dear Future Self (Hands Up) Death Valley Deep Blue Love* [song patrick did for the indie short film "spell"] Demigods Disloyal Order of Water Buffaloes Don't You Know Who I Think I Am? Electric Touch [the (in?)famous taylor swift song patrick featured on] Eternal Summer Everybody Wants Somebody* Explode* Fake Out Fame Less than Infamy Favorite Record Fellowship of the Nerd [this is an alternate title for world's not waiting, as far as i can tell] Flu Game Flu Game [yes flu game is listed twice for some reason] Footprints in the Snow [demo from the Llamania ep] Fourth of July From Now on We Are Enemies G.I.N.A.S.F.S. Get Busy Living or Get Busy Dying (Do Your Part to Save the Scene and Stop Going to Shows) Ghostbusters (I'm Not Afraid) Golden Grand Theft Autumn/Where Is Your Boy Greed* Grenade Jumper Grow Up and Be Kids [this song is on The Cab's sophomore album Symphony Soldier, which release after they left decaydance. nonetheless, pete does have some writing credits on it. give it a listen and you'll hear for yourself in the first 10 seconds or so] Growing Up Hand Crushed by a Mallet [this is a remix of the 100gecs song of the same name; patrick did some vocals for it] Hand of God Have I Got a Gift for You* [song patrick did for the horror movie black friday] Headfirst Slide into Cooperstown on a Bad Bet Heartbreak Feels So Good Heaven's Gate Heaven, Iowa Hold Me Like a Grudge Hold Me Tight or Don't Homesick at Space Camp Honorable Mention Hot to the Touch, Cold on the Inside Hum Hallelujah I Am My Own Muse I Don't Care

I Got Nothing, But You Got Something [this is the one that really perplexes me. there's no evidence of this song actually existing, other than an unverified genius post and an article on a single fandom wiki. it is inexplicably listed here despite its very existence being questionable at best.]

I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me I Wanna Dance with Somebody (Who Loves Me) I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You) I've Been Waiting [this is technically a lil peep song with fall out boy as a feature] I've Got a Dark Alley and a Bad Idea That Says You Should Shut Your Mouth (Summer Song) I've Got All This Ringing in My Ears and None on My Fingers Immortals Irresistible It's Hard to Say 'I Do', When I Don't It's Not a Side Effect of the Cocaine, I Am Thinking It Must Be Love Jet Pack Blues Just One Yesterday Lake Effect Kid (song) Lake Shore Drive [this is a song patrick covered on the piano at wrigley, first night of tourdust] Love from the Other Side Love Will Tear Us Apart Love, Selfish Love* Love, Sex, Death Lullabye Mad at Nothing* Miss Missing You Moving Pictures My Heart Is the Worst Kind of Weapon My Songs Know What You Did in the Dark (Light Em Up) New Dreams [this is a bonus track on pax am days, a naked rayguns cover] Nobody Puts Baby in the Corner Novocaine Of All the Gin Joints in All the World One of Those Nights [another song from the cab's whisper war. this one has patrick doing vocals very prominently] Open Happiness [this was a huge collaborative piece done for a coca cola commercial. patrick was on it along with big names like cee lo green, janelle monae, and labelmates travie mccoy and brendon urie] Our Lawyer Made Us Change the Name of This Song So We Wouldn't Get Sued Parker Lewis Can't Lose (But I'm Gonna Give It My Best Shot) Past Life [llamania ep] Pavlove People Never Done a Good Thing* Porcelain* Pretty in Punk Rat a Tat Reinventing the Wheel to Run Myself Over Roxanne Run Dry (X Heart X Fingers)* San Diego [this is a blink-182 song that patrick did some writing for] Saturday Saturday Night Again* Save Rock and Roll (song) Sending Postcards from a Plane Crash (Wish You Were Here) She's My Winona Short, Fast, and Loud Snitches and Talkers Get Stitches and Walkers So Good Right Now So Much (For) Stardust (song) So Sick [this is a song patrick has exclusively covered live, so it's a fascinating inclusion] Sober [another blink-182 song patrick did some writing for] Sophomore Slump or Comeback of the Year Star 67 Stay Frosty Royal Milk Tea Sugar, We're Goin Down Summer Days (song) [this is a martin garrix song patrick lent some vocals to] Sunshine Riptide Super Fade Switchblades and Infidelity Tell That Mick He Just Made My List of Things to Do Today The "I" In Lie* The (After) Life of the Party The (Shipped) Gold Standard The Carpal Tunnel of Love The Kids Aren't Alright The Kintsugi Kid (Ten Years) The Last of the Real Ones The Mighty Fall The Music or the Misery The Patron Saint of Liars and Fakes The Phoenix The Pink Seashell The Pros and Cons of Breathing The Take Over, the Breaks Over The World's Not Waiting (For Five Tired Boys in a Broken Down Van) This Ain't a Scene, It's an Arms Race This City* Thnks fr th Mmrs (song) [for some reason the site specifies song here, despite that not being necessary. the only other times this distinction is relevant is when songs share a title with their albums, i.e. save rock and roll] Thriller Tiffany Blews Twin Skeleton's (Hotel in NYC) Uma Thurman Untitled 1 (Colorado Song) Untitled 2 (Jakus Song) [both of these are recently released tttyg era demos] W.A.M.S. We Didn't Start the Fire We Don’t Take Hits, We Write Them [this is a song that famously was only ever performed live. we don't have a studio recording or even a demo, as only live versions exist] We Were Doomed from the Start (The King is Dead) West Coast Smoker What a Catch, Donnie What a Time To Be Alive What's This? When I Made You Cry* Where Did the Party Go Wilson (Expensive Mistakes) Wrong Side of Paradise [llamania ep] XO You're Crashing, But You're No Wave Young and Menace Young Volcanoes Yule Shoot Your Eye Out

in conclusion i have no idea who compiled this list. it doesn't include every song patrick and pete have ever touched (notice the lack of gym class heroes, cobra starship, and hush sound discography) but it has a really weird selection of songs. i mean, blink songs patrick wrote on?? its bizarre.

anyway do you think if we mass request swing me by the rafters they'll have to do it

[aquilamage]

getting so far ahead of myself but can't stop thinking about how I would format stuff with putting the transcript out there

[thedreadvampy]

I’ve spent a lot of time thinking about disability and neurodivergence over the past couple of years (I’ve actually just now accepted a contract to freelance write a section of policy on disability and ableism for my old workplace. I have done this because I hate myself and starting a new job with 1.5x the hours as my old one JUST WASN’T ENOUGH STRESS)

and I have decided I REALLY take issue with the concept of "disabled”. like. at all. I think the construction of “disabled people” is at the root of SWATHES of what’s wrong with our society and how we treat people with specific access or wellbeing needs.

like I think it’s basically fact at this point to take a postmodern approach and accept the common framing of “people are as disabled as society makes them” ie disability is a social construct and who is disabled is purely a matter of who society isn’t willing to work around as default (the usual example is short-sightedness, which historically was a substantial disability but is barely noticeable in a society where using adaptive tech for it is normalised)

but I wanna push it further because either EVERYONE is disabled or NOBODY is disabled imo. “disabled” is a broad enough category to be fundamentally meaningless. it’s a useful umbrella term for like...people whose physical and psychological needs and personhood are often diminished, overlooked or ignored, but it’s also very arbitrary and contextual what qualifies as a disability.

which is kind of what I’m saying about person-centred parenting (which. pinch of salt I am not a parent). EVERYBODY has special needs because everybody’s needs are different. And my experience has been that positing Capital-D Disabled as a specific, blue-badge-holding, Very Serious category, and limiting your concerns about access and wellbeing needs to disabled people is: 

a) unhelpful to people who aren’t disabled per se but who benefit from specific accomodations (for a very trivial example, “having shit internet” isn’t a disability, but it’s still an access need that things like video transcripts, image descriptions and alternate communication routes will help meet) b) unhelpful to people who are “disabled-ish,” who don’t feel able to clearly identify as disabled, or who don’t know they’re disabled (which to be honest is so many of us because invisible disabilities, partial sensory or motor loss, and mental health problems make up the bulk of disabilities and those are often invisibilised or downplayed) c) unhelpful to “properly disabled” people, because it creates a huge othering effect. drawing a hard line between “normal” and “disabled,” or even imagining that that’s a line that exists, allows disabled people to be dehumanised or treated as the sum of their Tragic Suffering, as opposed to the Normal Abled People.

“Disabled” is, as I say, a useful generalisation/abstraction sometimes, but when we’re talking about actual material things (whether that’s material need or material change) it’s not a useful category. I honestly don’t think we can create a society which consistently confronts ableism while we’re trying to operate in a binary framework centred on “disabled” vs “not disabled” or “neurotypical” vs “neurodiverse”. We need to be willing to throw out the whole construction of “abled” and instead commit to handling needs without interrogating cause. 

This DOES NOT MEAN that doctors, therapists, individuals, communities etc shouldn’t try to diagnose, treat or understand conditions, or that we should throw out the idea of labelling condition groups. It just means that we need to flip how we look at it, and take a descriptive not prescriptive approach. We need to understand that these labels (whether something as broad as “disabled” or as specific as “Ehlers-Danlos type 2″) are useful as groupings, but that the function of them is to give a general idea of what issues might arise and what might help.

Every person with, say, EDS type 2 is using that to refer to the same symptom grouping, but a) they’ll all manifest, experience and describe symptoms their own way and b) they’re all individual people with other shit going on in their minds and bodies, and so what helps one of them may absolutely fuck another up. And somebody who doesn’t have EDS type 2, but who finds using a wheelchair helpful, potentially has more in common with EDS patient A (who uses a wheelchair) than Patient A has with EDS patient B (who has no mobility impairment but huge digestive problems).

And like. ok. I’m not hearing impaired but I do have audio processing issues, so subtitles are really, really useful to me. I’m not, technically, disabled in that way. it would be dodgy for me to claim I was. but it’s still super useful for me to feel able to request that. and then we have to ask - where’s the line? I’m disabled because my knees are fucked at 27. but if my knees were in this state at 80 I’d be in rude health. but if I was 80, it would still be an absolute pain in the ass to climb 5 flights of stairs, even though contextually I am healthier than expected. 

Or like...I was chatting to a pal about disability disclosure and all the little things you don’t notice affecting your life and therefore don’t report or ask for help with. I said “I have agoraphobia and there’s this like. physical resistance I have to push through to leave the house so I stand around going ‘oh no I have forgotten something’ because I’m procrastinating on having to go outside.” She said “oh I also do that but in my case it’s because I usually have forgotten something so I’m always paranoid.”

forgetfulness isn’t a disability (except when it is). and ultimately although the root is different the material impact is broadly the same. and the world is full of things we find hard that others find easy, but that may not be socially understood as disabilities. I just think we’d get a lot further if we took a solution-centred view on this. it does matter to me why I can’t leave the house, because how I handle it is affected by what the problem is. but it shouldn’t matter to eg my work why I need to give myself an extra 20 minutes to get out of the house (whether it’s agoraphobia, forgetfulness or something else) as long as we can, between us, figure out a workaround.

anyway that’s why I keep textdumping on that parenting post. because we shouldn’t have to ask “does my child have ADHD” or “is my child autistic” or “is my child trans” in order to justify finding ways for them to manage being restless, depressed, overwhelmed, manic, afraid, angry etc, or to let them wear what they feel right in and self-describe how they want to. It might be helpful to know if they’re ADHD/autistic/trans/whatever, because it can help you get ideas and resources for strategies, but it shouldn’t be necessary, and “because this thing is harmless and makes them safer/happier/calmer” is fundamentally a more important justification than “because they are autistic”

idk. treat people as people. try to do right by them. don’t build a hierarchy of Normal and Abnormal problems. just meet common needs and create space for people to express their needs without needing to disclose their whole medical history or litigate their disability status.

(TO BE CLEAR: in the current world legislation specifically related to defining disability as a protected characteristic and disabled people as at-risk/special interest groups are VERY NECESSARY. but in a world governed by an expectation of tailored accessibility and wellbeing approaches I think that necessity would at the very least be heavily reduced. and in communities trying to do more than the bare minimum to create an anti-ableist space I think the best single thing we can do is almost always to remove gatekeeping and disclosure barriers to asking for adaptations)

[doge-w-a-bloge]

Guide to the Demon Texts

These are special messages in the strings designed for Dataminers’ eyes only. Each patch has slightly different demon strings, and it can get confusing.

This guide should make understanding this text a little simpler.

VERSION 1.00

This has only one set of “demon text“ - a message from Toby Fox to dataminers, telling them not to spoil the game.

Demonx/y/z/r

Location in strings textdump: the very top

Part of this game's charm is the mystery of how many options or secrets there are. If you are reading this, please don't post this message or this information anywhere. Or doing secrets will become pointless. demonx By the way, most of the seemingly unused text/files are used. demony If you can find the in-game context for an asset, you can show it off. But if you can't, it probably means you haven't looked hard enough. Anything truly unused I'll probably post myself, later. demonz Living in a world like this, where people can simply cheat out the answers from the code... your impatience has REALLY damaged you, hasn't it? demonr

Location in scripts: attention_hackerz_no_2

VERSION 1.001

This version has two sets of “demon text“: one new, and one a vestigal remnant of the original.

Demona/b/c/d

Location in strings textdump: near the very top

prototype @@array@@ arguments Greetings. demona You have made yourself completely clear. demonb Understood. demonc I, your humble servant, will follow you to the utmost... demond

Location in scripts: attention_hackerz_no_2

Demonx

Location in strings textdump: alongside naming screen outcome text

bpants You are really scraping the#bottom of the barrel. Part of this game's charm is the mystery of how many options or secrets there are. If you are reading this, please don't post this message or this information anywhere. Or doing secrets will become pointless. demonx gaster game_restart

Location in scripts: scr_namingscreen

VERSION 1.05

Demona/b/c/d - identical content and location to version 1.001

prototype @@array@@ arguments Greetings. demona You have made yourself completely clear. demonb Understood. demonc I, your humble servant, will follow you to the utmost... demond

Demonx - empty in version 1.05 in strings, but same as 1.001 in script

Location in strings textdump: before naming screen data

_key key _label label - instructions_begin yy2 demonx string_lower string_to_hiragana l_char

Location in scripts: scr_namingscreen_check

VERSION 1.05A

A strange patch, coming out shortly after the original 1.05. It contained no differences in the game’s text or function whatsoever, other than a new version number...and a change to one of the “demon text“ variables.

Demona/b/c/d - identical content and location to version 1.001 & 1.05

prototype @@array@@ arguments Greetings. demona You have made yourself completely clear. demonb Understood. demonc I, your humble servant, will follow you to the utmost... demond

Demonx - this is the version where “HE IS” can be found

Location in strings textdump: same as version 1.05

_key key _label label - instructions_begin yy2 HE IS demonx string_lower string_to_hiragana l_char

Location in scripts: scr_namingscreen_check

VERSION 1.06

Coming only a few days after 1.05A, this patch undid the change that seemed to be the sole purpose of 1.05A’s release.

Demona/b/c/d - identical content and location to previous version

prototype @@array@@ arguments Greetings. demona You have made yourself completely clear. demonb Understood. demonc I, your humble servant, will follow you to the utmost... demond

Demonx - empty in version 1.06

Location in strings textdump: same as version 1.05

_key key _label label - instructions_begin yy2 demonx string_lower string_to_hiragana l_char

Location in scripts: scr_namingscreen_check

VERSION 1.08

While there was a strange delay between this version’s Steam and Humble Bundle releases, I can’t be bothered to check them for differences.

Demona/b/c/d - identical content and location to previous version

prototype @@array@@ arguments Greetings. demona You have made yourself completely clear. demonb Understood. demonc I, your humble servant, will follow you to the utmost... demond

Demonx - empty in version 1.08, but displays as ellipses in strings

Location in strings textdump: same as version 1.06

_key key _label label - instructions_begin yy2 ... demonx string_lower string_to_hiragana l_char

Location in scripts: scr_namingscreen_check

Will continue to update as more patches are released.

[tumblunni]

“SO WHY DO U WANT 2 HUG THIS TRASH GRANDPA, BUNNI” post

Okay, i figured since, well, that one goddamn wifi event is That One Goddamn Wifi Event, I may as well make a short post about it so people who weren’t able to see it can understand how it fuckin Blew My Mind when I was a teenager and plunged me into the fandom hell for the most obscure unloved jerkass grandpa who may or may not even be the guy this vague tantalizing mystery plot point is even about, and AAAA

So yeah here we go, transcript of the event text (thanks, Bulbapedia!) and some general summary of the context of who da fuk dis Charon is, and hopefully maybe at least one more person shall now understand this tiny fandom for a tiny gremp!

~The Context Of Charon~

(skip all this if you just wanna get to the wifi event transcipt)

If you haven’t played DPPT and don’t plan to: The villain team of Sinnoh is Team Galactic, a bunch of silly guys in space costumes with a rad jazz theme tune and a surprising level of competance in a terrifying plan to erase the universe and replace all emotion with infinate silence. Also, interesting moral ambiguity cos most of them are either oblivious or outright good, just being manipulated by the team’s super scary badass leader Cyrus who’s led them to believe they’re going to ‘fix’ the world to end all sadness for everyone. This weird complexity behind goofy nonsense hair people is what got me hooked on them as my faves!

So who is Charon in particular? Diamond and Pearl got a third version called Platinum that fixed a bunch of glitches and unfinished graphics and expanded upon the rushed endgame, etc. It also (for some reason) added one single extra member to Team Galactic, as seen here on the second furthest from the right. Charon is a grumpy grandpa and he literally does nothing in the plot. Its really confusing why he was actually added, he only gets more than two lines of dialogue if you pursue a secret sidequest waaaaay in the postgame, and he still gets like.. SIX lines of dialogue and not even a boss fight. Poor dude barely exists in this game! So what’s weird is that this wifi event kinda contains more dialogue for him than he ever got in the main game, and it at least gives him a purpose for being here- to introduce the new transformations for Rotom that were added in this wifi event. But it just seems pretty badly handled cos he never even appears in the event and there’s a lot of fan debate that it isnt even meant to be him, blablabla. And he still doesn’t do anything UNLESS you get this wifi event, which is really unfair and probably contributes a lot to his unpopularity, okay sorry I’m starting to ramble...

Basically, all you need to know is that Charon is a grumpy grandpa who does literally nothing in the plot.

The Establishing Of The Grump Gramp This is... kinda necessary to know why this thing hit me so hard in the emotions? This is why I don’t think it would work as well if Mystery Wifi Event Flashback Person actually ISNT Charon. All we see of Charon in his VERY FEW non-optional dialogues is that he is vain, cynical, pompous, greedy and for some reason obsessed with talking like a complete tool. And he’s SO MUCH this that he doesn’t even have any loyalty to his fellow villains, he exists to be like.. The More. Everyone else is some degree of honorable dude doing what they do cos they believe in a good cause, Charon is that one teammate that’s too evil even for the rest of them. Or, like, at least too petty? He’s an eternally incompetant comic relief dumbass who never even has enough imagination to do anything genuinely evil, he’s somehow less dangerous than his morally ambiguous teammates! He’s just sitting here like ‘fuq yeh i luv bein evil cos i can swipe the pocket change outta dis vending machine’, then somehow it falls on him and shatters his old man spine. Meanwhile his boss is being all ‘I want to make a world of smiles!’ *collapses the universe into a black hole and literally summons poke-satan* So ANYWAY the relevant point is that you can see why he’s THE SINGLE MOST UNEXPECTED person to suddenly get a sympathetic backstory!

Some transcript of his tiny non-wifi-event dialogues for comparison of how much of an absolute prick this man be:

” It seems quite obvious to me, Charon, the genius even the boss recognizes.” "Humph. Saturn and even Cyrus fall to a mere child... Perhaps another option needs to be considered. One befitting the genius of Charon!" [This is basically his only dialogue in a normal game run, aside from expositioning a few things that were said by other people in the previous version.]

Postgame optional dungeon text:

“What do they see in Cyrus? Immature, overthinking buffoon. He goes through the trouble of assembling Team Galactic for what? Ultimately, he destroys his own creation for his ludicrous vision. It's no thanks to him that I have to struggle with the pieces." “The young can live with their dreams. I prefer to remain firmly in reality. And for that, money is paramount.” “ With this Magma Stone, I will awaken the legendary Heatran! I will control the volcano's eruptions to extort money by the millions! Fear me! “ [cue him being defeated offscreen in a cutscene by someone else] "...Uh, what are you saying? I know nothing! Extorting with Heatran? Merely the blathering of this harmless old man! All said in jest! Besides, among Team Galactic's Commanders, I was the most junior..." [Seriously, you don’t even get to see what Heatran even is! its just an optional scene to go back after he’s gone and catch the thing.]

So yeah he does literally nothing and all we know is that he’s a jerk and he betrays his evil team only to fail horribly at being his own villain also that he has a Rather Specific Speaking Pattern, which will come up later in linking him to that wifi event BUT ANYWAY literally the rest of the team walks away and leaves him to his fate cos he’s such a jerk literally Jupiter says he’s ‘not fun anymore’ literally a man dressed in a boulder costume bitchslaps him with a giant frog its like the biggest fuckin smackdown and the player didn’t even need to participate, he just self-destructed mid cutscene farewell two paragraphs of dialogue granddad, we will probably never remember you ever

B U T

~ The Transcipt Of The Fabled Wifi Event ~

Extra context: this was probably the worst handled of all the horribly handled wifi events. Makes sense at least, sinnoh was like the beta test for whether such a thing could actually be possible in this series. i’m glad they’re more accessable nowadays, but what sucks is that now we don’t seem to even get as many Actual Events, instead they’re just a plain gift of a pokemon via trade without a fun cutscene :( But yeah it was only accessable for a one month period when the game first released, and the item you got in the vent didnt have enough clues about where and how you were meant to use it in order to find the secret room, unless you already knew it was connected to Charon.

The item for the event is the Secret Key, which is somehow charmingly the least secret secret of all time

You take this to one random spot on a random wall in one of two separate Team Galactic HQs in this game, and the whole damn wall vanishes to reveal Charon’s Secret Lab/The Rotom Room

Here, you can turn Rotom into any of its new transformations. And then, completely optional, is a hidden backstory for this one terrible granddad! The notebook on the bottom desk explains how the transformations work, gameplay-wise, and also ‘hey this secret lab belongs to me specifically, Charon’ The notebook up to the top right on top of the box which you might not have noticed, and might have assumed would just contain more boring tutorials? Hoo boy dude, 99% OF THE EVENT DIALOGUE is in that thing! And you’d think a second hand flashback entirely through longwinded narration would be terrible but man somehow it really just worked for me. RIP my soul, cause of death: this

SO LETS GET GOING TO THE MEAT OF THIS POST, MY FRIEND

If you don’t feel like scrolling thru this textdump, I’d reccommend Chuggaaconroy’s excellent lets play of platinum, where he read out the journal here. (16:25, talks about the various wifi event failures first.) Or if you watch this earlier episode (17:15) you can see the whole mini-dungeon where you can catch Rotom in the first place, which isn’t necessary to understand all this but its still super cool. If you do feel like scrolling, here have the appropriate music, or the appropriate music: anime orchestrated version

+++

"It's an old notebook. There's no telling how old it is."

Our encounter was a sudden one. It was when I found my toy robot, one that I had earlier misplaced. At that instant, a Pokémon startlingly emerged from the lawn mower's motor! Clutching my robot, I stared, transfixed by the peculiar Pokémon.

The Pokémon hovered in the air, held aloft by a power unseen. As if curious and unafraid of my presence, it floated toward me. Crackling sounds accompanied it, as if from static electricity in the air. Remarkably, it seemed the Pokémon was the source of this power! In alarm, I flinched, certain that my face would be subjected to a shock. Much to my surprise, the Pokémon seemed to favor me with a smile.

Finally, I came to realize that the Pokémon only wished to be friends. I have decided to name this most wondrous Pokémon 'Rotom.' Simple though it may be, Rotom emerged to me from the motor of a lawn mower. Motor and Rotom... Surely the link is obvious?

Rotom is a Pokémon that is simply sensational. The fact that it can turn invisible is simply the beginning. What makes Rotom unique is its ability to enter and operate machinery!

Rotom and I became fast friends. We were perpetual companions. The electricity from its body forbade contact, however. We could not touch, let alone hug or hold hands, but we cared not. For we were bonded on a much deeper, incorporeal level.

A feeling of mischief got the better of me one day. Seeing Rotom hovering, I decided to startle it--normally I would not. Perhaps frightened, Rotom discharged power beyond its usual range. I fell, stunned, into the arms of unconsciousness...

When I came to, to my horror I realized that Rotom had disappeared. I searched high and low for my friend in dismay and desperation. 'Don't chastise yourself. The fault is mine. No harm done. Let us play as we always have.' Though my words poured out, my friend could not be found to hear them...

My search for Rotom carried me far from home. It was in the town's rubbish heap that I again found my old toy robot. Curiously, our eyes met, then the robot waved a hand as if in greeting. I knew then that I had found my lost friend. I ran to it and hugged Rotom tight, talking on and on.

The robot's eyes lit up happily as I held it. I'm certain that, within it, Rotom was emitting lots of electricity. Somehow, I felt I could understand Rotom's thoughts better than before. Also, I realized that we would remain friends throughout our lives...

"The notebook ends with this page..."

+++

+++

And this is his one and only trading card, and the biggest canon confirmation that he was indeed intended to be the mysterious author of Eighteen Pages Of How Much I Love To Hug My Friend Don’t tell me he doesn’t become INFINATELY more interesting with this knowledge!

Fuckin hell I would give my left foot to see an expanded plot upon this man’s secret good side seriously HOLY SHIT would you ever have imagined he cared about anyone, let alone THIS MUCH? Just sorry seriously i could talk for hours about this aaa dear god...

Oh and another minor transcript, you can get some dialogue from Rowan the first time you transform Rotom into one of its new forms. Its kinda interesting cos it gives some more Vague Potential Lore that inspires a cool headcanon that him and Charon might have known each other in the past? Cos he seems to know at least some details of that hidden journal...

"A Pokémon that slips into electric appliances, you say... Hmm... That is somewhat off from what I've heard about it. Hmm... This is what I've heard. Long ago, there was a Pokémon that merged with a toy robot. Should that Pokémon be recognized as a new species or not... Debates over the issue were about to start when they were rendered moot. The very topic of discussion--the Pokémon-infused robot--disappeared..."

Also that leads into another possible less-heartwarming interpretation of the whole thing that is actually EQUALLY interesting and ALSO makes Charon way more deep as a character! The idea that maybe this heartwarming thing is completely in the past, and nowadays he actually is 100% a horrible prick. Cos I mean, the one rotom you can find in the game is in that mysterious abandoned fancy old house, which is pretty heavily implied to be the notebook-writer’s childhood home where they met it. You can find a fragmented extra notebook page which seems to be the day before the start of the entries you can read in Charon’s lab. It says "Som...hing so pecu...r shou... make off ...ith the mot..." , which was confirmed to be "Something so peculiar should make off with the motor..."  aaaaaallll these years later in an episode of Pokemon Generations. So there’s the interpretation that maybe this rotom you can catch is the same one described in the journal, which makes you wonder why its all alone here if Charon supposedly cared about his friend so much. Perhaps he really was a decent guy once, but when he grew up to be such an evil prick he abandoned his pokemon? or maybe it saw what he became, and ran away? or maybe some other sort of mysterious thing happened to cause them to become separated? There’s so many potential interpretations of this whole thing, aaaa!! Why was such a tantalizing plot point wasted on a super hidden wifi!!!

But of course I like the version where trash gramp has one shred of redeemability in his soul and then hypothetically you could have a sidequest to reunite him with his tiny tangerine friend and convince him of the error of his ways and then EVERYONE CAN HUGS AGAIN

AAAAAAAAAAAAAA

srsly its got the power to make me never stop thinking about this damn wifi event for all these fuckin years giv grandpa justice, dammit

[mmani-e]

The annoying thing to me is that the answer to "which danganronpa character would would work playing this musical villain?" is, like 5 times out of 10, Kokichi. Kokichi's just kinda the best at embodying the things that make a villain a villain.

M. Thenardier? Lying scumbag roach, that's Kokichi. Beetlejuice? High-energy creep, that's also Kokichi. Lord Faarquad? Short controlling manipulative bastard, that's KOKICHI. Britt Craig? Lying bastard out for personal gain, Kokichi!!! The Wizard of Oz? Manipulative scumbag supreme leader, THAT'S KOKICHI!

What could be Kokichi's villain song? Pull one out of a hat, your pick is just as valid as anyone else's.

Personally, I'd argue Real Big News would be his main one but I'm just a massive fan of Parade and I love that song.

[mmani-e]

Every single person at the end of DR2 having lost their most likely significant other is something I think about a lot. Mainly the fact that Kazuichi is exempt from that, which is fine because his whole arc is about finding the will to stick around with his friends, learning to trust them no matter what, and that would be a little lessened if he had a clear significant other he was fighting in the name of, rather than his fallen and still living friends as a whole...

But I'm obsessed with this headcanon I have that Kazuichi wakes up in cold sweats every night after Trial 3. Why? He dreams about the past he had with one of the girls who died in it. Ibuki, Mikan, Hiyoko, any one of them, and honestly you don't have to change much, and I think you have to change the least if it were Hiyoko.

Cause I can imagine the guy misinterpreting dreams of Hiyoko's blonde hair as being Sonia's, in fact Hiyoko in his dreams wouldn't look like DR2 hiyoko at all, it'd be post growth spurt, making him double down on the Sonia obsession thing.

At least till he sees that picture in chapter six and realizes he fucked up. And when he gets visited in his moment of absolute despair, like Hajime getting visited by Chiaki, Hiyoko is waiting for him with a disappointed look on her face and some choice words for continuing to simp for Sonia while she was literally sending brain signals from the dead.

While I obviously don't think Kodaka even considered this pairing, I do think it's funny how of all people it's him who discovers her picture. That always sticks with me in my mind.

[mmani-e]

NOW I'm curious on how the other musicals for the other classes went. We know about V3's experiences and Dr2's Wicked experience, but what about everything else with Class 78 and 77's other musicals?

(Your brainrot got me in a chokehold and now I'm brainrotting about it too!)

Alright then! Brainrot spewage below (setting it to read more because it's just a lot haha)

- 1st Year -

DR1: Heathers

Cast: Veronica - Toko, J.D. - Mondo, Chandler - Junko, Duke - Celestia, MacNamara - Aoi, Martha - Sakura, Kurt & Ram - Leon & Yasuhiro, Ms. Fleming - Sayaka, Veronica's mom - Kyoko, Byakuya n Taka - Kurt n Ram's dads.

- Went perfectly.

- Lots of them expressed doubts at putting out such a risqué musical for their first showing, Toko, Celestia, and surprisingly Junko REALLY wanted this though and socially engineered/blackmailed/convinced everyone else to do it too and give it their all.

- Toko goes from pigtails design to her despair girls design in the show.

- Mondo is a very unique J.D. where he utilized his size and presence onstage to make himself REALLY scary. He can actually punch holes into the set with his fist

- They never ended up doing Dead Girl Walking, but in rehearsals they tried it and Genocide Jack kept forcing herself out to slobber all over Mondo.

- Toko lowkey developed a crush on Mondo because of this.

- Junko took this role way too seriously, and Celestia too. While Junko isn't a theatre nerd, she really loves this one show in particular, Celestia is a theatre nerd and that side of her kept coming out in rehearsals.

- Sayaka was not cast for any main roles because she's actually not that great of an actor. Mukuro's amazing singing voice was also not utilized because of the same reason. Kyoko is kind of terrible at everything needed for musicals, while Makoto and Hifumi were lead set designers and took a backseat.

Dr2: Be More Chill

Cast: Jeremy - Hajime, Christine - Chiaki, Michael - Nagito, SQUIP - Gundham, Jeremy's dad - Nekomaru, haven't thought abt the rest but the bi one is Kazuichi.

- Went pretty well tbh.

- Nagito wasn't a good michael, he was half cast because of funny gay jokes between him and Hajime at the time. This wasn't very funny after a while but they were in too deep. He's also just not a great actor for musicals.

- Chemistry between Hajime and Chiaki was good, too good. Emma Stone/Andrew Garfield in Amazing Spiderman levels of too good, honestly kind of suffocating.

- Rest of the cast did well.

- Kazuichi's machines don't vibe that well with the techno-modern sensibilities of BMC.

- Overall 2nd place.

DRV3 Class: Waitress

Cast: Jenna - Kaede, Becky - Maki, Dawn - Himiko, Ogie - Kokichi, Cal - Kaito, Dr. Pomatter - Shuichi, Earl. - Rantaro, Joe - Ryoma

- The opening was done perfectly.

- The rest of the show was kind of a mess

- The students are probably the most OP when it comes to making a production, the problem is that they are also the most chaotic and difficult to control

- Kokichi thought it would be cool to pretend to act like Ogie during rehearsal, only to ditch the costume in the actual show.

- Angie's set design was a little too bombastic the for the grounded production

- Kaito misunderstood his character

- Kaede and Shuichi had the same problem as Chiaki and Hajime, just worse somehow

- No matter what Rantaro tried to do everyone kept thinking he was too hot

- Mess, last place. Himiko blew a gasket, Kokichi looked hollowed-out for the rest of the year

- 2nd Year -

Dr1: Phantom of the Opera

Cast: Phantom - Byakuya, Christine - Mukuro in a blonde wig, Raoul - Leon, other guys I haven't thought of.

- Basically they flew too close to the sun

- This was a disaster

- After the first production, nobody really wanted to work for Toko and her co-planners, and the whole class was divided.

- Junko was also placed under investigation for a whole year for suspected terrorism plots (Mukuro finally got friends and snitched)

- Toko was also MIA to hide from the cops for a good chunk of the year

- Mukuro ended up being a really good Ingenue though and has a great voice for opera.

- Byakuya was very convincing as Phantom

Dr2: Wicked

Cast: Elphaba - Mahiru, Hiyoko - Galinda, Nessa - Mikan, Fiyero - Kazuichi, Oz - Hajime, Morrible - Sonia, Boq - Teruteru, Dillamond - Gundham, The Lion - Nekomaru, Dorothy - Chiaki

- Production went down in school history as the perfect storm.

- Had mad repercussions on a class that wasn't even performing it and all future productions.

- After their performance, the other classes said they won because they performed the show, but actually Chisa straight up said if they didn't perform this show perfectly they would lose by default.

- That's because this show wasn't even really an option to perform, but Sonia and Hiyoko were adamant about performing it instead of anything else on the selection list. This was meant to be a year 3 production.

- Hiyoko basically threw a tantrum to play Galinda, Mahiru calming her down was what made them both get cast as the leads.

- Kazuichi thought Sonia was Galinda (she lied to him) which made him accept the role of Fiyero

- Sonia's infinite resources + Kazuichi's brains meant they might as well have made Oz real. Real Oz the great and powerful mecha with control panel, real time dragon, jet powered broomstick, industrial powered fans, bubble machines that generated real, enormous bubbles, and an emerald city that popped out of the floor.

- This production also put a hard cap on all future musical budgets btw, hmm I wonder why.

DrV3: Hercules

Cast: Hercules - Kaito, Megara - Maki, Hades - Kokichi, Phil - Ryoma, Zeus - Gonta, The Muses - Angie (head Muse); Kaede; Tsumugi; Tenko; Miu, etc, Persephone (bonus character added by the class) - Himiko

- Actually went really well, retconning it so that this is better than Waitress

- Still, the reason they did this was because Himiko crashed out and got depressed because she didn't even get the chance to play Elphaba

- Kaito and Maki make for a very convincing Herc and Meg

- Kaito just isn't a tenor, so they transposed his songs down

- Maki is essentially playing herself

- Kokichi genuinely tried setting his hair on fire for this role with special fireproof gel but Chisa put the kibosh on that

- Gonta was kind of the problem point, he kept forgetting his few lines. He was taught by Nekomaru how to generate inexplicable lightning from his body though

- Year 3 -

Dr1: Company

Cast: Not going into detail about this one because this is a 12 or 14 character show. Know Makoto plays Bobby, Mukuro, Kyoko, and Sayaka play his 3 love interests, Toko is Amy, and Junko plays Joanne.

- If this was played last year, it might have actually beat Dr2's production because of how insane they went here.

- They follow the 2006 revival of Company's schtick where each character except Bobby plays an instrument, they all learned instruments for this and cut back dancing almost completely

- Kyoko, Mukuro, and Sayaka all play the part of frustrated ex/prospective girlfriends very well... A little too well...

- Junko got fucked up by her time in prison and wants to vent by acting like a jaded middle aged woman

- Mukuro plays a southern ditzy belle really well and also doubles as the backup Opera singer for "Not getting married today" where Toko plays Amy.

- Genuinely a great step up with the budget used extremely effectively to make the set look classy but not absurdly expensive.

- Byakuya's favorite musical

Dr2: Little Shop

Cast: Seymour - Hajime, Audrey - Mikan, Audrey II - Gundham (Voice) Kazuichi (Puppeteer), Mr. Mushnik - Fuyuhiko, Orin - Nagito, The Singers - Hiyoko; Mahiru; Ibuki

- This is actually meant to be a year 2 show.

- They ended up last place due to their budgetary restrictions not allowing Kazuichi to make a fully powered mechanical Audrey.

- That wasn't the only problem, but Kazuichi says it is years after the fact.

- Mikan keeps slipping when she tries to dance. This is why she was Nessa in year 2. She makes for a really good Audrey though

- Overall a good production. Just not a great or inventive production, overall last place.

DrV3: Beetlejuice!

Cast: Lydia - Himiko, BJ - Kokichi, the Maitlands - Kaede and Shuichi, Delia/Miss Argentina - Angie, Charles - Korekiyo, Maxie - Ryoma, Maxine/Juno - Kirumi, Girl Boy Scout - Kaito, Otho - Gonta

- The musical that proved everyone else that if these students took themselves seriously they are literally unbeatable.

- Angie on set design and props, Tsumugi for costumes, Shuichi and Korekiyo on research, Kaede on re-scoring, Himiko on stage direction and production, Kokichi on extra manpower, Tenko on choreography.

- Kokichi stepped tf up to help make this musical a reality as a way to make things up to Himiko. Also he really wants to play Beetlejuice. They removed the restriction on manpower this year so they let him bring in his goons

- Angie also trained herself to be really flexible for this role so she moves around like a cartoon character in Delia's song

- Kaede and Shuichi are so white

- They recast the girl scout to he a boyscout and let Kaito play as him as a request, because Kaito wanted to make light of almost dying of a disease earlier in the year

- Only complaint anyone had was that BJ and Lydia seemed to be a little too comfortable with eachother in this performance

- When asked why Korekiyo was Charles, Angie replied that he was the only one that could believably want to marry her depiction of her character

- The FX work is especially crazy, with many of the machines being possessed by Keebo's consciousness to move without need of automatic systems or puppets, like the Sandworm, many of the walls are holograms made by Miu, and Keebo personally lifts Himiko up at the end by detaching his hands and crawling them up her dress like spider before using magnets to levitate her.

-

And yeah that's about it! Hope this satisfied, tell me what ya think.

[mmani-e]

As different as Hajime and Chiaki are to Orpheus and Eurydice personality-wise, in Hadestown at least, All I've Ever Known is 1000% their song, more than any other pairing in Danganronpa imo.

These lines just work so well for like, Hajime meeting Chiaki in DR2:

"... but when I saw you all alone against the sky it's like I've known you all along.

I knew you before we met,

and I don't even know you, yet."

And Promises brings it full-circle. DR3 Chiaki IS saying these lines exactly:

"... don't promise me fair sky above

don't promise me kind road below

just walk beside me love, anyway the wind blows."

Anyway, listen to the Hadestown OBC album and start crying. You pretty much get the whole story in that album.

[aquilamage]

oh yeah babey, it’s finally time for my cleanup playthrough

[aquilamage]

gonna go through everything again to make sure I didn’t accidentally double up on anything (and in case I think of anything I missed) but boy is looking at the big difference in numbers between vi and kabbu vs everyone else so funny

excited about being at the point of being able to make the Everything page because that means then I get to do my cuss words spreadsheet